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citrina-posts · 4 years

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Avatar: Cultural Appreciation or Appropriation?

I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.

There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.

Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?

The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.

But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).

It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.

1. Growing Up Asian-American

I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.

So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.

These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.

White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?

3. What It Does Right

This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.

But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.

If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?

I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!

#this deleted idk why #so here is me reposting it #atla #avatar #avatar the last airbender #cultural appropriation #meta #atla meta #racism

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princessofprocrastination · 3 years

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She’s Creepy (Dream)

MASTERLIST

pairing : dream / clay x reader.

summary : apparently being a huge fan of a big youtuber is considered being a creep, according to minecraft gamer, dream. and ever since he called you mean things, your world turned upside down. (ANGST) (TRIGGER WARNING)

a/n : i’m aware i’ve been writing all angsts, i just enjoy a little heartbreak. this is a two part story!

you haven’t been on social media as a public figure for long, but that doesn’t mean you haven’t been on social media before this.

you knew people, you had people you look up to, as of many other social media influencers or content creators.

you grew pretty quick on youtube and instagram. your content mostly included room makeovers whenever you felt bored of your own home or your storytimes. you blew up from talking about your stalker.

since then, your subscibers stayed with you and supported you, saying that you have a charm, and that you exert good energy and vibes. and those type of comments have always made your day.

you always shared with your supporters about your life, not too personal but enough for them to feel included. of course, you’re not telling them your phone number or address, but you tried to share as many details you can legally in your story times.

that also meant that you would tell your supporters small details about you, such as what book you were currently reading or who you’ve been watching on youtube.

even before you stated posting on your channel, you’ve been watching a minecraft youtuber, dream and his friends.

some of your fans would tag them in some of your instagram posts, or tweets that brought no harm so you never really acknowledged it since it wasn’t hurting anyone.

you weren’t “fangirling” you’d say. it was more of you supported them and found them funny and entertaining.

coincidentally, you landed yourself on the dream team tiktok, which means that dream and his friends were all over you for you page.

and to show that you were active and not dead to your followers on instagram, you’d post a funny tiktok, usually included the dream team. you thought it was harmless. to you, it was just a way to show support.

but only a couple days later, hashtags about you and the dream team, more specifically, just dream, were trending.

when you saw this, opening your twitter app, you immediately went to find out what this was about. your heart jumped when you thought maybe dream acknowledged you.

in fact, it was worse.

what was trending was a short video clip during one of the dream teams chill streams on the dream smp.

the conversation between george, sapnap and dream went like this.

“you guys heard about that girl who kept reposting tiktoks about us on her instagram story?” george asked the other two boys.

“heard she watched us before she even started her channel” sapnap.

“i don’t know about you guys, but i think she’s being a little creepy.” dream said.

your heart sunk to your stomach. did your actions portray you to be a creep to other people?

“dream, you can’t just say that, especially on stream.” sapnap scolded him, george also mumbling something.

“why can’t i? i feel creeped out by her, a public figure posting me all over her socials.” dream replied, tone serious.

you clicked off the video, before it replayed again. you couldn’t get yourself to rewatch that, to hear those words again.

almost crying, you told yourself to suck it up, that this wasn’t worth you crying.

although they were who you looked up as minecraft gamers, this wasn’t worth your breakdowns.

that was until, you opened your direct messages.

you shouldn’t have. you knew the dream team stans would easily hunt you down, to ask you to back off from creeping their idol off.

but no, you still opened your dms. you expected a normal dm, ones that say they support you or some of your friends sending you memes through instagram.

what you didn’t expect was to see a flood of threats.

some said “kill yourself, you don’t deserve a spot on earth after what you did.” and “back off and leave my mans.”

it got worse from there. you thought maybe it’s just the dms, but you didn’t expect it to blow up more, with people tagging you with photos on instagram and twitter. people “cancelling” you.

you didn’t understand how this blew up like this. you were even more baffled to see some of your supporters sending you threats, too.

was this what you deserved?

you weren’t one to make rash decisions, nor were you a suicidal person.

you felt stupid. just because you supported big youtubers, you get this type of treatment?

the threats, the dm, never stopped. for three whole months, you had to deal with the never ending mean comments on your social media. you thought it would die down.

it came to the point of seeing your address and your phone number all over the internet. you never thought it would lead to this.

you didn’t know what to do anymore.

not long after, people started showing up to your apartment.

sure, your apartment didn’t have the best of security, which you blamed no one but yourself for being a public figure and living somewhere with little to no security.

they started with knocking on your door during ungodly hours. next was mailing weird stuff or sending stuff to your house. lastly, which tipped you off was that they would vandalize your apartment.

they would egg your front door, pee, or spray paint your walls of the outside.

you couldn’t handle it anymore.

soon enough, you knew you had to stand up for yourself. you had to call the police.

and that was exactly what you did. you called the authorities, which made the brave teenagers leave you alone.

while they were egging your house and making your life miserable, you knew this was the only time for you to make a rash decision. to leave the country, to somewhere no one else would fine you at. somewhere unpredictable, that no one would expect you to go.

it took a lot for you to book a plane ticket, box up your belongings and move to a completely different country, away from your hometown, florida.

you loved it in florida. though it was humid all the time, you enjoyed it. now that you had to leave, you only had a little while to cherish it before you leave it all behind.

and your family, your friends. the ones you’ve grown up with, ones you’ve grown to love and cherish. you had to leave that too. and without telling them too much information.

that hurt the most, needing to leave your loved ones behind, to start a new life, to start afresh.

DREAM’S POV

i didn’t know what was happening. one thing added onto another and soon it was out of control.

i didn’t say anything at the start, not thinking it would go this far. i didn’t know to what extent my fans would go.

sure, i saw all the things happening, but i didn’t do anything to stop it.

i saw her address and phone number all over social media, and did nothing about it.

george and sapnap said something, and pushed me to do something about it, but i didn’t. i was stubborn.

speaking of, it’s been months since i heard anything about her from her herself, everything i see is from my fans or hers, wondering where she is.

should i be worried?

YOUR POV

you left florida. the only people you told were your parents and your childhood friend, not trusting anyone else.

what you told them was vague, that you needed to leave, away from the US. specifically, you moved to Australia.

you made a decision to not live near the city, but the outskirts.

you were lucky that you weren’t a spender and you made more than enough money to make the decision to leave so suddenly.

lucky for you, you went to college and had a degree in law, so you didn’t need to worry about not having a job.

you never thought you’d make use of your degree this early in your life, thinking that youtube and being a content creator would last a little while longer.

you had to change you hairstyles, your fashion in general since you had to be in a more professional setting. although it was hard transitioning from a casual wear and having crazy coloured hair to wearing pant suits or formal dresses and going back your natural colour.

three years. it took you three full years for you to even think of visiting your parents in florida again. also, given the fact that you had a stable job and you couldn’t up and leave.

but recently, you were offered to work at another law firm in florida. you were happy to tell that to your family back home but at the same time, you were hesitant to go back to your nightmares.

but you braved yourself, since you missed your family dearly.

now, you were sitting on your desk in your cozy home, finalizing up the last of your move, like getting a house back in florida, this time with a better security just in case.

boxes of your clothes and belongings went first, to reach your new house there before you did so it was easier for you, not having to worry about your stuff.

you asked none of your family’s help, not wanting to burden them. instead you told them to just meet you at a restaurant you booked for you and your family and friends for dinner about three weeks after you landed.

although they protested, saying it was too long until they can see you again, you told them to not worry and that you were going to use those three weeks to start working at the new law firm.

you decided to take a straight flight from australia to florida, not wasting any time. although it was almost a twenty-two hour long flight, you sat throug and got to your hometown safely.

you didn’t know what was going on with the three boys you used to adore, since you didn’t have social media anymore.

but you didn’t mind it, it was peaceful.

two weeks since you’ve stepped foot in florida again. it felt amazing to breathe your hometown air again. it was refreshing.

you have fully settled in your new house, and workplace. you were glad to have met your co-workers. they were all super welcoming and made sure you weren’t left behind in anything.

so far, your transition from australia to florida has been smooth, and you weren’t worried about anything.

you got a car since you’ve arrived, so that you could travel easily from one place to another.

not to brag, but. you were making enough money to live a lavish lifestyle. a big house and a pretty expensive car, and that didn’t even make a dent in your bank account.

you were proud to see that you achieved all this yourself, and only within a couple of years.

you were just excited to meet your family in real life instead of facetime.

finally, the day of the dinner with your family came. unfortunately, you had to take a case in the afternoon, so you had to come to dinner in your work pant suit, with a turtleneck and a little late.

they understood it and told you not to worry about it, and that they would just seat themselves by your name instead of waiting for you. you promised you’d pay their dinners and apologized once again.

the sound of your heels comforted you as you walked from the valet to the restaurant. you were a little nervous to meet them again face to face after three years. but you couldn’t wait to catch up with them and tell them all about your work life that you could never tell them during the facetime calls.

you smiled to yourself, thinking nothing could go wrong. and nothing could really go wrong anyways, it was just a dinner after all.

but you hadn’t expected the three boys you used to idolize to be eating dinner at the same restaurant you and your family would be at, specifically, opposite your table.

you walked in the restaurant, telling the front of the house that you had a table reserved under your name and that you were pretty sure the rest of your family was already there.

she politely told you to walk alongside her, leading you to your family.

you weren’t paying attention to your surroundings. you were solely focused on seeing your family that you didn’t know that there were extra pair of eyes staring at you.

you smiled as your family saw you. your mum crying while standing up to hug you tightly, as she once did three years ago.

you could hear your friends shout your name loudly, as if to tell the whole world that you were finally here.

“don’t cry, i’m staying, no more going back to australia, i swear.” you told your mum, trying to reassure her that you were fine and that you were not going to leave her again, since she hadn’t stopped crying.

you moved to hug your dad, who had been patiently waiting for his turn after his wife. “you look great, kiddo.” you thanked him as he complimented your professional look.

you sat down, somewhere in the middle, between your family, opposite of your parents so that everyone could clearly see and talk to you easily.

with how noisy you family were, you were sure the entire restaurant knew your name and where you had just moved from.

they asked you about australia, what was it like to work there, away from your family. you caught up with every single one of them.

“don’t you live in that really expensive neighbourhood right now?” one of your childhood friends asked.

you winked at her, discreetly trying to answer her question. the whole table shouted and congratulated you for making it this far, in only a matter of short years.

you covered your face, shy, not wanting this part of your life to be told to everyone in the restaurant.

GEORGE’S POV

there she was. the person whose life we practically ruined. luckily, we didn’t ruin it all for her. i guess she made use of her brains and is working a normal job.

“dude.” i tried to attract the other two boys’ attention.

“i know.” both of them answered me.

“she’s rich rich, huh?” sapnap almost chuckled but was totally serious saying that.

“yup.” dream.

ah yes, clay. the man dream himself. sapnap and i tried to persuade him into making it right for her, for you.

sure, he had said those mean words, but he can take it back. three years ago, at least.

she disappeared three years ago. vanished. no one knew where you went. some say you moved out of the country, which deemed to be true. couple of years later people started to find out what you worked as, but i tried my best to help get rid of the information

but they just couldn’t pinpoint where. you basically uped and left everything.

and there was time to apologize, but it had been to late.

i thought she died, quite frankly. i didn’t want to be the cause of someone dying. well at least, not me, but my friend.

now us three were seated in a pretty formal and expensive restaurant to eat dinner. and we did not expect to see her here.

she came in a little late, wearing a very professional wear. seemed like you went to work before this.

i knew you were a lawyer, we three knew that since our fans found it out.

she looked completely different. hair not her usual crazy colours. just seeing her in heels baffled me. she was wearing something formal and that wasn’t what you usually wore, years ago.

DREAMS’S POV

she’s beautiful.

not that she wasn’t before.

but this version of her was different. her in her pant suit, in heels. a turtleneck under her blazer.

she looked elegant. classy. rich.

i mean, she is rich.

her family screamed when she told them where she lived. and man, that neighbourhood only had rich people. it had one of the best, if not the best security you could ask for.

it wasn’t easy to buy a house there. even if you had the money, you’d need a certain bank card to be allowed to even be shortlisted.

and if i saw it correctly, she drives a bentley that was just parked by a valet kid.

damn. she is one successful woman.

i know, how could i think this much of her, how dare i when i didn’t even apologized. i didn’t even try.

in fact. i did. even before she went MIA, fully on social media, i sent her direct messages everywhere. she never replied to any of them.

and i knew no one that had her phone number. and soon enough, no one had heard from her in three years.

and now she’s back. more beautiful than ever.

i needed to speak to her i couldn’t live with the guilt that stayed for these past three years.

my fans, my so called supporters made her life a living hell and i almost did nothing to stop it.

i’m sure she hates me. but i have to try somehow, right?

question is, she didn’t have a social media anymore, and i can’t just speak to her now that she was sitting opposite my table.

i kept on pondering as i heard a little bit of her conversation, about her life.

i guess she moved to australia, and worked in a lawfirm in the outskirts. so unpredictable of her. no one would’ve guessed that in a million years.

i watched as i see her smile as she listened to what her parents were saying.

i cherished the smile since i didn’t know when was the next time i’d see her.

she asked the waiter for the bill, covering the whole cost of her and her huge family’s meal.

damn, this girl is too rich for her own good.

she puts down the bill on the table, also leaving a generous tip for the waiter that served them. she stood up to walk after her family, needing to pass my table.

since she had been oblivious to her surroundings, i didn’t expect her to spot us, to notice us.

but i was wrong.

