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thethief1996 · 7 months

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700 Palestinians were killed in the last 24 hours and the airstrikes are more violent each night. Gaza's hospitals have fuel left for two more days. Israel only allowed aid into Gaza on the condition they didn't carry fuel. The Indonesian hospital has shut down already, because doctors have no supplies and no choice but to let the wounded die. They're calling it a collapse but the term doesn't do it justice.

Over a 100 incubator babies are at risk. There are 50.000 pregnant women in Gaza right now, and 5.500 due to give birth this month. Menstruating people are taking pills in order to stop their periods, because they do not have pads or water to maintain hygiene. Surgeons are operating without anesthesia. Water is not reaching Gazans because there's no electricity or fuel for water pumps.

There's no excuse for this. Israel justifies the airstrikes by saying they want to destroy Hamas infrastructure and release the hostages, but they have refused to negotiate for their release. Hamas informed Israel they wanted to release two elderly women without anything in return, and Israel refused. Netanyahu said they wouldn't take their own civilians back because it was "mendacious propaganda." When the hostages were finally released, Netanyahu prohibited the hospital from giving press releases. Yocheved Lifshitz went behind their backs and talked to the press anyway, saying she was treated very well by Hamas, but the government abandoned them. They're being used as straw men. Israel is conditioning the entry of fuel to the release of hostages and yet, according to The Wall Street Journal, when Hamas proposed to exchange 50 hostages for fuel they denied. IDF officials have said they fear the release of more hostages because that might withhold the order to their ground invasion. They do not care as long as they can use the hostages as a pretext for their slaughtering.

There's a turning tide for Palestine in public support. Support for Israel was built through decades of propaganda and we are making a dent into it. Zionists are desperate, holding zoom meetings to promote zionism, but we have to do so much more. We have to shame people in power into supporting the Palestinian cause.

Keep yourself updated and share Palestinian voices, looking to inform yourself from the sources. Palestinians have asked of us only that we share, tweet and post, over and over. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:

Al Jazeera

Anadolu Agency

Mondoweiss

Boycott Divest Sanction Movement

Palestinian Youth Movement

Mohammed El-Kurd (twitter / instagram)

Al-Shabaka (twitter / instagram)

Mariam Barghouti (twitter / instagram)

Muhammad Shehada (twitter)

Motaz Azaiza (instagram) - reporting directly from Gaza

Take action. You can participate in boycotts wherever you are in the world, through BDS guidelines. Right now, they are focusing on boycotting (don't be overwhelmed by gigantic boycott lists. Only boycott additional brands if you can):

Carrefour

Puma

Sabra

Sodastream

Ahava cosmetics

Israeli fruits and vegetables

Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)

If you can, participate in direct action or donate. Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London. Some of the activists are going on trial and are calling for mobilizing on court.

Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.

FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls

FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails

FOR PEOPLE IN GERMANY: Here's a toolkit to contact your representatives by Voices in Europe for Peace

FOR PEOPLE IN IRELAND: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN POLAND: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN DENMARK: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN SWEDEN: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine

FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada

Join a protest. Here's a constantly updating list of protests:

Global calendar

USA calendar

Australia calendar

Here are upcoming events:

CANBERRA/NGUNNAWAL, AUSTRALIA – Wed Oct 25, 11 am, National Press Club. Info: https://www.instagram.com/p/Cyh1xy1BMrU/

OXFORD, ENGLAND – Wed Oct 25, 12:15 pm, Cornmarket. Info: https://www.instagram.com/p/CykroKeInz3/?utm_source=ig_web_copy_link

SMITH COLLEGE (US) – Wed Oct 25, 12 pm, Chapin Lawn. Info: https://www.instagram.com/p/CymT8f5vnHN/?img_index=1

ST CATHERINES, ON ( CANADA) – Wed Oct 25, 6 pm, 61 Geneva St Info: https://www.facebook.com/events/889319005528757/

TORONTO, CANADA – Wed Oct 25, 5 pm, Sidney Smith Hall. Info: https://www.instagram.com/p/CyjVbpGvva8/

SANT CUGAT, CATALONIA, SPAIN – Thurs Oct 26, 6 pm, Davant l’Ajuntament. Info: https://www.instagram.com/p/CynL834tgg9/?img_index=4

MELBOURNE, AUSTRALIA – Fri Oct 27, 7 pm, Federation Square. Info: https://www.instagram.com/p/Cyhyd0vhP8t/

LIVORNO, ITALY – Sat Oct 28, 2:30 pm, Piazza Cavour. Info https://www.instagram.com/p/CyiWJ06MXpM/

MINNEAPOLIS, MN (US) – Sat Oct 28, 1 pm, Lake Street and Minnehaha.

ROME, ITALY – Sat Oct 28, Rome. Info: https://www.instagram.com/p/Cyi7ey-MMs1/?img_index=1

ROME, ITALY – Sat Nov 4, Rome. Info TBA: https://www.instagram.com/p/CyndKUitnMU/

WASHINGTON, DC (USA) – Sat Nov 4, 12 pm, White House. Info: https://www.instagram.com/p/CyiecRtr9-B/

Wollongong: Rally at Crown Street Mall Amphitheatre on 21 Oct at 1 PM

Melbourne: Blak and Palestinian Solidarity Rally at Victorian Parliament House Steps on 25 Oct at 6 PM

HOUSTON: Thursday, October 26th, 5:45PM, Rice University, Central Quad

VANCOUVER: OCT 28 at 2PM, Vancouver Art Gallery

KITCHENER: Wednesday October 25th at 5 PM at CBC Kitchener

SANTA ANA: 20 Civic Center Plaza, Santa Ana, CA 92701, October 25th at 5:30 pm

TORONTO: WED. OCT 25 at 7PM at Queen's Park

[CAR RALLY] WASHINGTON D.C: Wednesday 10/25 outside the US State Department on the 23rd Street side

Feel free to add more.

#save gaza #free palestine #gaza under attack #palestine

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callmearcturus · 3 months

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I said this elsewhere but

not to be That Guy but I don't really see the point of moving platforms anymore.

There is no where we can hide on the internet from the silicon valley bros. There just isn't. Patreon is VC-funded and could announce tomorrow that oh of course they've been partnered with Midjourney for months already. Twitter actively scraps everything for AI learning. And even if you trusted the other big players like FB/IG to tell the truth about shit, people are going to use these platforms for datasets anyway. They'll just do it quietly and hope no one notices.

And places like cohost or whatever-- honestly, if it makes you feel safer/better, go for it, but I don't think cohost has the sway or capital to build the type of legal team you need to fight against scrapers. Hell, you wanna retreat into private discords? Discord wants in on AI too.

Everyone big is already dealing in AI, and everyone small doesn't even have a seat at the table. In my opinion, we are all collectively holding out for Brussels or any of the many court cases to do something about this shit, because it's no longer a thing we can just hide from.

I'm going to keep my writing on the AO3 because they are the odd case of having an actual legal team in place for this shit. For artists, I have nothing but sympathy. I suggest glazing and nightshading literally everything you post.

