#there are no rules to being a human. there are no rules to existing. there are no rules to being yourself and being happy
Skizzekai Community AU
Welcome to the land of Hermiton, a world saturated with magic in the very ground and air itself. In this AU, the hermits are adventurers, rulers of kingdoms, merchants, and more, all in the setting of a medieval-ish fantasy world. As with past community AUs, the contributions of all you headcanoners will be the driving force. But as a framework to build off, here's a summary of the key points in play at the start of our story.
THE MAGIC
Magic flows through everything in this world, with different types of it being most prevalent in different regions. The most dominant type of magic tends to be absorbed by native plants and animals, changing them to fit, so an area saturated in fire magic would be populated by fiery creatures. This includes sapient species- there are no humans in this world, but there is a staggering variety of fantastical races. Most creatures simply channel their magic through inherent traits, like enhanced speed or a breath weapon, but sapient species can additionally shape and direct their own magic for use as spells, learning and growing their skill with practice. Magical crafting and alchemy is also possible, by using the magical properties inherent in everything from a dragon's scales to the smallest of plants.
THE WORLD
Although independent towns and unclaimed land do exist, most of the world is split up into kingdoms, each one with a different magical specialty from the most dominant type of magic within their borders. One example is the kingdom ruled by Joel Smallishbeans, a king recently ascended to semi-godhood from the belief of his people and the application of his own powerful magic. The magic of this kingdom is that of fate and stories, prophecy and lore, and a recent prophecy has been particularly interesting. They say a hero must be summoned from another world, and that they will be needed to defeat a great evil.
THE SKIZZ
And here comes the titular character. Skizz Leman, a completely normal human from Earth, is brand new to this world. He's just been summoned by a man who calls himself a god, told he's the chosen one, and sent out to save the world. He has no idea how to do that.
As for the roles of other Hermits, the magic they might specialize in and the species they may be- that is all up to you! Assuming you've read the guidelines (under the cut), the fate of this AU lies in the hands of the inbox. Happy headcanoning!
Rules and guidelines:
- The end date will be announced later, when the AU feels like it has hit a natural stopping point. A post announcing the end will be made a day in advance of the inbox closing.
- After the AU closes, any remaining asks will still be posted, and discussion on the discord is still encouraged!
- Canonicity of submissions will be taken on a first come, first serve basis. If a later submission contradicts an earlier one, it will be considered an alternate and not part of the "main" AU canon.
- Alternates will be posted with [ALTERNATE] text. They will all still be posted, every idea should be seen, and discussion of alternates is encouraged on their own posts and on the discord.
- Au-related art and writing is strongly encouraged! Please tag hermitcraftheadcanons in your posts if you would like us to see and reblog it.
- Non-AU-related headcanons are still accepted, but will not be posted until all the Skizzekai asks are cleared out.
Thank you all for being understanding and patient about these rules. If you need clarification, feel free to ask.
86 notes
·
View notes
I love fics that really highlight that Shen Yuan and Airplane are the weirdest entities in the story.
Because it's true! As strange, rare, and powerful as beings like Heavenly Demons or Dream Demons or once-in-a-generation cultivation prodigies are, they are also still native to the world they exist in. They're known to exist, and there's precedent for most of the things they do. Somebody like Luo Binghe may be exceptionally uncommon and remarkably powerful, but in the end he's still existing within the parameters of this world, its history, and its other inhabitants.
Shen Yuan and Airplane, and the System, aren't. They are something else altogether. I mean, canonically! The System is basically a god, and Shen Yuan and Airplane come from a world with entirely different rules, and to some extent are also godlike in their (however unwitting) influence in the creation of this world. They are cosmic mysteries. Even their version of being human is different from the other humans in this world because this world is built different from ours.
For us, the readers, they are the touchstone and the "normal" perspective counteracting the different norms and expectations of the rest of the characters and the setting. But from the perspective of all those other characters (the vast majority of people) in that world, if what they actually were was known, they'd be the most strange and spooky beings around. Like cosmic horror type shit. According to all known things about how the universe works, those guys should not be here. But they are. They are and they know fragments of incomprehensible things, they've taken over the bodies/lives of actual "normal" people, they see the world very differently from everyone else, they have to abide by rules which are invisible and even nonsensical according to the expectations of others (like faerie beings forced to follow contracts, or vampires bound to wait for permission before they can enter a home, except it's all the System's hoops and penalties), but they also have limited information about some peoples' destinies and about things that no one else has seen or interacted with for untold ages (all the lore and subplots that Airplane chucked in).
