Monday May 8.
so bad, but so good: dad jokes.
You ever heard the phrase, it's so bad, it's good? Well, the theory goes there is a particular point at which the bad quality of a given subject (e.g.: a film, a song, a fashion trend from a particular decade) reaches a point of such specificity and intensity, that it moves beyond this point and is reborn as something not bad, in fact, but good. It is hard to explain, and this metamorphosis from something so poorly constructed it becomes something inexplicably brilliant is perhaps only quantifiable by an as-yet-undiscovered science. Films are an ideal example of the bad/good paradox: just take Battlefield Earth (2000), starring John Travolta, who has made quite a name in a range of such films. Then, just three years later, writer, director, producer, and actor Tommy Wiseau released The Room (2003), perhaps the most notorious yet celebrated example of the genre. There is another such example of so bad, so good phenomenon in popular culture: the #dad joke.
Indeed the real beauty of the dad joke is something altogether profound. Its joy stems not from its wry intellect, or capacity to surprise, but from its wholehearted embrace of the naff, the lame, of everything that is joyfully, carelessly bad. The dad joke is the antithesis of trying, a liberating acceptance of its own narrow limits, and of its own wince-inducing quality. The dad joke does not try; it simply is.
Get your week off with the start it needs and deserves with this nourishing selection of #dad jokes.
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Okay - so I have set myself an aim to at least have a portrait drawn for each of my Elder Scrolls OCs. I have started drawing them over this weekend, and am going to gradually get them neatened out, coloured, etc....
These are the ones which I have started so far! Aelia, Drissa, Florian, Elyse, and Thea.
I have a long list of the rest to work on before I can so much as start on colours or anything though!! At least five more Dragonborn characters (Siriane, Iduna, Aevra, Ivetta, and Maewynne), and six straight up OCs (Elyse's parents Ingja and Edwyn, and the Whiterun Guard Foursome Ingrida, Barknir, Sorik and Fjora-)
I'll give more details about these five under the cut though, because I can😊
Aelia
Imperial Hero of Kvatch who ends up mantling Sheogorath after the Oblivion Crisis is ended. She finds herself in the Shivering Isles after driving herself away from everyone through her grief, including her own child, which had her acting volatile and hostile towards those who wanted to help her. She does, however, have a sweet spot for flowers and butterflies, and always felt calmer around them.
Drissa
Known as a Hero of Kvatch alongside Florian, though is less visible in the spotlight than he is and that suited her just fine, because the spotlight had already shunned her. She doesn't join the Blades, and instead tries to find her place in the world, find a place where she belongs. She thought that she had already done that, when she earned herself the title of Grand Champion of the Arena through defeating the Grey Prince, but after getting framed for murder she finds herself with nothing once more. But don't worry - once she gets her revenge, a shrouded hand reaches out with an offer she couldn't possibly refuse. A family of her own.
She's blunt and prefers to respond to things with her hammer, but once someone breaks through the tough exterior, she's a bit more open. But only a bit. She doesn't know when she'll lose everything again, after all.
Florian Livius
Hero of Kvatch alongside Drissa, and is the more visible of the pair - quite ironic, given that he starts out as a thief in the Thieves Guild. Not a good one, mind you, as he had doyens sighing at the mere mention of his name with how often they had to clear bounties on his head, but on the days where he wasn't caught, he could bring in a fair amount of coin and that was the only thing stopping him from being kicked out.
After getting arrested and placed in the same cell as Drissa, then being a witness to the Emperor's final request and final moments, he had a moment where his mind faltered because for once, somebody actually believed in him - even if that somebody had just been killed before his eyes. The Emperor trusted him to get that task done. And after meeting Martin, and watching how he took the changes in stride... Florian made his mind up there and then that he would change his ways and be a better person because of Martin. For him, even.
He cut his ties with the Thieves Guild, and threw himself headfirst into his new responsibilities as a Blade, and to his amazement, realised that his reputation had flipped just like a coin - where once he was a criminal, he was now a hero. He strives to help others realise that they can do the same.
