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#we watch my story animated together
lilacthebooklover · 5 months
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my sister just came into my room, asked me about my opinion on pescatarians, and proceeded to make me smell the chicken & mushroom pot noodle she was eating. today was when i learned that chicken & mushroom pot noodles are vegetarian.
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starsandthorn · 6 months
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soo cool that garuda hua is finally a thing but good god at what cost [aged-up griseo]
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clemahito · 2 years
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This is what being perfectly normal about Durarara looks like
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chloecherrysip · 1 year
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I'm in a new Going To The Movies By Myself And Having The Best Time Ever era over the past couple of months, and I gotta say, it's pretty wonderful. :)
On a related note, here's a spoiler-free review of Across the Spiderverse
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dent-de-leon · 1 year
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help I once again remembered we are getting animated mighty nein and can't stop thinking of the possibility that we might get to at least have Mollymauk stay alive for a bit longer--
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izanyas · 11 months
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hi! have you ever written a kunikidazai fic?
yes :) only a short little ficlet a while ago for a prompt... and my inception au is kunikida/dazai/chuuya endgame, it's just that at the time of that particular one-shot dazai and chuuya are together and haven't gone around to dating kunikida yet (but they both want to, and have already discussed it with kunikida himself, just before chuuya's disappearance).
here's the prompt fill!
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sunliv · 2 years
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watched the sonic movie again. crying screaming yelling etc
#THAT’S HIS DAD! THAT’S HIS MOM! THOSE ARE HIS PARENTS!!!!#HE’S GOT A BROTJER!!!!! HE’S GOT TWO BROTHERS!!!!!!#HE GOES SUPER!!! SUPER SUPER SUPER SUPER#GOLDEN AND FLYING AND EVEN FASTER AND UNBEATABLE#PROJECT SHADOW!!!! FUCK!!!!!#SOMETHING UNDER ‘ROBOTNIK’ FROM 50 YEARS AGO!!!!!! A BLACKSITE!!!!! FUCK!!!!!!!!#ouguh and when Shadow’s legs start showing up while the dude’s like ‘my god…’ like SAME BRO#im so so so so so fucking excited for the third movie GOD wont 2024 come FASTER#but it’s ok! i’m a very patient girl! i can wait!!#thank you mystery skulls animated for teaching me patience <3#anyway im losing my mind over this what yall up to lol#this is always my reaction#i watvhed it on the living room and my mom sat there bc. bc. and then complains it when i watch it at my speed (rewatching the same scene 7#times) like oh im sorry YOU decided to sit here smh🙄 /lh#oh im so excited for the next movies#i’ve been thinking abt it what kind of stories they could make…#im imagining what games can be incorporated and whatnot#obv sa2 is gonna be in the 3rd movie yeah but like whqt else#they put 2 ans 3&k together and we’ve yet to see Amy i’m lowkey hoping they put cd in the next one! although metal would prolly make things#harder bc we cant have 2 sonic clones in the same movie right? and idk ig sa2 has plenty of story on its own but still! also Amy is VERY#important for Shadow’s turning point at the end of sa2 so she must show up righ???#i can see cd showing up too.. or at least a PART of cd… idk idk#then i thought abt since the next movie will be shadow when’s the THIRD s hedgehog show up right? do u think 06 will ever be adapted…….#they could use Elise??? maybe??? wouldn’t that be cool? no need for the kiss just a girl who has half a god inside her! no need for romance!#anyway. what abt unleashed. oh can you imagine the werehog????? please please plea#ok so i am DEF looking too much into it but Eggman DOES howl in this movie and comment on super sonic ‘you look good’ NOT ‘you look festive’#which COULD leave it open for unleashed stuff… idk idk i just like to dream skdnkfmf#liv.txt
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Why watch a show when you can instead find someone who's passionate about a show and ask them to explain it
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bleachrs · 5 months
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sometimes you consume a piece of media that hits you so profoundly that it forces you to wobble back on over to this site for content fulfillment. hi, long time no see, im doing well and hope you all are too :')
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headspace-hotel · 7 months
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I will write this thought about Veganism and Classism in the USA in another post so as to not derail the other thread:
There are comments in the notes that say meat is only cheaper than plant based foods because of subsidies artificially lowering the price of meat in the United States. This is...part of the story but not all of it.