Like by the standards of our world, Luo Binghe would be a billionaire -- uncommon, over-powered, controversial, gifted with many advantages but also no guarantee of actual happiness or love, etc. But crucially, still definitely a kind of person who can exist without bending anyone's current concept of reality.
But Shen Yuan and Airplane are aliens and/or gods.
I love fics that get into that.
65 notes
·
View notes
Lottery To Upgrade 1
Birthday gift
It has been centuries of years since the alien master conquered and ruled Earth. Human beings are used to be aliens’ slaves and forgot what freedom was.
Every year there is a lottery for every man to win the prize that can serve masters directly and forever. It also an opportunity to go to the outer space for free.
Jack didn’t know he win the lottery until the recruiter bot broke into his apartment when he and his friends were celebrating his birthday.
"Oh, man, that’s your best birthday present!" "Congrats, bro!" "I wish it was me! I’m jealous now!" All of his friends cheered him up so he gave them a big smile and hugs.
"Obedient behavior detected. Physique quality is above average. The best suitability is soldier bot." Recruiter bots injected him with a secret agent and he immediately fell into a hypnotic state. His soulless body was taken out of the apartment by the robot.
When he regained consciousness, he found himself was in a transparent cylinder and unable to move. From the corner of his eye, he noticed that there were many people standing in tubes like him, they were all tall, strong and mechanized.
There were also many people in white coats, must be the scientists. They are the highest status that humans can achieve under the rule of alien masters. The rumor is that the scientists who serve in masters’ facilities will lose the chance to win the lottery because they already serve masters in an almost perfect way.
One of the scientists pressed a button on a device and Jack felt a jolt throughout his body. Many information downloaded to his now computerized brain and overwritten his personality step by step. In just a few minutes, Jack was upgraded completely, no more humanity existed.
"Soldier bot JK-5487 online. Ready to serve and fight!"
41 notes
·
View notes
I've never done a full breakdown of everything that happened to my version of Vincent while he was under the knife (although there is a partial breakdown from like 12 years ago on Ask Vincent Valentine), but @spinejackel tagged my recent Vincent doodle gushing about autopsy scar (Vincent Has a Y-Incision headcanon supremacy!) so I figured it was probably a good time. This is also probably the best method, since I can apply the right tags and trigger warnings to hopefully keep it from hitting the people who would be disturbed.
For anyone who doesn't know, figuring out the fucked up physiology of victims of science is like my entire jam. I think this is what happens when you let a chronically ill child watch Akira and the original Bubblegum Crisis OVA and most of the works of Masamune Shirow. All that before FF7 even existed. This means that the explanation under the cut may seem excessive, and this post is very long. I've been building it over over a quarter century, I don't think there's any avoiding it at this point.
Warnings for body horror, nonconsensual body modification, medical horror and torture. Basically, if there's anything you can think of related to becoming a victim of science under the rule of an unethical sci-fantasy oligarchy, it's probably in here to some degree. It's explained plainly and simply, in clinical but not visceral detail.
My headcanons for what Hojo did to Vincent are pretty specific, albeit not precisely comprehensive; 27 years later I still don't really have a particularly solid concept for how he turned Vincent into a shapeshifter, although at least we know it's not something entirely specific to Vincent—Hojo repeated that facet of the experiment in Azul, but not in any other SOLDIER operative even in DeepGround, implying that it's only possible if very specific physiological conditions are met. The minimal concept I do have involves a twisted application of the concept of incarnate summoning as it appears in FFXIII-2, but it's very vague and also not the topic of this post. Maybe later.
Regarding the Y-incision/autopsy scar, my headcanon is that once Hojo tweaked Vincent into being able to regenerate from any injury—an enhancement that is confirmed to be entirely Hojo's work in Dirge—the professor of course felt it necessary to run various tests quantify the usefulness of his handiwork. He did this first by inflicting various surface injuries, then by causing more extreme bodily trauma, which eventually culminated in Hojo removing the majority of Vincent's internal organs in order to measure how long it took them to grow back and, assuming they did grow back, how the new ones compared to Vincent's original parts.
