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#this took too long but I was also watching taskmaster for a good portion of this
queencryo · 2 months
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would give it all up to be a driver for a minor noblewoman (widow) (vaguely western-european) stuck with her in the coach after i was forced to release the horses: this is the worst storm in decades, not even my paw coulda kept these posting-station horses calm through the peals of sky-splitting thunder.
We came to a stop in the middle of the road, the churned mud of the road eagerly assisting the coach's brakes. I'm completely drenched by the time I enter the cabin to report that we'll not be going anywhere, not that that isnt already clear. Plenty of Ladies like this, they would howl and beat at me for getting the road's mud into their carriage. but not mine: she worries only of the mud's water, and my hair's water, and my clothes' water, and how these all offer ample avenue for the night's cold to pierce my frame.
And pierce it does: now that the exertion of driving is ended, i am alarmed at how the cold has already convinced my body to take its side over mine, chattering and shivering so I can hardly understand it when my Lady pushes a parcel of cloth toward me. Its dry, she says, and she'll turn her back while I replace sodden roughspun with dry linen. after a moment of shivering hesitation, she does while i do. The fit is odd, in style as well as cut. She's plush where I'm paucious, I'm fowl bones failing to fill out sheep's skin. I keep the comparison to myself. I cough, and she turns, and she smiles. Says this frock suits me. The blood rushing to my face warms it, almost enough I stop chattering.
We start making the carriage a little warmer, lining the door with another of her dresses. It is a summer cut, too thin to keep the chill from your skin; cladding the coach door, though, it keeps the worst of the wind at bay. And once my cloak mirrors it on the door's opposite, the cabin changes. Less now a channel whose seams the wind can run through unabated. A haphazard little down, and we the rabbits.
And like rabbits, we huddle together. She has a great fur cloak, surely a gift from some earl or czar or other title. It's warm, utterly so, and so is she. The thought of her as a sheep was untoward, but I can't help but think of it again now. I had tried to avoid touching her for propriety, but she had insisted. Wrapping her arms around me like a child, but I was so cold I hadn't stopped her as she encompassed me. I'm not cold anymore, but I stay in her soft embrace nonetheless. She doesn't evict me, and I do not bring myself to ask why.
She asks me questions, about my family and my trade, about horses. It takes time, but soon I ask in turn. We have little in common, but that's an object of fascination rather than deviation. She's never horsed a shoe, I've never ridden in a coach. Her brother is a bore, mine is dead. Before we know it we are talking like friends, conversation passing between us like the present situation was the comfortable norm rather than the best way to avoid death by frost.
I don't know how long we talk, but in time the night in the cracks of our den turns from dark to pitch, and the rain calms from diluvian to quotidian. Our conversation slows with the rain, we sit in warm silence. I look up from a rambling story about my grandmother, and the lady is sleeping. Her snoring is just audible over the rain, and my heart flutters to hear it. I pull myself closer into her, and sigh through my smile.
I close my eyes, and sleep. I am warm.
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omegas-spaghettios · 3 years
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Ranking MCU Captain America figures
Before I begin, I want to clarify this is about my enjoyment of these characters and NOT who i think are the best morality or power wise. I specify because I think my first two entries will upset some people and I want to say, this list is NOT in order of how much I agree with these characters' values. I have a heavy favoritism towards theme and character interaction and that is where a lot of my enjoyment from media comes from. So, let's begin.
6. Captain America: CW, IW, and Endgame
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I'm separating Steve into two because around CW he starts making decisions that really frustrate me.
Now I do think there is a lot to like still! His conviction to his morals during the Accords and continuing arc about government distrust is great, his stand against Thanos in IW is amazing, he is a lot of fun to watch during the New York part of the time heist, and lifting Mjolnir was legit my best theater moment ever and i will NEVER forget it.
However, in CW he starts making some awful decisions. In CW, he kisses Sharon like, days after Peggy's funeral. While on it's own it's already kinda creepy, Endgame retroactively makes this even worse. It goes on to also have grave consequence because he and Sam asked Sharon to break the law for them and never followed through to help her, which was pretty awful of them. At least Sam tries to make it right in TFATWS, but since Steve left that wrong on Sharon never gets reconciled from him.
I also think that his decision to keep Bucky and Howard's history a secret from Tony was really, really stupid. While I side with him during the fight, the fact that Steve "doesn't like when his teammates withhold information" Rogers didn't tell Tony this then walked into a Winter Soldier facility with Bucky and Tony during the most strained time of their relationship was just begging for that conflict.
