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#the problem isn't women characters the problem is bad writing
genericpuff · 9 hours
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What is the thing you feel like Lore Olympus failed at or did the worst. The comic has a magnitude of problems but what is one problem that you have the most hatred for or just flat out makes you angry?
(Just curious)
There are so, so many things I could point to as "the worst" thing that the comic did, because it has a LOT of worsts, but I think ultimately the failing of the original myth's messaging has to take the cake because it's ultimately the root of all of LO's problems.
Rachel herself seems to have this disconnect between what's going on in her head vs. what she's actually writing. It's especially present in her Q&A's and interviews where she claims certain things about the comic / text that just aren't present in the slightest during the actual comic. One such example that ties into my answer is this response she gave to Girl Wonder Podcast:
"I feel like female characters in general, people will be a little harsher on them and sometimes way harsher on them, and I used to be like.. before I started writing the story and like making a story I was like yeah, sexism is not that bad, and [now] I was like oh it's bad. It's quite bad [laughs], so like, I don't know, I feel like the female characters in the story don't get so much of a pass. But this isn't consistent across the board, it's not all the time"
It's ironic at best and tone deaf at worst that she would claim that it's her audience being harsh on the female characters, when she's the one who wrote them into the characters they are that would get that reaction. Minthe had her BPD retconned so now she's just the abusive other girl. Hestia was turned into a cruel hypocrite when it was revealed she was a lesbian. Hera is racist to nymphs and cruel to the lower class and yet she's still rewarded in the end by getting to run off with a nymph girl who we've never seen her have any extended interaction with. And worst of all, Demeter was robbed of all of her agency all in favor of turning her into the evil Mother Gothel mom who's overbearing and cruel to poor Persephone. Some of these women deserve to be called out (Hera and Hestia), and others like Minthe and Demeter were simply used as props to do exactly what Rachel claims she doesn't like people doing and is labelling as sexism - to get harsh reactions and give the audience someone to hate on. Rachel desperately needs to learn to read her own work. Her audience is "sexist" towards these women because Rachel wrote them that way.
It fucking sucks and it's, ngl, extremely disrespectful to the messaging of the original myth that was written to comfort and empower the mothers who had lost their daughters to marriages back in the day. It wasn't some simple "aww the girl moved out and now she doesn't visit anymore!" girls who got married off were often literally never seen again and it wasn't by choice. Not only that, but in certain regions (such as in Athens) the women were isolated to their own section of the house upstairs (while the men lived downstairs) so that they wouldn't be seen by visiting guests or strangers.
It's why in some cultures the original H x P myth was considered a "golden standard" for marriages (at the time) because not only was Persephone given power over the domain alongside Hades, but she actually did get to see her mother - but it wasn't because Hades was just such a kind guy who would let her go willingly, it's because Demeter had to literally hold the world hostage and fight for her right to reunite with her child.
So for LO to not only twist Demeter's love and justifiable concern for her daughter into "helicopter parenting", but also rob her of her agency and power in fighting for her child, it fundamentally misses the entire point of the original myth and undoes itself as a retelling that's trying to be taken seriously in the discussion of Greek myth media. And for that, Rachel should be ashamed of herself.
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neverendingford · 11 months
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emdotcom · 8 days
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*remembers what they did to Vanny* 500 FUCKING PIPEBOMB ATTACK.
#em.txt#WHY#how can you see the fucking absolute fire that is building up & go. 'yeah douse it. now bring back peepaw AGAIN'#BUILD HER UP 2 GAMES EARLY --- & THEN DO NOTHING!!!!!!!!? FUCK#WE CAN'T HAVE WOMEN DO THINGS IN FNAF I GUESS#the company's scop was too big & they developed the game seperately from the environment & made the environment above the game#cut playable vanessa sections. cut vanny appearances.#remove all the plot make vanessa a bitch throw in some invisible walls call it done. 30 dollars now please#security breach isn't just bad. it's not fucking done.#the thing normally with cut content is i can usually agree like 'okay this game cut this but that was a smart choice'#it can be better for time or budget & it can make for better writing.#for instance all the cut content in ahit is neat & as much as i like moonie it's smart to cut his character to build up other ones#& makes for a tighter story & less convoluted area that's more fun to play#when i look at the cut content for security breach their are obvious issues.#it's obvious the company's scope went too far. you built too big an environment. you built the environment before your game.#you prioritized a cool area to the point you expanded the mall from 1 story to 3. do you think that time could have been speant elsewhere#& the other problem is the insane fucking crunch that scott cawthon as a dev placed on himself & others to maintain relevancy#a single person locking themselves ina room for months to stay relevant is fucked. a game studio physically cannot do that.#you see shit in the prerelease like they wanted a bowling minigame a kart minigame a freeroam minigame etc#what about vanny? what did you want with this character? you clearly had something in mind#but we needed to cut it so we can fit in mazercise i fucking guess or chica's bakery or trash heap#here's what we have: less than 1 minute screentime. the 2 vanessa ending comic. that's it#oh wait i forgot. 'vanny. sounds like vanessa & bunny. this cabnot be a coincidence ' & THEN IT NEVER COMES UP AGAIN#princess quest used to be about that bitch in golden freddy you retconned it to be about vanessa SO DO SOMETHING WITH THAT#her whole shit is apparently in service to william afton. why isn't she in the afton fight at all#does she not know he's down there? is he unrelated? does she know she's working for the mimic? is she not working for him?#is she at all related to the fucking bunny from ruin or like what#what about the rainbow hair. what about her tech prowess. what about the cut missing kids only referenced in duffle bag messages now.#fuck you & fuck me as well why can't i be passionate about hvac systems#why's it gotta be this shittass gsme.