To be able to observe this as closely as possible, Hojo kept Vincent's torso open for the entire process—which he repeated twice more in order to check the weight, size and structure of the newly-grown organs in comparison to the originals. This study proved that most of them did grow back, but the majority of them stopped developing much earlier than was appropriate for Vincent's age and size. The difference was consistent, Hojo just never figured out why most of them grew back smaller and less-developed.
The reason this happened is based the fact that most of the organs in the human trunk are used in digestion and other related processes, and Vincent's regeneration means he doesn't need to eat or drink anymore. His body only expended as much energy as was completely necessary to develop those organs to the point of being functional rather than normal, because they're not really necessary. Vincent is glad he still has them, though, because he does still occasionally eat (usually in social situations) and also he'd be really sad if he couldn't even have coffee.
Vincent's brain activity remained normal during the entire process, although that may have something to do with Hojo driving a bunch of fluid lines into his head and flooding the inside of his skull with mako to keep him awake the whole time even while deprived of oxygen. (Rebirth spoilers, but seeing the bit in the Nibelheim Protorelic questline where Hojo does something super similar to this, after this has been my headcanon for decades, was a trip.)
Two organs didn't grow back at all: Vincent's appendix and one kidney. This was also the result of efficient energy expenditure, as the human appendix isn't necessary for survival, and only one kidney is really required. (Each time Hojo removed the new kidney, the one that grew back would be on the opposite side, which bothered Hojo to no end.)
His lungs grew back a little larger, possibly because his skeletal structure never quite recovered after his first transformation into Galian—his arms and legs are noticeably too long for his body, although not to the point of looking impossible, and likewise his ribcage settled to breadth that would allow for larger lungs. He doesn't really need these anymore either, related to his brain being exposed to so much mako during the process that it can now operate without oxygen if necessary, but switching himself over from aerobic to anaerobic respiration is really unpleasant and Vincent tries to avoid it when he can.
His heart was pretty normal by the time Hojo was done with him, although his heartrate had dropped to like 20bpm even when elevated. Again, if respiration isn't necessary, there's not much reason for the system to be active. (By the time Lucrecia was done this had dropped to around 5bpm on average, although it's completely arrhythmic and jumps all over the place when he's not either particularly active or on the verge of a transformation.)
This was the experiment that left Vincent susceptible to degradation, which Hojo didn't realize until after finally closing him back up. Upon realizing that Vincent's body wasn't responding properly to a different test (a repetition of an earlier experiment related to the regeneration of external tissues and features), Hojo just kinda threw him in a tube to be disposed of at a later date, kinda like that scene in Arrested Development where there's that dead dove in a bag in the fridge. The incision healed at some point during the period that Lucrecia was working on him, but early enough in her work that the tissue couldn't flawlessly regenerate (like it does in the present), leaving him with one more gnarly scar on top of all the rest.
Vincent is self-conscious about all the physiological changes brought on by what was done to him, often to the point of loathing. His left arm is the worst—it rotted off while he was in the throes of degradation and grew back as something that he hesitates to call his arm—but Vincent hates that Y-incision scar almost as much. Some days they tie.
(It has come up in appropriately horrified conversation with Shalua that, considering how his regeneration works, Vincent could probably get rid of all the scars on his chest if he somehow peeled the skin off his torso in a single swath. He will not be doing that. Besides, it might grow back the wrong color/texture/etc, like his left arm. Not worth the risk, much less the suffering.)
Also I gotta finish off this entry with the extremely stupid headcanon reveal that Vincent's (honestly fairly impressive) dick was cut off during the first round of bodily trauma regeneration tests—and Hojo has never felt the sort of rage he experienced upon discovering that it grew back bigger than before. This occurred early enough in the experiments that Vincent was not awake for it, and thus has no idea how the fuck this happened, and does not want to talk about it ever thank you very much. I've never mentioned it in public anywhere because it is extremely stupid, but I hope someone out there finds it as funny a concept as I do.
51 notes
·
View notes
No but serious. Dungeons & Dragons is one of the least flexible systems out there. So whenever I hear someone asking, "Why can't I do X in DnD?" or "How would I do (thing that the system is totally ill-suited for)?" my first response is just "GURPS."
For those of you who aren't familiar, GURPS stands for "Generic Universal Role Playing System." I always say it's like the Linux of ttrpgs, in the sense that it's less a system and more a framework that you can use to do whatever you want with.
