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#wanted to get a feel of clip studio on my drawing tablet and a brush I made
jessenitrogen · 8 months
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and so I spilled the universe
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chiptrillino · 1 year
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Hey, I don't know if you've said this before, but may I ask which program you use for digital art? I'm still trying to figure out which one I want to get because I wanted to try out something new. (I've drawn on Gimp and I feel like it's a lot better for editing images than it is for drawing ^^")
i got just asked that and replyed here
i use Photoshop. and i know its costy for a lot of people. so i recomend to look at the following programs Krita its free, lots of brushsettings, brush stabilizers, and vectors + text. you can even do smaler animations in it.
if you would like to invest, you could try
Clip Studio Paint i have artist friends that use this programm. its loved by many artist. its created by having artists need in mind. lots of brushes, stabilizers, vector lines + texts. animations option. a huge library or resources you can download form (carefull some could cost money) and 3D models to make the drawing process easyer. it also does this fancy recording your drawing thing we know form procreate. i think you can still get the old version without the subscription payment methode, which costs around 50 bucks.
Affinity Photo i admit i used it once and it took me getting used to. but its fine. the Affinity programs are like the counterpart to the AdobeCC. i know some people recomend it as an alternative, and got this and more programs for a steal on black friday. currently they cost around 80 bucks for a one time payment. way cheeper then the CC. it does what PS does. so if you are an artist that is used to PS you could give it a shot
i want to honorably mention CorelDRAW because i began my digital drawing journey on that program like.... 15+ years agon... but its expensive.... -i am not gona say it but if you thought about it.... well... go for it!-
if you have the option of a ipad or screen touch tablet. get a good stylus pen and check out the app store for digital drawing apps. there are lots of free ones out there. most popular i know of are:
Ibis Paint x - is free. and if you want to use all the tools and features you can by just watching one add and then everything is unlocked for like 8 hours. apart everything you need it also has this fancy procreate drawing recording option
procreate - its not free but as far i understood its an amazing program and just costs around 13 bucks? it only works on ipads. but professionals use it, has animation option just like everything! hope this helps! (sorry idk how to link the apps)
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queerdraws · 6 months
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i love your postcard artwork for the zolu playlist SO much!! the colours are so so good and i love the brushwork! i think my favourites are a tie between the one for chikai and the one for simple song <3 also, I was wondering if you could share what brushes you used + how long they took you! looking at your art makes me want to draw again after not doing it for so long
Thank you!! and wow i think this is the first time someone's asked me for my brushes, this is like a digital artist rite of passage!
Answers n screenshots n stuff under cut (I went a little to ham on this oops)
While we're talking settings I want to give a quick PSA to all digital artists:
CHECK UR ASPECT RATIO!!!: (MOST IMPORTANT SETTING BY FAR)
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DO NOT DRAW WITH THIS ALL MESSED UP, IT WILL DRIVE YOU CRAZY. It's probably good to check this after every system update (I don't, but, you know...). Windows likes to mess w your shit when it updates.
If you have a really tiny tablet you might need to trace outside a bottle lid or something.
Okay now on to the meat of the post
-- Brush Stuff --
I use Clip Studio Paint. For my playlist drawings I think I only used these brushes (these are my main 3 in general) (p.s. they're all default brushes! but i've adjusted the settings):
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1) Gouache This is most of what i used for the postcards. I nuked Color Stretch because i hate it (it blends colors together as you're painting, like painting over wet paint. I prefer things to look more crisp)
2) Real G-Pen Used this as little as possible, to keep the painterly effect. My preferred fine-detail pen, has a nice crunch to it. I've fine-tuned my setting further in the thickness dynamics / brush size dynamics settings because I mostly use this brush for linework and wanted it to handle really, really naturally and precisely
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The random box is checked by default, probably to make this brush feel more like handling a real inkdip pen (I don't like that)
3) Mapping Pen Least used. I generally keep this brush at the 50-70px range. It's unpleasant to use for detail work (the taper is really fiddly at my tablet pressure settings) but good at filling in large areas very opaque very quickly, with a crisp edge (Also, doesn't lag as much as the gouache brush at large-ish sizes). Has enough wiggle room that it can be used to approximately fill tighter spaces at large brush sizes. Used for when I needed to quickly color over an area that wasn't working or quickly fill in background color that didn't need paintbrush texture. Did not realized the stabilization was set to 10 until just now. I usually turn that waaay down to prevent lag (my laptop isn't very old but it's a sensitive beast)
Other stuff that'll help:
General pen pressure: (under File -> Pen Pressure Settings)
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tweaking how CSPaint handled my pen pressure helped a lot with making lineart look more natural. It's worth messing around with this and trying out different settings for a while to see how they feel.
-- How Long it Takes 2 Draw --
I don't really keep track of how long art takes me from start to finish, and making the playlist drawings was kinda nonlinear 😅 sorry!
-> I started out sketching really quick composition and color ideas as the songs were playing, limiting myself to just the duration of each song (so like, 5 minutes for this part) -> i did that again at least 2 more times per song -> after that, idk. I would work on one pic then get stuck and move to another. Some I could hammer out in like... 5 hours? Some took me upwards of 20 (30?) hours for no real reason (I have "will graham clock" days, where I'll try to draw a face over and over and it'll look really strange, like will graham's clock drawing every time) (this seems to be either a vitamin deficiency or a brainfog inflammation type thing 4 me 😵‍)
I'll use ur two favorites as specific examples: -> Chikai was one that went pretty quickly (with the exception of their arms and the clothing folds there giving me trouble). Probably took 4-6 hours? -> Simple Song had a couple different versions, partially because I initially had the cards all laid out landscape-style, and I decided I actually wanted them all portrait-style & repainted it after it was already done. That aside, the colors /atmosphere on that one gave me trouble and the general composition / perspective had a lot of tweaks (I was trying to figure out if I wanted it to be a kinda flat stylistic perspective or if I wanted it to make more literal sense, trying to figure out what to do with luffy, trying to make him not look Too baby boy sweetie pie). Probably took 7-10 hours...?