But beyond that, I'm unsure what we can do. This is a matter for legislation. Silicon Valley doesn't care if we all go to cohost, and even less scrupulous data-crawlers will just grab our shit from there too.

So I'll be here.

#tumblr #ai bullshit

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neonphoenix · 1 year

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#if i ever by some miracle become rich I'm taking the stained glass window that used to be in my church #out of the art museum it's been in #and reinstalling it #they do not care enough about the window at that museum #and the window at my church just got replaced with regular glass and it's frankly ugly #also the sun comes through it to strongly and we have to commission massive curtains from artists to cover it #I'm not against the cool art but sometimes it looks Bad #and we can't take the window back because we don't have the money to deconstruct it #and have it reinstalled and then to pay for the upkeep #if I had millions of dollars I would set up a fund to pay for all of that #this is such a random fantasy but holy shit I've wanted to see that window above me #not at eye level #but above me and massive #and lit by the sun #not florescents evenly distributed #there are so many better things to spend money on but i really just want this window back in the church #I'm going to doxx myself if I keep talking about this #if i haven't already #I'm sure a dedicated individual could put together where I live

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gootarts · 10 months

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as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)

as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.

the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.

Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.

A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.

The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).

Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.

Segments about the termination on the MBN 7 o' clock news and MBC's morning news

Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.

Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.

A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.

Digging up verified reviews from previous employees regarding the company's poor management practices

Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.

Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.

To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.

[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]

[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]

let me know if anything needs correction or if anything should be added.

#project moon #limbus company #obligatory text post tag #that's all i've got for now. highly encourage y'all to not open limbus until they make a statement

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certified-bi · 1 month

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Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

#watcher #they really need a CEO who has business experience first and foremost or at the very least a consultant they actually listen to #they also should put more focus on other personalities and actual give them a chance to stick. none of them got famous or a fanbase in a day #give some of the others time to grab attention

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shipwreckie · 1 month

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long (like ridiculously long) rant about watcher entertainment

Whilst the vast majority of the response to the watcher drama has been negative I still have seen a few people expressing opinions along the lines of ‘oh its just $6’ ‘shouldn't creators be paid for their work’ etc. I also think this situation is getting a lot of attention from people who don't necessarily watch Watcher, or haven’t keep up with them in years so here is my breakdown of why people are unhappy with the announcement that Watcher will be putting ALL upcoming content behind a $6 a month streaming service (with the exception of the premiere episode of each season going to Youtube.)

The issue is not that it's $6.

The success of other internet companies like dropout and smosh is proof people are willing to pay for content they enjoy and to support independent content creators. I personally have given money to kickstarters, patreons, digital downloads etc in the past. But I do that because I know I’m valued as a fan with and without my money. I still get access to content on youtube for free. Even Dropout, who is a much larger and more expensive operation than Watcher, releasing 5 show a week, still maintains a steady Youtube presence.

The thing with these internet companies is they can be successful in creating something but they do have to understand that you are on the internet. You're not netflix or HBO or hulu or whatever. Watcher’s obsession with creating ‘television-calibre content’ worth $6 a month whilst also only having one show a week is unrealistic. They want to be independent creators but also television producers… but you’re not! They hate being youtubers so much but YOU ARE. That’s how you gained a fanbase in the first place and you were successful at it! If you’re not happy being a youtuber that’s fine, move on and do something else. But you can’t expect it to be funded by the fans. So many famous artists create content they care less about that has a larger audience, and that in turn funds the stuff they DO care about. If you’re so dedicated to making expensive, high-quality productions you should be using these smaller cheaper shows to save money and fund them, rather than forcing everyone of your fans to pay a monthly subscription fee that I’m sorry, just isnt worth it or is simply unaffordable for the majority of your audience who you have now essentially told aren’t welcome or valued by you. And which one is it?

Such a large percentage of your audience are casual viewers too. Why cut out that completely? What fans are you expecting to follow you to this ? Your most dedicated fans are there because they like Ryan and Shane, so why not push that? Are you trying to appeal to your fans or are you trying to make the content you want. There’s no clear creative direction that makes sense with this move and that’s why people aren’t supporting you.

Also I’m sorry but how can we suddenly trust the content is gonna improve once we start funding it when there’s already been so many missteps both in their content and their business. Look at how many fans have said Ghost Files and Mystery Files have started feeling phoned in. Their patreon has been mismanaged for years, they barely promote it and the perks on there aren't really worth it (but they have 6000 paying members because people can and do want to support them!). They go months having barely any merch. There are ways to make money on youtube, they’re just not doing it well .

And I’m sorry. But there is just absolutely no reason to have 25 employees. Shows like Survival mode should be cheap and easy to produce, and help bring in money to support larger ventures like ghost files. So why are there 18 people credited for a video of you playing Minecraft? And of course I don’t want people to lose their jobs. But continuing with this is going to cause EVERYONE to lose their jobs regardless.

They also barely have a plan for their new content. People watch for Ryan and Shane, you KNOW THAT. So why is your first new big show hiring the worth it boys and doing a globe-trotting, crazily expensive show. Are you even really expanding your content if you’re still sticking to a one-video-a-week schedule with no present plan to change that? They have a survey for subscribers to vote which past show to bring back, but there’s obviously a major budget difference between filming something like Weird Wonderful World and something like SD&D&D… or at least there should be but there isn't when you employ 20 people to make one video. There’s such a clear lack of thought put into it that makes me even less likely to want to support.

I want to say that they probably expected a negative backlash and thought they could just wait it out… but did they? Because WHY did they hype this up like it was an insane new announcement fans would go wild for. WHY do this several days before you have live shows where you let fans ask questions live to your faces? So much of this roll out makes absolutely no sense and makes Ryan, Shane, and Steve look so ridiculously out-of-touch with their fanbase, which only makes fans feel even less supportive.

I think their defenders think we want to see Watcher crash and burn but the majority of us don't. I want them to be successful but this isn't the way to do it and I truly do believe it’s going to ruin their company. Unfortunately as much as I love them, I wont be supporting them.

#watcher #watcher entertainment #ryan bergara #shane madej #steven lim #buzzfeed unsolved #ghost files #mystery files #seriously though... what the hell #i dont even use tumblr anymore but i just had to get my thoughts out #sorry i don’t know how to do the read more function i haven’t properly used tumblr since 2016

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isatforpalestine · 2 months

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In Stars and Time for Palestine

Requests: Open! | Goal: $400/750

(To sign up to volunteer, please fill out this form or DM this account/@siffrin-enthusiast! Whichever is easiest for you!)

From the river to the sea, Palestine will be free!

Rules

We ask that receipts/proof of purchase be included with the request to help keep track of things.

To sign up as a volunteer, please fill out this form or DM this account and or @siffrin-enthusiast! Whatever works for you!

You will receive confirmation that your request has been received and when work has started.

You can ask for updates on your request, but please remember that artists are human and have busy lives.

Shipping requests and requests for multiple characters or specific poses are allowed, but may be less detailed and take longer than asking for a single character.

NSFW and gore requests are not allowed.

If an artist asks for credit, you must give credit.

Please do not send donation requests in our asks as unfortunately this is a common way to scam donations.

