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#this topic is super interesting
bluebellowl · 2 months
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I was thinking about Ingo’s home both in my Hilda crossover and just the Hisui pokemon canon. Taking heavy inspiration from Ainu people architecture and what else i could find regarding ancient houses on Hokkaido
People hc a lot that Ingo must have a cabin near Sneasler’s home, and that’s kinda what I wanted to explore here
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jamiesansible · 3 months
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I’m sure everyone remembers the article from 2020 where researches found three-ply cordage made by Neanderthals.^
But did you know that in the supplemental material for the article, it mentions that pine needles can be made into textiles?^^ As someone who works with textiles myself, I had come across pine needles as a dye stuff, but not as a fibre.
The source is listed as "L’acquisition des matières textiles d’origine végétale en Préhistoire" by Fabinne Médard. It talks about how other fibres, including brambles and broom could have been used prehistorically for a similar purpose, as well as flax. However, it contains only one metion of pine needles.
“Les aiguilles du pin sylvestre (Pinus sylvestris L.) fournissaient, après rouissage, une matière textile appelée « laine des forêts » qui remplaçait la ouate et l’étoupe dont on faisait également des tissus (Mathieu [1858] 1897)" * The needles of the Scots pine (Pinus sylvestris L.) provided, after retting, a textile material called “forest wool” which replaced wadding and tow from which fabrics were also made.
So Scots pine needles were processed, spun and woven, or simply used directly after processing, potentially prehistorically.
If you follow the source for the quote above, it takes you to a book from 1860 called Flore forestière; description et histoire des végétaux ligneux qui croissent spontanément en France et des essences importantes de l'Algérie. It says:
“On fabrique depuis quelques années, avec les faisceaux fibreux, allongés, et tenaces des aiguilles, une espèce de drap grossier.” ** For several years, we have been making a kind of coarse cloth using the fibrous, elongated and stiff bundles of the needles.
So this processing of pine needles was also happening in the 1800s.
Another souce from the 1840s describes the texture of forest wool as resembling "...horsehair, and has been used for stuffing mattresses"** and that an industry sprung up in Humboldtsau, near Breslau for processing it. Manufacturies for forest wool then spread to Sweden, Holland and France, which may explain the mention in the 1860 Flore forestière.
Despite looking a bit more, but couldn't find much else on the subject expect a recent masters thesis in German (which I couldn't access) and an article on the designer Tamara Orjola.
Orjola's work investigates the modern use of pine needle fabric, showing there is still interest in it. She says:
"Forest Wool began with research on the forgotten value of plants. Valuable local materials and techniques are left behind due to the unwillingness of mass-production to adopt more sustainable practices. In the old days the pine tree was used as food, remedies, to build homes and furniture and for many other purposes. Nowadays, it is only valuable for its timber." ***
I find the line from prehistory to now facinating - that people have looked to something as mundane as a pine needle to spin, especially as researchers are discovering a lot of what they thought was linen fabric is actually ramie (from nettles).
As far as I can tell, only Pinus sylvestris L. and one other variety was used. I am not sure what makes that tree more suitable than other pine trees, or if it was simply a question of availability. In terms of processing, the answer as far as I can tell is retting, presumably followed by scutching and hackling - similar to how flax is processed. However I have not done that myself and cannot speak to the specifics.
It would be something intresting to try though.
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^ https://www.nature.com/articles/s41598-020-61839-w#MOESM1
^^ https://static-content.springer.com/esm/art%3A10.1038%2Fs41598-020-61839-w/MediaObjects/41598_2020_61839_MOESM1_ESM.pdf
* https://journals.openedition.org/nda/602
** https://www.proquest.com/openview/276605d708970d416923b94e8856d20b/1?pq-origsite=gscholar&cbl=41445
*** https://lampoonmagazine.com/article/2021/05/15/recycled-wood-pine-needles-byproduct/
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snezfics-n-shit · 6 months
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sinorim-pisani · 9 months
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tl;dr Linguistic anthropology except it's about Danny Phantom???
Wake up, new danny phantom obsession just dropped ya'll:
It's time to talk about GHOST LANGUAGE!!
But not the canonical Esperanto, which is a cool and interesting decision on the show's part.
I mean the idea that the ghosts have an entirely new form of communicating that sounds like static and space and ice and fire and everything a creature can feel, all condensed into what is essentially a massive creole language!
