#univocal

[barcoland]

The chief function of color should be to serve expression as well as possible. (Henri Matisse)

#box #univocal #scheme #extrovert #outgoing #alternative #emotion #contrast #concreteness #emerging

[kelimeoyunu]

Ünivokalizm: Alfabede tek ünlü olsaydı?

Lipogram, belirli bir harf ya da harf grubunu hiç kullanmadan yazılan metin. Georges Perec'in e harfini kullanmadan yazdığı La Disparition ("Kayboluş", 1969), lipogramın tanınmış örneklerinden. Yayımlandığı tarihten bu yana, dünyanın dört bir yanında, üç yüz sayfalık bu romanı, lipogram kısıtına sadık kalarak, yani e harfini kullanmadan ana diline çeviren birçok çevirmen çıktı. Bizde, üstelik romanın her biri alfabenin bir harfine karşılık gelen yirmi altı bölümüne Türkçe alfabeye uysun diye üç yeni bölüm daha ekleyerek, Cemal Yardımcı başardı bu işi. Yardımcı'ya başarısından ötürü herhangi bir ödül verildi mi bilmiyorum, fakat bu tür başarılar dünyada hep ödüllendirilmiştir. Pek çok okurun, kitabı, e harfinin hiç kullanılmadığını fark etmeden bitirdiği bilindiğinde Perec'in romanının niteliği daha iyi anlaşılır. Lipogram demişken Ersin Tezcan'ın E'siz Potkal (1997) adlı, altmış iki sayfalık eserini anmayı da es geçmemek gerekir.

Ünivokalizm ise, metnin, sesli harflerden yalnızca birinin kullanılarak yazılması. İlk bakışta, bu tanımla, ünivokalizm lipogramın tersi gibi görünebilir. Birinde bir harfi (genellikle sesli bir harfi) atıyorsun, diğerinde ise tersine, sadece o harfi kullanıyorsun. Oysa ünivokal (tek sesli harfli) bir metin ya da şiir, lipogramın kısıt kümesi genişletilmiş, ekstrem bir türünden başkaca bir şey değil. Roman uzunluğunda lipogramatik metinlerin yazılması mümkün; öte yandan, aynısını ünivokal metinler için söyleyebilmek güç. Neden? Çünkü, örneğin Türkçe için düşünürsek, tek sesli harf yerine yedi adet sesli harfi dışarıda bırakmamız gerekiyor. Roman değil de şiir yazsak? Türkçede bilinçli olarak ünivokalik yazılmış şiir örnekleri var mı bilmiyorum; ama çevrimiçi kaynaklarda şöyle bir aratınca o tür bir örnek pat diye önüme çıkmadı. Çıkmayınca bu işi bir deneyeyim, dedim. Acaba hangi sesli harfi seçseydim? Kendime tek deneme hakkı tanıyacaksam, bari en zor olanıyla uğraşayım, diye düşündüm. A, e, i, ı - Pek çok kaynakta bu dördü, verdiğim sırada, en sık kullanılan ilk on harf arasında geçiyor. O ve u, sıralamada az farkla, ı harfini takip ediyor. Geriye ü ve ö harfleri kalıyor ki en az kullanılanın ö olduğunu kestirmek her halde zor değil. Hem ö, Özcan'ın ö'sü değil mi? Körün istediği bir göz...

Ortaya çıkan metin, şiir mi, değil mi, giderek anlamlı mı değil mi, "bacağı kırık çekirge bir adım dahi atabilse zıplamış sayılır" diyerek değerlendirmeyi okura bırakıyorum. Metin, istenirse bir bütün olarak, istenirse bizzat aşağıda yaptığım gibi, üç bölüm halinde düşünülebilir. Türkçe söz varlığında yalnızca ö sesli harfini içeren sözcüklerin hemen hepsi, mümkün mertebe tekrara düşmeden ancak iyi kötü şiirsel bir atmosferin yaratılması sorunu da gözetilerek, metin içersinde kullanılmıştır.

(I) bön mösyö köy örf, döl döş örk, börk örs, lös, gön köy köy böğ, cönk gönç sör köşk sörf, blöf tör, görk föy, fötr, fön köşk köşk köz, flört kör jön çöl göç, gök öç, öd öz, töz, ön söz çöl çöl pöç, lök kök çöl, göl köşk, çöp köy... yön? (II) öf dört göz! kös kös kös döv! öf pöf ! höst nötr (!)  tröst! ört, gömgök göt! öhö! höt! (III) ör, ör, sök sök, sök, çöz çöz, çöz, böl böl, böl, dök dök, dök, sön sön, sön, çöğ çöğ, çöğ, öt öt, öt, çök çök, çök, çöm çöm, çöm, öp öp, öp, öv öv, öv, dön dön, dön, gör gör, gör, söv söv, söv, göm löp löp göm göm, göm, öl!