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love-at-first-bite · 1 year
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Sorry to still be a #Hater but, knowing I Will be playing 3 playthroughs of Persona 3 (2 Portable runs and one FES+The Answer run) sounds so much more fun and enjoyable than playing Persona 5 for a second time, vanilla or Royal I'M SORRY THIS IS A P5 HATE ACCOUNT NOW
#victor beeps#meanwhile i will play P4 one million times#i'm sorry!!!!! i didn't like 5's story as much#it starts off SO BAD (content wise. which is why i put the game down for like a year)#i love the phantom thieves. honest. but joker isn't my fave protag#I HATE MORGANA >:V I WANNA LIKE HIM SO BAD CAUSE KITTY BUT HE SUCKS#ann was done SOOOOOO dirty. and ryuji too <:/ (love both them so much tho)#yusuke is written as the ''weird kid'' and just feels like everyone is laughing at him all the time#i didn't find makoto or haru all that memorable compared to the rest of the party#i don't really have a problem with futaba's writing. i love her so much and love how they handled her mental problems actually#but the ''she's practically my sister'' line in Royal and you can still romance her :/ kinda yuck#also ummm biggest issue with 5 is that you can romance the adult women and joker's 16. one of them being your teacher :/ big yikes#and i don't much care for kasumi as others do. she's an interesting character yes but sorry#akechi my wonderful son it felt like his story was snuffed out super quick just to get to the end. also fuck pancakes shut up fuck you#i'm sorry i can't help but compare it to the games that came before. 5 was my first persona game tho#i just prefer 4. story and characters#a copy of p5r is at the gamestop for like 20 bucks and i do want it! but i just can't be assed to play p5 again at least for a long while#long tags of me being a hater man sorryyyyyyy if you read all these i love you <3
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muertawrites · 2 years
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one more thing about the whole cheerleader/bimbo/etc readers, i always feel like they’re meant for skinny white girls, which I’m not 😭 idk if that’s just bc I can’t see myself in it or bc the writers accidentally make it that way but 🤷🏻‍♀️
ooh honey you sent this to the right bitch. my bachelors degree is in media psychology and a lot of my studies were focused on stereotyping in different forms of media
and yeah.
they're definitely coded for conventionally pretty white girls.
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dolliehina · 2 months
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Now hear me out, please don't come for my throat. I love all Yuu's. Monster Yuu, Male Yuu, Non binary Yuu, Trans Yuu, Fairy Yuu, just Yuu's (Live love laugh that baby shrimp)
But I feel like people with Fem Yuu's (I'm not saying ALL, there are very VERY GOOD Fem Yuu's out there, nor am I hating on any Fem Yuu's or the concept) I feel like some people miss the opportunity to write a very strong female character. I've been seeing people just use a Fem Yuu as an insert or harem bait, but I don't think that's what we should be using that idea of her for.
I love seeing Fem Yuu's with character and struggle, goals, personality and actual struggles of being a magicless girl in an ALL BOYS SCHOOL. It would not be some fantasy land, it would be awful.
The sexism, sexual harassment, struggles of fitting in, etc. I like seeing Fem Yuu's that actually EMBRACE and TALK about those problems. Imagine the amazing character development!!! Not only with all the trauma all Yuu's already have, but adding the problems a young teenage girl (depending on how old she is) being surrounded by uneducated and hormonal teenage boys would just be completely awful. I want to see a Fem Yuu that overcomes this, or at least has it in her character development instead of it just being like: "OH I'm a pretty girl surrounded by boys and they all love me, I get special privileges."
Do I think Fem Yuu would get some (key word some) special privileges?: Yes, but only from the staff or characters who respect women
Do I think some or at least one boy would get a crush on her considering she's the only girl?: Yes, and probably guaranteed.
Do I think she would have a harem?: NO.
Do I think Fem Yuu would just be a weak defenseless Mc because she's a girl?: Absolutely fucking not.
I just think Fem Yuu should be more than harem content and all that. She would be very strong, and have a lot of struggles to get over, I also feel like she'd have a strong mentality.
I'm not telling anyone that their Oc's of fem Yuu are bad, nor should you change them. I'm just saying that SOME of them are unrealistic and should be more than just a girl to have a harem around or something.
GIVE ME A FEM YUU WHOS KIND AND INNOCENT (platonically) BUT IS STILL A GIRLBOSS THROUGH HER FEMININITY FINDING A STRENGTH IN IT!!!
It's fine if a Fem Yuu is fragile, as there are fragile girls irl plus there is nothing weak about wanting to fall in love, THAT IS NOT WHAT IM SAYING!! That's what this is about, actually. I would love for these kinds of girls to get more representation that isn't JUST HER BEING THE LOVE INTEREST!! I want to see an innocent, kind, and caring fem Yuu who gets stronger in her own way through her kindness and femininity as the story progresses. Innocent or "fragile" girls are strong in their own way and I just notice how so many Fem Yuu's just make her a love interest MC when I think the Fem Yuu concept could be SO MUCH MORE!! (But if your Yuu falls in love that is perfectly fine, great even, love is great for characters as long as it isn't the only soul reason they exist, y'know what I mean?)
Like I said, a great opportunity to write a strong yet feminine and kind female character that isn't just a love interest or "weak girl" (Some Otome or Female Mcs are a good example of this.)
Fem yuu who is caring and loving and at the same time she is like a girl boss>>>>
(This is aimed at THOSE Twst fans, btw)
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callofdudes · 5 months
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Bro Ghost is literally military, he's literally a grown ass man 💀💀 he's not gonna cry and all that shit. You write him so bad bruh, learn joke ass 💀
I hate to waste my energy on this but I feel it should be said at this point. A lot of people have different opinions on Ghost, here's mine.
I know Ghost has a character. I know Ghost has been through hell and back, he's had a horrible family life and trauma even after.
Ghost probably does not have the best relationship with his emotions, but that doesn't mean they aren't there. Just because he's in the military doesn't mean he isn't allowed to have insecurities and such.
And I'm so sick and tired of people thinking that in order to be confident and masculine you have to have no problems. Like, 'hes a grown man'. Ok?? Men have feelings. Men are humans. When Women break down and cry it's a totally different reaction than seeing a man do so.
It's not emasculating because Ghost has connections. He has deep rooted ties with other men which I think is incredibly healthy for guys.
Simon has a strong group of men that he can deeply connect with. A lot of men have that fear of not getting vulnerable around male or female friends, but are more likely to be vulnerable around other men.
As someone who is deep into psychology, I make most of the choices I do to write Ghost from a standpoint of how a human normally reacts to what they've been through and so forth. Keep in mind I'm female so I cannot always confidently react from the body of a male, to another male how some guys would.
Because I'm just different. But saying that Ghost is in the military has little effect to his emotions. How he portrays and conceals them sure, but he still has them.
So at the end of the day I say this. It is not weak to have emotional connections with the men in your life, it's healthy for men to have those pillars, especially in times like these.
Ghost has emotions, he has very deep connections and through those connections he can learn to be vulnerable. Men can still be strong and masculine while having trauma and vulnerability. Their not exclusive to each other.