PART 2

#dream x reader #dream imagines #dreamwastaken #dream fanfic #dream imagine #dreamwastaken imagines #dream fanfiction

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hopeshoodie · 3 years

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Ok so in light of the Independent article (see my tag #fusebox layoffs for more info), I’ve been trying to piece together the sequence of events that lead to FB Going to Shit™.

All of the below is based on articles, tweets from the staff, and dates from screenshots. Especially with the Matchmaker stuff, I’m using the dates I personally accessed the stories- that might not be accurate to when they were actually released to an international audience, just when my phone updated the app. In hindsight, I’m not a great person to do this because I have a shit memory and don’t keep receipts, so if you have any corrections PLEASE lmk either in the dms or replies.

In sum, the timeline appears to be:

1. Key players left Fusebox in early 2020.

The one that people are probably most familiar with is David Gallopim, one of the artists who helped define the S2’s distinct style, leaving sometime before March 2020. He seemed to indicate that there was conflict over the new art style of S3, and released assets he’d designed of Harry in his own style (notably way prettier than Harry looks in-game).

But probably more important to the direction of the company, Michael Othen, one of the co-founders and former CEO, left in July of 2020 (I had thought it was earlier in the year but according to LinkedIn it was July). It’s much more unclear why he left, but it’s notable because he was a huge force in making the game inclusive of LGBTQ characters.

So all in all, not a great sign when employees who had a huge hand in creating the content and direction of a game that defined its success jump ship. Especially after the game was seemingly hitting its stride, with the host of Love Island (the TV show) doing a sponsored Let’s Play of S3 and projects in the works like Boat Party and CMM.

2. It seems like Fusebox‘s CEO/executives hired new management, either in 2020 or early 2021. Employees complain that the executives don’t understand what it takes to make a game and are pulling the studio in the wrong direction. It’s unclear if the newly hired execs had experience.

Wil Stephens, the CEO/founder, has been with FB since its inception but also appears to have only founded game distribution ventures and not worked in any development or employment capacity. If that’s the case, maybe the complaints about lack of experience/knowledge about the mechanics of making games work are about him. If not, then some of the newly hired execs would likely be to blame.

Paul Virapen, COO, was brought on in November of 2020. He’s worked with Disney’s gaming division, Big Pixel studios, Wooga. The quality of that experience is dubious since he headed up the ‘let’s make apps for Apple watches, it’ll be the next big thing’ department… Lol. Notably also, all of his roles had been in the executive/managerial realm, not the development teams, so the complains might have been about him. THIS IS SPECULATION, but I’m willing to bet that Virapen was a if not THE driving force in switching Fusebox’s focus entirely to matchmaker. All the studios he’s worked with have primarily produced and promoted Match 3 games, and he has a background working with big studios that produce games for large international audiences, not small studios making narrative games for limited audiences.

A new Manager of Finances, Ruth Erskine, was brought on in December of 2020

Rob Goddard, a new producer, was brought in January of 2021

Several key operations positions were filled by existing employees being promoted to management- 2 as far as I can tell. But as a whole it seems like December 2020 was a huge shift in leadership for the upper management while a lot of the other teams expanded but kept their old players as well.

3. At some point in late 2020- mid 2021, the executive team made the decision to switch LITG’s focus from a narrative pass-based game to a Match 3 incorporating romance narrative cut scenes. In early 2021, Fusebox teased more content to come while releasing S3 (seemingly referring to Matchmaker and not S4). In the interim between S3 endings and Boat Party’s release they put out an interview confirming the new game will be Match 3 but did seem to indicate that the plan at that time was for Matchmaker to be a side project with a different development team and not replace the main game. Notably, the LITG writers and artists were reassured that their roles will continue to exist (according to the independent article) as they’re working on S4.

3. In September of 2020, Matchmaker became briefly available in the US. That’s when I first downloaded it, at least. It would be added/removed from the google play store multiple times before having a unilateral release in July of 2021.

Throughout 2020, Matchmaker is available to Asian audiences solely with LITG S1 getting rolled out in incremental updates.

Eventually, Beanie Quinn is released (March 2021)

LA Noir is released (May 2021)

Seduction Games is released (late May or June 2021- I got the update and played it June 3rd, but hadn’t opened the app for a month or so. It might have come out before then, which is unfortunate for this timeline since it’s so inextricably linked to the open letter and layoff dates)

LITG S2 is released (only like 20 levels of it) the same month- June 19th for me. Notably, all of these stories are only released to an international audience, with the UK and USA still not having access to the app.

4. At the same time, Fusebox’s internal affairs are pretty quiet from 2020-2021, at least on social media.

S3 comes out in 2020, Boat Party comes out later in the year and finishes in 2021. Post S3 in October of 2021, a survey goes out gauging player interest in new art styles and representation, which was pretty in keeping with past actions and seemed promising for S4.

Boat Party features a promising cross promotion implementing irl brands into the game. It’s unclear if enough money was made from this on FB or the sponsor’s end to make that strategy viable, but that might’ve impacted management’s outlook for the profitability of LITG.

Fusebox teases more content for the summer on Instagram, and then follows up and confirms it’ll be a proper season.

5. More key players leave in early 2021

Ed Sibley is still listed as Narrative Direction on LinkedIn, but he’s not credited as a writer on Season 4 (he was on 3,2,and 1) and started work with NetSpeak games in May of 2021, so we can assume he left around then or at least transitioned away from Fusebox then.

Fred Francis, another writer who had been on the team since S1, turns in his resignation ‘weeks’ before the layoffs were announced in late June. So we can assume he made his exit sometime early June or late May.

6. Prior to the release of Seduction games in May/June, staff expressed concern about the biphobia in Seduction Games. No sources have given a specific time when this took place. They were reassured that the problem would be corrected prior to release, but then the story was released as is to an international audience in June. The article released by the Independent is unclear- there might have been discussion prior to the open letter where staff expressed concerns and then were reassured before the game going live. OR the open letter might have been the first expression of concern by the staff. I tend to think the former, and the open letter was a response to Matchmaker going live with Seduction Games anyways, but I have no proof for that. On May 24th, 31 employees sent an open letter of concern regarding the problematic content in Matchmaker. This letter isn’t public, so we don’t know the scope of the employees' concerns or who the employees were.

7. To resolve the situation, a meeting between the staff and at least the COO (likely more than just him though) was held sometime after May 24th. Allegedly, Virapen was disrespectful to the employees who had questions, refused to answer, and ended the meeting early before any resolution was had by closing his laptop and leaving the room. At least 4 HR complaints were made in the wake of that meeting, we do not know the nature of those complaints.

8. Some time mid-July (maybe July 26th? A writer tweeted about their job ending soon on that date), employees were made aware that the LITG app would move into ‘sunset mode’. It’s unclear what was communicated, but it seems as though S4 will be heavily delayed or cancelled altogether and no future seasons would be made. Writers begin to post about looking for work on Twitter

9. June 30th- The majority of Fusebox writing staff announce on twitter they’re out of work. In addition to the entire writing staff, unity engineers and producers are also let go.

10. July 5th - Fusebox executives respond to an article by MCVUK with a statement asserting they were “consulting with [their] employees on a proposed change to its business model” that would focus on producing Matchmaker content. They also expounded that the move was to secure “cash injections and and continued support from respected investors across the media and gaming industry”

11. July 6th- Fusebox announces that S4 will be delayed from the summer release date and that there is no fixed release date.

12. August 2nd- three jobs are posted to Fusebox’s careers page on their website, one being Head of Narrative Content. In the job listing, it specifies that they’ll be maintaining existing properties as well as new ones, and that because of the co-development model (re:fusebox outsourcing Matchmaker to another studio) the new Narrative Lead must collaborate with external content creators.

Hopefully posting this timeline gives players a better understanding of how radically Fusebox has changed in the course of 2021 (and how royally they screwed over the people who made LITG what it is). Again, please let me know if you have receipts showing dates are different or things to add.

#fusebox layoffs #fusebox games

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popculturebuffet · 3 years

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Goof Week: Goof Troop: Forever Goof Review (Everything’s Coming Up Goofy, Good Neighbor Goof, Gotta Be Gettin Goofy) (Commission for WeirdKev27)

Yahhahhooooeeeey all you happy people! WELCOME TO GOOF WEEK! Now normally when a character who got their start in theatrical shorts has a birthday, I do a marathon of them. I have since last year with Donald and it’s one of my favorite things: it allows me to explore Disney’s rich history of them I was largely unaware of till Disney+, and allows me to revisit the shorts I grew up with in the case of The Looney Tunes or Tom and Jerry while discovering new favorites. SO naturally with Goofy’s birthday in two days I intended to do the same for him, especially since I’d covered Donald and Mickey the same way.

But fate had other ideas. Not thinking about this tradition, Kev, my patreon, friend and the guy who commissions a LOT of reviews from me ($5 an episode if your curious and I WILL make room on the schedule so your commission gets done as soon as possible), suggested reviewing the Goof Troop pilot movie Forever Goofy, later split into the episode Everything’s Coming Up Goofy and Good Neighbor. I loved the idea since I genuinely loved Goof Troop, and decided to do both that week.

It’s then I got a great idea.. why limit myself to JUST doing two things? I hit my 15 dollar patreon stretch goal, so a review of the Goofy Movie was on the Horizon anyway, and for it’s anniversary year Kev has been commissioning House of Mouse Episodes, so it wouldn’t be THAT much of an ask (and it wasn’t) to simply randomly select from a pool of Goofy-Centric episodes instead of all the episodes.

Thus GOOF WEEK was born, and Kev once again proved vital to all this by suggesting the special Sports Goof from the 80′s. I’d like to give him special thanks as outside of the Shorts Special, which as a patreon he still got to pick one and if you’d like to pick one for Donald’s special, sign on up even one dollar patreons get the honor. , this week is either entirely paid for by him or in the case of A Goofy Movie, is partly thanks to him. I wouldn’t be able to do NEARLY as many reviews nor make money off this without you bud, so thank you.

So naturally given the idea to do this two parter gave me the idea for this week and that Goofy Movie makes a logical finale for said week, it only made sense to start the week with Goof Troop. Bop-dop-da-da-do-bop, YEAH.

Goof Troop is the first Disney Afternoon show I ever watched and the only one I watched when I was younger, as Disney Channel used to play it ocasinally when I was younger and Toon Disney would do the same and I even got to Marthoon it when Disney XD did a weekend marathon. Given it starred my faviorite Disney Character, Donald hadn’t worked his way up to tying with him quite yet, I loved what I could grab of it. And as an adult.. it still holds up. It has problems i’ll get into, but it is a real good time so I was exastic to get an excuse to watch some of it and much like with Darkwing wish I had sooner.

Before I can h-h-h-hit it though, I have to talk about the series history. I ALMOST didn’t find anything: much like the other Disney Afternoon shows there really wasn’t much on the Disney wiki nor wikipedia, google turned up nothing... it wasn’t till I went to the Tv Tropes Trivia Page for the series, where i’d remembered reading about some early versions of the show, that I hit gold: A two part behind the scenes blog post by series co-creator Michael Peraza. You can find part one HERE and part two HERE. It’s a short but fascinating read.