In-progress landscape versions: (varying levels of in-progress)
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Misc in-progress of Chikai and Simple Song:
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Simple song looks kinda sequential like this lmao. Luffy looks like he's A-posing and floating away to the boat and then sitting down pleasantly in it. Wonderful. --
Anway -- hope any of that was helpful!
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goron-king-darunia · 2 years
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Eggtober 12 Avocado Toast (Featuring Tomato and, of course, Fried Egg.) Clip Studio Paint, Gouache Brush, Dry Gouache Brush, Airbrush (for the barely visible bread texture) and Freckle Pen (for the pepper.) 20 colors, 1 hour 30 minutes. Took a little longer on this one because I spent an inordinate amount of time lovingly rendering the tomato that I knew no one was going to get to see in the final product. (Don’t worry, I saved it to another layer since @quezify said last time that he appreciated the peek behind the curtain.) This was another request by a friend. I must say, I wake up every day excited to choose an egg from the many options I have available and just... have fun putting it down on (digital) paper. I’ve got some yammering about that, but since I’m already going to post a “behind the scenes” under the cut, I’ll shove the musings down there too. As always, big thanks to the Egg Master Supreme, @quezify​ for organizing this. It’s wonderful to see so many people getting into art again or branching out and drawing eggs for the first time, all because one zany dude said to Tumblr “You know what? Let’s paint eggs for a month.” And enough of us said “Hell yeah” that I get to see so many different styles and mediums. Loving every moment of it!
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(Art first, because LOOK AT THOSE TOMATOES! I love how they came out, I want to shove them in my mouth! AAAH!) Now for the rambling musings. I’m starting to get really comfortable with the gouache brush, a tool which I previously never used, and I’m also getting more comfortable with art in general. My usual process from childhood, when I did much more art, was to slap down pencil work on real life sheets of paper, line it in pen or photograph/scan it and upload it to my computer to line with the pen tool, and then just do everything with pen for bright, solid colors. Most of my other techniques were one off flukes, like the fire I did in my icon’s background. And my newer process, as an adult who just started learning Clip Studio Paint, was fairly similar. (I just started with CSP recently because it came free with my newest tablet and my old standard, Photoshop Elements [I dunno the version, 7 maybe?], was too old and would resize on my new rig so all the buttons were SO GODDAMN SMALL it was a pain to use.) The only difference is that, as an adult who’s home more often than not, I skipped the paper. Sketch, linework with the pen tool, then color under the line art with pen. Or, for a certain other project, I color under the line art with the watercolor brush. I’ve always wanted to try gouache because I’ve seen it worked with IRL and it’s got such pretty results! Opaque like acrylics and oils but flows like watercolor. I suppose it never occurred to me to look for it in the toolset. The last time I even used brushes meant to represent real media before CSP was when Corel Painter was a thing and I had it with my very first drawing tablet. And even then I didn’t use it often. I mostly used the watercolors because that was my favored medium IRL. But I quickly started to prefer Photoshop Elements which also came with my first tablet. And slowly I stopped using anything resembling traditional mediums. But I figured, hey, Eggtober is already a time for me to learn some new tricks and get some practice in, watercolor will look too translucent and it has a paper texture to it that I’m not sure I want. Let’s see if this thing has Gouache. And it did. And now it’s my favorite brush. The way it blends naturally, the ease of pressure controls so the opacity is easy to alter stroke by stroke. It feels like laying down real paints. Once I got used to how it behaved it just... clicked. So yeah, now that I know how to work with it and now that I had the brain explosion necessary to figure out my new process of laying down the darkest colors first and working my way up, it was all too easy to go “Oh. I like laying down these colors. And instead of trying to predict where I’m going to put the avocado, I’m just going to draw the full tomatoes for fun and practice and then figure out the avocado slice placement.” And then I spent roughly 45 minutes just... adding detail to tomatoes. Because it was a genuine joy and I was smiling the whole time and I could just look at those juicy tomatoes forever. So yeah, I know I say it every time, but I for real owe quezify everything for giving me a reason to pick up a new tool and learn and just have fun with it. Kicking my depression’s ass, my ADHD’s ass, my artblock’s ass, and my (lack of) motivation’s ass, all with the power of “Egg fun, draw egg.”
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bishopony · 8 months
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how do you feel about people asking for your resources? I personally am focused on your art style and love the way you work with coloring and forms. I want to study your art cause it makes me so happy and inspires me a lot and I would love to try out the brush you use, but I don't want to sound rude or demanding. You're amazing! Fighting!
Well first off, this is incredibly kind of you to say, and thank you so much! I’m really flattered that someone would like my art enough to want to study it (which I’m totally ok with!) while I still feel like I’m in a big experimental phase and have a lot to learn
I’ve been on vacation this week (which got cut short, I’m currently in bed covered in hives, I’m alright just grumpy and uncomfortable lol. Be wary going into antique malls with a severe mold allergy), but once I got back I was actually planning on making a whole guide on how I create and what I use! It’ll be more comprehensive than what I can type now, but atm these are my tools-
I use a Huion Kamvas 16 Pro screen tablet to draw, and my program is Clip Studio Paint EX. I highly recommend both of these! CSP is an excellent drawing program which I’m happy to answer any questions about (it’s quite extensive and can be a bit intimidating at first). I have the EX version for the vector and animation capabilities but the basic version works just fine. The Huion Kamvas is also an excellent tablet, honestly it’s way more worth the price than a Wacom. I got gloves, a stand, and many replacement nibs with mine
As for brushes, my primary brush is “spray brush medium” (or something like that lol, it’s from the CSP assets site and it was free). 99% I just use the one brush for everything cause I don’t like switching lol- if you experiment with blowing up textured brushes huge (like 400-800 pixels) you can get some fantastic noise-like effects without having to use an overlay filter that significantly increases your file size. For general sketching I just use the CSP default design pencil tool
Hope this is all helpful! And good luck to your drawing!