Charities

Donations can be made to any of the following reputable charities:

Palestinian GoFundMe Masterpost, regularly updated

Palestinian Evacuation Fundraiser Masterpost, regularly updated

Palestinian Children's Relief Fund

Care For Gaza

eSims For Gaza

Diabetics in Palestine

Medical Aid for Palestinians

UNICEF

Doctors Without Borders

Due to GoFundMe's giving money to Palestinians directly and immediately, donations to them are highly encouraged and requests made through GoFundMe donations will be given preferential treatment (assigned and completed first). Donations to charities are still of course open, encouraged, and accepted, but if possible please consider donating to a GoFundMe!

Prices

Prices have not been set in stone yet, as I'm waiting on feedback and sign-ups from other artists, but they're around here!

$1-9 = Sketch/doodle.

$10-14 = Lineart, uncolored.

$15-20 = Colored sketch.

$21-30 = Flat shading.

$31-44 = Detailed shading.

$45-59 = Rendering and a simple background free of charge.

$60+ = Rendering and a colorful background free of charge.

$99+ = Collab piece with multiple artists with the artist selection free of charge.

Additions to add on to the original price (unless it's included in the price, i.e., if you spent $45-59 you would not have to pay for a simple background). Please note that these will almost always increase the time it takes for your request to be completed.

$5 for a simple background.

$5 for another character sketch or uncolored lineart.

$10 for a detailed background.

$10 for very complex poses.

$15 for another character in flat shading or colored sketches, with $10 each for any additional characters.

$20 to select the artist of your request. Note that if they're busy with other requests, this will take longer than letting us choose.

$25 for another character in detailed shading and above, with $20 each for any additional characters.

$30 for another character with rendering, with $25 each for any additional characters.

Artists

Meet our volunteer artists!!

@outeremissary can make doodles, uncolored linearts and colored sketches!

@pied-piper-pluto can do everything on the list, from doodles to rendering with complex poses, multiple characters, and colorful backgrounds! he can do digital or traditional medium, or watercolor for large donations!

@siffrin-enthusiast can draw sketches, doodles, flat/detailed shading or take other requests/make edits, but doesn't know how to render. i'll give it an honest shot if you want though!

@moopermoment can do everything except detailed shading, rendering, and complex poses!

@kadethecat does sketches to flat shading and enjoys collab pieces!

@benjibots can do sketches as well as flat shading!

@kensiesss who can do anything except for complex poses!

@forgetful-storyteller can make anything from sketches to rendering with a simple background, but might take a bit to finish complicated pieces due to a busy schedule!

@tekabecca114 can do b/w comic panel style images!

@agriocnemis does everything on the list!!

@novelist-on-strike can make simple custom logos/graphics!

@mnemonicmew does everything except for collab pieces and colorful rendered backgrounds!

(To sign up to volunteer, please fill out this form or DM this account/@siffrin-enthusiast!)

Transparency

We do not handle any of the money donated to ensure that 100% goes to Palestine as soon as it physically can. Please blur out any and all personal information in your screenshots while submitting your receipts.

#free palestine #in stars and time #in stars and time for palestine #isat

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tikkunolamresistance · 17 days

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PALESTINE aid requests and how YOU can help:

We get a lot of asks with people reaching out, confused and stuck on how they can aid Palestinians in need right now— specifically direct aid, including towards GoFundMes. We hope this post can be informative!

What you can do:

— Reblog, repost, retweet and share all aid requests that you see. Interacting is important to keep posts circulating, so like and even leave a comment.

— As little as $5 helps out, so if you’re able to, don’t feel like you’re not doing enough. As an example, if 100 people donated $5 to a GoFundMe, that’s already $500!

— Are you a creator? If you’re able to do charity streams on Twitch, host art commissions, if you’re an artist you could get permission to busk in your city centre and collect donations.

— We understand that finances are not easy right now, we’re all trying to get by with brutal bills and taxes, but if there’s absolutely any way you can economise— try incorporating it into your lifestyle. Have some old clothes you don’t need? Sell them online and send the funds to Palestinians in need.

— Suggest sponsoring a GoFundMe and fundraising with your community, school, workplace to generate funds.

— Reblog/comment any ideas or fundraising tips that have worked for you!

From Us:

Tikkun Olam Resistance

On our Instagram we’ve been posting GoFundMe’s and aid requests on our stories every day, and will be beginning weekly posts highlighting aid requests that need urgent boosting. We also have a pinned highlights on our account where you can access direct links to fundraisers. You can access that here.

On our Tumblr, you can search the “how to help” tag on our account to find a multitude of GoFundMes and aid requests to boost and support.

On X (Twitter) we’re retweeting every aid request that we come across, join us in doing the same! Filling peoples timelines and your you pages with Gaza and Palestine is a necessity now.

We’re considering other ways to raise funds, so keep an eye on our accounts for updates! We always look for recommendations from you guys.

#palestine #how to help #gofundmes #aid for palestine #aid for gaza #aid requests #jews for palestine #stand with palestine #jumblr #jewblr #how to help palestinians #how to help gazans #community outreach #eurovision

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momolady · 4 months

Text

Art the Orc

If you live in a small town, maybe you'll know this place. It's a little art store run by the same family for ages. It's not changed in all that time either. Picture it, feel it, you know it's the only place that sells that one supply you like. Now, imagine an orc behind the counter. Female Reader x Male Monster

The visage of the old place looked like it had once been a gas station. There was one of those big metal awnings and signs that gas pumps had once been outside. But everything else looked like the art supply store it was. The window was painted, done up with flowers and a flourishing font, but it hadn’t been touched in ages and was chipping and weathering away.

The old place had seen better days, you could tell. But you were excited to tackle such a special project with your own two hands.

Inside the place had a familiar smell of paint thinner, book pages, and coffee. You looked around the front as the bells on the door chimed. The old floor had seen better days and was worn out where you stood, even the welcome mat was hard to read.

“Welcome to Greengold Creative Station,” the deep voice came from behind the front desk where there was an open door. ‘I’ll be out with you in just a moment.”

“Take your time,” you replied. You continued to look around, noting the mismatched shelving and thrown together renovations dotting the place.

A moment later, a large orc came from the back. He was wearing thick glasses and had on a corded cardigan that covered a paint splattered t-shirt.

“Can I help you find anything?” He asked as he adjusted his glasses.

You approached the front desk again, extending your hand to him. “Hi! You must be Mr. Greengold, I’m from Regency Renovations.”

There was a surprised look upon his face as he shook your hand. “You’re the renovator?”

You smiled, half expecting some reservation based on your appearance. “I specialize in business and storefront renovations. That is what you wanted, correct, Mr. Greengold?”

He fumbled with his words for a moment, stuttering, touching his glasses until he spoke. “Call me Art, please.”

You held it in, but he knew where your mind went.

“It’s short for Arthur, but it's also my dad’s name so my mom calls me Art. Yes, I know, ha ha, very fun. A man named Art runs the art store.”

“It’s an easy target.” You tried to squash your giggling but a few came out.

