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#the joke is that it can be argued that if you do art like an ai youre not necessarily doing art youre producing commodities
magpie-lu-aside · 2 days
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So. About that shadow crystal and the Master Sword. (All art belongs to @linkeduniverse and JoJo!)
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I want to discuss this part because I find Four, Wind, and Legends reactions interesting, specifically because it was those three who had the argument over Twi in the first place. An argument that all three of them seem to not want to bring up again at all.
I've seen some posts saying that Four and Twilight are gonna have a talk about it (and I'm sure they will) but I'm wondering if they're gonna have a talk about the argument again too. (post got long, if you want to read more its under the cut)
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(takes place in sunset pt 11)
So here's the thing about The Argument™. Four and Legend are the ones to have an opinion on the crystal itself, with Wind being more concerned about Twilight's status at that moment and wondering if the blood (not the crystal) is what could corrupt him. Wind seems to be almost unconcerned about the crystal which is why I think he was excited about the transformation rather than concerned (Four) and.... Whatever Legend is doing (I'll get back to that).
Legend and Wind also almost immediately put the argument behind them. They ran to find a great fairy fountain....
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... And have interacted past this point. And I think that's because overall they agree on this, both of them have trust in the Master Sword to nullify whatever corrupting power the crystal could theoretically have.
But Four and Legend on the other hand? They have not talked to each other one on one since then.
Before this, they teased each other, Four trusted him to work on Wilds sword, and they seemed fine to be in each others space and just talk and conspire a little bit. But now? They barely even speak to each other even within the group. In fact when they do interact in a group both seem... not fully annoyed but not really laughing at each others jokes either.
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Also despite the fact Legend was on the team to work on Wild's sword in the beginning, he didn't show up in the towns blacksmith to help either. And while its very easily argued he did that to stay with Twilight, based on this reaction,
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He was asked or at least knew they were doing it. He was also fine spoiling the surprise to Wild despite it being mainly Fours gift (and symbol of forgiveness). He refused to join either way, and I think it could both be because he wanted to be by Twilight and also because he just... Didn't really want to interact with Four.
Now to bring it back to Legends reaction to the transformation (told you it'd come back). I don't think Legend particularly likes the crystal (who can blame him really) and I think he's with Four on not really liking the magic, so unlike Wind who's excited to see it hes still a little.. Iffy on the magic itself. And I think that still can cause tension, but that's more of a red herring to the real thing that's causing strife... And that's the Master Sword itself.
Legend and Four didn't argue over the crystal. They argued about the Master Sword. I think the shadow crystal was just the tipping point to get them talking about the Sword and make Four oppose it in some way. Four has always been indifferent to the sword, not really willing to wield it and has been absent from discussing it. But after that? I think with Four and Legend being on opposing sides, along with Time and Sky (whole other discussion I cant delve into cuz good god this post is long enough as is) is leading me into thinking that the next arc is going to delve more into that strife. And its going to be harder to overcome than Twilight being injured.
tl;dr I think Four and Legend still have beef after sunset pt 11 and its going to boil over on them and its their inability to discuss the Master Sword like normal peoples fault.
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dflogerzi · 20 hours
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Hello friends. Okay, I spent some time offline, and did speak in length to a dear friend in England today. I think I understand a few things more. Firstly... there are no rules. And this is my timeline, and I get to change it as I see fit. When I first came to Tumblr it was for one purpose, I kid you not. I knew that Meghan Markle was in her supposed first pregnancy... and I knew it was a lie. I have carried a baby, I know how it works, and she was in my opinion lying. This timeframe coincided with my recent awakening of world events and falling down other rabbit holes.
I was gung-ho on both. And I must say, the world events thing did not serve me well on social media. I have never found it beneficial to argue with others about things we do not agree with. And so a few months into my profile building here on Tumblr and connecting I set my own rules on what it is I am here for. And trust me... the people I have connected with mean so much to me. Now then... I do follow some who I only give out likes to and more private conversations. You know who you are. So for the record I am going to be clear of who I am.
I served under Ronald Reagan while in the Navy. I was always more on the conservative side, although I used to joke that as a Californian, I was sitting on the wall in between and fell over to the right. I used to think a lot of liberal policies sounded good on paper, but that in reality they did not work very well. That has been proven to be true in my estimation. But let me be clear. I do not think the Republican view as it stands today is working out either in a bulk of cases, especially in Washington D.C. Our government is seriously compromised within both parties, and I am also speaking of all branches. Neither party is what it once was, and if you are not aware of what the Global agenda is for the common person I cannot help you. And it is not my place in life to even attempt it. We all journey as we do.
I then found my feet here. My goals were to talk of things I am interested in, loved all my life, and to find some fun in my days. When I stick to that... I thrive. But I am finding that as many more are awakening to the fact that our world is slipping away... we are all talking more. And the planned divisiveness is impacting all of us.
It is going to get worse. No matter what your stand is. And I completely believe this summer is going to get rough in the US. Very rough.
So what did I decide? Well... I want to be here. If I drift off, which was surprisingly easy this week, I do not get to enjoy dishing on all things royal, art, history, travel, spiritual life, pets, and the love I have for friends I have made here.
I may veer off to world events. I am no longer affiliated with any political party. I do not believe there are many in places of power who have our best interests at heart. When the WEF says that population control is a main agenda, I believe them. I have done my studying and digging... and I understand. History is repeating itself, but there is no one who will be landing on a shore in Normandy to save our world any longer.
I am not going to try to influence a single soul here. Nope. I just want to vent a bit on how dumb and ridiculous Harry is, how narcissistic I find Meghan, how much I admire Anne, and my hopes for Catherine's full recovery. I also want to read your posts on cute furry creatures, other lands and travels, inward journeys, art, and whatever else it is in life the day brings. But I admit that I may slip, and I go off on a world event. I apologize for it now. Just scroll on by if you would.
I had a tough time since last summer. I did. But that is what life can bring. And hopefully we grow. And in the end it will be what we take with us. Many changes do come on life's paths.
Love to friends. Thanks for listening. Going to just post this mess, warts and all.
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zvaigzdelasas · 1 year
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"AI can make art without human interaction because at the end of the day, it does exactly what humans do with art - break each new piece of art down to the quantifiable basis vectors that you've implicitly constructed about 'art in general' and then faithfully reproduce a new observation of that 'art in general' by smoothly interpolating between observed instantiations of those basis vectors.
You know, like how humans do"
#the joke is that it can be argued that if you do art like an ai youre not necessarily doing art youre producing commodities#assumption being that 'art' stands in an internal tension with a society whose subjectivity is shaped by the commodity form#which i think is pretty inarguable - the argument is over how that tension can be reconciled#i think a salient difference to point out that distinguishes human from ai is the countability of the set of basis vectors#i wouldnt disagree that humans do 'break down' art in some capacity - otherwise 'style' would be entirely singular#the point is really 'how many numbers are there between 0 & 1?'#'how many subcategories are these qualia broken down into?'#i think creativity & externality depend on uncountably divisible qualia#some kind of infinity needs to sneak in somewhere to point to the outside#all this to say @ anon lol for thinking ai is like an ontological evil#but also lol @ anyone who treats the form of AI as isomorphic to the form of human activity#taylor series can absolutely objectively represent certain analytical functions - as long as the error is monotonically negative#ie so long as each subsequent member of the series 'gets closer' to a natural representation of the analytic function#mandatory disclaimer for new followers:#human use of ai for artistic purposes is art - ai cannot generate art without human interaction at some point in the sequence#ideology of the blackbox is the same as the ideology of plug-and-chug#(i know theyre the same because they transform similar inputs to similar outputs!)#& im on mobile so cant move this tag back up but i dont necessarily agree w the maximalist take of 'commodified art isnt art'#but i also think there is a qualitative difference between commodified art & non commodified art#& the ai form is actually pretty isomorphic to the value form in general imo#it cant replace all human labor but it couldnt replace any concrete human labor ...#...if that concrete form of labor hadnt become reducible to that which can be reached through gradient descent#also if u argue that the black box of 'ai breaking down art to make new art' is isomorphic to 'human breaking down art to make new art'#then an implication of that is that ai ***can make art without human interaction***#otherwise if the blackboxes are isomorphic then why have humans in the loop? whats the qualitative difference?#the proper framing is seeing ai as an augmentation of the decision cycle of humans instead of having a 'decision cycle' themselves
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jonnywaistcoat · 7 days
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What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?