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geryuthespacesquid · 3 months
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Hi I'm a nobody asked digital artist, here's my thoughts on all the digital art programs I've tried. These are based entirely off my own memory, and I'm not picking up any of these programs again to test them. Just going off vibes.
Autodesk Sketchbook - Mobile:
This is more or less the definitive Draw You In To Art program. No exaggeration, I think if you asked maybe 50 digital artists in the modern day, most of them would've tried this one at least once. It projects an illusion of polish to distract you from a number of critical missing features, but overall, it's not even remotely bad to start out with. I think if my mobile tablet had a halfway decent degree of pressure sensitivity I could make something okay with it.
A more detailed explanation of my thoughts is hard, but to sum it up, this program bombards you with a million brushes for free, something rarely done by digital art programs, but, it also has extremely limited layer behaviors, you can't change canvas size anymore, and the stablizer is pits. I won't say it's bad. It's not. It's just not good. 5.8 out of 10.
Ibis Paint X - Mobile:
Comedically simple, this is the program you pick up when you're doing digital art a little better, and want to actually have fun. Bread and butter of the mobile digital artist. It has literally everything you need, it's just not fancy in any way. Getting every brush isn't worth paying for, but you'll live. They recently tried to step into AI and got punched in the gut so hard they stopped, which I like.
In general, this program doesn't do anything in particular extremely well, but it also doesn't do anything poorly. It's well rounded. I'd say if you're gonna do digital art on mobile, you'll always find yourself coming back around to this. It's just too solid. 7.8 out of 10.
Medibang Paint - Mobile:
I am biased against this program. I just don't like it. Maybe I was using it wrong, or maybe the mobile version is just worse, but it felt like drawing with mashed potatoes and gravy. Also it seems to be no longer available on my tablet, so fuck it.
In truth, my memory on this program is hazy despite me using it probably the second most out of all of these. No clipping mask, limited layer styles, an extremely limited number of brushes, no way to get more on mobile, anti aliasing made everything pixelated, and I don't think it can change canvas sizes, or if it can, I never figured out how. I just don't like anything about how the program feels. 3 out of 10.
Clip Studio Paint - Desktop:
Goddamn. I wanna recommend it. I really do. But. You have to know things.
First and foremost, the new subscription model for CSP essentially means that after a year, whatever version you have is obsolete, and won't even get updates while you have it. You have to pay a yearly subscription to get the updates for your current version. if you pay for the 3.0 version when it drops in march, it will be 10 dollars extra to get any of the updates to the 3.x version until 4.0 drops, when you can pay 25 dollars to upgrade to that and get all the 3.x updates, plus whatever came in 4.0. On top of that, it can cost anywhere from 25 to 200 dollars depending on which version you get, and if it's on sale.
But goddamn. It's pretty worth it. The brush engine is fluid, works great for making your own, I've never seen the program fail to do something. It has limits, but I've never hit them. 8 out of 10.
Rebelle 5 - Desktop:
Listen to me carefully. This one is extremely specific. You have to WANT a digital art program that replicates IRL media PRECISELY. If you don't care about that, this program is not worth it. I got it on sale for 10 dollars. Can I reccomend it at that price? Heartily. But at the near 200 dollar price point it usually goes for? FUCK NO. Rebelle caters to a specific demographic. Nothing else matters.
That said. When it works, it works well. I do like how rebelle feels and works. But not enough for me to ever tell someone to get it for full price. 4 out of 10, but if you really want to replicate traditional media, 9 out of 10.
Corel Painter - Desktop:
Never before has a program sent me on such an emotional rollercoaster as this one. It's just so much. It's a midpoint between Rebelle and Clip Studio, but for the worst. It's expensive beyond comprehension, you can't make your own brushes, only pay for new ones, it's a yearly format meaning a new, barely distinguishable version goes on sale every year for another 300+ dollars, and I only got it as part of a Humble Bundle for 25 dollars, and I still feel like I wasted my money.
And you know what? I didn't just dick around in this program. No, I made a full drawing in it. Nothing spectactular. Just a simple drawing. And I felt accomplished. and I went to export it, to share. Only to find out you can only email images to the email associated with your account to get a regular image version. Now. This made me irrationally angry, but, I calmed down, and tried it.
It only works with microsoft emails, and I have a gmail account associated with my Corel account.
This program is 300 dollars, and lacks the functionality to simply export a png to your computer. 2 out of 10.
