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#the page i linked to has a lot of interesting things to say about henry v's ugliness lol
britneyshakespeare · 5 months
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I wanted to praise David Giles for giving David Gwillim the scar on his face after the Battle of Shrewsbury, that the real Henry V most definitely had from... well
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(x)
Because this is the only thing I find really interesting about the true historical Henry V to be honest. And not particularly the wound of it, either. Moreso the fact that he hid the wound and we'll never know what it really looked like. Because we have this miniature of him as a prince, presumably a likeness taken (if taken from life) while he was quite young
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And then as far as authentic images of him as King go, they're all taken from the side. Which was not conventional for portraits!
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But then whoever put the wound on Gwillim keeps moving it to appear on slightly different parts of his face. Lol. Well.
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okay! percontation point/rhetorical question mark investigation has been done! i am putting this under a read-more because it's super long but if this causes accessibility issues please tell me lol (i don't remember if it does but i am trying to make my original posts more accessible so...)
tl;dr for anyone who doesn't read the whole thing, i basically just looked through some really old scans to prove the origins of the percontation point (and that sounds really boring but maybe it's interesting? it would be more interesting if progressive punctuation would email me back lol)
. ? ! , : ; ' " – — - · ... [ ] { } ( ) / < >
22/22
bonus:
⁂ * † ‡ ⁓ ~ & ⸺ ❦ ⸮ ‽
11/20
so basically, this is related to this post* i reblogged a bit ago because something about the graphic on it was bothering me... here's the graphic in question btw
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[image id: a picture with nine punctuation marks in three rows of three. the first row has (from left to right) the acclamation point which looks like an exclamation mark with two stems pointing in sort of a v shape from the dot, an exclamation comma which looks like an exclamation mark with a comma instead of a dot, and an interrobang which is a question mark with an exclamation mark laid over it. the second row has the love point which looks like a question mark with two of the top parts put together to form a heart, a friendly period which looks like a period with a curved line underneath it, and an authority point which looks like an exclamation mark with a curved line perched atop it. the third line contains a rhetorical question mark which is a backwards inverted question mark, a doubt point which looks like a question mark with the top part shaped more like a cursive z, and a question comma which is a question mark with the dot replaced with a comma. end id.]
so, i've done a lot of research on irony punctuation throughout my days—whether it be to argue with a reddit comment or just for punctuation day reasons—and i would say i know a lot about irony punctuation (of which rhetorical questions fall under i guess? according to wikipedia at least)
so, that post was bothering me because the rhetorical punctuation mark i know is the percontation point (⸮) invented by henry denham in the 1580s & the mark used on the post was an inverted form of this
now, here was the easy investigation on who made this graphic. i already said so in the tags of the post, it was by progressive punctuation; they even have a specific page on their website with this information. now when i saw the rhetorical question mark they used, my first thought was, "maybe they're talking about a different rhetorical question mark" but then...
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[image id: a screenshot from the progressive punctuation webpage on the rhetorical question mark. it says that the inventor is henry denham, it was invented in the 1580s, and it was invented in london. end id.]
see, so here's the real problem. they're citing it from henry denham when his mark doesn't look like that. so then i did the logical thing and tried to find where henry denham even printed this thing in the first place. and that's where the fun(?) part begins.
so, i have a range in the time periods i'm looking for (⁓1580–1589) and i have a name (henry denham). first question: who's henry denham?
the answer isn't that interesting but it's contextually helpful. henry denham was, suprise suprise, a printer from england. allegedly he's iconic but the most i can find about him is that he's a printer and he invented the percontation point. one website (link) claims the use of the point to be from around 1575–1625 which is kinda not 1580s but. i don't know what the deal with that is. (if i figure it out, i'll explain it) and attributes it to either henry denham OR the translator anthonie gilbie (and denham was apparently his printer?? idk man this is a whole web of shit)
so, who's anthonie gilbie? firstly, the only things i could find were for anthony gilby and not some guy with a weird -ie but that's not really relevant because the guy is also a translator from 16th century england so like. i don't think that's likely they were two separate people. so, anthony gilby is a radical puritan who translated the geneva bible into english. the geneva bible is one of the oldest english language bibles, predating the king james bible by around 51 years so i guess that makes anthony gilby pretty important. shakespeare used it, cromwell used it, milton used it, it's a big deal. gilby only translated the old testament, another guy called william whittingham translated the new testament so that does narrow down the thing slightly
but also, i'm not reading the fucking bible again especially not in old english so. i want to narrow it down more.
and that means we're going back to henry denham ! yay! since the source i was using was the only one that provided anything at all on the origins of the percontation point, i went back to it to see what else it had to say. and what it had to say was that there were two examples, one was the psalms of david† (in roman font) and the other was a book called tragicall tales (in blackletter font). so with those being our only two leads, we have to follow them.
so i search up "psalms of david 1581" to see if i can find a scan. and the first thing i find is a 1581 enchiridion on the psalms of david (1st edition) that's 795$. yikes. luckily i don't think that's the one but that certainly did freak me out since it was from the same year and shit. anyways. the online geneva bible has 150 chapters of psalms so we'll just talk about tragicall tales first
now what the absolute f⸺ is tragicall tales? and to that i say. well. i don't really know.
except, jk i do apparently know now! tragicall tales was a novel written by a man called george tuberville‡ and published in 1587, and while i can't find any direct statements that it was denham that invented it, it is in blackletter font and printed the same year as the article said so... i think it's a safe assumption to make that this was denham's work. the next thing to do would be to find tragicall tales which i wasn't too excited for given the last time i tried to find a book for this it was almost $800 dollars.
but i struck gold. not only did i find a copy on archive.org (link), i also found a typed out version (link) but the punctuation there is badly transcribed in my opinion so. take what you will from it but. idk man i think i found the right stuff. so without further ado:
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and while this is probably the oldest crustiest scan ever and also 400 pages long, i did find something! yay!
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[image id: five screenshots from the internet archive scan of tragicall tales, each containing a backwards question mark aka a percontation point. end id.]
now, i know looking at this, it's kinda hard to tell what's going on due to the quality of the scan, typeface, and other stuff, but i'll break it down real quick. the percontation points here are after the words wife, fame/same (it's probably a long s but it looks more like fame if that helps), about, will, and wife again. i tried to get a few that have normal question marks in them to prove what i'm talking about (they're in the second, fourth, and fifth screenshots) you see em? cool, because my eyes might fall out of my face with how long i had to look for these. good lird.
but what about the inverted one? now, i did scour this as hard as i could and the closest one i could find was this
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[image id: a screenshot from tragicall tales reading "la mia donna bella è buona". end id.]
but at the same time, the typed version has that as an è and not punctuation of any kind and while i don't agree with the typed version 100% i do think that makes more sense. so there. that's all we got out of tragicall tales. back to psalms!
i was very excited to read this.~ (that's a snark mark btw. i was not) i already had to read the bible once recently for ... reasons? (i'm not super religious) and that was the new american bible not a fucking bible in middle english. so. this is somehow worse. and yet. i ended up trying my best to find it
now seemingly it slipped my mind that unless there was a scanned copy of an original it would likely not have the mark i was looking for because i looked for ages. it was a fucking nightmare. psalms sucks especially geneva psalms. but, archive.org came to my rescue yet again. and let me tell you. it still didn't help
firstly, the geneva bible looks like this.
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[image id: a screenshot of a scan of the geneva bible. it has two columns of text along with notes off to the side and footnotes. it is written in middle english. end id.]
if you're lucky (?) the geneva bible looks like this
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[image id: another screenshot of a different scan of the geneva bible with a similar layout but it is more yellowed and fancier. end id.]
yes, i looked at two different scans of the same book sue me. or don't preferably. but this did give me one clarifying idea of what i was doing wrong. the article i had referenced said that the question mark was in roman font. the main text of the geneva bible seems to be in blackletter. so i had to look in the side columns. and look in the side columns i did. and yet, that didn't seem to help any either (if anyone wants to look the first one is linked here and the second is linked here; i don't think they're in there though in hindsight)
and yet, there was one last place to search. the psalms of david truly opened and explained by theodore beza. a completely different text by anthony gilby (and his name has the -ies in it in the scans i can find of this so that's also a good omen) and it's still david psalms so i hunted it down. and great news
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[image id: a picture of the first page of the psalms of david truly opened and explained by theodore beza. it has the translator listed as anthonie gilbie and printers listed as richard yardley and peter short. it is extremely brown and looks very old. end id.]
it's an even older looking book! (though to be fair, the geneva bible was older they probably just reprinted it more often) (i found it here if that's anything)
quick intro to people: theodore beza was a french calvinist who lived in geneva. he's not really important to this story. peter short and richard yardley were printers who worked for the stationers' company (aka the worshippers company of stationers aka the worshipful company of stationers and newspaper makers) and i will get back to that.
so now we're getting... somewhere? i mean, this book does have cool wood cuttings right?
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[image id: a picture of a wood cutting of a man kneeling in front of a book, with light and a fancy frame. end id.]
but does it have percontation points?
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[image id: a picture from the psalms of david truly opened and explained by theodore beza. it has two percontation points in it. end id.]
oh hell the fuck yes it has them. look at that! two of em right there! that solves that mystery. and i didn't even have to look at the geneva bible. but it's fineee <- didn't want to look at the geneva bible but whatever
but where's henry denham?
like first of all, the article i was using said "1581" for the psalms thing so either that's a different psalms with percontation points in it or something got screwed up because also... the printers are names on here and neither of them are denham, especially considering the book came out in 1590 and denham quit publishing in 1589 (or maybe 1591? it's unclear). they also confusingly say he was succeeded by short and yardley and while i can't find anything about yardley, i do know that denham also worked for the stationers' company so they were at least colleagues in the printing business . so this isn't denham is seems but also... he did make the percontation point in 1587 in the tragicall tales so i don't think it's a question of inventing it, that was probably still denham. there might be another psalms out there with percontation points in it but who knows? i really don't think we need more proof when we say that this -> ⸮ is the percontation point :}
so where the fuck did this other one come from‽ because if i know one thing it's that progressive punctuation has generally been right... so what's the deal with that?
of course i did the only logical thing and emailed them. i hate emails but i did it anyways. for you (if people don't reblog this just for the sheer effort i will be mildly saddened. here's a secret interpunct for you for reading all this shit. -> ·)
and of course, i didn't get an email back immediately which was disappointing. in fact, as i post this, i still haven't gotten an email from them (i waited like a week but if they do email me back i'll update you)
so anyways, then what did we learn if i never got an email back? how to do dumb research for a day and learn absolutely nothing new? i mean i actually kinda don't know how to conclude this now that i think about it. i guess we learned that henry denham probably invented the percontation point and that maybe we should start using it more often. and that you should check infographics you see online, i guess? maybe don't check them this intensely though because. that was a lot. :{
* don't you dare go harass the op i swear i will kill you if you do
† apparently these aren't by david according to most scholars but whatever
‡ unrelated as far as i am aware to tommy tuberville, a u.s. senator from arkansas. he seems to be kind of an asshole but i'm not from arkansas so i don't really have an opinion
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chronicbeans · 1 year
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Alright I am FINALLY Making a Fandom/What I'll Write for List
Current Hyperfixation(s): Hazbin Hotel, Tentador Leches, Lackadaisy, Don't Starve, TNMN, Dead Plate
I'll edit this list as my interests change. Also, there are some notes for each fandom. I'm adding a read more because it is probably going to be long. Some things I write for may not be listed, simply because I'm not taking requests for them. This list is mainly so people know what they can/cannot request.
As a quick note beforehand, though, I just want to post a link to a passion project I am creating! It is an original story, and is very personal to me. I really hope that anybody stumbling across my page or who already likes some of my fandom content will be willing to give it a read or look into it. More information is in the post linked below.
WELCOME HOME:
Anyone, basically. Yes, this includes Home.
PERSONA 5 ROYAL:
Adult Confidants (just in case, yes, this includes Takuto Maruki) - I will write for them. I think they need more love, lol. I also absolutely adore Takuto Maruki so like... Please request him-
The Phantom Thieves - I will write for them, but no NSFW because most, if not all are in high school. Some might say that a couple of them are 18, but I feel like it would be unfair and still a bit weird for me to write that stuff for.
FNAF:
Adult Human Characters - Mainly William Afton or Henry Emily, but I will also write for the night guards and any other adult human character.
"Animatronics" - If I write for the animatronics, they won't actually be animatronics. I wouldn't really feel comfortable with that, just because most, if not all, are possessed by the spirits of children. So, if I write for them, it will be in a AU where they will just be anthropomorphic animals in their own little world. Kinda like if the pizza chain had a show, and it is the in show universe.
As a heads up, I am not too in the loop about where the FNAF lore has gone, and I only have the first book. So, a lot of the more lore based Headcanons or FICS probably won't be that accurate. I might also try making my own AU based on only the first 3 or 4 games, but I will probably only write one story for that, and decide if I will write headcanons based on that according to how well it is received.
WHAT REMAINS OF EDITH FINCH (WROEF):
Every Adult Character - same rules apply as the other adult characters. I will Headcanons or stories for them during the time they were alive, of course. I have also had an AU idea where the family haunts the house as ghosts, so I MIGHT write headcanons for that, too.
ANGELS OF DEATH/ANGELS OF SLAUGHTER:
Dr. Danny, Cathy, Reverend Gray - YOU CAN'T STOP ME. I LOVE THEM OMG. ESPECIALLY DANNY. I would write for Zack but like... Sorry guys I just don't really like him enough to have any ideas... (No shame to Zack lovers, btw. I just can't get the groove going for him).
FAITH THE UNHOLY TRINITY:
John Ward
STARDEW VALLEY:
All bachelors/bachelorettes. Especially Harvey he needs more love-
PORTAL/PORTAL 2:
Wheatley, GLaDOS, Caroline, Cave Johnson, Chelle, and Doug Rattmann
THE HEILWALD LOOPHOLE:
All doctors and nurses
BATMAN (in general + my own versions of the characters [Chronicverse]):
Just the villains (including Catwoman and those who play both sides). I personally just can't see the appeal in the heroes.
THE DARK PICTURES - LITTLE HOPE:
So I have only played Little Hope, so far, so I can't write for any other Dark Pictures installment. I'll write for any character besides Megan/Mary.
COOKING COMPANIONS:
Anatoly, Karin, Gregor and Mariah.
UNCANNY VALLEY SERIES (House Hunted, John Doe):
Maison Talo, John Doe
TENTADOR LECHES:
Koolie Sterling
ERROR 143:
Micah Yujin
Hazbin Hotel:
Alastor, Lucifer, Adam, Angel Dust, Husk, Charlie, Vaggie, Niffty, Sir Pentious
MY OWN CHARACTERS/ORIGINAL STORIES:
I'll write for most every character I create. I probably won't write "Headcanons" if nobody is interested, but I will still write stories for them. Those stories will include x Reader sometimes.
Currently I am working on a story/series called Tales from the Iolite Hospital.
WHAT I WON'T WRITE
No proshipping, MAP, Zoo (I don't count furries as zoo, because they have a human level of intelligence and consciousness), Noncon, Dubcon. Currently no NSFW, but that might change in the future.
WHAT I WILL WRITE
Yandere, chronic illness, specific cultures (It may not be the most accurate, but I will try. I think of it as a learning experience), LGBTQ+, mental health struggles.
THINGS TO KNOW ABOUT MY WRITING
Most everything I write will have some sort of horror or heavy topic in it, even if it isn't a yandere story. I LOVE horror. So, if you don't like horror and heavy topics, or can only handle it at specific times, I understand! It is just kinda my thing. If that is the case, then idk if this blog will be for you/be for you all the time. I will always make sure to try to put trigger warnings at the top of the post, though, so that people are comfortable.
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was thinking about robert shaw again today, and i wanted to do some archival digging to see if i could find some interviews he'd done in the past other than his appearances on the dick cavett show & the new england our way documentary (which honestly seem to be the only filmed interviews he's ever done).
i found over a dozen eighteen(!) articles, but there was one published in the guardian on july 16, 1971 that i found especially interesting! while he does talk about the usual things discussed in his interviews (his children, his work, his love of writing over acting) he does also speak (albeit briefly) about his being a socialist - which is really *not* what i would have expected robert shaw's political alignment to be ALKDGNSDKLGN it's so cool !! he was so cool.
it's a horrible, horrible scan though, & looks something like this:
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so i've just gone ahead and transcribed everything to the best of my ability below. i've also made some slight changes to punctuation for the sake of readability. there were a lot of strange run-on sentences in the original article.
i'd happily share the link to the original document, but i found it via proquest and my university's name is directly attached to any generated permalinks :( issn is 02613077 and doc id is 185459069 though! interviewer/author of the article was terry philpott.
