Why I love the Bad Batch: A deeper analysis nobody asked for 😅😁
I think I’m starting to realize the deeper reasons as to why I love “The Bad Batch” so much...
I mean, there’s the obvious: it’s a good show, the characters are awesome and fun (and certain ones are hot as hell 🥵 Y’all know who I’m talking about), there are a lot of good morals and lessons in each episode, but upon reflection, I’m starting to realize why this show resonates with me so much...and it all comes back to this quote in the Clone Wars episode where we first the boys of Clone Force 99.
For those of you who don’t know, I work in special education. I’ve been a para or an aide who works with special needs kids and I’ve been doing that for over a decade in different capacities, but mostly in schools. I work every day with a range of kids who are seen as different. I work with higher-functioning kids that need academic help and have ADHD, dyslexia, high-functioning autism, etc., and I also work with more physically and mentally-disabled children, like kids with Downs Syndrome, etc. All of the kids I work with are different than most in one way or another. This quote from Clone Wars stuck with me since I first saw it and I loved it. I actually have it as part of my email signature at work, so anyone who sees an email from me reads that, too. I felt it was perfect for my line of work. Embracing those who are seen as different can really fill a void in your heart and soul and some of those people can be the sweetest, most loving individuals you’ll ever meet in your life. I had friends who were special needs growing up, I have autistic cousins and I’ve also been fortunate to work currently and in the past at schools where the special ed students are loved and accepted by their gen ed peers and I’ve had some students who have worked with them that have said they absolutely love it. This line of work is very fulfilling, which is why I firmly believe the second half of the quote above that says “for that makes you whole”. I have a lot of experience being around people that are different from “normal” people.
The Bad Batch are seen as different from “regular” Clones.
I’m not saying that the Bad Batch are special needs individuals or anything, but they have certain things about them that differentiate them from everyone else, some physical and some mental, just like the students I’ve worked with. Society, however, looks at them and sees them as freaks or not as important as other Clones. Their whole situation just resonated with me from the very beginning. I’m someone who sees another person get treated badly because they’re different or special needs and I just get furious. I recently came across a TikTok where it was a social experiment with a rude customer in a restaurant being horrible to a young man with Downs Syndrome. At first, I couldn’t tell it wasn’t real and I was about ready to scream at some of the things the customer was saying. Even after I realized it was all staged and they were experimenting to see how other people would react, I was still just fuming because that sort of behavior is just unacceptable. I saw the Bad Batch being treated that way and I remember feeling something similar the first time. Even though they might look different and have different traits than everyone else, why should the Bad Batch be treated badly?
We see Rex embrace the Bad Batch for their differences and he came to realize that they were excellent at what they do and were good men, even praising them as “the finest soldiers he’d ever fought alongside”. We see Echo embrace them for their differences because he himself found that he was now different from the rest of the Clones after his experiences at the Citadel and Skako Minor and he found himself another squad to belong to. We see Omega embrace them for their differences and she finds safety and the family she’s always wanted with them. Just because someone looks different or acts different than you for any reason, whether it’s a disability or not, doesn’t make them less of a person. We are all human and we all deserve to be loved.
What I also find inspiring is that the Bad Batch know they’re different and they too embrace themselves and their differences. They know who they are and nothing anyone else says influences the way they see themselves and each other and I think that’s something we all sometimes struggle with. It’s easy to take the negative things people say about us to heart and let them make us miserable, but if you really know who you are and accept everything about yourself, including your flaws, then nothing anyone can say can affect you. We all should learn to embrace our own differences and that too can make you feel whole. When you know you’re different from other people, accept it and are even proud of it, then you will find that life will be a lot happier that way 😊 Of course, I understand in some cases that can be easier said than done, but it’s never too late to start! It took me a long time to accept certain things about myself, but once I embraced the fact that I’m a nerd and that I’m crazy about different things than other people might be, I’ve been a lot happier and have a much more positive outlook on myself as well as better self-esteem. Be proud of who you are! 💜
Embracing others for their differences truly does make you whole. I see that lesson not only with the Bad Batch, but I’ve learned that with my work helping special ed students in several different capacities and it has truly blessed my life. It’s something that has influenced me and how I treat others in many ways.
That is just another reason to add to my ever-growing list of why I love the Bad Batch so much 🥰💜
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No because Damian angst could be so much more interesting if it wasn’t “Oh, thank GOD, Damian’s white saviors took him away from that awful, cruel and wicked pseudo mom Talia, oh thank god that he has Selina Kyle now!” and instead talked about how Damian was proned to violence since the moment he could walk and make noises with his mouth and was taught never to feel emotions THEN it goes to oh, son, you’ve made the choice to be with me so let me show you how to cope with that… with more violence as a pattern of unhealthy coping mechanisms instilled in you and me at a young age and you can show emotions! buuuut you have to wear this suit and take on a whole other identity then when out of the suit you have to wear a facade so no one truly knows about the suit in the first place and this won’t be confusing for a child at all! … Bruce Wayne.. what? And oh, this guy who thinks you’re a responsibility and generally vexing is going to take you under his wing because he thinks no one else can deal with you otherwise and you get a little close but eventually he hurts and abandoneds you as well but now you’re on good terms because the narrative has decided that no one can wrong you except the only person who loved you at first (Talia, the only person who thought it’d be a good idea to take you out of their lives in order to keep you away from this exhausting path of violence and masking) but it’s fine! … Okay, Dick… and then you’re fighting with your brother because he’s jealous of you taking his place and he calls you worthless, unworthy of love and your mantle and unworthy of your fathers trust… Okay, Tim…? Does anyone wanna love Damian for Damian and not love him only when its convenient to their own personal mission please? No?