Speaking of fascenating Peraza himself is someone i’d never heard of till reading this article but damn if he isn’t a legend. Seriously the guy’s career is as an unsung hero, starting work under the Legendary Nine Old Men, and working on some of disney’s greatest films: The Great Mouse Detective, Aladdin, The LIttle Mermaid, and Beauty and the Beast, along with live action cult classics Tron and Return to Oz via concept art. And concept art is where he’d hit his stride: he did conceptual work for all the big Disney Afternoon shows apart from Gargoyles, being one of the key guys in the early days of Disney Television animation. He didn’t stop at just designing things either as he worked as Art Director for Ducktales, The Proud Family and of course given how vital he was to it’s creation, Goof Troop, and to this days gives lectures with his wife to aspiring animators. He even did some guest work for the 2017 Ducktales Episode “Treasure of the Found Lamp!”. So yeah dude’s awesome

So how did he come to be a key part of this show’s creation? Well he’d just finished up some concept work on some other Disney Afternoon shows, and being a company man was glad to report to the Goof Troop..ers to help as the show was having trouble getting off the ground. The reason for this was the creative exec, who Peraza didn’t name out of kindness as the guy wasn’t a BAD person.. just a clueless one, this being his first job in film and tv. As such rather than work hard to develop around goofy or focus on his strengths the kid threw out one concept after another: The series got it’s name from a pitch that had Goofy as a scoutmaster, something I was glad to finally know. To quote Peraza

“ Although while I was doodling versions of the show that were destined to never see the light of the TV screen, the pitch date remained etched in stone and kept creeping closer. Various versions would find their way to the surface only to sink again into the wasteland known as the roundfile (trashcan). One moment Goofy was the Captain of the Fire Department, the next day a detective out of the Maltese Falcon mold, or a swash buckling hero fighting The Flying Dutchman.

The supporting cast he came up with really wasn't very supportive when you consider they sometimes included alien dragon babies with wings along with a large gorilla. Somebody at Walt Disney Television Animation must have really had a thing for giant gorillas around this time as they were plugged into almost every concept we assembled.”

It was clear that while Goofy COULD fit into just about anything, this exec was just throwing everything at the wall, nothing was sticking, and rather than try to refine his supporting cast, they kept having to throw them out and start over. And dont’ get me wrong, cartoons go through a lot of development and changes as they go.. but it’s usually born from a concept and usually by this point, they at least have what the show will be ABOUT in stone. While i’ve had the same creative changes and what not when coming up with projects that ultimately never saw the light of day, and currentlly some I hope to but might not, I’m not being paid by a studio to do this nor had a hard deadline. I was just spitballing trying to get something anything off the ground before reviewing gave me a steady outlet for my creativity and thus ballanced me to take my time with stuff. Peraza WAS turning out amazing art, like this concept art for the fireman pitch that honeslty makes me want to see it as a series. Who DOSEN’T want to see 9-11 with Goofy as the main character? Throw in Donald and grown up versions of Max, PJ and PIstol (And even not THAT much for the former two, as they did go off to college and all), don’t forget Roxanne this time out and you have a worthy goofy movie sequel.

So yeah this wasn’t working and the latest pitch was not great: Putting Goofy in ToonTown as a cabbie driving the Cab from Who Framed Roger Rabbit. As Peraza TRIED to point out to the exec, putting Goofy in a naturally goofy setting didn’t really play to the characters strength, his whole shtick being a goofus in a normal world. Enough of an every man to root for but also a slapstick joly weirdo.

The executive’s INCREDIBLY douchey response, especially since Peraza was a Disney Vetran at this point and had spent quite a lot of time on Ducktales, so he knew what he was talking about was “Do it anyway and leave the “Visionary” part to me”

As you can tell by MR. OOC there, this might be one of the most punchable sentences i’ve ever read.

So Peraza wasn’t in a great place and was naturally terrified when he got a call from Gary Krisel, president of Disney TVA, asking about the show and to see him about it.

Turns out though Krisel was a nice guy who already had a great working relatinship with Peraza, and genuinely wanted to know what was going on there and wanted his honest opinion. It’s why i’m not AGAINST executives in animation as sometimes they can come in when somethings clearly not working or allow a smooth transition of power if a propelmatic creator has to be booted off their own show so the show and i’ts crew don’t suffer as a result. It’s just more often than not they cause headaches or cancel shows for entirley stupid or self motivated reasons. But I will give credit where it’s do and point out times where there NOT stupid or homophobic or what have you and this is indeed one of those times.

Peraza was indeed straight with him: pointing out all the concepts they’d gone through, and like with the other guy honestly gave his opinon the ToonTown Pitch wasn’t working.. and he not only agreed but asked Peraza himself, actually respecting his experince instead of yelling at him that he has a vision that wouldn’t last the end of the day probably.

Peraza was HOPING this was where this was going and gladly gave him a far less high concept pitch and one truer to the character, quoted in full bellow:

“ My spiel went as follows, "Goofy is a recognized star of Disney animation, so why re-invent the wheel? His son is an average kid dealing with many of the usual issues they face: peer pressure, young love, grades, school bullies, and so on. On top of all that, he has the zaniest, wackiest GOOFIEST dad to live down. No matter how insane the situations get though, they will always love each other. They're a family." Gary asked how I would pitch it and I replied, "It's ONE day in the life of Goofy and son. From getting up in the morning to fixing breakfast, we see their difference side by side as his son tries to distance himself. No matter what though he knows deep inside that his father will always be there for him, whether he likes it or not."

If your wondering if Peraza noticed that that original pitch line is basically the peremise and emotioinal core of The Goofy Movie down pat.. your extremley correct and he notes that the film was based on said pitch even if he had no involvment with it that I could tell. The series would still use this but the whole embarasment aspect was toned down, and honestly fit a teenager better than an 11 year old..

So the exec loved it and Peraza shaped the core of the series: the idea of having Pete as his nemisis, pete having a nuclear family including a gorgeous wife, and the show being more slice of life and what not. He made some great sketches, got roaring approval and then pitched it to rousing success and the rest is history. Goof Troop was a moderate success and The Goofy Movie after it is a classic beloved by all. We have this wonderful man to thank for all that and I also thank him , on the offchance he ever sees this, for bringing Goofy into modern times in a way that did the man-dog justice. It’s thank to you we got this fun series, two great movies, and a goofy the way he is today: the best of everything about him rolled into one. Thanks man, free review.. not htat you NEED It since you’ve worked on things i’ve covered and what not, but I feel like I should offer. Outside of Peraza, I found one last bit of making of stuff before I get to the premiere proper. These two early concept shots:

The first has Max who both looks older and has red hair like he did in the shorts. Honestly I see a lot of his Goofy Movie self in thiis design, the only diffrence obviously being the red hair which was wisely changed to make the boy look more like goofy, something kept for the movie.

The more intresting one is this shot of the Pete’s. Starting with Pete he’s more athletic and has a perfectly tacky outfit. While changing him to be a bit more slovenly honestly fit this version of the character better, I do wish they’d kept hte outfit as the tacky gold and green jacket, the gold chain, the open ollar.. it all fits this version of pete so well, as well as his illusion of being a big shot when he is in fact a medium one. Peg is both slightly younger looking and far more doting and is so different I swear this picture looks like Pete remarried after the divorce and got some lipo. Pistol has about the same design but with a vastly different, more Isabella-ish outfit. Finally we have PJ who looks the same, but has a diffrent outfit and a far more sour demeanor, probably meant to be a bully. My best guess is sthis stuff comes from the pitch, and was likely made to simply get the basic premise across before fine tuning the characters for series

So with all of that out of the way i’m calling eveyrone to join in the fun under the cut and report to the Goof Troop.

Everything’s Coming Up Goofy:

Our first episode opens in a small but cozy trailer, where Goofy’s cooking up lunch as only goofy could: by making osme meatballs then serving them to his son over a game of table tennis, with Max doing the same. It’s really freaking adorable, and a dynamic i’m not used to since i’m more familiar with Teen Max. Seeing Max genuinely get into his dad’s hyjinks and enjoy them.. it just warms the heart and adds weight to The Goofy Movie by knowing there was a time the two really were thick is thieves before the stygian hole that is high school drained all that out of him.

So the two are like buddies and pals until the Mailman arrives, not even phased at this point. Turns out it’s a Diploma, and with this Goofy can get a job he’s been up for in Spoonerville and plans to move immediately. Max is devisated he’ll loose his friends and runs away to use a magical mystery box to keep them together only to end up in a land full of frogs with an old man who sounds like his dad minus the drawl and two other tinier frogs and ... I may have the wrong show. In fairness you try dislodging a finale where Keith David runs a 13 year old through with laser sword and then talk to me.

Goofy is sympathetic though: While he seems a tad oblivous to Max’s worries, it’s very clear he’s jumping on this job and this move so far to give his son a better life. Sure he runs through all the cartoon moving away talking points that don’t work in real life or most other cartoons such as there being a nice lake and that max can make new friends, and Max accepts it weirdly fast because this episode is only 22 minutes and they don’t have time for that subplot... but it’s clear the idea of a better paying job, a secure home not in an alleyway, and some stablility for his son is the real reason Goofy’s doing this, and he probably wants to simply give the boy the childhood he had growing up.

Meanwhile in Spoonerville, we meet Pete. To my shock this is where Jim Cummings took over the roll he was born for and has played since and with good reasons as Cummings is just amazing with Pete no matter the incarnation and excels here his penchant for playing jerks, hams and gravely voiced guys all coalesicing. Pete is planning on building what modern toxicly masculine weirdos such as himself would call a Man Cave on his lawn, because Pete is a very SPECIAL kind of douchebag. He also plans to stretch it into the neighboring property, tear down the house there and set it up.

This is news to his wife Peg, played by fellow voice acting Legend whose stillg ot it, April Winchell in her star making role. Peg is Pete’s strong willed wife who dosen’t put up with her husbands crap.. you know that trope that infected sitcoms for kids and adults of the doofy husband whose either a manchild , a skeevy self serving quipy asshole or some horrible combination of the two. The kind that has still been so prevealant the wife from one of said sitcoms helped produce a show about the wife finally doing the logical thing and plotting to kill the bastard. No really.. that’s an actual thing that’s happening. It’s even got a Little Bit of Alexis as Anne Murphy plays the poor, poor wife.

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And why yes the series is called Kevin Can Fuck Himself. And why yes said former sitcom wife was the same one on a sitcom called Kevin Can Wait who was fired because they wanted to retool the show with the wife from Kevin James other sitcom. That also is very really a thing that happened. Payback is a bitch aint it? Fun too.

But yeah from minute one Pete is a terrible husband: Peg is a realtor and thus is trying to sell the house because it’s her fucking job instead of letting her husband throw their family deep in debt to very likely illegally demolish a house so he has a giant yard to play in. I mean even if this is all played for jokes i’ts just not funny enough to not make him an utter bastard. The fact his response to her VERY valid criticism and subtextual worry he doesn’t’t take her career seriously is to fake a panic attack, from a very REAL tendency he turns out to have giant breakdowns under stress, to try and guilt her into letting him have his giant public man cave just backs this up.. as does the fact she simply glares at the camera as he’s clearly DONE this before.

Since I have to put up with this version of him for the rest of this episode, the next, AND a portion of the movie, i’m proudly introducing the Pete Sucks Counter. This will carry over to any other appearances of the guy from here on out. So that’s one for his insane plan, one for disrespecting his wife’s career and one for faking a panic attack to try and win an argument Pete Sucks Counter: 3

So because this episode ran short Peg caves and compromises: He can have the property if it isn’t sold by 9. So Pete does what ANY husband would do: uses his spy camera and booby traps he’s set up in the other house to try and scare away prospective buyers.

Yeah.. while the show TRIES to have Pete not as his old-timey villian self.. they traded in for him being fucking MODOK. I mean he is a grotesque monstrosity who has a nuclear family and spends all his time in a chair thing and can barely function as a Husband or Father. Though at least I can belivie MODOK LOVES his family which not so much with Pete.

To prove this Pete tries using a fake spider to scare some buyers then CALLS THEM TELLING THEM PEG IS A CON ARITST. I.e. something that if they mention to her bosses could get her FIRED. He respects his wife’s autonomy, what she wants and what she’s asked him for, which is a fair shot to sell the place before he tries to wreck the place, as well as likely what his neighbors want. I mean I can accept breaks from reality for comedy, snakebird is my boy.

So I can accept pete has this stuff.. I just can’t find it funny when these shenanignas very transparently show that while he surface level loves his wife he dosen’t respect her or actually listen to her except when she gets angry. He IS the villian so he’s still a slight step among monst sitcom dads but i’ts not great. I can find it funny that his den also functions as a super villian lair though. That shit will never not be great. Also Pete Sucks Counter: 6 For the record: one for the spider itself, one for having traps set up in a property hat both isn’t his and his wife is trying to sell and another for threatening her job and her self esteem as she is baffled at what she possibly did wrong.

So Goofy and Max get on the road, leaving moving the rest of their stuff to an old coot whose a friend of theres. So it’s goodbye Duckburg, Hello Spoonerville! And yes I headcanon this as Duckburg. Goof Troop is one of two shows that very clearly happened in SOME form, the other being Tailspin, the only difference being the time period (Goof Troop taking place in the 90′s and Tailspin in the 30′s or 40′s) and any adjustments for clashes with the 2017 verse. So going off that, we also know Donald and the boys KNOW goofy and didn’t remotely question his presence, as did the rest of the cast.