I'm a huge fan of authors who, when describing non-esperanto based "ghost speak", choose to take a more eldritch noise approach. Danny, for instance, when using the language of the ghosts, is often said to sound like all the noise of a wintery atmosphere; words like frost, ice, static, tingle, sharp, quiet and cold are employed to connect Danny's speech with his ghost core qualities. It is a fantastic way to bring an eerie and disquieting sense to Danny, and to indicate to us readers that ghosts have a unique and deeply ingrained method of communication beyond the use of human tongues.
To read way too much into something so little, I think that this could indicate that ghosts communicate with their cores! (I know, you're like Sinorim are we back to the ghost cores??) YES, we are back to how interesting ghost cores are!!
Big Question #1: If every creature-turned-ghost that spoke some form of human tongue throughout ANY period in human history, ended up in the Infinite Realms, how would they best be able to communicate?
In Danny Phantom, what makes a ghost a ghost (beyond the whole being dead thing) is their core, and their Obsession, which can be said to be an emotionally charged motivation that stems from strong emotional stimuli during life. Ghosts are creatures of feeling, of sentiment and emotion and memory, and all of those both factor into and stem out of a ghostly core. So to make a couple leaps: if a ghost could not communicate with a human tongue to its neighbor (who would be unable to understand the words), but they both have that commonality of a core and therefore a heightened sense of emotional minutiae, I would say logically the ghosts would then begin to develop a "language" based on feeling and sense. Multiply that effect by.....infinity, tack on a couple millennia, and you end up with a ghostly wordless creole language.
Big Question #2: Since a ghost's core, and subsequently their emotional cognizance and memory, is pretty much like a human fingerprint (individual and quite distinct), how would their language output be affected, and how would others actually be able to comprehend it?
This one is as easy as the difference between po-tay-to and po-tah-to, to-may-to and to-mah-to! What?? But that's just a joke, you say?? While it is a silly set of phrases, it also really concisely demonstrates the vast diversity of pronunciation, and is basically the reason why an international phonetic alphabet exists. Between pronunciation, accents, and the development of linguistic dialects, I think I can say that, at least on the comprehension side, a universal understanding of the Big Emotional Sentiments would have developed over time.
The interesting part lies in the idiosyncrasies of memory. A little side discussion - Danny has an ice core. Why? No idea! but I'm hazarding a guess that it may have something to do with his MEMORY and the emotions he felt when he died. Perhaps he felt the cold metal of the portal walls against him, perhaps the shock itself reminded him of the numbness associated with freezing temperatures or frostbite, maybe he felt a wintery sort of loneliness (it makes sense I swear), and all of that contributed to his development of an ice core. I can use Vlad as an example too, but I'll save that for another time.
So when Danny uses the Language of the Ghosts, he is understood by other ghosts because of a collective awareness of emotional sentiments. However, because of his ice core, which was determined by his individual emotional cognizance and henceforth informs his development, his form of ghost language will always be touched by his memory of the cold. When other ghosts hear Danny in their language, they'll not only understand what he is communicating, but they'll also be able to understand who Danny is, from the little touches of his cold memory that are infused in his communicating, once again thanks to his ice-based ghostly core.
And when humans hear it, they get super bad vibes because they can't understand the sounds and memories and feelings that the ghosts trying to broadcast to them!
I'm imagining poor Danny first learning he could speak the language, and then trying to show it off with his friends and being sad that it freaks them out when all he was trying to say was "You guys are the best" T.T
Good god this turned into an entire essay.
Does any of this even make sense?
Ultimately I just think that it's super cool that authors make Danny sound like the wintery freaky eldritch creature that he could be when he's speaking to ghosts XD
To be continued!
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whatbigotspost · 4 months
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FUN FACT!!!!!
The only thing I use my political science degree for is constantly being upset at the constitutional crisis we’re in right now, at a Bachelor’s of Arts level.
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goryhorroor · 1 year
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monstrous menstration in horror movies
the exorcist (1973)
carrie (1976)
ginger snaps (2000)
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meat-wentz · 10 months
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How do you think your thing for cannibalism started?