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rad-roche · 2 years
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today was my birthday!! ( ᐛ )و the ceaseless march of time never stops, but that’s not what i’m here to talk about, i got gifted a copy of realistic paint studio by my family! and i thought i’d share my thoughts here
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all the fun of oil painting without the carcinogenic terrors of cadmium yellow!
so i’m coming at this from somebody who
primarily uses, and will continue to use, clip studio paint
has never actually used oil paints in any significant way
absolutely TANKED high school art classes back in the day. i mean bombed. i mean nosedive. sub f tier. my teacher pulled me aside and said i should give up on art school to save the place for ‘somebody who actually has talent, you will never be good’ tier. i kept at it anyway but all that to say that there’s a classical, ‘right’ way to do these sorts of things and i’m actually not sure what that is because i’m self-taught, so if you’re in the same boat this overview might be of use to you
right out the gate this thing costs £30, if you want the ‘vip’ set (which is only £5 more than the ‘base’ set and comes with extra tools so i’d just go for it). upfront i will say, clip studio paint often goes on sale for £25 and has a wealth of tools available to it. if you have a choice, without a doubt, pick up csp. the free asset store alone is unbelievable. this thing is robust but only in certain aspects, think of it more as a very, very advanced toy
realistic paint studio has a fun feature going for it, tutorials! you know those old bob ross paintalongs? almost every tool has a reference picture and a guide that teaches you how to use it, especially for the more difficult ones like watercolours
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a couple i did
the pros:
the engine that handles paint and mixing is unbelievable. it is absolutely incredible. i’ve used a lot of art programs in my time (GIMP, photoshop, krita, csp, and whatever weird little novelties i’ve found floating around like alchemy, etc) and rps feels buttery smooth. unmatched
every brush you can use comes with a demonstration of how you can use it and for what purpose
far closer to traditional mediums as far as colour and general ‘feel’ goes so if you’re looking to make the jump from traditional to drawing tablet this is a great middle ground while you get used to it
supports tilt (but very usable without it, and i’m saying that as someone who doesn’t use a tilt tablet)
buttery smooth. i’m listing it again. i cannot stress this enough
the cons:
if you’re coming to this program from photoshop/csp the QoL features you are used to are gone. the transform tool is manageable but there is no mesh transform or perspective warp. no layer modes. no multiply, no overlay, no dodge, no hue sliders, no cropping, no gradient maps, no liquify. they were not kidding when they said ‘realistic’, if you make a mistake you have to rawdog it and paint over it.
the ui is not a traditional art program ui. you click toolboxes which bring up brushes, and you select from that set, then the box drifts off-screen. you’re either going to love this or hate it. you can assign certain brushes to hotkeys under the favouriting system, but that’s very limited so expect to see that little toolbox a lot
the export feature is clunky. most apps let you export from the file menu but you have to save your work, quit, retreat to the general app management area and export from there. there is a method of exporting in the file itself, but it only lets you set up these little postable scenes. it’s cute, but this isn’t intuitive. also, and this is a real nitpick, a lot of the pre-rendered scenes offered hide the very bottom of the canvas, where your signature traditionally goes
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my general thoughts are that this is a cool, interesting piece of kit! it feels a little too janky to use consistently, especially if you need a quick and easy user experience for commissions or the like, but it’s the best at what it sets out to do. certainly ‘limited’, but i wouldn’t count that as a flaw, it isn’t like you can slap a multiply layer over a real charcoal drawing and call it done. i’d argue that if you want to improve, and you want to improve very quickly at that, you’re going to struggle to find a better digital medium to work in. you won’t be tempted to use shortcuts because they’ve been slapped out of your hands. you can’t liquify tool your way out of this one, me. i’m looking forward to sharing more studies and, when i think i’ve got a half-decent handle on it, lavishly painted sad old men
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estfel · 5 months
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Day 2 of Attempt to Get My Art Mojo Back I actually haven't used a tablet in sooooooo freaking long it was just... weirdly lovely. There was something wonderful about opening Clip Studio Paint again. I thought I would get horribly overwhelmed by not remembering any of the settings or how to change brushes - my memory is not the best so leaving systems and then coming back to them is a STRESS. It didn't feel so bad this time :) I spent a lot longer today doodling and I felt myself sink into it a bit more rather than screaming into the void for ten minutes because I WANT but CANT and throwing my pencil at a wall. So this is Syn, he is my Sorceror Lolth-Sworn Drow, my current DURGE Playthrough for BG3. I absolutely DIE laughing whenever the Lolth-sworn dialogue option pops up. He is such a colossal dick between that and leaning into being Durge, I am surprised he has not died more times than he already has. Evil, evil murder boy. It is... very hard to draw the same character twice. I hope it reads as the same character on both sides.
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frenzyarts · 2 years
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What hardware and software do you use for digital art? I’m a semicasual artist considering finally upgrading from a trackpad and photoshop, and I want to know about potential options.
First of all mad props for drawing with a track pad, my first digital art was made with a mouse and a track pad just sounds even harder. I’ll go over some hardware options first and then software options!
If you’re looking for a small upgrade, I recommend a tablet. Wacom makes some excellent ones but there’s plenty on the market that are good! They’re basically giant track pads with pens. I used them for some of my early digital art pieces and many professional artists still swear by them. You can get them at most Best Buy’s (well in the USA at least idk where you live) and some of the smaller ones are like $50
If you’re looking for something way more expensive you could get a Wacom cintiq, which you plug into your computer. You can set it up so that it acts as a second screen so that you can draw right on your screen with a pen and then have reference images open on your main computer screen. Super useful. I’ve used that a lot but had to stop for a long time because I didn’t have a good way to set it up, I recently moved so I set it up again and can’t wait to use it :D
A third option, and what I use the most, is an iPad and apple pen. Get a newer iPad if you can so that you can charge the pen by magnetically sticking it to the side to charge instead of plugging it into the iPad, that way both can charge at the same time. I loooove the Apple pen because it lets me angle it so I can get the nice angled strokes I would get from like charcoal or something. Super sensitive and the way colors look on an iPad are STUNNING.
There’s some other hardware options but that’s all I feel qualified to give recommendations on. Onto the software!