So figuring out the timeline, Goofy likely met Donald in college, even if he never finished college as per an Extremley Goofy Movie, which may not happen the same exact way given Goofy still has his old job and may not loose it in this timeline, though i’d like to think he still meets Sylvia. But point is he drops out, possibly to marry Max’s mom, they end up moving to Duckburg for her work, she sadly dies, and Goofy is left raising Max alone. Donald and Goofy likely bonded as single parents struggling in low paying 9-5 jobs. Goofy left here, likely said goodbye to Donald and the 5 or so year old boys offscreen , and left. As for how anyone else knows him that’s simple: he probably visits whenever he can. He’s a good friend, genuinely loves Donald like a brother in all continuities, and of course would show up with a progressively more then less grumpy Max every time. As for what I think the rest of the cast would think of him: Scrooge would hate him for his disaster area ways, but at least respect him as a hard worker, he just wouldn’t personally hire him which is.. it’s fair. Beakley would be aggravated by him. Webby would of course like him because she’s essentially him but competent and gay, and Launchpad and him .. god that’d be a joy to see. And drive up Scrooge’s insurance. Della would also like him obviously. I”m really disappointed we didn’t get a season 4 if for nothing else the fact we probably would’ve got another Goofy episode. It also feels weird he’s not in the finale in any way shape or form you know? Why have such a big guest spot for him and then just not bring him or Max back? GIVE ME MORE MAX DISNEY DAMN YOUUUUU So they move right along with Goofy excited to get back to where he once belonged, and to call Pete with the good news on his 90′s cell phone. Pete is utterly TERRIFIED finding out Goofy Comin and tries to send him off course to prevent it. Naturally despite nearly running into a truck, Goofy makes it to Spoonerville by evening anyway and we get a delightful bit that shows off BilL Farmer’s comedy skills as he rapidly lists off all the things in town while driving Max through town. It’s so damn smooth. This also is notable since before this farmer had just played the character in some DTV music videos, which stands for Disney not Denton but god I now want Shock Treatment with the Disney Crew. I mean who wouldn’t want Donald as Brad, Daisy as Janet, and Gladstone as Farley Flavors I ask you. Not sure who every one else would be i’m sorting that out. And if you don’t know what Shock Treatment is, here have this trailer with a nightmarish opening.

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Dammit now I want to watch Shock Treatment again... so I am. Found it in full on YouTube, and I feel no shame in sharing that as it’s not on VOD, nor any streaming service, the DVD, which I own, is out of print, and the Blu Ray is a UK exclusive. This film both needs to be seen more and needs another proper US release damn it!

So naturally Goofy somehow finds Pete’s house.. I dunno maybe Peg’s been sending him letters. Can’t blame her for having a wondering eye long as she dosen’t act on it. She’s married to a walking lump of ego, selfishness and cholesterol and likely only held on as long as she did for the kids. Which for the record Peg as a child of divorce whose parents got divorced rather than keep up a sham marriage or anything.. it’s not worth it. I was MUCH happier that way in the long term.

Anyways Peg and Goofy happily reunited while they awkardly try to get the kids to meet, with Goofy and PJ not warming up to each other at first, likely because Max just lost all his friends, and PJ clearly had none going into the series from context we’ll get later in the pilot. We also get a hilarious bit where Peg alternates between warmly greeting the goof’s and hilaroiusly shouting at Pistol to not play with worms.. in what honestly sounds like a protype for Miss Finster’s voice.

Meanwhile the kids try to hide a small crack in Pete’s boat.. which he notices as he’s just about to steamroll the house despite NOT having asked Peg if she sold it yet and just assuming, possibly opening himself and her to a lawsuit

Pete Sucks Counter: 7

Discovering his boat is trashed, he has a comical panic attack, which I can forgive since this was 1992 and they weren’t as well known as a serious problem. Seriously while pete is a bastard man.. the animation on him is GORGEOUS as it is HILARIOUS, while Jim Cummings brings the hell out of it. He’s kept the roll for three decades as of next year for a reason. Goofy ends up accidently destroying his boat in the process of trying to help him as you’d expect.

So Pete reluctantly lets the goofs sup with them.... and by reluctantly I mean he don’t wanna but Peg’s forcing him, which is pretty much the other half of their relationship in a nutshell: When pete isn’t lying and betraying her, Peg is forcing him to do stuff. As you can probably guess by how harsh i’ve been this aspect has aged INCREDIBLY poorly for me. This is your standard sitcom setup: asshole or dumbass or both dad, put upon wife who has to keep him in line.. but it’s just not how a GOOD marriage works and got so damn draining over time. Again and again we got things saying marriage is awful, comitting sucks unless your young, again and again. It’s why i’m REALLY happy we’ve been getting far better sitcom dad’s and marraiges lately. Bob’s Burgers is naturally the example, with the wife being the less sane one but both having their quriks and neither being so entirely dysfunctional you ever question the marriage. The Louds are another good example: Lynn Sr. And Rita NEVER right with each other that i’ve seen, have a perfectly happy relationship despite 11 kids, and wholly support each other, with Rita happily giving her husband the go ahead to quit his soul draining desk job so he could pursue his deream as a chef, and later letting him take a massive fincial gamble and open up a restraunt, purely because she belivied in him. Finally we have the Williams from Craig of the Creek who are easily one of the best married couples i’ve seen in western animation and one of them’s played by Terry Crews so that shoudln’t be a shock. I could prabobly find more but my points made: this trope REALLY ages the show poorly, more than any of hte 90′s specific tech or swinging theme song I just realized I forgot to talk about. Eh i’ll save it for the next episode.

I have NEVER liked this trope anyway: only simpsons has really made it work for me and Family Guy did until they just stretched it too far, and with Simpsons at least they freqeuently have episodes pointing out how unehalthy it is. It dosen’t help this trope somehow STILL isn’t dead, as evidenced by the fact Rick and Morty has it in spades and for SOME damn reason got them back together.. I mean they don’t fight anymore but it dose’nt fix the problem. So yeah while I’m not holding against the show TERRRIBLY as this trope wasn’t as widespread at the time, it still dosen’t make it GOOD even at it’s core.

Things get worse for Pete though as while Goofy praises him (And the Pete Kids rightfly wonder if Goofy is from space given the logic of ANYONE being that fond of pete. ) Pete finds out GOOFY bought the house he was going to demolish and will be staying with them till they move in. I have only one response to his misery....

Max also futzes with the tv which you THINK would lead to Peg finding out her husband is the antagonist of a Blumhouse movie but instead just does nothing.

So then we have Dinner where we find out SUPRISINGLY, Pete actually has a somewhat valid reason for resenting Goofy: Goofy cost him the big game in high school as Goofy and Peg were on the cheerleading squad together and Goofy accidently kicked pete in the face at a crucial moment, which Pete got the blame for. Granted I did say SOMEWHAT: Goofy is genuinely apologetic and says Pete shouldn’t of been blamed and Pete’s apparently been hiding the truth from his kids this whole time. I do call bullshit on that as while admittedly i don’t get into local football or any sportsball, Pete works at a dealership. At least one asshole would bring it up to either rile him up or out of genuine rage at something that happened at the very least a decade and a half ago. Pete hasn’t let go of this footbullshit DESPITE owning a successful dealership, having two wonderful children, an even more wonderful wife, and a friggin nice boat. But really.. it speaks to Pete’s character in any version: His ultimate undoing is his greed, his tendency to keep going and never settle. It’s something he oddly shares with Donald but Pete lacks Donald’s’s heart or redeeming moments. Pete just wants and wants and wants no matter who gets hurt because he’s inehently selfish and will simply TAKE It if he can’t get it. But it’s why he’s miserable, and ultimately ends up divorced: He can’t be satisfised so he often looses what he has.

So with Pete on the rampage Peg sends the boys upstairs. It’s here we get PJ’s first Woobie Moment: He has a room FULL of cool toys, comics and what not but his dad is such a greedy asshole he refuses to let the kid actually use them. He even knows this isn’t normal but is just resigned to it. Rob Paulsen is phenomenal as PJ, being funny and energetic, snarky and off to the side or depressed and fearful all with grace and ease and all making this all feel like the same sweet kid.

I mention this because Paulsen’s action is so good it highlights an issue with PJ: the writers lean way too hard into how much a hardass Pete is, to the point the series, likely intentionally, HEAVILY implies he physically abuses pete and the stuff on screen isn’t over the top enough, at least for tehse episodes, to get away with how he emotionally abuses him either. He talks down to him, doesn’t let him play toys and as seen by various episode synopsis and the next episode, uses mind games to keep him in line. THIS is why I can’t stand this version of Pete. He’s an abusive monster to this poor boy and I won’t stands for it, nor it being played off as a joke, especially since they try to ping pong between using it for comedy and using it seriously which just.. doesn’t work.

So Max earns his future best pals’ friendship by trying to help him.. and succeeding by pointing out that while he said not to use the Tank anywhere on the ground.. he didn’t mention the celling or walls and has the tank going up the walls. And clearly by the fact PJ is seen sleeping with it later, despite Petes’ss anger at this, Peg presumably ripped him a new one once she found out about the toys thing.

So that night Pete can’t sleep with Goofy tromping around the house and tries to whack him with a Golf Club. I’d give him another sucks count..

But given my brother lives in the basement and I sometimes accidently wake him by tromping overhead without meaning too, I DO get getting a bit fed up with someone clomping around and waking you up, and it is a slapstick cartoon so trying to physically assault someone is less of a crime here and more a setup for a punchline.

So get an UTTERLY hilarious scene as teh combination fo tripping on golf balls and Goofy singing his family lullabye, camptown races with lyrics

So Pete proceeds to have another freak out this time RUNNING ALL THE WAY TO DUCKBURG, THROWING THE OLD MAN OUT OF THE CAR AND THEN BRINGING IN THE GOOF’S BEDS AND BOXES BEFORE TOSSING THEM IN THE HOUSE. It is truly an amazing combination of Jim’s utter talent as he babbles hialriously and the animators as they just make it sing. It’s a great climax to part one. So with that the goofs are home and Pete semeingly gets to go to sleep.. until they start working on unpacking.

Final Thoughts On Good Neighbor Goof:

This is an excellent start to the series. The jokes are really well paced, the characters well introduced and the humor top notch> I had my complaints obviously.. but i’ts more systemic issues with the series, and stuff that honestly it dosen’t hamper my viewing experience for the most part. The PJ stuff does, but it’s not as big a deal this episode as he barely interacts with his Dad, but otherwise it’s stuff that just hasn’t aged well and they can’t be faulted for not seeing a deluge of terrible sitcoms a comin. The cast is top notch: I didn’t get to them in the proper review so Dana HIll deserves praise as Max, giving just the right amount of 90′s TV Kid mixed with real honest emotion and i’ts a tragedy she’s gone. She would’ve been right up there with the rest of this amazing cast in history. Though at least she got a worthy succesor.. but that’s not for now. For now we’re taking an interlude to look at the wonderfully 90′s music video that was aired along with this special:

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Gotta Be Gettin Goofy:

This was my raw reaction to this video. Now is it bad? No the song has great flow it somehow manages to scratch Bill Farmer’s goofy vocals with the beat, the rapper makes the cheesy lyrics work, and the chorus of “gotta be getting goofy” backs a great bit. It’s not a bad SONG.. but the video is a hilariously insane mess. We have two of the poor dancers forced to wear just.. HORRIFYING looking Goofy costumes that look like the Dog based sequel to cats that thankfully only exists in my nightmares

I pityt hose poor dancers. Meanwhile the rest of the dancers are wearing Goofy Baseball uniforms and letterman jackets for some reason. is it beause Goofy likes sportsball. I thoguth they just had them lying around but now I see the g’s on the uniform. They CHOOSE to do this. Max also does a shredding guitar solo, not the max up there the animated max. Combine that with LOTS OF random clips from the show and you get this thing.. and i’ts worth a watch> it’s just hilarously what the shit.. not the most hilariously what the shit thing i’ve seen.. not even this week... that would be this thing from the Eurovision Song contest...

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Your welcome. So moving on because this is already badly behind.

Good Neighbor Goof:

So our second episode opens with the Goof’s trying to move in and pete being upset their being loud. Now being upset your neighbors are being loud is one thing: Mine set off fireworks all week around fourth of July. Granted Pete would probably be the one doing such nonsense but still, I get it.. but it’s fair to have a lot of noise when your moving in and in Goofy’s case also trying to patch up a massive hole in the place.

So he does what any reasonable man would do and activates the earthquake machine he hid in the basement.

I wasn’t kidding about the MODOK comparisons. Granted the thing uses a belt to somehow do this.. but it’s designed to SIMULATE AN EARTHQUAKE AN DDOES SO WELL. The only reason Goofy’s not dead is that pete uses a low setting that instead ends up unpacking everything. IT’s a neat gag but again... PETE HAS AN EARTHQUAKE MACHINE.

