waterparks // marvin magazine issue #10
(full transcript under the cut)
Waterparks
WORDS by HOLLY SOLEM
PHOTOGRAPHY by DANIEL PRACOPCYK
Waterparks are places you go for fun; both pools and slides and the gloriously buzzy, pop punk band featuring members Geoff Wigington (lead guitar), Otto Wood (drums), and singer/guitarist Awsten Knight, whose neon energy matches his hair. Their music leads you down sonic chutes and up rainbow ladders with four albums, countless tours, millions of listeners and a recent signing with Fueled By Ramen, the label under which they are about to drop their highly anticipated 5th studio album. MARVIN had the good fortune of catching up with Knight—who is busy prepping for a European tour, a US tour and the release of the band's new album—to talk about all that goes into creating the bubbly world of Waterparks.
The new album titled Intellectual Property features eleven legit bangers filled with anthemic choruses. psychedelic experimentation and hooky melodies all polished to a sheen. There are hints of megalithic rock bands like Muse, inspiration from The Beach Boys and the pop punk sounds we have come to expect. But as for the "pop" part, this record goes in hard with collaborations with the likes of blackbear and songwriter/producer Julian Bunetta.
I love pop music and we got an offer to write with this dude, Julian, who has credits on 95% of One Direction's discography. I fucking love One Direction. I don't want to be dramatic but let's say I've got a top 60 favorite songs, I think four or five are One Direction songs. And Julian's written on all of them. I was just like, 'I want to do what I do but with him too.' And then I made "FUNERAL GREY", "BRAINWASHED", and "FUCK ABOUT IT", with him.
For this album, the band brought in more outside alliances than on previous albums, with Knight saying. "I think I was more open to [collaborations] on this album. Other people's opinions and thoughts and stuff like that. Normally, I don't really love writing with people that I don't know very well because it can feel very sterile. You walk in and they're like, 'what do you want to write about? You're like, 'oh fuck'—because it's a personal thing." And when it comes to getting personal, Knight is also realizing that to his surprise, the more personal he gets-the more vulnerable lyrically—the more universal the message.
I feel like I used to be kind of freaked out by [vulnerability], especially earlier, on album one. I was really nervous about it and it sounds so lame in retrospect but I didn't even want to do any acoustic songs. I liked burying myself a lit- tle bit behind a big instrumental. [The song] "21 Questions" for example. I sent that along with all the other demos to Benji because I wanted his opinion and he was like, 'this is one of the best ones.' Those wind up being the favorites, which seems counterproductive because songs are supposed to be relatable. And I never feel like I'm being relatable but I try to be less selfish with the writing. I want this to be for someone else.
When Knight refers to "Benji" he is talking about Benji Madden, one half of legendary pop punk duo Good Charlotte. Benji, along with his brother and bandmate Joel, manage Waterparks after discovering them on YouTube and DM'ing them on Twitter back in 2015. Knight received the news of the Maddens' invitation to fly to LA for a meeting while working as a babysitter who gave guitar lessons.
I called the guys and we're like, 'holy shit.' So we all went and bought swimsuits because…California. And yeah, that was it. After we met them, we went back to our hotel and were just like, 'what is happening? A week ago we were still passing out flyers outside of other people's shows. And we're right here, right now. This is the weirdest shit.'
A literal dream-come-true for Knight and the band, who eventually would make the move to LA from Houston while missing its Tex-Mex and Thai food, and of course, his family. But when it comes to the weather, he's all about California. He doesn't even mind the earthquakes. He was in a rooftop hot tub during one and actually found it rather exciting. For a man who has toured the world, there's a bright-eyed innocence and almost childlike wonder to him. His seeming lack of cynicism is as refreshing as freshly fallen snow which he admits he only saw for the first time not that long ago. But now, Knight talks about having stress dreams as he and the band get ready to embark on a European leg, followed by an extensive US tour.