“Most people, you see, think that actors are stupid,” says Robert Shaw, stage, film, and television actor, playwright, and novelist (“The Sun Doctor” won the Hawthornden Prize). It is likely that most people think that there are two Robert Shaws. People who read novels think that there is a novelist called Robert Shaw, who has nothing to do with that dreadful actor who they occasionally see on television, or they think that he is the son of the son of George Bernard Shaw, and are too ignorant to know that he didn’t have a son. The popular image of Shaw shows him starring in films like “From Russia with Love,” “The Valiant,” “The Battle of the Bulge,” “Custer of the West,” and “The Battle of Britain.” He was a memorable Henry VIII to Paul Scofield’s More in “A Man for All Seasons,” [?] fewer people know him in the [?] adaptations of Pinter or as a stage actor. Shaw too is an intensely physical character, the man of the media who offers tips in drinking, the sportsman, the father of eight children, and the owner of four cats, who delights to drive at high speed. Even his novels, serious as they are, contain this intense physical aspect of their author. His priest in “The Flag” was a former miner, a man of great physical energies who harboured doubts about [?] and his faith. Halliday, the sun doctor, found his moral conflicts besetting him in the African jungle, and in between their philosophizing and perhaps [?], Slattery and Lewis in “A Card From Morocco” drink and rage. Yet in Shaw, the intellectual and physical seem in [?] compatibly at one moment, he is eagerly discussing sport; at the next, art; a discussion of politics with reference to Lord Liverpool’s ministries takes up as much time as a discussion on driving; he discloses his Socialist convictions with an angry gusto; makes what appears to be a thoughtful remark, but laughs suddenly and says that he was only joking. The challenge, egotism, sharpness of thought and quickness of word are not Shaw acting public Shaw, but the essence and reality. “I genuinely love to shock my readership into something,” says Shaw the writer, “But I am always thinking of how I can get their attention, of how I can shock them out of their smug, middle-class ways. I want to shock them out of their stupor, to shock them into awareness, to make them think. Everybody is shocking them sexually, but I am like the Jesuit priest, and I want to make the boy [thud?]” “There is so much sensationalism, now. How can you do that? I have got to get at them after they take my books off the library or book shop shelves. I know how Edna O’Brien does it, but the first pages of my novel aren’t those of the popular novels. I am a political pamphleteer.” Shaw believes very much in early formative [influences?], and perhaps his character can be explained by his upbringing. Born in Lancashire, he was eldest of the five children of a doctor, who committed suicide when his son was 11. “My mother was the total influence. She is an extremely strong woman, a puritan in the true sense of the word. We were thought of as a family of some social standing, the family to know in the village. While my mother used to tell me not to play with the ‘common children,’ from her I learnt also real humanity.”
Although his childhood was spent mainly in the Orkneys and Cornwall, the family lived near Bolton through some of the Depression, a period of lasting influence on his political leanings. His interests in writing and acting grew simultaneously at school. At 21, he joined the Royal Shakespeare Company at Stratford-upon-Avon for two years, following them with a year at the Old Vic. As late as 1960 he was still known mainly for his role in “The Buccaneers,” although his first novel, “The Hiding Place” had appeared in 1959, and the year before that he acted in his own play, “Off the Mainland,” at the Arts Theatre, London. He supplemented his income by journalism, writing feature articles for “Queen” and [chairing?] television’s [lone essay?] at a regular literary programme, “The Bookman.” There he introduced to the television public a young novelist named Edna O’Brien, whose first novel, “The Country Girls,” had just appeared. “I write, first, because I have a childish desire for immortality,” Shaw says, “I don’t know why it is, but I have noticed that other people have it, too, although in an essay Adler wrote that it was not a desire strong in women. Secondly, I am a political writer. I feel very radically about some things, but only in a certain kind of way, not in a square-on political party way. I would like to influence people to a hard and tough radicalism. That is why I admire Orwell so much and I admire him even at his worst. We are surrounded by second-rate, trashy writers who are taken up and praised. It isn’t that I think Harold Pinter is the greatest playwright of the century, but even at his worst he is an intelligent writer.” Acting offers few compensations. “Films are a business and seldom an art form. It is a director’s medium. For obvious reasons, there are no good screen writers, because anyone with any sense doesn’t want to be one. The only films that I have been in that have made money have been the bad ones, so you’ll see what I mean.” He is currently playing Lord Randolph Churchill in the making of “Young Winston,” the Richard Attenborough-Carl Foreman film adaptation of Churchill’s “My Early Life.” Here there are some satisfactions. “It is one of the last big budget pictures. I have the best part, with the possible exception of Anne Bancroft as Lady Jennie Churchill. Hardly anyone knows anything about Randolph, so I’ll have to be bad not to be able to do something with the part. While he wasn’t the equal of his son, he was a very remarkable man. It is pleasant to be playing an intelligent man for a change. I have also got my best wardrobe since Henry VIII, so that is my vanity satisfied. Few are working in the industry at the moment, so even to be working is some feat.” Filming can occasionally offer deeper rewards. “There are some occasions when you are working with someone really good, like Joe Losey, and filming can become art and takes on something special. It is a sort of religious moment when you feel that you are really communicating something. It is probably an illusion, but you can also feel it when you write. It has only happened to me rarely with acting.”
He and his wife Mary Ure may go to Broadway in Pinter’s “Old Times,” but even stage acting Shaw finds of dubious interest. “There is an English mystique about the theatre, thus stage actors are knighted and film actors are not. I get bored by any stage play in about four weeks, but you also have an audience to respond to you. The great difference is that in the theatre you can dominate the audience, whereas in the cinema you can woo them.” For these and other reasons he would not leave acting. “I would like to say that. I was going to stop acting completely, but I can’t. Apart from the other reasons, there is, first, this childlike side in me that loves acting, and although I curse it at times, I think that acting is under-rated. It is certainly better than many professions; being a politician, for instance. Secondly, I can’t afford to be just a writer. I could afford it if I were prepared to live in a poorer manner, but now I am used to living in a certain way. Anyway, I rarely go out or buy clothes or spend much on myself, but I have a lot of dependents.” Acting, too, allows him to subsidise his writing: the National Theatre have just paid him £100 for his new play, “Cato Street,” which he worked on for two years, and he has another novel, “Flesh and Blood,” planned for publication next year. He is working at the moment on the second volume of “The Cure of Souls,” his trilogy, the first of which was “The Flag.” It will be set during the Spanish Civil War, a period and event of enduring fascination for him. But he does not see the trilogy as the work for which he might be remembered. “I keep getting little ideas which are more relevant, contemporary, and will be in the end more important. Conrad kept breaking off his larger works like ‘Lord Jim’ to write other works like ‘The Heart of Darkness.’ I am trying to achieve that kind of book.” Shaw enjoys his wealth. “It gives me power, but more than that, if you are proud and poor in modern society, it isn’t very pleasant. I was always willing to be sacked by a director. I can afford to be now, but I believe that every actor, whatever his material position, should be willing to be, too. Money also offers me freedom and space.” It is providing him with a large house in Ireland where he will indulge again his desire for immortality by creating a great garden. Shaw admits to some incongruity in a Socialist enjoying the comforts of the Savoy and talking about his wealth. He says it is a dilemma that has confronted him for some time, but he has reconciled himself to it in the knowledge that he is an autocrat, and does not know a talented person who is not. “Here I am living like a capitalist, and yet I believe that if there were a real chance of equality[,?] of opportunity, of real socialism, then I would give up all the money. It would all go. Definitely, definitely, definitely. That I really feel.”
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realcatalina · 1 year
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Painting of Edward IV and Richard III’s jaw
You know I have over 100 fallowers now and i am beginning to think, that if I don’t show a nice picture on top of post, nobody bothers to read it. Especially long ones, where firstly evidence needs to be laid first. But enough about misidentified portraits of Mary I, let’s look at another interesting portrait.
Posthumous portrait of Edward IV, part of Goverment Art Collection:
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Links: https://artuk.org/discover/artworks/king-edward-iv-14421483-29441/search/has_image:on--date-from:1530--date-to:1570/page/13
https://artcollection.culture.gov.uk/artwork/1262/
Supposedly from c.1540. Well, dating nor maker is that much of concern to me at the moment. What I find striking is similiarities and differences to portrait of his brother Richard(on right):
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Neither painting is in good condition, but the face are very similiar.
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Very similiar brows, lips, considerably wide jaw and overall shape of face. Completely different noses and weight, but overall pretty good resemblence consistent with siblings.
Imo they were done at same time, and wood for Richard’s painting was felled in 1515, and was goldwork suggest it could have been Wewyck’s workshop.
Edward’s though-i think the ouftit is supposed to be cloth of gold-but it is not covered in golden leaf and rose is done very differently to any made by Wewyck’s workshop. Idk what to think of it. But workshop can mean big artistic differences, because artist come and go.
Interestingly they both have black cuffs or perhaps black shirts beneath outer robe and hat of similiar shape(though different size). 
I am beginning to wonder, are the similarities due to them being created to look alike by Tudors or are they based upon earlier depiction? Perhaps a tombstone? -Which could have been done in advance.
In my opinion it is the 2nd option and reason for it is recreation based upon Richard III’s scull. As you look at photos of it from different angles, there is quite a lot of resemblence to the painting of Richard III with broken sword.
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The differences could be solely due to recreations being sometimes only 70% accurate. And only now I noticed one thing in recreation which I didn’t prior.
Richard had mandibular prognatism(lower jaw slightly pushed foward):
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In the painting there is hint of it too, but very subtly, and certainly not overexagerated. (unless you search for it, you won’t see it.)
So Richard had unusual position of jaw, and bend spine-based upon scientific evidence taken from his remains. And his fans still say Tudor propaganda!
It’s most likely that Richard’s physical form contributed to the man he became. It shaped him growing up.
People who have this condition appear to others to be constantly angry. Even when they are not. And as result people might shy away from them. Avoid them, feel uneasy around them.
I know person who has this condition. A lovely person, but she has few friends and had been growing up constantly arguing with her mother, because her mother kept asking her-Why are you angry all the time? What sparked your ire this time?! -She was rarely angry before her mother snapped at her.
The saddest thing about it was that her mother knew all along the girl had the condition, and yet couldn’t for years bring herself to accept her daughter is not angry all the time, just looks it. 
Sadly this brings me no closer to knowing if painting with arched top is Richard or Henry, because Henry also had considerably wide jaw.
13 notes · View notes
mrs-gucci · 3 years
Text
Casting Couch {Charlie Barber x Reader}
author’s notes: hello, hello! I was driving home from work the other day and this idea just suddenly took over my entire thought process. so, naturally, I went ahead and wrote it up :)
warnings (what you see here is what you’ll get!): smut. the enemy of my enemy is my ally (with benefits). p in v sex. protected sex. rough oral sex. cum- swallowing.
(possible) tw’s: semi-public sex.
word count: 3.2k
charlie’s taglist peeps! {charlie currently doesn’t have any taglist peeps} my general taglist peeps! @frank-and-honey @shygirl268 @icarusinthesea​  @gildedstarlight​ @mrs-zimmerman @soldmysoulagain @roseepossee @pascalisfairyy​ @I-can’t-draw-faces @ahsoka1​ @babbushka​ @safarigirlsp​ (if you’d like to be added to or removed from any of my taglists, the link to the google form is HERE or on the top of my masterlist)
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Two Years Ago.
“Y/N...she fucking did it again.” Nicole says as she barges through the door of hers and Charlie’s shared brownstone. “She got the fucking TV gig.”
Charlie’s eyebrows furrow a bit before looking up at his wife with an empathetic expression, setting the notebook and pen he’d been using down on the coffee table.
“Bummer. I really thought you had it in the bag.” He says, elbows on his thighs as he leans forward a bit, folding his hands. “There will be other roles; I wouldn’t worry too much. You win some, you lose some; that’s how it goes in this industry. You’ve taken plenty of roles from her.”
She sighs, nodding. “Yeah, I know, but this one I was excited about. And I really thought I had it, too. It just stung a little extra, you know?”
Her husband nods, patting the seat next to him on the couch. “C’mere, sit with me. We’ll have a glass of wine.”
Nicole gives somewhat of a dreadful grimace, a clear sign she really wasn’t interested. Charlie’s been noticing this for the past few months, her disinterest in being with him as much as she usually was, but he figured it was just her being tired. She’s been doing a lot of odd jobs to make some ends meet lately, so it’s probably a result of that.
“Are you sure?” He asks, a twang of longing sadness in his voice.
She nods. “Yeah, I’m just gonna go lay down for a bit.”
Charlie just nods, picking back up his notebook and pen, continuing to review and add to his notes from the day. 
“Let me know if you need anything.” He calls after her. “I love you.”
She only offers him a small smile over her shoulder in return before emerging into their bedroom, closing the door immediately behind her. 
Present Day.
It feels strange, holding auditions for a female lead. He hasn’t had to do so in almost a decade;  just yet another reminder of how much of his life has changed just in the past year.
The divorce had been painful, stressful, and he was honestly more relieved than anything when it finally came to a close, despite it not really turning out the way he’d hoped for in terms of custody over Henry. 
Luckily, he’s dove deeper into his one true love, directing, as a way to cope with the loss of everything he’d worked so hard to build for himself; the marriage, the 'American dream’ family and home he wished he’d had growing up.
Now, after six months of weekly therapy appointments and keeping himself busy with work, he’s feeling more like the old Charlie he was back before everything went to shit. Actually, he’s feeling like an even better version of that Charlie, the best version of himself there’s been in a while, perhaps even before he met and married Nicole.
The first audition comes onstage and Charlie can’t decide what’s worse, her off-pitch singing or her monotonous speaking voice. 
God, this was going to be a long fucking day.
-
You’d heard through the grapevine that the famed Broadway director had moved here to LA, and that he’d divorced his witch of a wife, Nicole. 
Nicole Barber had been your biggest rival ever since you swiped that first movie role away from her. She hates you, and you don’t particularly like her, either, thus your rivalry began. And it was pretty heated, too; the two of you were always trying to one-up each other.
It really was a back-and-forth battle, her swiping roles from you, you returning the favor; it was a game, to put it simply. Although lately, you’ve been getting more roles than she has, not that you’re complaining, and there’s a part of you that hopes she quits the business for good.
Word got around that Charlie is heading his first LA Broadway production and what better way to hit Nicole close to home than to show up at her ex-husband’s auditions? Even better, what if you got the female lead in her ex-husband’s production? Oh god, that would be fantastic, not only for the rivalry but also for your career.
You’ve been looking to branch out into more theater roles, and this is as good an opportunity as to dip your toe in the theater world water. Plus, you’re not necessarily complaining about having the chance to look at and work with Charlie Barber every day...
So you prepared your piece of dialogue and a section of one of the choice songs, heading over to the theater fifteen minutes before your set audition time. Your knee bounces as you sit in the waiting area, eyes running over your script and lyrics sheet one final time, solidifying it all in your memory.
Your name is called a few minutes later and you head out onto the stage, handing over your headshot and qualifications resume. The agent hands over your profile to the handsome director, but he doesn’t even really look at it, already knowing exactly who you are. A small smirk grazes his lips as he flips to a new page of his notebook, clicking the top of his pen.
“Whenever you’re ready, Miss Y/N.”
After you’re finished, Charlie scribbles one final thing in his notebook before looking up at you. His eyes trail over your figure for a moment, another smirk tugging at the corners of his lips.
“Would you be comfortable coming back for a more intimate audition later this week? Maybe, Friday at four? I would like to get to know you better, see if you meet all of my... qualifications.”
The look in his eye tells you all you need to know about the true motivations behind his question. You nod, biting your lip.
“It’d be my absolute pleasure, Mr. Barber.” You purr.
He shifts in his seat suddenly and quickly crosses one leg over the other before opening up your folder, handing the top sheet to his assistant.
“Diane, go ahead and have Miss Y/N put down all of her contact information.” His gaze never leave you as he speaks to the timid-seeming young woman. “Make sure she gives her personal cell number.”
You pull a pen from your bag on the stage, clicking it open before Diane hands you the paper. As you write every means of contact you can think of, starting with your cell number, you playfully bite the end of the pen and tap it against your bottom lip, something that certainly keeps the already attentive director’s full attention.
“Thank you so much for this opportunity, Mr. Barber.” Your tone is innocent-sounding, but your gaze is anything but. It sends a chill down Charlie’s spine. “I promise I won’t disappoint.”
“Oh, I’m sure you won’t.” A small tug at one corner of his lip accompanies his response. “See you soon, Miss Y/N.”
You offer him a nod.
“Looking forward to it.”
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In preparation for your upcoming...meeting with Charlie, you take a quick trip to the nearest intimates store, picking up a pretty little lace bra and panty set. Your lingerie wardrobe is long overdue for a bit of sprucing up, anyway.
When the time comes, you slip the fresh lace garments on before putting on your planned outfit, a cute-but-subtly-sexy low cut romper. You put on a light face of makeup, purely for professionalism’s sake, then head out with a small bag which contains various personal items as well as your script and composition page.