He sighed and shook his head. “So, you’ll be handling the whole store. I want it updated completely. It was fine for my parents, but I need to bring in a new generation of artists and online shopping is destroying us.”

“It’s a common issue, Art,” you didn’t look at him as you said his name. “I already have some ideas brewing and I would be happy to discuss your thoughts for the business with you.”

He sighed heavily, gazing out at a store that was once his family’s legacy. “I would say I would like to keep some of what my parents did to this place, but I don’t think any of it is salvageable.”

“Well recycling is a thing.” You replied. “Like some of these old shelves, the wood can be reused to create a rustic facade for the front desk here.” You patted the worn out formica top. “And the vintage signage out from can be reused and framed, hung just right behind you there.”

Art made a face. “You can do all that.”

You returned his face, adding a smug smile to it. “I can do lots of things, Art. My father was a carpenter and my mother was a viper. Be careful of what you inflict about me.” You patted your chest proudly. You knew you were small and chubby, not many people expected much out of you, but your work spoke for itself. And that was how you told people off.

“Sorry,” he sighed. “I have a lot riding on this so-”

“So you hired the best. That I can promise you. Now I know you said you didn’t have a lot of funds, but I already have my plans made for how to help you with that. I plan on doing most of the work on my own, but for heavy lifting and other things-”

“I don’t mind helping with that,” he said with a shake of his head.

You had planned to bring in your brother for help, he enjoyed the destruction part of your job and he worked for free food. “Well uh…if you’d like Art, I wouldn’t say no.”

“I wouldn’t want you getting hurt on the job. It would be best if I helped out,” he said.

You couldn’t tell if he was being kind or underestimating you again, so you brushed it off and continued. “I would also like to film the process of the renovation. Stuff like that will help reach your new audience.”

He frowned, and his thick brows pinched together. “You must be joking.”

“I am not. You’d be surprised what the kids these days are watching.” You smirked up at him. “I know what I am doing, Art. Have some faith.”

His face read: easier said than done.

Discussion and planning was always the hard bit. You had to convince your employer of what needed to be done. Art was hesitant about some things, after all it was a family business and a place he had grown up in. But for the most part he was willing to go along with some of your ideas.

Art started the clean up process by first putting away his stock and setting most of the mismatched shelves outside. Once that was taken care of you began ripping up the old carpet and ancient linoleum.

“I remember when my dad put that stuff down,” Art said from behind you.

You looked up, eyes covered by goggles and mouth surrounded by one of those thick industrial masks. “Oh really?”

Art gave you a look. “Is all that necessary?”

“You’d be surprised.” You stacked another chunk of the linoleum to the side. “Lots of debris and who-knows-what is under these old floors. Decades of dirty shoes, dust, skin, and life are stored here.”

Art’s grimace deepened. “Skin?”

“Oh yeah, we shed like mad,” you laughed. “If you have dust in your house you can be assured it came from you!”

Art looked perturbed by this revelation but he continued in moving stock to the back and other store property outside.

Once the flooring was removed, you accessed what was underneath. It wasn’t marble or granite, but it was some type of stony tile that had existed when it was a gas station.

“Mom said it was inhospitable.”

You used a dust cloth to clean off a bit of the flooring. “But it’s easy to clean, and it’ll make the whole place appear brighter and bigger.” You turned and looked back at him, taking off the goggles. “It’ll be so much better in the long run. Plus! You won’t have to buy anything new except maybe a rug or two if you wanted.”

Art’s pinched brow was becoming the norm to see, but you could tell it was because the gears behind it were working so hard to process everything going on.

Once the tiles were cleaned and all the old flooring was hauled off to the dump, you started working on the walls, taking down slapdash shelving, and anything else hanging up. The old paint job, or jobs really, were layered on so thick and hadn’t been properly done. They had painted over the trim and electrical outlets, all of which needed to be replaced. The holes in the walls needed fixing too, and there were a few dents and scrapes from the years.

“You’re not hiring a painter?” Art asked one day.

You zipped up your coveralls and turned around to face him. “Not unless you want to shell out twice the money. Besides, I’m a good painter. A great painter even! Maybe not Rembrandt or anything, but I can handle a roller better than most.”

Art looked over your paint supplies. After days of you working on freeing the electric sockets and scraping the excess from the trim you could finally start working. You were painting the wall white, but you had found cheap sticker tiles to create a great accent wall, which could then be used for photo opportunities and special displays. Then another wall would also be painted white and used to display local artists and projects from the art class that Art taught.

“Mom always wanted to put wallpaper up,” Art murmured. “But said it wouldn’t be practical with everything we needed to hang up.”

There was a melancholy to Art’s face and tone as he said this. “What kind?” You asked as you poured your paint into the tray. “We could always find something close to what she had in mind for the office.”

Art glanced over his shoulder then shook his head. “I doubt I could afford it. I tried looking already.”

You put the roller into the paint, sliding it back and forth until it wasn’t too soupy. “Was this place your mom’s idea?”

“Yeah,” he murmured, his gaze going all about the store. “I can’t believe how empty it is now.”

“It’ll be full again in no time.” You gave him a reassuring smile when his amber eyes returned to you. “Do you have any pictures of your mother you would want to hang up?” you asked. “I can plan a special place for it.”

He huffed, seeming put off by this suggestion. “Excuse me. The smell of this paint is giving me a headache.” He walked off, stomping his feet a little as he went.

Art came back by the time you were finished with the first coat of white. You were sitting in front of the checkout desk, leaned back against it so your foot propped the door open. He stepped over your leg and looked at your work.

“The white really makes this place look…different,” he murmured.

“Don’t worry, there will be some color back soon enough,” you sighed. “Is your headache gone?”

Art nodded, leaning against the desk. “Sorry if I’ve been…obstinate.”

You waved it off. “I’m used to you.”

He shook his head. “No. I’ve been questioning and judging everything, all because I never really wanted to do this.”

You tilted your head up to look at him. “Then why are you?”

He let out that heavy, burdened sigh again. “Because it was in her will.”

You clicked your tongue. “Oh.”

“She left me money, but only if I used a portion of it to renovate the old store. She said it was mine after all, it deserved to reflect the new generation. Even in death she was still hinting I get married.” He scoffed at this, but he still had a smile on his face.

“Sounds pretty motherly.” You stood up from the ground, standing beside him. Not feeling much taller than you did sitting beside his great size. You motioned to the front window. “Did she paint that?”

Art laughed. “No. I did. That’s why she kept it so long.”

Your smile beamed. “Really? That’s pretty adorable.”

He shook his head and rolled his eyes. “For years upon years I’ve looked at that painting and wished every day she would wash it off and do something different. But I suppose her sentimentality was far too deep for that.”

“It’s a good painting,” you offered.

“I never thought she’d keep it so I barely tried,” he grunted and crossed his arms against his chest. “Boy, was I wrong.”

“Would you like to paint the new display? I was planning on just hanging a new sign and leaving the window clean.”

“I don’t know,” he muttered.

You patted his arm, and his eyes darted down to your hand, his brows unpinching for that one moment.

“I’ll wait till you decide then.” You stepped away from him, but his eyes still lingered on where you had touched him.

