sooo.... anyone else ever wondered how different ATLA would have been if aang had been frozen at age 16 instead of age 12?
yeah... me too 😌 my new fanfic "the teenager in the iceberg" follows the events of the show, but with only aang aged up, while everyone else remains their canon age.
also...cmon....how funny is it to switch zuko and aang's iconic dialogue to "you're just a teenager!" "...so are you?"
this idea was originally inspired by the talented @allgremlinart's aged up aang drawings, so please go show them some love!!:)<3
enjoy the excerpts from chapter three, that just dropped this morning!
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Katara watched Aang take one last, painful look at the temple, then turn to the sky ahead, lit up in shades of orange, pink, and gold. She swore she could see arrows in every cloud, arrows like the ones inked across Aang’s body, and the gentle breeze that carried the crisp night air towards them seemed to wrap around them like a loving spirit.
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“...You have no idea where we’re going, do you?” Sokka sighed, turning the map that was held against Appa’s saddle with a couple of rocks toward himself. “I’ve been charting our progress, and it’s starting to look more like a scrap of paper a toddler is practising circles on than a navigational tool.”
“C’mon Sokka, I’m an Air nomad, travel is in my blood. I have a very strong internal compass. Besides, you’ll find that as a nomad, I’m a master of evasive manoeuvring.” Katara raised an eyebrow, looking up from her spot near the back of the saddle as she stitched a rip in Sokka’s pants. “Besides,” Aang continued, typical teenage boy overconfidence emitting from his tone of voice. “I know it’s near water.”
Sokka leaned over the edge of the saddle, eyes scanning the blue expanse below them that stretched as far as the eye could see. “We must be getting close then,” he scoffed, his tone dripping in sarcasm as he slouched back into his spot across from Katara.
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“Aang,” she said distractedly, “could you hold this for me?” She handed him the mirror.
“Y-yeah, no problem.”
She tugged out her hair ties, flipping her head upside down for a moment to make sure that it had all gotten loose, then she gingerly tugged a few tendrils of water from the nearby ocean and wrapped tiny streams around her hair, tugging out the crimped braid pattern and reviving her curls. Then, she carefully bent the remaining liquid back out.
She couldn’t see his face through her thick hair as she stood back up, but from his voice, Aang seemed impressed. “I get that you haven’t been able to learn any big combat moves, but for someone whose bending is self- taught, you sure have a pretty good handle on these smaller things.”
She properly flipped her head up now, curls and waves bouncing around her face. Her dark brown locks shone with honey-toned highlights, all different shades of caramel and chocolate sparkling as they framed her face. She reached up, gently twisting and clipping a few strands out of the way, but a few wayward pieces still fell forward, gently brushing against soft, full lips and smooth skin. Aang awkwardly froze for a moment, caught off guard by how different she looked when her hair was loose and free. He had a weird urge to tell her so, but bit his tongue, instead focusing on her answer.
“I learned most of the smaller things from helping Gran-Gran.” Katara’s eyes sparkled, clearly caught up in a vision of home as she reached up to brush up her hair. “ As she’s gotten older, her range of mobility has started leaving her. It’s not really comfortable or safe for her to stoop over to wash her hair, so I learned how to bring the water to her and wash it while she was sitting up, then I learned how to dry it for her fast.”
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Sokka yelped, his voice defensive and offensive all at once. “There is no way a bunch of girls in cutesy makeup and dresses managed to tie me up.”
“Awe, you think our makeup is cutesy? How sweet .” The girl's voice was crooning at first, sweet and gentle, but Katara could see from the way her muscles flexed as she held Sokka by the collar that there was venom hiding behind those words. She was right. “Throw him to the Unagi.”
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“Katara, c’mon, we’re supposed to be sticking together, where are you going?” Aang tugged at her arm until she was facing him, looking at her earnestly as if he hadn’t basically been flirting with all of those girls back there.
The words came out before she could stop them. “I thought monks weren’t supposed to go around flirting with any random girl, and they’re definitely not supposed to go around catering to a village full of fangirls.”
Aang raised an eyebrow, his expression teasing in a way that made Katara want to splash the smirk off of his face in a wave of water. “You sure have a lot of opinions on what you think monks are supposed to do, considering that I’m the only one you’ve ever met.” He shifted his weight, leaning in a bit closer. “Matter of fact, maybe it's just that you have a lot of opinions on what you think I’m supposed to be doing.”
