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#translation interview
tamarrud · 4 months
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Just heard an interview with the director-general of Gaza's Health Ministry Dr. Munir al-Bursh in which the interviewer asked: what remains available in northern Gaza as viable options for medical centers and relief teams to intervene following Israeli strikes?
To which Dr. al-Bursh replied:
The only thing available is death. People are bleeding and dying on the streets, as is happening right now after the Indonesian hospital and Kamal Adwan hospital were both destroyed.  This morning, a woman came carrying her fetus’ head, she could not find anyone to deliver her baby. We assisted her at the entryway of the medical center. The truth is, there is nothing but death now on every street, on every corner, and in every alley. Death is the master of the situation. This is genocide. This violent bombing is intended to annihilate the Palestinian people, it is intended to annihilate the health system, it is intended to kill children. Since this morning, we have been receiving children in our arms. Our hearts are frozen, our minds are frozen as we hold these innocent children. These are executions, this is genocide. People in Gaza City have been crying out for help since last night because of a fire that has been burning their area and their children. They have been burnt to death. Last night ten of the Najjar family came to us with severe burns that exceed 60% or 70%, so death is their solution. Death is easier for them. Many wounded people are arriving to us now, and this small hall in the Jabalia Medical Center is filled with wounded people who prefer to die because there is no treatment, no medicine, no painkillers. We had four surgeries tonight, and by God, by God, there is no anesthetic medicine for them. The doctor told me either they die or I try. I told him to try without any drugs. This procedure was filmed, and the patient was screaming in agony, but what do we do? We have a choice: whether to let him die or try. What can I say? God, these scenes no one can even imagine.
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tesb · 1 year
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“5 minutes before the performance I was still sure of victory. I didn’t win. Thank you and I’m sorry ❤️” @paidatonriehuja (Käärijä) on Instagram
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What he said:
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How it sounds:
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muadweeb · 1 year
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louis....look at what i have discovered, in the deepest of oceans, there lives bob l'éponge who resides inside a pineapple house....merde....il est cuisinier de friture....what a sad, despondent life he leads....
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i-heart-hxh · 5 months
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Here's a full translation of Togashi's letter to Yumiko Seki!
Source, and a text version of this translation on the Wiki!
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johaerys-writes · 7 months
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....the Iliad doesn’t have anything explicit, or even implicit, about our heroes having sex. Patroclus and Achilles sleep in the same tent, but the narrator tells us that each of the men has an enslaved woman at his side. I felt I had to respond to the reader’s possible expectations and possible disappointment in two ways. One was to discuss the Patrochilles relationship fairly extensively in the introduction and notes, and make clear the ways that it’s taken absolutely seriously, and is at the emotional heart of Achilles’ narrative arc. In the introduction, I also discuss the fact that the Iliad doesn’t treat sex as a measure of closeness or love—so the fact that the poem doesn’t tell us that Achilles and Patroclus had sex is in no way a sign that they’re less than everything to each other. The characters who do have sex in the Iliad—Helen and Paris, Hera and Zeus, and various warriors with the enslaved women whom they regularly rape—are not exactly doing so out of “love.” 
Within the translation itself, I knew that I had to convey the profound intimacy and love of Achilles and Patroclus; the reader or listener has to understand on a deep emotional level that Patroclus is Achilles’ person, and that without him, he is all but dead himself—and he also knows that his death is at least partly his own fault. You, the reader or listener, should feel his devastation.
“My friend Patroclus, whom I loved, is dead.
I loved him more than any other comrade.
I loved him like my head, my life, myself.
I lost him, killed him…. “
By the time you get to Book 18, if you don’t feel the full horror of that moment with your whole being, I’ve failed.
Excerpt from Enduring Epics: Emily Wilson and Madeline Miller on Breathing New Life Into Ancient Classics on Literary Hub
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sherrymagic · 6 months
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not P'Jojo saying he had to beg Neo and Mark to stop while shooting their first sex scene on Neo's very first day on set 'cause they are competitive little shits and they just kept going after he called for the cut 😭😭😭
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liriostigre · 1 year
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this makes me like him even more but that's just me 😗✌🏼!!