A few days later, as you were working on putting the sticker tile onto the wall, Art came from the back and offered you a ticket.

“A friend of mine has a gallery showing tonight. He gave me two tickets so I thought-” He hesitated and cleared his throat.

“How fancy is the affair?” You asked.

“Nothing too fancy. I mean, dress up, but not like black tie event or anything.” He cleared his throat again. “I was going to get dinner at my favorite restaurant since it was close by if you wanted to come.”

It clicked and you looked up at him. Your cheeks flushed and your mouth started to go dry. “Oh. Sure.” You tucked your hair behind your ear. “If that’s the case, maybe we should go in together. You know? Save the earth and stuff.”

He nodded. “Yeah. Smart idea. How about I pick you up tonight. Say…around six? Since the gallery is at eight?”

You nodded, biting down on your lip. “Yeah. Perfect. That should give me enough time to get ready after work.”

Art turned awkwardly away then back towards you. “Oh I uh, I guess I should get your address.” You traded info and the rest of the day went by in a jerky, tense sort of way.

That evening you waited in your living room until you heard from Art. You were wearing your favorite dress, and had even gotten your next door neighbor to do your makeup. You got his message and went downstairs to meet him at the front door.

Art was dressed nice in a dark purple suit and he had his long hair slicked back and tied into a bun. He didn’t have on his glasses, which surprised you. His eyes lit up when he saw you.

“Wow, you look great!” He said, a touch breathless.

You blushed and smiled. “Thanks. You look pretty great too. I’m not used to seeing you without your glasses.”

“Yeah, contacts tonight,” he said shyly. He then took your hand and led you to his car.

The restaurant was nice, the two of you had a clumsy start to it, but eventually you both started having an in depth conversation about color. From there, you both laughed and joked around, having a good time with great food and even better wine.

From there you walked to the gallery, meeting his friend then roaming through the show. Her artwork was lovely, but you noticed Art’s pinch brow had returned.

“A lot more nudes than I expected,” he whispered.

“I think it’s nice,” you replied. “I can see what her intent with the motif is. How it’s classic, it's natural, but also subversive.” You turned to Art, noticing him fidgeting and adjusting himself.

“Yes. I understand what she is doing,” he muttered. “I must have had just a little too much wine I think.”

You smiled at him, chuckling as your cheeks grew warm.

The car windows were fogged over, and in the dark all you could do was touch. His kisses felt rough but intimate. His tusks brushed against your skin, making your shiver. Every so often the darkness was halted by the motion light of the parking lot turning on. You’d still for a moment, then continue on with your youthful antics.

“We should stop.”

“We should.”

“Why aren’t we?”

“It’s hard.”

“Very hard.”

You kissed Art and breathed, looking into his eyes while you clasped your hands around his face. Maybe it was the wine or the nudes on display, maybe it was weeks of working so close and holding back so long.

“It’s hard.”

“Very hard.”

You smiled at him, kissing him again while his hands moved below. Your panties were pushed aside, his zipper brushed against your thigh. Big. Oh my god it was big!

You gasped softly and he stilled, watching your expression. You eased over him, taking as much of Art as you could stand. You pressed your palms to the roof of the car for balance, his strong hands kneaded into your thick thighs.

“Aren’t we a bit too old for this?” he breathed.

“I guess we’ll find out, won’t we.” Your laughter turned into moaning. Maybe you were both a bit too old for this, but you’d never had so much fun before! He pressed deeply inside you, and his hands couldn’t stop touching your body. He roamed over the soft curves, and plump form, his desire seeming to grow the more he did.

The next morning you came into work, seeing Art standing in the middle of the room. You held your breath, wondering if it was all a wonderful dream. He turned and smiled, his thick glasses back in place.

“Hi” he said breathlessly.

Your smile bloomed. “Hi.”

Art motioned to the desk. “I brought coffee.”

“I see that.” You smiled and took a cup he offered.

He sighed then laughed and you laughed. “So uh…last night.”

“I liked your friend’s gallery. It was very nice. I also liked your favorite restaurant.” You took a sip of the coffee, testing it before you added anything.

Art nodded, his gaze drifted until it fell back onto you. “Is that all?”

You smiled over your coffee cup. “No. Just barely.” You looked into his eyes. “I wasn’t sure if it was an appropriate work topic.”

“Not exactly but uhm…I just wanted to check.” His eyes darted over you. “Were we really too old for that?”

You laughed and cupped your hand over your mouth. “A little. But I’m not too sore. Are you?”

“No. But I would prefer somewhere much comfier next time.” he leaned in close and you closed your eyes, accepting his kiss and the touch of his tusks against your cheeks.

“Yes, it would be nice.” You saw he had paints and brushes set on the front desk. “What’s this for?”

He sucked in a breath through his teeth. “I thought I’d paint the window. I got a bit of inspiration last night.” He grinned your way. “Plus, I think mom would like to see how I’ve improved.”

You grinned. “I’ll be very excited to see how you work. Outside a car at least.”

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tamberella · 3 months

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Congratulations on your author debut, I'm so excited for your book!! 😇💕

Would you consider talking about the whole process of becoming a book illustrator /children's book author?

Thank you so much, I really appreciate it!! And I'd be happy to share the process!

It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!

He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!

While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.

For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.

With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.

(Early version of Ember above! He has changed a bit!)

I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.

My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!

And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)

#ask #book making process #author process

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mareastrorum · 18 days

Text

These are just initial thoughts, and perhaps I’ll learn something that changes my mind on it, but I’m glad to see Critical Role making the leap to their own subscription service with Beacon.

As a lead in: I’m an attorney that has some background in IP law, though it isn’t what I practice currently. I’ve kept in contact with several active practitioners, particularly those that represent small-time creators either in their own independent practice or via nonprofits. I do not have an extensive Rolodex of IP peers, nor do I spend the money to keep up on IP CLEs. I’m just someone who used to know a ton because I did heavy research and work in that space, and that hasn’t been the case for years.

So here’s my thoughts a bit on the IP angle:

The primary reason I’m happy to see this leap is that CR is taking active steps to keep control over its IP. It’s a boring thing to most people, but when I start paying attention to a specific creator (authors, directors, companies, etc.), I tend to be very attentive to how they use their IP. How freely do they license their marks to partner with other creators to make merch? How often do they allow others to make adaptations or derivatives of their copyrights? What is the quality of those products? What is the supply chain like? Are those third parties objectionable in some way? Were the other parties faithful to the original works or marks? Was this a cash grab or an earnest effort to make something worth the price tag?

Honestly, I like how CR run their business. They have a history of tapping fans and fellow small businesses when making new merch or spinoffs. They embrace the culture of fan-made derivative works, both by featuring fanart/cosplay and by sharing their success. Do you know how rare it is for a company to pay fan artists for their already-made and freely posted work and then sell books of it? Let me be clear: CR bought a limited license from each artist so they could print and sell each work in a physical book, then paid the cost of publishing that book with no guarantee that CR would make that money back, let alone profit. I have a copy of the collector’s edition art books: they’re actually very well made and the packaging definitely cost a pretty penny. That’s not a rainmaker idea, that’s genuinely risking financial loss to sell something people could access for free if they wanted to.