He’s not in his backstage office when you arrive, but he comes in a couple minutes later, a strong stench of cigarette smoke trailing behind him as he walks by your chair.
“I apologize for the delay. You weren’t waiting long, were you?”
You shake your head as he takes a seat behind the ratty oak desk, shifting a few small stacks of papers around on the heavily scratched surface.
“No, no I wasn’t waiting long.”
He nods, then folds his hands atop the desk, eyes flickering up to meet yours. For a moment, his eyes dart down to where your cleavage creeps out of your low-cut top.
“You’ve got the part.” Charlie says with a small smile. “You’re by far the best and most qualified audition we had yesterday, and I like the way you carry yourself. You’re exactly the type of person I like working with. Part’s yours if you want it.”
You’re overcome with joy, a wide smile spreading itself across your lips. “I’d love to be a part of this production, Mr. Barber. I’m really excited to get to work with you and the rest of the crew.”
“That’s great, I’m glad to hear it.” He nods, smile widening when as he processes your acceptance. His delighted expression falls after a few moments, replaced by one much more salacious.
“Now that we’ve gotten that part out of the way...I think you know why I called a meeting of such, uh, privacy.”
You smirk softly, shifting around in your seat slightly. “I believe I do.”
His feet plant on the ground as he pushes the rolling office chair out from under the desk, standing up and walking around the desk to tower over you. 
“Before anything happens, though, I want you to know that whether or not you do this with me will not affect my casting decision. Even if you decline, you still have the part.”
You nod before standing, quickly and swiftly, stepping forward to press yourself flush against him.
“Charlie?”
“Yeah?”
Your hands rest on his chest, neck craning slightly to look up at him. “Just kiss me, will you?”
He laughs, massive hand moving to cradle the back of your head before he bends down and connects your lips in a passionate kiss. There’s nothing tender or gentle about this embrace, it’s all tongue and teeth, raw lust coursing between your two bodies.
“Couch.” His voice is soft but husky.
“Unzip me first?” You ask, turning around so he can unzip you. He does, then his hands slide down to your hips and pushes you towards the leather couch tucked in the corner of his office.
The material squeaks when you’re laid down on top of it, head resting comfortably on the cushy fabric accent pillow as he climbs on top of you. He presses his hips forward while he tucks his face into the crook of your neck and plants kisses on the skin there.
Your eyes widen as his impressive bulge rubs up against your inner thigh and you quickly wonder how in the world you’ll be able to take him. His crooked teeth scrape over the taut muscles in your neck while his hands pull the backs of your romper down over your shoulders.
His hands grab and grope your breasts beneath where they rest in your nice bra, one you wore just for him, and your back arches slightly up off the cushions with a soft sigh. 
A small smile crosses his expression, teeth sinking gently into your neck. “I like the little noises you make for me, Y/N.”
“Yeah?” You smirk, running your hands through his hair. “Then I bet you’ll like my moans, too. If you think you can draw them out of me, that is.”
He laughs softly, sucking and licking at at the place his teeth have just abused. “Is that a challenge?”
“Well, it’s more like an invitation to prove yourself, but ‘challenge’ is also a good word for it.”
Charlie pulls away with a smirk, shaking his head as he sits back on his haunches and begins to unbuckle his belt.
“Brat.”
Once he’s undone his pants and pulled them down enough to expose himself to you, he leans down once more and pulls your romper the rest of the way off, leaving you completely bare, minus your undergarments. His eyes roam your figure for a moment before he dips a hand beneath the patch of black fabric nestled between your thighs.
Your breath hitches as his fingertips swipe over your erect clit, giving it a few little circles before yanking the panties off your hips and down your ankles, tossing them down alongside your previously-discarded romper.
His eyes widen in realization, cheeks flushing pink.
“Do you have any, um, protection?”
You smirk, nodding as you sit up and pat his chest. “Indeed, I do.”
He crawls off of you and you walk over to your purse, grabbing a condom from the mini-stash you keep in your wallet, the one you replenished just minutes before you left the house this afternoon. He takes it from you and pinches the tip, rolling it down his shaft. For a moment, you’re worried that it isn’t going to fit, but he rolls it on with little issue.
His hips press forward, then, entering you slowly but steadily with a soft grunt. You whine as your insides stretch out around him, hands reaching up to tangle in his hair.  “S-Shit.”
“You’re really fucking tight, jesus.” He growls between gritted teeth, jaw screwed shut as his hips begin to move. “I haven’t fffucked anyone in a while, Y/N, so I can’t guarantee that I’ll last very long.”
You nod, softly. “It’s alright, Charlie; it’s been a little while for muh--me, too.”
Your eyes flutter shut and your face begins to scrunch up with each time his fat cockhead brushes up against your cervix. His pace increases after a minute or so, a consistent slap-slap-slap noise now echoing off the drywall with each snap of his hips. 
“You’ve got a nice little pussy, you know that? Always knew you would be, too, knew you’d be a good little cccocksleeve.”
You moan shakily as he adjusts his position, towering over you and pinning your wrists above your head with one of his large hands. Your body begins to bounce, tits, thighs and tummy jiggling each time he thrusts in. 
He’s starting to sweat, a few dark hairs sticking to his dimly-glowing forehead, more and more accumulating there as his hair rocks back and forth in time with the rhythm of his hips.
“Touch yourself, now, rrrub your little clit.” His voice is getting shaky as he draws nearer to climax.
Nodding, your hand slides down between your joined bodies until your fingertips settle onto the small bundle of nerves. The hand that’s still weaved in Charlie’s locks clenches and he lets out a sudden deep growl, hips stuttering for a moment.
“Ooooh, Charlie.” You moan, hips lifting and gyrating against both his cock and your fingers.
“God, fffuck I love this cunt.” A vulgar squelching sound knits itself within the quilt of your salacious symphony. “Wrapped around my cock like a vice, gonna pull the fucking cum right out of it. Swear you get tighter each time I push back in...christ, I’m not gonna last.”
Your fingers circle your clit faster, setting a desperate pace, one that almost matches his quick and sloppy thrusts. You’re close now, too, and it doesn’t take much longer for your orgasm to hit.
You cream around him with a long moan and a string of various other noises, with a few profanities thrown in as well. The product of your release coats his shaft in a pearlescent sheen, dripping down his ball-sack soon enough. 
The sensations your climax creates around Charlie forces him to pull away almost immediately after, quickly yanking the condom off and onto his office floor, squeezing the base of his flaming red length. 
His hand seizes your jaw tightly, thumb pressing down on your tongue, prying your mouth open. “I’m gonna fuck your mouth and shove my cum down your throat, and you’re gonna take it all, isn’t that right?”
You’re nodding instantly, slacking your jaw to open even further in preparation for his upcoming intrusion. He smirks.
“Good. Now, on your knees.”
He sits down where you once laid, lazily pumping his throbbing length as you get into position between his spread legs. He pulls your hair up into a makeshift ponytail with his hand, then lines you up with his cock and eases your mouth down onto him.
“Thaaaaaat’s it, oh, gooooood girl.”
You start gagging about three quarters of the way down his shaft, but he still keeps pushing until you’ve got the whole thing in your mouth. Your jaw’s already getting sore as he begins thrusting upwards, fucking your mouth. 
Tears swell in your eyes and begin to spill down your cheeks the more he goes, mascara surely ruined and running down your face. The sight only arouses him further, a low groan rumbling through his puffed chest.
He’s trying so hard to keep himself together, to stave off his orgasm for as long as he can manage, but soon he finds it next to impossible to hold back. His bottom lip quivers ever so slightly as his length begins to twitch, balls drawing up.
“Fuck, I’m gonna--”
You taste and feel the salty ropes shooting down your throat before he can even finish his warning.
“Ah, fffuuuuck.” His head falls back against the couch cushions, hips bucking gently as each bit of release is spilled into your mouth. His grip on your head relaxes after he’s finished, cock softening while he catches his breath and re-grounds himself in reality.
Your chest heaves as full airflow returns to your lungs, knees and jaw aching a bit sore from their exertion. You grab your underwear from where they lay discarded on top of your romper, putting them back on before standing up on somewhat shaky legs. 
Charlie also redresses, standing and straightening himself out as you do the same. 
“Mind zipping me back up?” You ask, turning around again. 
He pulls the zipper up your back until it’s at the end of its tracks, then steps up behind you, placing a soft kiss to your shoulder blade.
“Thank you.”
A soft smile grazes your lips. “No ‘thanks’ needed; the sweet taste of revenge and spite is payment enough.”
He laughs quietly.
“Well, I’ll certainly be available, should you ever need a little replenishing of those feelings.”
“Mr. Barber, you wouldn’t be saying that because you’d like to see me naked again, now would you?” Your eyebrows raise and you look over your shoulder, a playful smile on your face.
He laughs again, blushing a bit. “Uh, yeah, sure, I'd like that a lot. But I’d also like to see you, um...not naked, fully clothed, maybe at a restaurant in the city for dinner sometime? I totally get it if you’re not interested, it’s not a big deal if you don’t want to...”
Holy shit, he’s asking you out on a date. Well, he’s trying to, at least.
You laugh, cheeks warming at his proposition.
“Sure thing. I just accepted this new job, though, so I’ll have to get back to you about my availability...”
Charlie smiles, shoving his hands down in his khaki pockets. “I’m sure your new boss would be more than willing to accommodate. He’s a pretty cool guy, or so I’ve heard. Handsome, too.”
“Oh yeah? Sounds like you have a reliable informant.” You turn around as you laugh softly, grabbing your bag off the chair before stepping up in front of him. Your lips plant a quick peck on his, hands resting on his broad chest. “See you soon.”
He nods, biting his lip to hold back his big, goofy smile.
“Can’t wait.”
240 notes · View notes
thirsthourdemon · 4 years
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Headcanon on their online platforms but mainly on Twitch, onlyfans stuff, patreon, tumblr
Includes: Demon bros + undateablesss
Genre: Crack, Fluff and slight smut
Warnings: NSFW mentions
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||Lucifer
-He didn’t have a big online presence because he was active, no no
-He had an online presence cause everyone always sees him on Diavolo s pictures and such so for a time they shared an audience
-One time Diavolo and Barbatos were doing a thing where they read a book aloud for some sort of game
-Diavolo kind of recorded that for a little bit
-ASMR I TELL YOU
-People liked it so much they suggested for “the one with the deep cold voice”, luci, to do asmr on youtube or something
-He doesn’t know what an Onlyfans is however he does have a patreon.
-Diavolo was interested in the idea and discussed it with him
-HE BLEW UP CAUSE EVERYONE WAS FREAKING OUT OVER HOW AMAZING HIS VOICE WAS OF COURSE! 😡
-His fandom consists of either people who are interested in what he reads or...Horny people who get off at how proper and low his voice is
-His profile picture is a picture of him with his head cropped out where he’s fixing his gloves
-Luci isnt like super famous but he has a loyal fanbase that appreciates him a lot also lots of simps with daddy issues
-He was confused as to why someone would ask him to be their father
-He gets the daddy kink but why???
-Last post: A picture MC took where he’s holding a whip cause mammon fucked something up 🙂
||Mammon
-Bold of us to assume he didn’t already have one
-You already know why he’s on here.
-He has random content but he mainly got his audience since he kind of tried modeling thing for a while. It was for a big brand on their new jock type jackets
-Mammon really wanted cash at that time and he got the thing over and done with making him a couple more grims richer
-The photographers told him they could transfer the pictures though! So he just saved his pictures because “Who wouldn’t want a picture of THE mammon?”
-That gave him the idea
-His audience? Whoreknee
-They even accept the fact that his captions for some pictures are “You should be honored you get pictures of me”
-He posts that with a blushing face half of the time HAHAHAHA
-Levi found it and just laughed at the pictures
-Surprisingly enough the pictures were actually well taken because MC was forced into em
-His most popular picture was the one with him was actually a picture that the brothers took of him tucking in what appeared to be goldie on a seperate MINI BED WITH A SMALL TOY LAMP BESIDE IT
-He did a QnA for his followers to celebrate on his instagram
-PFFTT He got so many questions about Goldie
-Was dubbed “Goldie’s Daddy” after that
-Last post: A picture of him wearing the new Luxury brand jacket he got and his keys in front of his car with the caption “Daddy’s going for a ride”
||Leviathan
-I’ve always head canon that Levi knows how to draw digital emotes. Like he just picked it up cause he wanted to make fanart of him in henry together 😔
-Also has a red bubble or an etsy where he sells some prints and stickers of fanart 👀
-He went on twitch since there were so many TSL streamers there who just played games while they discussed theories as well
-Levi is an emote artist and while he draws he sometimes just discusses the theories with his fellow Yucky Otakus
-He’s the type to really interact with everyone even though he barely does that in real life
-Sometimes though when he gets packages that fans sent or ones that he ordered he’d stream unboxing them.
-He hates showing his face? Oh dont worry He’s wearing a facemask and all that
-His fandom is genuinely into him. Like they actually like him as a person but kinda once got into a scandal on gatekeeping
-He took a break for a bit but he kind of said sorry and everyone just forgave him because he isn’t really the type to do drama and it was just that one instance-
-Overall loved by the community due to how chill he is and how invested he is on fan theories
-He has a twitter btw and lemme tell you it’s just threads and threads of discussions
-Whenever he does stream unboxing videos though and he shows his shelves everyone freaks out how he has EVERY FUCKING VOLUME OF EVERY ANIME AND GAME
-People sometimes ask him personal questions and he tries his best to try to answer them but he shows a face where he looks uncomfy
-Everyone just bullies anyone who makes him uncomfy giving his fanbase a very protective reputation
-Last post: “Unboxing fanmail L8er @ 10pm LOL CYA GUYS XD”
||Satan
-He has a tumblr. You cant tell me he doesn’t have one.
-He had tumblr like back in the old day though like when porn was still available here.
-Get this...He’s known all through out the academia blogs. He INVENTED Academia
-Satan has 1 blog and that’s it. It’s his main blog and he just posts pictures of the book cover and does essays, reviews or sometimes he writes the ending he wanted to happen.
-Dont get me wrong he has a patreon but only because people loved getting more exclusive takes of stuff like his book notes on certain pages or sometimes his notes and thoughts on Artistic Erotica
-Probably has a Ko-Fi because he though he needed it after most of the blogs he followed had it
-He thinks it should be “Table of Content” and not “Masterlist” so he uses just that
-Profile picture is him wearing his signature washed out green grandma sweater while he has a book in hand and a cup of earl grey on his table
-People go to him falling in love with his aesthetic and Book reviews but they stay in love with him because he is big on one on one discussions actually
-He goes for one on one voice calls where he just...He talks to you about any book of your choosing
-Fans send him tea but he knows better than to eat something a stranger gives so he makes beel take a taste first sometimes but ultimately scolds the boy when he takes too much
-He wasn’t supposed to have merch but everyone liked the idea of small packages (More like letters) that really do look old and vintage
-He usually only give those to the people who pay for the top tier stuff
-It usually contains 1 type of tea, a letter he wrote for them himself and a bookmark with his name stamped on it
-He got the stamp custom made ❤️
-Last post: (Insert 5k word essay)
This is what I thought of Edgar Allan Poe’s “A cask of Amatillado”
Playlist: (Insert soft classic Music playlist on Spotify)
Tea: Black Currant
||Asmodeus
-ONLY FANS THROUGH AND THROUGH
-Is a brand influencer as well
-The brand ambassador of this pretty well known semi-luxury skin care brand
-His devilgram? Perfectly made by his PR team which is just him and solomon
-Before I move onto the NSFW stuff I want to emphasize how Beautiful his instagram is and his aesthetic
-His aesthetic is romantic/sexual tension/Unparalleled beauty
-Also a make up brand influencer and has his own make up line
-something along the lines of “The Devil’s box of charms 🖤”
-The type to DG live whenever he’s just showing off the make up look he did or the outfit he got
-The house of lamentation may have PR packages stacking up due to how most of them have an online influence but out of 10 boxes 7 of them would be for Asmo
-OKAY NOW ONTO NSFW STUFF
-Lemme tell you this...He has a specific drawer and space in his closet just for the sexy outfits he has.
-The demon’s onlyfans has pictures of him just teasing his audience where he’s wearing a black skintight get up and his bulge is showing
-Nudes are for mid and top tiers
-His fandom loves seeing in stocking and chokers
-“The choker is from etsy and here’s the link to their shop~”
-He doesnt completely show his body but...Him in suggestive clothing gets everyone pre cumming
-His fandom is just filled with simps 😔
-He loves them and blows a kiss towards the camera everytime he ends a live
-Probably has had a scandal or 4
-Posted an Ahegao once and everyone lost it
-Has been the face for Ahegaos ever since
-Belle delphine who?