oh!! fun story time!! so i grew up with two really specific movies that started it: jennifer’s body which i saw opening day in theaters and i had a super gay hidden part of my room where i had all these magazine pages of megan fox spreads all taped up at an angle where i could see them but my parents couldn’t, anyways i was sixteen and had literally just friend broke up with my fuckedupgirlbestie which was a relationship i would describe as so intense and emotionally cannibalistic that jennifer’s body had just come out at like such a specific correct time for me that i just hold it so dear to myself. and the other movie is ginger snaps, which was very similarly about inseparable girls and the violence of becoming your own person and the terrible terrible ache of growing up and i was just obsessed!!! anyways ive spent most of my life holding cannibal girl movies near and dear and used my time in film school to write about them quite extensively, particularly about the subversion of female autonomy displayed in films like raw, teeth, daisies, pink flamingos, trouble everyday, we are what we are etc. for instance the common gender theory we can apply to weapons in horror films is that the weapon is a stand in for the phallus which is 1) not able to be controlled and 2) not physically a part of the body (think leatherface’s chainsaw, ghostface’s knife, jason’s machete, even freddy’s glove but i would pose it has a more complex reading which i would love to go into at some point). they’re weapons of sexual aggression and power. what i love about girl cannibals is that they negate the horror male weapon by using the opposite, rather than wield an external weapon, they use their mouths, the horror of their victims is all about the internal. it’s about what goes on inside, about the horror of the body that no one else sees, it’s a weapon that’s completely a part of their bodies and that they have complete control over. where the machete indicates a something independent from the aggressor, the mouth as weapon is completely dependent on its host. it becomes less about the fragility of aggression and more about the self empowerment of aggression, to take something in, to make it part of you, to establish your autonomy by feeding oneself, to devour everything in your path!!!! now this is just one way to look at it but it’s my usual cannibal spiel that i go on. i also have to give a big old shout out to hannibal and yellowjackets.
i think there’s also just this metaphor that ive always loved of wanting to be one with someone, to mesh yourselves together in a horrible twisted way, to never want to be apart, to do it until you disintegrate into the other, to acknowledge the horror of loving someone so deeply that you would make them yours forever forever.
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finntheehumaneater · 4 months
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just out of curiosity…how many of you guys would be interested in a super realistic zombie apocalypse fic? It’ll have a happy ending by the way.
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sickfreaksirkay · 10 days
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yeah <3 (from Between Knights: Triangular Desire and Sir Palomides in Sir Thomas Malory's "The Book of Sir Tristram de Lyones")
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ultramarine-spirit · 1 year
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In the novel, Athy's debut dress is described as white with long sleeves and the skirts made it look like a rose (? I think she was also wearing rubies but I don't remember very well anymore
Don't you have reference photos of what the dress was like? The translation I read is very strange lol
Athy's debutante dress is described to be pretty different in the novel! It was a pure white dress, that seemed to bloom like a flower at the bottom. It also had embedded jewelry and a tulle ribbon tied around the waist, and it had sleeves, it wasn’t sleeveless like the manhwa's. So the translation you read looks accurate. Here is @lithi 's complete translation of how the dress looked like!
I don't have any reference pictures of that dress specifically, sorry. And as far as I know, there's no novel-accurate fanart of the debutante. We'll have to use our imagination.
The thing about debutante balls that... no manhwa seems to get right is that, they weren't just fancy balls to introduce noble girls to high society. They were that in part, yes, but most importantly, they had the purpose of serve as the occasion for young girls of marriageable age (for the time period) to find a husband.
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So the balls had a pretty strict dress-code. All debutantes had to wear white (though shades of ivory and pink were acceptable), the dresses were strictly floor-length and with a long train, though the sleeves were short. Long white gloves were also very common. The hair had to be done in an up-do with a veil attached to it, decorated with three ostrich feathers. As for jewelry, pearls were the more common option.
Some details could change depending on the time period, but those were the basics. So no colorful gowns, loose hair, short dresses or stuff like that.
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Totally different vibes, even though that debutante dress is pretty modern. But it looks... like a wedding dress.
I was surprised to see that the novel's debutante was actually pretty historically accurate. My guess is that Spoon felt the novel's dress was too bridal, so she changed it to the iconic dress we all know (I've seen people say it feels too "homecoming", teenager ball, but debutantes were kind of just that lol). The part about the dress resembling a blooming rose was kept, but Spoon added the pink details, flowers and patterns, shortened the length and made the dress sleeveless (and gave Athy a tiara! Apparently only married women could wore those at debutantes in real life).
I quite like it. I think the choice was also to better reflect Athy's fashion sense and make her stand out compared to the other debutantes. Athy's dresses are always lovely and elegant, but she uses way more colors, patterns, short sleeves and hems compared to the rest of the girls. I think it suits her free spirit!
And yeah, it would have been kind of weird to see all the girls dressed as brides in the debutante lmfao...