You already know photoshop which is great because a lot of buttons and shortcuts in photoshop are the same in other programs. I grew up learning digital art on photoshop, I would even download the old free versions when I couldn’t get my hands on a paid copy. But I don’t use photoshop anymore because it’s a subscription and I don’t wanna pay for that lol. Maybe someday 🤷‍♀️
There’s a TON of free programs that are great, like medibang and fire alpaca. I’ve played around with a few of these but I highly recommend looking up reviews on which one you’d like before getting one. A lot of people use Paint Tool Sai as well, I used to use it a lot, it was a long time ago so I don’t remember how much it cost, I think someone gifted it to me. Just bringing it up because it’s a good program.
I don’t have this yet, but I REALLY want Clip Studio Paint, aka CSP. You can find a ton of fun and free custom brushes people have made for CSP that I’m dying to try!! I’ve heard nothing but good reviews of it. It’s expensive but goes on sale four times a year, it’s going on sale next month and I’m going to get it!!! :D
The software that I use the most right now is Procreate for the iPad and I highly recommend it. Just like CSP people also make custom brushes for it and they’re so much fun. It’s nice to have a super robust art program that’s really portable, you can take it to a cafe and do sketches! If you get an iPad, I highly recommend it!! A lot of people also use heavy paint on iPads, and I haven’t used it, but it looks like it functions a bit differently than procreate. Eventually I’ll try it and can give a solid review of it then.
I hope this helped! Let me know if you have any more questions, and good luck on your art journey!! 🙌
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bluravenite · 1 year
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Hi! So I just got an iPad and Apple Pencil to start drawing with and I was wondering if you had any advice for someone just starting out? I just love your art so much. It can be about just drawing in general or drawing digitally. I've got Procreate on my iPad. Thank you for your time.
Oh hi!! I'd love to help! I've been drawing digitally for about 7+ years now but only started using procreate in August! Art is about continuous improvement!
I'll try to go as in depth as i can below the cut ⬇️⬇️
I would also like to make it clear that i am a mainly self taught artist with no formal art education!! So anything i say pertains to my OWN experience learning and what has personally helped me!! But it may be different for you depending on your level!
(this is a very long post sorry for ranting so much lol i just want to make sure you can actually take away some good lessons from this!!)
At first it was very confusing and frustrating because i was used to Clip Studio with a drawing tablet on my laptop, but what helped me get comfortable was doing lots of studies at first, nothing serious just kinda going through each brush, playing around a lot, drawing portraits of people and doing some life drawing exercises!
These are some of my first procreate drawings i did!! They were portrait studies where i was trying to get a feel for the program.
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I do recommend doing lots of studies as soon as you can, do a mixture between drawing for your own personal amusement and also more serious studies, but mainly what has helped me is getting into a hyper fixation (lol it's funny but it's true)
The key to familiarity and improvement is consistency, draw A LOT!! Take notes every time you do something you think needs improvement then note it down and then practice that! but don't lock yourself into trying to be good at one thing only, If something is stressing you out, just leave it and work on something else.
As for drawing in general, it depends on what you want to improve.
I recommend if you want to improve on anatomy, what has helped me a lot is using resources online to practice how you would inside a classroom.
Watch videos on gesture and figure drawing, and google websites that give you life drawing poses (dm me if you need i can share some resources I've used before!) And then try to learn how to do that.
That's what's helped me most with poses, using a combination of gestural and structural drawing
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However when it comes to anatomy, that gets more complicated, looking at real human bodies helps a lot, but you also don't need to study and memorize the 7000000th muscles of the body and how they attach to each bone. However, ART IS ABOUT OBSERVATION!!!
Look at yourself in the mirror and make note of how your body moves!! How do your muscles pull and stretch your chest when you lift your arm up? How does your body accomodate the extra skin on top of your shoulder when it's moved up? How does your ribcage stretch and your skin bunch up when you stretch your torso to one side? When you are sitting down how does your body accomodate? Looking at all these things taught me a lot more than trying to memorize the scientific name for the 3rd ribcage muscle that I've never had to name lmao, learning however the GROUPS of muscles can help!! Especially when drawing buff men 🥹👍 they have like 7 different muscle groups in the torso lmao, AND LETS NOT TALK ABOUT THE BACK MUSCLES CUZ DEAR GOD I HAVEN'T EVEN GOTTEN THAT FAR YET IT SCARES ME🧍🫶
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I am also currently trying study more my value distillation when drawing (see picture), that's something i struggle a lot with when working with light and shadow!! So I'm trying to get better at it, (a good YouTube search on value distillation) will give you a good idea of what i mean.
There are very many good resources out there but i will say this!!!
Don't oversaturate yourself with knowledge because it will stress you out when you know all these academic terms and cannot apply them into your work.
Watching one video will give you some information on how a technique works, you can then rewatch it and try to work along with it, and then practice it a couple more times on your own, but don't expect to be good at it, or understand it immediately.
Drawing is about continuous improvement and you never really should stop learning and experimenting.
PLEASE!! if you ever need help with anything!! Do not hesitate to ask other artists!!
@coreyvoss has helped me figure out a couple things and i am sure neither he or i are opposed to trying to help you out finding some resources if you need! I am eternally grateful for Corey's expertise and encouragement!!
I am very proud of you for already taking initiative to want to learn and engage with the community, i am really honored to know that you like my work, it's the only thing i could ever ask for, and i wish you the best of luck in this journey!!! Digital art is a great tool for artists, but remember, you make the art not the other way around💖🫶
Sorry I'd there's any grammar mistakes, I wasn't expecting such a long post but i genuinely do hope you are able to take something helpful from it.