And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?
This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.
My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.
Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.
And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.
And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.
I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.
As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.
Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.
So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.
Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.
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sweet-as-an-angel · 3 months
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Things Simon Loves About You
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Warnings: Fluff <3, Cosy Headcanons, Simon Being a Hypothetical Animal Crossing Enthusiast, Jealous! Simon :3, Simon Being the Best Boyfriend, Spoilers for Simon’s Backstory, No Pronouns Used For Reader Except ‘You’.
He’s secretly enamoured with the way you’ll gently pluck a fallen eyelash from his face and tell him to make a wish on it. The first time it happened, you had to explain to him what this odd ritual meant, what it entailed. You shushed him before he tried to make his wish out loud, telling him with haste that it won’t come true if he told you what it was. When he blew the eyelash from your fingertip, all he could do was look at you and think: ‘but it already came true’.
Though it initially worried him, he loves that you go to sleep late — especially when he finds you zonked out on the sofa, TV on, remnants of your midnight snack escapade scattered across the coffee table. It means he has an excuse to pick you up and bring you to bed, holding you close to him all the while. Most nights, he just stares at you, watching you, wondering how he got so lucky to even have someone exist in the same house with, never mind you.
Nobody likes arguments — especially Simon. Having grown up in an abusive household, they were commonplace in some form or another. But, when he argues with you, he knows that it can easily be fixed. Especially if it’s over something minimal like laundry or cleaning — it gives him the excuse to seek you out and utilise his ultimate love languages: gift-giving and physical touch. Sure, he’ll give you a quiet, verbal apology, too, but his efforts shine through in the way he opens himself up to you, pulling you into a warm hug and not letting you go for as long as you’ll let him.
He loves the nicknames you give him: especially the funny ones. You’ve called him Semen Demon before now — completely unprompted. He couldn’t help but give a deep chuckle, saying “What are you like,” before turning back to what he was doing. This worked a competition between the two of you to see who could create the most cursed nickname for the other.
It’s still going on ‘til this day.
He lives for the inside jokes the two of you have, like a dialect only you know. It makes him feel like he’s truly part of something… normal. Sure, he has the 141, by they are bound in the blood of their profession, not by the sanctity of love. Not the kind of love you two have. He loves it even more when everyone else looks confused when you mark a reference onto you two understand; it makes him feel like you’re talking to him and only him. For the first time, he feels like someone sees him.
He loves when you listen to his music suggestions. It makes him feel like his opinion matters — like what he says matters.
He loves the music you listen to, too. Not even because he likes the songs themselves, but because he knows, somewhere between their instruments and vocals, you have found enjoyment, like a coveted treasure. And that's what brings him enjoyment when listening to them.
Simon’s always been a light sleeper. A trick he learned in childhood. So when you prod him awake to spill your thoughts to him, he’s immediately all ears. And he loves everything you say, no matter how banal or nonsensical. Even when you tell him your worries, his heart swells with the fact that you trust him enough with your perils. That you think, even for a second, that maybe he can fix them.
And he would. Before time can catch him, he’ll do whatever it takes to ease your worries, to destroy them.
He loves that he gets to show you off to the 141 — like a child with an arts and crafts project. He’s a secretive man, but he won’t hesitate to make light of the fact that his partner is absolutely stunning, intelligent, hilarious, loyal, understanding—
You see where this is going.
He even loves how jealous they all look when they see you wearing one of his shirts in all your unfiltered glory, wishing them a good night while you bid Simon his own – a special one. A kiss. Just on the forehead. But a kiss all the same.
He’s dazed for the rest of the evening, trying to hurry his friends uut the door so he can come to bed and see you.
Lazy morning cuddles !!!!!
He’s recently gotten into video games because of you, too.
Secretly a big fan of Animal Crossing. He absolutely would have been one of those people to try and buy Raymond from anyone willing to sell him back in 2020 .
Likes any games that are life simulators. Simple ones — free of life’s stresses.
Loves Harvest Moon. And the Sims (Sims 2 is his favourite).
Although, when he found out you can romance other characters, he felt a bit bad because he felt like it would be cheating on you. Until he found out that you were already leading many a double life on those same games. The moment he found out you’d been romancing a collection of pixels and shapes, he picked you up, slung you over his shoulder and dragged you to the bedroom to “Teach you a lesson.”
All in all, domestic life with you is better than anything Simon could have hoped for. So long as you’re with him, he’s living a life he’s only ever dreamt of. And so help the person who tries to wake him.
Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)
Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist
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evilminji · 2 months
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Broadway :3c
And I hear ya. (Insert spooky joke here) There is a sprawling WEB of central hubs, for The Arts. For trade. For getting drunk and having a good time. The Zone is large and it is endless. You'll NEVER reach the far end. It can never reach you.
All things, in gentle sweeping waves, across eternity.
So when folks want to have "a market" or "a movie theater" or "the waterpark"? You gotta PICK a point on the endless map. Figure if you are close or far enough away for others like it, to make it worth the effort to build.
You might even be the first to do it for GALAXIES in any direction! People might fly for WEEKS to come to your place! Move their Lairs to be closer too it. Like dust gathered by gravity, slowly creating planets and stars. A mega Lair. A CITY.
They rise, they fall, the Zone shifts all the while.
But!
Does the dead starlet stop singing? Does getting gunned down, stop the show?? I think NOT! Where is her STAGE? What musicals? What dramas? What operas and tragedies and forms unknown to human kind??! Ballet dancers who CAN defy gravity! Singers who have no NEED for air! The haunting blend of instruments, that could never in life have met! From empires long turned to ASH!
The greatest show in DEATH!
Ember was a world wide hit. Yes, her voice was hypnotic. But that could be FOUGHT. It was SKILL that carried the game. And she was hardly "I was Literally The Greatest My Planet Ever Produced" skilled. She was good, great even. Not "I was Born For Greatness" Excellence.
And like?
.....eventually? Danny's gonna ask after "cultural-y" Culture stuff. Clothes and food. Music and the arts. To help his parents get used to the whole "our son is half-dead" thing. To show he's not some mindless monster now.
And? Ghostwriter? Probably an absolute legend. Does he know where you can find some CULTURE? Oh THANK ZONE! He thought you'd NEVER ask! You unsophisticated-! *fist fight in a library* Still a dick, though. Always and forever.
And just? Imagine Broadway stretched out into a floating city. That never sleeps. Never stops. Shows ever changing. Some on a cycle, some only once. Dream-like. Beautiful. Eye catching.
And yeah, Danny didn't think he LIKED musicals. It was more of a Jazz thing. But? This was important! Gotta get the whole family in the Speeder. We're going to see a play, guys! We'll pick when we get there! Family road trip! Educational! We can make notes!
His parents are trying to be supportive. Big, fixed, strained grins. Trying to pretend to be excited. But they... DO seem reluctantly intrigued? And Jazz is all but vibrating in her seat. It's basically her "before you go away to college" present. And she is THRILLED.
The longer she excitedly speculates? The more into it she gets their folks. This IS gonna be new! Exciting! Never before seen Ghost Culture! Music! As a FAMILY! Think we could find souvenirs? Ooooh, wonder if they sell CDs??!