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texosat · 23 days
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Paranormasight development art
Weekly Famitsu issue no. 1844, April 18, 2024
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yridenergyridenergy · 3 months
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Burrn! Japan vol. 23 Individual Interview Translation Notes
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Kyo's favourite movies are those that leave a really bad aftertaste, which he just can't watch more than once or twice. Besides Holy Mountain, some of his highlights have been Pearl, MEN and Midsommar. Ideally, he'd love to replicate this in a live show: as a fan, you would be so shocked and blinded by tears that you couldn't even see Kyo. He thinks that Dir en grey is more and more working toward this kind of mission. Kyo would also love to perform in Las Vegas' SPHERE venue, with this type of overwhelming shock.
If he had to make a movie, it would also be one that leaves a bad aftertaste and which nobody could sanely watch more than twice, but since he would have to do multiple reviews as the director, it won't happen.
Kyo finally explained the focus on Uroboros more: he feels that Dir en grey was able to build something more from this point onward. The worldview started with Withering to death. too, but the base was set more firmly with Uroboros.
For Kyo, the inclusion of Oboro is what totally changes a setlist. He feels that it's a bottomless pit, like he's cutting deeper and deeper into a wound. For Die, The World of Mercy is the song that can make a whole difference in a setlist, because of the change of tempo in the middle.
Die described that when they try to compose songs, sometimes, after 25 years, they can have the impression that the melody's already been done before. But then, let's say Kyo adds his singing on top of it, and it goes through the filters of the other members too, and in the end, Die feels like: "Wow, it's something totally different now!"
Die doesn't usually work on melodies in his free time. The ideas come to him the most when there is a concrete release decided and deadlines, even if he doesn't like deadlines.
Regarding the upcoming European tour, Die reflects that Withering to death. was the first time that they toured in Europe, and in general they have never done "concept tours" overseas. He feels that the band will be able to do things in 2024 that they weren't able to do back then.
Apparently Dir en grey is thinking of celebrating the 30th anniversary since their formation!! And they are wondering whether to release the next album before that or around the same time.
Kaoru mentioned that at first, only Acro no Oka and Zan were supposed to be recorded with Yoshiki in LA, but when they arrived, it was decided to add Yurameki. About Acro no Oka, Yoshiki commented that it was a concern because of the lack of "collision of sounds", whereas Zan was a problem of collision of sounds.
In Yurameki, apparently they recorded some strings separately and overlapped them in post-production because Yoshiki asked Kaoru to play something in a specific way that was impossible, because the string couldn't be held down simultaneously. They figured: "No one will notice."
This European tour was supposed to happen in 2022 to coincide with the band's 25th anniversary.
Shinya would have preferred to sleep until 4PM on the day of this interview. He also appreciated that the songs of Phalaris were introduced in three segments/tours, because he had trouble memorizing the structure of the songs. It would have been impossible for him to play all of the album's songs at once live.
His favourite kind of ending is when the show doesn't end with a bang, but that it instead leaves a lingering worldview, which was accomplished with Kamuy. His favourite part is when the curtain was lowered in front of the stage as soon as Kamuy started. Ideally, he would always just walk off the stage without throwing drumsticks or anything.
For the first time, the rehearsal for Tour23 Phalaris Final –the scent of a peaceful death- was not just [rhythm section] then [whole band]. At Die's suggestion, they had rhythm first, then the four musicians, and finally the whole band rehearsed together.
Shinya was ecstatic that his composition, Yurameki, was chosen for the major debut and that it was produced with Yoshiki. Ever since then, he felt like he could die happy, and all the way up until now, Shinya has continually felt like he could be content to die at any moment.
For ten years now, Shinya has wished to record simple drum melodies. Also, he thinks that he will struggle to re-learn how to play the Uroboros songs.
Toshiya reveals that the imagery projected on the curtain in the opening (during Otogi) and ending (during Kamuy) of the shows in Tour23 Phalaris Final –the scent of a peaceful death- were generated by AI.
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It seems that a lot of people have commented that going to see Dir en grey is more like a spectacle than seeing a rock band's live performance.
Toshiya was initially opposed to the idea of re-recording the three singles of their major debut. He feels that old songs are out of their hands, and some things about them belong to the listeners and their past experiences of it. In other words, he is worried that re-recording could destroy something about the memories associated to the songs. In his view, it's better for the creators to re-imagine the songs, like they have done with their remakes so far. At the same time, in retrospection, Toshiya is glad that they decided to do it, because it made him realize that a lot has changed in 25 years, but a lot also hasn't changed, with the band.