For my animal agriculture lab we went to a butcher shop and watched the butcher cut up a pig into various cuts of meat. I have had to study quite a bit about the meat industry in that class. This has been the first time I fully realized how strongly the meat on a single animal is divided up by socioeconomic class.
Like yes, meat cumulatively takes more natural resources to create and thus should be more expensive, but once that animal is cut apart, it is divided up between rich and poor based on how good to eat the parts are. I was really shocked at watching this process and seeing just how clean and crisp an indicator of class this is.
Specifically, the types of meat I'm most familiar with are traditionally "waste" parts left over once the desirable parts are gone. For example, beef brisket is the dangly, floppy bit on the front of a cow's neck. Pork spareribs are the part of the ribcage that's barely got anything on it.
And that stuff is a tier above the "meat" that is most of what poor people eat: sausage, hot dogs, bologna, other heavily processed meat products that are essentially made up of all the scraps from the carcass that can't go into the "cuts" of meat. Where my mom comes from in North Carolina, you can buy "livermush" which is a processed meat product made up of a mixture of liver and a bunch of random body parts ground up and congealed together. There's also "head cheese" (made of parts of the pig's head) and pickled pigs' feet and chitlin's (that's made of intestines iirc) and cracklin's (basically crispy fried pig skin) and probably a bunch of stuff i'm forgetting. A lot of traditional Southern cooking uses basically scraps of animal ingredients to stretch across multiple meals, like putting pork fat in beans or saving bacon grease for gravy or the like.
So another dysfunctional thing about our food system, is that instead of people of each socioeconomic class eating a certain number of animals, every individual animal is basically divided up along class lines, with the poorest people eating the scraps no one else will eat (oftentimes heavily processed in a way that makes it incredibly unhealthy).
Even the 70% lean ground beef is made by injecting extra leftover fat back into the ground-up meat because the extra fat is undesirable on the "better" cuts. (Gross!)
I've made, or eaten, many a recipe where the only thing that makes it non-vegan is the chicken broth. Chicken broth, just leftover chicken bones and cartilage rendered and boiled down in water? How much is that "driving demand" for meat, when it's basically a byproduct?
That class really made me twist my brain around about the idea of abstaining from animal products as a way to deprive the industry of profits. Nobody eats "X number of cows, pigs, chickens in a lifetime" because depending on the socioeconomic class, they're eating different parts of the animal, splitting it with someone richer or poorer than they are. If a bunch of people who only ate processed meats anyway abstained, that wouldn't equal "saving" X number of animals, it would just mean the scraps and byproducts from a bunch of people's steaks or pork chops would have something different happen to them.
The other major relevant conclusion I got from that class, was that animal agriculture is so dominant because of monoculture. People think it's animal agriculture vs. plant agriculture (or plants used for human consumption vs. using them to feed livestock), but from capitalism's point of view, feeding animals corn is just another way to use corn to generate profits.
People think we could feed the world by using the grain fed to animals to feed humans, but...the grain fed to animals, is not actually a viable diet for the human population, because it's literally just corn and soybean. Like animal agriculture is used to give some semblance of variety to the consumer's diet in a system that is almost totally dominated by like 3 monocrops.
Do y'all have any idea how much of the American diet is just corn?!?! Corn starch, corn syrup, corn this, corn that, processed into the appearance of variety. And chickens and pigs are just another way to process corn. That's basically why we have them, because they can eat our corn. It's a total disaster.
And it's even worse because almost all the USA's plant foods that aren't the giant industrial monocrops maintained by pesticides and machines, are harvested and cared for by undocumented migrant workers that get abused and mistreated and can't say anything because their boss will tattle on them to ICE.
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nightrae13 · 9 months
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not me sneakily using the classroom's TV to watch the Gen 1 movie after classes, and introducing my classmates to Honeyworks: 👀👀
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guardianspirits13 · 5 months
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Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.