He is barely in IW and while his stand against Thanos is a great moment, his decision to not let Vision kill himself is very frustrating. "We don't trade lives" then he goes to Wakanda to let thousands of soldiers die while they try and get the stone out, really dude?
I don't think going back in time in Endgame was inherently a bad ending but things he does to make it happen really frustrates me. He shows no signs of mourning Bucky or Sam at all. And then for the sake of surprise for the audience, he never tells Sam what he's doing and that is so awful. Sam dedicates 4 years of his life helping Steve with a good portion of it being on the run. Sam was with Steve more during the present than ANYONE else. Then Steve just leaves without telling him and shows back up to drop a ton of responsibility on Sam that he didn't ask for. Now Sam is an amazing Cap but it's frustrating to see that a lot of TFATWS is fallout of Steve's bad decisions in these three movies.
5. Captain America: John Walker
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Now hold on, I hate this man. I think he does some awful things, so why is he above anyone else? Just because he isn't frustrating to me, he fits thematically and has good interactions with others in TFATWS.
His character really adds to the themes and discussions of white privilege, Supremacy, as well as how the US military treats their soldiers like shit, and I think he is an interesting character to watch as he starts out edging the line of evil and by the end of episode 4 crosses it. While I think Bucky was overall a bit too chummy with him in 6, I think it was all mostly in character for them. Sam and Bucky were up against 6 super soldiers and Batroc in a highly crowded city with lots of important people, it makes sense to me that they take his help in this scenario. They also never leave him alone which indicates distrust.
I also really like the moment where he drops the shield to help the truck. He is a shitty person but he is shown as a person who at least wants to do good, even though any challenge to that he goes off the rails. It is such a black and white scenario, help the truck of innocents, and I like that he does it. It also adds to the hatred of him as a person because it shows he clearly knows better but chooses to ignore it, which makes him even more despicable.
I think it is very important that a man like him bore the title of Captain America because it reminds us all that yes, it is very easy that a man like him represents America as it is and that we need to do better than him.
I like watching him and that's why he's above CW on Steve because he isn't making aggravatingly out of character decisions all of the time and he works very well within the themes of the show.
With me loving him in the context of TFATWS, in later appearances he does have a lot of potential to drop to last pretty easily, but as of now when he just is in that show, I appreciate his character a lot.
4. Red Guardian
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I kinda like this character and idk how to feel about it
He doesn't fit Black Widow very much so he is kinda low but I mean, he's just kinda fun. His story about Captain America and the USSR is pretty non-related to the others and rather undeveloped which is frustrating, and he does very little plot significant things. He leads Nat and Yelena to Melina and that's about it. He distracts Taskmaster for a while but he kinda is just getting tossed around until Melina shows up. He isn't very important.
But I do like what I see and do hope we see more of him. They never pretend he's a great person and I do appreciate that he gets called on it constantly. His knuckles having Karl Marx on them kills me and overall he's pretty humorous and fun to watch. He also has a few great moments thematically that I love. When he comforts Yelena after the dinner scene and sings her favorite song as a kid? So heartwarming. When he took Taskmaster's shield when fleeing the Red Room I laughed at his ridiculousness but it lead to a pretty great moment, when he throws the shield through the windshield without hesitation to save Melina. It's a great moment to show how he's letting go of his past and obsessions to be there for his family.
I hope we see more of him, his overall lack of importance and stereotypical behavior kinda holds him back but I see so much potential in him.
3. Agent Carter
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As of today she has been in exactly one 30 minute episode, but what I see I really like. Her laughter of surprise when she takes the tesseract is really endearing, her sword and muscles and height make my wlw heart patter, and I do like the difference in her relationship with Steve in this universe, where they both are of incredible capabilities but neither are given any respect for how they were born. We get that in TFA too but I really like that it is a constant theme in this iteration while in TFA it gets dropped a bit after Steve receives the serum.
There is very little of her so I can't really put her higher yet, but given more time she very well may rise up on this list but she had an excellent first showing.
2. Pre-CW Captain America: Steve Rogers
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This man is a joy.
He is such an endearing scrappy little guy in the beginning of TFA and I love his commitment to doing the right thing. He still very much acts like a guy who just gained 120 pounds of muscle during that movie and it's endearing. The way he grows into his own skin in TWS is amazing as we see him really step in to what he can accomplish physically as well as his authority and leadership.
His Whedonisms in the first two Avengers films kinda bug me, they treat him like an old man when he isn't. Biologically he's like, early 30's at most here. He grew up as a fighter in Brooklyn then served in the military, he wouldn't care if his teammates swear, but overall it's tolerable.
