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twig-tea · 9 months

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PHEW, ok, now that I've compiled and read all the meta (everyone is amazing, I love all of you, thanks for the love back!) and slept on it, I feel like I have processed enough to gather some thoughts and make a prediction on ep12 [clown checkpoint at the end of this long post].

Pre-Prediction Groundwork i.e. what the heck are you thinking and why did this take you two days

First, I want to say, I still think the montage over the years was not off. The depiction of a happy couple that annoys one another, accommodates one another, is sometimes just happy to be in one another's presence and sometimes happy because of one another's presence, is a perfect summary of a long-term relationship to me. Some folks mentioned that it seemed like they were unfulfilled but as an introvert and a homebody I can tell you when I look back on time spent in relationships these are the moments I think about. Yes, I've gone and done fun things with significant others, but those moments aren't the ones that necessarily feel like they're about us. It's the moments doing nothing that feel like they really capture a relationship, to me. And @rebel0777 hinted at this in a post: sharing food has been the love language for this couple all along, so for it to have mostly focused on them sharing meals doesn't feel strange at all. Anyway I'm fully ready for the show to have a different message but reading everyone's thoughts didn't change my mind on this.

That being said, the thing that other people have said that has swayed me most is the idea that Pisaeng does have some things he left unsaid, and going back in time gives him a chance to say them (whether or not Kawi is fine in future). As mentioned in the roundup, @bengiyo and @incandescentflower get credit for their thoughts on this theory.

In a conversation with @pandasmagorica the potential for a time loop was raised; I laid out why I don't think the show will go that route here--writing this also helped me frame my thoughts around what the show is trying to say and where I expect it to go as a result.

One thing that I think Pisaeng hasn't really been called out for in this series yet is how dedicated he is to Kawi--maybe that's just romance tropes doing their thing, but this man really has been through it in the various timelines. He fought hard for that plushie, celebrated his confession-aversary for at least 8 years, continued to follow and support Kawi's career even when he removed himself from his presence to save him from gay rumours...Pisaeng may need to learn to not sacrifice for Kawi's sake.

The other thing that I've been thinking a lot about is why Kawi seems to have a sense that the amusement park date has already happened [based on the ep12 trailer], when in the other timelines nobody had that same feeling of deja vu, and the reason I came up with is: in all of the previous timelines, Kawi made significant changes to his behavior that rewrote the timeline so profoundly nothing in it was the same. He spent time with his dad; he befriended Pisaeng; he went on the departmental trip and confessed to Pear; he tried out for student council and joined a band; he convinced his dad to get surgery; he confessed to Pisaeng. Because of these major changes every time he goes back, we don't see Kawi relive any days from his original timeline (or any of the other timelines) except kind of the first one (and even that one has major differences).

However, to my mind Pisaeng must be terrified of doing anything differently, other than maybe put some things into words (as mentioned above) and/or staying away from Kawi entirely [and I highly doubt that could work since Kawi knows Pisaeng's tricks from the other timeline as per @zzh3], so if he tries to relive their date from the latest timeline, the events would be similar enough that there could be multi-verse/timeline bleed-over. [There are other potential explanations, and of course this is fully blown out of the water if I'm wrong and Pisaeng does decide to make major changes to the timeline, but this is the one that my brain kept chewing on].

This also made me realize that if I'm right and only Pisaeng's consciousness travels to the past, and if Pisaeng does not decide to make any major changes to the timeline, if Pisaeng stays in the past, it will not make Pisaeng and Kawi equal, but will instead give Pisaeng a huge knowledge advantage, because Pisaeng will have lived all of this once before; in the last timeline, in contrast, Kawi did not jump ahead to peek at his future before sticking with the timeline after making significant changes, so he didn't know what was going to happen (he just had the imbalance of knowing what could happen, which he did share with Pisaeng though it's not the same to live it as to hear about it). The only real way in which they would be equals is if Pisaeng jumps back to the future [so they will be equal in their time travel experience and opportunities to make change], or makes a significant enough change in the past that their lives will be completely different [so that both of them will be equal in their uncertainty]. This is not quite counter to, but is a wrinkle to the points made by @bengiyo, @grapejuicegay and @he-is-lightning-in-a-bottle about relationship equality being achieved with Pisaeng time travelling, which at first really resonated with me and I think still hold true if they go one of the two routes I mentioned above. [And yes, I do think leaving things as they are would still put them on equal footing because choosing not to make a change is still a choice, and is still exerting power over their future that the other doesn't have.]

Speaking of this, thanks to a great conversation with @pandasmagorica and @thegalwhorants I went back and dug into the timeline of the series here, but TL;DR I think we could in theory have reached a few months before Kawi time travelled in the first timeline. That doesn't massively affect my prediction but I wanted to capture it because I do think it's relevant re: the balance between Kawi and Pisaeng; if Pisaeng goes to the future and I'm correct that this lines up closely to the point at which Kawi first travelled backwards in the original timeline, then in the current timeline both Kawi and Pisaeng will be at a truly equal point where neither has seen anything past where they are.

Shifting focus slightly, @grapejuicegay's thoughts about consciousness and the mechanism of time travel also made me wonder, if Pisaeng jumps back to the future [going to keep saying this because it continues to be funny to me], does the consciousness of the version of him who he took over from in the past go back to being the one in control? Is that why the Kawi of the past always seemed to stagnate whenever he jumped into the future, because the person left in Kawi's body had not had the character growth and life experiences that allowed him to make the changes in his life, so he was his former self living a slightly better life but without the personal growth to really take advantage of it? Essentially what I'm getting at here is, if Pisaeng doesn't make a change and does go back to the future, maybe the version of their relationship captured in the montage isn't lost after all, because they would make the same choices? [shout-out to the mourning of the montage by @ellaspore that got me thinking about whether it could be salvaged]

One last point I want to make: As much as it would be deeply satisfying to see Pisaeng and Kawi fight for their rights like @rocketturtle4 theorized, or going abroad so that they could get married like @marbles290 posited, or even working out a lavender wedding arrangement like @grapejuicegay suggested, I think the show already made points on these possibilities with Max and the changes to his choices, and so it would be repetitive to make it with Pisaeng and Kawi [I would not mind if the show did this, I just think this show has so much to say that it will take the opportunity to make a new point]. I think instead it's going to help Pisaeng learn the same lesson Kawi had to about time travel not being able to solve everything [hat tip @waitmyturtles], and needing to be brave and resilient enough to face the future without knowing what the future will bring, and reinforcing appreciating the time you have by being present in the present and not sacrificing your own happiness.

This show has set up so much that could happen, and this isn't the only ending I would be satisfied with by any stretch, but what I think would be most satisfying (at least for me, as I write this) would be if Pisaeng learns to accept that he can't fix everything and goes back to his future to live in the present, not knowing what the outcome will be. Also can I just say, it is really exciting to have multiple endings that I could be satisifed with?! I feel like that doesn't happen that often, at least for me.

Theory time!

So, all that being laid out, here's my Official Clown Theory about what happens in ep12 (adding lots of details so that there are a lots of opportunities to be wrong):

Pisaeng goes to the past and tries to play it cool; they re-live their first date and when Kawi notices something off, Pisaeng tells Kawi that he time travelled [this is based on the trailer so I'm not numbering it as a guess, though this show has done such a good job recontextualizing what we saw in the preview before so this could still be clowned]

Pisaeng is able to put into words what Kawi means to him

Kawi helps him come to terms with not being able to change everything the way Kawi had to come to terms with it too

[More because I want it than because I think it will happen but I'm writing it to manifest it] Pisaeng also talks to his mom while in the past to say hey, if you care about my future, help change the politics in Thailand rather than sending me abroad--giving his mom a chance to change with her kid like how Pear's dad said she should

Pisaeng jumps back to the future

We get the montage again and it looks almost exactly the same maybe just sped up, also maybe [because I've been good and deserve a treat] added bits about marriage equality moving forward?

