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#they are against one another
jameszmaguire · 9 months
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I think it would be better for everyone if I were to be left alone in the future. Don't you?
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tea-cat-arts · 13 days
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
#svsss#scum villian self saving system#shen qingqiu#shen yuan#the fact that people think scum villain#-a series that examines and criticizes common tropes in fiction-#is somehow against criticism or being a little hater is wild to me#especially since shen qingqiu never gets punished for being a hater#heck- he's still a little hater by the end of the series#he mostly gets punished for treating life like a play and like he and the people around him are characters#(or in other words- he suffers for denying his own wants and emotions and his own sense of empathy)#I think some of y'all underestimate how much writing/art is inspired by creaters being little haters#like example off the top of my head-#the author of Iron Widow has been pretty vocal about the book being inspired by their hatred of Darling in the Franxx#I think my interpretation of Shen Yuan's transmigration is also supported by the fact that this series is an examines writing processes#side note- though i understand why people say Shen Yuan is lazy and think its a valid take it still doesnt sit right with me#i am probably biased because my own experiences with chronic pain and depression and isolation#but ya- i dont think Shen Yuan is lazy so much as he is deeply lonely and feels purposeless after denying parts of himself for 20ish years#like yall remember the online fandom boom from covid right?#being stuck completely alone in bed while feeling like shit for 20 days straight does shit to your brain#the fact that no one came to check on him + he wasn't exactly upset about leaving anyone behind supports the isolation interpretation too#+in the skinner demon arc he describes his life of being a faker/inability to stop being a faker now that he's Shen Qingqiu#as “so bland he's tempted to throw salt on himself” and “all he could do is lay around and wait for death” (<-paraphrasing)#bro wants to be doing stuff but is stuck in paralysis from repeatedly following scrips made by other people#another point on “Shen Yuan isn’t lazy” is just the sheer amount of studying that man does#also he did graduate college- how lazy can he really be#he doesnt know what hes doing but he at least tries to actively train his students#and he actually works on improving his own cultivation + spends quite a bit of time preping the mushroom body thing#+he's experiencing bouts of debilitating chronic pain throughout all this#but ya tldr: Shen Yuan's transmigration is an encouragement to write and not a punishment and also i dont think its fair to call him lazy
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crunchy-rocc · 8 months
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guys i would put in a microwave just to watch them spin around in there
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novelconcepts · 2 months
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One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?
Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.
Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.
From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.
From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.
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vaxxman · 2 months
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height ahh difference
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duncanor · 1 year
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That's it. I get why I feel Vash killing Legato hits harder in the manga than it does in the 98's anime.
When Vash pulls the trigger he doesn't just break his vow of non-killing to his mother but he also has to accept the death of Rem and Wolfwood at the same time.
When he kills Legato, it's the moment he let them go.
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szfiction · 4 months
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they were so insane for this. Doflamingo using Luffy's romance friendship with Law to taunt him. Sneering Luffy's nickname for Law at him, telling him essentially that Law was waiting for him (his miracle worker) to come save him, and that he failed to. How Luffy lashes out and calls him a liar, gets visibly pissed off and it looks like makes himself bleed out of genuine distress.
