Is Death Note considered post-modern media
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woe mundane monopoly headcanons be upon ye
follow for more of modern au hua cheng’s outfits
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Me: damn I feel like painting Soap rn
Me an hour later: but what if I completely fuck him up tho
(inspired by this painting by Zack Zdrale)
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Hollow smoking a blunt
Let's just say I didn't think Hollow's lack of mouth would let them smoke so I made Grimm help them✌️
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can i pet your tiddies
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Fem Hualian on a date 🦋
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I really love exploring GhostRoach's dynamic with mute!Roach, especially since I hc Roach as American, so he'd likely be using ASL
I think Ghost would be proficient in sign, however, since BSL and ASL are very different, I just love imagining him going out of his way to painstakingly learn practically a whole other language just for Roach.
Just watching the progression of their relationship where it starts with Ghost needing someone else on the task force to translate what Roach is saying, to him becoming the designated Roach translator lol
I'd imagine once they get closer, Roach would start writing notes for Simon instead of having a third party translate. And for a while it'd probably be their norm, where Roach will automatically pull out a notebook to talk, but then maybe one day Roach will casually sign something, forgetting that Ghost wouldn't understand, but then Ghost will respond without a second thought and they'll just stare at eachother for a moment like "what?"
and boom. they kiss.
nah but just think about how cute it'd be?? Ghost probably isn't that great with words, so you'll see how he cares about someone more so through his actions, and him studying for months just so Roach can more comfortably communicate with him is just so??? soft??
and the effort isn't lost on Roach at all. He sees how Ghost abashedly looks away after the slip up and mumbles "It's just good to know american sign, too" (excuses), he notices how Ghost will try minicking hand signs when he thinks no one's watching, when he hangs around in Ghost's room, he notices the small stack of ASL dictionaries on his desk.
and Roach just becomes all the more infatuated with him. Big scary lieutenant who yells at all the new recruits and can kill a man with his bare hands but will go out of his way to learn a difficult language. All for Roach.
it'd be a cute way to progress their relationship. Every now and then they'll have tender private moments where Roach will try teaching Ghost more thoroughly, and sometimes Ghost will get frustrated or just sign wildly incorrect words, and Roach will just look at him all adoringly like ughhh they'd be so soft.
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"Star Wars isn't dead y'all are just haters"
"Disney saved Star Wars"
"It's the Woke Agenda that ruined Star Wars"
My mans, Disney single-handedly destroyed the Sequel Trilogy despite the Force Awakens being the gateway to something potentially fantastic; MCU'd the Mandalorian (a story which originally had nothing to do with the Prequel and OG Trilogy aside from sharing a universe and exploring a sect of a completely different culture/ideology); ego-boosted both Filoni and Favreau to the point where their OC Verse is not only canon but openly disregarding the Star Wars Universe Bible/Lore; gave us a snippet of what an extremely misunderstood indigenous culture is actually like (instead of portraying them as the savages one of the white leads mislabeled as animals that deserved to be slaughtered) only to then wipe out the tribe we got to know for no reason other than shock value thus alienating indigenous/poc viewers in the most disrespectful way possible; completely threw away the entire message of TCW (that being a clone does not make you incapable of being your own person who has their own thoughts, ideals, moral compass and overall identity) by making TBB (a show that does have it's strong points in set design, soundtrack orchestration and overall sound design, but is extremely weak on both characterization and storytelling because they either make the meaningful plot points stretch too thin or focus on the wrong character completely) their go to show marketed for kids instead of the actual kids programming that people shit on for being for, surprise, kids; constantly disregards valid critique from their consumers (to the point where infighting in the Fandom has gotten extremely ugly) that people either give up on interacting completely or simply vanish and take all their things with them (because no one seems to understand where these critiques come from, or how being unable to admit your special little show is imperfect is actually not a good thing for both you and others).
This isn't even accounting for the fact the Fandom seems to have doubled in it's overall toxicity since Disney took over.
Which is par for the course when a mega corporation takes hold of something that started out extremely political in nature anyway.
The Cash Cow machine needs feeding after all...