Kawi recovers, and Kawi and Pisaeng are the ones married May 2027, at the beach [because almost all BL weddings are beach weddings, I don't make the rules]

Kawi tries to give Pisaeng the same speech Pisaeng gave him about if how he does die in future, Pisaeng should try to move on [credit to @tinycowboybro for thinking about the importance of this speech]

Pisaeng responds by reprising Unable [Gawin's OST which I have become recently obsessed with] or one of them performs a new OST we haven't heard yet? [GMMTV seems determined to milk having two protagonists who can sing]

Kawi and Pisaeng confirm neither knows what will happen from here but they'll face it together in the present [YAY]

Post-credit cut scene is Not being given the chance to go back in time by Time Travel Guy [this is still the funniest possible ending to me and I'm not going to stop speaking it into being until it's proven wrong]

Alright we'll see how many of these 10 guesses I get right on Friday. [You may have noticed I ditched the his-death-was-inevitable theorizing I did initially, even though my timeline deep dive does potentially support it, and it could still work with a lot of the above, but I just decided to go with what would make me happiest. I would still be satisfied if they do go that route or leave it ambiguous, as long as they lead up to it well.]

No matter how this goes, it has been an honour and a privilege digging into this show with all of you!

[That being said I realized I will be travelling on Friday and Saturday so depending on the train wi-fi, I may end up being late to the final episode].

cc. the other folks whose writing I was thinking about and have linked in the round-up post but didn't reference directly here: @telomeke; @benkaaoi; @jjsanguine; @stuffnonsenseandotherthings; @shortpplfedup; @williamrikers; @heretherebedork; @visualtaehyun; @knighthacker; @minorista; @neonsbian; @nemesis-21; @snidgetwrites no pressure to interact I just want to give you all credit becuase reading what everyone wrote has informed my thinking [though of course if you disagree with my conclusions, I am the only one to blame (and also I'd love to hear about it)!]

#be my favorite #be my favorite meta #be my favorite ep 11 #twig theories #typed so i can stop thinking it #clown checkpoint #long post

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mccoyquialisms · 2 months

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my fantasy high red-string-conspiracy-theory-board-of-the-main-mystery lore tracker (a long ass post) (because I love both mysteries AND organization of inconsequential information):

rough chronology of events:

In ages past there is a wedding attended in the Chaos Mountains by Sol and Galicaea of their sister the Witch Goddess to an unnamed giantkin god. This god is a summer god, sibling of the giant winter goddess Ruvina

Over centuries, the unnamed god's domain changes from the sun and summer to fire

This unnamed god is killed and their name was wiped from history. The other gods remember who this being is, but due to obliviati mori, cannot reference them directly to mortals. Red shatter stars appear around this time

850 years before present day, the Witch Goddess's name is erased by her followers (encouraged by followers of Galicaea) and she is transformed into the Nightmare King. Before she does she performs the 4 trans-substantiations to resist being "unmade". Her familiar Kalina becomes a plague and begins to spread through the mortal populace. These events likely happen after the death of her spouse, as there is no reference to a spouse when the Witch Goddess was previously mentioned

Roughly 4-6 years before modern day, the pit fiend Bakur attempts to resurrect his god, whose name was lost "so they could not be worshiped." The return of this god is felt to be a significant threat to the world. Lydia Barkrock and her adventuring party stop him by sealing Bakur in a red gem in Lydia's chest, where she keeps him imprisoned with her rage

The Ratgrinders, then called the High 5 Heroes, meet in freshman year and consist of Kipperlilly, Oisin, Mary Anne, Ruben, Ivy and Lucy.

They xp level up by killing rats, twig gremlins and other small magical creatures in the woods behind Aguefort

The events of freshman year happen and Kalvaxus is released. During prom, Ragh spots Jace Stardiamond talking to Arianwen. He is later "barbarian healed" by Porter and after this can see Kalina. Kalina finds Ragh later and threatens Lydia if he talks about what he's seen

Sophomore year spring break happens and the Nightmare King is transformed into the goddess now named Cassandra

At some point Lucy began to return to the woods after party sessions to revive the rats they killed. She did this long enough and with enough regularity that the rats remember her name/face well and think of her fondly

Paperwork is submitted for Lucy to change her god from Ruvina to a god whose name cannot be read, just before her disappearance. A few days later a second request is submitted to withdraw this change. Neither form was ever seen by Lucy's teacher Yolanda Badgood

Lucy was killed near Lake Shimmerstone by multiple assailants with both weapon and magical damage towards the end of sophomore year, in the period of weeks after grades were complete, but before summer break. The area has multiple uprooted trees, some of which were used to hide her body. Unholy rites were performed over her body to force her soul to the beyond, so she cannot be revived.

Lucy is reported as dead but her body was never found. She was described as "not alive in this material plane" via divination

Because of the timing of her death, her party was not moved to pass/fail as all grades for that year had already been submitted

Night Yorb and the long dark summer happens

Buddy Dawn, a cleric of Sol, is specifically requested by the Ratgrinders to be their new cleric for junior year

Also over the long dark summer, the Loam farmers are accused of embezzlement and the Frostyfair festival is moved from there to the Thistlesprings tree at the recommendation of Lola Embers. Sklonda Gukgak is assigned as the Loam couple's public defender

Kipperlilly finds or is found by the rogue teacher and has passed the whole of junior year

Junior year begins. On her first day, Kipperlilly questions Jawbone on where YES! was created

Kipperlily announces she is running for student body president and her primary platform is for uniform equity under the rules without "favoritism"

In the mall of the Synod, the event that kicks off the battle is Cassandra becomes angry hearing Kristen isn't coming to help find followers. She says "This isn't fair!" as a razor-sharp flickering star of red light emerges from her chest. 24-point, red shatter stars infect nearby wizards and turns them into rage-filled, violent, giant versions of themselves. The people taken over by the shatter stars are instructed by an unknown voice to attack Cassandra

Cassandra is able to be calmed by a high persuasion and when she does, she expels multiple shatter stars. She seems to recognize them and says "I thought you were dead.”

Before Kalina is taken over by the shatter stars, she looks to Riz and says "Ragh Barkrock". She then slits Cassandra's throat, triggering a new round of rage in Cassandra

Cassandra suffers multiple attacks and begins to transform into a giant, red raging version of herself and attempts to kill the party. Before she's successful, the gang are swept away in a time loop back to Spyre. The Bad Kids see the Synod is destroyed, and Kristen finds she has shards of Cassandra in her pocket

Kristen attempts to commune with Cassandra and hears a voice say "She is at my side once more." The voice then mocks Kristen with YES!'s body and then tells Kristen it is coming for her, and it will break her irrevocably.

Ivy sees Fig disguised as Lucy at the party at Seacastor Manor, and has an inscrutable reaction to it, but did not seem surprised

The cloud rider engine in Fabian's basement is broken and a piece is found missing

Kipperlily does the food truck event with the subliminal OK messaging on the packaging

Ruben Hopclap performs at FrostFaire when he is attacked by Principal Grix. Grix is eventually killed by Fabian. The Bad Kids determine Ruben was doing some kind of ritual with a song about anger above an arcano-tech array in a 24 point star pattern, successfully releasing a large amount of some type of magical energy.

Simultaneously, Yolanda Badgood is killed at Lake Shimmerstone by immense concussive force damage, and afterwards her body is expertly hidden. She is subjected to the same unholy last rites that Lucy was.