Which Goofy accidently destroys his boat with. Meanwhile the boys try to talk over tin can phones only for Pete to notice and try to stop it because he’s a dick and doesn’t want his son to be happy because he hates Goofy. So Pete’s idea of a punishment is for PJ to wear the family shoes to go crush cans while wearing a helmet and given Pete mutters to himself about this keeping PJ away from Max i’ts likely something that he made up to torture his son soooo..

Pete Sucks Counter: 8 Max being a good pal agrees to help his friend crush the cans down to recycle for money and comes up with a zany scheme to do so

Meanwhile we get a few scenes of Pete trying to eff with Goofy’s day: Peg is making food for Goofy like a good neighbor/someone planning for their eventual divorce, so Pete makes him some too with tons of hot sauce. By the laws of classic cartoons, naturally Goofy loves it and wonders if Pete has hot sauce, while Pete trying it explodes his head Scanner’s style.

He then tries giving Goofy a chainsaw loaded with some kind of explosive or something... so yes he’s esclated to MURDER over.. Goofy annoying him a bunch as he’s apparently given up on the whole taking over that lot thing.

Pete Sucks Counter: 9 But it is hilariously petty and naturally backfires again by cartoon law as Pete ends up starting it for Goofy who can’t get it going.

Meanwhile PJ and Max inact the plan which is to drop a bolder with a rope on the cans, but end up having to ride the cans down when PJ lets it go too early and it ends up sweeping both boys on top of the box. They have fun though, with PJ actually getting to enjoy life for once and loving having a new friend.

So as his lot in life Pete has to ruin it by yelling at PJ for getting diryt, then for hanging out with max as he can SMELL the goof on him.. which means he’s either exaggerating or he knows what goofy smells like.

So he forbids PJ to see him insluting max.. while Max is hanging out the window and ends up crying. Oh and Peg never gets involved in any of this across both parts, likely because she dosen’t know.. which makes it even MORE horrifying as it gives off the implication Pete gets away with his abuse of his son because he hides it, like a real world abuser. But even then some things like trying to break up his and Max’s friendship or the toys thing you’d THINK she’d notice.

So we get more untetionally telling stuff as PJ says he’ll treasure this day and the only time he was happy.

Pete Sucks Count: 14 2 for the last scene, 3 for ALLL this one implies. But Max won’t give up the ghost no he won’t give it up. They haven’t the strength to hold on for long but if they both hold on together they can make each other strong. So he has a plan: have Goofy throw a Luau and invite the petes.

Peg naturally forces him to attend and Pete is a dick about it at first, but eventually enjoys himself when they do a conga line. The pets, Waffles and Chainsaw get into some antics. I do love Waffles because I love a kitty. Chainsaw is okay even though I love me a good doggo. Especially this one.

You are a Good Boy, Good Boy. But eventually while playing a party game about passing coconuts, Pete considers the coconut and considers the trees but dosen’t consider Goofy kicking him in the face AGAIN

So Pete is naturally a dick about this despite it being you know, an accident. But he takes it a step further by insulting Max Pete Sucks Count: 15 So Goofy gets mad. But here’s where a rather sizeable flaw shows up in the episode as Goofy.. acts exactly like Pete does about the insuing feud. He forbids Max to see PJ makes up rules and is generally petty and vindictive. And look Goofy could be in the shorts. He’s endlessly adaptable.. but here nothing about his character has shown he’d sink to this and it feels forced to bring abotu the climax.

Thankfully said finale salvages thing: That night Max pulls PJ into his room via the cans, and comes up with a plan.. weirdly asking PJ to hit him with a muffin to save their friendship... but it’s not random it turns out. His plan.. is brilliant. While I really don’t like these types of feud between neighbors make our kids suffer by making them not be able to be friends because we’re being petty children plots, this one has a REALLY clever solution to that: Max and PJ FAKE an oversclated fued similar to their parents, starting with insutls and throwing mulch and escalting to taking down each others fences and then throwing food at each other, before injuring their dads with planks and stuff, nothing serious just slapstick stuff, all to get both to settle down and try and get the boys to stop fighting.. it works like a charm, it’s full of great bits like Peg offering the boys pie only for Max to use it as amuination and i’ts just a great way to end one of these episodes. Not that I WANT more of these episodes but if your going to do this stock plot you might as well be creative with it.

So we end on the Petes and Goofs having a BBQ, all friends again, with Pete having his marina and Goofy nearly burning Pete’s house down and us getting a photo to end the episode.

Final Thoughts:

This one was a step down. Pete’s abuse is REALLY highlighted here and the plot is very paint by numbers and forces Goofy to be out of character for the last act for it to work at all. He just strikes me as too genuine and noble to hold onto a grudge this easily. Peg is also reduced from her usual feisty self to being oddly useless, not stepping in at ANY point to stop any of this depsite it being grossly otu of character. There’s a few great gags and a great climax, but the whole product is just okay

Later Today: Goof Week and Goofy’s birthday continue as I complete the trilogy of Shortstaculars with one about my boy! Featuring Goofy’s first apperance, his first short and the first apperance of what would eventually become Max!

If you liked this review, follow me for more and consider joining my Patreon which you can find RIGHT HERE. Even a buck a month helps me keep doing these and more gets me to my stretch goals, the next one up being the two remaining ducktales mini series, a darkwing duck episode a month and a reivew of the danny phantom film the ultimate enemy. And even a buck a month gets you access to exclusvie reviews, my patreon exclusive discord and to pick a short any time I do one of my shortstaculars. My next one is for Donald’s birthday next montha nd there’s only 6 days left to get on that pay cycle so if that sounds good to you get on in NOW while you still can and i’ll see you at the next rainbow.

#goofy goof #goofy #goof troop #max goof #P.J. Pete #PJ Pete #Pete Pete #Peg Pete #Pistol Pete #Sponerville #Gotta Be Getting Goofy #disney channel #the disney afternoon #disney afternoon #disney xd #disney plus

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geode-to-joy · 3 years

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Ok so I had time to think about the whole Kfam cancellation thing. And in the end I'm kinda conflicted. Because on one hand, Kfam was one of the podcasts that got me through the second half of my second year in Uni and started my interest in podcasts in general and maybe even writing my own eventually (definitely doing that now). Even in the start of COVID I was listening to this podcast. The music and sound design was something I greatly enjoyed too.

On the other hand, it was dealing with the "jokes" in podcast itself and how the creators, specifically Kyle, handled valid criticism on how queer/gay characters where portrayed and handled. Because we really needed a Bi character to continue the stereotype of Bi people being sexual deviants who doesn't give a fuck about consent and boundaries.

Not even going to touch the racial profiling and stereotypes. Along with the "woke" feminism and girlboss attitude with the female characters cause we'll be here all night and I don't want to deal with that right now.

My main issues was the handling of valid criticism, not the type you find in fandoms with yelling and harrassing of the creators and VAs. I'm talking about what I mentioned earlier. And I'll admit, I've been out of the fandom for a long time, as in, as soon "as I learned about the hiatus" long and moved on to better podcasts that suited my tastes (more queer rep and such) so I missed a lot and since I don't have twitter, even more.

But I was able to picked up on stuff from looking around on here, and never have I've seen a fandom with such a lack of presence on tumblr as this one. Which was kinda of a red flag looking back 😂. Cause even baby started this year podcasts had a bigger presence on here than Kfam. The second one was the Discord server. The unofficial Official Kfam discord server. Had the biggest "Be well King Falls :)" vibe I've ever seen. Made Ba sing se look like just a peaceful city. Everything had to be "uwu positive 🥺" all the time! Singing praises to the creators (specifically Kyle) and a "no negative space 😤😤 " policy. Unless it was to talk about people rightfully complaining about the show.

Ever wanted to actually feel the presence of the "Big brother" atmosphere? It was this server. Kyle was everywhere. After a conversation about a simple question about why there was a voice change for Emily and being linked to a post about it minutes later, I dipped from the discord for a while. I did not feel comfortable in that fabricated "found family" vibe going on in there. Only to find out about the cancellation of the podcast by the server nuking itself today. On sammiversary, the most important day in the podcast and fandom. What a horrid way to treat your fans.

So today was wild.

I just mostly feel bad about the fans who wanted the show to come back and be better and get the conclusion for the plot and see their favs live happily in the end. And for the cast and crew who went through so much for their fans and tried to give us and themselves the best performances that they could. So I wish that they get their recognition and move onto to better pasture and job opportunities in the podcast realm. And not work for a creator who would purposely screw them over and use them as free therapist for their problems.

Just wishing the best for the cast and crew.

#kfam #kfam critical #i don't know anymore about the discord so please don't ask me #i saw and felt that the vibe there was weird so i dipped #wow i went off #basically i learned what NOT to do as creator

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starstuffandalotofcoffee · 3 years

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Tumblr took that one piece of information about goblins being antisemitic caricatures in some specific historical context and has just been running with it for like 5 years now and indiscriminately applying it to any gross or creepy character. Preschool level literary and artistic analysis mixed with a desperate need to look woke i guess but still 🙄

Yeah...it goes so far beyond that though, and it’s not just limited to fantasy although as someone who consumes mostly fantasy/sci fi and whose Tumblr fandom presence is mainly in those circles that’s a big part of what I see. It’s like people unconsciously picked up on the concept that Jewish people are the ethnic group most targeted for hate crimes in the U.S., but are also are a small group with sufficient internal diversity such that experiences within the group can vary wildly so you often won’t get huge amounts of pushback, and went culturally-Christian buckwild.

Like, just off the top of my head: my mother has been an LOTR fan since the 70s. My sister stayed up to listen to Evermore when it dropped despite having work the next morning. I’m one of four kids and three of us play Dungeons & Dragons regularly, and both of the D&D games I’m in regularly are at least half Jewish. None of these things are in any way inherently antisemitic, in my opinion, and many, many Jewish people like them.

Also I’ve seen like 20 times more discourse about goblins or Ferengi or making a character with green skin than about, say, Shakespeare and specifically The Merchant of Venice, or (with the caveat that I haven’t seen it), The Umbrella Academy. [note: I enjoy a lot of Shakespeare, who was antisemitic in a time when Jews were literally banned from Britain; I refuse to watch the Umbrella Academy because come the fuck on]. It’s almost like the things these people cancel are things they already didn’t like, or things people they don’t like enjoy, and ‘problematic’ ironically becomes a way to justify being a really hateful person while simultaneously making it much harder to address real-world bigotry because of alert fatigue. (see also the recent ‘crypto-terf’ blocklist for an example of that whole fucked up way of being). (also with the major caveat that the complex relationship between Jews and whiteness aside I am personally someone who looks white, a lot of the white people wringing their hands over goblins ignore or even defend biological essentialism regarding a tendency towards violence, or noble savage stereotypes in sci fi and fantasy which is...interesting.)

Some of it is preschool level literary analysis and Woke Points, sure, but I think a lot of people are just too chickenshit to address that antisemitism in history didn’t look like veiled references to goblins. It looked like their own white European ancestors kicking mine out of various countries and launching violent genocidal attacks. Sure, modern-day antisemitism sometimes takes the form of dogwhistles, but also like, the synagogue I went to when I lived in the midwest was vandalized with swastikas on the eve of Rosh Hashana, as was my local train and park when I lived in NYC, and the kol nidre appeal I heard in 2019 referenced that the cost of a security guard, after Tree of Life, is a significant expense. A lot of white Christians have the luxury of looking away from the obvious stuff, and boy, do they luxuriate in it.

My slightly wild theory, and believe me, I’m very aware of the irony in this, also goes back to my general belief that a lot of people really want to seem smart and they think this involves uncovering conspiracies, or focusing on ‘insidious’ secret bigotry. Of course, this means that they outright ignore the stuff in front of their faces; it’s why people will talk about goblins and Ferengi but not actual antisemitism [sidebar: did you know the ‘The American people are not intellectual, to put it mildly’ line came from an interview in which someone claimed the Jewish people perpetuated a ‘counter-holocaust’ against Germany?], similar to how people will happily reblog posts about those White Bitch Karens and feel woke never caring that they were written by white men. When wokeness is a competition, you need to feel like you have extra insight when the uncomfortable fact is bigotry in all its forms is usually much more obvious and blatant and when you’re not the target and when the perpetuator is a creator you like, it takes some actual strength of character and effort not to look away, let alone to address it. It doesn’t take that strength of character and effort to regurgitate tired talking points in yet another flaccid call-out post.

#antisemitism #a rant #Anonymous

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fuckyeahprodigalson · 4 years

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Although Prodigal Son was one of many series to shut down production over coronavirus concerns, Monday’s episode actually was the intended finale, due to the order in which episodes were filmed; Episodes 19 and 20, however, could not be completed. Below, series co-creators Chris Fedak and Sam Sklaver discuss how the season was impacted by those lost episodes, as well as how that Ainsley twist would play out in Season 2.