Stay strong kings, just like Simon Riley 💪🏻♥️
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jerryterry · 1 year
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There was one inevitable downside (/upside for Tumblr Drama fans?) to all of these poll tournaments coming to Tumblr, and that's "fandom polls being run by people with a massive bias/opinion that they can't help from plastering all over the posts". Like, there's this one New Vegas poll currently running where the OP has a seething hatred for Cass, among others - badmouthing characters in their poll posts, getting into ranting arguments about it. It's inconsequential and funny, and situations like this are a dime a dozen on this site, but seeing this made me want to take a look at this one a lil closer. Because it brushes into something small I've always found interesting about New Vegas: the rumor of homosexuality in the Legion, as well as a wider factor about the writing of companions in general (Under a read-more for length).
OP literally says "If you tell her you're a gay man, she calls you a nazi", so lets take a look at the line they cite for this:
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There's multiple points where characters joke about the Legion having similar prominent homosexuality to the actual Romans (which was notable enough that there's straight-up a "Homosexuality in ancient Rome" Wikipedia page). For example:
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- Veronica
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- Major Knight
What's interesting is that the one character who talks about his direct experience with this subject, Jimmy (a former Legion slave), actually says something that contradicts that last quote:
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This opens up the likely possibility that it's NCR propaganda - a homophobic lie to emasculate the enemy. Even if maybe it IS something common in the Legion, it's something frowned upon and is at best a rampant open secret. Either case makes Major Knight's quote provably false.
Regardless, it's a wide non-Legion belief that homosexuality is common and accepted in the Legion. If the source of that rumor IS cooked-up homophobic propaganda, it's interesting that it hasn't worked on the only characters who talk about it. All three of those quotes not only have no ill will toward the idea (Cass immediately states it's not an issue AND notes how common it is behind closed doors), but two of them are mentioned in a context of longing: Veronica's quote is immediately followed by her being angry that only men are allowed to be gay, wishing the same for lesbians. Major Knight's quote is in the context of him having to hide his homosexuality at work -- which sadly makes it clear that the propaganda was likely more effective in general than on the one straight character who mentions it.
I'd say it's funny that OP has a hatred of Cass for being homophobic despite being one of the few characters in-game who makes an explicit statement of not having a problem with homosexuality (I for one would've loved to see Boone - the biggest NCR bootlicker around - make his stance clear on the matter). But admittedly it IS tactless and clumsy to make a backhanded comparison of gayness to the Legion (that statement's obvious expository purpose aside). They also read "there's a lot more of that in the Mojave" to mean "ew, it's not this bad where I come from!", but Major Knight makes it clear that where she comes from is actually MORE supportive. As well as another comment she makes about having slept with women while drunk, which OP construes as likening homosexuality to a drunken mistake.
Like, relax. Yes, "I have no problem with it" isn't the most heartfelt statement of support. But the most Cass' words betray about her is ignorance. I think it's clear she's well-meaning but ignorant, and for the most part intentionally written that way. Most of the companions have intentional personality flaws - Cass is crass, tactless, and stubborn. Arcade is an idealist to a fault (in the game's opinion). Boone is blinded by loyalty to a flawed system despite enacting the worst parts of it. Veronica talks like every line was written by Joss Whedon. The others' flaws are a little more external, but ALL of the companions are intended to be flawed and have pros and cons (while not entirely equal), and all are still intended to be well-meaning people despite this.
It reflects a realism in the nuance of human beings. In general, the writing often tends to rely on this "no black or white, ALWAYS nuance" approach to an almost frustrating degree - like I WISH you could get a better ending for the Followers in a "did everything right" Yes Man ending, even though I know the phrase "did everything right" itself goes against the core philosophy of NV. The poll thing was intended as more of a jumping-off point to talk about some stuff in New Vegas I find interesting rather than a response to that post, but honestly - I know Tumblr has a bit of a problem with seeing nuance, but have a little faith in the writers, will you?
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Oh. They... think the game itself pushes the idea that "all fascists are gay"??? How can you be a fan of this game yet have such a low opinion of its writing? Such a lack of critical understanding? This person says "According to my academically trained eye..." and then goes on a series of reaches that critically misunderstand the text in a really unfavorable way, just because they were (understandably) offended by a clumsy offhand statement a character makes and immediately clarifies. And they chose to run a poll despite their open hatred for some of the characters involved (they also seem to hate Boone, for obviously more understandable reasons). Interesting choice.
What's funnier is that OP's open disdain for this character makes it more likely for Cass to win the poll on account of spite votes. Cass would've absolutely been buried by Arcade and Veronica in any other scenario.
Anyway, here's a YouTube comment I found while grabbing these quotes that I found funny:
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[Transcripts of screenshotted quotes are available in the alt text]
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scintillyyy · 6 months
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I love your Stephanie Brown post. It verbalized this feeling I've had about her character for awhile but didn't quite know how to phrase.
Just wanted to thank you for that!
ah thank you <3
yea to me, the super frustrating thing is that dixon's sexism gives her flaws that i find super narratively compelling and interesting and 3-dimensional and overall strong in a way that other writers somewhat miss the mark for me (i actually have a lot of criticisms about bg2009 and how bqm wrote her--overall i find it a very surface level girl power story veneered over pretty standard 2009 era sexism wrt the dynamics between women that has not aged super well and doesn't do much for actually giving steph interesting depth as a character & i find it's weakened by the fact that it is a doylist apology for the absolutely horrific way editorial treated steph prior to her death (which. she does deserve an apology and to be treated better), but also by doing that it makes almost every other character such as babs seem unreasonable and bad for their very understandable watsonian response to being wary of steph for many valid reasons and also makes it hard to actually give steph any flaws that aren't just quirky or clumsy--she's not perfect because she's adorkable). dixon steph has so many problems, being written by dixon, but she's truly my favorite flavor of steph because despite how horrid dixon is, you can absolutely tell how much he truly cared about her as a character. like. i bet if you asked him, he would have nothing but positive things to say about her personality and other characteristics. in fact, i believe a lot of the letters to the editor that talked about her back in the early robin issues had a lot of super positive things to say about her! like he created her! she's his blorbo! he wants to put her through the struggles!
like so many of her struggles when he's writing her is so much due to his sexism (she's never quite as competent as tim, and shouldn't be because she's The Girlfriend--compare to characters like babs and dinah and helena that were women but also written as extremely competent and good at what they do) and also because he wanted to put her through the wars, give her adversity to overcome! like steph is treated horribly a lot. by everyone. but it's partially because he wants her to perservere through it because he likes her and wants her to succeed. like a couple of very common threads through dixon's storytelling for her are the following:
tim is condescending (because that's how boys and girls are. see also: every 90s tv show that had a beleaguered sensible man with a nagging, over the top, ridiculous woman who does silly things that the man Puts Up With) -> steph gets mad -> tim thinks to himself that he shouldn't be so hard on her and usually apologizes -> well, actually tim was probably right because steph did get into trouble but steph making constant mistakes isn't actually narratively seen as "hey, maybe she should stop if she's making mistakes" because dixon wants her to continue.