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silima · 2 years
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Ik you've answered this/similar questions before but I've looked through some of ur tags and can't find it. I want to buy my sister a drawing tablet but really have no idea which ones are the best. Like I did look some things up, but I thought I'd ask for some people (who like draw on tablets) too.
no worries, for whatever reason my art advice tag is like 90% nonfunctional and it’s like, the only tag of mine that does that ☹️ i will say, i have only owned a couple different tablets (so obviously i’m not gonna be able to tell you if there are better models out there) but i’ve liked all of them!
i think this is the first tablet i ever used? it’s hard for me to be sure, because it was really long ago. basic wacom tablet with a black screen. it takes more effort to pick up the skill of putting your hand on a blank black surface while creating an image on the screen, but something cheap like this is nice if you’re not able to commit to something more expensive and aren’t sure how far you want to take the hobby.
(to be clear, it’s not like this kind of tablet necessarily limits you—ikimaru, who’s been a super popular digital artist for years, makes gorgeous art on a bamboo CTH-460 which is a model you can buy on ebay for $18. it’s just that it takes a little more getting used to.)
also, wacom is the brand i used for a basic tablet, and I didn’t mind mine, but i have heard wacom sometimes is a little sketchy with planned obsolescence type stuff 😵‍💫 like the pen nibs supposedly wear out way quicker than, for example, the huion brand, so you might want to check out what huion’s got. i will say: i used that wacom tablet for 1-6 hrs/day for several years and had no problems, BUT many people on the internet seem to prefer huion over wacom. up to you.
still, i honestly think you can do well with any tablet that has a stylus and pen pressure lol (which is basically all of them). like there are lots of different tablets with lots of different features out there, but the only feature that i found made a real difference to me was touchscreen vs. non-touchscreen.
non-touchscreen tablets are totally usable and usually way less expensive, but the touchscreen is really nice to have if it’s in your budget. it feels closer to traditional art and is easier to pick up.
I personally have never used a touchscreen tablet that was just a drawing tablet—i’ve used a surface pro 4 (a touchscreen computer) and an ipad pro. both were very nice. honestly, I didn’t notice a huge difference in the feeling of drawing on the screens of the surface pro vs the ipad—the biggest thing for me was the art programs. some programs are only compatible with computers and some programs are only compatible with ipads. here’s what I personally noticed:
krita (nice for painting) and ms paint (fun for dicking around in) are both NOT available on ipad, at least as far as i know
rebelle 5 pro (supposedly a very cool program for emulating real painting), which is currently on a huge sale rn (it’s $20, normally costs $150) and is also NOT available on ipad
paint tool sai, as far as i know, is not available on ipad
clip studio paint is available on BOTH ipad and computer, but is more expensive on ipad (it’s a monthly subscription instead of a one-time purchase).
procreate is ONLY compatible with ipad, and is, personally, my favorite art program i’ve ever used. there’s a brush or two from krita that i miss, but for the most part, procreate is solidly better than any other art program i’ve used.
most of the nicest animation programs seem to be incompatible with ipad; the ones that work on ipad are quite basic. this is the only major sticking point for me lol
one thing about ipad that you might’ve read about in your research is this feature that lets you tilt the pencil and draw as if you’re using the “flat” side of it:
this is sometimes cool and sometimes inconvenient, so it kinda balances out to neutral. if you’re torn between ipad and a different touchscreen tablet then don’t decide off this feature lol.
if your sister already has an ipad (or if you’ve got a family one that she has decent access to), it might be a nice thing to just get her a compatible apple pencil, so you can save money on the tablet.
but yeah! those are the models i’ve used and i’ve liked them all. even if you get her a relatively cheap non-touchscreen tablet she can still make really cool art with it and have a lot of fun. good luck!
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do you mind if i ask what tablet do you use? and if you practice drawing digitally more than traditionally? i’m trying to get into the habit of drawing after seeing your art!! you always feel like you’re having fun 💪💪💪
I’ve been meaning to answer a similar question i got ages back so I’m just gonna answer this rn!!!
I use a Wacom Cintiq 16-that’s one of the tablets with a light up screen you can see the movement directly on as you draw, vs a tablet that’s blank where you have to sync up your movement with the computer screen that I used to use (there’s nothing wrong w that and those tend to be a lot cheaper, but I personally find it really hard 😭) there’s a lot of options out there though-you can even get special pens that let you draw using your phone (or draw with your finger on your phone, though mine is a bit too small to really do that well w how clumsy I am tbh…or maybe that’s just quitter talk!)
As for the art program, what I personally use is krita. Before that for this blog I used photopea, which is a free brower based program that’s an almost 1:1 copy of photoshop, but it had a major issue where if the internet went out you couldn’t use it and if your browser crashed there was no way to recover your work. Krita is also completely free, and while I’m by no means an expert at all I’d say it works well for how I use it! (Though I really should be learning more about some of its other functions)
I’d like to get clip studio if only for the brush capabilities but my laptop is slowly dying and I don’t really want to buy new software until I have something new
I also do do traditional! At this point in time it’s nothing more serious than ballpoint sketches with most of my serious work being digital, but at point I took irl traditional art classes so I do have some background in it. It’s good to practice a variety of art styles anyway, but I like to sketch through the day to occupy myself. I have whole sheets of doodles that none of you have ever seen bc they’re traditional and not really worth taking poor ipod photos just to spam here (seriously, I have stacks of the stuff)
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inceptionart · 2 years
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Closing out our artist highlight event for Inceptiversary is Koyori @sequiteur! Read on for her thoughts on art, and you can find all of her brilliant and super cool artwork here!
🎨 When did you start creating art for the Inception fandom, and what is your inspiration?
Only about a month ago! I’d love to take part in something like Inception Big Bang eventually. I like drawing portraits and fashion, and Inception has some very beautiful people dressed in impeccable costuming. Mostly right now I’ve been doing lots of sketches of Arthur.
