abstracteddistractions

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Willem de Kooning,

"Screams of Children Come from Seagulls (Untitled XX)," 1975,

Oil on canvas, 77 x 88 inches.

Glenstone Museum, Potomac, Maryland,

© 2024 The Willem de Kooning Foundation, SIAE

#art #abstract #abstraction #painting #forms #abstractart #willem de kooning #scream #children #seagulls

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Mary Miss's "Greenwood Pond: Double Site" (1996),

Images courtesy the Cultural Landscape Foundation

#art #surreal #design #photography #funny #landscaping #funny pictures #mary miss #sculpture #greenwood #CLF #pond #landscaping art #poetry #DMAC #abstarctart #abstraction #abstract #contemporary art

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Céleste Boursier-Mougenot, "Chorégraphie" (Choreography),

Stones Installation,  Galerie Xippas, Paris, France

#art #design #staircase #stairway #interiors #surreal #stones #installation #céleste boursier-mougenot #architecture #choreography #path #staircases #stairs #volume #france #paris #galerie xippas #stairwell #space #perception #sculpture #abstarctart #abstract #abstraction #contemporary art

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Idris Khan, 'Underneath the Willow,' 2022,

Oil on Gesso,

82 5/8 × 68 1/2 in. (210 × 174 cm),

Courtesy of the artist and Sean Kelly. © Idris Khan

#art #abstract #abstraction #painting #forms #repetition #music #idris khan #willow #gesso #sean kelly #blus #lyrical #symbolism

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Lynda Benglis, Clouded Border, 2023, 

Handmade pigmented abaca paper, aluminum wire, stenciled linen pulp paint, carbon black with acrylic medium,

31 × 17 × 12″.

#art #abstract #abstraction #painting #forms #sculpture #lynda benglis #border #cloud #abaca #wire #aluminium #linen #pulp #carbon

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Lucio Fontana, "Concetto Spaziale,"

"La fine di Di" (The End of God),

Oil on canvas, cuts, holes

70 1/16 × 48 7/16 in. (178 × 123 cm)

Of the 38 monumental paintings that make up this series, Concetto Spaziale, La fine di Dio is one of only four Fontana created in yellow.

#art #abstract #abstraction #painting #forms #abstractart #lucio fontana #concetto spaziale #god #end #holes #la fine di di #yallow #sculpture #cosmic

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Vera Molnàr, "Molndrian, 74,066/13.36.22," 1974,

Computer drawing, 26 x 26 cm.

Courtesy: Thaddaeus Ropac

#art #abstract #abstraction #forms #minimal #computer #computer art #computer generated image #vera molnàr #MoIndrian #thaddaeus ropac

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Mike Olin, “Wu Island”

Oil and mixed media on linen,

36” x 27”, 2012

#art #abstract #abstraction #painting #forms #wu island #mike olin #mixed media #linen

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Alexander Mikhailovich Rodchenko, "White circle," 1918,

Oil on canvas,

89,2 х 71,5 cm

#art #abstract #abstraction #painting #forms #abstractart #white #circle #1918 #alexander rodchenko #constructivism #russia #modern art

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TeamLab “Resonating Life which Continues to Stand”

Tamar Park, Hong Kong,

The resonating ovoids continue to stand wherever they are. The ovoids continue to stand even if they are pushed over by waves, blown by the wind, or pushed by people. When an ovoid is pushed over, it rises back up on its own and shines brightly as it produces a tone. The light and tone continues to resonate out to other ovoids and trees nearby.

If a wave of light comes from afar, it signifies the presence of people, waves, or wind there. People gain a heightened sense of awareness of the existence of other people in the same space and the environment.

When it is quiet and the wind is not blowing and the people nearby are not interacting with the ovoids, their lights begin to flicker slowly.

On view until June 2

#art #abstract #abstraction #forms #lighting art #interactive #installation #lighting #teamlab #digital installation #resonating #life #fun #endless #ovoid #hong kong

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Carole Harris, “This Side of the River” (2022),

Commercially printed machine-pieced cottons and acrylic paint on muslin, fused cottons, cotton batting machine quilting, and hand embroidery,

66 x 55 inches

#art #abstract #abstraction #forms #abstractart #carole harris #paint #cotton #machine #printed machine #pieces #embroidery

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 The “Iron Poet”,  Richard Serra 

(November 2, 1938 – March 26, 2024)

Renowned sculptor Richard Serra, known for his monumental steel structures that reshaped the landscape of contemporary art, passed away at the age of 85 at his residence in Orient, N.Y.

His groundbreaking works, characterized by massive tilting corridors and spirals of steel, offered viewers a unique experience, inviting them to navigate through and around the imposing forms to fully comprehend their essence.

Because of this invitation to explore space, materiality, and site, the artist has been long-recognized in the architectural community, earning him the Architectural League of New York President’s Medal in 2014, becoming the first artist to receive the honor.

#art #abstract #abstraction #forms #abstractart #sculpture #poetry #iron #richard serra #rip #rip richard serra #monumental #corridor #landscape #steel #spiral #space #materiality #site #minimal

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Emil Lukas, Clearing #1393, 2015,

Paint and ink on canvas over wood panel,

35 1/2 x 23 1/2 x 2 1/2 in (90.2 x 59.7 x 6.3 cm)

Courtesy: Hosfeld Gallery

#art #abstract #abstraction #painting #forms #abstractart #minimal #emil lukas #clearing #2015 #ink #hosfelf gallery

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Alexander Calder, Un effet du japonais, 1941,

Sheet metal, rod, wire, and paint, 80" × 80" × 48",

Photo courtesy of Calder Foundation, New York / Art Resource, New York,

© 2024 Calder Foundation, New York / Artists Rights Society (ARS), New York

#art #abstract #abstraction #forms #sculpture #mobile #japan #alexander calder #1941 #metal #wire #paint

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Piet Mondrian’s unfinished final painting,

”Victory Boogie Woogie” (1942–44),

Oil on canvas, 50 inches x 50 inches

#art #abstract #abstraction #painting #forms #minimal #geometric #piet mondrian #victory #boogie woogie #1942 #1945 #unfinished

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John McCracken, Untitled, 1980,

Watercolor on paper,

3¾ h × 5½ w in (10 × 14 cm)

#art #abstract #abstraction #painting #forms #abstractart #john mccracken #watercolor

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Sanford Wurmfeld, “II-39 (-RO) – (21)” (2022),

Acrylic on canvas 61 1/2 x 42 inches,

Courtesy: David Richard Gallery

#art #abstraction #abstract #painting #minimal #geometric #colors #composition #vertical #horizontal #sanford wurmfeld #david richard gallery