Here's the thing, I like to play shows and I like to meet people. The other 22 hours of the day, I like having my space. I'm pretty particular, you know what I mean? I like my zone where I can sit and just do stuff. You go from peace and quiet and doing what you want all the time to sharing a small living space and a bus with twelve people. It's basically having twelve people in your living room for two months. And you're just like, 'ah, but the shows are great' as long as the shows are fun and everyone is having a great time, that makes it worth it to me.
He's also superstitious. Around his apartment there are crystals, there are obsidian and selenite wands in front of all the mirrors. He has a healer-type person come in and energetically clear his space, insisting he throw away objects that may have "dark entities" attached. "I'm luckier than people I know. They're like, 'why is the light always turning green when you go to it? Why do you always get the front spot at the store?' I'm like, it's because I don't split the pole, you know? Can't split a pole when you're walking. There's a bunch of superstitions. But I follow them and I'm crazy lucky."
In addition to music, he recently penned a well-received book of personal essays called, You'd Be Paranoid Too (If Everyone Was Out to Get You). He plans to write a novel next and has also started a clothing line called HiiDef. that fabricates small collections that sell out fast. His enthusiasm for the line is on par with music. "If everybody made the songs that I wanted to hear, I wouldn't have to do this. The same thing applies with clothing." Passion abound, he is all smiles when discussing plans for the future of Waterparks.
How do I get to the fucking moon? I think anyone who hears this album is going to love it. Cause I think it's incredible. I'm looking at the songs right now. I'm just like, 'man, straight slappers.' Even the last song, which I know wouldn't be a single or anything-that's probably one of the best accomplishments of a song that we've ever been able to pull off. I see this album in plaques on the wall. All right, we're manifesting now.
He names his goals out loud, as one is meant to do when calling them in, mentioning things like how much he'd like to play the Redding and Leeds Festivals at sunset. Then he pulls up the Waterparks US tour schedule online while musing, "I want one of those big "Sold Out" things across all the dates. It's getting there dude. Yeah, actually, it's going crazy right now." In real time, he seems to discover that the banners that cross nearly all of the show dates do indeed read, "Sold Out". And then it's clear. Awsten Knight is lucky. But luck is really about preparation meeting opportunities and he has definitely shown up to the game prolific and prepared. Five albums in, it's clear that Knight and Waterparks have only just begun.
@waterparks
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being turned into something against your own will and you can't do anything about it because you don't have the ability to combat it and you're nothing but a bystander in your own life as you just watch it happen and can do nothing. you can struggle but its futile. it wont help. it'll only make it hurt more as your entire body twists and turns and cracks and breaks and rearranges itself to be something else
you can feel your flesh tearing itself apart and reforming itself. you can feel your bones twisting and breaking apart and being reshaped like a marble statue being chiseled. you can feel how all your insides are just setting in wrong because this isn't you you're not you anymore nothing is the same
you can't change it its already happened all you can do is either writher in pain and agony or just sob helplessly. you're at something else's mercy and it has not mercied you
your mouth is shaped so differently, you don't even know how to scream. the 'screams' that come out aren't familiar and you don't know how to express your pain and confusion and shock and panic in a familiar way and it only furthers to make you panic more
everything is so unfamiliar you don't know how to express anything. what are you? you don't know. this is not you. that's everything you know.
you feel something sprouting out of your back and it's so painful. it's new bones jutting out and shaping themselves as flesh and scales grow on them, only a few seconds later membrane connecting your new, extremely long 'fingers' and it's uncomfortable it feels so unfamiliar it's so weird you don't even know how to move these new limbs
you try to scream again. it's still so unfamiliar and it doesn't help. neither does how your throat is suddenly so long and feels so warm until you just spout fire out and let out a crooked hiss and at first it felt like it hurt but within seconds it feels like nothing ever happened.
your back feels wrong your spine feels elongated. you can feel something moving. it doesn't feel like you but it is. so do the wings that are now perched on your back. you don't know how to move them but they're moving erratically despite your attempts at just trying to get them to calm down. they're not you how can you even move them. what are you trying. it's not helping anything. you can only just try to curl in on yourself but there's a tail you have a tail oh what did you do to deserve such a fate. you're still alive but everything is so wrong and rearranged, broken and pieced back together again time and time again and it was so painful you would have rather died.
it felt so painful you don't know how long that was. it felt so excruciatingly slow. it felt like hours. it felt like days, weeks, months, years, an eternity but it was only just a mere few seconds and that something was standing near you that whole time watching you.