Katara stiffened at the memory of the words that Sokka had just said minutes before. “Why would I care what you’re doing? I don’t. ”
Aang shrugged, reaching past her to grab a papaya and biting into it. After swallowing, he reached into Katara’s satchel, his hand brushing her waist as he pulled out some coins and quietly thanked the vendor. “Keep telling yourself that, Katara.” Hearing his name from her lips did something to her, but she kept her gaze level, eyes blazing with flame until Aang backed off.
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♥ check out the three chapters of this (ongoing) fic & my ao3 here! ->
Ian laughs again, and his warm breath puffing against Mickey’s spit soaked nipple gets an interesting response, so he follows it up by pursing his lips and blowing out a long, cool stream of air.
“Fuck. Ian,” Mickey whines, voice keening and plaintive once more.
It’s one of the many, many things Ian loves about his husband: the way his mood flips on a dime even during sex, especially during sex, how he’ll go from growling threats to pathetic pleading to blabbering praises and back again.
“So good, it’s so good, Ian, please, love you, you're so good.”
“Yeah? You like this, baby?” Ian pulls back to get a better view of Mickey’s face. It's quite the sight to behold: skin flushed and brows furrowed and mouth swollen and slick, plush lower lip bitten hard by one sharp little canine tooth.
Mickey tips his head back against the pillow. Shakes it frantically. “No, I don’t fucking like this, I hate this, fuck, I hate you.”
“Oh? You don’t like this?” Ian hums. Rubs one big hand soothingly up and down Mickey’s heaving chest. “Hm. Maybe we oughta try a different setting, then.”
“Wait–”
Mickey’s eyes fly open just in time to see Ian grin as he presses the button on the remote.
“Fuck! Fuck fuck fuck, Ian, Ian, please–”
“Please what? Put it higher?”
Ian presses another button without waiting for an answer. Watches in awe as Mickey’s back arches, as his muscles tense, limbs straining against the restraints, as his cock jerks untouched against his stomach, come dribbling down to join the other spatters in varying states of drying.
Ian clicks the remote again. Drops the strength to the lowest setting, switches the pulse pattern to something steady and predictable.
Mickey sobs, just once, and Ian’s grin widens.
When Mickey cries during sex, that means Ian is doing his job really, really well.
It’d freaked him out the first time. Made him panic. Made him think he’d hurt Mickey in a way he hadn’t intended to.
But that was years ago.
Nowadays, making Mickey cry is one of Ian’s favorite activities.
“So good, baby,” he gushes, leaning in to kiss Mickey’s forehead. “You’re doing so good. You were fucking made for this, Mickey. Made to be tied up and pleasured and used all day long.”
Ian can physically feel Mickey’s skin heat up against his lips. Can feel him shudder and shake. Can feel him nod, just a tiny, jerky little motion.
Ian pulls back again, wanting to drink in the sight of him, wanting to see it forever and ever and ever. “Fuck, baby. I should take a fucking picture. Actually, I should just keep you like this 24/7.”
Mickey’s breath stutters, his eyes fluttering open to peer up at Ian blearily, the tiniest little noise clawing from his throat.
Ian smiles softly at him. Brings a hand up to cup his face and swipe at his tears with his thumb. “You want that, baby? Yeah. Maybe you’re right about not needing a job. Maybe I should just keep you tied up like this all day instead, ready for me to use whenever I want. Would be a great stress relief, after a long day of work. ‘Course, some days I’d be too tired to fuck you, but that’s okay. I can just leave you like this, right?”
Mickey whines in protest. Shakes his head.
“Shh, it’s okay, Mick. I’m just teasing,” he soothes, ducking down again to kiss the fresh tear rolling down Mickey’s cheek. “I’d never be able to leave you completely untouched. I’d have to do something. Something like this, maybe.”
He clicks the remote again, ramping the vibrations back up to level five, switching the pattern to an unyielding bzzzzzzzzzz.
“Fuck!”
Ian laughs. Palms at his own dick, just to take a bit of the pressure off. “We’re almost done, babe. Promise.”
“Yeah?” Mickey pants, melting a bit in relief even as his wrists flex against the leather cuffs fruitlessly.
