On the colony world of Lir, where water covered most of the planet and resources were scarce, a new age of sail came about.
Many wondrous features of the planet made this possible. Consider the ferrous algae that could be spun into sails with incredible tensile strength. Gaze in awe at the floating forests like lily pads grown gargantuan, provided a sustainable source of timber and a platform for mobile fortresses.
But the occurrence that provoked the most awe (and horror) was when the jellyfish rocked up to the colony, squatting in the craniums of bleached bone skeletons with bloody hearts glowing in their chest cavities.
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Weird Worlds Vol.2 #2 - Eerie Publications, April 1971. Cover art by Johnny Bruck.
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Splash page for the John Carter of Mars feature in Weird Worlds (vol. 1) #1 (September, 1972). Written by Marv Wolfman, art by Murphy Anderson.
DC Comics attained the license to many of Edgar Rice Burroughs' characters in 1972. The company immediately took over the long-running Tarzan and Korak, Son of Tarzan comics books from Gold Key Comics, and kept the numbering.
The John Carter serial began in Tarzan #207, the first DC issue. Because DC's deal with ERB Inc. called for additional comic books featuring Burroughs' characters, Weird Worlds was created. John Carter was imported into the new book, along with a David Innes/Pellucidar serial that had run as a back-up feature in Korak.
That's why Weird Worlds #1 did not feature the first chapter of either serial.
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Yall wanna hear a kinda funny, kinda sad story about my grandmother and hetero-normativity?
Ok, so... when my grandmother was in her 50s (I was an infant), she met a woman at the Unitarian Church. And, as can happen when you meet your soul mate, this event made it impossible for her to deny parts of herself that she had fiercely hidden her whole life.
All the drama- their affair being found out, the divorce with my grandfather, the court battle over who got the house, happened while I was a baby. Even in my earliest memories, it's just Mama Jo and Oma, and my grandfather lived elsewhere (first his own apartment, then a nursing home, then with us.)
But here's the thing- no one ever explained any of this to me. No one ever sat down and was like "hey, Rosie, so do you know what a lesbian is?" It was the 90s. It was Texas. I think my mom was still kinda processing all this, and just assumed that like... I was gonna figure it out. Don't mention it, let it just be normal. Like I think my mom thought that if she explained the situation, she would be making it weird? I dunno.
But like. In the 90s, in all the movies I had seen and books I had read, do you know how many same sex couples I had seen? Like. 0. Do you know how many "platonic best friend/roommates" I had seen? A lot. I had no context, is what I'm saying.
I literally thought this was a Golden Girls, roommates, besties situation until I was like...I dunno, 11? 12?
It was actually their parrot, an African Grey named Spike, imitating my grandmothers voice saying "Johanna, honey, it's getting late", that triggered the MIND BLOWN moment as I realized that *there's only one master bedroom and it only has 1 waterbed* when all the pieces finally clicked.
Anyway. I think it's a real important thing for kids to know queer people exist, for a lot of reasons, but also because kids can be clueless and it's embarrassing to have your grandmother be outted by a parrot because everyone just thought you'd figure it out on your own.
Anyway, here is my grandma and her wife, my Oma, after they moved to Albuquerque to be artsy gay cowboys and live their best life. They helped run a "Lesbian Dude Ranch" out there (basically just with funding and financial support. As Oma has explained "traditionally, most lesbians don't have a lot of money" so they wrote the checks and let the younger ladies actually run the ranch.)
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Michael Kaluta and Joe Orlando - Weird Worlds #4
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“Jubal the Ugly One (DC, 1973). Fan-favorite writer Denny O'Neil turned out some fantastic scripts for DC comics and was instrumental in the switch from Silver Age to Bronze Age for the company with his revitalization of Wonder Woman, and Green Lantern/Green Arrow. This series was presented by Tarzan on the cover to bring those readers to these works adapted from other Edgar Rice Burroughs stories. This O'Neil penned story is adapted from the Pellucidar story "At the Earth's Core" by ERB.”
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Added: the scripted page, as pencilled and inked by Kaluta.
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losing my actual mind rn
i had this interaction in the dropout discord (i am the first and third person). short. simple. i only got the first year bc of a discount + a gift card i had, so i was planning on using this person's suggestion.
then, i got this.
oh my god!! how nice!! how sweet!!! how thoughtful!! i gave them my email and they sent over a subscription, i thanked them profusely. i was very grateful, very touched.
hours and hours later i was still thinking about it and i recalled how, in the email id gotten about it, it said "tao yang sent you a subscription" and id seen that and thought "oh haha like the tao yang" and then moved on
but now, thinking back, i was like.... theres no way, so i googled tao yang.
......
TAO YANG BOUGHT ME A FUCKING ANNUAL DROPOUT SUBSCRIPTION
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Weird Worlds Vol.2 #3 - Eerie Publications, 1971. Cover art by Johnny Bruck.
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Weird Worlds (vol. 1) #3 (January, 1973). Cover by Joe Orlando.
John Carter and Dejah Thoris face one of the horrific Plant Men of Mars.
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