And I really do mean whatever you want. You want high fantasy? Done. You want gritty realism in a dystopian world? Got it. You want superheroes? Good to go. Super tech space opera? Oh boy we got you there. You want magic systems that aren't based on spell lists? Go for it. Horror games where character death is a constant and very real threat? Sure thing.
You can set up your game to be anything from a complex data driven grinder to a cinematic rules basically optional flight of fancy.
You can play characters who are anywhere from realistically squishy humans to god-like super beings.
Characters personal flaws and strengths can have a direct impact on mechanics. Character species can have a direct and serious impact on mechanics.
The existence of so many options can make GURPS seem overwhelming at first glance, but if you are willing to put in a bit of effort, it's actually a very simple system to play. Most of the hard work is front-loaded into setting and character creation. Once play starts it runs as smooth as can be.
It's totally possible to play it with just the two core books, BUT there are dozens of books that are nothing but tips and advice for how to build a particular type of world or a particular flavor of campaign.
And the books, while not nearly as pretty as DnD books, are laid out in a way that makes it incredibly easy to find exactly the information you want.
Some more mechanical things that I particularly like about it (under the cut):
Characters are created on a point-buy system, but you don't just buy your basic stats, you also buy your skills, advantages, and secondary stats. And you can gain points back by dropping stats below average or taking disadvantages.
The advantage/disadvantage system. This is sorta the core of the character building, and it is *so* much fun. See, rather than pick out a class or species, you have a list (selected by your GM from a much larger list) of things you can buy that will have mechanical impacts on you in the game. Basically, an advantage is anything that opens up more possibilities for you in-game, and a disadvantage is anything that closes off possibilities. They can be superpowers, species traits, cinematic plot armor, personality traits, or things like chronic illness, bad temper, physical or mental disabilities, or being doomed by the narrative.
Simple dice system. To play a GURPS campaign you need three d6. That's it. All checks and saves are done by rolling 3d6 (low rolls are better than high). This has an additional advantage over the d20 system in that there is a probability curve. You're more likely to roll numbers in the mid-range, which makes both critical successes and critical failures rarer, and therefore more satisfying.
Your target roll is adjusted, rather than adding/subtracting from the roll itself. Say you're trying to, idk, hack a computer. Your skill level doesn't affect your dice roll, it affects the number you need to roll in order to succeed. This makes things a lot simpler on the player's end, imo, because there's less they need to keep track of. (You're trying to roll under the skill check, so whatever the base difficulty is, the GM just adds or subtracts your skill level from that).
The basic stats are on a much tighter scale, and they make a lot more sense. Human average is a 10 in everything. When you make your character you can buy higher stats or take lower ones and get more points to spend on other things. All stats cap out at 18, because that's the highest number you can roll. At a 10 strength you are a normal person. At 18 you're basically Superman. You'd have to roll a critical failure not to succeed in a strength check, and remember: critical failures are far less common than in a d20 system.
I could keep going ad infitum here, but instead I'll just close with:
Come with me boy, play my games! We'll have cowboy times in space!
38 notes
·
View notes
I'm back wayy too early, Just as promised!👍🏻
How are you?
Would you like to explain, in the Reader of your choice that "Flaxans' king is kinda..", mister?🤨📸
Aaand that's It for now, drink some water mr. Allig-author, I'll do the same.
See you in the close future! ~💙🌺✨
Flaxan Leader x antihero male reader
Headcanons
straight up cant find any flaxan gifs
What do you mean 🤨📸 I said what I said 🗣️
Reader is kinda based on Deadpool, but with some tweaks. Insert also flaxan headcanons, cuz I thought it was funny.
Working with teen team had never really been something you planned to do. You were more of an antihero than an outright hero. Majority of the public didn’t even know about your existence, since most of your dirty work was done in the shadows.
But seeing as the guardians of the globe weren’t responsive, and you had been in this business for a long time, Cecil called in a favor you owed him, which lead to you fighting alongside this group of young heroes.
To you it felt like being a caretaker or kindergarten teacher, since you were older than all of them with a lot more knowledge and experience. Your lack of care about spilling blood and killing seemed to unnerve a few of them, invincible being one of them.
Your regeneration seemed to shock the flaxans you fought, as they’d blow your head off with their blasters, or would slice your limbs off, only for them to regrow in seconds as your damaged body kept on fighting.
Invincible may have scarred his face, but you were the one the one who would become the flaxan leader fought head on. You may not have super strength like some of the others, but your expertise made you even more of a bother to fight.