“Ian! Fuck, fuck you, please please please, I need you, I love you, Ian–”
“Yeah,” Ian assures him. “Just gonna make you come one more time with these in.” He pauses. Cocks his head. “Well, and then of course I’ll have to pull these out of you, one by one, and fuck knows how many times you’ll come during that. Plus, I’m obviously going to have to fuck you at least once. Maybe twice. I’m feeling pretty worked up, y’know?”
This time, Mickey comes with a high pitched whine and a steady stream of tears.
spirit albarn has histrionic personality disorder, change my mind
i often see people ask what the hell is wrong with spirit, which is a great question. that guy's got issues. here's my take on explaining some of them!
notes: i have HPD myself so some of the evidence/examples i'll give will have personal anecdotes (although i've avoided projecting to the best of my ability for this post.) this is based mostly off the anime, as i have not finished the manga.
full post under the cut as it's ended up both very long and image heavy
one of the major traits of HPD is dramatic and exaggerated behavior/expression of emotion, which spirit displays nearly every time he's on screen. (typically in regards to either maka or his past and potential future romantic pursuits, we'll get to that later.)
this is typically played for comedy, but i don't think that discounts it as evidence at all-- kid's OCD is often used for jokes but that doesn't mean he doesn't have it.
these outbursts often involve very sudden shifts in his demeanor, and almost feel like an internal switch is being flipped on or off. this can make how he acts seem shallow at times, which is also characteristic of HPD. (emphasis on seem-- i do believe he's expressing his true emotions to the extent he feels them. the exaggerated self-expression of individuals with HPD is often tied to feeling those emotions far more intensely than the average person, at least for me.)
note how quickly he returns to a "resting" or "default" expression in the second gif here. he's kind of got a resting bitch face, honestly.
another defining trait of HPD is excessive flirtatious and sexual behavior, regardless of the person's attraction to whoever they're making advances on. i'll be using manga screenshots here since dialogue is important, but this is the symptom spirit shows most obviously by a long shot.
(not pictured: many, many more examples of this...)
he tends to flirt or otherwise get involved with women regardless of if the situation calls for it, and often to the detriment of his relationship with others.
the most blatant example of this detriment is his divorce with maka's mother and maka's subsequent dislike of him. no images provided since i presume you're familiar with that if you've gotten this far.
notably, he appears to feel guilty about this trait, yet does not or cannot curb it. one could easily read this as spirit needing the attention and approval from these women. excessive desire for these things (along with a more general need to feel liked or loved) is a major driving force behind other HPD-influenced behaviors and is a symptom in and of itself. while there is no concrete evidence behind this explanation for his provocative behavior, there is one person we know he desperately seeks approval from-- maka.
while nearly any parent would want for their child to love them, spirit wants for maka to merely pay any attention to him to a degree far beyond average.
in all of these examples, he's upset by her not even acknowledging him (or the thought of it) as opposed to hating him. the thought of her loving or admiring him appears to be a far-off fantasy to spirit, to the point of barely being able to handle it when she interacts with him positively:
...to the point of vomiting after this, which i won't show because that's gross.
maka is by far the person spirit's most shown to value the attention and approval of, but he still likely seeks it from others in more subtle ways. inversely, he reacts very strongly to both perceived and actual rejection, which is another HPD symptom. he assumes the worst when lord death calls for a meeting of all the death scythes, and is shocked when he finds out he assumed wrong.
people with HPD also tend to be gullible and easily influenced, which is most obvious in spirit's interactions with stein. he allegedly didn't catch on to the fact that stein was experimenting on him until his ex-wife pointed it out, as well many examples of stein just sort of fucking with him over the course of the series.
this could also just be that spirit's a dumbass, so take this part with a grain of salt.
that's everything that i can directly tie to HPD symptoms, but i'd also like to note that alcoholism is common in histrionics and they're at higher risk of divorce. as well as these manga screenshots of spirit being Just Like Me Fr as someone with HPD that i couldn't find anywhere else to put.
i hope this wasn't too clunky of a read and possibly gave the 5 spirit fans something to consider in their characterization of him! thank you for your time ^_^
'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
huh, i just made an interesting connection in my brain that, frankly, i should have made a while ago.