On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.
Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.
Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?
We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.
I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.
Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.
The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.
Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.
I am just…in awe.
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tritoch · 1 month
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i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.
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none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.
in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:
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but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.
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lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.
later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.
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this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.
for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.
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stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.
second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.
for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.
the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.
paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.
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in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).
so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.
it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.
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and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.
and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.
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from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.
not bad for a mit button you hit once per fight and otherwise never think about!
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moonstruckme · 1 month
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He would never take those bracelets off 😭 now I kinda want a fic of counselor James and counselor reader how cute
Hi, I've lowkey been hoarding this for months because I wanted to wait until I felt summery enough, thank you for requesting!!
camp counselor!James x fem!reader ♡ 693 words
“Land ho, boys!” A familiar voice reaches you over the water. Your eyes are closed towards the sun, but you feel your lips twitch upward. “Thomas, if you don’t help Callum paddle you’ll fall behind, and the last one to shore has to buy me a popsicle after dinner. Hey, look, we’ve got a mermaid on our beach!” 
You turn your head to the side, squinting your eyes to see James and his cabin of boys paddling toward you in kayaks over the lake. You lift your hand in a lazy wave. 
“Oh, false alarm, it’s just y/n. Hi, y/n!” He raises an arm to wave back at you, wrist stacked with string bracelets made with care by small hands.
You swear he’s got more from your own campers than you have, but you don’t mind; James is a hero to most of the kids, the goofy gentle giant who lets them ride on his shoulders when your manager isn’t looking and deals temporary tattoos out of his cabin during mealtimes.
“Careful, Archie, mate, if she catches you rocking your kayak like that she’s going to hang you from the lifeguard stand by your toes.” The boys laugh, and James protests, “No, really! I’ve seen her do it, don’t say I didn’t warn you.”
You roll your eyes and close them again, turning your face back towards the sky. It’s not until you hear the shushing of kayaks against the coarse sand and a shadow falls over you that you say, without opening your eyes, “Spreading rumors about me again?” 
“They know better than to take me seriously.”
James’ shadow moves as he sits beside you on the sand, and you turn your head again to see him. He’s looking over his shoulder at the boys, the lean muscles of his abdomen stretching and dusky skin shining with sweat in the afternoon sun.
“Hey, whoever puts my kayak and paddle up, I’ll buy them a popsicle after dinner.” Shouts and bickering ensue, and James turns back around with a smile. “Where are your kids?” he asks you. 
“In arts and crafts,” you say. “Figured I’d catch a nap while they were busy.” 
He hums, setting his hands on the warm sand behind him and leaning back. “So you didn’t just come here to see how fit I looked dragging a paddle through the water?” 
You know James is only playing, but embarrassment tingles down to your toes anyway. “Not this time, sorry.” 
“Mm, don’t believe you.” He shoots you a grin, and you look away under the guise of rolling your eyes. That thing is more glaring than the sun. “You coming to the bonfire tonight?” 
“Don’t we have to?” you ask. It’s the last night of this session, and camp always closes out with a bonfire and s’mores for the kids. 
“I mean the other bonfire.” At your blank look, James continues, looking rather too pleased to know something you don’t, “After the kid’s bonfire, when they’re all watching a movie in the cafeteria, some of the counselors are planning to go out into the woods and have a grown-up’s bonfire.” 
You giggle. “Grown-ups? What are we, twelve?”
James bobs his head. “And we’re gonna have s’mores, and tell ghost stories, and maybe play truth or dare,” he says in an exaggeratedly animated tone. “It’s gonna be super cool.” 
“It sounds super cool,” you agree, laughing. “I’ll be there.” 
“Excellent.” James casts a look over his shoulder and starts standing up. “I should get back to my kids before they injure each other.” 
You check the time and sigh. “Yeah, me too.” 
“Want a hand?” 
You reach up and James takes your hands in his, hauling you upright. Your head lightens once you’re vertical, a combination of your sun-warmed skin and James’ touch making you woozy. 
“See you later?” he asks, releasing your hands and starting to back away as the shouting behind him grows more boisterous. “I’ll come find you in the cafeteria, we can walk together.” 