The art books aren’t a one-off either. Darrington Press is CR’s separate LLC for tabletop games. (It’s good business practice to split off companies that handle products in different industries.) CR has also made shows based on those games, and the Candela Obscura series has quite a dedicated audience. Everything about Candela belongs to them: the game itself, the rule book, all the art in the book, the web series based on the game, and merch. It’s so successful that they invested in scheduling a live show for Candela later this month. That’s HUGE.

Contrast that with the distribution of Campaign 1 and the first 19 episodes of Campaign 2. CR cannot host those videos themselves; Geek & Sundry still exists and still holds what I presume to be distribution rights (but I don’t have the contract to review). So G&S gets to host those videos on YouTube and reaps the advertising. I can’t speak to whatever share CR gets from that, but considering that CR is locked out of hosting their own copies of those videos, I doubt it’s much, if any, revenue. (If you’re wondering why CR just didn’t buy those rights back, I ask: what incentive does G&S have to sell something that’s making them money for no cost?)

Knowing that background about G&S, I was wary of CR choosing Amazon to host and distribute The Legend of Vox Machina. Originally, TLOVM was not the plan; CR had a kickstarter for an animated special based on C1. It was only because they blew past the goal that CR was able to make an entire season. The reasonable assumption is that choosing Amazon had to have secured CR additional funding for future seasons of the show, which seems evident from how quickly season 2 was announced, Mighty Nein Animated is also going to be a thing, and that season 3 of TLVOM is scheduled for fall 2024. CR had the option of just doing 1 season and keeping it purely in their control, but going with Amazon meant they could animate more of their works. Animation is expensive. I cannot stress enough how doubtful I am that CR would have been able to afford this many episodes and both campaigns if they had not gone this route. As wary as I was in the start, it paid off, and it’s going well—so far. Hopefully CR doesn’t regret that decision if Amazon tries something sleazy. But, as before, we don’t have the contracts and can’t know how secure CR’s position is if any dispute came up.

CR also partnered with Dark Horse Comics to make Vox Machina comics and Might Nein Origins comics. What’s especially surprising is that each of the cast had a hand in writing the MNO comics for their characters, with Matt listed for multiple. That isn’t very common with comic adaptations. Often times, IP owners let comic companies go ham with minimal oversight. Being listed as one of the authors comes with IP rights that have to be negotiated. That means that Dark Horse had to talk with CR about whether that warrants more or less revenue going to which party in exchange for that—or, alternatively, whether the comic gets made at all. That’s a ballsy move. You think people can just demand to write the comics that a publishing company is going to pay to print? Pffft. CR wanted some creative control, and that is a big ask. However, Dark Horse still has the distribution rights, both digitally and for physical copies. You couldn’t buy the comics from CR until they came out with the library edition, a book bound compilation of 4/8 comics. But the publisher is still Dark Horse; CR is just allowed to sell the book directly from their own site as well.

Contrast that with the novels about CR characters. CR partnered with Penguin Random House to publish novels about Vex and Vax (Kith & Kin), Lucien (The Nine Eyes of Lucien), and Laudna (What Doesn’t Break). Liam and Laura were vocal about having some say in K&K, whereas Madeline Roux said in an interview that she had full control over TNEOL. Both of those novels were narrated with CR voices, but narrating a book doesn’t come with IP rights, it just brings in a paycheck. There’s a lot less IP control in there compared to the comics, but this isn’t abnormal for book publishing. To be blunt, I doubt PRH would have agreed to publish the novels if anyone from CR had been a co-author or had heavy oversight over the author or the editing. I don’t think PRH even considered that as an option. Either an author that has already managed to sell X number of copies or nothing. Creative control over a book a huge ask, asks come with reduced revenue, and switching to books from a web series is already a leap. The fact that Laura and Liam had any say is surprising, really.

That was a long meandering tour of what we’ve seen CR do with its IP. The reason I bring up each of these things is that navigating the way to protect an IP in this space is rife with challenges. Different types of IP warrant different strategies because of the cost involved in creating each medium and the challenges placed by industries that have already sprung up around them. Any time that a third party is tapped to create an IP, it’s usually because they already have the funds and resources to create the work, and CR has to negotiate for revenue, creative control, distribution, and—the big one—who gets to be the owner. These are not easy, quick, or fun conversations, and CR is always going to be the smaller company at the table.

Knowing that, I’m not surprised or worried that CR is creating its own independent subscription service with Beacon. It tells me that they’re being careful with their IP whenever they can. A subscription service means they don’t have to trade away distribution rights or give up ad revenue to a third party. They’re in this for a long term investment, and that requires solid income not tied to third parties that can definitely outspend them in litigation in the event of a dispute. A subscription for bonus content is one of many parts in a diverse revenue stream.

(All that said, this isn’t meant to criticize creators that cant afford to do this type of thing. It took 9 years for CR to get to the point where Beacon is financially feasible and a desirable business decision. They have enough ongoing, popular content to warrant paying for a subscription, and they’ve built sufficient trust with their audience that more will be added. That takes time and an awful lot of money.)

As a final note, I take this step as a sign that CR definitely intends to stick around. This isn’t a move people make when they plan on ending the business after the current campaign. I’m glad to see CR is taking steps to secure their foundation and keep making new content.

I’m sure people will chime in on other issues (cost, content exclusivity, etc.), but I hope my perspective gives an idea of why this sort of thing is good for business generally and why it would be good for CR.

#critical role #beacon.tv #don’t trust me I’m a lawyer #I’m not your lawyer #I’m not CR’s lawyer #none of you paid me for shit #I do what I want

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hellfirenacht · 1 month

Text

This Machine...

Summary: Your birthday is coming up, and Eddie makes you a present.

Tags: sfw, friends to lovers, slightly possessive Eddie and Reader if you squint, Eddie Munson x Reader

Word Count: 3.3k words

Master List

There were certain perks to being the school’s resident dealer. For one, Eddie had made very good friends with the old janitor that kept to himself, flying under everyone’s radar, including Higgins’. The nice perk that came with being friends with ol’ Mr. Greg was the fact that he had the keys to every single room in the school, which meant that Eddie’s lock-picking days were lowered considerably.

These were good perks to have, especially since your birthday was coming up. Eddie had convinced the art teached at the beginning of every year to allow himself and his club to use the art room to make their Hellfire shirts. The art department had managed to get funding four years ago for a screen printing kit, convincing the board that having the ability to make shirts would create unity within the school.

Frankly, Eddie thought that was a load of bullshit. But that didn’t mean he wasn’t going to use it to his advantage when he could. So every September, Eddie would gather his little sheepies for an afternoon of arts and crafts, creating the shirts and ruining the ones they were wearing in the mess. Eddie would always try and make a few extra, just in case there were stragglers that needed saving from the conformity of Hawkins High school. Not once did he consider the irony of having his sheep in uniform.

In most cases, the art teacher was willing to work with him and let him in without much fuss. Of course, that was when Eddie was still a student. He had now been a proud high school graduate for seven months and the shock of not being in school had him spiraling for the first month before he found himself working at the Hideout again. Work, rehearsal, work, rehearsal, a thirty minute set at the Hideout if he was lucky, work, rehearsal.