I LOVE this man's commitment to transparency. He struggles when allies are not transparent and he shows nothing but transparency and I love that that is a constant for him (which is why I separate him from CW on)
Everyone loves this guy and over 90% of criticisms I see for him come after AoU, and that's for good reason, this guy is so loveable.
1. Captain America: Sam Wilson
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He's so good, guys
I want to talk about Sam before the suit because he is amazing before it. He runs counseling for veterans, a profession very becoming of a superhero and it speaks to his incredible empathy and compassion that is on full display. I also think the fact that he dedicated 2 years to finding Bucky is not appreciated enough. Sure he was following Steve but he still spent 2 years trying to find Bucky, a person who tried to murder him. Yet he understands it isn't Bucky's fault and tries to help him anyway. I also really like that he is the first to speak out against the Accords. He doesn't wait for Steve or anyone else, he sees red flags and he is out and I really, really love that about him.
Then I love how long it takes for him to choose to become Cap and how much he contemplates it. He has to contemplate the legacy of Steve, if he wants to wear the symbol of this country, the pressures of being a black man as Cap, the legacy that John added to it, the pressures from Bucky and the pressures from Isaiah, and also his own legacy he carved for himself as the Falcon. It's a huge decision with a lot of weight and so many people pressuring him but he takes his time and chooses what is right for him, and I really love that about him. These other characters are all Caps from near the start but he transitions into one after years of knowing him as the Falcon and I love that he doesn't take this decision lightly.
Also as Cap he's just really cool. His decisions to not take the serum as well as try like hell to get Karli to step down speak to his humility and compassion. And while many describe his speech as bland it's still uniquely him. Yes the speech doesn't solve any problems but that isn't what he's doing, he's asking America and the world to get to actually solving them and that is an aspect of him we don't see much since Steve's propaganda days, his direct relation to the public.
Also his suit and wings are just awesome, I argue his action is the most fun to watch out of any of these characters.
Anyway yeah that's the list, I know people won't agree with me so let's try and keep discussion civil, alright?
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wheremytwinwatches · 4 years
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[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 10
Time to watch Brotherhood, the charming show where absolutely nothing bad is going to happen this episode, right?
Right?!
Starting off with [EXPLOSIONS], looks like a flashback to the Ishvalan Civil War/Genocide, troops in blue running and falling as they charge Ishvalans in a ruined town. Up until there’s a snap of fingers, and the screen turns red. And out of the smoke comes Roy, thinking about how he’ll do everything he can to protect the people he loves.
Jeez. This show’s not pulling any punches when it comes to the reality of war, is it?
In the aftermath of the attack, Roy’s explaining this philosophy of protection to Hughes, who likens it to a pyramid scheme. And the only one who really profits from such a scheme is the one at the top of the pyramid. Hey, Fuhrer! How’s the weather up there?
Roy continues to be incredibly unsubtle about his goal of becoming Fuhrer, Hughes jokes that it’ll at least be fun to watch. And maybe his “naive idealism” can do some good? But as easygoing as Bradley generally acts (this is the guy who easily cut down Mr. Freeze, moves at Homura speeds, and ordered a freaking genocide), I don’t think he’s just gonna step aside if Roy asks nicely.
Back to the present, seems Roy was remembering this as a dream, taking a nap in his office. Not much time for sleep, with all the preparation for the Central transfer.
Episode 10 - “Separate Destinations”
Well, that music’s not ominous at all!
In the hospital Ed’s recounting what happened in the Lab, complete with illustrations. Armstrong and Hughes are discussing the ouroboros tattoos and TC, and all the other mysteries surrounding the case. Of course, any answers they might have gotten are now under a ton of rubble.
...Is that really such an issue? I mean, a good portion of the cast are matter manipulators, can’t Armstrong just punch the boulders out of the way?
Hey! Stop eavesdropping, Brosh!
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Ross is smart enough to not sneak a listen on her superior officers. And ooooh dear, it’s the big cheese himself.
Bradley says he’s stopped by for an informal visit. Heard that Ed was injured, thought a nice melon might cheer him up. Um. Ok?
Uh oh. Bradley picked up that Armstrong has been “checking up” on some of the senior staff. And he’s frowning now. Um.
“And now you… my revered Fullmetal Alchemist…” holy crud his voice went all gravely
“Tell me what you know about the Philosopher’s Stone.”
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“And I hope for your sake… that you don’t know too much.”
This is bad this is really bad the Goths were bad enough but if the Government really was running that Lab then these guys just trashed a project of Bradley crap crap crap
Wait, what?
