Universal truths in boy's own adventure
By MICHAEL BODEY
THE AUSTRALIAN
12:00AM AUGUST 25, 2010
TAIKA Waititi is still pinching himself at the success of his second film, Boy.
He concedes New Zealand films don't do as well on their home turf "as, I imagine, many Australian films don't do crazily well".
Boy doesn't exactly scream "hit", being a coming-of-age story set in 1984 on NZ's rural east coast and starring an unknown 11-year-old.
But Waititi's film is the highest grossing local film in NZ history. Its box-office take to date of $NZ9.3 million ($7.4m) surpasses Once were Warriors and The World's Fastest Indian, both of which earned more than $NZ7m.
"In my head I thought around $NZ2m would be nice, twice what my last film [Eagle vs Shark] made, and it's just kept going and going," Waititi notes.
"The feedback and response by local audiences is something none of us really expected."
Boy has been a success because New Zealanders want to see themselves on screen, but its tone is more tragicomic, self-deprecating and relaxed than audiences are used to. It focuses on universal themes of family and the insecurity, clumsiness and wonder of growing up.
James Rolleston is the Boy, a Michael Jackson-obsessed kid living on a farm with his Gran. He idolises his father, Alamein (played by Waititi), a man he imagines is a deep-sea diver, a war hero and a relative of Jackson.
The reality is underwhelming: his itinerant and unreliable dad has been "in the can" for robbery and is little more than a rebel biker without a cause.
"Anyone who has a parent can relate to this idea of not quite understanding who your parents are or making up stories about them," Waititi says.
"Then there are the realities of who they are and their secrets and [realising] they're not superhuman human beings."
Global audiences understand the film, he adds, even if some are surprised to discover it's not a family movie. A Hawaiian festival director programmed the film before seeing it. "Halfway through he asked me, 'Just out of curiosity, is there much more swearing or violence?' "
Australians will find Boy sweet, raucous and lovably NZ, with its recognisable cultural references, language and intonations. It won the audience awards at the Sydney Film Festival and Melbourne International Film Festival this year.
The film upends certain cliches about NZ cinema globally, although Waititi is still smarting from one US review, in trade newspaper Variety, that accused it of misrepresenting Maori culture.
"[The reviewer] almost took it personally that there weren't ghosts and people in villages riding whales," Waititi says.
Waititi played against local expectations, too, after winning an Academy Award nomination for the short film Two Cars, One Night. "Essentially that was a dramatic short and people assumed after that I would go down the drama road and make typical New Zealand films, dark films about kids who die," he says.
"So I ended up moving away from that and trying to inject some quirkiness and comedy. Maori get pigeonholed into the idea they're spiritual and telling stories like Whale Rider and Once were Warriors, quite serious stuff, but we're pretty funny people and we never really have had an opportunity to show that side of ourselves, the clumsy, nerdy side of ourselves, which is something I am."
Waititi is something more than clumsy and nerdy. The 35-year-old has a background in painting and photography, having exhibited in Wellington and Berlin. His acting and comedy emerged on the side, as he performed with mates including Flight of the Conchords's Jemaine Clement and Bret McKenzie, directed episodes of their US series and gave popular stand-up comedy shows. The semi-autobiographical Boy was the first, tentative screenplay he wrote as he mulled the prospect of being able to move from shorts to feature films.
"I kind of freaked out a bit, I didn't want to leap into it because the transition between short films and feature films is the same as short stories and novels," Waititi explains. "Some people just can't write a novel and some people can't make a feature film, it's just the way it is sometimes. Maybe I couldn't have made a feature film."
Now that one's settled, Waititi is in the enviable position of being able to juggle directing and acting. He has just finished filming a performance in the big-budget studio superhero film, Green Lantern, and expects a sequel to follow.
"Yeah, for my film work I'm in a good position in New Zealand. I could probably make my next film pretty easily," he says with honest understatement. "You're always fine until you stumble and then obviously it becomes harder. The acting thing crept up. I'm not sure how much attention I'll give it.
"I'm lucky my main job now is filmmaking, so it's not like I'm rushing off to LA to do all these auditions and desperately trying to be an actor.
"I think I'm a better filmmaker than actor, so I already know that. That's OK, I can handle not being a famous actor."
He remains unsure whether he can sustain himself as a filmmaker in NZ, even though he doesn't appear particularly rushed to take up any international offers.
He believes he can remain in NZ "if you don't expect what we all thought was the high life of a film director in the 90s when people were being paid squillions of dollars just to do anything".
The money in filmmaking has dried up; today it really is just like any other job.
"The glitz and glamour has gone and you get paid a normal wage to do a job that isn't extraordinary," he says. "So it's kind of fair. I think people were overpaid for what the job is, having fun and telling stories and getting all this cool stuff."
Waititi appreciates that the films he wants to make won't generate the fortune of blockbusters such as Green Lantern, but he doesn't want dedicate two years of his life to a project he's not passionate about.
"The stuff I'm passionate about is what I write, it isn't multi-million-dollar franchise movies," he says.
But with the success of Boy, could there be pressure to create a sequel or franchise out of its characters? Waititi looks across to Rolleston and raises an eyebrow.
"Maybe I'll just make this into a franchise, do the Truffaut thing and just keep hiring him until he's 40."
Boy is in cinemas tomorrow. SBS One screens Eagle vs Shark on Saturday.
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