Then? They GET there. And it's... it's like seeing the Las Vegas strip for the first time, except multiplied into a city. Made of even MORE styles and eras. At angles gravity would never allow.
The air filled with laughter and excitement, people rushing to shows or humming bits of tunes. Street stalls. Fountains. Flowers growing everywhere.
They could stay for months and not even reach a fraction of these buildings. His parents are taking countless photos. His sister squeeling with joy as she races for an information kiosk like they just arrived at Disneyland. He, at least, remembers to lock up the Speeder. Grab their day bags.
When did HE become the responsible one?
The argue over shows. Obviously. Wouldn't be Fenton's otherwise. HE wants to see the alien one. It's from mars! But it's his sister's trip, as his dad points out, so she gets to choose. She picks a musical set during the Fall of Krpton. He's... reluctantly kinda interested. I mean, EVERYBODY likes Superman, right?
It's... it's amazing. Terrible, but amazing. I mean? A coming of age story cut tragically short? Oof. Hello, massively projecting then getting FEELS about it! Yeah, sure, rip my heart out why don't you? He's fine. No, really! Just drowning in his own emotions over here. The refrain of "A Life Well Lived"? *gargling dying whale noises* he's FINE. Not grappling with anything! Go on without him!
Thankfully?
They DO sell CDs.
He... he may end up, kinda, getting a bit of a collection. Going on the weekends, hoping show to show. Wandering to whichever catches his eye in the moment. Buying the CDs for one's he likes. Which? Honestly is a lot of them. Even though there's all sorts of genres and languages. Cause it... it RESONATES you know?
The grief. The anger. The "I have died but I wasn't FINISHED. It isn't FAIR.". And? Something about ghost speak flows so BEAUTIFULLY in song? It's hard to explain. But he... he needs them.
A pair of headphones, a CD, and a clear night sky? Nothing touches it. It's like a trance made of light. Like he can just drift.
The problem? Is the CDs are kinda... Zone made? They're radioactive, for one. Nothing a Fenton CD player can't handle. But... they? Also? Kinda fuckin GLOW? Like... very, very noticeably. And not in a "ha ha, cool glow in the dark paint!" Sorta way.
.........but like FUCK is he leaving his music behind when he goes to college. Gotham will have to deal. It's already a burning shit-nado, it can handle this. Probably. He'll put um in a lead lined box. Actually, speaking OF.... he needs to get a few more of those... *goes back to packing*
Which? Is how? The Bats are treated to some of the most HAUNTING music they've ever heard, belted and crooned from Some Guy's speakers, out an open window, on the "stop for a mid-patrol drink of water and a snack" building. It's one of the intersections of their patrol routes. And THAT? That is some dude listening to a Romani ballad about death and the circus. Now it's a musical about the trenches of an obscure war.
Okay, that was DEFINITELY Kryptonian. Like... coherent Krypto- *Bruce gets a call from Clark on his "work" number DEMANDING to know where that is coming from. Who is that voice Bruce?!* huh.... Well Then.
@hdgnj @hypewinter @nerdpoe @lolottes @babbling-babull @spidori @mutable-manifestation @the-witchhunter
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ajortga · 4 days
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opposites attract
pairing: jenna ortega x fem reader
summary: people would call you and jenna the old married couple from across the street, you'd always argue. you hate each other so much, but you love each other even more.
word count: 2.1k+
warnings: alcohol, goofiness, hilarious imo
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based off request! (love you 🦦)
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ME AGAIN. I JUST LOVE TO SEND OUT REQUESTS FOR SPECIFIC WRITERS 🙏🏻
Jenna Ortega! x Reader!
"In every friend group, there are always two people arguing"
holy shit this dynamic is so cute, it's like wherein obvi J and R likes to argue a lot, whether it be going out w friends, in set, sleepovers, literally just everywhere all the time.. In the end obviously they get together 🙈 YOU CAN DO ABSOLUTELY WHATEVER W THE PLOT IF YOU'D LIKE.
Completely understand if the request isn't taken!! I LOVE YOUR WRITING SM, I LOVE YOU
-🦦
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It’s silent on set where Scream is being filmed. Silence would’ve filled your break room, that would be if you and Jenna weren’t damn yelling at each other over the littlest of things.
“You fucking cheated!” You accuse, pointing your finger at her as you go crazy and throw your Uno cards everywhere.
The tinier girl puts her hands up, putting one to her chest to pretend to be offended, “The Y/N is accusing me of cheating? When will I clearly won fair and square?”
That throws you off the edge, screaming into a pillow and kicking your feet, then throwing the pillow straight to her head. “I saw you looking at my cards dumbass!”
The atmosphere is chaotic as you two throw pillows at each other, one of them hits Melissa in the nose, “Hey!” She goes, throwing a pillow to Mason, which throws it to Jasmine.
Everyone is throwing their pillows at each other, screaming and laughing. Actually, not everyone is screaming, the only ones are you and Jenna.
“I WAS GLANCING AT THE SCENERY.”
“SINCE WHEN WAS THE SCENERY MY CARDS?” You yell, throwing the stuffed animal at her.
Jasmine nudges Melissa, who lets her pillow down and lets her friend whisper in her ear, “Who’s going to tell them that they’re flirting?” 
A cackle escapes the other actress, “She’s definitely always thinking Y/N is the beautiful scenery. In which she is, she’s like the days that have the best sunsets. She’s a sweetheart.”
That was true. Although Jenna won’t admit it. You were breathtaking. You were like the movie that everyone wants to watch again for the first time. Whose voice was a gentle lullaby that lulled those into a peaceful rest. A work of art, Jenna would say. A work of art she’d fucking hate, yet still buy it’s worth for billions of dollars more than they should be.
“Okay FINE! I peeked! I just saw that you had a yellow seven! That’s it!”
“Exactly!” You say, throwing the stuffed animal up and victory, “Nuh uh, you also said half-way through the game as a joke “I bet you have a blue four,” and I had a blue four!”
“FINE, but that was all!”
“Whatever.”
Mason rolls his eyes as he leans back into his chair, throwing a huge stuffed animal and making you collapse and go, “Hey!”
“They’re gonna get married one day, they’re like an old married couple,” He states, and everyone that hears agrees, except you two. You two are too caught up with arguing with each other, smacking pillows at each other.
“Asshole.”
Grunt!
“Bitch.”
Smack!
“Weirdo!”
“Goofball!”
Plomp!
“Silly!”
“Pretty!”
“Sweet girl.”
“Lovely!”
“Gosh, well aren’t they oblivious?” Jasmine scoffs, “Their flirting and don't even know it, they’ll use that as an excuse for another argument again. Melissa watches, amused, and laughing in the background with a cackle. You two are hitting each other with any pillows you can find.
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liked by melissabarreram and 1,890,072 others
y/n_l/n this is very not an appreciation post for jenna, the first two i'm posting cause she told me not to but she cheated in uno and she's getting what she deserves! (someone save me from this mad woman)
#justicefory/n i hate you @jennaortega
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melissabarreram: My babies #justicefory/n
liked by y/n_l/n
natalieortega1: Love you
↳ y/n_l/n: love u too!
crunchybaguette55: y/n is seriously blessing us with these photos
aliyah.ortega: nah why is jenna more flexible than me
liked by y/n_l/n
user839: watch jenna is gonna post something about her
jasminsavoy: lovebirds
liked by y/n_l/n
y/n'spersonalbag: SHE POSTED I'M EARLY
jennaortega: I hate you
↳ y/n_l/n: Ilyt
-
Melissa screams while the members of the cast begin to elevate up the roller coaster. 
“Oh god!” Mason shouts, while you two begin to lift off the floor from the free fall device.