🎨 Tell us about your creative process, and which part do you enjoy the most about it?
My creative process begins with procrastinating on actual work, unfortunately! I’m in grad school right now and I use my tablet to make figures for papers and presentations, but when I’m procrastinating I’ll open up a blank canvas and start drawing instead.
My favorite part is testing out new brushes and tools and learning new techniques to change up my workflow. I primarily use Clip Studio Paint for my digital art, and Clip Studio Assets is a fantastic resource for user-created brushes and other materials. I like to browse the top downloaded materials every few months to see if there’s anything new that I want to try out.
🎨 Link us to your first and latest artwork, and how your style has evolved since then?
My first digital artwork was this portrait of Samirah al-Abbas from the Magnus Chase series. The latest is this portrait of Arthur from Inception. I think my main improvement has been more deliberation in placing my brushstrokes, since you can see in the Samirah piece that a lot of the time, I’m kind of just guessing at where hard and soft edges should be, and there’s a lot of busy detail in places that shouldn’t draw the viewer’s eye.
🎨 What is your absolute favorite piece of art that you've made, and why?
This is a tough question, and unfortunately I don’t think I can discuss a piece for Inception, since I just started drawing for this fandom. I like this fanart I did for an alternative version of Fate/Grand Order’s Hans Christian Andersen, since the lighting is interesting, there’s a clear focal point, and you can still see the sketch lines; I feel like I often fall into the trap of over-rendering, and this piece largely avoids that problem. I had no idea what I was trying to do when experimenting with blend modes to create the colors for his feather pen, but I like the end result. I think it was a happy accident with a simple round brush and color burn.
🎨 What is something about Inception that you really want to make art for someday, and why?
There are lots of scenes from my favorite Inception fics that I’d love to illustrate, too many to count! Off the top of my head, I love "in this part of the story" by gunsandbutter and really want to paint her version of a younger Arthur back when he was in the military.
🎨 Give a shoutout to your favorite Inception artists here!
I’m still getting to know Inception fandom, so I’m sure there are lots of great artists out there whose work I just haven’t seen yet. So far, I really adore @mizunoir’s work for Inception Big Bang 2022, an artist named sin-repent whose work someone recommended in the Inception discord server, and keelain’s artwork for a past Inception Big Bang.
🎨 Anything else you'd like to talk about art and the Inception fandom in general ❤
It’s really cool to be just joining a fandom that’s been going strong for more than ten years by now; there’s such a wealth of fanworks and interesting content to sift through, that I don’t think I’ll ever get to the bottom of. Mostly I just want to thank all the organizers and participants of Inceptiversary for being so welcoming – this has been a really awesome experience!
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empyrisan · 2 years
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Hey, I'm a long time follower (I think I followed you in 2017 or something?) and I've always wondered what supplies/programs you use for your art? Your lines are always so smooth and precise, I really love them!
So yeah, if you want to maybe talk about your process in general, it would be cool!
Also, I hope you feel better soon, wish you the best💖💖
Oh man, another 2017 follower. How many of you are still out there?
Thank you for following me after so long. I appreciate it. 💖
(Lengthy post under cut. I go into some details about my line art process...)
For my digital art, I currently use Clip Studio Paint. Back in 2017, I was using The GIMP 2.10 (yes, really) and PaintTool SAI for almost all of my line art. While I would happily vouch for both of these programs, getting to merge both my line work and coloring process in CPS was ultimately the best for my efficiency.
I still miss GIMP though...
Anyway, these are my CPS brush settings for the Pen tool:
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Nothing fancy here, I use the default G-Pen for most of the line art in my work. I keep the size at no more than 3-4px, and only decrease the size for finer details. There are better, more comprehensive guides out there that can help you achieve some stellar results for your lines, but sometimes it's more than enough to have some simple settings.
I use a small Wacom Intuos Comic Art Pen & Touch tablet. Been using it for the last four years. Before it's inevitable retirement after 10+ years, it was a Bamboo Wacom tablet. For most of its lifetime, I got by using only its eraser end of the stylus since the pen tip was broken. I was also using a horribly laggy laptop as well.
It's a miracle how I got anything finished during that time.
(Pro tip: Please. Y'all. Buy yourself upgraded equipment when your current stuff starts to fail on you. I denied myself better tools for literal years because I thought I didn't deserve them. In a lot of ways, I still don't think I do. Don't hold yourself back...)
My actual drawing process is to just simply making long, quick strokes. I undo/redo as often as needed to get the lines right. If all else fails or it's taking too long, I use the Figure tool with the Continuous Curve subtool to get curved lines just right. No shame in that.
I would show a demonstration, but I'm away from home this week. But here's a preview of a piece stuck in limbo. A section of line art stole a couple of hours from me.
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Thank you for taking the time to send this message and letting me talk your ear off. I hope this helped even a little bit. 💖
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corpsoir · 2 years
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my favourite brushes in clip studio (plus a little bit of insight in how i do lineart and colours i guess????)
yay finally lol here are some of my favourite brushes i use! if you have clip studio these are all free to download in clip studio assets!
and if you have any questions at all i would love to answer them!
will put all of it under the cut since it'll be kind of a long post
i use clip studio paint, the tablet i use is ~3 year old a wacom intuos pro medium, and i prefer using the felt pen nibs! ^^
sketching:
soipen by SORASORA (content ID: 1778407) Gin puck-puck pen (진퍽퍽펜) by pogomgom (content ID: 1736852)
lineart:
Muda Muda Muda by lapinbeau (content ID 1715496) (this one i also sometimes use for sketching and colouring, it's really an all purpose brush to me, i love it! fun name too lol hehehe) Kome Pen (komeペン) by _koi (content ID 1906801) i also quite often use the regular round tip G-pen that comes with clip studio. when i use this one i play around a lot with line weight and varying pressure in my lines to make the lineart look more appealing and... organic i guess? i don't have any fancy settings on the brush itself i only use differing pressure on my hand for this lol. here's the pressure profile on my tablet sngdjkfghs idk if anyone is interested in this but!!!! here you go its nothing special
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and then my current absolute favourite brush for lineart is this one called Brush Pen which i also think came with clip studio but i honestly have no idea. it's not in my assets downloads so either it came with the program or it's an older brush i transferred from photoshop, i have no clue! but i love it and i use this one for my lineart and flat shading in pretty much all my drawings rn.