or
more experienced vigilante (male or female--tim gets a lot of flack, but honestly, almost every single vigilante in batbooks at the time seemed to think steph wasn't quite good enough--batman, dick had his reservations about her, barbara didn't really necessarily want to train her, *cass* straight up told her she shouldn't be doing this, dinah didn't want to be her mentor, etc) tells steph not to screw up -> steph screws up -> steph has to get bailed out by more experienced vigilante -> steph keeps trying despite this
like so many of her diary entries that steph writes involve some flavor of "i've been told not to do this, but i have to, it's something i need to do despite all the naysayers". and it's sexist! because chuck wouldn't necessarily write the 'screw up and overconfident which usually leads to needing to be bailed out but keeps trying anyways' kind of a narrative for a male lead character (male characters get the 'i'm super competent but insecure/humble about it and when i make mistakes i'm able to figure out how to fix them by myself' narrative). but at the same time, it's what he truly believed for her--that she deserved to keep going despite any naysayers. if he truly believed that steph shouldn't be a vigilante or thought poorly of her, she would have been written out and/or he would have written her as making a mistake so bad she wouldn't have continued her activities as spoiler and finally agreed with everyone that she's not cut out for this. but he didn't. dixon writes her as not as competent as her peers because he has a worldview where girls are lesser and not capable of being as good as the boys. but he writes her with dogged determination to keep trying despite this because dixon truly thinks she deserves to keep going despite any mistakes he writes her making and that her perseverance should be rewarded.
like consider the arc where steph finds out tim's identity. dixon makes steph seem unreasonable for daring to change her mind and realize that yea, she does want to know the boy under the mask she's dating after all (because dixon thinks that girls are fickle and change their minds and boys shouldn't have to put up with that kind of nonsense behavior, not because this is a super valid thing to want) -> he has her go beat up an innocent boy named tito and stalk him in the hospital (because dixon is a sexist who things girls are just like this) -> tim does rightfully get mad about this and leaves in a huff -> batman tells steph tim's identity and she gets what she wanted?? -> tim is mad at her and batman until JLL when this is all swept under the rug and they go back to happily dating again + at this point everyone is open to training her/finally giving her a chance (until murderer/fugitive when she gets locked out again--which also leads into the era where dixon is no longer writing her--and after this is when we really get a lot of the really iconic unfair treatment towards her because at this point didio wanted her gone). and it creates this absolute interesting dissonance where you can see the overt sexism in dixon's writing and it's infuriating. and at the same time dixon also rewards her for the sexist way he writes her and she does generally get what she wants because dixon wants to give her the reward for her perseverance.
hell, consider the pregnancy storyline which is beyond overtly sexist and conservative but is probably the part where steph is most treated the best/in the right. tim and her mom are shown as in the wrong compared to her "correct" decision to keep the baby and they have to come around to support her. not just that, but for her to be given a teen pregnancy storyline in the 90s and not be shown as a Bad Girl for getting pregnant as a teen? dixon hates women and yet to him steph is a good girl who makes a mistake (something something he'll judge others, but when it comes to his daughter that's a different case. exceptions apply.) and she gets an ultimately supportive good boy boyfriend who helps her go to birthing class despite the fact that i'm sure dixon looks down on unwed teen mothers a lot.
it's just. i want to study it under a microscope. there's so much to unpack there.
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lucy-and-rebecca · 7 months
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Fontaine archon quest is Not misogynistic.
Now don't get me wrong, I have my fair share of problems with how the female characters are written in Genshin but Furina is in my opinion the most well written character in the game.
I love seeing powerful women in postions of power. It's a nice thing to have in a story but it's not a determining factor in the story.
Furina being powerless doesn't necessarily make her a weak character. Rather her powerlessness is exactly what makes her such a compelling character.
Her stubbornness, her persistence, her endurance and her compassion just would not have made the same impact had she been the "real archon".
Furina isn't immature but she is a child. She is a child who was forced to grow up to handle the responsibility that was forced upon her. Playing the role of an archon was a burden placed upon her. So if she had ended up with the responsibility and/or power of an archon it would have felt wrong.
I'm sure the story could have been written in a way where Furina ends up being powerful but I don't think that version of the story would have felt nearly as impactful.
As for the authority going to Nuevilette...
Well I wonder how people would react if the genders of all the characters were flipped.
Nuevilette is a fan favourite character but had he been a female character instead would people have the same reaction to her? I'm sure she would have had her fair share of simps but I also think she would have come off as a passive, Mary Sue type of character. Childe and Wriothesley barely made an appearance, a huge chunk of the quest focused on Navia. Although putting Furina to trial was Nuevilette's idea Navia and Chloride were the ones who came up with the plan. Focalor was the mastermind, Lyney, Lynette and Ferminet were acting on the Knave's orders who was ultimately able to get the gnosis, Skirk could probably destroy a national on accident by sneezing and Furina was the emotional core of the story. Something tells me that this version of the story would also be considered misogynistic.
People, including myself, have a tendency to equate physically/magically strong female character with good female character and progressive writing, and so the lack of that type of strength gets equated with bad female character and misogynistic writing.
It's easy to write a powerful character, writing an impactful character is the hard part.
Genshin has a lot of instances of misogynistic writing, Fontaine archon quest isn't one of them.
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atthebell-moved · 1 year
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hi, i completely agree that the fandom has a problem with misogyny and often fails at self-introspection. my question is, do you have any resources/tips/thoughts on how to be better about it? even, how to recognize it in yourself the first place? "ok i'll stop being a misogynist now" is a lot easier said than done, especially for people who might not be that educated on the subject, and majority of the people in this fandom are quite young as well.
this is long as fuck and possibly somewhat incoherent bc it took so long to write but i did my best
my biggest tip for people who don't know much about misogyny is to look at your own behavior and learn how to clock what you're doing as sexist.
are you criticizing a female creator? think about why you're doing it, what the actual beef you have with them is. if it seems to be just a sense of discomfort or thinking they're annoying or overly loud or pushy, think about male ccs who act the same way and why you dont consider them annoying. are you annoyed with them for being on a male cc's stream? why? does it feel like theyre taking up too much attention? do you get annoyed with them for talking too much or flirting with guys? for gaming especially-- do you get annoyed with them for not knowing something or being "bad" at a game? think about why that is and why its just funny when a male cc is bad at games or doesnt know something.