-Definitely tik tok famous too 😎
-Has memorized all of Doja Cat’s songs
-Last post: “Hope you guys are ready for tonight’s session~ 😈” With a picture of him in an Fuchsia and black themed lingerie set. A collar with a bell on it.
-Bonus: One time Solomon summoned him while he was taking pictures and he was still in his lingerie set. 😛
||Beelzebub
-Was originally inspired by Mukbangs Channels so he did them on youtube too
-You get his Mukbangs on your recommended, You subscribe because of his cute and funny reactions whenever someone in the backgrounds is astounded to how much he’s eating
-Everyone knew beel as a cute guy who just does Mukbangs and loves to eat
-He once did a fridge raid and ended up eating everything in the fridge
-That was THE MOST CHAOTIC VIDEO on his channel cause you can just see luci and MC trying to make him stop
-He eventually got a patreon because mammon told him people will give him more money for food like that and to be honest he made a patreon but mammon takes care of it from time to time
-Oh you knew him as this sweet beautiful boy who just likes eating? hERe HavE sOmE WorKOUt pICs
-His body got everyone thirsty or may I say Starving
-S I M P S everywhere
-His patreon content is just him making small videos eating or pictures of him being all sweaty from the gym 😛💦
-“DADDY BWDONMXMSKC PLEASE FEED US”
-“Eh? You should feed me instead” *opens his mouth*
-Fans send him lots of boxes of weird food to see his reaction sometimes
-Did the fire noodle challenge a bit late but everyone is surprised to how he isn’t giving the reaction like they expected him
-Spice tolerance? Unmatched
-His fandom is either “UwU Beel please eat try this!” Or “Daddy Please FEED US WITH YOUR DELICIOUS THIGHS! 😩🥵💦💦💦”
-He does the service where he sends you his body building pictures except he isn’t sending them, Mammon is.
-Manager Mammon 😎 Gets a half of the profit
-Can I just...BeelProbablyHasnevergottenintoanyscandalbuthasalotofhaterssayingthefansonlylikehimforhishandsomefaceandgreatbodyandnicevoicebutlikewhatiswrongwithlikinghimbecauseofthosethings?Itisntbadtolikethatstuffatall
-Last post: “🍙 Thank you to @(Your Username) for the Onigiri! I finished the whole batch! Please send more food”
||Belphegor
-Sleep Guru
-Im sorry but I cant see him having any other social media aside from tumblr, twitter and Devilgram
-Belphie barely checks his phone but he has tumblr because apparently there’s a thing called the SandMan’s Box Community
-It’s like LootCrate, a subscription service that gives you stuff like Comfy Pillow sheets and tea for better sleeping
-This even gives you something like sleeping masks or ear muffs.
-The community is well...nocturnal
-His ask box is always full of his 100+ mutuals who just discuss stuff with him
-Whenever he actually does try to type online he makes articles about the best sleep positions or stuff like that
-His fandom is just loving mutuals who sleep and take care of each other
-They have a discord server where it just plays soft music to help everyone sleep
-Last post: “Humans aren’t so bad when they’re asleep”
||Luke and Simeon
-He has a big following on twitch where he just bakes sweets in his cute little hat and-
-Clearly you can tell I follow him on twitch
-The type of twitch streamer that no one hates on because why would you? He is literally just baking and cute comments
-Sometimes he streams with Simeon and everyone loves both of them
-When people give money they dont give “money” no no...they call donating headpats
-Luke is just so adorable that everyone just...
-“Angel Lulu’s Protection Squad⭐️”
-He got famous when he...He doesnt want to call it a collab but He made a lot of sweets and gave them to beel so everyone freaked out and thought
-THE SWEET BOY THAT EATS A LOT AND THE ANGELIC CHILD THAT MAKES SWEETS A LOT ARE FRIENDS?!
-He is now pissed that everyone thinks they’re friends 😠
-Basically his fans started making dishes and candy inspired by him
-Sometimes they send it in and Simeon has to confiscate some because
-“Im sorry, guys. You are all really sweet and I know that you mean well but Luke isn’t allowed much sweets yet”
-No one ever EVER lewds luke
-Fortunately Luke’s fandom has the least amount of pedophiles because everyone drives them away the moment they try something
-Whenever luke does fan mail/unboxing videos people just adore how Simeon places a glass of water at the table below the camera and the scissors or cutter he uses is child proof
-Even though Luke is the main person on his account everyone also notices Simeon.
-How couldn’t they? He looked like he wanted to make everyone in the audience live a better life
-Add that with luke’s wholesome baking and BOOM! You are now ready for a better life🌟
-Last post: It’s a picture of Luke shyly showing of his new batch of sun and moon shaped sugar cookies. “Sun and Moon. Tune in later at 3 pm to see how we made these!”
||Solomon
-He barely posts but he helps asmodeus with his stuff
-Too busy with anything else but helps out when things get interesting
-Proposes Ideas for Asmo sometimes when the demon doesn’t know what to wear for a live or a story
-Laughs at Asmo sometimes when he gets into scandals and drama
-Happy cameraman ❤️
-People follow him because 1.) He’s hot 2.) The fans ship him with Asmodeus
-Last Post: “When will you learn 🙂”
||Diavolo
-He is a vlogger~ Not a very active vlogger but a vlogger nonetheless
-He films anything he can but he’s more known on tik tok and devilgram rather than twitch or youtube
-People have been thirsting for him ever since and no one can convince me that they dont just shamelessly call him daddy whenever he goes on live
-Barbatos makes sure however that whenever it isnt appropriate anymore that he would tell diavolo to turn the camera off
-Wranggled Luci into his mess and now everyone knows the face of that one dude who just reads documents
-Everyone lowkey ships them
-Diavolo is the type to take a picture of a big meeting or a retreat out of instinct to just document his life
-He actually didnt know about vloggers before but he just liked the thought of documenting it
-Everyone picks up “Master” vibes as they say from him hehehe
-He doesnt have an Onlyfans or patreon 😔😔😔
-I honestly would have subscribed to his services
-Last post: “Barbatos made a delicious meal for us at the retreat today” Along with a picture of the Beautiful Demon Delicacy Spread in the table.
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Taglist: No one yet (Please be part of the taglist for more content like this ☹️ It’s getting really discouraging)
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couchpotatoaniki · 3 years
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The books that you posted about really intrigued me. And the books seemed really cool, I was wondering if you have any book recommendations? For any genre.
:0 Someone's asking me about book recs? This has never happened before I'm scared 😂😂 So, I suppose I should warn you that a lot of these are fantasy. Also, thank you for taking an interest 🥺🥺
This is gonna be loooooong, so continue to read more. Also, all the links are for the Goodreads pages so you could read the blurb and reviews if you're interested. Word of warning though, these are all of my opinions, so if they don't work for you--that's okay. Tastes are fickle :))
Also, if you have any book recommendations for me or want to talk about books, then please feel free to pop in my inbox because I LOVE discussing and getting excited about books.
Books that I've already read:
The School for Good and Evil series by Soman Chainani--there are six books in total (seven if you include the handbook), but this was one I read when I was around 13/14. It's kinda like a fairytale retelling, where there are two schools; one for good and the other evil. It has a lot of references to folktales and discusses the divides between good and evil, girls and boys, and young and old. It's a story about self-discovery and I just love the characters--especially their relationships and dynamics with one another. Netflix is actually making a movie about the first book and it's going to come out sometime in 2022. Hopefully they don't screw it up 😔😔
A Thousand Nights by E. K. Johnson--I know this may not be for everyone, but I love this book. There is a sequel that I haven't gotten around to reading, but this one specifically was one I enjoyed quite a bit. It's like a retelling of the folktale One Thousand and One Nights (commonly known as Arabian Nights) but with more a fantasy twist to it. It's slow-paced, but it has so much meaning behind it. It paints such a beautiful picture in your head with both the imagery but also has a subtle feminist strength to it through its deliberate choice of words and description--not to mention it has a very strong feel to the pre-Islamic Middle East setting as compared to other retellings like The Wrath and the Dawn, which is much more suited to be classed as YA than this (by no means is that derogatory to any of the books, but it's just to explain how they're so different despite being based off the same folktale). Just read it, it's honestly amazing.
The Sin Easter's Daughter series by Melinda Salisbury--Okay, funny story, I actually read the second book, The Sleeping Prince, first by accident. A problem I have with a lot series, is something commonly known as second-book syndrome--as in, I'm not particularly a fan of the second book in a trilogy series. Once I realised my mistake and read the first book, The Sin Eater's Daughter, I found that I wasn't as in love with it as I was the second, so I thought that might've been just because of the way I read it. But when I read the reviews, I realised that a lot of other people thought the same as me despite having read it in order; the second one was more loved than the first. Unfortunately, I haven't read the third book yet, but I feel like The Sleeping Prince was enough to put it on this list. Once again, this is fantasy with tones of the Pied Piper in it, and there is so much more I could say, but again it would be more about the second book than the first so I won't spoil it for ya. But just sayin', if you wanted to read the second book as a stand-alone, you can do since I myself kinda figured out what was going on and filled in the gaps by myself. This is probably because the first and second book follow different characters (and I assume it switches in the third book, but again, I haven't read it).
The Song of Achilles by Madeline Miller--now, this GODSEND of a book is one that I rate highly. It's based off the Iliad (so it's heavy on the Greek mythology), though it follows Patroclus rather than Achilles throughout the whole book. If you don't know anything about the story, then I won't spoil it--just know that I knew the story of the Iliad and was in this state of dread the entire time 'cAUSE THERE'S SO MUCH FORSHADOWING. All I can say is that I love the dynamic between the two guys and the story is so heartbreakingly beautiful. Bless 'em 😔😔 But a friend of mine found the writing a little bit confusing (she still loves it) since you kinda have to read between the lines--it isn't blunt. Also, one word of advise I'd like to give on good stories, and specifically plot twists, is that the shock factor may occur the first time you read it but what makes a good story or plot twist is the way it makes you feel--it should still be positive no matter how many times you re-read it. Shock factor isn't everything, so when I read this there was no shock factor for me (I knew what was going to happen from me previous knowledge) yet this book still kept me gripped onto it. I didn't loose interest--and that's part of the reason why I love it.
Caraval series by Stephanie Garber--I put this on the list because of the progression within the books, despite it being fast-paced. Book one follows one of the two sisters during the Caraval who is accompanied by a guy and the whole description was very magical--kinda alluding to the magic of Legend himself (the Caraval Master). In it, there is mentions of what kind of world it is, but it doesn’t really get explained until book two, which follows the other sister to find out Legend’s real identity for a certain reason that I won’t disclose ‘cause it’s a spoiler. This expands a lot more about how the present came to be as it was and also explains a little more about the background for the major characters. Although I’m in the early chapters of the third book and so can’t really comment on it, all I can say is that so far, it brings the two stories more together than they were before as it switches viewpoints between the sisters; I feel like that’s also why I don’t hate the second book in this trilogy, because the first one seems more like a prequel to set the scene while the second feels like the beginning of the actual story, and the third would be it’s conclusion. Okay, so, fair warning, there is a lot of metaphors which mix senses (for example, describing an action/emotion as a colour/image/taste) and I understand not everyone likes that writing style, which is completely okay; I just happen to like it.
Daughter of the Pirate King series by Tricia Levenseller--the main girl, I feel, is either a love-or-hate character. Personally, I don't particularly mind her, since she's just fun to read. There are parts where she tells you just how awesome she is but can't show you because she would give her act away (she's pretending to be a prisoner on a ship to steel a map) but if it was in any other scenario, I would despise that. I suppose my plus points would be for how she reacts internally to what she's doing, you see the whole process going on in her mind--and it isn't perfect, mind you, but the fact nothing is perfect makes it better. Though I could see why people would think she was annoying or the romance was very fast-paced (I prefer a slow-burn, but I don't mind this either). One thing I will say is that there are two characters (one in particular) that I love the dynamics of. Also, there's pirates. I don't think I need to explain further on that point.
Books I'm in the middle of reading that seem pretty cool so far:
The Cruel Prince by Holly Black--I'm halfway through this book and so far I'm really enjoying it. The dynamic between the main girl and her nemesis is just unlike many enemies-to-lovers I've ever read (including online) because they just hate each other so much. Like, she's not gonna be seduced by him and get into a really toxic relationship where her feelings are being taken advantage of. She's grown into being smart, she's grown into being skilled, she's not a love-struck idiot that makes impulsive, nonsensical choices. There are two more books after this and apparently it gets better and the main characters find some ground to not be toxic (again, not sure since I haven't read it myself). Now, this is probably going to get me a lot of hate, but I'm not a fan of a certain popular YA author who has a very popular book series that involves fae. I find this a much more likeable alternative since the faerie are not humans with superpowers and pointy ears. There is actual description, actual difference between the humans and the fae, different rules they live by, two examples being that humans can't eat fae food otherwise [redacted] and the other being the fae are immortal (the kind that doesn't age, but can be killed). There's consistency in the world building and the characters are not too overpowered--and this itself just set above all the other faerie books I've read thus far.
Lost Boy by Christina Henry--this is a Peter Pan retelling that I'm still in the first half of the book. Not got much to say except for the characters are even at such a point are distinct with each other (I can already tell that Peter Pan is a Psychotic Asshole™). It's very impactful, but be warned, it's dark and violent too. I mean, when I say Peter Pan is a Psychotic Asshole™, I mean it with every fibre of my being. And it is a very good origin story to Captain Hook, who you begin to empathise with quite a bit even early on within the book. I also like a few other books from the same author since she delves quite a bit into dark fantasy and story-retellings which I personally adore, but I feel like this one is a good starting point. Either this, or The Girl in Red which is Red Riding Hood is bi and goes on a murder-spree.
The Archived by V. E. Schwab--I've actually got a couple of this author's books but I decided to put this one on because so far I'm enjoying it so far. The atmosphere of the story is very eerie and it gives beginning-of-a-horror-movie vibes. So far I haven't really gotten into the whole thing with the love interests, but there is some in there. I just really enjoyed the whole worldbuilding, the setting and feel of the story was awesome, the writing was really good, and I love the little anecdotes that are put in between Mac and Da (her grandfather). Though I can see why the switching from tenses would be confusing for some, I just really liked it. Again, not much to say because I haven't gotten too far into the story, but so far, it's pretty great.
Girls of Paper and Fire by Natasha Ngan--oh boy. Now, this book is one I would recommend so far but it needs to be said that it is hard to read. Not because the writing was bad or the plot was crap--no, the writing is really good and the plot is very interesting. It's hard because of the themes that are being addressed within it. I'm not gonna sugar-coat it, it mentions a LOT of sexual harassment, kidnapping, lack-of consent. However, although there are a few books in which this is romanticised, this is definitely NOT one of them. In fact, you feel really bad for the main character and I even felt like taking a break to come to terms with what was being said or described, but this is a story where the main girl does what she can to fight against it. Usually, I skip past the author's notes at the beginning but lucky I read this one because it gave me an understanding of why this was written--the author had been through a similar situation and wanted to raise awareness for any girls currently going through anything remotely close to this situation. It was nice to see that this was something that was being spoken about and I'm so proud of the author for speaking up about her experiences and encouraging others to speak up as well.
Circe by Madeline Miller--if you've already read Song of Achilles and enjoyed it, this was written by the same author and follows a character called Circe. She is actually a side-character from The Odyssey by Homer, so--again--Greek mythology is heavily present in this. I actually haven't gotten around to reading it but I've been promised that this was amazing, and speaks about feminism and females themselves in a world as patriarchal and oppressive as Ancient Greece (let's be honest, they were extremely sexist)
It's Not About the Burqa by various authors, edited by Mariam Khan--this is the only non-fiction book I have on this list because I don't read non-fiction all that much. Reading books, for me, is escaping from reality so reading this genre is going against the main reason I read in the first place. However, that being said, the topic it discusses is very near and dear to my heart as it is part of my identity, who I am as a person. This book, folks, is about Muslim women. It's a compilation of essays written by said women which each tackle different topics regarding Muslim women, ranging from religious dress, representation, mental health, stereotyping, feminism within Islam, expectations, modesty, sexuality, marriage and divorce, and more. One line that instantly hit me was "When was the last time you heard a Muslim woman speak for herself without a filter?" And I realised it was true--that most of the crap I heard about my own people, my fellow Muslim women, are either from men or non-Muslims or (in many cases) both. Reading these really opened my eyes to how we were actually being treated; how our hijabs were being used as a fashion trend rather than a religious observance; how our communities disapprove of behaviours that deviate from what we're expected to be, and the press and state being oppressive and racist towards us. I knew about most of this stuff but it really put into words (quite literally) how severe it is and had made me realise how some of the things I believed were good (like increased representation of Muslims in advertisement for beauty and fashion) were actually only short-term things at face value (like how barely any of the models or designers are actual Muslims and how the hijab, abaya, and other religious clothing were supposed to show how in Islam a woman is not valued by her physical beauty but for her personality, her intelligence, her love for her religion). This in and of itself is a bit of a rant from my part, but I really want people to read this book and understand our voices and our views from our own mouth than through someone else's interpretation off of some half-assed search on the internet. I would seriously recommend people to read it because it is such an important issue to at least try to understand.