“That’d be great, thanks.” You start walking away, too, ignoring the pleasant buzzing in your chest. “I wouldn’t miss it.” 
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ROTTEN: Behind The Foodfight
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Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.
Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."
But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-
It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.
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I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.
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There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.
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That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.
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For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.
I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!
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strawbvrriluv · 2 months
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can you do soft chris sucking tittys after a hard day but make the story kinda long
I LOVE Boobs
ᴘᴀɪʀɪɴɢꜱ: ᴄʜʀɪꜱ ꜱᴛᴜʀɴɪᴏʟᴏ x ʀᴇᴀᴅᴇʀ
ꜱᴜᴍᴍᴀʀʏ: ʙᴀᴅ ᴅᴀʏ = ʙᴏᴏʙꜱ
ᴡᴀʀɴɪɴɢꜱ: ꜱᴍᴜᴛ(ɪꜱʜ), ʙᴏᴏʙ ᴘʟᴀʏ?, ꜱᴏꜰᴛ ᴄʜʀɪꜱ
꧁༺ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ༻꧂
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Your POV:
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I sighed frustrated, Chris was being cold and distance on text which wasn’t like him.
Maybe he had a bad day, but he shouldn’t take it out on me that wasn’t fair.
I laid down on the couch watching some random show on Netflix as I heard my apartment door open. I sat up looking at my door to see my boyfriend Chris walk in.
"How was your day?"
I asked smiling softly at him, hoping he’d open up and talk to me about it. Instead of doing that though he ignored me as he took his shoes off.
He then mumbled an okay and walked straight into my bedroom, I got up from the couch and followed behind him. I sighed running my hand through my hair.
"Did you have a bad day?" My voice low as he turned to face me in the doorway. He rolled his eyes scoffing, as he stuck his tounge out in his cheek.
"Can we just not right now."
His voice was cold, not the kind of tone you'd use with your girlfriend. I put my hands up in defeat not wanting to fight with him.
As I walked back to the living room, I sat down on the couch calling Nick.
"What's up?" Nick's voice rang through the phone as I paused for a second.
"Is Chris okay he-" Before I could finish my sentence I heard Nick sigh and say something I couldn't make out to Matt.
"He's fine. He is just being a baby that's all. We awnsered questions in our video and a lot were about you and him dating than just about him. He got upset about it." Nick explained as I furrowed my brows together.
"Okay. Thank you Nick" I said before hanging up. I sat down for a few minutes debating if I should go and talk to Chris or let him calm down a bit before I talked to him.
I stood up walking to my bedroom, my door was kind opened as I peeked in. Chris was laying down on my bed cuddling with a stuffed animal I had.
"Do you wanna talk about what happened today?" I asked, as I walked in the room sitting down next to him as I moved some of his light fluffy brown hair out of his face.
"No I don't want to talk about it. I heard you talking to Nick. I'm not just some baby. I sure as hell do not need to be treated like that either." Chris said sitting up looking at me with an angry expression.
I looked at him for a moment not sure what to say, he usually wasn’t this upset or cared if I asked his brothers what was up with him.
"I'm sorry I called Nick, I was worried and for the record I don't think you're a baby at all. I just want you to talk to me. You have been cold and distance towards me all day. That isn’t fair at all.”
I placed my hand on his cheek as I kissed his forehead softly. He sighed and looked down at his hands in his lap.
"I know I’m sorry… It’s just w e were doing a Q and A. Every question was about our love life, why we didn't post one another as much anymore. They even asked if we broke up. Some were even asking if you cheated on me and all these rumors I know shouldn't let get to me but they did. And I didn't want to finish the stupid video. Matt and Nick got on me for it and said some shit and we got into a fight." Chris explained as I listened nodding along with his story.
I looked at his hands fidgeting with one another as I grabbed them into mine.
"Hey, it's okay baby. I know they got to you, but that's okay. I love you and you love me that is all that matters. Not what some hardcore borderline obsessed fans think. And I know Chris and Matt just want to finish videos but they should also listen to your boundaries. Im so sorry that happened, what can I do to make you feel better?" I asked as he looked up at me blush slowly creeping onto his face.