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i think, and this may just be my zekrom bias speaking, that if someone wants to experience the full value of bw's story it's better to play through white first. black has the issue of coming off as very dismissive towards plasma's legitimate and well-founded claims that pokemon abuse DOES occur (and it does! from the kanto games' marowak to bw2's liepard there's instances where it's put in the spotlight, so it certainly does happen)... by assigning the protagonist to truth, it feels pretty evident that n's beliefs are "wrong", and the game just seems to brush any questioning aside.
on the other hand, white giving n the hero of truth role means we're basically forced to think about what that means for the relationship of people and pokemon at large. to translate a point n makes in chargestone cave: if you allow people to coexist with pokemon, even if the majority of trainers treat them well, there will always be someone somewhere out there who abuses or neglects them instead. are we okay with that? should those pokemon still be allowed to suffer, just because what they experience is an outlier to the general rule? while not outright stated, zekrom's association with hope and the strive for the ideal suggests that we don't brush off these facts, but instead take them into consideration, and aim to change the world based off of them... like how in bw2 society in unova puts a lot more emphasis on the bond between people and pokemon, and on pokemon as equals (see: iris's dialogue before entering your team info the hall of fame).
i think black version has its own unique avenues to explore, but on the surface level, it's a much more cut and dry, "no, you're just wrong", type of story that kind of makes you work harder to fit it into bw's overall theming of "the world's not black and white, there's not a singular objective right or wrong perspective."
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Sorry I think I'm just a hater but I don't really see the point in remaking mgs3 lol. Games like genuinely a masterpiece and still extremely playable and still looks good imo. I think mgs1 is the one that could use a face-lift the most just bc there's some gameplay sections that could use some better balance. Konamis obviously trying to get back into consumers good graces between this and the sh2 remake and mgs3 was probably chosen bc it's the fan favorite (same reason they went with it when making the pachislot machine I presume). Idk I don't like when games are remade unless there's real improvements to be made to the core of the experience but I think I might just be becoming kind of a purist.
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Such a random thought but as I study Sam Roukin's face I can confirm he has the face of every renaissance portrait painting, if you get what I mean, if you catch my drift.
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I've been thinking about the tragedy of Elizabeth Woodville living to see the death of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
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Omg turns out Brigitte Hamann and Fredrick Morton beefed over Rudolf's depiction in Affaire Mayerling (das Musical)
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i find dennis' toxic love for the gang sooo interesting. the lengths he goes through to ensure that their group dynamic never changes. the amount of planning he puts in implies that this is one of his fears– how they might one day change and abandon him.
an example of this would be in "frank retires" where he had formed the franquito plan seven years before he needed to use it, which felt devious (towards frank) to charlie, dee and mac, but dennis had justified it by saying he just didn't want them to change. the ending had dennis acting like he didn't mean a word he said, but i doubt it, because just a few episodes before (the gang misses the boat) he concluded that he just wanted things to stay normal in the gang after a minor freakout about how they're all gradually getting more and more insane staying in the bar together.
dennis resisting change is a consistent theme for his character. he does not want the gang to live in virtual realities, charlie to get smart, mac and dee to leave, mac's mom to stay with them, mac to connect with his dad, dee to actually be successful, mac to be so forward in his advances, frank to retire, etc etc. because he already likes the gang so much the way it is.
that is, unless he personally seeks the change. he could get married in a day, because he wanted to. he could kick mac out. he could leave the gang and start a family. he could change his car to a more modern one. but each time he tries to change and leave, he comes back to the gang... and his range rover.
and this is why he seems to hate them too, because most of his hatred comes from his resentment from loving them too much and being unable to leave. and the love he has for them is toxic, because he wants to drag them down together with him. the s13 narrative wants us to know that he's the main reason the gang stays the same for 16 seasons.
it's what makes dennis takes a mental health day so notable to me though. the commentary on systems throughout the episode, and how dennis is sick of it. dennis' rejection of technology when it takes away real life interactions, parallels the episode "charlie rules the world" in s6 which was the major turning point for dennis developing a god complex (where british dennis tells him that 'you create your own reality'). i believe dtamhd will also be a turning point for dennis, perhaps where he starts letting things go without putting as much control (systems) because he wants to live in a reality where he doesn't need to do these things anymore.
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