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bihastuff · 12 days
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Maaya was worried about Ciel going to school because he is an introvert 😭
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princemick · 9 months
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OSCAR -- SATURDAY, BEGLIAN GP 2023
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rassicas · 26 days
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hi guys! im back. i went tokyo for a few days. got back at 7 this morning after taking an overnight 7 hour bus ride.... that i did not sleep on bc i cant sleep in moving vehicles. this will be something closer to a proper blog post i guess. splatoon related convention? experience below
i've kept my mouth shut about my plans to go because its not as well known on the english side of the fanbase and i didnt wanna make people too jealous sorry LOL , but i went to splaket 22! it's an unofficial, splatoon-only doujinshi market/artists alley. this was my first convention-sort-of event ive been to since i was... in high school. i also dont really get to meet many other hardcore splatoon fans irl. i was nervous about it because i don't know a whole lot of people on the JP side nor do i have a lot of confidence in my japanese speaking/listening, but in the end it was SUPER fun. i wish i couldve talked a bit more to the artists i did encounter to comment on what i liked about their works but. Skill Issue very few non-japanese people at this event of course but one of the only english speakers i saw i called out to bc they were wearing a shirt with this exact image printed on it no video and no photos outside of designated areas were allowed so i got like. zero pics of my own. but there was a lot of cosplayers i saw! oh and here's the Loot Haul. a few doujin, a clear file, stickers, microfiber cloth and a keychain. im surprised at how little i got, i think i shouldve gone a bit crazier with it
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the one with Tao Blu and oonie in the top left (by sachikazerick) I came across by chance and bought because it was cute, featured splatband characters, and also because it all in some familiar inkling language (the last point of which i told the artist as i was buying) when i finally got home and saw the back credits...
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SMALL FUCKIN WORLD LOL (i tweeted at the artist afterwards to let him know i came by the table and to thank him for using me and my friend's inkling language fonts!) though truly, i think ardnin deserved the credit more rather than me since he made most of those fonts! ah well, still cool to see more and more fan works using deciphered inkling language. top middle book is a story with some salmonid characters that i havent read yet but im looking forward to it, the art is lovely. top right one was the first thing i bought. the artist is rk_splaworks, whose art i love, and we've been mutuals for a few years and have talked a bit here and there! i was so fucking nervous to meet them in person since my japanese sucks LMAO but they were happy to meet me too and we got a selfie together yippy <3 also havent read their doujin Yet since ill have to rub all my brain cells together and huddle over the dictionary, but i want their oc lore
ok that's all i'll say, next splaket is...june 22. very soon....im already thinking ill. go again. yknow. while im still in japan and all that. i guess ill have to study harder on my jp in the meantime teehee ...i doubt it, but in the off chance anyone following me is going to the next splaket in june lemme know!
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m0e-ru · 9 months
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soejima should sign up for a stand up
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demi-eurovision · 11 months
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Excerpt from a Swedish article with a Käärijä interview. Here's a translation of my favourite part.
Edit: Link for whole article here
Today you're wearing nail polish and earrings, your style is quite queer? - I want to go out on a limb and do some crazy stuff. Really I wanted to wear yellow, but The Rasmus who competed for Finland last year went with that so then the stylist went with green and I like it. I wear what I like and I don't care about others.
What do people in Finland think about your style? - I guess some people think who the hell is he? But I want to do what I feel like. I think it's a bit of a new wave in Finland and younger people don't care. It is more open to go your own way.
Are you straight? - Haha, yes, there's only girls here (laughing). But I love the gay fans and I was surprised there were so many gays at all the concerts leading up to Eurovision. I love gays, they're a lot of fun and I've got several close gay friends in Finland. And I think it's important that everyone should be who they are and love who they want.
Do you feel any body image pressure since you're half naked all the time? - No, I don't care about that. I've been taking my shirt off ever since I started with music. I want everyone to be able to get undressed no matter what you look like. You don't need a six pack to do it, everyone is beautiful in their own way.
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22plus15 · 2 months
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ona after the levante match ✨ (via @oriolalsina_)
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