Since we know nothing about flaxans, let’s say that they flirt through sparring or fighting, so you being your joking usual Deadpool self could be seen as advances of some kind. The kiss you blow him as they flee the first time doesn’t help your case.
After the first invasion, I can already imagine the likes of invincible freaking out a little or a lot about how easily you kill and how you make a joke out of everything. It results in you having to give these young heroes a reality check, that being a hero isn’t easy, and that they’ll probably end up killing more people than they save. That’s your feelings about it anyways.
The second invasion has you involved again, since your extreme healing factor also means you barely need to sleep, eat or drink, as your body keeps itself going without issue. And once again you end up fighting the flaxan leader, whose now got a different look.
The first words that leave your mouth is ooing and awing, purring that you like em a little grey so you are happy to see him. All the talking you did during your first battle also meant that the flaxans, or maybe rather the leader, has a much better understanding of human speech.
The second invasion ends like the first, except the leader is too busy fighting with you to focus on invincible and atom eve, so Robot ends up finding their weakness on his own. Sometime during the fight your mask also ends up getting ripped off, letting you plant a big kiss on the flaxan leader’s forehead before they flee.
When members of the teen team ask why the hell you did that, you just shrug and make some comment about how you two “have a connection”. Its clearly a joke, because you take nothing seriously, but the flaxan leader seems to see it as legit.
The third invasion goes differently from the show, since the leaders risen up to rule all of his people, and instead of wanting to invade earth this time he comes through to court you, much to everyone’s surprise, both you, the teen team, and the media that’s been watching the entire time.
Imagine your surprise when the flaxan leader, now a good deal older and in a powersuit, rocking up to you with flowers native to his planet and what looks like a bracelet made out of similar material to his armor.
It takes some translation and some help from Cecil and his people to figure out what its all about, and honestly you feel a little chuffed at this big guy pretty much proposing to you after two fights. It seems completely out of the norm for humanity, but apparently its normal in flaxan culture.
In the end it helps create more of an allyship with the flaxans than them getting eradicated by omni-man. And you end up scoring a hot older guy who doesn’t seem to mind your many many scars. Its not everyone who can say their husband developed technology strictly to be able to exist in your world, is it? you definitely brag online about it, “if he wanted too, he would” and all that.
25 notes
·
View notes
Crowley S2 Hair Post #22
(For reference: The Sideburns Scheme)
Crowley, Good Omens 2, Episode 1, The Clue, so were the goats
...
Hairstyle Notes
The red hair is not as fluffy and a little longer compared to the earlier minisode portion that started off the episode.
This style is what most closely resembles a "human" reading with short sideburns from the season 2 present day. Crowley is with two humans and no supernatural beings. The humans assume he is human during the scene.
Even though it's the accessory on the head, even the headband itself changed with its appearance in the back. While that looks to be a continuity issue, it's good to keep in mind that Crowley can control his own appearance so is likely mixing this headband appearance with the reading from the space.
...
Earthly Objects
(For reference: Earthly Objects)
Job sits on the ground against some rocks. Sitis touches her own clothing.
Crowley likely receives credit for a miracle touch on a human when he says, "You tell me," and hisses at Sitis. This action looks like compelling someone for an answer though that answer is something Sitis herself decides. The name, "Bildad the Shuhite" is then said.
That name is his alias for these two. It's a human name from the Book of Job itself, and it's going to be reused later when he has this same hairstyle. While these circumstances are understandable in the context they happen, it's also a clue about the potential rule that Crowley isn't allowed to say his own name for any time period during the entirety of Good Omens 2.
Crowley has several questions when first talking to Job. Job says Sitis' name. They both say "God," in a way that I think qualifies as a name.
It's hard to really see much in the way of pockets. Everyone's separated and contained in their own cuts for most of the scene.
While Job and Sitis occasionally make pockets, those pockets are small and hard to notice to begin with. Their thumb joints do suspiciously align with edges of their clothing at times even though the Tied Hands aren't around.
Crowley's headband is like his substitute Belt Head at least. Sitis also wears something over her head.
Crowley still has the threads on his robe making pockets over his chest for where his Tied Hands would be.
When Crowley turns to show his back to the camera, then shows his front again, he does receive some extra lighting over the part of his chest exposed, before his beard covers it. He receives lighting generally in that area sometimes, and it's where the upper portion of his Tied Hands would be in the present day.