The Bad Kids find Lucy and Yolanda's bodies, and Kristen releases their souls, who travel to the beyond on a "trail of moonlight"

Sklonda's clients are found murdered

Mazey reveals that the Vice Principal (i.e. Jace) does not become the Principal, and it would be the student body president who becomes the new principal of Aguefort

additional info we can reasonably infer or that don't fit neatly in the timeline:

Buddy's grandparents, and likely Buddy himself, have a vested interest in his grandfather becoming the cleric teacher. He went to Aguefort and is familiar with the school. Presumably he wants this to be able to preach about Sol and spread his influence

At some point before her death, Yolanda told Jace about her concerns regarding Lucy's deity-transfer paperwork

Cassandra is not dead, but is "beyond reach"

Lucy and Yolanda were noted to be in "realms beyond", which Brennan specifically noted they were taken from and "whatever was happening there"

The Ratgrinders are gunning for the bad kids and seem to be orchestrating situations to try to get them to take drugs

Porter's philosophical discussion with Fig regarding the concept of protection and how that is often inextricably tied with rage, that one can act as a fuel for the other

Porter is a paladin of the ancestors, and at some point was mentioned to be a goliath, though this seems to be debated in canon. If true, it's possible he's a descendant of giants

Kristen bring's up Sol's wrath and Buddy does not refute this, agreeing Sol's wrath is a well known aspect of him and he has been quite angry because of the dark summer/night yorb situation

As above so below. What the gods do affect their mortal followers, but conversely, what the mortals who follow them do also affect the gods

A god can only come back from death in a place a god had been born or created, meaning Bakur's decision to try to revive his fallen god in the Red Waste was what doomed it to failure

Bakur's documents are written in the language of giants, and his deity is said to be from the same region as Ruvina. Combining this with Adaine’s research, and the “mitochondrial magic print”, Bakur’s god is Cassandra’s former spouse

The cloud rider piece was likely stolen by the Ratgrinders as Kipperlily asked Aelwyn to research schematics of the device

Kipperlily seems to be keeping information from some of the other Ratgrinders, telling Aelwyn she needs to "protect Oisin" from their shady deals

Kipperlily's mother works for the city treasury and her father is in real estate. Neither are super wealthy, but Kipperlilly has been paying Aelwyn large amounts of money to obtain arcane components. Given the timing of this with the disappearance of a large sum of money from the Frostyfair accounts, the timing of the murder of the people who were blamed for it, and that the new chosen location happens to be the home of one of the Ratgrinders rivals, the Ratgrinders involvement is thought to be likely

Cassandra's whispered clue of "spies, tongue, curse"

Places outside Spyre, like the Synod, are easier for dead gods to reach

For whatever the Ratgrinders have planned, a student being the principal of Aguefort is essential for it. A lot of people have had to be conveniently absent or dead for this circumstance to occur.

This is all not even touching Aguefort's whole journey through time and possible time quangle issue and whatever the fuck Fig's Bad Luck Thing is. I'm not convinced that these are related to the god stuff and are likely their own separate issues. also, I am tired lmao. If you want to hear my rambling theories, I'll be making a separate post.

#fantasy high #dimension 20 #fhjy #dropout #my musings #did i avoid all of my responsibilities after work today to write this? yeah.#do I feel bad about it? also yeah but it was still fun.#fantasy high meta

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angry-geese · 4 months

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The Weight - Sukuna x Reader

Warnings: smut//not osha compliant. arranged marriage au. blood/cannibalism mention. biting/size kink. unprotected sex, creampies. afab reader

synopsis: an arranged marriage au where the reader chooses sukuna instead of one of the men from her village

word count: 10.3k

a/n: this has been sitting in my drafts since probably last february and I finally got around to finishing it lol

jjk masterlist

As mid-afternoon turns to dusk, you realize you have nothing to show for your hours in these woods. You know, reasonably, you should cut your losses for the day, and return home. In a little over an hour, it’ll be dark, and navigating these woods will become a challenge. But winter has come and gone with a vengeance, leaving food stores low. The thought of fresh meat is too much for you to quit now.

Fresh tracks mark the once-smooth creek bed. Deer. At least three. They’ve bedded down here, as evident by the smell, and flattened patches of grass. For several meters, the tracks nearly overlap themselves, before heading off in separate directions. It's been years since you’ve traveled this deep into the woods, and those few times were accompanied by your father, or uncle. Your solitude has you jumping at every rustle of a leaf, and snapped twig. It's when the woods fall silent that you need to worry. That means a predator is near. As long as you can hear bugs, or birds, you'll be okay.

Further ahead—maybe twenty yards—is a buck that stopped to drink from the creek.

You knock an arrow, lining the broadhead up with your target. Something feels wrong. The string feels too taut. It slips from your fingers prematurely. The arrow hits just behind the front shoulder, and—in theory—should puncture the heart. A shot like that—in theory—should drop an animal like this where it stands. Today it doesn't. The buck takes off running.

Between the footprints, and little droplets of blood, a clear trail is left behind. When you do finally come upon your prey, the crickets have fallen silent. The buck lays on its side in the grass, chest heaving. You ready your knife to put the poor thing out of its misery when something—someone—emerges from the treeline on the opposite side of the clearing.

Your body is moving before you can fully process the situation. You flatten yourself out on the ground, hiding under the cover of some bushes. If the man does see you, then he makes no note of it. He draws closer, stopping to kneel beside the buck. It’s too dark to make out his face. Something about him has the hair on the back of your neck on end. He hauls the carcass up onto his shoulder, turning to return in the direction in which he came.

The absurdness of it all has you frozen. You blink several times as if to make sure this isn't your mind playing tricks on you. Once reality sets in, you’re back on your feet, chasing after him.

“That's mine!” You say, hoping the volume of your voice is enough to scare off the thief. It isn't.

What you first assume to be another trick of the lighting becomes a horrifying reality as you notice the true size of the man. The man—being, or whatever he is—towers over you, completely dwarfing you in size. Mild annoyance is all that is visible on his face as he turns to you. From the deer, he rips out your arrow, tossing it at your feet. The broadhead has snapped off, as well as the shaft is bent. If you so desire, you suppose you could repair it. Not that you have any wish to. Sometimes it is simply better to cut your losses.

But you have more pressing things to deal with right now.

“And just what do you plan to accomplish, little lamb?” He asks. “A deer like this can weigh as much as a grown man. Do you plan to carry this back all by yourself?”

It’ll be tiring, but not impossible. Gutting and dressing it here would remove a lot of unnecessary weight, but would render plenty of valuable meat and organs useless. All that extra meat and skin could be used better elsewhere…

You are overcome with the urge to run, yet his gaze has your feet firmly planted on the ground. Your eyes fall to a small red splotch on his kimono—a blood stain. It can't be from the deer, it's far too old. It’s not until your knees knock together that you realize you’re trembling.

The action of him moving closer causes a cry of panic to leave you, unintentionally calling out for your father.

“What—who are you?!” You ask as you scramble backwards.

“I am Ryoumen Sukuna, the King of Curses, my dear,” he says. “Now, shall we get this back to your home?”

Fear threatens to overcome you. Even if you could draw an arrow in time, you doubt it would truly hurt him. Yet, in spite of your fear, you know he has no plans to harm you. Once you’re in sight of the village, he sets the deer down, and gestures for you to take the lead.

“Why are you helping me?” You ask. You’re certain the look on your face suggests you still expect him to eat you.

“Why do you ask?” He says. “Maybe I wanted the location of your home. It seems there are plenty of sacrifices here for me.”

“Wait a minute!” You say, eyes widening with fear. A mix of panic and guilt consumes you. “You can't-”

A look resembling amusement crosses his face. “I mean no harm to your village,” Sukuna says, “but in five years, I will return to claim what is mine.”

The strange man would vanish upon reaching the outskirts of your village, and in the nearly five years that follow, you would not once traverse so deep into the woods. On several occasions, you would try to retrace your steps, but would never once come across that clearing. When you would bring it up to your father, or any of the other village elders, your concerns would be brushed off, or outright ignored. Years would pass and slowly, achingly slowly, you would forget about the man in the woods entirely.

The coming spring brings your twenty-eighth birthday, and the looming threat of being an “older” unmarried woman.

If you had any say in the matter, you wouldn't get married at all. Plenty of older women exist, happily unmarried, yet your mother insists that you must find a husband. Any attempts to convince her that you’re fine with the way things are, fail. Once it became clear you weren't going to seek a husband on your own, your mother took upon the task of finding a suitor for you. Over the course of several months, meetings were arranged with various men, and with each rejected one, your mother grew more desperate to find the perfect match.

Your mother insists you're cursed. Your father thinks you’re simply unlucky. When you asked how marriage was supposed to fix that curse, she had no answer for you.

In the months prior to your birthday, your mother proposed a deal to you: meet with another man—the son of a wealthy merchant. That if this meeting went well, even if you didn't marry him, she would stop pestering you about getting married. Tired of her pestering, you relented, and agreed to meet him. And as the days draw closer, you only feel dread towards him.