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as you can probably tell i like my lineart a bit crunchy and textured. i never use plain black for my lineart, i either use a dark blue/purple or a rich pinkish red or brown. it makes the lines look less flat and muddy together with the colours. i also duplicate my lineart layer, and the duplicated layer i put underneath with a gaussain blur filter on. this one i usually shift the colour to a little more red/pink and also put the blending mode on overlay to sort of blend together nicely with the colours! :) see below what i mean, it looks way fuller and nicer with double lineart i think! but this is just personal preference (i used Brush Pen for lines here btw!)
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anyway, more brushes:
Halftones, textures, effects etc:
Grunge Dot by Marredae (content ID 1777009) Tone Brushes by seinotaph (content ID 1835931) Glitch Brushes 2 by tsiox (content ID 1719160)
these are my current favourites! ^^ i don't like using too many brushes at once and i also always keep a balanced limited palette while colouring. here are the ones i'm using rn but i'm currently working on making it just one palette with all the colours i might need. it might take a while because i always forget to add colours i'm using and i want them all to fit nicely together
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my colouring is done by using the lasso fill tool to get even flats i can easily select and shift the hues and colour balance of later if i need to. i use the Brush Pen for simple shading, after that i just go crazy with different blending mode layers (multiply and glow dodge my beloveds)
that's pretty much it i think, feel free to ask me a billion questions i love answering them!
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kifu · 1 year
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Heya thank you so much for the art advice earlier! I was wondering if you had any specific suggestions for programs and/or brushes (you know specifically for someone whose only fine art experience has been in pencil and charcoal 😭) .
I’m currently using iArtbook because it’s free. I know Procreate is probably the most popular program but I’m literally -$300+ in my bank account right now, so that isn’t a current option 😅.
However I do believe you can upload brushes to the iArtBook app, honestly I’m not sure, I haven’t tried but you can edit the brushes in a very similar fashion to Adobe Photoshop. So I’m assuming you can also download and upload brushes. I actually really like this program because it has a similar feel to Adobe programs and as a Photographer I’m very experienced with Adobe (I have an Adobe Cloud Account).
In all honesty I’ve never been a good illustrator (since my main focus in my fine arts education was always photography) , but I find the activity meditative and I’m ALWAYS looking to improve.
(Also I was gonna DM you but cant so sorry for the long question 😅)
Yo, it's all good. No apology necessary.
I can only suggest what I know. I've never used Procreate, and I've never even heard of iArtbook. I'm also one of those that absolutely will torrent my art program of choice. And have.
A long, long time ago (like probably thirteen years), I got a copy of Corel (Coral? Idek anymore) free with the purchase of my Wacom bamboo tablet. I didn't know what I was doing yet and I hated it. My laptop hated it. It was very heavy and lagged big time.
I switch to Gimp, which is legally free and open source. I used Gimp for years with zero problems. You can import a lot of Photoshop brushes into Gimp without issue. Compared to Photoshop and Paint Studio, it's incredibly underpowered. Looking back at the art I made, however, I was not poorly off.
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From Gimp, wanting more, I then switched to Photoshop CS5. It was incredibly easy to find and install. Personally, I say screw Adobe, since their current model is subscription based. I hate that. I used PS for yearsssssss, up until last year, I believe. It wasn't too heavy for my laptop to handle unless I used too big of a brush. It allowed me to expand my knowledge of digital art programs. It has way more to offer than I'll ever use. But as i mentioned before, the natural art brushes are ... okay, and the blending tool is awful. I learned to NOT ever use the blending tool because of PS.
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Throughout time in my PS years, I switched from a Wacom Bamboo tablet to a Huion pen tablet (three different ones) to a Huion Kamvas 16 Pro tablet. With my family's help, I put money towards improving my art by way of hardware, and each tablet became significantly better. A good tablet will help TREMENDOUSLY, but by no means does anyone *need* to splurge on a screen tablet like the Kamvas series. I recommend Huion. It's hard to go wrong with them. In case that ever tickles your fancy.
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Like, I'm pulling examples of art I've done with these programs and tablets, specifically unshaded pieces, to show that the software and hardware doesn't necessarily make the piece.
Now, I'm using Clip Studio Paint because it comes with so many native traditional brushes. Again, the company switched or threatened to switch to a subscription pay, so I have no qualms in resorting to circumventing their purchase page.
I will say, I think I love Clip Studio more than I ever did Photoshop. The brushes are just ... perfect.
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Like this. This isn't pencil and paper! It's the pencil brush that comes with Clip Studio. It draws JUST like a pencil and I feel like I'm in my natural element when I get to use it.
If you do decide to use PS, or a program that is PS brush compatible, I'll have to find that set of brushes that works similarly to these.
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These pictures both used one of the pencil brushes from that set in PS. The horse was painted with a watercolor wash brush; the human with a chalk brush. It's nowhere near as versatile as what can be used in Clip, though.
But I'm sure you could find many brushes through dA and gumroad to use until you find the one that works for you, too!
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