There's so many more book that I've heard a lot of praise from that I have but haven't read yet or don't have and am planning to get in the future when my wallet recovers from me recent spending because boy is it HURT. I'll be posting about them
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videoplanchette · 3 years
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Okay to avoid ranting to legitimately everyone on my discord contact lists. I am a pretty big Goosebumps fan. I'm not going to say the largest there was. But one of my first impulse purchases, when the pandemic started, was getting a bunch of assorted Goosebumps books from the original 90s run. Goosebumps were one of the first series of books to get me interested in reading aside from Guardians of Gahoole. I was always intimidated by the Fear Street novels as a kid bc they looked way too scary from the lens of a 3/4th grader. I never got the chance to read them. Now that I'm quite a bit older I hope to one day get all the way through the R.L Stine books in production order. All this to segue into the new Fear Street adaptation on Netflix.
I'm not the pickiest person when it comes to movies, I don't approach them with the mindset that I'm going to hate something. I'm rather the opposite, I find that approaching something with a positive attitude typically gives me positive results. That being said I have a weird relationship with these movies. I feel like this should be something I really enjoy. Anyone who knows me knows I love horror, I love the 90s/80s vhs nostalgia punk setting, I love R.L Stine's both whimsical and clever approach to writing horror (which this movie did borrow from in the last installment.) I don't want to say I hated it, because I didn't. I really enjoyed what it had to say and the commentary it had about the systemic inequality between both towns, even if it was a little basic. It borrows a lot from the pages of Wes Craven when it comes to saterization and critique of horror tropes. I love the attitude the films had. I loved the soundtrack. I loved the representation this gave to poc without making it solely into racial trauma. In that regard, it was a total breath of fresh air. I loved most of the performances and I loved the jittery editing style that was still comprehensive. The characters while starting off unlikeable did eventually grow on me.
I don't want to dissuade anyone from watching the films, I implore everyone to watch these movies and reach their own conclusion.
Personally, for me, these films range on the side of a strong 6-7 out of 10. I live in a town very similar to Shadyside, not as much murder obviously, but still written off as white trash drug-addicted criminals. And there's something almost kind of like wish fulfillment about "it's just a curse" or "its just one bad guy" conclusion the movie comes to, where it feels really immature. Like the movie clearly has a lot to say about systemic injustice but the thing about systemic injustice is that it doesn't suddenly become unwoven after a person of power dies.
and the thing about Sunnyvale is that despite those people profiting off of a curse they didn't know about, there is very little done in the way to make them sympathetic. I don't think the narrative of the movie wants us to come to that conclusion esp since Sam (the main love interest of the film) is relatively harmless and moreso used as just a prop character is supposed to be "good". She is unwillingly moved to Sunnyvale after her mother divorces her father, so I don't think her or her family is the rich single entity the movie wants us to seek vengeance against. Yet it feels messy. Really messy. I'm going to link to a video from the channel folding ideas talking about the book of henry to sort of better illustrate my point about framing versus actual direction.
The way the movie also sort of scoffs at drug use, especially marijuana almost seems out of character for a movie made in 2021. I feel like that could be its separate post. Like it feels in character for a horror movie in the 70s and 80s, but with the more educated perspective in 2021, I feel like we all know that most of the over-policing on drugs came from the US government actively flooding the ghettos with narcotics in order to police them better?
If you didn't know that I'm going to link to a couple informative videos. I suggest researching further of course. these just provide the broadest strokes as to why the "war on drugs" was largely used as xenophobic and homophobic propaganda.
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But maybe that discrepancy was intentional? Like its baked in so many layers of irony, I just can't keep up with it? I dunno. Like it wants to say something about addiction, it wants to say something about the over-policing of drugs, it wants to say something about the opioid crisis-- but I couldn't tell you what it was. I legitimately couldn't tell you if this movie was on the side of addicts and drug dealers as the means of using any method you could for escaping poverty-- or actively finger-wagging at addicts for like... being addicts? And the self-harm thing in part two... I-- I genuinely don't know what to say about that other than it felt exploitive. like the ending of part two felt so... fucking weird? like it was funny in the way it just totally caught me off guard but it was out of keeping tonally with the rest of the work. I don't expect a horror movie of all things to get its commentary 100 percent correct-- that would make me an idiot. But I guess I am particularly tired of seeing this one trope repeatedly crop up. this post is getting a little out of hand so maybe next post I'll talk about the comparison between Fear Street, Goosebumps, and Scary Stories to Tell in the Dark.
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partnersatfazbear · 3 years
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More sketches! I actually have a lot to talk about with these lol First off, for anyone wondering about my back problems--those did finally clear up. I even fixed my sleep schedule, which only took a month. However, now my nightmares are coming back and that could mess up my sleep again... Sigh. I can’t win.
The first page is a series of completed, shaded illustrations I’m planning (based on the first 6 games and for each of the Fazbear Frights stories). I thumbnailed some ideas first. These could change, but I’m happy with most of them. I started on FNAF 1 already (see the second page where I added my current WIP of it). The only thing I love more than line art is composing a picture! I was suprised to hear that most artists (well, from what I’ve seen on YT) actually hate the line art phase. The coloring phase is actually the most boring for me. The tiny doodles are of Mike and Charlie. I really want to ship them, but I think because of my main ship I won’t. Although it would be an interesting thing to see them go through all this chick flick nonsense only to realize it never really mattered, but they could either turn out to be good friends or enemies... and I’m really intrigued by the concept. If I ever get back to my Sammy AU, maybe I’ll even have something for him to say about it =:V
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The second page! I’ve gotten to a point where I can sort of draw Springtrap from memory, so that makes me happy. SMH I don’t know why he looks so annoyed in the large drawing... The other is a cute uh, is it still technically Willry at this point? Hentrap? SpringHen? lol SpringHen sounds hillarious. I may use that. Whatever, the drawing is sad, there’s no time for jokes!
The little square on page 2 are random doodles from own novel series, which at some point you’ll hear more about, but... This is the last story in the timeline, a science fiction universe where 80% of the cast are anthros. I may actually add a rabbit character now. Arzma is a bird girl, the heroine. Mark is an astronaut who has a connection to what I’m calling the furry-planet because I can’t remember the complicated names I gave everything. He’s the unofficial kid to a character from a previous drama story. He also makes a brief appearance in WispHer, my paranormal story... WHICH. (omg I’m rambling) Well, as a side story or maybe even one of the new focuses of WispHer, I’ve added my William OC. He’s the easter bunny suit you’ll see more of in upcoming pages and I’m proud of his design. I don’t know 100% what I’m doing with him yet. I’ve got like 4 pages of game ideas, but it may just end up being a super choicy VN, since I’m best at making those over any other kind of game.
For reference, my novel series spans about 12 or 13 books including spin offs, last time I checked... I really would like to get back to writing them...
As always, would love to hear any opinions / questions from you guys =:3 Feel free to send asks!
I may post some more sketches later, if I have time to doodle before my wife wakes up. lol
No sketches, but I did make some pixel art Henry and William [based on my designs]. DO NOT use these, as I may be using them for a personal project. Share, but only if you link back to this blog post:
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PS
My brand new tablet has a defect pen / stylus (doesn’t hold the nibs anymore) and so I’ve ordered an expensive replacement. It should be here Monday, but expect a LOT of sketchbook drawings until I can get this situation fixed. Worried my next one will break just as easily... so I may have to find another pen altogether.
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nellieshill · 4 years
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Frankenstein Media Reviewed
There are a lot of adaptions of Mary Shelley’s Frankenstein out there, and I’ve watched and enjoyed a lot of them. So much so, that I had to share my opinions somewhere. So now get to hear them! I’m going to provide links to watch/listen/read all of them here, too. (This is in no way a complete list, but I’ll update it as I watch more).
Adaptions are rated on accuracy to the text, creativity of alterations, faithfulness to the themes/characters, and just my own opinions. This post will be spoiler free.
Frankenstein: A New Musical  9/10
+ One of the most faithful adaptions to the actual story I’ve seen.
+ The Creature’s voice is TO DIE FOR 😭.
+ The way Victor procures the body for the bride is clever.
+ Almost all the music is absolutely amazing.
+ Manages to edit the story for time in a way that keeps all of the important content.
- The ending is Dumb and goes back on the point of the story in favor of emotional appeal.
Listen to it here
Frankenstein (1931)  1/10
+ Points for being a classic monster movie and helping coin the genre.
- I’m sorry but it’s sO BAD. 
- It misses all of the themes from the actual story.
- The writing is bad. 
- The Creature is WRONG.
- The Characters are wrong.
- It’s like they didn’t read the book at all.
Watch it here
Frankenstein (TV Mini-series 2004)  10/10
+ My goodness where to BEGIN with this one!!!
+ It is practically page to screen it’s so faithful to the text.
+ The Creature is eloquent, his design is beautiful, and he’s just a soft boi.
+ Some of the camera shots are stunning and make me wish I could draw better so I could redraw them.
+ I just don’t have a bad thing to say about it. It made me cry.
Watch it here
Frankenstein: The True Story (1973)  6/10
+ Victor is a good dad!!
+ The Creature is very beautiful, and has some heart wrenching moments.
+ Very interesting use of the Bride.
+ Elizabeth has a bada** moment.
+ Victor and Elizabeth aren’t related at all.
- The first half is a lot better than the second. It strays from the story into something rather random.
- I don’t like what they did with Henry Clerval (He is no longer a Ray of Sunshine personified.)
- The Creature didn’t get enough development or personality.
Watch it here
Frankenstein M.D. (YouTube miniseries)  8/10
+ Fun gender-swap 
+ Modern AU
+ Uses/references like all the characters 
+ Does video diaries for the letters from Elizabeth
+ Fun use of Robert Walton
- Slow start
- Hollywood style Creature
- No real theme
- Vague ending
Watch it here
More fun Frankenstein related content (That isn’t necessarily about Frankenstein, or is just goofy):
Fantome-Stein (Phantom of The Opera/Frankenstein crossover comic)  8/10 
The Glass Scientists (Goth Lit web comic)  9/10 
Frankens’Teen (Goofy YouTube with short clips that portray Frankenstein as a sitcom)  10/10
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askaceattorney · 3 years
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Dear Anonymous,
That’s probably because the maker of Inga’s sprites requested that they keep the link to them a secret.  I doubt we’ll ever use his gun sprites in a letter though, so here are the talking and non-talking ones:
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(Link in Letter)
Dear Anonymous,
That's an interesting theory, all right, but I doubt it would hold up in court (either in the Ace Attorney universe or the real world).  Either way, from what I remember, it seems to like the game tried to make it clear that he was the culprit behind Manov’s death, completely for the sake of revenge.  Even if he didn’t, the guy clearly has some anger to work out, so hopefully a prison sentence will do him some good.  That’s my less-hot take, anyway.
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Dear Anonymous,
Clever, but I doubt puppy eyes are enough to sway His Honor’s opinion.  Heck, I doubt he even knows an iPhone from a Gameboy Color.
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(Previous Letter)
Dear trearoos,
Rrroooo got it!  That’s a line from Bubs, by the way.  I can’t remember where he said it, though...  Think you could help a fellow Homestar fan out?
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Dear skibot99, 
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I’ll do my best at answering, though.  I like to think of ask blogs as a way to “fill in the blanks” by showing what characters are like when they aren’t fulfilling their role in their game, movie, book, etc.  For example, what’s Sonic like when he isn’t busy thwarting Dr. Eggman’s plans, what’s Donkey Kong like when things are peaceful on his island, and what’s Henry Stickmin like when things are (ahem) normal in his world?  And if the character happens to be a silent protagonist (ex. Mario, Link, Kirby, etc.), that’ll give you even more blanks to fill in, which makes it more challenging, but also more fun.
So, the key ingredients for an ask blog are a deep love and knowledge of the series your character(s) are from and a good imagination.  If you know what your characters are like in their series and can fill in the rest with your imagination, it’ll be easy for your followers to go along with the illusion that they’re really talking to people from a fictional universe, which should be your main goal, aside from just having fun with it.  As long as you can make it convincing and fun, there’s no real right or wrong way to do it.
I don’t know very much about the Kingdom Hearts series, but I assume there aren’t any sprites you can grab from a resource page, so you’d either have to make drawings of the characters, find some still images, or clip some from gameplay videos (or even make gifs from them if you’re feeling up to it).  It might take some work to get it the way you want it, but like a lot of things, it gets easier over time.  And in my experience, the best source of motivation is your love for the series and its fandom, so keep that in mind if it starts getting burdensome.  I hope that helps!
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(Previous Post)
Dear starry-nightengale,
It was an announcement so much as something that wasn’t announced.  That letter was in reference to TGS 2020, which, unless I missed something, didn’t mention a new entry in the Ace Attorney series.  That may not be solid proof that it’s reached the end, but that’s what it’s beginning to look like.
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But, as I mentioned before, the fandom’s nowhere near dying, so that’s good news, at least.
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Dear Anonymous,
It’s an interesting idea, but I can’t say I feel the same way (and not just because I’m a closet Justicykes shipper).  Besides their considerable age gap, I see their relationship as more of a big-brother-and-little-sister one.  Whether they’re on the same side or opposing each other, Simon can’t seem to resist the opportunity to tease Athena, but he also knows how to provide help whenever she needs it.  In his own way, at least.
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I also have a hard time picturing Simon in a romantic relationship with anyone, to be honest.  I’m not saying it’s impossible, but any hopeful candidate would have to put up with his moodiness, his twisted humor, and his equally moody feathered friend.  I’m sure there might be someone out there who can deal with all that, but finding them would be a big challenge, to say the least.
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Dear clowncomputing2,
Not at the moment, unfortunately.  I don’t know about the other Mods, but I haven’t watched the anime, and even if I had, making sprites from it would be a bit tricky.  Perhaps that’ll happen somewhere down the road, but for now, characters and cases from the anime are off limits.  Sorry.
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Dear Anonymous,
Youse talkin’ to me!?
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Dear skibot99 again,
For me, it’d have to be Tahrust Inmee.  That might seem unfair, considering his murder was that of himself, but let’s not forget that he was willing to let an innocent woman and her lawyer lose their lives in order to hide the truth.  Normally, this would be enough to give me an overall negative view of a character, but his motive was to protect his wife and unborn child from certain death.  That may not excuse his actions, but it did put him between a rock and a hard place.  I’m honestly not sure what I would be tempted to do in his situation, but I know it’d be a difficult decision.
I definitely feel for Yanni Yogi, too, but we weren’t given as many details about his past, plus his only motive was revenge, so my sympathy for him isn’t quite as strong.  While we’re talking about tragic culprits, I should also mention Simon Keyes, who “was himself a victim,” as Edgeworth worded it, as well as the almost-killer Katherine Hall, who just wanted to find whoever was responsible for her adopted father’s unjust prison sentence.  Not to mention the overload of remorse she displayed afterward.
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(Previous Letter)
Dear trearoos again,
Yep, I’ve been a fan of the Henry Stickmin series since Infiltrating the Airship.  I’ve been meaning to buy the collection, but haven’t made the time for it just yet.  I’m looking forward to seeing all the fails.
In the meantime, here’s some distraction for you:
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Dear mungeondaster,
Not yet, but I like what I’ve seen of it...which mostly just includes the blooper reel (Strong Language Warning).  Your description of it makes it sound even more enticing, so maybe I'll get around to it soon.  I've been aching to give something a Co-Mod Seal of Approval lately, anyway.
-The Co-Mod
16 notes · View notes
beyondtheciouds · 3 years
Text
.29.
Part 1 of 3
Heavy rain descended from the sky swallowing up the last ounce of hope. The black clouds were staggered; swollen red from the heat of the day. The world outside is flipped upside down; black is white; white is black and all is red.
Her head aches with the shift in color; the logic of her accommodations rather painful. She gasps, her throat hoarse and still raw from screaming for hours on end. Tears slide down off the bridge of her nose and she can't close her mouth fast enough. A salt lick of a tear hazardly grazes her tongue; the clear liquid tasting like bottled anguish.
In her mind, she remains back at the Institute with her family. She braces and steadies herself for the worst.
The cold, steel manacle around her neck chokes her and makes it difficult to breathe. Chains, wrapped around her lithe body curl around and over her; tucking her away between their links.
The rusted chains rattle as she moves from left to right in a rhythmic sway; an attempt to crash through the door.
Velocity. Volume. Vantage.
Her nostrils flare with determination then deflate with defeat when her body doesn't pick up immediate speed.
Her long brown hair is loose from it's tight chignon; the ribbon torn in half. Dirty and tangled; the snarls of her hair half drag across the dusty floor of the tin can coffin.