The outcome of tonight has already been decided by you: failure. Whether your mother knows this or not is hard to tell. Judging her tense nature, you suspect she knows your plans.

“I was already married at your age,” she says, tightening your obi, “I used to have a dress just like this.”

“The difference is, you knew him already,” you say, “and I am meeting a stranger.”

“I am simply doing what I think is best for you,” she says. “This is your chance to get out of this village—to live a better life! Don't you want that?”

Her eyes meet yours in one last pleading glance. It makes you wonder; did she have such a conversation with her mother? Did your grandmother go through such trouble to match her to your father? Or did this come easier to her, than it did to you?

You suppose he’s handsome. The silks he wears are clearly expensive, with threads like woven gold. His features are sharp—what one could describe as noble, but you find him truly dull. But he is scrawny—squishy, with hands that show he has never worked a day in his life. The little conversation he makes is dreadfully boring. His father is an older man, with a graying beard, and sagging eyes. His mother is considerably younger, dressed in blue, with a small scar on her chin. Her silky black hair falls down her back. The little conversation you do have is short, but polite. The typical small talk you would have with a stranger.

Your mother does her best to talk you up. She’s gotten pretty good at that over the past few years. Your father interjects here and there, but it's your mother that does the majority of the talking.

“She’s strong. A talented hunter. Good with a knife.” Your father says. This time, you’re paying attention when he speaks.

Your potential father-in-law seems unimpressed with your father’s attempts to talk you up. Perhaps if you were a son, this conversation would go differently. If you were a son, your mother wouldn't be so stressed about you being married before 30. Your growing irritation mounts when you set down your cutlery, turning to look the old man in his eyes.

“And what about him?” You ask, motioning to his son. “Look at him—how is he supposed to give me a strong child?”

The energy in the room seems to shift entirely. Your father nearly chokes on his wine, but his eyes are firmly trained on your mother. She glares daggers at you, gripping her spoon so tightly that her knuckles turn white.

“What?” You ask. “I am the one getting married. Don't I get a say in this?”

Are you trying to screw this up? Your mother’s face seems to ask.

“A good father controls his daughter,” the man says, “especially one with such a sharp tongue.”

“I can serve this village, or I can control my daughter, but I cannot do both,” your father says, “she’s not a child anymore, she can make her own choices.”

That earns a small smirk from you. Leave it to him to stand up for you.

“That is exactly why this is so grievous,” the man says, “my son will not marry an old maid with an attitude problem!”

“And I will not have in-laws as insufferable as you!” You bring your knife down on the table, narrowly missing his fingers. This little outburst of yours at dinner will certainly have consequences. Your mother’s wrath is only the beginning.

They don't leave in nearly as big of a hurry as you’d expect from a man who was just threatened with a knife, but they do hurry out, making certain not to look back.

“Maybe we should have offered to let them stay,” says your father, “it’s not safe to be out on the road after dark.”

“We’re lucky to not have them send guards after us for that,” your mother says, and for once, you agree with her. “Threatening a man like that is a new low, even for you.”

After such a disastrous dinner, you’re not particularly eager to go find your parents. You linger towards the outskirts of your village for as long as daylight allows you to. Once it grows too dark to stay out, you begin the trek back to your home, praying your parents—or at least your mother—have simply gone to bed. Maybe your father will forgive such a night, but your mother certainly won't. Over the past year you’ve done enough to earn her ire, this will not help your case.

Sitting outside is your mother, her eyes trained on a dying fire. Although she doesn't acknowledge you, you know she’s noticed you. Part of you wonders if you should speak first. Would that even improve your situation, or simply make it worse?

“You win.” She says.

“What?” You ask.

“You win. I told you I’d stop after this, remember?” She asks. “Besides, I stopped liking him after that comment he made about your father.”

You still don't believe it's over. No tone of accusation clings to her voice, yet you can't help being suspicious.

“I don't get it.” You say.

“I just want what's best for you.” She says. “I want you to live a long and happy life. Are you really content to spend the rest of your life in this village? Stuck taking care of your brother and father?”

“That sounds like the preferable outcome,” you say, “compared to having in-laws I can't stand.”

“Where does he get off calling you an old maid anyway?” She says.

A small smile crosses your lips. This is about the best she'll get, and she knows this, a grin crossing her own face. A moment that should be one of triumph—at least for you—seems to be more sorrowful. The older you grow, the further apart you drift from her, and with that comes a strange, aching loneliness. You long for a time in your youth; the days when she would play dolls with you in-between house chores. You miss the tiny clothes she’d sew for them. The furniture made of timber scraps she’d hand paint. Oh how long has it been since she last braided your hair? Or brushed it? Or helped you wash it?

Did she have these same feelings about her own mother? Or was it easy for her? Does she too mourn those moments you used to share?

You don't remember her always looking this old. That’s not to say she isn't beautiful still—age does not nullify beauty. But she looks tired now. The dark circles under her eyes are more prominent than ever. The skin around her eyes crinkles when she laughs, or smiles. Her hair is littered with grays—like little silver threads. She looks like you.

From within the nearly pitch-black woods comes a scream; not that of an animal, but of man. When the scream rings out again, it’s much easier to understand. It’s a cry for help.

Emerging out of the treeline, and following the main road is a man, half hunched over and clutching his stomach. He makes it several yards into the village before collapsing. Enough blood pours from the wound on his side that you can smell it. A metallic taste lingers in the air, stuck to the back of your throat. Blood.

You’re the first to run over, followed shortly behind by your mother. The injured, shambling figure collapses upon the road. It’s only as you draw closer that you recognize him, albeit barely: the man from dinner. His clothes at one point in time were yellow in color, but are now stained a deep brown in color from a mix of dirt and blood.

“We need a doctor over here!” Mother cries out, her voice echoing against the wall of trees.

Someone must hear, because eventually a group of men burst out of a nearby house. They make quick work of rolling him onto his back, granting you a better look at his wounds. Three long slashes across his stomach. From your mother comes a gasp, followed by her clamping her hand over her mouth. The young man succumbs to his wounds before anyone is able to help him. He’s lost too much blood. People don't come back from that.

“Was he stabbed?” One man asks.

“Looks like knife marks,” comments another.

“Not a knife,” the oldest of the three says, “claws.”

“Do you think a mountain lion got to him?” You ask.

The oldest of the men shakes his head. “Cats like that don't get this close to towns. They avoid people if they can. A bear, maybe; if he got in between a mother and cub. But even that seems unlikely…”

This is why you don't go into the woods after dark. This is why you lock your doors and close your shutters tight when the sun sets. Bad things lurk out there, but they are not bears, nor are they mountain lions.

Something about the height of a person bursts from the treeline. Atop the legs of a chicken is a head only humanesque in the way corpses are. Sunken eyes sit atop a shriveled nose, and cracked lips. Its skin seems to be hanging off bone. Still, it takes you a moment to register that it’s fear you feel. Your palms prickle with sweat, the hairs on the back of your neck stand on end. The urge to flee is nearly unbearable.

More of these creatures emerge from the direction of the nearly-set sun. They appear to come in all sorts of horrid shapes, and sizes, the smallest being no larger than a bird, and the largest about the size of a cow. Fear threatens to overcome you entirely. At least twenty of the creatures leave the treeline, although you suspect more remain hidden within it. The temperature must drop by ten degrees. It’s as if all the moisture has been sucked from the air. Those who dared leave their homes to look at the source of the commotion have now retreated, locking their doors behind them.

The collar of your dress jerks backwards as your mother struggles to drag you back towards the house. “Get your father!” She says. “Hurry!”

“What about you?!” You ask.

“Just get your father,” she says.

And you do so, running as fast as your feet will take you. The chilly night air renders your fingertips numb, and your face burning. He’s asleep in his chair, and wakes with a gasp as you shake him, motioning frantically to the door. The words that leave you are incoherent, but he must understand your panic. He retrieves his sword, telling you to lock the door behind him. You don't listen. You never listen, you can hear your mother say now. A sudden burst of light draws your attention—a nearby house has caught fire. Those strange, horrid creatures swarm around it like flies. Several neighbors have exited their houses, and begun throwing buckets of water upon the blaze, but the fire is too strong.