a HUGE problem i see in this fandom is the Madonna-whore complex, repackaged as the little sister-racist dichotomy (kudos to @yourlittlemenace for that phrasing).
if a female cc is deemed to be "playing nice" (doesnt talk too much, is "nice", streams with male ccs but doesnt flirt with them, isn't "overtly sexual"), she's the little sister of the group. all the male ccs "protect" her, she literally folds their laundry, she doesnt call out how people treat her, and the fandom pretends that this is a normal and cool way to treat women who are public figures. this also goes for mom/big sister/etc. if you think you haven't done this, think about all the aus where you've forced puffy into some kind of maternal or sisterly role when it made no sense. then think about how pissed people got when she decided not to be the server therapist and was "mean" to Tommy (in lore, with permission. that she didnt even need to get. see that clip i rbed earlier from her podcast.)
if the fandom decides she doesnt play nice, if she flirts with male ccs too much or stands up for herself or points out how unfair it is that she's being treated this way, she gets demeaned, harassed, and shunned by the fandom. consider, again, puffy. consider how niki flirted with wilbur and talked about misogyny and got called a racist for *checks notes* "speaking to schlatt and fundy" and "not being a native english speaker". she got called a slut and a queerbaiter for kissing another woman despite being bisexual.
consider how hard people went down on hannah for having said the r slur several years back versus how hard they went on dream for the same thing. and how people dug it up as a direct response to her being on stream with dream. consider how every time hannah talks about how unfair it is that the mcc subreddit treats her like trash, she has to delete all her tweets bc they harass her to hell and back and act like she's an asshole for pointing out their hypocrisy.
the fandom doesnt do this across the board; i shouldnt have to say this, but its not an everyone versus no one issue. some people do this outright and loud, some dont seem to realize theyre doing it, and a few people dont do it at all (incredibly rare, i can count on one hand the number of people who genuinely seem to try to avoid these issues, which is why im complaining).
in terms of lore, have you ever once done analysis on a female character? why do you think you haven't? the bechdel-wallace test is an (imperfect) way of gauging how a piece of media ignores women and prioritizes men. think about the fact that there are FOUR female ccs on the DSMP and they are continually ignored in favor of male characters. consider that puffy and aimsey both talked about trying to do genuine lore and getting shafted, either because no one was online and wouldn't put in the effort to stream with them or because they received insane amounts of criticism for breaking anything on the server, despite the clear lack of "no griefing" rules and the precedent that you can blow other people's shit up (tommy leveling one of puffy's builds, amongst many other examples).
a quick thing about ships: have you ever wondered why m/m ships are so popular? the general consensus amongst people who care about feminism and are into fandom studies is that for a long period of time, m/m was hugely popular because women are so rarely written as full and complete characters in any media. so people took to engaging with m/m ships and writing about them because they were the most fulfilling relationships, and because misogyny led them to be predisposed to be uninterested in female characters.
say an m/m ship is incredibly popular, something like, i dunno, john watson and sherlock holmes from bbc sherlock. lets also say the canonical media presents one or both of the characters with a female love interest. how do you think a fandom that prioritizes m/m ships and is primed to be disinterested in women as characters (either because of our society's role in teaching people that women do not matter or because of fandom's history in assuming female characters are not fleshed out) is going to react? if you said theyre going to send undue amounts of criticism her way and act like its an act of homophobia to give a canonically straight character a female love interest, congrats, you've figured out a huge component in fandom misogyny. take this, amplify it over several decades, and add the psychic damage that supernatural gave society. queerbaiting is bad but mistreating female characters in service of nonexistent queer relationships is also bad.
this is relevant in general but i also believe its relevant for the dsmp because of the complete lack of m/f ships. aside from phil and kristin, who are literally married irl and kristin isn't even on the server, there are no m/f ships that involve female creators. this is not, despite what you may think, due to the inherently yaoi nature of minecraft roleplay. this is because the creators, including the male ones, are afraid of the blowback of m/f flirting and how fucking awful people are to female ccs anytime it happens. once again look at niki. as another example, consider how notfounders harassed the living daylights out of mxmtoon for flirting with gnf on twitter. if i was a cc i would avoid it like the plague too considering how happy people are to dig shit up about them or accuse them of being a slut or an attention whore/"pick me girl" for speaking to a man.
one last thing, this is more about fanart than anything else but stop drawing women to look like teenage boys. the amount of fanart i see where i literally cannot tell if someone has drawn niki or tommy is fucking insane. niki has curves. draw her with them. if you cannot draw women or people outside a very specific body type you cannot draw. fatphobia and misogyny have a clear overlap.
i cant think of anything else and ive already spent forever on this. look into feminist media analysis. think twice about how you react to female ccs & female characters. consider not just what characters have interesting stories but who is allowed to have interesting stories. you might be neglecting someone who has a lot going on because you're dismissing a female character as inherently less likely to be interesting. you might not even know someone has an interesting story because the fandom neglects it so completely.
as a final little note: like i said earlier, if you're not familiar with gender & sexuality studies, you may not know this, but homophobia and transphobia are rooted in misogyny. the idea that gender is immutable and rigid is because of the patriarchy. this is why gendered slurs are used against queer people and why queer men in particular get accused of and demeaned for being feminine. your understanding of queerphobia is incomplete without considering how sexism plays a role.
also go read everything rayne fisher-quann has ever written but especially this piece on getting woman'd and listen to you're wrong about
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coraniaid · 4 months
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I guess I'm running the risk of sounding like a broken record at this point, but I don't think I'll ever not be deeply depressed by the way so many people on here talk about Joyce Summers.
I mean, I'm just thinking out loud here, but.  Maybe the reason that Giles was much more immediately accepting of Buffy's identity as the Slayer than Joyce was might have something to do with the fact that Giles has been training to be a Watcher for over three decades when he first meets Buffy? That his family sat him down and explained to him that vampires were real when he was a child, and that he's had over thirty years to get used to that fact? And that he is in fact literally paid to train Buffy and mentor her and prepare her for being killed in the Cruciamentum after she turns eighteen and he helps rob her of her powers her destiny? 
Whereas Joyce learns about the reality of vampires and Slayers and the supernatural for the very first time while in a state of extreme emotional distress, only hours after discovering that her daughter is wanted by the police for murder, and in circumstances such that Buffy simply has no time to sit her down and explain things in more detail in the manner they would both want?  Which is a turn of events that can be attributed in large part to the fact that Giles himself repeatedly told Buffy that she couldn't possibly tell her mother about vampires, even after (1) a vampire attacked her in her own home (in Season 1's Angel) and even after (2) the vampire Buffy had been dating, who had a standing invitation into her house, lost his soul and started going after the people closest to her, people explicitly including Joyce. (And note that Giles never offers a better argument for not sharing this potentially life-saving information than Xander's "the more people who know the secret the more it cheapens it for the rest of us".)