God, he missed Hellfire. That was the only part of school that he missed; a consistent Dungeons and Dragons schedule.

Still, it wasn’t all bad and monotonous. Turns out that if you aren’t stuck at school 8 hours a day, 5 days a week you can go other places when children are at school. And when you go to places where kids aren’t, you tend to meet adults.

Enter you.

You had been working at the record store on morning shift, and had been for a few months now. Although you had more often than not worked weekends, somehow you and Eddie had eluded each other in the two years of you sorting through the various artists and ringing up customers.

It had been a Thursday when Eddie met you, a fact he only remembered because the previous night had been the day that Bev allowed him to go on two nights in a row at the Hideout, which had been unheard of for Corroded Coffin.

“Ain’t no one barely here anyways, Eddie.” she’d said, having long since stopped calling him Junior.

He had been flying high, and an old drunk had even left him a tip on the bar, enough to drop by the record store and pick up an album he’d been eyeing for a while. You had been standing at the boxes, resetting them and reorganizing them for the hundredth time that week. It had been so slow that day that it was all you could do to keep yourself busy.

W.A.S.P had been playing at a near whisper quiet volume, and when Eddie asked you about it you had just smiled, shrugged, and said that the owner only allowed you to play them on Thursdays when it was dead, or Sunday morning when anyone who’d get offended by the lyrics would be at church.

The two of you had been friends ever since.

A half hour of idle chat about music had turned into five months of late night talks on the phone, hanging out in Eddie’s van, swapping music back and forth, visiting each other during your shifts, and a tentative bi-monthly D&D session with you, and Corroded Coffin.

Eddie would never know how badly he messed up your sleep schedule, going on late at night with Corroded Coffin when you had a morning shift, but it was always worth it to give him a sober audience member.

The best nights though, were the times where you’d come over and just... hang out with him. You’d come over to Wayne’s trailer after your shift, or he’d pick you up from your place, and the two of you would just sit and talk.

You never bat an eye at how messy his room was, and he made sure there was no food left out and would at least make an effort to clean out all of the beer cans in his room. Mostly you’d just sit on his bed and watch him play guitar, or spend hours talking about everything and nothing.

As much as you enjoyed hearing him practice the same riff on his electric guitar over and over again, you had admitted to him that you always had a soft spot for the acoustic guitar that collected a little more dust in the corner that he’d pull out on rare occasions.

THIS MACHINE SLAYS DRAGONS

You’d voiced your fondness for the instrument several times, enjoying the combination of Woody Gunthrie’s iconic guitar adjusted for your friends’ eccentric taste.

Five months of friendship. Five months of hanging out with no pressure, no needing to look after each other, five months of feeling like a fucking human in this damn town.

And one month of having the most embarrassing and awkward crush on you.

Eddie had dated before, and he’d been interested in girls and some girls had even shown some interest in him until they realized that Eddie wasn’t someone to be fixed or saved. Eddie had even had sex before, but not to the extreme lengths that he’d found had been circulating in high school.

Seriously, who had the time to come up with half the shit that this town thought he’d allegedly done?

You found great joy in hearing about his spin in the rumor mill. Whenever one of you heard a rumor about the Freak, you’d compare notes and laugh about how stupid it was. Of course, Eddie put little effort into actually stopping the rumors, and now that he was no longer in high school it didn’t seem to matter as much anymore. He’d still get dirty looks from people in town but he found that more often than not people would just leave him alone now. Jocks, nerds, freaks, cheerleaders; outside the halls of Hawkins High those words didn’t hold half the weight they used to.

“So they’re saying that now you spiked the punch at homecoming?” you asked, laughing. “I must have missed that dance.”

“Yeah, so did I. I only went to homecoming once in school and that was Sophomore year.” Eddie replied, his fingers tabbing out a melody that he had been working on for a new song. “And there was no way I was able to get my hands on any alcohol that night.”

“Why would you waste perfectly good alcohol on a high school dance, anyway?” you laughed.

Eddie could listen to you laugh for hours.

And it was because of this, that Eddie was now back at Hawkins High, while Ol’ Greg unlocked the art room on this fine weekend. It didn’t take much convincing, Ol’ Greg didn’t give a shit about Eddie’s reputation and never had, and for that Eddie had slipped the janitor an extra joint for his trouble as payment for letting him in.

The room looked about the same as it had the last few weeks of school, aside from some new art projects. Other than that, everything was in about the same place. Eddie wasted a little time wandering around the room, looking at the different projects and taking in the scent of old clay and dried paint. Aside from the old drama room, the art room was the only other place in the school where he felt okay in this hellhole.

It didn’t take much to get your shirt size. You always had a bad habit of leaving your sweaters in his van, so going to grab a blank hoodie in your size was the easy part. The design he was using was easy as well, and after so many years of making Hellfire Club shirts he could probably make this in his sleep.

But he wouldn’t, because he wanted this to be perfect. So for the next few hours he carefully pulled out the equipment, found the right shade of red he wanted to use and painstakingly created the stencil, adding his own personal flair to it. The finished product was probably nicer than any Hellfire Club shirt he’d ever made.

By the end of it, your new hoodie was done and he was sure that you’d love it so much that you’d never forget it in his van.

With the finished product in hand he was able to lock up, thank Ol’ Greg, and make his way home.

Now all Eddie had to do was give it to you for your birthday. The two of you had made plans to hang out that morning together at Benny’s for some birthday waffles or pancakes or french toast or whatever you wanted. He’d treat you, he’d been saving for this.

Then he’d give you the gift, and you’d love it and then he’d suck it up and ask you out. He could do this. Jeff swore to Eddie up and down that you clearly had feelings for him. Eddie wasn’t stupid, he’d noticed your flirting and had flirted back so many times. This dance between the two of you had been going on for weeks now, but it didn’t make it any less terrifying. With any luck, the note he had tucked into the pocket would also help him out.

You were already at your usual booth when he arrived that Sunday morning. It was supposed to be a very quiet morning, Benny’s was never busy first thing on Sunday. So when Eddie walked into the diner to meet you, his stomach dropped as he saw the rest of his band already sitting with you.

A chorus of his friends called him over, and Eddie, dejected, slid in the booth on the opposite side of you. You were on the end of one booth, seated next to Jeff and Zack, while Eddie took the spot next to Gareth.

Eddie wanted to be pissed at the guys for ruining his plan, but then he saw the look on your face. You were thrilled to be around everyone and were excitedly talking to Jeff about the new song that he was learning. It was your birthday, your day, and if you were having fun, that was the important part. He did make sure to put your food on his tab though, he wasn’t going to let anyone else have that satisfaction.

As the morning went on, Eddie had completely forgotten about the hoodie currently sitting in the small bag by his leg. He was only reminded of it when Gareth got up to go pee and Eddie was forced out of the booth, as his foot kicked the bag and you noticed it.

Your eyes immediately lit up when you noticed the red gift bag and your smile widened.