“If the machine were to break and fall, would we bounce out of our seats or bang our head?” Jenna questions, looking down at her feet that are currently 100 to 150 feet off the ground.
You’re right next to her, yet you have to shout because of how loud the machine is, “Nuh uh! None of that stuff, if the machine were to break, then the starting point wouldn’t be as lifted and our feet would probably dislocate.” 
“Pfft, nonsense,” Jenna rolls her eyes, and you try kicking her but as you reach the top, it slowly begins to stop lifting up. 
“Guys!” Jasmine yells, looking down at the floor, she’s still holding her pretzel in her hand. The people below you now look like at least the size of a caterpillar. 
“It’s kind of tall!” Melissa says, but she’s giggling.
“No damn shit!” You say, looking at the floor and preparing for your heart to fly out of your chest, “Hold my hand!” Jenna jokes while you roll her eyes at her.
When you stop at the top, the machine makes a loud “TCCHhhHH” noise, and you are all still. 
“I DON’T WANNA DIE,” Mikey and Devyn cry, screaming.
“We haven’t even gone down- YET!” Everyone starts screaming as the seats you’re in descends at fast speeds. You all scream, high pitched, wails, singing to get your mind off of whatever. Devyn and Jasmine flutter their eyes and do a peace sign when the camera flashes. 
You close your eyes, the machine goes back up, then down, you’re screaming, laughing as Mason’s sandal falls out, “No! My shoe!”
It hits the person operating the roller coaster.
Somehow, your hand finds Jenna’s as you cling onto it, she doesn’t let go, giggling with you as you two fall. It was a nice moment, the breeze in your hair with the sunset saying hello. Except you don’t know if the moment got better or was ruined because before you can appreciate it, Jasmine screams, louder than she had when everyone dropped.
“My pretzels!” She screams, falling out of her hand and flying into the air, the cinnamon pretzels falling and smacking you and Jenna in the face as you feel a flash in your face again, you pose just as it clicks.
“I WANNA GO HOME!” Mason wails, “Where the fuck is my shoe? MY SHOE!”
By the time you reach ground level, everyone’s hair is ruffled, eyes dazed as your legs shake when you leave the machine.
You’re still holding hands with Jenna as you almost collapse on each other, you feel dizzy, probably because the machine was damn spinning and a pretzel got smacked into your face.
"You okay?" she asks, looking at your dizzied form.
"Mmhm, are you okay?" you ask, the feeling of throwing up going away.
She nods, letting you cling onto her as she hugs you tight.
"You're so weak," she teases.
"Says the one who screamed more from a pretzel being thrown in her face than the actual ride."
She smacks you, but nonetheless, still holds you tight to her chest.
Mason looks at the floor, and claps, turning happy, “My sandal!”
Everyone is groaning, Melissa is snorting and looking sick while Devyn and Jasmine shove their hands through the little amount of pretzels left in their bag.
You’re not surprised when everyone busts out laughing, pointing at the pictures of you on the rollercoaster. The first one, Devyn and Jasmine were making peace signs while somehow being able to do the slightest pose, Mason’s shoe is flying and you can see his mouth wide open with one foot barefoot, Melissa is smiling with cotton candy in her mouth, and you and Jenna are screaming and clinging onto each other.
The next one gets more chaotic, with Jasmine and Devyn looking horrified, the whole picture has pretzels flying and hits Jenna and you square in the head. Yet, the frame only catches Jenna’s face being smacked while you’re posing with your hands and blowing a kiss.
You’re laughing so hard, everyone is buying the photos, you can’t stop laughing as Jenna screams from the horror.
“How did they only take a picture when the pretzel gets to me?" She groans.
-
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liked by jackchampion and 4,971,391 others
jennaortega i don't know how that little girl managed to hide all her bad photos on my phone but melissa took a photo of her falling asleep on my shoulder, i did not cheat! cancel!! @y/n_l/n
jasminsavoy: little? girl, you're the size of a strawberry.
↳ jennaortega: fuck you respectfully
y/n_l/n: NO i was sleeping because filming was so long
↳ jennaortega: yeah and you decided to sleep on my shoulder, do you know how heavy your head is?
↳ y/n_l/n: meanie
jennasorange: I love you Jenna please notice me
melissabarreram: Love!
natalieortega1: My girls
fruitrollupsa: omg someone confirm are they official
jackchampion: I saw you looking at y/n's cards
↳ jennaortega: no you didn't
↳ jackchampion: actually i did 🤓☝️
-
It was a little after sunset, where outside is painted a blue and purple sky.
“To a long day of maintaining our sanity for today’s long duration of filming!” Devyn says, raising her drink.
“To a long day of maintaining our sanity!” Everyone else cheers, you bring your drinks up and clank them with one another before downing it.
You liked it like this. Having parties every Friday with your scream cast. They were your family, most times you’d have sleepovers, play card games, video games, gossip. Silly photos were taken, and these polaroids were always hung on your wall of memories, Melissa holding her puppy while doing a bridge gymnastic pose, risking her skull from literally cracking.
You take the sip of beer in your hands, with a wide smile on your face. It’s nice knowing you have a group that you can easily fit in, you don’t have to think to speak, you can just do it freely.
A few minutes turn into an hour.
Melissa turns to you, pointing at you and smiling, "You're going to be the first one to get wasted, your cheeks are all pink."
"No their not!" You retaliate, a small slur to your words as you lean on the couch for balance.
"Right," Jasmine says, sarcastically as Jack and Mason are screaming at each other.
"Jack no! If you take that one off then the whole tower will fall! We can't lose!" Mason screams, the Jenga tower tilting.
You giggle.
You catch sight of Jenna and you throw your arms up, stumbling to her while slurring her name slightly, "Jennaaaa, where were youu?"
The brunette looks at you, confusion shown in her futures as she looks at your tiny self, looking up at her and tugging at the collar of her shirt. Your eyes sparkle.
"You're seriously already a little drunk?" She questions, amused as you groan and shake your head, "Noo, shut 'p. You're drunk tooo Jennifer. I literally am not drunk, I know waaht m doing."
"Right, right."
"Jennifer, kiss my forehead,"
"If you call me Jennifer one more time I swear to-"
"Jellybean?"
Jenna rolls her eyes, hugging you and kissing your forehead, "Love you," she murmurs.
"I love you tooo."
She sits you down to the couch where you get the sight of Mason, Jack, Melissa, and Liana are battling each other in Jenga.
"I'm not drunk, I just drank a little, I'm perfectly fine," she states. You don't say anything, instead distract yourself with the large jacket draped over her, you tug it, "I'm cold, give me that."
Jenna looks down at you, trying to take off her jacket, "Hey! What if I'm cold too?"
"Can we share?"
Jenna sighs, rolling her eyes, "Come here," you nestle into her as the jacket plays as a blanket.
It's not enough to cover the two of you, so she throws it into her bag and grabs a large blanket and lays it on the floor. The hollers of the Jenga crew grow loud as the tower tumbles over because of Jack.
"I TOLD YOU NOT TO DO THAT ONE IT WAS GOING TO FALL"
"OH YEAH, oops. I forgot." Jack says, putting his hands up in surrender.
The blanket is huge, it can fit at least 4 people.
"Hey Melissa, over here, let's turn into a burrito or something." The taller Latina that's non-occupied looks at you two, seeing the way you're already laying on the blanket, ready to be wrapped up.
You're squished in the middle as Melissa giggles and Jenna begins to roll over and wrap you 3 in the blanket.
"Oh my god," you three roll till the blanket space runs out, now you guys are cuddled, nestling into each other.
Cozy for sure, all of their arms are wrapped around you and each other as you close your eyes, getting comfortable.
"I hate you two," Jenna murmurs, both you and Melissa go "me too" before you two are silent.