And from the treeline emerges that man from the woods all those years ago.

In five years time, he has not aged a day. His cruelly sharp features appear the same within the flicker of the firelight. They fall before him on their hands and knees, heads bowed in fear. You only realize you’re shaking when you move closer to the window, peeking out through the crack in the shutters.

The King of Curses, he called himself, all those years ago.

His mouth moves as if he's speaking, but you can only make out about half of what he says. The ringing in your ears is too loud to make sense of much.

“My offerings lessen, my shrine lies defiled,” he says, “and you humans sit here complacent. I gave you five years to make amends and this is what you do with it?”

You know, logically, that your father is going to die. He is no match for the creatures, let alone that strange man. You must do something. Even if it is beyond logic, or reason, you would not forgive yourself if you did not act.

“Then what is it you require of us?” Asks father, his hands trembling slightly. You can tell it’s more than just the dancing light of the fire. He is truly frightened.

“An offering,” says the King of Curses. “A sacrifice.”

“We have nothing to offer,” says father, “the river has run dry of fish—our crops have withered! We have nothing to offer, we’re starving regardless!”

The King of Curses eyes drift to your hiding place, before landing back on your father. “You said it yourself.” He says. “You’ll starve regardless. What difference does it make that you should give up one of your own? Won't there only be less mouths to feed?”

Your arrows rattle loudly as you pull one from your quiver, knocking it. From this angle, and sitting half crouched on the ground, you can't bring it to a full draw. Not only does that mess with your aim, but alter the power of the shot too. That can be accounted for. You adjust your angle to be a little higher—right above his head. When you release the string, the arrow gives way with a thunk! The shot is dead on; your arrow whistling towards the demon king’s head. He brings his spear up, knocking it aside. Several heads whip back towards you, their faces contorted in a mix of anger, and fear.

You’re not quite sure who grabs you first—it must be more than one person. Several sets of hands are upon you, dragging you from the house. Any attempts to fight it fail on your part, there are simply too many people to kick off. They drop you in the dirt beside your father. You don't dare look at him. You know his eyes are filled with fear.

“We’ll—we’ll put it to a vote,” says one of the elders. “All those in favor of sending this woman as an offering…”

Two other elders raise their hands. Then several of the men. Then, reluctantly, the mother of a neighboring family. Even more hands pop up after that. Although maybe a minute passes, it feels like hours. At least a dozen sets of eyes are on you.

“Out of all of you,” the demon king says, eyes following across the crowd that’s now gathered, “she was the only one of you to fight back, yet you punish such an action?”

Silence is the only response the crowd can conjure up. A groan so loud that the ground rumbles beneath it rings out as the house gives way, collapsing in on itself in a rain of ash and embers.

“Wait!” Your father cries out, “let me go in her place!”

Several more incomprehensible sentence fragments leave him. He pleads and pleads to no avail. The last view you get of your village is of the spirits retreating back into the woods.

It must be hours before your state of shock wears off. Dawn breaks bleak and gray over the horizon. The temple he brings you lies in ruin. You must be one of the first people to set foot in here in years. A cracked foundation gives way to walls overtaken by vines. Dust and ash layers the ground, and every surface imaginable.

Sukuna must not expect you to try to run. Nothing is done to prevent you from escaping. There are no doors to lock. No ropes or cages. The only real barrier of escape is the trek home through miles of woods. Should you wait until sunrise, the trip won't be impossible. It is the fear of what remains for you that prevents you from returning.

Would there even be anything to go back to? Is it even worth it after what they did? They did not hesitate as they offered you as a sacrifice. Whatever happens to them… they have it coming.

Such thoughts do little to comfort you. If anything, they make you feel worse. What little strength you have left goes into stopping the tears that threaten to spill down your cheeks. You manage. Barely.

Unable to find it within you to do anything else, you sit. Only a thin, woven mat separates you and the hard floor. Footsteps draw closer down the hall, the noise only amplified by the high ceilings of the temple.

Uraume. That’s what Sukuna called them. A strange being that looks human, but appears to be more than such. They enter the room, a shock a white hair visible before the rest of them is. They wear the kimono of an unmarried woman, in vibrant shades of orange, blues, and pinks woven in the pattern of flowers. Hooked around one arm is a pail of water. Under the other arm is a roll of cloth. Contained within the cloth is a mix of hygiene supplies; a sponge, comb, various vials of oils and creams.

Uraume treats you like one would treat a frightened animal. They kneel on the ground before you, leaving about the distance of a foot. When you don't flinch, or shy away, they move closer.

“You’re covered in ash,” they say, “let me help.”

With the sponge, they dab away the bits of dirt and ash that have caked to your skin. Human contact like this should, in theory, be intimate, but in this situation it feels like anything but that. Uraume’s touch feels cold, and clinical. With them comes a strange, uncanny feeling, like you are not looking into the eyes of a human, but of a corpse. The reason behind their kindness is a mystery to you. It feels wrong to question them, but you can't help but think there is something sinister behind their actions. Their casualness suggests this isn't the first time they’ve done this. That thought does nothing to comfort you, so you quickly push it aside.

Next, they move on to your neck, then down to the exposed bits of your chest, and shoulders.

“Such a beautiful dress,” they comment. You reply weakly, saying it belonged to your mother. Their response to that is little more than a hum.

They take your hands, scrubbing the dirt from under your nails with a small brush. After that, a comb is worked through your hair, taking great care to not pull on any knots that have formed. Once they can work their hands through your hair with no resistance, they stop.

Uraume leans back to examine their work, deeming you presentable. Gathering what they brought with them, they make their way towards the door, turning back once to say: “I’ll bring something to eat.”

The events of the night have left you without an appetite. You probably should eat something. It’ll be important to keep your energy up. The little adrenaline left within you has you jumping at any small noise, or shadow. Sleep feels like an impossibility right now.

About ten minutes pass before Uraume returns carrying a platter. Tea, pickled vegetables, a hunk of bread, a bowl of some kind of stew. It smells quite good, but you merely pick at it. Like your hesitation to sleep, you can hardly eat. Uraume sits with you, picking at their own food, but never finishing it. A million questions race through your mind, although you can barely bring yourself to ask them.

Would they even answer you? Or does this have a more sinister plan behind it?

Finally, you find enough of your voice to ask: “Where is…?”

“I’ve prepared a bath for master Sukuna,” they say, “he’ll be joining us shortly.”

Your attention turns back to the bowl in your hands, which soon slips through your fingers, breaking upon the floor. What little appetite you had is soured entirely. This is it. You’re nearly certain you’re going to die here.

Your attempt to clean up the mess is stopped by Uraume. They insist upon cleaning it themselves, taking great care not to cut their hands on the shards.

“Why are you helping me?” You ask, shocked at how small your voice sounds.

“Master Sukuna likes to play with his food before he eats it,” they say.

Uraume leaves shortly after, taking the leftover dishes with them. You remain seated, eyes moving between the two exits of the room. One takes you to the entrance of the temple; you’re not certain where the other leads. The first is almost guaranteed to be guarded, though. Trying to run now is a bad idea. But when will you get another chance?

You will not sit idly by as death draws closer. Like the previous night, you feel as if you must do something. It was your own foolish actions that got you into this mess, says a small voice in the back of your head.

Trapped under your heel is a small pottery shard, left over from the shattered bowl. It’s small enough to conceal in your palm. Sharp. Better for stabbing than it is slashing, but it will be good enough at either. Once Sukuna returns, you’ll get your chance.

The rush of adrenaline has started to wear off now, rendering your arms weak, and your legs shaky. If you were to sit down now, you’re certain it would be a while before you get back up. It is the body fighting itself; fight or flight mode mixing with exhaustion. If you do not stop and rest, your body will give out on you eventually.

So you stand there and pace, clutching your shard of pottery close. Maybe thirty minutes pass in the time it takes Sukuna to enter, but it feels like hours. Adrenaline turns into fatigue.

Tears burn at your eyes again, but you’re able to blink them back. A mix of shock and betrayal has left you nothing short of exhausted. Sukuna’s towering stature only helps to make you feel like a lamb about to be devoured by a wolf.

“I trust Uraume has been of assistance,” Sukuna says.