I mean, I know you're all pretty wedded to the popular competing theory that it's because *checks notes* Giles is a perfect dad who Buffy should have been much more grateful and sympathetic towards while Joyce is an evil bitch who never once did a good thing for her daughter (and Buffy must be stupid for ever thinking or saying otherwise), but the problem is that that theory is … uh, bad, actually.  Really incredibly cartoonishly bad. And dressing it up in pseudo-progressive language doesn't make it any better.
Wringing your hands over how poorly you think the show writes middle-aged women as if there's simply nothing to be done about it except conclude that they are indeed horrible people (and maybe give them some completely new flaws the show never did), while at the same time you write endless hagiographies and apologia for the show's canonically terrible (and often just as badly under-written) men is definitely a choice though.
And yes, it is definitely true that Giles matters more to the story of Buffy the Vampire Slayer than Joyce does. It is clear that the writers care about him more as a character than they care about Joyce, and that he is consistently used in a metaphorical way that Joyce normally isn't. At best you can perhaps argue that Joyce exists to vocalize and reify Buffy's own lingering desires to be seen as respectable and 'normal', but I don't think this is a reading the show ever commits to in the systematic way it does the Mind/Heart/Spirit reading of Giles/Xander/Willow. But on a less metaphorical level, thinking about the different characters of the show purely as distinct people in their own right, nothing Buffy says or does ever suggests she cares about her relationship with Giles more than her relationship with Joyce. Quite the opposite, in fact.
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tired-hellowl · 4 months
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here' a comprehensive list as to every problem I have with the current *unecessary characters known as 'Glitz and Glam'
Do they expand the story/worldbuilding in any meaningful way? Do they explore a new hidden dynamic/past conjunction with a differing character and is that explored meaningfully? What was the point of having them animated when Mammon can portray the same level of humiliation/degrading/on stage lack of positive reinforcements. 😐
I'm so sorry but I view these characters as necessary garbage that caused some animators arthritis via too many patterns, not enough screen time to have meat and potatoes worth of dialogue, or really any pretense within the story whatsoever and yes this extends towards every female character on screen but let's not worry about that !!! Even if they are IMPLIED to be from the ring of envy-a color or ring we haven't seen nor meaningfully conveyed to the audience that it even is possible to go in/exists- it isn't conveyed to the audience well enough besides the visual implication of colors???? Instead of having shitty b-plots that go nowhere via Stolas and Blitz goofing off in seeing stars, Moxxie and Millie getting C-plots for no reason, or loona getting a rabies shot- all of that time could have been exploring hell, going to different rings, focusing on other characters besides the main 5, literally I would prefer a quiet episode like BoJack Horsemans 'Fish out of Water'where we can actually see the personalities of the main characters be appreciated and shown to us but that's never gonna happen :/
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What I've been worried about is not even the on screen racism/out of touch 'rap/hip-hop parody' leaves a terrible taste in my mouth, if that isn't enough then the sexualization/implication of an incest type dynamic and nothing else besides fetish bait with these characters constantly grabbing one another and not really acting like siblings moreso someone who has never had siblings attempting to write sibling banter and failing terribly :/
Why do you have a problem with 'Klown Bitch' it's so catchy! Uhm, no??? I feel bad for anyone who attempts to defend helluva/hazbin as good modern musicals let me grit my teeth in silence as to the glorification over white people dominating black culture
HERES A HISTORY OF FEMALE HIPHOP ARTISTS: X
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Pictured above is very old concept art about twin characters and its the same hairshape viv kept to transfer over to glitz/glam- despite clearly being over designed and way too much going on Alá vivzie style. It just goes to show she recycles even from herself and not every design is always new hot and fresh :/ AND SPEAKING OF CONCEPT ART-
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Also also don't forget salems' concept designs thst got passed even though they loon toony, loony, clown enough, and definitely majorly way easier to have animated besides the mess that is the current design meta ???
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Love how you can clearly see the silhouettes being so easily identifiable comparably towards the actual amalgamated mess that is their current limbs attempting to hold onto their toothpick body for their head.
All this screams to me is viv using the artists thst try to come onto helluva and they try their best with what their given, viv only picks the best bits SHE thinks is worth her time rather then thinking about the audience or animating anything else besides overglorified white people rap 🤔
Also the episode literally presents its full internalized misogyny/racism within this episode because vivzie herself literally admitted to typing into script with a full chest that
'Women just ain't funny'
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. . .
why present misogyny within the series if you as a creator aren't willing to tackle the subject matter? Why write about it or present it as if you're smart over including the joke in your script when it isn't even funny because it just further pushes women out of the entertainment/comedy business which mind you IS ALREADY VERY WELL MALE DOMINATED SO PUTTING OTHER WOMEN DOWN TO PUT YOURSELF UP ISNT HELPING YOUR CASE VIV???
So then what was the point of adding female clowns if all you were going to do with them was make fun of them out of their expense and then profit off of the fact that they are incest coded????????????
?????????Are we watching the same fucking series????????
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welivetodream · 4 months
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BSD and Shipping
Since Valentine's day was coming I was interested in discussing a huge part of the BSD fandom: Shipping
( ⚠️ RANT INCOMING. DO NOT READ IF YOU ARE EASILY OFFENDED ABOUT OPINIONS ON SHIPPING. PLEASE BE RESPECTFUL TOWARDS OTHER PEOPLE'S OPINIONS IN COMMENTS AND REBLOGS. ⚠️)
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So where to start?
For a long time I have been noticing one specific trend in the BSD subreddit. And that are posts that talk about unpopular opinions/Headcanons/fav or least fav ships etc.
What I find interesting about these posts is that one thing is always in the forefront, and it's the debates about the sexualities of the characters in BSD. While Headcanons can be annoying and some people do push their opinions on others, there is nuance that is lacking in the community when discussing some topics. Finding posts about Mori being a pedo and how Dazai is unlikable or overrated is very easy and the discussions surrounding topics like that are always the same. People would pick sides and end up writing a lot about what their opinion is and while that's valid, it also ends up in fandom wars where it's hard to like or dislike something without your head being in the chopping block.
Now let's go to the original topic: shipping. To examine the environment of shipping culture in BSD fandom we have to start with the headcanons that people have adopted for sexualities of the characters.
1. THE PROBLEM WITH HETRO-NORMATIVITY
Now, the posts about shipping often contain a lot of people writing paragraphs and paragraphs about what ships they like or dislike.