"No you don't," you slur, "You love us."
"I don't, I love you guys," she giggles, and you and Melissa smile, hugging each other and letting the sound of music from the party echoing in your ears.
-
a/n: didn't know how to make them confess, so the ending is kind of suggested that they did? hopefully that's okay<3
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nomazee · 27 days
Note
EVENT TIME EVENT TIME
how about.. 4:44am & dr. ratio? 🫡
AUGHH THANK U GWEN i lvoed writing ths..... first time writing dr ratio be gentle on my fragile soul
my 1k event!
—°+..。゚。゚+.*.。.—
When Doctor Veritas Ratio walks into his very-private, very-locked, very-secluded study, he’s greeted with the unfortunate sight of you—sitting on the floor, an easel with a wide canvas set up low to the ground, oil paints sprawled absolutely everywhere. 
“What the hell are you doing?”
A sheepish smile pulls at your face, as if a sweet expression will get you out of the mess you’ve made of Ratio’s personal space. It’s far too late— late? Too early? Regardless. The hour of the night-slash-morning that you’ve decided to paint in his room is not appropriate at all. 
“I can explain,” you say, followed by a complete lack of an explanation as the two of you stew in silence for another half a minute. 
“Why are you even awake at this hour?” Ratio scoffs, stepping around you and your hazardous art set-up as he places some irrelevant stack of books on his (thankfully untouched) desk. “You should’ve been in bed a long time ago. Soon you’ll experience delirium from lack of sleep.” 
“Oh, please,” you argue, swatting a hand in his general direction playfully as you turn back to your canvas. It’s full of nauseating color, clear shapes and lines that don’t blend together in the slightest, vague animal-like forms that overlap with each other. “You’re awake too, aren’t you? Unless I really did hit delirium, and you’re just some Veritas-ghost floating around in my subconscious.” 
Ratio does not get a kick out of your very funny joke. An annoyed huff escapes him, tainted with something like weariness and exhaustion. Your eyebrow twitches. 
“And to answer your first question,” you prattle on, mindlessly scrubbing dried paint from the side of your hand with a wet rag, before picking up a fan brush, “I’m painting. This room is really well-ventilated, which is nice, because it would be a shame if all the fumes got to my head and zapped away my few remaining brain cells.” 
That one gets a laugh out of him, probably because it’s at the expense of your own intelligence. 
“There are a hundred other rooms that are exactly the same as mine,” he argues, finally turning away from his pointless shuffling of materials on his desk and facing you, looking at you while he talks to you—you know, like a normal person would. “There was no reason to infiltrate my own private study for your… painting. The door was locked, too. How did you—” 
“Don’t ask silly questions, Veritas,” and you like the way each consonant of his name clicks against your lips and teeth and tongue, “I have my ways. Does it bother you that I’m defiling your good room with my frivolous fine arts endeavors?” 
“Ridiculous,” his face screws up in displeasure at your assumption that he’d be so elitist to deny you of your passion. He walks around your spread of supplies again, carefully, before kneeling by your side to watch you work. As much as he’s loath to admit, you’re one of his few soft spots, and it shows in the way he traces the lines of your paint with his gaze, and the fact that he has yet to kick you out of his room. “The humanities are just as important as any other field.” 
“Spoken like a true scholar,” you quip, trying to hold back the shakiness of your hands and the swaying of your body. It really is too late for this, but you’d slept through the day and felt much too awake by midnight. Setting up camp in Ratio’s room was a natural instinct. 
“Go to bed,” he says, commanding yet gentle as he tugs a paintbrush from your hand. He doesn’t touch your hands, never really does, but he’s gathering your scattered, wrung-out tubes of paint and the little containers of linseed oil hidden under the easel. “It does neither you nor your artwork any good to be exhausted.” 
“I’m not even tired!” you complain, dragging out your words in a whine as he nudges you with his foot in a wordless command to stand up. There’s something like a cot in the corner of his room (because he does sleep, sometimes, and often it’s between textbooks and files and loose leaf paper) and a cozy patterned blanket that’s definitely yours. 
“You will be tired the second your head hits the mattress.” 
“This is a really awful mattress, Ratio.” 
“Don’t complain,” and his tone is harsh but you know he doesn’t mean it, because he’s pushing you back onto the little sleeping corner and tucking you into the blanket, nothing short of kindness in his hands. “You still have to clean your mess in the morning.” 
Sure, you think, already drifting off. By the time you wake up, you know that your mess will be packed away in a neat pile, floor wiped clean and canvas propped safely against the wall.
—°+..。*゚。*゚+.*.。.—
gen taglist: @tragedy-of-commons @lasiancunin
fill out my event taglist (pinned) or my general taglist (navigation) to be tagged in upcoming works!
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sp0o0kylights · 8 months
Text
I once had to pose in a ton of photos for a friend's AP photography final back in high school so may I present to you:
Steve Harrington, who gave in to Robin's begging that he act as her weird art model for her senior year portfolio (the same one her teacher is encouraging her to bat out of the ballpark and enter into contests.) 
She's doing a whole thing on fashion, subcultures and sexuality using photos and collaged poetry, a project that has Steve trying on different outfits and posing in different places. 
"This might help me land a scholarship, Dingus." She hisses while she's got him bent over her bathtub, spraying parts of his hair blue with wash-out dye.
Steve, soulmate and best friend extraordinaire, goes through it all with minimal (for him) bitching, even if the goth outfit feels absolutely ridiculous, and the 'geek' photoshoot downright laughable.
He starts to have fun when she has him mimic Nancy's straight laced, all A's good girl aura, and equally has a blast with the country look (he has no idea where Robin got a miniature horse but it conned him for every piece of food he had on him and then some.) 
The final piece is the one they're struggling with, the one Robin's now (fake) dying his hair partially blue for. 
A few hours later and he's dressed up once again in a studded leather jacket, the tightest jeans he owns ringed with belts, and combat boots.
 Robin had even talked him into letting her use eyelash glue to attach a few metal studs on his face--two acting as an eyebrow piercing and one on his nose. 
The looks he drew took a minute to get used too when all was said and done, Robin dragging him around Hawkins while she tried to find the 'perfect backdrop' but he's not gonna lie. 
He kinda enjoys being punk Steve.
That is, until Robin has him posing in an alleyway and Eddie Munson comes around the corner, jaw right about falling to the floor.
Even better? 
Eddie doesn't recognize him. 
Not at first, when he siddles up to Steve, nodding to the handkerchief in Steve's back pocket and then flicking the pink triangle pin on his jacket with a finger. 
Steve owes Jonathan a bottle of his father's best alcohol for giving him enough knowledge to get through the music razing Eddie subjects him too, and Steve's all too happy to play the part of punk asshole to Munson's music-snob metalhead.
It's not until Eddies playing with his hair and Robin gives in to letting him have a quick break from the shoot that he gives up the ghost, leaning in to whisper in Eddie's ear. 
"Gotta say, Munson," Steve all but purrs."I wasn't expecting you to fall for the Harrington Charm that fast."
"What?" Eddie asks, jerking his head back to look at him with wide eyes. 
Maybe it's the outfit giving him the extra ounce of courage, but Steve likes to think more that it gives him the freedom to lean forward and brush their lips together. 
Eddie doesn't return it, but that's alright. 
Steve's played this game enough to know that it was merely a hook for a real kiss. 
"Okay." Robin says, annoyed, camera at her side. "Steve, I'm happy that you're finally exploring that repressed as fuck homosexuality we keep arguing about, I really am, but I have to get this last photo!" 
He ignores her, instead nudging Eddie's shoulders.
"Care to pose with me?" Steve asks, grinning. He can tell Eddie still isn't sure if this is a joke, that he's seconds from running, and reaches out to tug on his black handkerchief. "Get Robin her photo, and then talk about this after, Mr. S&M."