TVLINE | This production shutdown put you in an interesting place, given that you were able to film your intended finale but had to scrap Episodes 19 and 20. Did losing those two hours force you to change the episodes that did air? CHRIS FEDAK | Everything was changing very quickly in that last week before production went down. As Sam and I were looking at the situation in New York, we got the very strong impression that we’d be shutting down, and we’d be shutting down for a while. What we did was, we quickly rewrote Episodes 19 and 20 — and those episodes are fantastic, we hope to come back to them at some point — and we turned them into two scenes that became the first two scenes of Episode 21. Essentially, we scrapped those two episodes, and we linked the end of Episode 18 to the beginning of Episode 21. SAM SKLAVER | We were hoping to tell a five-episode story with [Nicholas Endicott]. We would meet him in Episode 18, as we did, and he was a very lovely character, and he was a romantic interest to Jessica. And he would remain a romantic interest for a while, and then we would realize that Nicholas Endicott was a monster. We had a much longer game plan with Dermot, because he’s so fabulous. We wanted to use him as much as possible, and that’s really what we had to cut short.

When we only had a few days left to shoot, we were like, “Oh, shoot, we have to turn Nicholas into a bad guy.” That was [originally] a whole episode, when they realized that. So we had to bring in Anna [Eilinsfeld], who plays Sophie, and have her say, “Nicholas Endicott is a monster.” We were very fortunate, though, in that once we realized all we had to do was turn Nicholas into a bad guy and deal with Eve’s death, somehow it could flow pretty seamlessly from Episode 18 to Episode 21, just with shooting those two scenes. We weren’t able to do everything we wanted, but we were so fortunate in that we got to end the season with the story that we had always wanted to tell since we first sold this show to Fox. It was fortunate for us, and we wouldn’t have been able to do any of this without our post-production team.

TVLINE | Outside of the Nicholas arc, were there other storylines from those two lost episodes that you’d like to fold into Season 2 somehow? FEDAK | Absolutely. We had two very good episodes that allowed us to explore two things that we’d wanted to get into from the beginning of the season: One had to do with exorcism, and the other one had to do with technology. Those were the genres that we were stepping into in those weeks. And the other thing we didn’t get to touch was watching Ainsley do her thing as an investigative reporter. We had some fun stuff that we wanted to do there. SKLAVER | And for the very niche audience who’s a fan, we had a new car for Gil. [Laughs] His LeMans got destroyed by Bright jumping out of a window in Episode 13, and we had a really great thing with Gil finally getting a new car. I know Lou Diamond Phillips was very excited about that, as well. We need to work that story back in, most importantly.

TVLINE | Tell me about the Ainsley twist in this episode. Did the idea of making her a killer come up as you outlined this finale, or had you been building toward this all season? FEDAK | It was something we were intentionally building toward. We always knew this was something we wanted to play with when we started talking about the season, in regards to Ainsley’s psychology as opposed to Bright’s. It’s also a big part of where we’re excited to go next year. SKLAVER | The story that Ainsley always told herself was that she was too young to be affected by her father, but when Chris and I started thinking about these characters, we thought there’s no way she wasn’t affected by her father. She was just dealing with it differently. So we kind of loved the misdirect that all the attention is on Bright, who is older and had a stronger relationship with his father, but of course Ainsley was also affected by it. Trying to find a way to get to that was always the plan, because Halston Sage is such a rockstar, and in exploring this central dynamic of “like father, like son,” we also wanted to see what it would do to his daughter, as well.

TVLINE | I found Martin’s “My girl!” exclamation really interesting. Should we take that to mean Ainsley will be more of the focus in Season 2? FEDAK | Ainsley is still a very big part of the show. We have a lot of fun getting into the psychology of our characters, and she’s as much a mystery now as she was at the beginning of this year. That’s something we’d like to explore, and whenever we’re breaking down our stories, we not only break down the mystery of what people do, but also the mystery of what’s happening inside their minds. It’s definitely going to be a big part of Season 2.

TVLINE | What kind of toll is this going to take on her psyche? It’s not like she seemed to relish killing Nicholas; it was almost like she came out of a fog once it was done. How will we see that manifest? FEDAK | I only want to dip my toe into the story of Season 2, but what you’re seeing in that moment is exactly what we were going for on the page. You’re seeing a very complicated reaction to a very stressful and dynamic situation, and the ramifications of that will be dealt with next year — not only for her, but also for her brother, who’s been dealing with his father for all these years and now has to try and understand his sister and what happened in that moment. But that complexity is our intention. SKLAVER | Luckily, Chris and I have never slit a man’s throat and stabbed him six times like Ainsley does. FEDAK | [Laughs] SKLAVER | But I have to imagine that it does change you. [Laughs] It’s not something you can just tuck away, or if it is something you try to tuck away, as we’ve explored throughout the season, you can’t bury ghosts and trauma. They will always come back to you. So we’re afraid, but we’re not afraid of exploring it.

TVLINE | The Girl in the Box storyline was wrapped up pretty thoroughly in this episode. Looking ahead, do you intend to tell more stories that involve Malcolm investigating his father’s past victims? FEDAK | This is a show about memory, and it’s about what happened in our pasts and how it defines us. In this season, we went back to the Girl in the Box because we were fascinated with who she was and what she meant to Bright, and also with Bright discovering that his father was a killer. There are other parts of Bright’s past that we can’t wait to get into. What was it like being a kid with your father on trial for murder? That was the biggest trial in New York in the 1990s, and that’s a place we want to explore. There are still other revelations for us to get into. SKLAVER | And Martin Whitly killed 23 people that we know of, but there could easily be more. And Martin’s own past is something that we’re very excited to get into. What was Martin’s childhood like? How does someone like Martin get made? The Girl in the Box was a very poignant story to tell because it was a connection that the two of them had, and it was some of Bright’s memories that we could explore. But going back to 1998 and before that, it’s very rich territory.

#prodigal son #prodigal son spoilers #ep20 #chris fedak #sam sklaver #interview #bts

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spongebob-connoisseur · 4 years

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I'm bored and at this point nocturnal so let's talk about stuff!

I was watching reviews and thought pieces about media because idk I like to. Slowly they became spongebob related. Eventually I stumbled upon a review for the second spongebob movie and how it sucks.

I was curious to watch since I watched this particular person's reviews and they have interesting and nuanced opinions about media in general so I thought maybe it wouldn't be as one sided as the title suggests.

Yeah I was wrong. I really sat and watched a whole video about him saying nothing but "its nothing like classic Spongebob" "its garbage and you're stupid for liking it and not a true spongebob fan" only reasons why he thinks so is because he spends most of the time putting the first movie on such a high pedestal expecting the second movie to achieve when they are no way the same things. His points are contradictory and luke warm with the ideas "classic spongebob is good because you can't explain the jokes" while giving us a joke that can easily be explained. Or "pirates in spongebob should never play an essential role to the plot" while excluding the outlier to his case which is the flying dutchman.

Overall a very spongeboomer take. Can basically be summed up as "not classic spongebob therefore bad". That's common place on the internet especially surrounding Spongebob but I thought for fun I could explain the importance of the second movie and why it isn't trash and why liking it makes you a true spongebob fan. Not the latter.

He ignored the significance of the movie itself. This was when the cartoon reviwer was getting popular on youtube and a way to build your platform was talking about popular cartoons and often one that most reviewers went for is Spongebob. The popular ideas was "why spongebob isn't good anymore" it was a popular thing to tear down spongebob. Create a scapegoat for why the show isn't good anymore whether it be a change of writers, pressure from executives to squeeze the show dry, the creator left, and much more.

While there is no denying the show had decline in quality especially after the first movie. The people who at the time took these points to heart and wanted something to blame became a ruthless crowd. Even so where they took to social media to even harass the current writers until some might have quit the show (we've had Casey Alexander who quit the show and it is speculated he left due to classic spongebob harassment because they thought he was the one to blame for ruining their beloved classic show)

Its funny to think now Spongebob of all things having an aggressive fan base? But it did. Maybe not as large as something like Steven Universe but it happened. People lost hope for the show feeling like its leading to nowhere and how it should have been canceled after the first movie. How everything after the first movie was garbage. Which would that include the 3rd season? The production of the 3rd season was halted due to the production of the movie so technically it's a post movie season but we don't complain about that. Also it's painting a large brush over the show. There are a lot of episodes after the movie that are funny and have a classic charm that we often ignore. The show's decline wasn't from suddenly after the movie. It was over time, a slow change. Experimentation with personality of the characters to keep the show fresh to pressure from executives to keep up with demands for new episodes. There are episodes from season 4 and 5 that are split up into shorts because you can tell there are times where they don't know what to fill in for whole episodes because they've been pumped dry of ideas.

We can't blame one singular force but rather a multiple problems coming together. With people's hopes low the movie was a bit of hope for the series. To be something new. To be something fresh. It didn't have to be perfect. We knew most of the classic staff was coming back but we couldn't expect it to be the same show. The people who wrote for the shoe before. They all grew and changed. They won't produce the same things they made 15 years ago. They won't find the same things funny as they did 15 years ago.

This movie was meant to be it's own thing. It's canoncally before the first movie. It has no relations to it. We wanted to see if it can be something we could watch on it's own. Not to fulfill our fantasies of classic Spongebob coming back. I would even argue that our concept of classic Spongebob doesn't even exist. His personality, the art style of the show, his voice was ever changing from season to season. The tone of season 1 is not nearly the same as the tone of season 3 are complete different. Heck, even spongebob's art style was changing episode to episode. His art style in scaredy pants compared to mermaid man and Barnacle boy, both from season 1 but are almost like two different shows in terms of art style. The only thing they really had in common is that they were funny and that we watched them as kids, we had no point of reference to compare to a "classic" we absorbed and enjoyed them genuinely.

It's no where near fair to compare this movie to the first. The first movie was meant to be the end of an era. End of the series. The second was meant to be a revival of the series. A rebirth. Something brand new. Something unusual and experimental and it achieved that. Artistically was stunning, the experimentation of character interactions, comedy that you could genuinely laugh at. These don't seem big but for the series it was something it long lost and it was reborn. It wasn't perfect but it was something the series needed.

Because of the sponge out of water movie. It managed to revive a part of the fan base curious to see this new era of spongebob. It wasn't the classic but it was new. It revived interest in the show. The classic writers were back and though that brought interest to the series wasn't a crutch anymore.

I feel like what the show suffered the most was teying to live up to the formulas of the classic episodes without understanding what made it so great in the first place. We have had hundreds of episodes of Spongebob going to make krabby patties, loving his job, annoying squidward, being dumb with Patrick and we've had this all done on repeat. The same way done over and over with some variation but basically the same. In theory it should have succeeded right? That's what the classic episodes did so why doesn't it work here? It's missing what made all those little activities and stuff fun. The experimentation. The development of the small interactions between the characters, the experimentation of events and how characters would interact with them, how we could relate to the feelings and behaviors of the characters and how does it reflect us? How does it surprise us? Make us feel? Make us laugh?

The show for the longest time was using formulas in hopes of spitting out a good episode without understanding what made it all great.

The modern episodes finally learned to let go of that. It doesn't have to follow the same formulas to be funny. It doesn't have to do what the classic episodes did to have a good episode. It does it's own thing and so we get episodes like mermaid pants, mind the gap, squid noir, chef bob, and more.

Yeah they might occasionally follow some elements of the classic episodes like spongebob pretending to be mermaid man but in its own original way. With it's own unique gags without throwing nonsense in and hoping it sticks. It doesn't use those elements as a crutch and that's what important and so much forgotten.

We get classic Spongebob and Squidward interactions without following a classic formula in mind the gap or Squid noir. We get some development on Spongebob himself in the episode Chef Bob in an entirely new way while displaying an old problem he had that was often overlooked in the classic seasons.

Being a true spongebob fan is recognizing the show will not be the same for 21 years. Some us was born, grew up watching the animation and now pursuing animation as adults. There are even some people who grew up watching the show who are now hired to work on it.

The series grows and change. You won't be able to define a modern episode the same as a classic and its okay to recognize the difference and even not like it at times but putting down anyone who likes it is wrong. Saying they aren't true fans for liking it is wrong. It's an art form. Art is subjective. What you might feel is trash might be another person's treasure. They might see something in it that you don't. You might see something in it that they don't. That's how it works.

A true spongebob fan is recognizing that and accepting it. Not putting people down for it.