#turkish #constrained writing #univocalic poem #univocal #türkçe #özcan türkmen #sınırlamalı yazı #tek sesli harfle şiir #lipogram #ünivokalik metin #sınırlamalı yazı türleri #sınırlama altında yazma #ö harfi ile şiir

[brechtian]

this thesis literally better meet her standards this time it has everything it's formalist with a dash of deconstruction it incorporates my research into the occult i can fold in a quick comparison to the end of her favorite woolf novel (dalloway) it even includes my original (REJECTED !) idea of exploring bernard and authorship as divine creativity. if she says no to it literally don't know what i'll do

#my first proposal was to focus on bernard as the character most closely intertwined with the cut narrator from the waves and the language/ #subjects of the interludes but she didnt like it bc she said author as god was overdone and i was too smart for that. sigh which is fine. #the thesis im proposing is going to be about how a) the waves central tension/conflict surrounds the characters striving towards a spiritua #oneness and univocity that feels distinctly both occult and deleuzean and how the form forces the characters apart from each other and the #action while also forcing distance between the reader and the text (a series of unconventional not-quite-soliloquies directed at no one. ch #racters who are always talking but can never speak to each other) and the ending merges characters and forms to create an essential oneness #that is distinctly creative in nature (see deleuze and pure immanence) #yes a lot of these ideas have been remarked upon separately by scholars but they havent quite been married in this way . i think its really #solid

[zvaigzdelasas]

I'm like an unelected judicial body that went back in time to the middle ages in order to adjudicate the finer metaphysical points of Christian theology. Th the way they call me Duns SCOTUS

#something something the ruling is univocal something something

[orfeolookback]

not to mention bisexuals are still fucking loathed by the rest of the community. bi ace solidarity

#i have changed my mind 103829 times on my inside politics on the 'queer community' #but i dont think there is such a thing as an univocous community #if anything its a collection of dissimilar experiences united by a common resistance and procedimental politics of presence #Waaaa tiraba esa

[fangednominals]

"Difference and Repitition" (1968), Gilles Deleuze

#gilles deleuze #univocity of being #difference and repitition #philosophy #ontology

[brigidfaye]

E Poem

The sea, her envy. Every eve he sees eyes, deeply.

View On WordPress

#love #love poem #ocean eyes #Poetry #univocality

[ocunyiacp]

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[kwk63kwxw0]

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#massier #Gudmundsson #bullet's #metamorphosing #oversaw #camass #Rakata #sulphoamid #univocally #abrazite #momental #catawampus #ortho- #Distichlis #documentary's #phenylacetaldehyde #parturifacient #managing #Denham #suprastapedial

[barcoland]

The one who falls and gets up is so much stronger than the one who never fell. (Anonymous)

#box #univocal #scheme #extrovert #outgoing #alternative #emotion #contrast #concreteness #emerging

[rb5ilmmguv]

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[kxdazusea]

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[catholicism-in-the-car]

Univocity

#catholic #catholicism #medieval #philosophy #scotus #theology #univocity

[vyvilha]

making malanka costumes with friends and when i asked who should i be they univocally replied Old Man

[nicklloydnow]

Derek Mears as Judge Holden

“Judge Holden's Weltanschauung-

His Theoretical Teaching

Since the hopes of a harmony and a Kantian "perpetual peace" prove to be untenable, all that remains is war, the "ultimate practitioner," who destroys by pushing things into their eternal existence. Like Heraclitus, the judge gives war its supremacy because war shows how things really are. It contains the principle of reality and points to the fact that existence, not the mind, has to come first. In a duel, it is only the outcome that counts. It does not matter which of the participants is right or wrong. War supersedes and overwrites such distinctions. Any other preconceived framework formed by the mind will fail the test of reality. In a Nietzschean manner, the judge gives the example of the moral law as an invention for the "weak." For Nietzsche, the weak are those who cannot come to a clear-cut decision and thus establish an end. McCarthy's nihilism is so systematic that the outcome is not moralizable post factum. One cannot even suggest that "might can be right" because power is absolute and cannot be represented in terms of right and wrong; it just is. The only possible law is the "historical law" or the law of necessity that is an immediate, immanent manifestation of what is.

The judge does not reject the mind, though; he is everything but a mindless killing machine. He just gives priority to the order of existence, the all-inclusive order that contains the mind itself. A thing will still exist whether one thinks of it or not. The mind cannot create existence; only existence can by being its own cause. And because the mind cannot will anything into existence, it has to be put in its right place and recognized for what it is: a mere mode of existence, like the body, among others. This means that it cannot impose the way it thinks, its own laws, its own mode of functioning, which is merely its own mode of existence, onto what exists. This happens only when the mind starts looking at itself and, like a sorcerer's apprentice, it opens a reflection that implies consciousness and that stretches into the infinite without being able to close it. The mind has to just become an instrument through which things that exist get their voice. This univocal perspectives is the substantial link between Spinoza and Nietzsche but will connect the judge and Chigurh as well.