“Ha ha ha! I’m only kidding! There’s no reason for you to be so uptight!”
Hold up, what the hell was that all about?
Bradley’s saying that he knows there’s been some suspicious activity in the military lately, and something “needs to be done about it.”
...I’m still mostly convinced that you’re up to something, Bradley. But I’m not sure what.
Ooh, seems all the researchers assigned to officially study the Philosopher’s Stone have been going missing. Goth’s covering their tracks? And Bradley shows elements of being a spymaster, even with his informants he doesn’t know how much the Military’s been infiltrated, beyond “they know a lot about us.”
Now, a direct order from the Fuhrer; “To forget this matter and all that it concerns.” Since the best defense against spying is discretion, they need to keep this to themselves… up until Bradley thinks the time is right to confront them directly.
Hmm. I’m getting elements of conflicting plans here. The Goths are up to some evil involving Ed as a “sacrifice”, the leader of a genocidal government that was researching/making Philosophers’ Stones… There’s something going on here, I just can’t quite pin it down yet. Need more info.
Then all this plotting is interrupted by Bradley going out a window to escape his bodyguard. Still not seeing the Fuhrer in the best light, but you can’t deny that the character Bradley is a riot.
Winry stops by with some train tickets for Ed. Where are you off to, before you’re even healed up fully? Dublith? Play on Dublin? Oh, we finally get to meet this mysterious Teacher! Who even now has the Giant Suit of Armor shaking in his plate boots. A tough taskmaster?
Ed points out the town on a handy map, looks like it’s in the Southern Quadrant. But something shocks Winry about the trip, a town right before it?
“It’s the holy land of Automail engineering. It’s Rush Valley!” Well someone’s excited. Ooh, do we get Winry traveling with the Elrics? Also, predicting an upgrade in Ed’s future, if Winry’s that impressed with this place. What’s so special about it
Aw come on Ed, stop being such a pill. It’s not like you’re hurting for money as a SA. Maybe there’s elements of wanting to keep her out of danger (because you poor boys are trouble magnets), but you can do it! Also, moves my ship along? Please?
[Huges]: “She’ll make you a fine wife, someday.”
[Ed]: “Don’t start that again!”
Speaking of wives, Hughes is heading off to work, Elicia’s being painfully adorable, asking if Daddy can get home early that day. (!) Hughes says he’ll try to get back as soon as possible (!!), Mrs. Hughes tells him to not be late (!!!), Hughes says he’ll probably not see Winry again before she leaves (!!!!!), oh my LETO how many death flags can they wave at us?!
Damnit damnit damnit he is so dead. Why? Why do you have to kill off Hughes?! Guy’s a family man, he’s funny, he’s lighthearted. There’s enough tragedy in this world of lost limbs and genocide and soulbatteries already, you don’t have to up the ante! Uuuuugh. So annoyed at the blatant post-credits last episode, I’ve been delaying watching this one because I was so afraid of this. Gonna stop watching those from now on, too much spoilage potential.
“Oh, and tell the boys I said goodbye.” AAAAAARGH
“You just make sure to come visit us anytime you’re in Central, okay? Our home is your home too. ‘Til then… Take care of yourself.”
AAAAAAAARGH
Uuuugh, let’s try and move on. The Blond Kids are off on the train, Ed explaining that they’re off to visit Teacher for a couple of reasons, namely he’s tired of losing fights. Sadly he and Winry start squabbling about fighting, she wants them to stop. That’d be nice, Winry, but someone’s gotta stand up to the Goths. Also, they want to center themselves, boost their morale, and seeing an old teacher might help with that. As well ask her what she knows about the Stone.
Wait, what? Ooooh crap. They haven’t seen her since before the Incident, have they? So they’re gonna walk up to their Alchemy Teacher and have to explain “Yeah, I lost two limbs and my brother lost his entire body because we broke The Big Rule of Alchemy. So about some more alchemy training?” They are so dead.
Back in Central, Hughes is doing some research, going over the riots in Liore. Hey, don’t you diss Leto, random underling! Been a lot of stuff going on in the East Quadrant, as well as the North and West. Not the South? Current theory is they’re all too scared of the Elric’s Teacher to mess with her turf.
Suddenly, Hughes stands up, says he’ll be in the Archive room. Figure something out?
In the room, music’s picking up, Hughes is circling places on a map. What is- Oh. Oh my Leto. I think I just realized.
Liore, other uprisings, the Ishvalan Genocide...
The Philosopher’s Stone needs human sacrifices, and a Transmutation Circle.