NO ONE REALIZES THAT ITS NOT ABOUT DAMIAN NOT BEING AN AL GHUL! BEING AN AL GHUL DOESNT MAKE HIM EVIL! ITS NOT ABOUT HOW HE’S TREATED BY HIS FAMILY. ITS THAT CHOICE!! Damian needs to make more choices for himself instead of living by some destiny and going by whatever everyone else expects of him! His heart is good and worthy and he doesn’t need to be an Al Ghul or a Bat to figure that out! He needs to make more choices to be the best version of himself he can be but we’re too busy demonizing the Al Ghuls in fandom and in comics to realize that!!!
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan.
JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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I saw this post today and thought about it (I also didn't want to rant on a post that is a year old... so... separate post)
The soul talk is from Conrad in Stampede, if I remember it right, and it is mostly basis for him to justify his eugenist views and his inhumane experimentations.
All plants are sentient and sapient. While they are individuals, they are also existing in a state of psychic linked hivemind, not quite dissimilar to Zazie the Beast (though they are one person with many bodies, while plants are many people with many bodies connected through another dimension).
Plants feel joy, hurt, fear. And humans who work with them seem to be aware of it, as seen in flashbacks in the manga. A plant engineer is shown at a last run and seen praying as the plant is killed. They know and they feel guilt.
Though, does the regular human know it? Or does the general public see them as generic producers? Kinda like people today forget that the bacon they get in the supermarket is from a once living being, a pig, that lived, breathed and oinked. And that disconnect invites greed, dehumanisation of the plants and the overusage of them. That disconnect invites waste, greed and cruelty towards plants.
A big difficulty in the coexistence between humans is -besides the dependency of humanity on plants as producers - that plants and humans cannot directly communicate. A plant cannot just say: No! She cannot decide to not produce. And that puts her in a position that is easily exploited.
Her wellbeing is in the hands of her caretakers. And the actions of those are dependent on their power (Are they independent or can someone pressure them for more food, more materials, more anything?), their education (were they taught by other plant engineers? If not, how do they avoid critical malfunctions killing more plants which worsens the pressure to produce on other plants) and environmental factors (98 put it pretty good. By destroying July without killing anyone, the people needed shelter elsewhere. The refugees put pressure on the system in place, which let to more plants dying and more humans dying as a result. No Man's Land/Gunsmoke is a system barely held in balance, if at all. Even a tiny shift in higher birthrates, a bad sandstorm, a malfunction, can topple everything.)
That's were independent plants like Knives, Vash, Tesla, Chronica and Domina come in. They are born from their sisters, who need their bulbs to live, as beings that can walk the surface and talk like the humans. Additionally to that, they need a caretaker like every baby does. That way, Independent plants are in the role of a bridge between the two species.
Independents are not only able to communicate with humans, they are also able to do the same with their sisters. Sadly… Knives and Vash SUCK at communicating. Finding the remains (are they just remains? That remains to be seen… (In Stampede)) of Tesla, traumatised the boys and their following path, while diverging radically from each other, is not one of peaceful, intertwined living.
Knives is scared as fuck that he will be murdered the same way as Tesla was. While he cares about his brother, this is mostly about himself. Knives does not listen. He does not listen to Vash and he really does not listen to his sisters. Knives does as Knives does and everyone else is in for the ride.
And by stranding humanity onto a planet without any ressources like he did, Knives also made it extremely difficult for humanity to be good. They are as desperate and as vicious as Knives is (thank you @duncanor for pointing that out). Knives put humanity into a situation that makes it easy for him to point at them and say: 'Look, they are all rabid beasts, killing and maiming each other. They need to die faster.'
Vash is grieving and feels guilty. He does listen, he smiles and then keeps on going the same way he was on before. Vash is put in a situation of having to listen to his sisters being overworked and dying, but he also sees humans desperatedly fighting for ressources and trying to live. So he does nothing to change the status quo, only barely patching one grievance to rush to the next one, while trying to find his brother. Because Vash needs everyone to live. His sisters AND humanity for which Rem died. And changing the system could destroy everything. So he focuses on patching things up and stopping his brother.
Tesla is dead, Domina and Chronica are still on Earth. I am sure the latter two would be entirely overwhelmed, too, in Vash' situation. How do you fix that massive ball of mismanagement, when humanity is barely scratching by? Yes, the Independent Plants exist, they are in a unique place to overcome the crack of communication between the species.
But how? No one gave Vash or Knives any instruction in how to do their part in this. We got from one line that the independents went through a similar uprising on earth, too. But we do not know how they overcame it to coexist.
So, NO ONE is in a position to truly fix this situation, since there are not many ressources beyond the plants and there are so many more humans just existing than the planet and plants could provide for. There… there is no answer.
THIS is no trolley problem… If you save the plants, humanity dies, but plants need humanity, too. This is a last ditch effort of two species to not die out. It is their extinction. Many dinosaurs survived the meteor and then died off in the next years, decades due to starvation, thirst or just not finding a mate.
And then there is the last important part. What do the plants want? Knives does only what Knives wants, he has no idea what his sisters want. Humans also have no idea. And Vash… doesn't dare to disturb the status quo, because he wants to keep everyone alive.
From what we can gather in Trimax and interviews, plants like humans and they like producing things. And it is one of the few positive parts of Trimax' ending, plants and humans communicate. The plants share all the good and bad memories of humans with humanity and receive help from humanity. Plants see their future with humanity interlinked. They want humanity to survive, too, together.
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