Hanging upside down from the ceiling in her undergarments is Tessa. Her hands are behind her back held together with simple, normal rope. The rope is knotted in several places with sailors knots and elegantly tied to the rope around her feet. Both ropes are linked by a chain that is attached to the manacle around her neck.
Tatiana smiles vicious and hateful watching Tessa struggle. She enjoys the fact she can literally see the blood rushing to her enemy's head in the whites of her eyes. "Moving only makes the blood run quicker."
Tessa grimaces, a wave of dizziness and nausea washing over her. "Now you tell me."
Tatiana smiles that heinous smirk and shrugs. It lasts only a second, but something about the casual confident roll of her bony shoulder reminds Tessa of Gabriel. In the shift of a second, Tessa sees a glimmer of the person Tatiana used to be; a Lightwood-- confident and capable. This was the person Tatiana had been long before Rupert was murdered and her world broken.
Tessa allows the moment to pass; her regret left unsaid to the woman who perhaps could have been if not a friend an ally in another life. The moment clears the way for another idea. Tessa is willing to take a risk. Watching Tatiana closely, she feels she might be able to manipulate Tatiana into releasing her.
The door of the metal shack creaks open, a squeak of a mouse echoes as the bright red light becomes a beacon in the darkness. Ghostly fingers begin their smoky dance; the ghosts beckoning Tessa to join them in the afterlife.
Belial's silhouette becomes visible as the smoke dissapates. He is slouched precariously against the wall. He reminds Tessa of a criminal with his arms crossed over his chest. The red cherry of a cigar is a pulse beating in the dark. Tessa can't take her eyes off it.
"Are you ready to behave, my dear? Or should we continue with the torture?"
Tessa struggles, her fear turning into fury; refocusing. "You will never have James and Lucie at your side no matter what you do to me. You may be their grandfather, Belial but you are not family."
"Oh, love how foolish you are." Nate says and steps out of a dark corner. " I thought after living like one of them," He hisses the word as he crosses the room. "you would start acting like one." Nate flashes an unlimited amount of teeth at Tessa before briefly stepping into the beacon of light.
Tessa's heart breaks. She wanted Nate to look like the boy she'd grown up with. The brother she loved. The shock reverberates in her veins that Nate is now only a decaying mass of flesh and teeth; silhouetted and hollow like long dead bones. He should be burnt and buried.
Tessa had turned her eyes to the sound of his voice. She tries to turn her head but her neck is stiff; shackled in place. "Nate, please." She begs, her body rocking then swinging.
Nate stands in front of Tatiana and even she recoils, pushing herself away from him. His face is clawed; red streaks spiraling disease sporadically and oozing with infection. One clear blue eye pulses like a noncompliance heart; beating rapidly and out of rhythm. The next minute the eye is springing out of its socket; the other drooped and distorted what was left of his face.
The wooden chair creaks and scrapes the floor as Tatiana is dragged backwards into the darkness.
Belial smiles, his teeth twisted twinkling stars. The smoke from the cigar curls around his silhouette; mysterious and inviting in his hand. "Oh, my darling Theresa. How foolish you are indeed. I am not after your precious gifted children. I am after your only grandchild." Belial laughs quietly and whispers, "Quod sanctum puerum. De Trinitate."
Tessa gasps, her anger surfacing like a forgotten shipwreck. "NO. NO. NO."
Belial laughs again, louder as the soles of his boots step into the cold darkness. "Quod aurea puer. Et trifecta spiritualis vitae pertinent."
Tessa's eyes are wide as she whispers, following Belial's cruel smile. "The trifecta. Angel. Demon. Fairy."
Belial grins.
Tessa's face is burning.
The color of Belial's eyes changes, glowing red in the shadows as he inhales and exhales the smoke into the shadow of a child. "My ticket to freedom."
****
The ride to Fairchild Manor had been far from interesting, at least from James's point of view. The carriage was not his own, but a hansom cab for starters. The quarters were musty smelling and too cramped to get comfortable. Cordelia was seated closely beside him and he could smell the scent of rosewater on her skin. The weather was cold and the elbows of their heavy coats touched and their hips grazed one another when the road turned bumpy.
Cordelia had been quiet for some time with her nose stuck in a book. Her dark eyes swept across the page; darting under her long lashes along every romantic line of Pride and Prejudice. James had to smile to himself as his gold eyes finally settled on Cordelia as she drifted away in her story. Sometimes he forgot how much alike they actually were; how compatible compared to others.
For weeks he had tried not think of her as his sister's best friend but as his bride-to-be.
The boys were right and James was hesitant to admit the situation was serious. The specific runes; the sealing vows were sacred and similar to that of a parabatai. A bond between two people that was not easily broken.
He glanced down at the silver circlet around his wrist; Grace's bracelet. The metal burned the inside of his wrist. He imagined the bracelet imprinting the Blackthorn moto on his flesh tying him to them.
James frowned. He felt this tremendous impact on his chest that he thought meant that he owed Grace.
Was he making the right choice? Only time would tell. James couldn't think straight and despite his lack of sleep, it wasn't the girl he was looking at who was in his thoughts.
Another girl was on his mind. Thomas had warned him that morning Grace was up to something devious and devoted to destroying Lucie.
Cordelia had told him as much the night before. Still, James couldn't help but think that Thomas's caution might be mistaken for paranoia. He also detected that Cordelia was overly jealous.
James didn't disagree outloud, but he didn't believe Lucie was in danger. Not for a second.
The only person who he believed was in danger was his mother. Will was vigorously and vigilantly working to save her and James wanted to be there when his father did.
The only thing James could do to help right now was be at Lucie's side and get her through. All either could do was wait.
Wait for life; wait for death.
Christopher and Thomas sat across from them, each preoccupied in their own space.
The former had spent most of the ride untangling a scientific equation that James decreed was the equivalent to opening a glass jar.
When Christopher speaks, there are crickets--dead silence in the carriage and even Cordelia glances up from her book. "What are the odds that we could send Matthew a message by launching a bottle into the sky?"
The latter is a wanderer. He is daydreaming and James can tell that Thomas is filled with anxiousness; categorizing his own neurotic suspicions under the guise of appearing somber. "Like a cannon?"
James blinks, his inky eyebrows furrowed. "A cannon?"
"No. More like a message in a bottle attached to a...a...something. Then we launch the something into the air by striking a match to a series of ropes soaked in kerosene."
James's interest peaks, "Kerosene?"
Thomas turns away from the sublime serenity of the Idris countryside long enough to crook an eyebrow at Christopher. "Are you proposing another exploration of explosions?"
"Gunpowder. We're going to need a lot of gunpowder." Christopher says excitedly, his lavender eyes wide. The gears in his head start turning.
"No gunpowder," James says, shaking his head. He has to be the voice of reason with this crazy idea because it is obvious that Thomas is not listening. "and no explosive devices."
"I know...no. No, well I..." Christopher trails off, his thoughts unraveling like the blueprints to his inventions. Henry would have understood, he reminds himself.
Thomas huffs, unhappy with Christopher's idea. He turns back towards the landscape, silent. He doesn't glance over at Christopher or James. None of them say a word.
James finally sighs, placing his hand on the seat close enough to graze Cordelia's gloved fingers.
The carriage would be at Matthew's front door by nightfall and James was not ready for the confrontation. For the first time in their friendship, James had no idea how to approach his parabatai on a subject as sensitive as fatherhood.
As they passed a lone cemetery, he closed his eyes and prayed to Raziel that they were not too late.
***
The clouds gathered overhead, the sky a darkening gray. A stray dog barked in the distance and Lucie pulled the wool coat tighter around her docile frame. "Why are we here Grace?"
The two girls are in the snowy cemetery; sitting upon a cobblestone hill facing a vast expanse of headstones. A cardinal flutters in the tree branches above; red in a world of white.
Grace is understanding in the quiet; almost complacent and comfortable among the dead. "Shhh. The sun is going down."
On the horizon, placed before them like a slice of golden fruit was the sun slipping into the snow capped hills.
Lucie is the opposite of Grace. Her powers hum inside, keeping her on edge with her instinct wavering. She glances nervously around and feels the priceless prickle of despair crawl into her heart. "Can we go now Grace?"
Grace shakes her head. "Not yet."
A carriage rolls by and Lucie catches the shape of a dark haired boy in the window.
She hopes it is James.
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themissingmarvel · 4 years
Text
Kind Regards, Detective [Part 6]
(So, forgive me for this both: being long, and not having a lot of Loki in it. I understand if this chapter turns people off or doesn’t get a lot of love. I won’t be hurt by it. But it needed to be done. So hopefully I don’t lose readers but if I do, like I said, I understand.
Catch up:  [Part 1] // [Part 2] // [Drabble] // [Part 3] // [Part 4] // [Drabble 2] // [Part 5]
Pairing: Detective Loki x fbi!Reader
Word Count: 3.7k [yikes]
Warnings: Language. Poor life choices. )
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Back when Y/N was in undergrad, she remembered one of her classmates affectionately telling her she was afflicted with what was known as “resting bitch face”. She became known as the Queen of the RBF within her circles, and honestly it remained with her. But it was protective, and in times like this, when a precinct was staring at you, you had to protect yourself.
One of the things that would come up was a conflict of interest, she knew that immediately. Her supervising agent would be concerned about a package sent directly to her. No one would know the depth of it, though. They’d know it was in reference to her sister’s passing, but the song? The CD itself? She could lie. And she would. Even when her phone rang and she ignored it, she kept her face stoic and her eyes locked on the computer, scanning over the evidence collected from the scene still.
“Agent Y/N, there’s a call for you from the bureau-” a young officer, though not a rookie, popped his head in.
She didn’t even look up, “That’s cool.”
Loki glanced from her to the officer who looked more confused than anything. Clearly that was not the answer he was hoping for.
“I mean, they want to talk to you.” He suddenly got quieter. Meeker.
Again, she didn’t even pause, “Nice of them. I’ll send them a thank-you card later.”
Now the officer was confused, “Did you want to answer it out front or I can-”
“Tell them I’m dead. Or I’m in the bathroom. Whatever. I’m busy so please don’t come in again.” Her eyes glanced briefly from the screen to the man who got the hint, his mouth in a straight line as he backed out of the room, entirely missing David Loki’s very soft smirk.
But she was. Busy, that was. Not dead. She had found a few interesting leads, and was suddenly finding a rather disturbing pattern, “David, c’mere a sec. I need you to look at this and tell me I’m not crazy,” she looked across the table at the man who’d been poring over the papers and pictures, hating to look at bodies but knowing now was not the time to be squeemish. He thought his note was bad… hers was tenfold. Whatever it was. He didn’t know about her sister. Or any of her life, really. He knew what she had shared. He was vaguely terrified that this would stop all of it.
Standing, he walked over to where she was, a spreadsheet open, “So look,” she held up a finger, glancing back to the man who was leaning over, face by hers as he looked at the screen, the moment intense, though far from intimate, “if we follow the purchases, the television is old but beyond state-of-the-art, telling us it was pricy. And you don’t leave pricy things behind, especially if you think you can be traced. And when we tracked the generator down, it was from a different manufacturing company, so both were dismissed out of hand. But when we add in the piece about the phone company provider and the chemical weapon used… Look.”
She brought up a page of a very formal looking website, Safety in the palm of your hand was the caption under the large “West Company” logo in block letters at the top. David knew of them, but clearly Y/N knew more, “The company does a lot of work with technology and weapon engineering. The federal government has a contract with them, so we’ve worked with them before. David, they even have a lab on site…”
He stood back, looking down at her with focus and concern. Without the chemical agent to go off of, the connection might be a reach. But the fact that it all tied to one company, and one that would have direct links to technology to reach into… anything, meant it was a good chance that the person they needed would be there.
“So what do we do with this? I mean, that’s a huge company. And with a defense contract, they’re probably not gonna wanna talk to you,” David crossed his arms in front of his chest, concern on his features. She was a bloodhound who had finally picked up a scent and he had a sinking feeling she’d chase that scent, regardless of what came in her way.
Nodding, she closed the laptop, “Normally that’d be true, but I may have a way into the company records. I can’t divulge why. I just need you to trust me.” Her eyes were wide. And pleading. She had just been hit with a wrecking ball and already she was back on her feet, but David knew she was hurting. And pain made you do stupid things. But she was slowly becoming his weak spot.
Pushing back his hair he sighed, “Fine. What do we do next?”
Standing up and grabbing her phone that had more missed calls than she could reasonably get away with, she shrugged, “We don’t do anything. I make a call, and you keep going over evidence. I have to go back and grab something at the hotel. I left a file back there we’ll need to keep moving forward on this.”
There was something in her voice, her tone perhaps, or her body language. David would blame himself later, as he always did, for not noticing. He’d tell himself it was his fault. He should have known she wasn’t going to the hotel, or at least that wasn’t her final stop. And as she walked outside without her federal issued phone, only her keys and wallet in hand as she held her jacket tight, she understood what had to happen.
_____
She wasn’t lying. Not completely. She had gone to the hotel and grabbed her personal phone, the one she used for calling her parents, listening to music, listening to audiobooks when she was stuck on airplanes, or in this case, long car drives alone. But her first call had been, surprising to most, to Henry Best. The man was one of the top CEO and board members of West Company and one she knew better than most. It was the way she had into the company.
Henry had been surprised to hear her voice, though not disappointed. He had liked Y/N when he met her four years back, when she had just begun her profiling in the field. Back when she was still wet behind the ears, so to speak. And that she was calling on her personal phone made him even more curious, “Of course. Around when should I expect you?” His voice, smooth as silk with a ‘proper’ British accent, a voice that could melt a woman without effort, came forth.
Glancing at the dashboard of her car, Y/N shrugged, “GPS says it’s another hour. So around 3pm, if that’s all right? Honestly, I hate to barge in like this. And I know you’re doing more than a favor. Especially since the FBI doesn’t even know-”
There was a soft chuckle, the man on the other end smiling, “Please don’t apologize. It would be my pleasure to see you again. After all, it is you I have to thank for where I am now, is it not?” A genuine kind of thanks to his voice, though something else lingered. Perhaps not strong enough for the bluetooth in the car to detect.
Either way, she felt herself smiling as she eyed the guidance system, “That was all your own work, Henry. But we can talk more when I get there. Do I check in at the front desk?” She was adjusting herself in her seat, suddenly a little nervous. She really hadn’t thought this through. And she was still wearing… well, a sweater and jeans. And her hair wasn’t well done, either. Fuck, she really did not think this through.
“I’ll have someone waiting out front to valet the car, don’t worry about parking. Mark will bring you up. Take your time.” He was calm. Cool. Collected. More than he had been before. It was kind of nice.
She nodded, to no one in particular, “Will do. See you in an hour, Henry.” She clicked off the phone, continuing her drive.
Her phone rang again, though this time the number came up as Delete This Later, “Madison is on a rampage. And now I have some podunk Detective Loki- Hey, what kind of name is that even? Whatever, anyway, this dude is calling me wanting to know where you are. I made some shit up about you needing to coordinate with another office. I still have Madison on a rampage, though. He’s your boss. Remember him?”
Rolling her eyes, she was already regretting giving Adrian her personal number, “Thank you for covering. I’m actually headed to see Henry Best. Over at West Company. Who knew my name was so memorable?” She smirked.
Adrian huffed, “Just don’t do anything stupid. Well, more stupid than you already have. Wits about, right?”
She cocked a sideways smirk, “Always. And you know the deal. Call David at 3pm, when I’m due in New York to meet with Henry. I’ll text you the address. And you can give him this number. Otherwise the guy will have a heart attack,” she sighed softly.
There was quiet for a moment before Adrian spoke again, “What did he send you, Ladybug? That guy. I haven’t seen you like this since the Boston case when you almost bumped into the dude we were after. I’m worried.”
But she was quiet. Too quiet.
“Nothing’s gonna happen. I just have a feeling Henry will be able to help.”
___
He had called her. He had called her twice before realizing the ringing was coming from inside her bag. He had thrown his own phone across the room, though one cased in an Otterbox after the officer manager was tired of him breaking phones. Instead, it bounced off and hit the ground. He had wanted to break something. Fucking anything.
It was a flurry of words after that, David having rolled his sleeves up, his hair repeatedly needing to be slicked back as his face looked vaguely similar to John Wick finding his dog dead. He kept telling himself he was angry because she was in harm’s way, and that was true, but there was something more. This woman he had felt vulnerable with, who had in turn shared her own vulnerabilities, was gone. And he knew that she was gone because she was chasing something that not even God himself could stop her from getting. She was on a mission.
David was a driven man just as much, however, and he had gotten through to Y/N’s unit by sheer force of will on the phone. He had kept it together enough that he was actually able to get through to someone named “Adrian Dent” who worked closely with her. The one who had texted her ‘ladybug’ and he didn’t like it. He didn’t like Adrian. No idea why, but when the smug asshole gave him a regurgitated message about her meeting with another agent in another city, he understood it was a lie.