We’ve already seen there can be a TC the size of a city.
Who’s to say there can’t be one the size of a country?
That’s it. That’s their plan. Craft a nation-sized Alchemy reaction. Create the True Philosopher’s Stone from the sacrifice of thousands, if not millions.
But whose plan is it? The Goths? The Government?
...but Hughes isn’t going to find out, is he? A long-haired silhouette just walked in and closed the door.
[Hughes]: “Cool tattoo you got there.”
[Lust]: “Those are your last words? Wouldn’t you rather scream?”
Leave him ALONE
NO
Wait, he got out? He got stabbed through the shoulder but he got out? How oh HELL yes knife to your fucking forehead, you bitch! You don’t mess with
FUCK YOU NO
you got a knife to the brain you don’t get to just calmly take it out no
Receptionist starts joking then realizes that Hughes is injured, he just walks past and says he needs a private line. Yes ok need to tell Roy about his but she’s not as dead as you think she is.
Wait what Hughes why are you walking away. Oh right Military either infiltrated or in on the whole thing, can’t use a military line. Get to a phone booth, use an outside line. Holdup while Eastern receptionist follows protocol, yet another STUPID death flag as Hughes drops a picture of his family… but this took too long. There’s the sound of a gun cocking-
Wait, Ross?! What are oh nonono please just be misguided don’t be part of the conspiracy.
Oh. Right. The Goths have a shapeshifter.
Come on, Hughes. Keep stalling, the phone’s not hung up so if it’s connected then Roy can hear this and get you help. And while the knife didn’t kill Lust it did slow her down so yes you’ve got another one you can
You. God. Damned. Bastard.
Envy has taken the form of Mrs. Hughes.
A shot is fired.
Only now, when it is too late, does the call get through to Roy. And Envy hangs it up.
[Envy]: “You humans don’t make any sense to me. You throw away your lives for nothing.”
hughes comment indicates hughes Goths inhuman hughes chimeras?
“Gracia… I’m so sorry… Elicia… Remember, Daddy loves you… I’m sorry.”
And Hughes bleeds out in a phone booth.
...The Blond Kids are enjoying pie on the train. It was baked by Mrs. Hughes. As was a quiche.
Ed talks about how Hughes is annoying, stopping by his hospital room every day.
Al thinks they should figure out some way to thank him next time they’re in Central.
We’re spared the scene of Hughes being discovered. But now we bear witness to his funeral.
[Elicia]: “Mommy? Why are they putting all that dirt on Daddy?” [Gracia]: “They’re burying him, dear.” [Elicia]: “But if Daddy gets buried, then he won’t be able to do all his work.” [Gracia]: “Elicia…!” [Elicia]: “Daddy said he has a bunch of work he needs to do! No, stop it! Stop putting dirt on him! Daddy!”
Armstrong is crying. Bradley is visibly shaking. Roy looks down.
The sun sets, as Roy chides Hughes for going and getting promoted to Brigadier General, rather than helping him climb through the ranks.
Riza walks up to the colonel. Who admits a large part of him wants to figure out human transmutation now.
[Riza]: “Are you alright, Colonel?” [Roy]: “Yeah, I’m fine. Except… It’s a terrible day for rain.” [Riza]: “What do you mean? It’s not raining.” [Roy]: “Yes. It is.” [Riza]: “Oh. So it is.”
Time resumes as Riza goes guns-akimbo at Scar, who dodges into the alley. The alley with Al still in there. Uh oh. And oh my Leto Roy, don’t you dare complain at the lady who just saved your life. “Useless on rainy days” indeed.
Roy’s investigating the events of Hughes’ death now, looking into the Archive Room. A trail of blood went to the phone room, and the receptionist reports that he came in, but then left without dialing a number. Roy identifies the code Hughes used as one used only for military emergencies. But he doesn’t know why.
Riza brings Armstrong, who says they have a list of suspects, but can’t determine their identities. And when Roy presses for details, Armstrong has to refuse. Right, the order from Bradley, he can’t talk about the Goths. But he does get a workaround, saying the Elrics were in town for a few days.
From all that, Roy’s able to determine a group is suspected of the murder, an officer above Armstrong ordered him to keep quiet, and the events involve the singular goal of the Elric Brothers: The Philosopher's Stone. Roy’s clued into the conspiracy now. So, in order to solve the mystery and get vengeance for Hughes, he’s going after the senior staff. With Riza at his side.
And so the episode ends, with Roy on a manhunt in the military, and the unknowing Blond Kids cheerfully laughing as their train heads south.
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