Unsure of how to respond, you simply nod.

“What now?” You ask. “Is this the part where you’re supposed to eat me?”

That earns a laugh from him, although it’s strange sounding, as if the very action is foreign to him.

“Many decades ago, the people of your village—among others—would hold a festival during harvest season,” he says, “it was meant as a sign of peace. An offering in return to not raze their homes,

“The people of your village have grown laze, and complacent. They have forgotten their place as humans, and needed to be reminded of it. You are simply another offering. Something to tide me over.”

Sukuna draws close enough for you to feel his breath across the back of your neck. You shudder. Adrenaline courses through you once again.

This is it, you think, you are going to die.

In one last attempt to preserve your dignity, you aim for his jugular, and swing the shard of pottery towards it. A hand wraps around your wrist before it can make contact. A second set of arms are trapping you against his body before you can even register it. His breath is warm against your cheek, teeth inhumanly sharp in the dim light.

“You are entertainment.” He says.

That same set of sharp teeth drag up your neck. Some sick sense of pleasure runs up your spine at the feeling: being a little lamb in the jaws of a predator. It would take so little effort from him to render you lifeless that it’s almost comical. Adrenaline turns to delirium in your mind.

What happens if he finally grows bored of you? It’s not a matter of “if” in this case, it’s a matter of “when”. You have an idea of what will happen once he does.

You don't hear him leave, so much as you notice his lack of presence.

Sukuna is gone for most of the following day. In that time, you explore much of the temple in an attempt to gain your bearings. It’s sparsely furnished, and dilapidated for the most part, but there are some signs of life. On a lower level of the temple is a bedroom, where the bed alone is as big as a room in your home. Must be Sukuna’s. Another, smaller room appears to be Uraume’s quarters. A small kitchen branches off the hallway not far from this.

The later half of the day is spent trying to familiarize yourself with your surroundings. Thick woods surround the structure, spreading out for what must be miles. To the North is a creek. If you followed it, you might possibly meet up with the river by your village. Whether you could do so before nightfall is another question entirely. Finding yourself stuck in unfamiliar woods past dark may prove to be a death sentence.

Even if you could go back, would you want to? Their lack of hesitation towards sacrificing you still rings clear in your mind.

Sleep seems to be the best way to pass the time. There isn't much else to do around here. In the hours before dusk, you manage to drag yourself out of bed, and into the woods that surround the temple. You justify it by saying that fresh air will do you good, not that anyone asks you. The only person around to do so would be Uraume, though you don't see much of them.

Heavy fog settles upon the trees, causing the day to take on a quiet, sleepy nature. Little cream-colored mushrooms pop up through the layer of moss and dead leaves that blanket the forest floor. Carved out over years of use is a dirt path, barely wide enough for a person to walk through. Following it for about ten minutes brings you to a pond. At one end, the start of a small creek leads downhill. Little fish are visible just under the surface. Leaving your socks and shoes at the shore, you wade out into the water. It’s cool, but not chilly. The mud feels soft underneath your feet. Being outside helps settle your nerves a bit. Outright terror is replaced with uneasiness now. While not entirely better, it’s an improvement to your previous mood.

From the treeline opposite of the path you took, a figure enters the clearing. Sukuna. Adrenaline spikes through your body at the sight of him. Your pulse quickens, and fear prickles in your palms. Every cell of your being is telling you to run.

Sukuna motions with his hand for you to follow him. It is not an offer, so much as it’s a command. Following a short walk on a stoney path, you find yourself overlooking a rock cliff-face, and a small wood hut. Scattered about are several steaming pools, which bubble up from the ground, layering upon the cliff-face like stairs.

Sukuna undressed at the wood hut, leaving his clothes hanging upon the rafters. Your gaze remains firmly on the ground. You should not be seeing him like this. This feels far too intimate. You try not to let your gaze linger too long, but can't help it. The sight of his back alone is hard to tear your eyes away from; the muscles, the tattoos, the curve of his spine. There is a strange, supernatural beauty to him. You eye him with caution, yet curiosity.

Why has he brought you here? What does he want? Is this simply a ritual before he eats you?

Certainly, if you were to scream, no one would be nearby to hear you.

It strikes you just how easily his teeth could tear through your jugular. How his sharp nails could shred your flesh to ribbons. Sukuna is far faster and stronger than you, outrunning him is not an option.

Following his lead, you undress, and leave your clothes folded neatly upon a rock. Next comes the task of taking down your hair, and combing through it with your fingers, finding it still knot-free from the events of the previous night. Only then do you approach the largest of the three pools, and wade into it. At its deepest, it's a little above your waist. You could walk all the way across and never once have your feet leave the ground.

You settle upon a rock towards the edge, half submerged in the pool. The hot water feels nice upon your sore muscles. Your eyes trail ribbons of steam as they curl off the water. A wave of self consciousness rolls over you. You sink further into the water, crossing your arms in front of your chest. It’s up to your chin now. Sometime during this, it starts raining. The droplets leave little ripples across the surface of the water. Fall brings the smell of damp earth, and decaying leaves with it. Something that should be comforting only makes your stomach turn.

“You look frightened, little lamb,” Sukuna says.

Is it so obvious?

“I still don't believe this isn't some attempt to eat me.” You ask, though you’re not certain you want the answer.

“Had I wanted to eat you, I would have had Uraume make preparations.” He says.

You still don't believe him. How many people met their fate at his hands before you? There is no reason why you would be lucky—why you would escape your fate.

“Then what is it you want from me?” You ask.

His expression softens, shoulders lowering with a sigh. The space between his eyebrows is not so harshly creased anymore.

“I am not like the typical curses you have met,” Sukuna says, “I require your permission.”

“Permission for what?” You shrink back as he draws closer, stopping mere inches from you. He’d tower over the tallest man, let alone someone like you.

A kiss. Hungry, and overbearing, but a kiss nonetheless. Sukuna has to lean down, and you have to crane your neck up to complete the action. His movements feel stiff, clinical, as if he hasn't done this many times before. The action causes warmth to bloom in your chest, and spread out to your limbs. The hands that cup your face are nearly large enough to encompass it entirely. He tastes like wine, and something vaguely metallic. The thought that it might be blood crosses your mind for only a moment. You’d much rather think about other things.

“Will you devote yourself to me, completely and entirely?” He asks.

Funny, you think, had a human man asked you the same thing, you would have laughed in his face. Yet you find yourself bewitched by the King of Curses. Curious, and cautious all the same. This is not a feeling of love. It is something else entirely. You are a sacrifice, you remind yourself, this is the fate of a sacrifice.

“I devote myself to no man,” you say, “I don't see how you'd be any different.”

He hums in amusement, circling around you in the water. He stops behind you, slightly to your right. Sharp teeth graze across your shoulder. Large hands trace their way up your hips, then your body, coming to rest just below your breasts. You squeeze your thighs together in an attempt to relieve the strange pressure that has built up. Your heart rate picks up in pace. Sukuna must be able to sense this. A low laugh leaves him as he pulls away.

“Well then,” he says, “do I have your permission to continue?”

Continue what? You wish to ask. As if against your mind’s wishes, your head moves in a nod. “Yes,” you say.

You can only imagine the look on his face as you have your back to him. He’s close enough you can feel the warmth radiate off his body. Is he pleased? Amused? Smug that all it took was a kiss to make you let your guard down?

Hands that should be calloused and rough are quite gentle with their touch. One comes to rest upon your hip, before trailing down to the space between your thighs. Seconds in and your knees seem to give out, your body supported only by him. One finger presses into you, then a second. You sigh at the intrusion. There’s little resistance as he presses into you. You’re too wet. Sukuna’s fingers are much larger than your own, though the stretch you feel is pleasant, not painful. Your thighs squeeze around his hand, drawing a low laugh from him. You can feel it rumble within his chest, which your back is pressed flush to.