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hellyeahsickaf · 2 months
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man the adhd goin crazy 2nite bois
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butchviking · 10 months
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bored on the internet today everyone define the word transgender
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I always have this feeling about Castle Village is that it’s not as lively as Pelican Town, like everything there is like an empty desert. There are not much trees growing there, no snow, no cold weather, flowers are rare over there.
What are your views on it? I wanna hear your opinion.
I have to disagree, dear anon, about Castle Village not being as lively as Pelican Town. Well, there's nothing in Crimson Baldlans but a perpetually howling bloody sandstorm and merciless monsters - that's undeniable. But thanks to wizards and witches (special credit to Camilla), people were able to find a home even in the literal hell on earth.
From the size of the concept-art that FlashShifter showed, and my perception before watching the interview, gave me an idea that the place is pretty big. Probably a bit bigger than Pelican Town itself (that's if you exclude the railroad area, the beach and the forest).
Of course, given the closed nature of the village itself and the fact that only Camilla decides who is allowed to enter, it makes it clear that you can't expect an influx of tourists. However, don't forget that the Castle Village is the main coven and gathering centre for all adventurers and wizards in the whole Republic, where you can buy a new sword, enchant amulets, stock up elixirs, sell valuable monster loot, learn to develop your magical talent, hone your swordsmanship, or just be in the company of people who work as hardened monster hunters. The many who have been given permission to step onto this land and purchase property, as well as the number of indigenous people who were born in the Village, will cumulatively make up the same number of people as in our good old Pelican Town.
As for the setting of the town itself - I always thought that the walls of Castle Village were built around a magical oasis that allowed people to live here, providing a source of fresh water and food resources, and protecting the oasis from corrupt magic was the job of the Ministry of Magic, Camilla in particular, since she was the one who lived here.
I always thought Crimson Baldlans was just an ordinary desert with unusual oases. Dark magic of unknown origin slowly but surely consumed the entire desert over a long period of time, but the magic that surrounded the oases tried to resist the dark onslaught. Unfortunately, it was not possible to resist for too long (to prove my headcanon, I will give the example of that black lake in Crimson Baldlans, where we could fish in the game). There was only one oasis left, the most important one, and the wizards of the time realized that their only hope of salvation lay in this little scrap of life in the middle of an already corrupted desert, as it held the secret to fighting this dark magic. The people built walls, put up a magical shield and began to study and guard the oasis. Some were immersed in the search for answers to this important question, others just wanted to live without worries, mages and adventurers settled here, started a family, the settlement grew, and we have what we have.
By the way, I'll add that one of my favourite headcanons that I've never written about here (or did, but forgot lol) is that once in a while Camilla opens up for a day or two for all the merchants that somehow know about the Castle Village to enter here so they can sell their wares and buy raw materials from the local merchants. A sort of event where there's a bazaar in the centre of the village, so there's even more people for a while (Thanks to this ambient that inspired this idea): 👇
https://youtu.be/8uRtW8lBe0I?si=19f49CEV1_IYIVg5
The climate is a bit more complicated, because time and weather in the village itself under the magic dome now flows differently: it's always, I think, a warm spring (late spring, when it should smoothly turn into a hot summer, to be even more precise), while everything outside the walls of the impregnable fortress has nothing that hints at life but a searing sun, a desert storm, and certain death. I swear, some of the natives are sure to complain that Crimson Baldlans has "heat worse than Hell".
I don't usually focus on comparing the world building of SDV and SVE with the real world, but the setting, buildings, objects that I saw in the latest teaser from FlashShifter about the Castle Village reminded me of Egyptian motifs, and the Middle East in general. I could be wrong, it's just my guess, so feel free to write about your theories!
So, conclusion:
For me, the Castle Village is provided as a hub for all monster hunters, adventurers, mages, wizards and people who are not sceptical or fearful of magic. Each house is an impregnable fortress of dark stone, the same as the walls of the Village. The main magical academy and the most imposing Adventurers Guild towers above this houses. There is sand everywhere, and only a few places have emerald grass, flowers, ponds and gardens of extraordinary beauty with many different plants and sculptures. Everywhere there is the smell of spices, the noise of markets, laughter in taverns, the clinking of blades, and the air is saturated with magic.
Nevertheless, there is gloom, isolation from the world and a huge graveyard, reminding all residents and visitors to the Continent of Galdora that this is not a perfect blooming paradise and how easy it is to lose one's life. That the vast number of graves are but a small fraction of those fallen heroes who gave everything to protect this place, for many of their fellows still walk around as soulless shells, shadows of their former selves. That almost all of the part of the place they call home is a cursed land that will spare no one.
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