#i cant sleeeeeep #Hope my thoughts aren't too scrambled here #spongebob #spongebob squarepants #sb #spongebon squarepants #spongebob meme #the spongebob connoisseur #about the spongebob connoisseur #spongebob movie #Spongebob sponge out of water #Sponge out of water #Thoughts #Review

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riathedreamer · 4 years

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What’s your opinion on the new RvB season? It has a ton of new characters and none of the original Blood Gulch crew so I know a lot of people are hesitant about it, but I think it’s cool. while I love me the reds and blues, new characters are always fun!(also, Fiona Nova is one of the voice actors!(sorry, Achievement Hunter fan)) But I’m just curious what you think, since a lot of your content is about Grif and Simmons. I’m just hoping people give it a chance before shooting it down.

Oh dear gods. Okay, so first of all (because I’ve seen how discourse around this sore subject can evolve) – not liking something does not mean you hate on it. Content can be *good*, it can be full of passion and talent, and you may still not like it because taste is individual. This is a horrible way to start a post, but I just want to make it clear. To not like the new season does not mean you hate on Torrian’s work. You are not obligated to like it. On the other hand, this does not mean you are allowed to hate on someone’s work – that means nasty comments, messages, harassment, being a bitch about it. Great, now we have that distinction made clear, time to the second point:

I have not watched the first episode yet. That means I’m probably a horrible person to answer this. As it turned out, I cancelled my First subscription a few weeks ago – I simply didn’t use it enough for it to be worth the money when RvB wasn’t airing. Of course, my membership ran out like two days before the new episode got posted. If I still had my membership, I would have checked it out. For now, I will wait and probably try to buy a small membership just to check out the entire season when it airs.

There is a lot of stuff to be excited about. I can see the passion there is in this season. The graphics looks amazing, the pace looks fast in a good way, and when the trailer dropped, I actually found myself already somewhat liking the new characters (though I admit I still have trouble keeping track of them. Lot of new characters, only watched the trailer once. I’ll get a hang of it – hah, at least this show doesn’t clash with my faceblindness). I was actually getting quite hyped.

(then (AND STOP READING IF YOU DON’T WANT TO READ A SPOILER. A LITTLE SPOILER I CAN’T EVEN CONFIRM, I JUST READ POSTS ABOUT IT) I discovered that apparently the first episode contains Wash angst and whump, and I admit, I straight up groaned and got bored. I feel like that road’s been used too many freaking times, and it just threw me off. Not enough that I don’t want to watch the thing when it comes out, but again, for now that’s not even an option for me).

New cast can be good. I admit, I wasn’t that hyped about Fiona – because I don’t know who she was. Again, look, this isn’t my hating on someone (sorry for being paranoid, again, the discourse had installed a permanent fear in me of not being supportive enough = being a hater), I just haven’t watched AH for years, so that promotion wasn’t really aimed for me. Still happy for her, I’m sure she’ll be great, and now I guess I’ll somewhat get to know her, heh! I do, however, know of Ryan, and I discovered he’s in it, and I admit, that got me excited, mainly because now I can just picture an evil Andersmith. Is it evil Andersmith? Probably not. Would I mind an evil Andersmith? No. Actually, just give me more LTs. I really wouldn’t have minded a season without the Reds and Blues if we got the LTs instead.

But that’s the main issue, isn’t it? No Reds and Blues. I feel like we should all admit that this is a big thing – and it can be a legit reason for people to not like the new season (again, holy shit my anxiety is acting up, not liking this season does not mean it can’t be good, it means some just won’t enjoy it). That is fair. If you’ve lasted 17 seasons so far, it means you must like the characters. That’s sorta what RvB is for. It’s character driven. Doesn’t matter if you’re here for virgin Blue Team or chad Red Team, but it’s in the name, you know. Reds and Blues.

So that’s why the news about this season felt a bit like a blow. Because, and I say this proudly, I’m here for Grif (and Simmons. And Red Team, I guess. Carolina’s an honorary Red. So is Caboose. Suck it, Blue Team). To know I wouldn’t really be seeing him was jarring. And yeah, I’ve sorta left the fandom, but this isn’t just due to Zero. I haven’t been really hyped since s16, so I was really, really hoping for Zero to bring back for RvB love. And for now, without the Reds and Blues, it’s not what I was hoping for.

It’s something new. They’ve made that clear. It’s different. And I get why. I might not wholeheartedly agree, but I get why, and I love Torrian’s passion. Following him on Twitter was like: “holy shit, someone actually cares about RvB”. He has gone in a direction I’m not sure I’ll like, but he’s giving a shit, and ohmygod, I love that. I love that so much.

That is why I want to like the new season. Hell, that’s why it’s probably good. But even saying that, I can’t say I will like it. I don’t know what I’ll feel about the new characters. For now, all I feel is that it’s different. That can be good. That can also mean it’s just too different from what I personally want to see in an RvB season, and you know what, that’s valid. To miss the old characters – the ones you’ve been following for so long, the ones the show is named after – is valid, and it can be enough for someone to walk away. Torrian and the others have also made it clear that this is fair. That yes, this is different, and it won’t be for everyone.

TLDR: this season is different. That can be so good! That can also be worrisome. This season will probably bring in a lot of new fans. It may also be disappointing to fans who miss the old cast. That’s valid. Not liking the season is valid. Liking the season is valid. Disliking something does not equal hate. Never ever harass the content creators, ever. Be nice to each other. Be understanding. (I say, in a post for the fandom of the show that is literally about assholes hating each other. Until they don’t. Somewhat.)

As for me… *wince*. As I mentioned at some point in this way too long post; my passion has slowly been dying. If I completely leave after this season, it won’t just be a reaction to Zero. Did I have my hopes up? Yes. Am I somewhat disappointed? Yes. Will I give the new season a shot and be open to what it brings? Yes, absolutely. But as you clearly state – I’m a Grif and Grimmons writer. My passion lives on those moments in the show where these characters interact and shine. And to not get those moments, that will be a blow for my passion. I’ll update the best I can, I’ll try to stay passionate, but gods I miss Grif. I miss Simmons. And that’s okay.

#rvb18 #rvbzero #rvb zero #my rvb stuff

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citrina-posts · 3 years

Text

Avatar: Cultural Appreciation or Appropriation?

1. Growing Up Asian-American

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

3. What It Does Right

#reposting this without the cut so that it survives with my new url!#avatar #avatar the last airbender #atla #cultural appropriation #culture #atla crit #meta #criticism #racism tw #self rb #citrina writes

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starside-selfships · 4 years

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Homecoming

Tonight was certainly not in my favor for the most part. To bring you up to speed, it was homecoming night for my younger brother, along with his friends, and I was an unpaid chauffeur for them. Whether I said yes or no to my mom, which the latter would result in a scolding, I would still be driving, whether I liked it or not. I had plans to meet up with someone tonight and now, unfortunately, I had to cancel those plans. Wonderful. So much for treating myself. Saying yes to avoid any conflict between my mother and I, I was driving my brother and his group of boys and girls, one of them most likely his significant other, to the nearby high school, the same one where I graduated from, but I don’t think any of that really mattered. Sure, there were going to be people there that recognized me, but it’s not like I planned on going inside to dance or mingle. Don’t get me wrong, I was gussied up for the occasion, but with how tonight was already progressing, going inside to try and get into the groove was not on my agenda. Little did I know that I was going to be completely wrong.

We were nearing the school as I was in the driver’s seat and I focused on the road as best I could, overhearing the conversation in the back amongst the group of seniors about how my brother was probably going to get laid or something, followed by a roar of laughter. While he was of age, as am I, I didn’t think I would be hit with a strong dose of discomfort hearing those words coming out of their mouths. Yeah, they were in high school so it made sense for them to say stuff like that. Already I began to question this night before my thoughts started to shift towards a particular someone that made my smile return after it had been gone for hours. A demon, or imp rather, down in hell that no one knew, except for a few of my closest friends who I knew could definitely keep a secret, had my heart and more. My smile remained small, but it was genuine, a chuckle eliciting from me as I continued to drive and within seconds of starting to think about him, I noticed my phone vibrating in the front passenger seat out of the corner of my eye. Look, I am, and I quote from one of my favorite content creators, a “good fucking citizen” and I would never risk my life or others because of a single text message. However, this wasn’t a single text. Whoever was trying to reach me was literally trying to nuke my phone for I counted the vibrations from listening closely to them. I didn’t bother picking up my phone so I just counted. 1...2...3...4...5...not even five minutes and I’ve somehow counted 23 and rising text messages being sent to my phone. Was it that urgent or was someone just spamming me with nonsense because I can’t remember the last time I was spammed like that and my memory is on point, not to brag or anything.

Upon pulling into one of the many parking lots of the high school, my brother and his friends began unbuckling themselves from their seats and after setting the SUV into “park”, they all got out one by one, on both sides, putting on their masks. I forgot to mention that this homecoming had a theme, which was “Monster Mash”, so zombies, mummies, your usual batch of monsters from all types of media of course, along with the special monsters that only one or two people only knew and were ready to discuss and talk about at a moment’s notice. As much as I wanted to sit in the car, I knew I was going to have to go in at some point, so earlier today, I decided I was going as a werewolf, picking up a fitting mask from the city’s costume store, but instead of just having a mask and calling it a day, it evolved into something more homemade. I spent several extra hours turning my tux into a more fitting and lycanthrope-themed outfit, dark fur lining the edges and front of my suit, outfitting myself with wolf ears and covering my face in blood to represent claw marks. Thankfully, I remembered that I had an old wolf tail, cleaning it up and hoping that the appearance was pleasing to the eye in some way and to my surprise, it certainly was. Not like anyone was going to care honestly, but you know, what’s wrong with a little bit of effort, even if no one’s going to notice?

“You’re not coming?” My brother questioned as he reached for his mask and was about to head inside with the others, earning a shake of my head as a response.

“We’ll see, you go have fun, okay?” I said, seeing him run off back to this squad and closing the car door as I rested my head on the back of my seat and sigh heavily. Finally, no one could hear or see me cry, the lights on the inside roof of the car beginning to slowly dim, shutting off completely and leaving me in darkness. “Fuck.” I whispered, trying not to choke on my tears thanks to the numerous thoughts clouding my head, many of them were memories of my high school days and how they all just generally sucked. I’m going to spare you of the details, but in short, I was a teacher’s pet who did good, had good grades, and tried so hard not to get caught up in a relationship since, well, at the time I wasn’t into anyone and nor was anyone into me. Looking back at it, I’ve never been hit with an intense pain in my life. But then, my thoughts were interrupted by another vibration. “Alright, who’s trying to nuke my phone?” I told myself as I reached over and grabbed my phone in frustration, turning the screen on and discovering that the imp himself had been sending me a flood of messages, alongside his employees, including the hellhound. “Wait, what?” I was stunned, why was I getting all these messages from I.M.P? Unlocking my phone and going through the wave of texts and images, most of them being from Blitzo, I checked the ones belonging to Millie, Loona, and Moxxie first, working my way up from there.

Millie “Hey Eli!” “Just wanted to say that I hope tonight is great for you and Blitzo!” “He has a really big surprise for you!” “Have fun you two!”

Loona “Elijah” “Heard ya weren’t feeling great” “Shit sucks but Blitz has a surprise for you later tonight” “Ain’t saying shit, but I hope you have fun” “You deserve it, alright?”

Moxxie “Dear Elijah, I certainly hope your night is swell. I overheard from my boss that it wasn’t going as planned and not to spoil anything, but he has a surprise for you later tonight. Have fun!” “p. s it’ll be a nice break from him interfering with my relationship with Millie.”

And now, all that there was left to check was Blitzo, I didn’t bother holding back my tears. Who was going to watch? Most of his texts were pictures of him looking for an outfit, getting help from a smiling Millie, annoyed Moxxie, and a Loona who looked like she didn’t really care. That’s what the realization hit me soon after. I didn’t want to believe it, but I looked through every single text again and yeah, sure enough, it was real. The imp was my date. Blitzo was my homecoming date. Another text, the last one from Blitzo for the night it seemed, sounding ominous of course.

“See ya soon, Eli. XOXO”

My smile returned once again as I regained my thoughts, clearing my head and doing my best to ignore all the negative and previous ones that arrived earlier tonight, replacing all of them with one: the fact that the imp that nearly killed me by accident was my homecoming date. The two of us have talked and spent a lot of time together, but who would’ve thought that he would be the one I would fall for and make my better in a way like this? Yeah, I was into him the most out of everyone at I.M.P. Of course, Millie and Moxxie were married and Loona, I’ll be honest, she was someone who appeared that she wasn’t too keen on dating. Blitzo, on the other hand, ever since the two of us met with him pounced over my body with a double barrel shotgun aimed directly at my face, we’re never been closer. That story about how we met is a real doozy, but it’s certainly for another time.