so we all know the dozens of ways productions stage "Confrontation", right? it turns out that one of the main appeals of this song in many productions—having the lead rapidly switch characters to duet himself—didn't actually come about until basically the Broadway version!
i think it's safe to assume that most fans of this show know that the 1995 tour pre-recorded the Hyde lines and projected an image of Hyde over a mirror, but i only recently learned how the 1990 Alley Theatre production staged the song. instead of pre-recording Hyde or having Chuck Wagner perform both parts live, they had Dave Clemmons (standby Jekyll/Hyde) perform the Hyde part!
i'm actually really fascinated by this staging! i wish we had more video of this production so that we could see how "Confrontation" looked onstage, but having a whole second person onstage as Hyde opens up a lot of interesting new doors staging-wise
there's that one butchfemme writing where the femme is like I love being on a butch's arm because then I become a gender transgressor too and it's so real like i love when im out w jodie and we see other gay people and I get so excited when they realise im gay. when im on my own and i see gay people im like wait here im coming back with my masc then youll see.
i am by NO means a role model for you (you don't know me! you don't follow me!) but i am a woman in my thirties who is unmarried and childless and i just run around visiting friends around the world, going on trips (with mostly tumblr people, tbh! i'm going to the winter classic this year with a tumblr friend!) and seeing hockey games. we do exist - all over the place, in fact! there is an increasing number of us! tumblr is a great place for us to find each other and i am so glad it exists.
i do feel some anxiety about falling in love (i really would like to find my 'person') but i no longer feel anxiety about whether what i'm doing is 'unconventional' or not. other people still have a hard time with it (my employees have probed on why i'm single, for example) but i sleep fine at night knowing that i am living my life in the way that *i* choose, not in the way that was chosen for me.
basically i am telling you that we're out there, we're successful and happy, and you're going to be more than fine. live deliciously! soak up every second of it!
Neil: I do love the fact that I got to create kind of two characters in one.
Blue Owl Medic: I was just thinking that. Yeah, you did.
Neil: So now that the game has come out and the whole thing, we can talk a little bit more freely about the game. No real spoilers, folks, because obviously people are still playing through it, which is amazing, including me. But there is an ascended Astarion, which people probably know, as well as an unascended Astarion. I'm not going to go into details of why, although it is all over the internet, but anyway.
But one of the fun things that I got to do with the directors and the writer as well, with Stephen, and also the other writers that contributed towards Astarion, [is that they] wrote this ascended storyline. And so, when I came across that, I realized that 'Oh, his voice probably changes as well, because his whole status changes and his whole situation changes and his power changes.' So I got to do something else, because that would also be an easy way to switch between one and the other.
And so I decided that, well, I've always talked about Astarion being very theatrical. So what if Astarion's unascended spawn is theatrical, and ascended Astarion is operatic, and I use that as a sort of launchpad. So that one is theatre, one is opera. So the two are the same kind of things, but essentially… Do you know what I mean? It's like that kind of thing.
I offered that up to the directors and they really liked it. Kirsty Gilmore was the first person who I tried it with. I think it was Kirsty Gilmore, who is an amazing director. I'm pretty sure it was her session I did the first Lord Astarion and we set the tone there. And that was really cool.
BOM: And I don't know if that was your choice, but he also holds himself differently.
Neil: Yes, he does, he definitely holds himself differently.
BOM: He stands way more upright, his chest is a little more out
Neil: Yes, that's status. That's all Laban work. We're just using completely different status shift changes as well. So whereas he has a lot of flow and all that kind of stuff and it's theatrical and distracting--it's always 'look over here and don't see how I really feel' with spawn Astarion.
With Lord Astarion, we talked a lot about the idea that the cover is now off completely. So that you see him at his most terrible, and it's completely honest and he doesn't have to pretend anymore. So he loses a lot of the flamboyance and the fun of the theatricality, which is all a distraction anyway. That's all distraction so you don't see how he's hurt and damaged and his vulnerability. Lord Astarion doesn't need that anymore. So we just thought, okay, now *mimics taking off a mask* it's off. He doesn't need to pretend, he doesn't need to do too much. It's all about the status and that kind of stuff.
It was a really fun experience to take a character I've been doing for a long time and then flip it. And that was, again, brilliant writing by Larian, brilliant storytelling by them all and brilliant ideas. So yeah, it was really fun.