But what else did he have? He was sitting by himself in the conference room they were using, staring at a laptop that had the company name on it. And he knew. He didn’t know exactly, but he knew. And fuck waiting. Fuck telling his chief. Fuck all of it. He was headed to New York City just the same as she was. ____
It had been strange, walking into the large, sleek office building. The floors were marble and the colors back and silver were clearly the aesthetic. She had trailed behind a young man who looked to be no older than twenty-two, probably scored this gig right out of a prestigious college, wanting to work his way into the defense industry. What a strange goal. No stranger, perhaps, than wanting to be an FBI Field Agent.
He was quiet as he lead her up, his earpiece wired in as they took a private elevator to the… damn, fiftieth floor? Last time she could have sworn it was forty. But that was four years ago.
Stepping off the elevator that looked like something out of Blade Runner, she followed the assistant carefully down the hall, carpeted in black with dark wood lining it. Far fewer people here. And it was clear, by the large double doors ahead, that this was where she was going, “Mr. Best is inside, you may enter.” He looked almost smug. She didn’t belong. He knew it. She knew it.
Shrugging off her winter jacket, she knocked on the door, heading the rather gentle, “Please, come in,” beckoning her forth.
It had been four years since she saw him, but Henry looked amazing. He had before but… there was something else now. His dark blonde hair was styled on his head, not slicked down but a certain casual and professional look to it. He had on a white business shirt, black tie tight around his neck though with his sleeves rolled up. And he, of course, was gorgeous. Blue eyes that felt like they could stop you in your tracks, angular features that made him all the more distinguished. He looked good.
And the office was amazing. An entire wall was purely windows, looking out at the impressive New York City skyline. It was like being in a movie. Her entire life she had never existed in a world like this, and now she was investigating a serial killer in an office that looked so extraordinary it hurt. Book shelves, a large desk by the back where he had been standing, oak, of course. He smiled, a sort of crooked smile that, were she paying attention, would have concerned her more. But he was smiling as he walked over, “Oh, please, let me take that. Shouldn’t have you lugging this around,” he smiled as he got close, taking the jacket from her hands, draping it over a chair nearby.
Nervous, suddenly, she pushed back her hair, “Thank you… and sorry about not being dressed for the occasion… Like I said, kind of a rush deal getting here,” she laughed nervously, fidgeting.
“Nonsense. You look wonderful, if I may say so. Would you care to take a seat? I wager you’ve just driven a bit of a ways, so I’ll understand if you’d like to stand.” There was care in his voice and tone, and suddenly she was struck by how strange it was. She tended to trust her gut, and suddenly it was telling her to be aware.
Smiling with her placating, plastic smile, she shook her head, “I’m happy to sit.”
He looked satisfied with the answer, gesturing to the table in the corner, two cups and a teapot on it, “Please, take a seat. May I offer you some tea?” He sat across from her, his movements graceful and purposeful, and perhaps almost serpent-like.
She held up a hand, “No thank you. Long drive back, don’t want to have to make pit stops,” she smiled at the man who looked… content. Relaxed. Hardly what she remembered before.
He was pouring himself a cup, Y/N looking around as she noticed a plant on his desk. Well, one. And flowers on his window. Gorgeous lilies. And orchids. Succulents were on two shelves of the book cases. She couldn’t help but smile, “Quite a lot of greenery around your office, Henry.”
Taking a sip of the tea, he smiled, “After we spoke those years ago, I took you up on your suggestion. I began gardening. Took a month off, worked on myself, and began gardening. Hobbies really are a lifesaver, aren’t they?” He was watching her now, able to see that brief moment of her eyes widening, ever so slightly, her breath catching in her throat. He could see her wheels turning. But she was no mere rabbit. Fear was not something that drove her.
And true, in her own mind she was rationalizing it, “I’m glad it seemed to work for you. Having a hobby like that can be therapeutic. And it seems like our meetings got you back on track. How have things been now?”
Of course, she was referring to the incident that had lead her to his office years ago. He had lost his wife in a rather tragic car accident. From what he had told the police, they had gotten into a fight, and before he could stop her, she had gotten her keys and driven off. She’d wound up running a red light at a major intersection and was killed on impact.
Something was clicking, now. His face changed every so slightly when she asked how things had been. Hobbies. Not just gardening. And now she was poking at the wound.
He nodded, quite like the gentleman he was, “Much better. Work has been consuming much of my time. I imagine you’re in a similar boat. I always sensed we were quite alike in that way,” he placed the tea back down and smiled at her.
There was a feeling of anger that came with the comment, though she was unsure why. It wasn't rude in any way, nor did it infer anything negative about her. But it felt personal.
“Speaking of work… I’m here because I think I have a lead on my case. And not to be an alarmist, I’m somewhat concerned they’re linked with your company somehow,” she eyed him carefully.
He looked out the window with a bit of a chuckle, “We have quite a few employees, you know. Do you have anything more to go off of? I’d love to help you, but that’s quite a broad brush to be painting with, Y/N,” his smile was daring this time. He was playing with her. What may not have been personal now was. But he was fishing, too. He wanted to see what she had. If she’d divulge.
She was many things in this world. Stupid was not on that list.
“If you could set me up with someone in human resources, I might be able to go over a filter given some of the profiles I have set up. Think you could make an exception for me?” She forced a smile, hoping, perhaps, she was wrong about that feeling in her gut. The feeling that was screaming at her, louder now, telling her to get out of the building. To find her car. But he had that, didn’t he? He had insisted he park it for her. Insisted he take her up through the private elevator. And she had complied.
Maybe she was wrong.
“Were I a different man, I might argue against it. But you’ve done quite a bit for me, Y/N, more than you know. You helped me realize my potential in those meetings. The kind of man I could be. And so of course, Agent Y/L/N, I would be more than honored to help. After what you’ve done for me. Truly, it stayed with me.” He smiled. And he was being honest. Sincere. She had made an impact in his life that had changed the entire course of his world. He had gone from a man on the brink of losing his life to drugs and alcohol over the loss of his true love, to a man who had channeled his grief into something else. He understood what it meant to lose.
A feeling of relief washed over her and she smiled, more sincere this time, “That’s really kind of you. And if it means anything, I always knew you’d come back from it. It’s why I recommended the board keep you on. We all have choices in life, I’m glad you made yours.”
A small ‘chirp’ came from the digital watch on the man’s wrist, looking down as he grimaced slightly, “Seems I’ve had an unfortunate emergency arise. I’ve got your number, so I’ll be sure to give you a call when I can locate someone in HR who can work remotely. Wouldn’t want you taking the trek back and forth from Conyers again, would we? You said over the phone the Detective you’re working with is stationed there as well,” He smiled as he stood, the agent doing the same.
He handed her the jacket she’d come in with, walking her to the door. And for a moment, she knew she could walk out and it would be the end of it. Her gut would stop screaming at her, now from the top of its lungs, and maybe she could get out unscathed. She could simply walk to the elevator and find a way to do things on her terms. She knew, deep down, that she could walk out the door confident in her own beliefs and he would be confident that she had only the brief terror that prey does when suspecting a predator nearby.
Instead, she turned as she walked out the door, her eyes locking onto his, “I meant to ask, you have so many different plants and flowers, do you have any favorites? I’m a lavender woman, myself,” she smiled strongly, forcing herself to speak now as she felt the rest of herself coming undone.
And he smiled. The smile that would seal in every fear she had, every terror that she would feel, every nightmare that would haunt her, and she knew that look in his eyes with that smile as he spoke, “Oh, my dear, it’s roses I love best. Give my kindest regards to Detective Loki, won’t you?”
It took every ounce of strength she had to stay standing as he closed the door with the look of a man she had seen once. The man who had fallen apart but was wearing the mask of something else. She understood his comment, now. Two sides of the same coin. Two people shaped by tragedy. Two lives changed in a moment. And a grin on his face that felt like a bullet to her chest.
Kind Regards indeed.
Fuck.
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postguiltypleasures · 3 years
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The Magicians Finale - (over a year later)
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I didn’t watch the first season of The Magicians as it aired in late 2015- 2016. I was already watching the roughly estimated maximum amount of television I could watch. I didn’t have the time to make for a new show. It debuted at the same time as The Expanse, and that looks like the “better” show. But I would soon realize that I liked The Magicians more.
While I was watching the first season, I attempted to go back and look at the writing from while it aired. This experience profoundly influenced how I felt about the controversial ending to the fourth season, and the fall out in the fandom.
The fourth season ended after Quentin Coldwater, ostensibly the show’s central character, dying while saving the world. In his orientation to the afterlife there is discussion about was this actually heroic or was it a manifestation of his depression and suicidal identification. The show doesn’t answer this directly, it just has Quentin experience how his friends are mourning him and feel how loved it was. People felt really betrayed by this. It was considered deeply irresponsible. I have already written about it here. In the aftermath, part of me thought back to those recaps and reviews of the first season and wondered “how did we get to place where we could feel so betrayed?” Because reviews from the then seemed certain that it was more problematic than it was. Take for example this recap from Vulture season one, where the writer, Hillary Kelly, wonders who this show is actually for? Or this AV Club recap of the first season finale where the writer Lisa Weidenfeld erroneously thinks that The Beast and Julia, both rape victims, are being set up to be the show’s main villains? And that Eliot’s forced marriage to Fen was potentially a straight washing.
The fact that the worries Weidenfeld put into writing didn’t pan out is probably part of the reason that the show’s reputation improved. It would also have characters within the show call out others’s sexism, racism, etc. which could feel like something of a corrective to a lot of pop culture out there. You might also have noticed that in Weidenfeld’s recap she makes a comparison between Julia and Willow-gets-addicted-to-magic-plot season six of Buffy the Vampire Slayer. Ads for the first season even looked like they wanted viewers to draw that comparison.
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I remember from around the second season coming across a several articles declaring The Magicians a worthy successor to Buffy the Vampire Slayer. Emily VanDerWerff discussed it in her review of the second season. As one point she makes the statement that “The Magicians isn’t as politically subversive as Buffy”, and I’m going to go out on a limb and say that might be less true than she assumed at the time. In an era of backlash against Buffy’s creator Joss Whedon, The Magicians could be comparatively more empathetic to its characters and had some pretty subversive plot points. But I haven’t watched an episode of Buffy since the early aughts, or The Magicians since it wrapped.
(VanDerWerff’s writing heavily influenced my own thoughts about thee show, which I previously wrote about here. I am also including links to her old podcast, I Think You’re Interesting and the interviews she did with novelist Lev Grossman and show runner Sera Gamble, though I should note those are from before she transitioned and under her dead name. Also I wanted to include that she included it in her best television of the 2010s article.)
In the articles I just linked to, you might also notice frequent comparisons to Game of Thrones. While the comparisons focus on the the vast difference in budget and how ubiquitous GoT was at the same time The Magicians aired, it is worth noting that both series are postmodern, deconstruction takes on their respective sub-genres. While GoT could use that to point out why surprising and awful things happened to their characters, The Magicians mostly had fewer horrible things happen to its characters. But the comparison might have influenced how post Quentin’s death people made a litany of those events/plot points to prove that any faith in the show was misplaced and it was a betrayer better left behind.
The after the fourth season I pulled back from discussing The Magicians online. I just couldn’t deal with other people’s anger. I was never really active in the fandom, but I did write about it here more than probably any other series since I started this blog. This may have given me a false impression about how the media ended up covering the show. While writing this I was planning an arc that would go something like, “at the start of the fourth season the media loved it and articles this one by Kathryn Van Arendonk at Vulture came out saying that they regretted stopping the show part way through season one. But the fan backlash to the finale was so harsh that even the show’s frequent champion, Emily VanDerWerff didn’t write about it at all for the fifth season.” She did write a positive review at the start of the fifth season. I even read it at the time. She didn’t write about the finale, and that disappointed me, which may have led me to mis-remember the earlier. (I did remember this round table discussion about the ascendency of fandom in which she discusses the show’s situation, and it might have also contributed to my misremembering.)
The AVClub had Weidenfeld write a review of the first episodes, but she no longer recapped the episodes as she had for the first four seasons. (Her review is generally about what is missing from the Quentin-less series) While preparing to write this I found out that Decider’s Anna Menta recapped through the third episode, despite being amongst those who felt betrayed by Quentin’s death and the lack of opportunity for Quentin and Eliot to explore their romance.
(I just want to take a moment to say a couple of things here. Firstly, I really believed the show runners when they said Quentin was dead and not coming back so I didn’t see the first couple of episodes as a tease that he might come back. When my grandfather who I was very close to died I would regularly have dreams that his death was incorrectly called and he’d come back. I saw those episodes as a version of that.)
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This has been show I’ve written about the most in recent years. But as I was mostly ignoring both professional and fan writing about it for its final season, I only really got around to reading these now. I’m going to start with this post-finale interview with the producers, Sera Gamble, Henry Alonso Myers John McNamara, written by Vlada Gelman at TVLine. It isn’t really a lot of new information. It’s interesting to read about how being renewed or not affected their editing decisions in post production. They seem happy with it. At Entertainment Weekly, Chancellor Agard interviewed Gamble and McNamara. There is more talk about the connection between the final season of the tv show and the finale book of the trilogy, The Magicians Land. (As a viewer I was always pleased when they somehow brought in details from the books late in the season, whether it was big things for the arc like the World Seed page or details that only mattered for an episode like whales being magicians.) In the interview, they also talk about some of the wildest plot points. Gamble and McNamara also gave and interview to Adam Chitwood at Collider. Chitwood is the most enthusiastic about the show. The interview also confirms for those who want to know that Jason Ralph asked to be let go from the show, and that Julia’s pregnancy probably wouldn’t have happened if her actress Stella Maeve hadn’t gotten pregnant. Finally, in an I can’t believe I missed it example, at the New York Times, Jennifer Vineyard also interviewed Gamble and McNamera. This one starts pretty politically with how trying to save the citizens of Fillory unintentionally works as a metaphor for quarantine and how we don’t get through difficult periods of times because of individuals, instead it’s more of a collective. Then it somehow turns into a a thing about being in a mutual admiration society with William Shatner. I truly didn’t see this one coming.
So now I have to get to the actual reviews of the finale, with the caveat that I haven’t watched any of the series in over a year so it’s definitely not fresh in my mind. Over at The AVClub, re-capper Weidfeld is mostly mournful for the series, but also makes the point that when the characters grew up and stopped being so hurtful towards each other and themselves, it was less compelling. It kind of ties back to my “how did people think this was a show that wouldn’t hurt them” question from earlier, but with less interest in fans. I don’t remember if my feelings as it went on would have agreed with it, but it is partially why it was in good place to end the series. At io9, Beth Elderkin seemed to think the finale was rushed and the show deserved better. I don’t remember if I felt like the episode was rushed. But as I read through her recap, I realize that I’ve also forgotten a lot of the episode’s plot points. Over at The Mary Sue, Jessica Mason wrote a positive review highlighting aspects that pleased her as a fan who wanted good things for these characters.
Shortly after the finale Sarah Stankorb at The Atlantic recommend the series to COVID bound bingers. I was shocked to see this. I didn’t think anyone would be recommending it post season for backlash. (Earlier on an episode of Our Opinions Are Correct the hosts walked back what could have been a recommendation for the series, which disappointed me. I don’t remember which episode this was.) It’s a lovely overview of the whole series. I especially like how Stackorb addresses the way the show dealt with Julia’s assault (greatly improving on the source material). It made me wonder if the show will have a legacy, one worthy of celebration. I don’t hope for a revival, but if I had time to re-watch it, I might. And I am happy to read comicbooks building on the source material.
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Dear Diary - Prt. 8
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November 3rd, 2011
Dear Diary, 
Here’s a comprehensive list of what the last two / three days have been comprised off. 
Dean and I trying to cheer Harry up, and convince him that Ellie wasn’t all she was cracked up to be. 
Me cleaning Harry’s face pretty regularly… somehow the injuries from the fight made him even more attractive… 
Dean telling Harry if it was the consistent sex Harry was upset he’d be loosing he was sure he could help him find another girl. 
George knocking on my door at one in the morning after he’d finished drinking and watching football with Harry, Dean, Henry and Jordan begging me to let him inside… He promised he’d only sleep…. You don’t know how close I was to conceding. 
Jordan’s done a TOTAL 180, he’s not being a dickhead since the party… It’s nice. 
Henry’s been helping me study sometimes, he’s really good at keeping me focused… I think he’s learnt that if we stop every twenty minutes to talk about George boy’s I’m pretty good. 
I’ll keep you updated as the week goes on, 
November 5th, 2011
Dear Diary, 
Not much has changed, Harry’s attitude has improved some more. The flat’s becoming less tense, his face has healed.  