"U-uh.. I don't know.."
"You do know baby what is it?"
He gulped as looked up at me making eye contact before looking down at my boobs.
I raised an eyebrow, "You want to play with my boobs?"
This question set him off as he tried explaining but failing due to his stutering and embrassment.
“I-I mean Maybe.. But like we d-don’t have to do that since like y’know w-we’ve never done that before and-“
I giggled a bit at his blushing and antics before shushing him.
"I was joking with you, you can if you ask properly."
He furrwoed his brows as he sighed, "Y/n.. Can I play with your.. Y-your um... B-boobs." He said trying his best not to sound stupid as I smiled at him and nodded.
"Words please" He asked as I rolled my eyes, "Yes baby".
Hearing the magic words he pushed me down on my mattress his lips colliding with mine as he moved up my shirt.
I wasn't wearing a bra because I was home all day, he inhaled looking at my boobs as he grabbed them both moving them around.
“God I think I feel better already” He said smirking a bit as I rolled my eyes.
He kissed them both before piniching my left nipple with his fingers as he began to suck on the right one.
My head fell backward onto the pillow as a breathless moan came out of my mouth.
His tonuge swerling against me causing the lower half of my body to get butterflies.
"Mmmm... Your boobs are so perfect ma. I love them, I could suck on them all day" Chris said softly leaving my right nipple with a pop between his lips.
He moved to my left one leaving a bunch of small kisses around it.
He moved towards the bottom of my boob sucking on it leaving small hickeys in places only he would be able to see.
My hand found it's way into his hair as I pulled on it slightly.
"I love you ma. I love you so so so so much" He said looking up at my face, as he went up to kiss my nose. I smiled softly as he kissed me. His scent being the only thing I could smell or think about.
He was intoxicating, every time he would pull me in more like a drug.
"I love you more" I said after we finished kissing, his hands still on my boobs as he went back down.
He pinched my left nipple before putting his mouth over it sucking on it. I arched my back a bit due to the sudden contact, my body feeling like it was on fire.
He cupped my boob with his hand as he began sucking harder.
“Mmm… You’re mine. You’re all mine”
He whispered softly before going back onto my boob.
His other hand finding any place on my body to touch or pinch.
His hand roamed down to my hips as he held it for a bit.
He moved from my boobs down to my lower stomach fluttering them with kisses as he went back up to my boobs kissing every part of my body he had access to.
"Youre so perfect. So beautiful. God I'm so lucky." He muttered almost to himself.
His hands went back down to my inner thigh as his fingers pressed down onto my clothed clit.
My breath hitched as I looked up at him my eyes questioning him.
“I’m gonna make you feel good okay?” He said as I nodded.
His fingers entered the band of my shorts as he made contact with my clit again. His ringer and middle finger rubbing circles softly on it as I moaned.
“C-chris oh fuck…”
I muttered as he smiled at me before going back down to my boobs sucking on it. His fingers moved further down as he thrusted his fingers in.
I let my head fall back profanities escaping my mouth as he curled his fingers.
His long fingers hitting my g-spot over and over again until I couldn’t take it anymore.
“Please I’m going too-“
Before I could finish I felt my body tense up as everything went white, my vision became blurry. My body started to tremble as Chris muttered things to me.
“You’re so good for me, good job ma.”
He said lifting his head up as he kissed my cheek, his hand leaving my shorts.
I smiled at him as he moved to lay down next to me.
I moved my body to face him as he pushed me down moving up so his face was in front of my boobs.
He kissed them both before sucking on each nipple for a few seconds.
"Can I just lay here and suck on them until I get tired?" Chris asked shepishly as I nodded my hands running through his hair.
He looked back at my boobs sucking on the closet one to him.
I held him close in my arms as I felt him relax around me, every few minutes he would swtich to the other one.
This continued until he eventually fell asleep in my arms.
"I love you pretty boy" I said in his ear as I held him. I kissed his forehead softly before going to take a nap myself.
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