Lei: “A te lascerei far TUTTO.”
Lui: “Anche farti guardare come
nessun altro ha fatto?
Lei: “Mi VERGOGNEREI ma la sola
idea, MI ECCITA GIÀ... TANTO.”
Il Silente Loquace ©
— @ilsilenteloquaceblog
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Alighiero Boetti, "Tutto" 1990,
Embroidery on Linen, 86 1/2 x 170 1/4 in. (219.7 x 432.4 cm.)
In the spring of 1971, while in search of “something distant”, Alighiero Boetti discovered Afghanistan. This was the beginning of a relationship that tied the man and his work to the Afghan people for 23 years until the artist’s death in 1994.
Boetti maintained these links during the period of exile following the Soviet invasion of 1979, even welcoming some of his assistants into his own family in Italy.
Afghanistan is the scene of the production of many of Alighiero Boetti’s best-known works, including the Mappe (1971-1994), made by female Afghan embroiderers.
His artistic intentions, his experience of the country and his intellectual curiosity give rise to works that act as cultural and geopolitical seismographs.
His work bears witness to the socio-political transformations that affected the Middle East in the 1970s and 1980s, seeing, for example, the embroiderers flee to Peshawar in Pakistan, where some of the last embroideries were produced.
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può accadere di tutto ma non con chiunque
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Erin Doom, “Il fabbricante di lacrime” .
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Alice, smettila di cercare senso a tutto.
Non è forse anche così che si muore, pretendendo che tutto abbia un senso?
— Il Cappellaio Matto
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“Aveva cominciato con la lingua
e terminato con il proprio FALLO…
ma nel mentre, durante tutta la sessione,
l’aveva “TORTURATA” usando tutto quello che…
… la Sua PERVERSIONE avesse DESIDERATO.”
Il Silente Loquace ©
— @ilsilenteloquaceblog
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Tutto –
una parola sfrontata e gonfia di boria.
Andrebbe scritta fra virgolette.
Finge di non tralasciare nulla,
di concentrare, includere, contenere e avere.
E invece è soltanto
un brandello di bufera.
(Wislawa Szymborska)
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