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luthiery · 2 years
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summer interior, edward hopper // girls against god, florence + the machine 
[ID: An oil painting of a woman resting on the floor beside a bed with sunlight streaming in through a window beside her. The painting is in shades of pale yellow, green, blue, orange, and dark red. The lyrics “When I decided to wage holy war, / it looked very much / like staring at my bedroom floor” have been placed on top in white in all caps. The first part of the lyrics are curved around the end of the bed and the second part of the lyrics are angled along where the wall and floor meet. /end ID.] ID by @britomart​
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ray-nintendo · 2 years
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I have not been in the bowuigi Trenches for years just for people to turn around and complain about the ship being "invented" from the movie trailer
mario has been asking luigi why bowser calls him babygirl since 1998, and if I have to endure crisp rat in a mario onesy then I Deserve This
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zivazivc · 7 days
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a collection of old doodles and forgotten wips
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ganondoodle · 6 months
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Sonia redesign + Zelda (ancient)
she is the one to seal ganondorf in an intentionally cruel way to take revenge for him killing rauru
she also had a daughter from a previous marriage that she named Zelda after an ancient legend from long forgotten times; while she technically had both time and light powers, she could only take ahold of one (struggeling to grasp a certain power you are pressured to awaken reference ;) ) which is time, it was not the one she was supposed to manifest as her status was always associated with light, in her younger years she was often looked down upon but despite that later proved to be a capable leader
shortly after her first marriage was ended rauru and the rest of the remaining sonau (engl zonai) came from the underground to warn the folks living on the surface from a great evil that was told about in ancient texts they had found while mining desperately for the stones they had grown reliant on for survival
this warning later evolves into the plan to seal ganondorf away before he could even become a threat, through all those discussion and planning sonia and rauru grew closer and eventually married; the plan was to be executed in secret to give ganondorf no time to even consider to reveal what demon they believed he really was, but the secret got out and ganondorf enacted a counterattack in the form of stealing one of the enigma stones in order to put pressure on the hyrulian kingdom, but he gets betrayed by the gerudo that will be their sage in the last confrontation, however in the time that the gerudo sage takes to warn sonia and mobilize to save rauru ganondorf has already confronted him and though he did not plan to kill him he does so, more on accident really, as rauru did not listen to a single word he said but instead acted erratic like a helpless man trapped in a cage with a hungry bear, essentially starting a fight of life and death
when sonia arrives at the scene it is already to late; thanks to the enigma stone ganondorf can escape her grief-striken rage but sonia is out for revenge and sees him killing rauru as proof of the warnings of old, she wages war and at the end seals ganondorf in a cruel cage between life and death, even at the cost of her own life
her daughter, having witnessed it all, grows up bitter and determined to make hyrule a kingdom that will never fall again
(totk rewritten project)
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wasyago · 8 months
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oh boy, what are we doing to do with you now...
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bayleafpaprika · 1 year
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thinking about how Oda chosing Luffy, a pirate, to be the protagonist of One Piece may be one of the most brilliant story moves by any shonen mangaka ever. by virtue of its main character being an in-world criminal, OP naturally lends itself to becoming a story about the exposure of a society festering with corruption for what it really is, and the dismantling of a dystopia and its propagandist facade. you simply do not get a story like that with a shonen protagonist who conforms to or tolerates the shitty system they're born into
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seventh-fantasy · 7 months
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我还道方兄与李兄乃是至交,没想到和阿飞兄也是如此默契。
DI FEISHENG and FANG DUOBING | 莲花楼 Mysterious Lotus Casebook
#莲花楼#mysterious lotus casebook#asiandramanet#dailyasiandramas#asiandramasource#cdramagifs#cdramanet#cdrama#difang#xiao shun yao#joseph zeng#lhlgifs#jielin's edits#my posts#hello difang nation. my humble contribution#FINALLY. A WHOLE NEW WORLD HAS BEEN OPENED WITH 2160P SOFT SUBS#WHO WAS I WHAT WAS MY LIFE BEFORE IT. i'm not crying over my dihua sets (lying and crying)#one thing about me is i guess i am defenceless against 不高兴和没头脑 a dynamic so old but gold#two men brought together by their common love for another man. 有本土狗爱的味道#阿飞撞飞小狗ヽ(*≧ω≦)ノ#我是举笛花大旗的 不过老笛和小狗在一起的时候的那个宠溺感 请看看他对小宝稍微挑眉的那幕😔👌 (有时对花也是 所以我很想相信老笛本质上是个温柔的人#其实老笛原本不屑和小宝打架的可是就被他的节奏代跑了 才有了狼狗和奶狗xxj式的掐架#然后小宝放下成见 想要感化老笛 逐渐到会想要保护照顾他 信任他让他做自己#是个双向成长的感情#真的太香了 你说能不嗑吗😔👌#如果说花花把老笛困在了过去 那小宝是最有可能把他带到未来的人#老笛昏过去了花花都不去接相信小宝会接的👍 小狗看起来就是要给人宠的花花就让笛盟主接手👍#笛方的本质是笛方花 可以独自美丽但是永远离不开花 花花对他们的爱的延续是他们之间的爱#(我已经语无伦次了ojbk 我现在很需要笛方的代餐饿到要昏过去了55555#finding a really good caption for these two was hard.
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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no “both” option as that is for cowards. you will need to justify your answer with a short form essay
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