The fact that the mind cannot rule over things doesn't impede it from knowing them though. In his reading of Blood Meridian, Steven Shaviro calls it a "radical epistemology" that "subverts all dualisms, of subject and object, inside and outside, will and representation or being and interpretation." Things are useful "breadcrumbs" for the dedicated archivist Judge Holden while Anton Chigurh calls them "instruments.” The principle of reality is thus discerned starting from bare facts. The judge is an avid collector in his notebook because they are God's "words": "He speaks in stones and trees, the bones of things. He archives material yet truthful artifacts as if to discover a road map that would help him find his way through the "maze" of existence. He is the one who singles out the "thread of order in the tapestry," thus knowing the (one) way of existence, the way things are (or become). It is in this sense only that he will be able to "dictate the terms of his own fate." This mastery is neither a creation/imposition of a new order nor an altering of an already given one. It neither shapes one's fate nor gets rid of it altogether; one is not beyond fate. Freedom emerges from finding this one path "and not some other way," this "thread of order" in the labyrinth that conquers a mystery, a darkness that generates fear so that one's decisions are taken from an active position rather than a passive one.

Like a memento mori, these facts will keep one grounded in the necessity of the "historical law," in the very "heart of darkness" that reminds one that "death and dying are the very life of darkness". In turn, they will keep the judge away from imaginative projections of the mind that generate superstition, mystery and fear. He records them like in a citation "a l'ordre du jour” in order to maintain the state of war and thus be closer to its eternity. "It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner. That is the way it was and will be. That way and not some other way" (BM 259).

Judge Holden loves war because it brings about "a new and broader view" (BM 261). War is the supreme game of life that teaches the unity of existence. "War is the ultimate game because war is at last a forcing of the unity of existence. War is god" (BM 261). Playing games is "nobler" than any other action, and war is the supreme game because the wager is one's most precious possession: one's life. When one wages one's life, one wages oneself, one's identity that resides in the subject, the game will "swallow" both the player and the game itself, merging both subject and object in its unity. From the perspective of this unity of existence, one can access something more than one's life. It allows one to partake in a realm of eternity that goes beyond duration, beyond beginning and ceasing to be. At this point, even "notions of chance and fate are the preoccupations of men engaged in rash undertakings" (BM 159). The unity of existence is an all-inclusive whole that cannot be broken into contradictory parts. Its parts will be distinguished merely as forms that are still embedded in the whole. In this game of war, one cannot clearly distinguish and oppose necessity and randomness anymore. Better said, loving one's fate will affirm necessity and freedom at the same time. Further, life and death are not mutually exclusive anymore but rather inextricably connected as two halves of the same coin. Embracing one will by default affirm the other.”

- Adrian Mioc, ‘Holden and Chigurh, Cormac McCarthy and the Ethics of Power’

#mccarthy #cormac mccarthy #judge #judge holden #anton chigurh #blood meridian #no country for old men

[henghost]

i used to really dislike the concept of "shards" in worm. at first i read them as being a kind of midichlorians for trauma. however i now isee them as something almost mystical. it represents that perfect middle space between medieval mysticism and enlightment rationalism that finds its apotheosis in hegel. i think of the way it mirrors the idea in lurianic kabbalah that at the time of the Fall adam's soul fractured into 6000 "shards" (one for each member of israel at sinai for the revelation), and that for israel to inaugurate olam haBa, the world to come, it is first necessary to "elevate" said soul-shards through mitzvot to their prelapsarian proximity to the godhead. this notion, obliquely, finds its christian (and therefore proto-hegelian) counterpart in the work of meister eckhart, who was the first to preach the doctrine that the center of humanity was in God Himself, not the individual soul. the rationalist version of this idea--that is to say, Hegelianism--would see God, or the Absolute, as the center of humanity. scion is therefore a kind of physical manifestation of the Absolute Spirit: parahumans are not separate individuals but modes of one rational entity, finding self knowledge through rational dialogue between elements of himself--through conflict. parahumans are all parts of one thing, headed inevitably for the End of History, total self-knowledge. shards represent a primordial oneness, a movement toward what french mystic rolland (who incidentally was the one to introduce to idea of "oceanic feeling" to freud), speaking of spinoza (himself another influence on hegel), might call "le soleil blanc de la substance," the white sun of substance, that is to say, a sense of the primordial oneness of all things, a sense of being part of a univocal God or Nature.

#wormblr #worm web serial #parahumans #shards #henghost's schizoposts #the edibles are fucking back baby #hegel #spinoza #kabbalah