Being so close to another being feels odd. The only intimacy you know is a platonic one. A familial one. This is different. Stronger. More intense. He finds the spot that makes you squirm and abuses it, toying with you like prey. It must be a game to him, you think, like cat and mouse. With one of your hands over your mouth, you try to muffle the lewd noises that spill from you. It’s a losing battle. All sorts of pleased sounding noises—from both you and him—echo through the clearing. Secretly, you’re glad this place is so remote. Should someone hear the lewd noises you’re making, you wouldn't recover from the embarrassment. He brings you just to the edge, but refuses to let you cross over. Frustration turns to desperation as you grind against him, chasing your own release. Sukuna doesn't appear opposed to your actions. He lets you work yourself up to—and through—your own release, the noises you make growing gradually more obscene until they come to a head in the form of an orgasm.

You remain in the water for a while afterwards. The layer of fog overhead makes the day take on a lazy, sleepy nature. His hands comb through your hair as you lay against his chest. Such a moment feels uncharacteristically tender for him. While you expect them to be sharp, his nails feel nice against your skin. The mouth on his stomach resembles a smirk, although the expression on his face is flat. Unreadable. A slight pang of disappointment shoots through you. You know it’s unreasonable of you to expect humanity from someone inherently inhuman. He does not—he can not—process things the way you do. Humans must appear so small and fragile to him.

You’re uncertain of how much time passes as you lay there, your limbs tangled with his. It doesn't feel like long enough. No time would feel long enough. You crave the touch of another being whether you want to admit that or not.

“It’s getting late,” he comments. Without another word, you watch as Sukuna dresses himself, and leaves.

You follow him as quickly as you can. You’re not quite fast enough, arriving back at the temple long after him. Dusk follows soon after.

You find no sign of the King of Curses upon your return. Finding yourself with not much of an appetite, you head straight to bed. Uraume stops by once to offer tea, but you decline, insisting you’re tired, and just wish to sleep. Whether or not they believe you, you can't tell. That’s about the extent of every conversation you have; polite, but short.

Sukuna must not need to sleep. Not in the same way you do. You dress down into your underclothes, leaving the rest folded neatly upon a chair. They’re not dirty, just slightly wrinkled from the events of today. You crawl into the bed much larger than you, and attempt to sleep. When he crawls into the bed beside you, you do nothing to protest.

As time passes, you grow used to his presence. Falling into a routine takes mere days. In that time, you don't see much of Sukuna, or Uraume. Maybe it’s for the best. You’re not certain what you’d say to either of them. You figure it best not to question what Sukuna gets up to in his free time. If the events at your village are anything similar, you figure it best to pay them no mind.

The longer you spend here, the more curious you find yourself. At least twice you find your way back to the hot springs. Familiarizing yourself with the surrounding woods has you growing more confident when navigating it. Animal tracks and trails reveal themselves, bringing more life to the woods.

Fall turns to winter. Rain gives way to snow, bringing in a bitter stormfront. It’s hard to tell how many days pass as the storm hits, rendering the three of you confined to the temple. Sukuna doesn't appear bothered at all by the cold, but you spend many bleak nights huddled by a fire. Sukuna approaches you on one of these nights; perhaps the bleakest and darkest one before the storm finally breaks. Your inability to leave the temple has you ready to claw out of your own skin. Never were you one to stay in one place very long.

Days have passed and you haven't spoken much to one another. Not since the day at the hot springs. You find yourself especially longing for them on a day like this, where the cold makes your joints ache, and your lips cracked. Winter is among your least favorite of the seasons. A hot and sticky summer day was always preferred over a day like this. Sukuna must sense it. He finds you curled by the fire, wrapped in an assortment of quilts and fabrics. You can't tell if it’s morning, or evening. Snow has rendered midday as dark as dusk.

You know you should get up, and toss more wood onto the fire. Should you let it die any further, it’s unlikely you’ll get it started again. Sukuna joins you in the room, sitting on the mat to your left. Finding yourself searching for warmth, you move closer to him. It’s an unconscious action at first. Once you recognize it, you can't find the willpower within you to stop.

You offer the edge of the blanket to him, basking in his warmth as the quilt is wrapped around both of you. One of his hands comes to rest upon your knee. Your gaze is trained on his face, while his remains on the dying fire.

“I don't suppose you do this to every sacrifice you get,” you say, not expecting an answer.

The corners of his lips twitch into something that resembles a smile. Much life his laugh, his smile is stiff, and rather foreign feeling. Like he hasn't done such a thing in centuries.

“You are different from the sacrifices I have received in the past.” He says.

You get the impression he is still figuring out what to do with you. Such a thought doesn't inspire confidence on your part, though you assume your situation could be worse.

You're nearly in his lap now. The hand on your knee soon moves upwards onto your thigh. Out of the corner of your eye, you watch as he palms himself through his clothes. Some sick part of you wishes to taunt him. To tease him in the same way he has done to you. You part your legs just enough to encourage him. There must be something wrong with you, you think, no normal woman would enjoy the company of the King of Curses.

This is not your typical virgin sacrifice. It is little more than that. Pleasure for the sake of pleasure. To fuck without the intent to procreate.

“I always assumed you wouldn’t have these… urges.” You say.

“Many things lost their potency,” he says. “Food was never enough to satiate, drink was never enough to quench thirst. Sex has remained the same. Primal pleasure never loses its potency.”

So he was human. At least at one point in time…

“Like I said,” he hums, “I am not like the typical curses you have met. I require your permission.”

“You have it,” you say.

Oh how dearly you wish to recreate the event at the hot springs. To feel the same build-up of emotions, and the following release. Such mindless pleasure has remained in your head, unable to be stifled by your own hands.

Off comes your kimono, guided down your shoulders by his hand. Your nipples stiffen when exposed to the open air. It is not the cold that has you shivering, but the expectation of what’s to come. His size, and calloused hands suggest his touch would be harsh, but you find to be the opposite. Sharp nails graze down your sides as he moves to kneel before you. You prop yourself up on your elbows to get a better look at him.

His own clothes are left among the growing pile on the floor. He pumps his stiffening cock in his hand, the head of which weeps across his palm. A different kind of heat blooms in your stomach.

Sharp teeth graze across your jaw, down your neck, before eventually nipping at your shoulder. A sting both painful and pleasurable radiates from the bite. Blood beads from the two points where he managed to break the skin, quickly lapped away by him. Part of your brain is telling you to push him away. The other part is telling you to expose your neck further. You’re not certain which to listen to as you lay under him, caged within his arms. Your breaths grow ragged, turning into quiet moans as his knee nudges your legs apart. This is different from the day at the hot springs. Sukuna is seeking something more—he is seeking his own pleasure this time.

A hand finds its way into your hair, gently tugging at it. Guided by his hand, you expose your neck further to him. He laps at the droplets of blood that form, sucking dark marks into the skin of your neck. Pain and pleasure overlap in your mind. Your thighs are a mess of your own slick, and the precum that leaks from the heads of his two cocks. It’s almost comical how you work yourself up in knots at only the slightest provocation by him.

You taste yourself on him as he kisses you. The bleeding from your neck has mostly stopped now. What remains will barely leave a scar. His lips trail down your neck, through the valley between your breasts, and down your stomach, before eventually stopping just shy of your cunt. The look of him alone has you growing as wet as a virgin; his hair disheveled from your hands running through it, the muscles in his shoulders appear more prominent now. His arms hook around your thighs, although he doesn't need to bother holding your legs open. You’d do it without prompt by him. Eager for your own release, and worked up into a soaked mess, you’d do anything to please him.

You shouldn't be enjoying it as much as you are. You know you should be afraid. It would take no effort from him at all to tear through your femoral artery, and let you bleed out. You would be helpless in the matter anyway; you’re nothing more than a little lamb trapped under a big bad wolf.

The feeling of his tongue is strange. With him on his knees, bowed in what resembles worship, has your stomach in knots. The lewdness of it all has you more worked up than anything else. A strange, pleasurable tension builds within you. He is not toying with you this time, but working you over. When you do finally cum, you cum hard, riding out your high on his face. The noises he’s making suggest he’s enjoying this almost more than you do.

He must be painfully hard now. The head of his cock is an angry shade of red, and leaking precum. Using his hand to guide him, the head of his cock presses into you. You’re too wet from his previous actions to notice much of a stretch. What little pain there is crosses over with pleasure in your mind. He groans as he sheathes himself within you fully. His expression softens just enough for you to take in the features of his face. He’s quite handsome now that you’re close enough to appreciate his looks. It makes you wonder what his life as a human was like. Was he royalty, or a commoner? What was his job? Did he ever have family?