George hasn’t knocked on my door again…
November 8th, 2011
Dear Diary, 
Today, well tonight really I’m going to give my first all-nighter a go… To be fair it’ll be in the comfort of my own home, in my own bedroom, but the excitement is still there, well as much excitement I can muster when I think about the mountains of work I have to go through. 
Exams are coming up and I do need to be prepared. 
November 8th, 2011 - Still 
I cannot work here. Dean and Harry have the boys over again, and they’re being obnoxiously loud! Don’t they understand how hard medicine is? All the moving parts… 
November 8th, 2011 - Still 
Dear Diary,
Sorry for all the diary entries, but now I’ve left the flat, and I’ve been at the library for the last four hours - not that interesting I know, but it’s what happened on the lead up to me leaving the house, and the walk to the library, AND the library itself. Let me break it down into three parts for you. 
Incident One - The flat 
“Y/N,” I groaned my head dropping against my textbook as George slipped into my room, I picked my head up and spun on my chair to look at him arms folded over my chest, eyes turning into slits. George, on the other hand, had a bottle of beer in his hand, his cheeks flushed and that stupid goofy smile I adored so much stretched across his lips. “What are you doing?” 
“I’m trying to study, but some people keep making a lot of noise,” 
“Is that them out there?” He thrust his thumb over his shoulder oblivious to my sarcasm. “Want me to tell them to be quiet?” 
“No, it’s okay.” I spun back around, hands picking up my various textbooks and notebooks. “I need to go to the library anyway. You guy’s don’t need to try and keep it down.” 
“You’re leaving?” I nodded my head, picking up all the notebooks and texts book’s I’d need. “You don’t need to leave, We can be quiet I swear,” George sat down on my bed, the springs squeaking. He bounced a couple more times, springs making the same noise. “Wow,”
“What?”
“Loud bed,” He moved again his face shrivelled in confusion. “Wouldn’t be the best for any late-night activities,” I rolled my eyes and reached over George to pick up the backpack I’d carelessly dropped hours ago when I’d come home from classes. George was quicker though, his hands gripped my waist and pulled me into his lap. “What’s going on in this head of yours,” His fingertips tapped my head gently, “Talk to me Y/N,” 
“I’m fine George,” 
“You’re not,” He moved my arms so they strung around his shoulders, linking behind his neck. “Tell me what it is,” He smiled sweetly up at me, “You can talk to me,” I fiddled with my fingers behind his neck, fingers grabbing onto the short hair at the nape, as I ducked my head down, unable to take the eye contact, “It’s just us Y/N…” He leant his forehead against mine. “Just us,”
“I’m mad at you,” I frowned deeper, “I know I don’t have the right to be, but I am.” 
“Why?” His free hand pushed the hair behind my ear, I had nothing to hide behind. “Because I kissed you?” I nodded my head, skin bumping his, bottom lip slipping between my teeth. “I’m not mad at you,” His hand worked from my hair to my lip, softly pulling the bottom lip out from beneath my teeth. “But I do need you to stop doing this, why are you mad about the kiss?” 
“You’re used to this George, you’ve dated girls casually, had one night stands but I haven’t,” 
“We didn’t sleep together…” 
“I wasn’t done.” I snapped. “I have never kissed a boy who wasn’t my boyfriend, let alone kissed a boy who's my close friend… I don’t really know how to feel about it, How to act.” My hands fell from around his neck to his shoulders, picking at the fabric. 
“Do you regret it?” 
“I don’t know,” I whispered fingers continuing to fiddle. “I just feel like you’re on this other level to me, you always have been this great thing that’s always seemed so out of my reach, ever since high school and I’m down on another level and my head is spinning because we kissed George,” I closed my eyes and took a deep breath, “We kissed, and I know I said it wouldn’t change things, but then you said those things after, and I’m sorry but it has changed and I can’t be the only one who's felt it."
“You’re not on another level to me Y/N,” He cleared his throat, “Especially not below me, if anything… you’re above me,” He pulled back, hands holding onto my cheeks. “You’re Y/N fucking Y/L/N… Every guy at my school thought you were the sweetest person, I remember one time at a football match, you handed out orange slices to all of our players because our school didn’t have anything for us and it was a hot day… First time I ever saw you,” He cleared his throat, “But, you’re right. I’m sorry for kissing you, it was wrong, and I’m sorry for saying those things after, that was also wrong of me.” One of his hands left my face, fingers beginning to run comforting circles on my hip bone, “But we can just pretend it didn’t happen Y/N, we can go back to how things were leading up to the party, leading up to the kiss… let’s just forget it happened.” 
“Really?” George nodded his head, 
“I mean I’ll have to tear the pages out of my diary but I can pretend if it means I keep my best girl,” 
“Shut up,” I groaned my head falling onto his shoulder. George moved us, my bed squeaking underneath him as he lay down, I was still on top of him, my head against his chest now listening to his heartbeat. 
“You really are the best girl I’ve ever met Y/N,” George’s hands ran up and down my back. “And I truly am sorry that you were feeling like that, my mum would kill me if I hurt you,” I looked up at him, chin resting on his chest now.
“You told your mum about me?” 
“Of course,” He smiled. 
He’s bloody done it again,
“I have to go,” I pushed up from his chest, climbing awkwardly over him, picking up the bag and shoving my books in. “I really have to get some studying in,” I didn’t let George reply as I pushed open my bedroom door as a loud cheer filled my ears. “Exam’s are close,” 
“Where you off to Y/N?” Jordan asked, eyes still trained on the T.V, “MacKay annoy you that much you’re running away?” 
“No, just to the library,” I smiled walking to the door. “Enjoy the game,” I pulled the door open and slipped out quickly.  “Jesus,” I whispered as I leant against the door for a second, giving my mind the time to process the events that had just happened. 
George MacKay had made my heart rate spike in a matter of seconds, his sweet admission turning me to mush, but should I really be surprised, at this point I was certain George could do anything and as soon as he flashed his goofy smile my way I’d crumble and fall at his feet - unhealthy really when I think about it. 
“Don’t be that girl Y/N, don’t be that girl,” I whispered to myself as I pushed away from the door beginning to walk down the hallway. 
This led into the next thing,
Incident Two - The walk
“Y/N,” I turned to look behind me as I reached the door for the stairwell, Harry was running towards me pulling on his coat. I stepped away from the door, walking towards him. “Hey,” 
“What's wrong?” Harry shook his head, a slight smile on his lips 
“Nothing, I’m going to walk you,”
“You don’t need to Harry,” 
“I’m not letting you walk alone,” He reached behind me and pulled the heavy door open, nodding his head for me to walk through. 
“You’ll miss the game,” He shrugged his shoulders, hand going to my lower back, now pushing me through the door. 
“I’ll watch the replays,” He smiled walking behind me, together we walked down the three levels and out into the cool early evening air, I had to stop myself from staring at him the entire time, unable to work out why exactly he was walking me. “Why are you going to the library?”
“I’m having trouble studying at home, and I figure it’s the easiest place to go,” I shrugged readjusting the backpack. 
“Here let me,” Harry reached and took the backpack off my shoulder, casually pulling it over his own. “Were we being too loud?” 
“It's fine,”
“You should have told Dean or I… it’s your flat too.” 
“Its fine Harry, I don’t mind,” I smiled across at him. “Besides you’ve been… not the happiest the last couple of days I didn’t want to stop you from having some much-needed fun,” 
“Doesn’t matter,” 
“It does.” I pulled my coat tighter around my body. “You deserve to have some fun,” 
“How about we make a list,” Harry suggested, “Of things we want our future selves to remember, from our eighteen-year-old selves,” Harry shuffled the bag on his shoulder. “When I get back to the flat, I’ll write them all down, and we’ll go over them in thirty years,” 
“You still wanna be friends in thirty years?” I looked across to Harry, unable to keep the bright smile from my lips. 
“Nothing good ever happens after two AM.” He declared. “Making any decisions in the most unholy of holy hours is always a terrible idea. The tattoo, the piercings… all bad ideas,” 
“Things change, it might not have worked out the first time, but time changes things…”
“You don’t always end up being the person you always planned to be,” 
“Oh, a good one,” I pursed my lips. “Don’t think so much and just do.” 
“Destiny happens whether you plan it or not,” He looked over to me, urging me on with his eyes. 
“There is someone out there for you, no matter what you think…. Maybe not today, or tomorrow, but someday.” 
“Enjoy the ride, even if you know the expiration date.”  He smirked, “I mean it Y/N… Uni isn’t going to be around forever, you got to enjoy it more.” 
“The littlest things can have a ripple effect that’ll change your life,” 
“There are two big days in any love story. The day you meet the girl of your dreams, and the day she takes your last name.” 
“Love’s confusing,” I bit my lip, mind flashing to George, and the events of my bedroom only minutes earlier. 
“Wait for it,” Harry finished. “Whatever it is, whoever it is… If you know you want it, or them… wait for them,” 
“I like that one the best,” 
“She cheated on me,” Harry announced, “I know I should have been most angry about that, but that wasn’t the reason Oliver and I got into it.” 
“What were you angry about?” Harry shook his head, his mouth turning into a thin line. 
“I’ll tell you about it another day,” 
“Sure,” I nodded my head, “Whenever you’re ready,” It was killing me not knowing what would make Harry angrier than his girlfriend cheating on him, but I knew better than to pry into things. We walked in silence the rest of the way, only interrupting it when either of us had a random comment, nothing to surge a conversation between us, but it was peaceful. 
“Call me when you’re going to be done.” Harry spoke as we reached the library pulling my bag from his shoulder, “Dean or I will come get you,” 
“No,” I began to protest, “It’ll be far too late,” 
“You’re calling me Y/N.” Harry demanded as he passed my bag over to me, “Or I’m going to stay with you all night and watch you as you study…” 
“Firstly, that’d be creepy. Secondly, I’m old enough to walk home without a chaperone.” 
“That’s not the question, it’s a matter of me being able to sleep soundly knowing you got home okay,” He crossed his arms over his chest, looking down at me. “Now, you’re going to call me or I’m not leaving,” Harry and I had a staredown for a minute before I finally threw my hands up in the air. 
“Fine, Jesus.” I groaned dramatically, “I thought I was leaving my big brother back home when I came here,” Harry flashed me a toothy grin. 
“No way babe,” Harry walked backwards waving his hand at me. “Call me, if you don’t I’m going to ground your ass,” 
“I’m not a child you can threaten with a spanking and a grounding,” Harry stopped, he walked back towards me a determined smile on his face. He lent down towards my ear, his hand resting on my lower back. 
“If it were a spanking from me, I’m sure you would enjoy it,” He walked backwards smirking as my cheeks flushed bright red. “Be safe,” He pointed into the library, “Now, go learn some shit,” He continued to smirk as he turned, to walk home. 
Harry Hudson had officially returned to the group chat. 
“Bye Harry,” I waved my hand high above my head, unable to hide the bubble of joy his comment gave me,
“Call me when you’re ready, to come home, I’ll be here.” He called back over his shoulder, hands dug into his coat pockets as he walked up the street. 
“Is he your boyfriend?” I turned, to my left a girl stood at the bottom of the stairs, a backpack strung over her arm, and a golden lab assistance dog sitting patiently at her feet. 
“No, he’s my roommate,” I breathed,
“He sounds cute,” The girl giggled, “Is he cute?” 
“Yeah, he is.”
“Sorry I didn’t mean to eavesdrop,” I stepped towards the girl, 
“Do you need help?” 
“Bronte here’s got me. Thank you though.” She stepped up one of the stairs, “But if you’d like we can sit together? It does get pretty lonely here after a while,” This led me into the next event. 
Incident Three - Charlotte
“Sure, that’d be great.” I watched as the girl walked up the rest of the stairs, her blonde hair billowing out behind her. “Do you come here often?” 
“Mostly during the night, my parents live around the block, and I find fewer people whisper to their friends about the ‘blind girl’ when they’re here cramming for tests,” 
“People do that?” The girl shrugged, her small frame hidden beneath her large jumper. 
“Sometimes, sometimes not,” I rushed ahead of her and grabbed the door, watching as the girl and her dog, Bronte worked in perfect synchronisation. When the girl walked so did Bronte. “I’m Charlotte, by the way.” 
“Y/N Y/L/N,” 
“Pleasure to meet your Y/N,” Charlotte smiled brightly towards me, “What are you studying then?” 
“Medicine, I’ve always wanted to be a doctor since I was a girl, what about you?” I asked quietly as we sat down at one of the oak desks. I pulled my backpack up onto the desk, pulling out what I needed, Charlotte followed suit, sitting across from me, releasing Bronte from her work before she pulled out books lying them across the table.  
“Law,” 
“Wow,” 
“Wow as in I can’t believe a blind girl thinks she can be a lawyer,”
“No,” I shook my head. “If anything I think that’ll make you an even better lawyer,”
“Oh yeah?”
“Yeah, you can’t be fooled by emotions, peoples poker faces, you’ll be listening purely to the facts of the case, how people respond to your questions… if they inflect their voices when they lie… If they’re voice trembles when they replay what happened, your other instincts are strong from your lack of one of the main sense… Your body’s natural instincts will kick in, and you’ll work it out…” 
“Good answer,” She laughed pulling a textbook towards her. I watched unmoving as she opened one of the books, her fingers running over the small raises in the pages. 
“Is it hard?” I blurted out, my hand slapping against my mouth the second the question hung in the air. “I’m sorry, I shouldn’t have asked that, Its none of my business,” 
“Don’t worry, I don’t mind,” She smiled kindly, eyes downcast on the books. “I went blind when I was sixteen, and I think that was the hardest thing,” She leant her chin on her hand, “Having something so crucial taken away from you pretty suddenly,” She took a deep breath and shook her head, “Sorry, I don’t mean to just offload onto you,” I pushed my book away my attention focused solely on the girl across the table from me, 
“Go ahead, I think you have a lot to say, and I’m willing to listen if you want to get it off your chest,” 
“You sure? It’s not a short spiel,” 
“I’ve been procrastinating from studying all day, at least if you talk to me I’ll be doing something useful for someone.” 
“I went blind when I was sixteen, that was two years ago, I’m still learning how to do things but Bronte really helped me… She makes a lot of things a lot easier, sometimes I use a cane but it’s not as easy, or as fun, least with Bronte I have someone to talk to, and who can comfort me when I need it.” She pursed her lips for a second, I notice her hand instantly went to Bronte’s head, giving the dog a loving scratch. “What else,” Her tongue clucked as she thought. “I attended Uni, like you but I guess it’s lonely since most people don’t really know how to take me or interact with me. I’m sure if I could see them they’d duck out of my way so quickly it’d be comical.”
“Maybe we can set up hidden cameras, make some money off the internet,” 
“Hey now, look whose got the big ideas,” She chuckled at my stupid, idiotic, dumb idea. 
Such a dumb idea Y/N, Jesus you’re an idiot. 
“They don’t try to talk to you?” 
“Some do, but I think a lot of them are freaked out by me,” She frowned. “It’s like they think they can catch it if they talk to me for too long,” 
“I’m not,” 
“Thank you Y/N,” She fiddled with the ring on her middle finger. 
“Keep going, it’ll be cathartic to let it all out,” 
“I’m annoyed at the world if I’m honest, not because my sight was taken away, I mean yes that fucking sucked, but because I’m afraid I’m going to miss out on a great love.” She hit her hand against the book frustrated. “I don’t think I’ll ever fall in love, you know the proper love you read about where the girl gets the foot pop when she kisses the boy, and he comes to her house in the middle of the night because he needs to be with her, needs to see her…. I just don’t think I’ll get it since no one would want to date a blind person, and I guess…”
“Go on,” 
“I don’t think I’m worthy of love…”
“Charlotte,”
“Don’t judge me Y/N,” 
“I’m not, but everyone is worthy of love,” I reached across the table and grabbed her hand. Giving it a tight squeeze. “Why don’t you think you’re not worthy of love?”
“How can someone love me when I can’t love myself?”
“You don’t like yourself?”
“Not happy with myself,” 
“Why aren’t you happy with yourself?” 
“Before I went blind I cared a lot for how I look and loosing that I feel like I lost a massive part of me, and I don’t know if I would like what I would see now.” 
“You’re beautiful,” She looked up. “I know you’ve just met me, but I want you to know that you are beautiful, we all are but your vision didn’t make you beautiful, or a good person… just as losing it doesn’t make you any less of either… Charlotte, you should believe in love,” I gave her hand another squeeze. “Just because a part of you isn’t perfect, or your not worked out in your own head, doesn’t make you any less worthy of something… love is magical, and when you meet the right guy it’s all going to make sense, why the others didn’t work out, or why there were no other… it’ll make sense,” 
“Thank you,” 
“I could use a good friend who I can talk to about life,” 
“Me too,” 
“Charlotte, do you want to be friends?” 
“Depends,” 
“On what?” She gave me a cheeky smile,
“Can you describe your cute roommate to me?” She fanned herself dramatically. “I need a description to go with that voice,” 
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