There's one cut with Job on the ground and Crowley standing, so a pocket generally exists between them though it doesn't seem to do anything special. There's another cut with Sitis pocketed between Job still sitting and Crowley still standing. Again, it doesn't seem to do anything special either.
For my tangential reading in my desperate attempt to improve my play, I finished The Sandman Volume 3. I'm still re-reading the Good Omens book.
...
Story Commentary
From the last scene, the story greatly implied that this part of the minisode is from Crowley's point of view. Aziraphale isn't around, and Crowley himself received stronger focus from the camera work.
When Crowley is talking to Job, the lighting on him is darker and favors his left.
When Sitis arrives, the lighting shifts. It then favors Crowley's right. With more light on him, his hair looks more red. After that, the hair generally stays as more red and favoring his right, regardless of the camera angle.
In trying to study the space and understand what's happening with the hair, the camera work ensures it is known that the space still has a roof—or at least roof edges—of a human-built structure, even if it is damaged and with an open threshold. Light pours in, presumably from that damage.
Crowley is not giving off the impression of someone secretly trying to save goats and children here. Without knowing how the minisode ends, the goats seem "destroyed", and now he's after the children.
Things don't look good. Well, things don't look good for people like Job, Sitis, and Aziraphale. Hell would be rather pleased.
Crowley expects Job to be furious with God and says so.
But Job isn't furious with God. He's furious with himself.
Then comes the main hint of Crowley's sympathy from the questions, "Yourself? Why, what have you done?" Then he looked like he wanted to say something more to Job's answer, but they were interrupted with Sitis' arrival.
We'll get a glimpse of Crowley's real scheme for this minisode in the next scene.
...
That's it for this post. Sometimes I edit my posts, FYI.
...
Before the next post in this series, I am going to take some time to review things for The Pocket Trick that I'm hopefully starting to piece together and may update the main Sideburns Scheme post as well.
...
Main post:
The Sideburns Scheme
20 notes
·
View notes
reading thru old meta posts on qian qiu and there's like, some stuff I agree with sure but there's also a lot I don't lol. w like yan wushi especially. there's a lot of. I think too much conventional-mindedness in approaching yws even from the ppl who did like him as a character. saying he's a difficult character, and is meant to be a difficult character, but then still framing him along more conventional moral frameworks. yet another apartment 'complex'? strange, I find it quite simple moments.
5 notes
·
View notes
prithee, dearest mutual, won't you elaborate on such a story? i simply MUST know more for I haven't considered such a thing
You know I made that statement with a great bearing of confidence and self assurance, thinking without thinking about it that this was a scenario I had considered or read about in the past, but upon taking time to think about it I. I got nothing. Either I’ve forgotten it all or I’ve never actually thought about this before and just momentarily convinced myself I did.
like. i stand by my belief that statistically, such a scenario surely must exist. a situation in which akira is being decidedly Insane and Not Normal about it and akechi is actually being quite a bit normal* and in fact is kind of looking at akira like hey what the fuck man. Though when it comes to the specific topic of Being Weird And Insane About Social Interactions i am not sure if there ever would have been a point where akira was in “I am going to get a good grade in interacting and also in fulfilling my assigned role as The Hero” (Now there’s a whole other tangent about akira like he’s taking everything very seriously because it’s very important and concerns a lot of people but also this is his game where he plays the heroic protagonist role knowingly and especially when it comes to akechi but Anyhow that’s a subject for another time) mode while akechi was just there to like, chill.
In summary; despite my previous confidence i am actually unable to come up with what on earth this concept entails, at least at the moment. But it is too funny to simply pass up. *extends my hand* We can embark on this journey……. together
*”normal” is so so relative when i say it to describe either akechi or akira like akira is a normal boy sometimes but even then. They just ar operating on some completely different scale
Oh god i was a bout to finish this post and then I *walks back into the room* now there’s ANOTHER interesting base to operate from another topic to consider before I even consider the actual point. Actually. Wait I don’t know if th question I was about to propose is valid I think the answer is held within the game itself I just…. I havent seen akechis confidant in so long ……………. i’ve abandoned my boy…… I’m. I’m starting to lose track of what I even have or haven’t said I’m just going to post this
9 notes
·
View notes
I’d say that everyone who thinks being asexual and/or aromantic has no problems needs to read Hippolytus, but I think their take away would be aroace people are arrogant, misogynist jerks like the other members of my class.