You won't get an answer out of him no matter how hard you try. This is the most human the king of curses will ever appear.

His thrusts are slow at first. Lazy. More like grinding, not proper fucking. With as sensitive as you still are, this doesn't make much of a difference. You’re still a writhing, moaning mess beneath him. Judging by the noises he’s making, he’s not far from cumming himself. Your legs wrap around his waist, pulling him closer, and that seems to only encourage him. The muscles in his arms and shoulders gradually grow more tense before he shudders, then visibly relaxes. A warm sensation in your cunt follows soon after; he’s cum inside of you.

You lay like that for a while: limbs entwined, bodies curled around each other. He lets himself soften inside of you until the desire to pull out hits. You can tell your hips will be sore in the morning—whenever it decides to come. What little of his seed spills out of you is forced back in by his fingers. You assume it ties into his possessive nature. It must be a way of marking you as his. The fire has long since died out, though you find the warmth from his body adequate enough.

“I don't think I can walk,” you lie, “carry me?”

Sukuna feigns annoyance, but relents, carrying you to the bed too large for any human. You quickly find your way under the covers. He finds himself in the space beside you. Fatigue hits you soon after, yet you find yourself unable to sleep.

“You were human once?” You ask.

The mood in the room seems to shift entirely. Sukuna is not one for conversation. You expected no different from a man like him. He looks at you with mild annoyance, as if deciding on his answer.

“I was. Once.” He says.

Your fingers trace across the tattoos on his wrist. “Do you miss it?” You ask. “Being human, I mean.”

“I am far stronger now than I was when I was a human.” He says. “I no longer need to eat, nor drink. I have the gift of eternal life so long as I am smart with my actions. I do not miss the fragility that comes with humanity.”

His words almost irritate you. So much more exists to humanity than what he says, from little things like sharing a summer even with a friend, tearing into ripe persimmons. Spending an evening hunched over a stew pot helping your mother. Kisses shared between a lover in the woods, or out in the fields. Stories exchanged by firelight. Intricately woven fabrics and paintings that might as well be indistinguishable from real life. So many beautiful things exist within humanity. Maybe he’s been away from it so long he’s forgotten the extent of it.

Would the King of Curses even admit he’s lonely? Or would he be too prideful to admit such a thing?

“You're sad. Why?” He questions.

“Was just thinking about my mother. That's all.” You say. “She wanted me to get married before I…”

You’re mad at her. More mad than you’ve been at anyone in your life. Yet you wish for nothing more than her comfort in this moment. A wound exists that time won't heal. Anger is not productive in fixing it. Anger only makes it worse.

This time, you are the one to initiate the kiss. You wish for it to distract you, but it only amplifies the ache in your chest.

“If you were to lose what little fight you had left in you, then this would no longer be fun,” he says.

You grow used to the ever-present shadow that is Sukuna, talking to the space beside you as if he is there because hell, sometimes he is. He is more than a mere man. He exists on a level different from you or anyone else. Your existence at this temple feels less like confinement and more like living.

“Will you join me?” He asks one day by the river.

The two of you sit upon the riverbank, watching as the water swirls below you. Spring snowmelt, combined with a recent storm, has stirred up the river bottom, turning the water murky. What was meant to be a fishing trip has proved unsuccessful.

“I would be lying if I said I haven't grown used to your presence.” He says.

“Don't be getting soft on me,” you say, half joking.

The most emotion you get out of him is an amused sounding huff.

“I want you to join me,” he says, “not in life as human, but in eternity as a curse.”

“I will,” you say.

No thought is needed for your answer, nor is there any hesitation on your part. Sukuna simply nods. That is what love is to him. Devotion. Worship. Throwing away your humanity means nothing if humanity is so quick to reject you.

Gifts begin appearing around the temple after that. Priceless jewelry, and expensive dresses. Hair pins and cosmetics. Seasons pass in what feels like no time at all. Before you know it, your third fall here is quickly approaching. Winter comes and goes—uncharacteristically bitter this year. Spring brings a sense of rebirth. The ground thaws slowly, and plant life is in full bloom. Animal life returns to the surrounding woods, showing signs in every trail around the temple.

A hunting trip brings you further out into the woods than you’ve traveled before. You don't realize you’re nearing a human settlement until you’ve stumbled upon it.

The village has changed drastically in the time you were gone, so much so that you almost don't recognize it. A full blown mill has sprouted up along the river. At least twice as many houses stand now. Years ago this street was little more than a dirt path. Sometime over the years it has been paved over with river stones. Children play in the streets. Men walk home with pails of fish slung over their shoulders. These strangers notice you and pause, returning to their homes quickly.

Your house remains mostly the same. Age has not been kind to it. One corner of the roof sags, and the wood trim has grown bleached with time. The path up to the front steps is overgrown. Sitting outside, hunched over a wash bin, is your mother.

Her hair is mostly gray now. Wrinkles mark her skin, and her joints are knobby, but you would still consider her beautiful. The face of the woman she once was is still there. The clothes she wears are of rich fabrics, suggesting your family has not hurt for money. Her sturdy figure suggests they never lacked food either.

When she sees you, her eyes grow wet with tears. And it’s as if the weight of the world has lifted off your shoulders. You want to be angry at her. You want to unload years of anger upon her. You want her to feel just a fraction of the fear you've felt. But you can't bring yourself to do it. The look in her eyes tells you she’s felt all the emotions you have.

Her movements are laced with hesitation, as if she’s deciding whether or not you're real. One of her wrinkled hands takes yours.

“I love you,” she says, “and I am so sorry.”

“I know,” you say.

She invites you in for tea, setting the table up with the nice dishware—the kind she only uses for guests. The interior of the house hasn't changed much. Your room is eerily the same, as if it hasn't been touched since the day you left. Your father’s boots, and hunting coat remain by the door, although they look as if they haven't been moved in years. Makes sense, you think, hunting is a task that grows difficult as you get older. There comes a time in every hunter’s life where they grow old, and it becomes their turn to stay home and tend the fire.

“Where's…?” You never get the chance to finish your question, the solemn look on your mother’s face is enough of an answer.

“He passed,” she says, pausing to think, “two springs ago now? Maybe three.”

Believing you would never see them again, you grieved your parents long ago.This particular grief is like an old wound to you.

“The village looks prosperous,” you comment. A bitter tone clings to your voice.

“Yes,” she says, “the past years have been kind to us. I suppose we have you to thank for that?”

She sits across from you, her eyes still wet with tears. It feels like you are holding a conversation with a stranger. Your mother regards you with a certain weariness she only reserves for strangers. Maybe it would hurt more if you had more room within you for grief.

“He never stopped looking for you, you know,” she says, setting a cup of tea in front of you. “Even after the village held a funeral for you. He never wanted to believe it. Until the day he died, he was out in the woods thinking he could bring you home.”

“I was under the impression I wasn't wanted here.” You say.

“You know that’s not true,” she says. “What happened that night was a result of fear. The elders did what they thought would preserve the safety of everyone.”

“Except for me.” You say.

Fear. Right. To them, you were simply a sacrifice. You drain the last of your tea, standing from the table. Your mother stands as if to stop you, but freezes before she can.

“Does he treat you well?” She asks.

“Yes,” you say.

“Better than any human man?”

“Yes,” you answer, although you can tell she doesn't believe it.

“Do you love him?” She asks. “Does he love you?”

“I suppose so.” You say. “As much as he is capable of loving something.”

“But do you love him?” She asks again.

“As much as I am capable of doing so, yes.” You answer.

It is not the answer she wants, but the one that is the truth. With her hands folded in her lap, she nods solemnly.

That following night you leave your village not as a human, but as a curse.

Enough time would pass that the story of a young sacrifice would be forgotten by its people; what would remain, is a tale of a love so infamous that it survived centuries.

#jjk x reader #sukuna x reader #ryoumen sukuna x reader #jujutsu kaisen smut #jjk x reader smut #not osha compliant #jjk #my writing

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