Eddie flushes scarlet, but after some reassurance (and wheelding) from Robin, finally agrees. 
(Later, he agrees to a date, which Steve also credits the outfit for.
Even if Robin demands half the credit.) 
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lovelybrooke · 3 months
Note
I saw your post for Hazbin Part 3 ideas so I’d like to help!
Idea one: Immortal reader(that’s what I’m calling them) “dies” again and goes back to hell.
Ideas two: Charlie and the others hesitantly get Lucifer to help and Lucifer also becomes a platonic Yandere? (I swear this man needs another daughter and the fact that immortal reader doesn’t have a dad)
Idea three: this one ties into the second idea. Charlie and the others get Lucifer and they all go up to earth only to see immortal reader going about there life. Oooo what if Lucifer recognizes them? Like back when they “died” as a kid they met Lucifer but immortal reader doesn’t remember because they were a kid?
Idea four: What if immortal reader finds out about them not being able to die? That there mom or someone tells them about an curse being places or a spell gone wrong causing them to be immortal. What if every time they died they get a scar reflecting that specific death?
This was all I could come up with at the moment but if you need more I can give more!
I've been thinking a lot about idea two and three because I do want to include Lucifer because I remember when I first saw him in like some art somewhere and was like "oh he gonna be so evil and scary" and in reality he's just a sad dad, which I love.
Imagine reader still being in hell when Lucifer shows, and with all the talk about fathers, reader reveals they never knew their dad.
(little blurb below the cut)
"Wait--really?" Charlie frowns at the declaration, her father sharing a similar look. You just spent the last two minutes listening to Lucifer, Charlie's dad, argue with Alastor about god knows what. When Charlie told you her dad was coming over, you imagined him, the supposed ruler of hell, to be more scary. You definitely did not expect him to be the way he was now, almost like a wet cat. Though you couldn't doubt that he cared about Charlie.
Eventually, you even got pulled into the argument, with Lucifer demanding you to pick who the better father was. You didn't want to cause an even bigger argument, so you simply said that you couldn't pick since you don't really have a point of reference, which ultimately led you to where you are now.
You shrug "Yeah, I mean I've seen pictures but that's about it." You say blankly. It never really bothered you since he was never in your life. Your mother didn't really talk about him either, other than when she was drunk, and those were all just insults. There was a time where he called the house looking for your mom, sounding angry. You got scared and hung up before you could say anything. You never told your mom he called.
Angel lets out a low chuckle from his seat at the bar "wow--just another thing to make you sad." You didn't know if that was a joke or not, but for some reason he looked upset.
You couldn't focus on that for long though, since Charlie was rushing up and giving you a big hug "Oh I'm so sorry--Dad! You can't just ask questions like that!" She reprimanded him.
"It's not that big of a deal..." You said, subtly trying to push her away.
"Of course it is--I wouldn't have brought him here if I knew--"
"Charlie, I don't care, I promise." You say, more firmly this time. Finally, she let you go, though the solemn look didn't leave her face. Looking over, Lucifer matched the look on her daughter's face. Alastor however, was smiling wide, like always, though you could see his look become softer when directed at you.
Maybe it was all in your head though.
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gummygowon · 9 months
Text
my girl(s) | choi san
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word count: 1.27k hehe
genre: fluff bro so much, slight childhood friends to lovers, established relationship, soon to be dad!san x pregnant!reader
warnings: san just worrying too much that he gets exhuasted
song playlist: my girl - the temptations, be my baby - the ronettes, la vie en rose - èdith piaf
author's note: seeing san get heated about how that one husband treats his wife made me think about how sweet and caring san would be in a relationship and then i started playing fifties's music and boom here where we are
choi san was just an absolute gentlemen, it was one of the many reasons why you loved him so much.
you vividly remember when you were younger, san declaring to the dinner table that his wife's hands will never be wet in the future, promising that he will be doing everything for her which impressed all the other neighborhood parents. a few parents joked at him to remember their daughters in the future which you rolled your eyes at. san was obviously bluffing and trying to impress everyone. you found it hard to believe that a man would be able to care so much for his wife like san said.
it was almost laughable how wrong child you was.
san quite literally did everything around the house, always insisting that you go lie down and relax even though he just came home from work. it was definitely a hassle trying to get your husband to relax let alone sit down after dinner since he was always insisting that he did the dishes even if he cooked.
"san, baby go shower," you whisper into his ear while he was doing the dishes, "let me do this. go relax."
instantly turning around in protest, san folds his arms in front of his chest, "no."
"san," you warn, the mother in your voice coming out.
"absolutely not." san protests, standing up even taller to tower over you, "you are my pregnant wife who needs to rest. i need my girls to rest."
"san, we don't even know the gender yet." you argue. it was only today that you found out you were pregnant after you realized that you were two weeks late and sped to the nearest drugstore for a test.
"i know but i think we're having a girl." san says knowing with smile on his face, he was just getting excited at the thought of having a baby girl. "still though, you should rest."
"san, i'm fine, you on the other hand should rest."
"but-"
"who has a eight hour shift at seven am tomorrow baby?"
"i do." san dejectedly answers with a pout on his face. san didn't hate his job as a martial arts instructor but if he had to choose between you and his job, he would choose you without a doubt over and over again.
"i promise when my belly grows you can pamper me all you want but not yet. you still need to take care of yourself before i'm unable to take care of myself."
"promise?" he asks as he intertwined his fingers with you.
"promise." you answer before sealing the deal with a kiss.
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a few months later, when the baby bump began to show, san became even more protective of you.
finally on your maternity leave, you spent the time at home reading parenting books and knitting clothes for your baby making an assortment of colors. sometimes, you ventured down to the dojo that was connected to the house causing san to stop whatever he was doing and guide you down the stairs.
"yah! choi san!" you shout at your husband who completely abandoned his lesson to aid you, "i can walk down just fine! go back to teaching!"
"no!" he argues before turning back to his class to yell, "five minute water break!"
a collective "yes sir" was heard from the group as the students dispersed to the sidelines.
"san, i love you but i promise i'm fine!"
"i know, but i still worry over you my love." san confesses as he carefully holds your hand as you walk down.
"aigoo..."
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closer to your date, you spent most of your days either in the dojo working at the front desk so that san could keep on you (more like you could keep an eye on him) or upstairs reading more parenting books and preparing the baby's room.
"how's the baby?" wooyoung asks, an old friend of san who occasionally stopped by the dojo to check up on you and take out san to relax.
"doing great! the doctors are saying the baby is healthy and don't see any problems or complications yet."
"ahhh, that's great to hear! how's san doing though? still stressing?"
"oh you bet he is." you sigh, running a hand through your hair. "taking him out for a drink tonight?"
"trying to but you know he doesn't like to leave your side."
another sign escapes your lips, it was possible that san was stressing you out by not being able to relax. "i'll convince him. he's been worrying too much."
"good luck with that one." wooyoung laughs.
"woo!" your husband shouts at his best friend coming out of the studio to the front with a towel in hand. "what brings you here?"
"just checking in your wife and the baby." wooyoung starts before flashing a quick glance at you, "but the boys and i are about to head down to the bar if you wanna grab a drink."
"ahhh, you know i would love to but," san says looking down at you with a smile. lately he's been running around the house trying to satisfy you're weird pregnancy cravings and help with the morning sickness all while still working full time down at the dojo. the stress and exhaustion was evident on your poor baby's face as the eye bags deepened and he wasn't his cheery self.
instead of returning the smile, you frown at him confusing san. "go sannie, i'll be fine."
"don't-"
"san, i will be okay." you laugh a little, trying to ease san's nerves, "i'll be down the street okay, baby? you deserve a break."
san looks back at wooyoung who looks eerily similar to the devil on his shoulder. "are you sure? what about dinner?"