Elyse Verne
Dragonborn who takes pride in her mixed Breton and Nord heritage, so much so that she decides to venture north from where she spent her teenage and young adult years in Chorrol to Skyrim, to see the land that her mother, Ingja, would speak so fondly of. Obviously, she gets caught up at the border ambush, and sets forth the events which lead to her discovering that she is Dragonborn.
Rather than taking the advice of the Jarl of Whiterun and visiting the Greybeards, she instead tries to find her own way of understanding what she was by going to the place where her parents met - Winterhold. She spends six months doing her research at the college whilst avoiding her uncle in the city, unaware that she had very much caught the eye of the Thalmor through her very specific research topics. After six months and a lot of drama unfolding in Winterhold, she finally takes Balgruuf's advice... and almost exactly a year later, she defeats Alduin in Sovngarde. During this time, she made herself a home in Whiterun, and found that if there was anyone to put her trust in, it was the people of Whiterun hold and its Jarl.
Little over a year and a half after that, during which she defeats Miraak, Elyse finds herself slowly being dragged into the civil war taking place in Skyrim, but not with regard to the fighting, instead because of all the politics and her status. That worries not just her, but Balgruuf too, especially given that she doesn't agree with or want to be involved in the war, same as him. And those two happen to get very close in their solidarity...
Thea
Dragonborn who is a proud member of the Companions, though admittedly not as keen on being Harbinger. Of all of them, she found herself closest to Vilkas, and that closeness led to him being the only one to notice that she was not a fan of her title - even if she repeatedly kept saying out loud that Vilkas was a better fit than her.
The two of them gradually built up a system of mutual assistance, where she could tell when he needed help and vice versa, and it helped her with getting more comfortable in her role. Much of her part was helping him as he went through struggles with his lycanthropy until he felt ready to go to Ysgramor's Tomb, and even during that, she remained by his side even as Hircine lashed out against them both. She never mentioned to him that Hircine ended up punishing her for her involvement in cleansing both him and Kodlak of their wolf spirits though, resulting in her being plagued with nightmares of the hunting grounds and losing control of herself periodically when shifted.
Seeing each other through their troubles made their bonds incredibly strong, and they were the firmest of friends - even if one of them happened to be a werewolf.
She didn't really know when the two of them started being a couple though. They never really discussed it - it just sort of... happened. They gradually found themselves spending more and more time at her house in The Pale, just north of Whiterun, than in Jorrvaskr... and before they knew it, they were married and had a family of their own. Poor uncle Farkas was constantly travelling between the two places just to play with their children.
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brb, i have to go and. make strangled noises at nothing real quick; it just hit me over the head how Wyll's use of the metaphor of dancing as a stand-in for romance and intimacy really just. accompanies him all throughout his story, and how perfect it is
I guess I should have expected a character like him, that's both deeply poetic in his speech and courtly in his upbringing, would come to idealize a chivalric romance a bit, and translate his feelings on/of love to an element of courting that's as ritualistic and processional as ballroom dancing, but sometimes just realizing the obvious can really knock you off your feet for a second
like. just like how there is almost a blueprint to a perfect storybook romance in both stories and -consequently- in his head (I think romance might even be one of the literary genres with the highest number of unwritten rules that need to be fulfilled for a work to count as a romance), there is also a fairly strict method to a court dance. There is a series of well-known and practiced steps that was laid out in advance, and one is to perform them in succession, and in sync with one's partner. If one of the parties doesn't know or doesn't want to follow the rules/steps, it gets... tangled, messy, and you both stumble. The dance and the relationship both fall apart. The happy ending of a tale is not reached without all the steps in-between being followed, and he so dearly wants his fairytale ending, his happy, fulfilled love, I just---
it's such a perfect metaphor, and what makes it even more perfect is that Wyll is ostensibly aware of it, and he chose it, purposefully, and i don't want to watch the Act 3 commitment scene because I've not yet done it myself and don't want to spoil it, but I would be so surprised if he a.) made no mention of storybook romances, or b.) didn't just straight up propose y'know
i'm (metaphorically) crying, if it were possible to play this game on six different characters simultaneously without getting bored or confused I fucking would
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