One of the ships that takes the most bullets for its existence and popularity is Soukoku or Shin Soukoku. There are lots of comments about these ships that "remind" us that canonically Dazai, Chuuya, Atsushi and Akutagawa are all straight. They should not be shipped with each other because they are straight.....
Dazai flirts with women and wants to commit a double suicide with a beautiful woman. Atsushi is very clearly set up to end up with Lucy. Akutagawa couldn't care less about romance as we see how dismissive he is with Higuchi. And Chuuya.......wears fashionable outfits and has a slutty waist, but we won't comment on that.
Dazai and Chuuya have a lot of queer subtext that anyone can see. Akutagawa and Atsushi are pointed out to complete each other and complement each other several times. These ships don't exist out of thin air.
Now there is nothing WRONG with anyone having the headcanon of any of these (or any other) characters to be straight, after all we are not given enough information about their sexualities. But by stating "Dazai is straight, he likes women" or "this ship doesn't make sense because they are not gay" not only does it imply that characters can't have other preferences but also that being straight is the default, which it isn't.
This is coming from a straight woman from a very conservative country where we don't have exposure to queer media. It took me a long time to stop being so heteronormative. I think assuming someone is straight until they prove to you or tell you directly is just as bad and as assuming someone is gay. I think we have come far along as a community to understand that it shouldn't be our first instinct to assume everything is heterosexual until we get some sort of proof or stamp of approval from its creator.
Asagiri isn't going to stand up in a stage in front of the world and say "yeah Dazai and Chuuya have gay feelings for eachother" because the manga is from Japan. If there were explicit queer characters then BSD would no longer get the label of being universal because of certain censorship laws. Even if it's getting more acceptable in Japan to show queer characters in manga and anime, BSD isn't a romance or slice of life story. It's a seinen, not a BL/GL. Besides, Asagiri shows little to no interest in romantic relationships in his story.
So by saying "______ character is straight because we don't have any other information proving otherwise " isn't a valid excuse to tell shippers not to ship certain characters, it's making it seem like heterosexuality is the default state of being.
That also doesn't mean you can say "Dazai is gay, don't ship him with women" because that's the same thing. If you think Dazai is gay/bi/pan/etc. then that's your opinion, pushing that on others only worsens the rep of skk shippers especially.
You have the right to like or dislike certain ships or have your own Headcanons. This is why even feminising certain characters also isn't as problematic as people call it. It's just a different take on a character (but that time people were correcting those who called Sigma a "he" instead of "they" was genuinely wrong). Headcanons of some random online stranger doesn't make anything canon. So if you find yourself around annoying people like that, just leave the conversation.
2. WHY SUBTEXT MATTERS
Subtext is really important when discussing media; in case of BSD whether it is the anime, manga, anthologies or LNs. BSD is not new to subtext, even from the start of the story there is a lot of queer subtext that people can figure out easily.
When we are introduced to Dazai and Chuuya's partnership in the first season, it's clear as day to see the dynamic and its underlying tension. We can see how close those two are that their relationship can't be explained just as simple partners turned enemies. Time and time again we get so much queer subtext between Skk's interactions. The entire 15 arc and well as Stormbringer shows us the bond and trust between the two as well as the intense amount of gay scenes. At this point I am sure Hoshikawa is a hardcore skk shipper. All of their official art is also gay (that could be queerbating though). Asagiri must know what the public thinks about Skk and still writes subtext about them. It makes sense why this would be a popular ship; it's not made out of thin air with no context (*ahem* Kousano *ahem*) but has actual roots and the proof to back it up too.
SSKK is a similar story, it's not my favourite but it has been growing on me ever since S5. Similar to skk, we get a lot of subtext and homoerotic moments between Aku and Atsushi. They are yin and yang. They are enemies that sought to kill eachother but still team up to fight together. Atsushi is literally the centre of Akutagawa's life since the beginning. Atsushi and Akutagawa grow together as characters and as different as they appear are similarly looking for one thing: validation and acceptance. Their relationship is so compelling in so many levels that it too makes sense why their ship is as popular as it is (especially regarding recent events in the story)
Ranpoe.....let's be real, those two got married a long time ago. They are the definition of "be gay, solve crimes". They are undeniably a cute ship regardless of whether it's one sided or not. Fyolai as well makes complete sense with the context behind Fyodor and Nikolai's relationship, while I also consider it quite one-sided as it's mostly Nikolai that is fascinated by Fyodor (and wants to kiss kill him) Fukumori isn't my cup of tea but it too has enough subtext to back it up, same with FukuFuku.
While I would love to talk about other ships, I wanted to show the reasoning behind the most popular pairings.
Personally, as a multishipper, it's very fun for me to have so many characters to examine and spend time obsessing over.
Now, there are straight ships that I like too as well as ships I don't ship for myself.
The reason I don't like Yosano and Ranpo together is because I see them in the same position as Kyouka and Atsushi. The scene of Ranpo recruiting Yosano (who worked with Mori) into the ADA parallels Atsushi saving Kyouka (who also worked with Mori). I consider them siblings and like how they are platonic instead of it being the typical "a boy and girl can't be besties". Another ship I love and cherish is AtsuLucy because it's so adorable, Lucy is my fav Guild member and her and Atsushi are "Girlboss and Malewife". I ship Tachihara with Gin, Higuchi and Gin as well as Kunikida with Yosano (surprisingly I don't find the appeal of Kunizai; though I still like that ship from time to time, just don't ship it actively). I prefer not to ship Sigma with anyone (he is still a baby to me)
So it's not that BSD doesn't have straight ships, when you make a majority male cast and have them be rivals or enemies, obviously people will ship m/m more. Especially if there is more subtext and tension behind the male characters and they have little to no interactions with women.
And I might get some heat for saying this:
It is okay for most of the BSD characters to be considered queer because if comp het is so normal in anime/manga then why can't the opposite be the case? We already have enough series with little to no representation, so why can't we have a bunch of queer characters?
3. TOXIC SHIPPERS AND THE FALL OF FANDOM CULTURE
I have been raving for the past two sections and defending the shipping community. But it isn't a conversation with nuance if I don't address the problem of a small group of people that take shipping too seriously. The reason why fandom itself gets a bad rep is because of shipping more often than not. I will admit, it's not all sunshine and rainbows when people argue about their fav ships. And a lot of the aforementioned ships are to a point, toxic. Yes, some shippers are annoying and ruin everyone else's fun. There are ships that don't make sense at all.