“Eddie, is that for me?” you asked, batting your eyelashes. “Did you get me a present?”

He didn’t want to give it to you in front of everyone, that hadn’t been part of the plan. But he sucked it up and pulled the hoodie out and tossed it to you. Eddie could worry about asking you out later when the rest of his friends weren’t around. He’d never want to put that pressure on you anyway.

“Yessss!” you grabbed it eagerly in your hands and unfolded the hoodie, noticing the design.

This Machine Slays Dragons was splashed across the front, and on the front pocket was a small colony of bats, just like the ones on Eddie’s arm. He watched as your eyes widened, in surprise and delight, and felt a wave of relief wash over him as you eagerly put it on.

“Holy shit, Eddie, I love it!” you said, and got out of the booth to throw your arms around him. Your lips pressed against his cheek, and for a moment Eddie felt like he was on cloud nine as he hugged you back, giving you a slight squeeze before you pulled away.

“You always said you liked my guitar.” He said, shooting a look to his bandmates who were making kissy faces behind your back. The glare only egged them on.

“It’s got your bats on it.” you said, looking down at the design, smoothing it out. “This is so fuckin’ cool!”

As you ran your hands down the design, you heard a faint crinkle in the pocket. When you reached inside, alarm bells went off in Eddie’s head and he quickly muttered something about needing a cigarette before turning on his heel and walking straight outside to his van.

He’d completely forgotten the note that he had slipped into the pocket. You absolutely were not supposed to open that in front of everyone. Eddie leaned against the back of his van, lightly smacking his head against the door, the barely touched cigarette in his hand.

“Eddie...?” Your voice made him go stiff, his head still against the fan. He took one long drag of the cigarette and exhaled the smoke before standing up straight to look at you. You were holding the note in your hand with a sheepish grin on your face.

“Hey.” He said, not sure how to proceed. He couldn’t read your smile. Was it a sad smile? Were you going to awkwardly tell him that you didn’t feel the same but you could be friends? He could live with that, but it would really sting.

“So....” you looked at the note and read the two words printed there in his handwriting. “‘Date me’, huh? I’ve heard you come up with the wildest descriptions for things when we play D&D, but the most you could jot down was... ‘Date me’?”

It was. Eddie had racked his brain for hours on what to say to you, but he couldn’t find the words he wanted to. Everything felt either too cheesy, or too stiff, or not him, or too casual. He was really banking on the hoodie to be more of a selling point than the note.

“I thought it’d be cuter if it had just been the two of us this morning.” Eddie admitted. “Look, I get it if you’re here to respectfully decline. We can just be friends, I swear I won’t make it weird-”

“I’ll date you.” The words were firm and steadfast. There wasn’t a single waiver in your voice as you said those three words. You took a step closer to him and shoved the note back in the hoodie pocket. “Eddie I... I want to date you. I’ve wanted to date you for about 10 minutes after we met.”

Eddie’s head lowered slightly and his eyes widened as he stared at you. “Are you serious?”

“Well, yeah.” you said. “A cute guy walks into a record store, knows about good music, invites me to play D&D and then becomes one of my best friends? Yes, Eddie, I want to date you.”

Eddie snuffed out the barely touched cigarette and leaned in towards you. God, he was fucking clueless sometimes.

“You know... that hoodie looks good on you.” He said, trying to sound smooth. “It’ll look better in the back of my van.”

You stared blankly at him for a second and then burst out laughing, your head thrown back. “No, no, nevermind.” you cackled. “I changed my mind. I’m done. We’re done.”

Had Eddie not known you as well as he did, he might have taken that as a real rejection. But he knew that laugh, he’d heard it a hundred times over the past few months.

He reached out and grabbed your hand and pulled you closer to him, you were still smiling wide when you looked up at him. “Seriously, Eddie? I agree to date you and you pull out that line?”

“Don’t get mad at me, Sweetheart.” He said. “You’re the one constantly leaving your clothes in my van. I don’t know why you’re laughing at my perfectly innocent statement.”

“Oh fuck off, Eddie.” You laughed. “You know exactly what you said and how you meant it. And maybe I wouldn’t have had to leave my clothes in your van all the time if you had asked me out earlier.”

“And would you care to share that logic with me?” Eddie raised an eyebrow. Had you really been leaving things in his van on purpose?

“I had to mark my territory.” you said with a smile. “Can’t let anyone in your van think that you’re seeing someone else.”

It was Eddie’s turn to laugh and you wrapped your arms around his neck. “Ah yes, the most popular freak in all of Hawkins definitely has a line out the door of people wanting to date him.” he said, his hands finding your hips.

“You’re laughing. I’ve seen you flirting with Ms. Robin’s at The Hideout and you're laughing at me?” you tried to pout, but you were holding back your own giggles.

“Ms. Robins is a 75 year old woman who can drink everyone under the table.” Eddie pointed out.

“See? How am I supposed to compete with that! I had to sacrifice my jackets to make sure no one would be asking you out.” you protested. “What else could I-”

Eddie had originally planned on asking if it was okay for him to kiss you first, but he knew that if he didn’t do something now you’d keep cracking jokes and this conversation wouldn’t go anywhere. You tasted faintly like your birthday breakfast, but Eddie quickly decided that it wasn’t a bad thing. He felt the faint push of your lips back against his, and he mentally kicked himself for not doing this the first time you two hung out.

“Happy birthday.” Eddie said, as he finally pulled back.

“Guess I got my wish, and I didn’t even have to blow out any candles.” you replied, just a little bashful at the admission.

“You aren’t allowed to leave this hoodie in my van.” Eddie said. “You can leave any other jacket or sweater in there but not this one.”

“I wasn’t planning on it.” you said, “But why this one specifically?”

Eddie touched the pocket that had the bats that matched his tattoo. “Because how else will other people know that you’re seeing someone?”

“Oh, you little shit!” you laughed. “Really? You think I’m weird for what I did when you basically put your logo on a hoodie that you know I’m going to wear every day?”

“Guess that makes us both freaks now.” He replied, with a satisfied grin.

“There are worse things to be in a small town.” you decided, taking his hand. “So I guess this means you’re my boyfriend now. No take backs.”

“Wouldn’t dream of it, Sweetheart.” Eddie crossed his heart.

You leaned in and gave him another quick kiss. “Come on. The sooner we go back in there, the sooner you all can sing ‘Happy Birthday’ to me, and the sooner that’s done, then the sooner we can leave. And if you play your cards right, Eddie, you might get lucky and see this hoodie on the floor of your van anyway.”

“So, the line worked?” He smirked.

“Come on, Zack is hiding a box of cupcakes.” you laced your fingers with his. “Dessert first and then second dessert.”

“And then elevensies dessert?” Eddie teased.

“It’s my birthday and I will change my mind, I swear.” you cackled, walking back into the diner with him.

And because he knew your laugh so well, he had a very good feeling about how he’d help celebrate your birthday when the two of you would finally be alone.

Thank you @hellfiredarling for the hoodie! They made it for me for my birthday last year 💜

Divider by @strangergraphics

#nacht fic #eddie munson x reader #I'm on a roll with posting be proud of me

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