After waiting a little longer, I finally left the vehicle and locked the doors, stuffing the keys in my pocket and trading it for my phone, holding the mask in my other hand, my body on fire at the constant, recurring thought that wasn’t leaving anytime soon, one that pushed all the others away, a splendid thought that was the only thing I could think of. Before I knew it, I was at the front doors of the school and I followed the couples and groups, most likely students, towards the gym, looking at my phone and expecting a text, but instead, just silence. I guess all I needed to do was wait for him, and that’s what I did as I was greeted with the sound of deep bass rumbling through my body thanks to the booming speakers, along with the bright spotlights that moved around at a rapid pace, mixed with multiple multicolored strobe lights. It was a party alright. With the song that was playing as well, it was a fitting one with the theme. And lost in this party, I assumed, was a neatly dressed imp waiting for me. I walked along the edge of the gym, avoiding the growing crowd of dancers and hoping to possibly run into Blitzo at some point, only to be stopped by, unsurprisingly, one of my high school teachers.

“Elijah, is that you? Hey kid, what brings you here?!” She asked, leaning against the wall with a drink, a red cup, yes a red cup, and wrapped in a mummy outfit, bandages covering her body, along with one eye while the other was perfectly visible.

“Just chaperoning for my brother and his friends.” I answered, which was half the truth, but how could I explain that I was waiting for my demonic plus one?

“For a chaperone, you fit in right with the crowd, nice outfit! Did you make it yourself?”

“Yeah, I did actually.”

“I always knew you were one of the more creative ones in the class and it shows, awesome job!” I found myself getting blushy rather quickly at her compliment, rubbing the back of my head as I continued the conversation and it soon turned into one where my heart began to race rapidly. “So, tell me, do you have a date?” I wanted to lie, but then again, I was unsure of Blitzo was my date, or even if I wanted to say he was to others, so I took a deep breath and tried to make up my mind quickly.

“Yeah, I do, he’s a bit late though, it might be a while before he gets here.”

“Who said I was late?” The imp said, grabbing ahold of my shoulder gently and wanting me to turn around so I did, my eyes meeting his and I could see that his were that wickedly bright yellow, with a hint of red in the middle. Sinister, but always a joy to look at. “Hey, cutie.” I was about to open my mouth to compliment his outfit, resembling Jack Skellington from The Nightmare Before Christmas, from top to bottom, only for my teacher to butt in. This was going to be a joy.

“Oooooh, and who might this be, Elijah?! He must learn from the best because his costume’s amazing!” This was going to be a real interesting night. I was already contemplating on going back to the car.

“The name’s Blitzo, pronounced Blitz and the O is silent, also known as this handsome guy’s boyfriend.” He said, greeting himself to-

...HOLD UP, WAIT A MINUTE. Did he just say boyfriend? Was I hearing that correctly? I wasn’t crazy, right?

“The name’s Blitzo, the O is silent, also known as this handsome guy’s boyfriend.” He said, greeting himself to-wait a minute, did he just say boyfriend? Did I hear that correctly? I wasn’t crazy, right?

“Well, Blitzo, it was really nice to meet you. Elijah was, and still is, one of my best students, creative too, you’re a lucky one.”

“Oh, trust me,” He looked over at me, a look that read ‘I love you’, his eyes appearing as if he was going to cry, but his smile was wide. “I know.” He was being completely truthful with her and myself. Not a single word he said was a lie, at least that’s what I believed. Something told me that it was true, every single word was honest and straight from the heart. “Let’s go dance, yeah?” He said softly towards me, earning a soft nod in reply and so, the two of us made our way to the dance floor. I was so nervous to ask him a single question with a plentiful rushing through my head. “Shocked, huh? Don’t be, Elijah. I know the two of us have been together for some time and I may have heard from a little birdie that you were going to be helping out your brother for some dance.” I reminisced on when I remember talking about the homecoming dance and then it hit me.

“Damn it, Angel.”

“C’mon, you missed me. You’re glad she told me too.”

“Yeah, I did. But, like, didn’t you have some more important stuff, like work? And your horse to take care of?”

“Oh, don’t worry. Work’s slow and boring and Moxxie’s watching over her so, I’m free for the night! What better way to spend my night with my new boyfriend too?” He said, pressing his lips against my cheek and sending my heart sky high, my hand on his beginning to clench. “Easy cowboy, it was just a kiss. We haven’t even gotten to the good stuff, you know.” Okay, now he was just trying to get me flustered really early. We made jokes about that stuff, but was he being serious? About all of this?

“I was actually going to ask about that. Do you, like, you’re actually interested in me, right?” He stopped in his tracks and the two of us were halted together, surrounded by multiple dancing groups and couples, I could sense the music that was once pounding in my ears beginning to die out, soon Blitzo’s voice was the only thing I could hear. “All those times we’ve been together, from the day you were in my bed ready to kill me and only to discover you were in the wrong house to all those times we’ve spent in Hell and on the surface, to that one time you were actually full-on naked in my bed and I was nearly caught, you’re being honest with me, right?”

“Elijah,” Blitzo began, reaching for my other hand to hold it tight, gazing into my eyes and I soon lost myself in them, my focus and attention being grabbed and held by him and him alone. “I’m being one hundred percent honest with you. If I killed you, I would’ve missed a chance like this and, god fucking dammit, I’m trying not to cry here.”

“Trust me, I’ve already done that tonight, you’re good.” I joked, the two of us laughing as his claw-like hands gripped mine.

“But yeah, I’m serious. From the bottom of my heart, Elijah. No bullshit. I love you. Yeah, you’re a human and I nearly killed you, but that night I met you and nearly blew your brains out, was probably the fucking day of my whole eternal suffering, as they usually say. That’s, that’s what they say, right?” Hearing that filled my heart with an intense amount of joy and soon, I felt my worries wash away. Who would’ve thought that I would not only fall in love with a demon below the surface of this Earth, but an imp who was not only charming, but skilled at his profession? A professional that was basically assassination. Then again, he just straight up kills anyone he’s paid to kill alongside the other three. “You can cry all you want, okay?” I didn’t want to, especially in front of Blitzo.

“Oh, shut up. I love you too.” I said, earning a nice laugh from him. Moments later, the music shifted from the usual extremely bumping and loud beat into something more mellow, but you could still dance to. A song that people weren’t really a fan of, but for me, and surprisingly Blitzo, it was perfect. To my surprise, the imp knew the damn lyrics.

Oh, don’t you dare look back Just keep your eyes on me. I said, you’re holding back. He said, shut up and dance with me! This demon is my destiny. He said, ooh-ooh-hoo! Shut up and dance with me!

The two of us followed suit and already had the floor so who was gonna stop us? No one was certainly going to stop Blitzo and for me, I was already lost in the moment, I could only see Blitzo and I losing ourselves in the music together, singing and dancing along. No distractions or disturbances as we let loose. Unbeknownst to me, the crowd around us had cleared and it was just me and Blitzo dancing to the beat with a silent audience cheering on a human and his boyfriend, unaware that he was truly a demon. I didn’t care about any of that mess now, I was overjoyed to be dancing with my imp boyfriend under the moving spotlight, the two of us grabbing the attention of all the other costumed people standing by and watching us. It didn’t even feel like they were there.

Deep in his eyes I think I see the future I realize this is my last chance! He took my arm I don’t know how it happened We took the floor and he said…

Oh, don’t you dare look back Just keep your eyes on me I said, you’re holding back He said, shut up and dance with me This demon is my destiny He said, ooh-ooh-hoo! Shut up and dance!

The final chorus continued to play and the two of us were going at it, I could sense and hear quiet cheers and wolf whistles, yet Blitzo’s voice filled my ears and drowned it all out.

Ooh-hoo, shut up and dance with me!

And just like that, the music halted and the two of us were in a bit of a position, me dipping and holding his body down, our eyes locked onto each other, the crowd coming back to life with a roar of an applause. They witnessed everything and as much as I wanted to look around and see everyone, Blitzo kept my face looking directly at his. “Hey, don’t focus on them. It’s okay.” I smiled down at him and nodded, the music shifting back into something more exciting and full of life and sending the crowd’s back onto the floor.

“I didn’t know you were so good at dancing, Blitzo.” I said, complimenting him on his dancing and wondering where he picked that up, then again, it hit me that he’s been bugging a married couple for Satan knows how long, and he’s been on the surface a few times.

“You go around, you know some folks, you pick up some new things, learn a few tricks.” There was a small moment of silence. “Alright, I picked it up from Moxx and Mills.” I had a feeling. Right as I was about to say something while bringing back up onto his feet, I was the one to be dipped this time and caught off guard. “Now pucker up, cutie~” And with that, Blitzo kissed me sweetly and passionately, my vision getting blurry as my eyes fluttered and my heart was more soothed and relaxed. I will admit that Blitzo has kissed me on numerous occasions, but this was something he never pulled or did and it was immensely surprisingly and completely satisfying. I didn’t want to ruin the moment at all. In fact, I wanted to make it even better. So I decided to surprise Blitzo with something up my sleeve, slipping my tongue into his mouth and catching him off guard, only for our tongues to collide and intertwine with each other, his claws yanking and gripping me closer to his body, our lips still locked together for a good couple of seconds and right as we finally pulled away, there was an embarrassing amount of saliva attached to my lips and his, a dark blush hitting both our faces. “Well, that was, I wasn’t expecting you to do that.”

“Yeah, wasn’t expecting that kiss either, heh.” The silence between us was high but was soon broken with Blitzo speaking up again.

“Alright, I’m just gonna say it. I know you’re probably thinking it too, are you going to make love to me already or what?” My eyes widened in surprise, my body heating up in response and while I was expecting a lewd comment or question, he was just completely straightforward with it, no hints, or riddles, just straight from the head.

“C-Can we go to the car now, like, right now?” I asked, hoping he could sense the desperateness in my voice, along with the look of lust in my eyes. Yeah, he definitely saw it, without a doubt. That smile of his, how he licked his lips in front of me, shooting a sexy glare at me, tonight was going to be a ride, in more ways than one as Blitzo swiftly picked me up in his arms and carried me towards the car bridal-style, grabbing a few eyeballs as he did.

“Of course~” We soon made our way outside and Blitzo finally set me down, not even bothering to look around if there were any watchers who were late to the party, as if he were planning something.

“Something wrong?” He didn’t reply with a vocal answer, but instead, what came next was what made this entire night probably the best homecoming ever. I’m going to spare the details, but what came next was pretty saucy.

Sometime Later…

I found myself rising out of bed to the sight of several dimmed lights and within seconds, the awareness hit me hard. I wasn’t at home. I was in Blitzo’s home. “Morning, sleepyhead.” The imp to my side greeted, not wearing anything like me as I hid myself under the sheets. I half-expected him to be dressed in some cute horse-themed pjs, but no, he was full-on naked under the sheets, his legs touching mine.

“Hey, Blitzo. I, umm, should I ask how I got here?” I questioned, preparing myself for the story that Blitzo had to tell, this should be good.

“Before you ask, because I have a feeling that’s the first thing you’re thinking about, your brother and his friends are fine. They got home safely and then I brought you down here to rest!” Blitzo explained, my eyes widening in fear at the idea of what he could’ve possibly done.

“For the love of God, Blitzo, please tell me the car’s in one piece. Please tell me no one got hurt.” I begged, shaking in anticipation, and not even hearing the room door open as I turned to see Moxxie come in.

“Actually, I helped drive,” The other imp claimed. “Not to be rude towards your new boyfriend, Elijah, but I had a very strong feeling that if my boss were to drive, it wouldn’t be pleasant. That and he introduced himself and the rest of us to your brother and friends.” Blitzo, you did not. You did fucking not.

“What, they were nice!”

“Sir, excuse my language, but you fucking scared them!” When Moxxie said those words, I didn’t even want to imagine how he scared and possibly scared them for life.

“Oh my God, Blitzo, why…”

“Don’t worry about it, Eli, you’re lucky I didn’t tell them about our little love-making session.”

“Sir, that’s WAY too much information.”

I didn’t know how to feel exactly with my brother knowing about Blitzo and the others, but as the conversation between him and Moxxie continued, I couldn’t help but think about that night, what I experienced with Blitzo and the things we did together, how he confessed his love and then made love to me. It felt unreal to think about knowing that the imp I spent the most time with actually liked me that way. That’s when I smiled and felt really glad that night ended up being in my favor.

#star's notebook #otp: satisfied client #I LEFT OUT THE SMUT #I'LL SHARE THAT LATER #THERE IS SOME SUGGESTIVE STUFF BUT I WILL TAG IT AS #ns//ft #ALSO ITS A LONG ONE #WITH THE SMUT ITS LIKE 5K WORDS #I DIDN'T THINK I WROTE THAT MUCH BUT DAMN #I ALSO GOT A BIT EXCITED GOING THROUGH THIS AND PROOFREADING IT #THERE MAY BE A COUPLE OF ERRORS AND IM SORRY #blitzo #helluva boss #self ship fic

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