But that doesn't mean that a small part of people should represent others who are just having harmless fun and don't even believe their ships to ever become canon. Let's be real it's highly unlikely we will have any couples by the end of the show (the closest could be AtsuLucy). Sometimes people are too intense about ships and that goes for both antis and pros. Both of the extreme are toxic. And instead of shoving down our opinions down other people's throats, we should be celebrating the very story that brought us together in the first place.
Yeah it can be hard for those who don't like shipping at all to enjoy the story and have discussions. But we have to remember the roots of fandom culture start with shipping. It's always been the case and it's always been the most popular way to discuss one's favourite fictional work. From Sherlock to Genshin to boy bands to streamers, everything has been shipped and will always be. There is a reason why AO3 works so well.
4. SO WHAT?
The ships are what brought me to BSD in the first place. I wanted to explore the world of BSD because of its characters and their dynamics. And a lot of other people have gotten into this fandom for the exact same reason. While there are unflattering moments in our fandom, that doesn't mean it's not a place for people to come together and have some fun. Whether you ship or not. Whether you like fanfictions or not. We have to accept that there are a lot of pros to shipping too. It brings our ideas together, makes us feel giddy inside or tears our heart apart, it produces beautiful fanarts and fanfictions, it makes us analyse characters, it makes us look deeper into the story....and it makes us wait for what's next to come.
And I want nothing more than to be able to enjoy shipping without the guilt that comes with it.
Shipping isn't free from its flaws, but it is not defined only by its flaws. It might not be for everyone, but it is someone's everything. So even if you don't like it in particular, let's not spoil other people's fun. One's trash is another's treasure.
~Peace out 🕊️✌️
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olderthannetfic · 2 months
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You know what obnoxious thing I keep seeing in fandom I wish would stop? This absolute need some people seem to have for their ship to be Representation in some way. Shipping is just imagining scenarios between two characters! You don’t need it to be a Special reason or whatever? I have a ship that is popular and people make weird vague comments about how the fandom is racist because both of them are white and there are other ship options that have poc so the white ship being big is a reflection on how racist the fandom is but the thing is…
Look I’m going to be real with y’all the fandom is for the game Detroit: Become Human and let’s just say the two major black characters are basically stereotypes written by a neocon lib boomer in a story that itself is imho…let’s call it tone deaf and corny af rather than overtly racist but yeah. Black folks on twitter regularly mock this game for good reason. It is very much a boomer white man’s idea of the civil rights movement but with robots. The robots sing actual slave hymns. The main character is essentially a light-skinned Martin Luther King Jr (dubbed Markus Luthur King by blktwt lol) and the religious allegories of him as a savior figure are very on the nose. It is bad lol. It’s not that I wouldn’t want to explore the black characters but the fandom is full of young white people singing the praises of this writing while patting themselves on the back about it which is genuinely uncomfortable to be around. Just my 2 cents but the virtue signaling and insane policing around those two characters makes it unbearable to interact with their content it is deeply sanitized and you WILL get death threats if you attempt any nuance or are critical of the (kinda racist imo) way they were written in canon.
The worst part of this is that Markus has a popular ship with a character a lot of people read or interpret as a more soft or femme gay man and you know what zoomers hate? Femme gay men. So obviously this is made to be ‘problematic’ in some way because these people can’t just admit to being femmphobic/homophobic themselves.
Sometimes it’s easier to stick with the boring white characters in the background because they aren’t being closely guarded by stupid reactionary people who are used to flashing their favorite fictional poc characters as tokens of their own goodness and virtue.
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The pinnacle of this game is that moment when the black lady lectures her son about why they need to run the robot underground railroad to Canada.
I watched some playthroughs. Unsurprisingly, I liked the buddy cops with the good development, not the cringey activism plot with too many foils and not enough development of any single relationship and not the the Women Care About Babies plot.
But if I were going to do something fannish with Markus, I'd write him having a fucked up relationship with his mentor's son post game—the surrogate son who thought the guy was great and the estranged son who knew he wasn't but who has also done a bunch of shitty stuff himself.
It's especially hilarious when tryhards think the problem is not enough people shipping Markus with North as if the slashers are going to be into 1. het and 2. yet another unnecessary traumatic sex stuff backstory for a lady.
Even worse, half the whining isn't even about that Nines fanon nonsense being more popular than Markus: it's about how Markus/Connor would be better than Hank/Connor because old people are ew.
Sorry, children, a lot of people are here to thirst for Clancy Brown and because they'll turn up for any Caves of Steel ripoff. Other Connor ships were never in the running.
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thephantomcasebook · 19 days
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I'm thinking they won't focus so much on Helaena. Phia isn't promoting anything and we haven't heard from Helaena. All the characters had something, except her. I really wanted to see her connection to Dreamfyre, but I don't think that's going to happen. I even believe they will kill her at the end of season two. Leaving Alicent isolated when Rhaenyra conquers KL in Season 3.
I just don't think they never knew what to do with Helaena.
I think they had a bunch of concepts that they never, really, followed through with.
Remember, this is me putting commentary before seeing Season 2.
But, for now, I think, because she's not girl boss, or feminist mouth piece, she must now take the place of victim of evil patriarchy, and an example of this man run world's cruelty to women!
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When you write everything in the prism of gender politics, that's when you run out of creativity real fast. I can think of about 100 ways to utilize Helaena and give her a character beyond the "weird girl" to "Sad girl" pipeline. But you'd have to give up your political messaging bullshit and start thinking like a human being.
So, they'll never do it.
It's too bad, I think Phia Saban could've done it too. Her problem is that she went way too far into Helaena being autistic and couldn't pull back to give her a functioning character. The young tween actress did a really good job of playing dreamlike prescient while still playing a normal bratty Princess in her preteens.
It's the fault of the directors and the show runners for not telling Saban to pull back. I think they liked her choices initially ... till they had to write that characterization and then they got all trapped up.
The other major problem is that they're doing "Blood and Cheese" way too early and basically sacrificing characterization of getting to know "Team Green" for a cheap pop for the normie audience. Now, we're never going to see what Helaena is like, or what her interactions with her family is like day-to-day, because, she'll already be withdrawn and sick with sorrow from almost the outset.
If they had pushed "Blood and Cheese" till after Rook's Rest, and make it a botched assassination attempt on Aegon II in his hospital bed, after being wounded at Rooks Rest. Then, you'd have an entire season with Helaena and see her dynamic with not just her brothers and mother, but get to know her relationship with her children, before, making her basically mute and comatose. That way we get to know Helaena and the children, and feel something more at their death.
It's a missed opportunity, because, the writers and showrunners are chasing headlines rather than narrative.
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