"your mom dropped off some soup for us earlier, i can eat that. go out, have fun! you need to have some fun once in awhile baby."
"fine, but not too late." san complies while pointing a finger at wooyoung.
"i promise to bring him before eleven ma'am." wooyoung promises saluting to you before shooing san to go get changed.
"take care of him woo!"
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the day of the pregnancy was absolutely terrifying yet exciting. it was the thrill of finally becoming parents that was the only thing keeping you sort of calm. your mind wandered every now and then to the idea of you being a bad mother but san was quick to shut down those thoughts.
you guys still didn't have any idea of what the gender was, deciding it would be fun to find out the day of. san was still confident that you guys were going to have a girl even though all the ajummas begged to differ with their superstitions.
"it's a girl!" the doctor exclaimed cuddling the newbown baby.
"i told you!" san shouts jumping into the air out of excitement before wrapping his arms tightly around you, his lips on your forehead. "thank you. thank you so much." tears of happiness flowed from san's eyes as he held you close, his warm embrace making you feel overwhelmed with his love.
"i love you so so much." san cried into your neck as he looked through blurry eyes at you cradling your daughter.
you couldn't even say anything too tired and overwhelmed to give a proper response. instead, you just cried with san holding the baby so close to your heart.
it felt refreshing? calming? something like that to be able to cry away your emotions. even the worries of becoming a mother washed away and instead hope and excitement for the future replaced the negative thoughts. you couldn't believe that you finally have a kid with the love of your life, not even just the love of your life but your best friend in the whole wide world.
god, you were so lucky to have a san in your life and he was just as lucky or even more to have you in his life. now, the both of you were fortunate to have a third in your new little family.
san let out a sniffle before planting a wet kiss to the crown of your head, "my girls."
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hotchfiles · 2 months
Note
hotch "representing the bau" hotchner x activist!reader who won't stand for bullshit
not like actual conflict cause we know hotch is a very principled guy
more like
"shit i can't shitpost about overthrowing the government anymore cause my boyfriend is the government" vibes
you have no idea how deeply i feel about this i've actually posted about this because i'm very much against all cops and he's a literal fed ! but
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you met in the most conventional of ways, which makes the whole thing even funnier to the outside person. a bar. you noticed him the moment he walked in, too downright gorgeous to be ignored, you stare at him completely shamelessly and get a few shy awkward smiles in return while he sips on his first drinks and talks to his companion, who you later learned was rossi.
he will find it later on that you're not really up for games, but it takes him by surprise when you approach him, card in hand with your phone number and the red stain of your red lips on the other side. he's immediately smitten, being flirted with so openly at his age does wonders for his ego and he makes sure to text you as soon as he gets back to his apartment.
the texting back and forth goes for hours, a lot of flirting, you're much more outspoken than he is, but still you find him hilarious, you will be telling your friends he's the funny one between you two (none of them will believe you, but you like having this only to yourself as well).
you talk movies, plays, music, favorite drinks and by 2am he asks you on a date. it's perfect from the get go. he's flattering, compliments your choice of clothes, says he likes the lipstick (the same you used on the card he is keeping safe on his wallet), takes you to a nice restaurant.
you tell him since you made the very first move, he would have to be the one to kiss you, he argues he sent you the first text so you should be the one to do it, in the end none of you know who took the first move, you're just sure you were the one to unlock your apartment door, stumbling along with him as you two passionately kissed.
it's not common for this to happen for him, he's too much of a gentleman, sleeping with someone on the first date isn't the gentlemanly thing to do, you're not attached to those norms so even if he tried to argue, your lips glued to his neck as you worked on his belt took his mind off of it.
it's not until the next morning that he really notices your place: the types of books you had, some revolutionary art pieces and it's then he realizes he has no idea what you do for a living. neither did he tell you he was a fbi agent. you two talked long hours and career wasn't even a topic (that may be why you caught his heart so fast).
you were a journalist, a writer, quite proficient and known for your progressive ideals and less than civil protests, so when you both realize the differences and the conflict it might bring, the first instinct was to pull away. forget the whole thing. it was only one date after all.
it's a matter of days for the realization that being apart won't happen, your thoughts are filled with him and his voice and the way he touched you and aaron can possibly detail every curve of your body and the way you smelled as if he was still in bed with you.
there's a mutual agreement of public discretion, you can't have your readers knowing you're falling for a fed, nor does the media needs any more reasons to write about the fbi.
his team knows though, and so does strauss, she had to be warned of the possibility of your name popping up in some lists. she reads half of your writings after that, highlighting stuff you should not be writing about (you won't listen to her on it) and the compromise you make is to keep all of your opposition material completely professional, no tweets, no tiktoks, nothing of the sort with jokes about overthrowing the government.
"did you... did you just cite and use one of stalin's books as resource here?" he asks, he's in your bed, blue boxer shorts and white t-shirt on, completely comfortable with you already, his reading glasses sit on top of nose like an old man and he furrows his brows, looking up at you. aaron's interested in what you write, he truly reads whatever you hand him just to learn more about you, he's not the one to try to censure any of it.
"well yeah... his writings are the easiest to comprehend on the topic." you shrug, not understanding the tone of his question at first.
"honey... you can't just... do you know how many... forget it. your editor will love it." his poor attempts to talk you down failing each time he looked over and saw your expectant eyes as his opinion is important to you. you smile at his defeat, taking the papers from his hand and throwing somewhere else in the room, his glasses go to the bedside table and soon you're kissing any of his worries away.
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goggles-mcgee · 1 year
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Steve Harrington being absolutely pissed/terrified at the Upside-Down and all it's monsters and being a Petty Betty and reading everything he can about DnD monsters and how best to kill them because the UD monsters seem to have a pattern and the kids relate the monsters to those in their game. Steve absolutely wanting to be as prepared as he can and reading up on any and all creatures, mythical, magical, cryptid, horror just in case they run into the Upside-down equivalent. Steve especially doing this during season 3.
Eddie Munson of course works at the mall too, at the record store across from Scoop's and may or may not have the biggest crush on Steve Harrington who he can sometimes see through the shop's windows when the customers are low, but he and Steve don't properly interact till season 4. Not until he adopts his merry band of little sheep. Steve and he somewhat talking when he picks them up from Hellfire. It's not until Steve arrives a bit to early for pickup and sits down to wait for them in the clubroom that they actual start talking more than a handful of words.
Steve is over the moon to actually be making a friend around his own age. Eddie is in-between wanting to scream in frustration for actually liking Steve more after they continue to get to know each other or just kiss his stupidly pretty lips. The rest of Hellfire are apprehensive but after seeing how Steve interacts with the kids, with Eddie's blatant flirting (Steve though is oblivious) and how Steve seems to be friends with that chicken Robin in band, they mostly just ignore him or even ask how his day was.
It's during one session that Steve purposefully came early so he could hang out that Steve's knowledge is revealed. He's just chilling on the club room's donated sofa and reading Batman Annual #8 that Lucas lent him after ranting about the art and story for so long that Steve gave in and asked to borrow it. Lucas liked to joke that they had to give Steve an activity otherwise he'd fall asleep so Lucas would bring him a comic and Dustin usually had a snack his mom packed for Steve. So Steve is just snacking, reading, minding his own business when he hears the kids arguing about how best to take down Gray Ooze and Steve just mindlessly remembering all his studying just blurts, "It's immune to cold and fire, I don't know what weapons you have on hand or your spell things but anything besides cold and fire should work."
He's still reading the comic and snacking on some almonds so he misses when all heads turn to look at him in bafflement, or complete heart-eyes in Eddie's case. He does not miss when Dustin, Mike and Lucas start yelling at him and demanding how he knew that.