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you’re at a crossroads: stay on the train and watch his back retreat from you until he vanishes into the crowd; look at the ring on his finger and think about someone else.
Or.
the doors nearly scruff sasaki as he slips out at the last second. hirano wouldn’t have noticed him, obviously, busy going his own way, but still sasaki trails a little uncertainly after him. he’s not eager to call out his name in a train station packed with people, not eager to call attention to… whatever he’s doing. so he doggedly follows in his path, going as fast as the crowd allows, and—sasaki, more than a little gracelessly, takes hold of hirano’s elbow, pulling him off-course. pulling him around a corner, down a strange corridor, around another corner. pulls him firmly into the shadows.
he finds himself at a crossroads.
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I'm thinkn.. what does ps8 Kuron and Lance's relationship look like after lance wakes up? of course Kuron is Lance's Little Guy TM but also they never really got the chance to truly bond and become friends, and now Kuron is. y'know. being Kuron.. and lance is full of grief and trauma and also The Horrors
i feel like at first its gonna ba at least a little awkward lol
It'll be really fucking awkward for both of them indeed!! But not nearly as awkward. The timeline and the story ideas are not clear but like i feel like there is some shit going on during Lance wakes up and he takes a long time (maybe i'll bring my quintessence ideas for this? Maybe) and when he wakes up he isnt exactly There at first. So like by the time Lance wakes up, Kuron has already had a lot of his character development
And yeah Lance and Kuron is a bit complicated relationship cause like i have said Kuron is grateful for Lance for actually saving him, but also he's a bit angry and most importantly confused cause just why? Why all this? Why now? How did you? What happened to you? And just this confusion that is plaguing since he got his new body.
Meanwhile Lance genuinely cares about Kuron but also is y'know. Busy. Not to mention Lance kinda expected Kuron to be like he was 'used' to be, or rather the rosy eyed version that was Kuron was 'a sweet sensitive guy who can do no wrong and Did Not deserve That' (which isnt wrong but also) (also same with Allura)
But this is something that can be talked out, and it might take some time and development for both of them but by the end i think it's just hugs and a big healing moment for both of them and it would be like a promise to bond and stuff
That being said this isnt exactly final, cause like i said i am still trying to figure out the timeline and story plot and everything so this is very much going to change
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Will the RP be run in real time (1 day in game = 1 day IRL) or liquid time (1 day in game = multiple/fewer days IRL)? If it is liquid time what will time progression look like?
Personally I struggle to keep track of my character with a lot of liquid time servers because it’s hard to follow the timeline of events. I have trouble keeping track of what happens when, how much time has passed, how how rapidly my character should be developing if there isn’t a 1:1 match with the real calendar. I understand liquid time is a lot easier for the OOC organization aspect though.
I’m really interested in this server but I want to make sure it’s something I would be able to keep up with before applying.
The good news is 90% of the roleplay moves in real time, specifically EST where the roleplay takes place.
However, individual days are seperate from realtime and will run longer than the irl day to give people more time! Essentially, each irp day is 48 hours: 24 day, 24 night. To keep things going without having to recalculate every week, Saturday and Sunday are both nights, and those are used to host festivals and ceremonies!
As for time, we are completely solid time: your character is in one place at any time and must actively exit one place to be in another place. Cats are free to move between, fracture or combine threads where appropriate, but they CANNOT be in two places at once.
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