11 notes
·
View notes
ok hi. not to be stupid about this publicly once again but it’s 5:34 am [update it is now 5:53 am] and i have gotten absolutely HORRIBLE sleep tonight. first bc i was so stressed that i couldn’t fall asleep until 1:30am. then because my sister is sleeping in our room again (long story) which is good for her bc she’s making progress w her ocd but it means that she comes in with h the flashlight on after 2am and has to check the room and she leaves the bedroom door wide open which distorts the white noise from the sojnd machine which is right in front of my bed. and she’s like laughing at stuff on her phone too so all the subtleties of sound and light disrupt me and wake me up and throw me off. and also it’s freakishly hot so i woke up a couple times bc of that. and now im awake at 5:30ish after barely sleeping for 4 hours bc im stressed bc it’s Passover and my moms bday and im leaving work early today and tomorrow for the “””””Seder””””” (which again literally is not a seder it’s just dinner w my grandpa) and barely have time to get anything done at work and haven’t done anything for my mom and have to clean the house for my grandpa to come over and we literally don’t even have a dinner table yet likr idkw aht the fuck we’re going to do.. and also im fucking STARVING. because guess what!!!! we have to stop eating bread!!!! and i usually have 4 slices with avocado / guac on them before i go to sleep but there were only 4 slices left in the whole house so i had 2 so my brother will get to have the other 2 during the day. and my stomach is howling rn. and we have other things to eat like fruit and stuff but nothing that’s not going to throw me off.. like im not about to eat an orange at 5:30am it’s going to set my throat on fire with the acid this early in the morning. and we don’t have any snack foods in this house or like anything that can be made without having to prepare it for a while bc of our diet (lol). and we don’t have any flatbread or tortillas or whatever yet. so im going fucking crazy and feeling resentful abt passover again and wondering what the hell im going to do going into work and not being able to eat bagels for breakfast after not being able to eat my bedtime snack and being this hungry and stressed and miserable for a week on top of everything else. lol
9 notes
·
View notes
Dan Heng, Blade and Jingliu the three went to see Bailu, and it kinda makes me want to jump off a cliff
2 notes
·
View notes
Quasi-Kuro related ramblings about the demons under the cut
(most of it is in the tags)
Demons as catalysts for change and upheaval, or at least ardent advocates for it, using their presence to tip the scales
Could demons be summoned with less for less, through sacrifices that don't involve bloodshed but still have the power to drastically alter the course of one's life?
3 notes
·
View notes
I don't personally enjoy death in my stories for one because I have no experience with it personally and for two because you can't torture a character anymore once they've died 😇
2 notes
·
View notes
In working on my next set of updates to my Sandman stories:
One reason that I like to play with the idea of either humanizing or depowering Death is that it's already an established element of canon. She does this once a century and dies at the end of it and is fully human and powerless. She has, in her own words, done it for a very long time and has very good odds that more than one of her experiences with dying would be as meaningless and painful as the process of dying is presented in canon.
Any of the other Endless would take very poorly to the idea of being depowered, and of having to make sense of a sense of self that has been very largely lost. Death, OTOH, not only finds it an easy adjustment but going by A Winter's Tale (which the deleted scene in the show indicates is with only one slight but fundamental change still the mindset of the show version) has one problem in the exact opposite sense of her kin.
Yes, she *can* go back to being an Endless in a job she's hated in and which takes a great emotional toll. Why would she want to? And unlike the rest of the Endless, she has far more of a sense of self outside her job and her cosmic role in the order of things. The dilemma as such hinges around identity, but in the exact opposite sense of a Dream of the Endless or Desire or whichever other of the Endless loses their title and role tale. Not a quest to regain a lost position and all that goes with it, but the simple desire in the end to evade her own harsh fate and abandon something full time versus the Reaper Man pattern where absolute power tends to corrupt absolutely and what power is more absolute for a would-be successor than that over life and death?
I give Death a kind of Pinocchio syndrome/awareness of the Uncanny Valley, where the greatest temptation is to go from being 'almost' mortal to being truly so. Where to all the other Endless, it would be the narrative of a creation of a sense of self where there is none, and in this a side quest to regaining who and what they see themselves as and rightfully so.
4 notes
·
View notes
See the problem is I want to live in a way that is no longer compatible with the world at large and therefore I think I will be miserable every day I live
16 notes
·
View notes