Eddie is wondering how soon is too soon to get Steve a promise ring.
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Submission message: howdy, would like to submit keith and lance from voltron (lmao)
Submission message: BBC Sherlock and Moriarty / BBC Sherlock and John Watson
Additional propaganda: Now Keith and Lance on the other hand was a whole fucking mess that they then shoehorned in an hetero romance to try and "fix it" but by lord it was bad, everything about voltron is so fucking bad
Anyway this is my Klance propaganda : They were actually bait
Klance's queer baiting by the team was the worst!! We had to deal with NETFLIX ALSO GETTING IN ON THE QUEER BAITING!! If you searched up Kkance during the times for season 6-8, the SHOW WOULD POP UP. The directors would make jokes about it being canon, even Lance's VA got in the joke!
Their queer baiting was the worst for anyone who was even looking for an ounce of queer rep in that show. The only queer rep we got was a man who died after not even 5 minutes on screen, and shoehorned in the credit scene of a gay wedding of a character that was neither Keith nor Lance.
I do not know Agatha and Sophie, so I can't argue that klance was bigger bait or not, I just know voltron was mean lmao. the creators said stuff like "lance will be someone's first choice!" (meaning NOT ending up in a relationship with allura bc she very much chose another guy over him) and heavily implying he would be Keith's 1st choice (or a guy in general bc of point number 2). point number 2: they also released official art showing how super cool and diverse the main cast was! race! gender! LGBT - they had shiro (who was......canon gay but that's a whole other can of worms) and lance hold the sign with LGBT on it and then did absolutely nothing with that w lance at all (he hit on allura, so obvi he's not gay, but at least bi or smt) (UNLESS you count the scenes where he's flirty with keith). I just remember going into the last few seasons being like "klance probably won't be happen be honest with yourself there's like no queer kids shows!! but damn like it so could tho!!! because of how much it's been teased both in the show and by showrunners like I can't have no hope with the way the producers talk about it!" lmao I should have had no hope, but i genuinkey believed there was a possibility it could happen. and actually I discovered after the fact that i think one of the writers for the show who was the main advocate for klance (they had a lot of diff writers for eps, which led to lots of character butchering but ANYWAY) left not terribly long into the show I believe bc he didn't like the direction it was moving in and didn't want to be tied to the show anymore. so it's not like fans just made klance up either - it was written into earlier episodes with the hope and plan to continue developing later, and then just nothing ever happened with it besides INTENSE teasing it to keep queer fans around. esp after shiro's relationship was literally only a flashback and then his fiance thing or whatever got blown up before we even got to watch him interact w shiro as we knew him in present time in s7, so I think they kept being like hmmm klance and the stuff about lance being a first choice before s8 to keep ppl around. also esp bc klancers made up such a big portion of the fan base. then they made a horrible szn and ended it w a flashforward to shiro marrying some random background character who maybe had 1 line? I just remember hitting the flashforward and being like uhhhh who is this dude??? but they did that to hit those diversity points wow first gay marriage in a cartoon or smt idk it doesn't count to me really. so anyway voltron in general is queerbait lol but klance is because it started out as a legit possibility and then they said sike! but only maybe sike bc u guys are mad at us burying our guys in s7 so maybe klance could still happen haha okay now we're serious no it's not happening. anyway I think klance is p bad queerbait and a vote for them is a valid vote, not just u liking the ship.
#im sorry but johnlock is a household name in ther queerbait trenches
I don't know much about blaze runner, but this website made me endure Johnlock FOR YEARS, that ship makes me so fucking angry, and it's so much bait, the whole fucking show is just 4 kinds of bait in a trenchcoat trying to pass as something good, and Tumblr(and the rest of the goddamn world) ate it up like a five course meal. So anyway that's why I'm voting Johnlock
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ornii · 6 months
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Wednesday addams x male reader who can read minds and sees the future and he always teases her. During a fencing session she can't land a hit and gets increasingly angry then tells him she loves him and it catches him out and she manages to get a hit but it leaves a scar on his eye. He's furious thinking she said it just to win they argue and she says she meant it then a lot of fluff.
They are already dating and he's irish please.
So Heimdall basically, but more simply put:
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“It’s Skill, Not luck.”
Wednesday Addams X Male Reader
Fencing, the art of footwork and swordplay was founded ages ago and to this day still a practical challenge for those not versed in their footsteps. In Nevermore there were two divisions, same teams of course. Men’s Division and Women’s division, both intense divisions of fencing and sharp skills. But for both, they were dominated by the “Power Couple.”
Wednesday Addams was a fierce competitor, swift and decisive with her movements, she made little error and did not err from her training. Teaching too of the Class was a challenge she enjoyed and profoundly excelled in. Her Boyfriend on the other hand, it was very different.
(Y/n), Wednesdays Irish Boytoy as many would claim, was also top of the men’s division, not for his evil calculating attitude, but his absolute abilities. Foresight. Being able to see the future, see your opponents moves before they can even make them gives you an almost omnipresent advantage in many situations, fencing especially. It was a normal day being King of the castle, another student falls before (Y/n), as he scores the final point.
“Game goes to (Y/n).” The teacher said, and (Y/n) calmly took off his visor to smile, he offers his hand to the student who takes it.
“A bit predictable, but nonetheless, good effort.” He says, (Y/n) then casually turns to face all the other students.
“Well, anyone else? I’m open to all challenges?” He says with a vast number of confidence, nobody really took up his offer, why would they? he could literally read them like a book, know their attacks, what they’re going to do, it’s impossible to touch him. everyone was silent until one voice decided to test her mettle.
“I’ll play your game.” A voice creeps from behind everyone, they split like the ocean and to Wedensday, dressed in Black as usual. (Y/n) was actually taken aback by his girlfriend challenging his spot.
“A ghrá?” (Love?)” he asks a bit shocked, he shrugs it off and smiles. “Very funny Wednesday..” he combs his hair back but sees she isn’t the one for jokes or in the mood to jest. He knows that look in her eyes.
“With all due respect, you’re the one only I haven’t bested in any division, I plan on changing that… I suppose luck has to do with that.”
“Not Luck, Skill.” (Y/n) responds, but decides that now would be the time, he turns to the teacher.
“Then let’s begin.” He asks, the Match was set but (Y/n) did not put his visor to cover his mask on.
“(Y/n)? Mask?” The Teacher Orders, (Y/n) calmly raised his hand. “It’s no need, she won’t lay a finger on this beautiful face she adores.” (Y/n) smugly got in position. Wednesday kept a scowl, everyone was at the ready. (Y/n) watches calmly as his foresight activates, an almost ethereal spirit from Wednesday shows her next movement, right foot forward, strong lunge to the left. Her body follows suit and (Y/n) effortlessly dodges the first stab. Everyone tries to contain their laughter, seeing Wedensday get played like a fiddle. She begins to pick up the pace, going for more quick and calculated stabs. (Y/n) begins to dodge left and right, reading each movement.
“Well! Someone’s confident today!” (Y/n) smugly steps back, he locks his arm in and counters Wednesday, a loud thud is heard, (Y/n) again dodged her stab, this time his rapier casually poking her forehead, only shouted by her visor was her growing anger.
“Point, (Y/n).” The teacher allows the two to separate. (Y/n) calmly raising his rapier. He can sense the unease, the growing anger in Wedensday, he grins and blows a kiss. The students watching try not to laugh as the couple have their little spout. “You know Wednesday, it’s like a song really. You’ve heard the tune before, the lyrics, you know them by heart so there’s no reason for you to struggle to sing the words. That’s what this is like… I know what you’re going to do, makes counters too easy.” He explains, She said nothing.
“Wish to try again black dove?” (Y/n) said, Wedensday without any hesitation gets back in her stance.
“Shut up and Duel..” she mutters and this time attacks more ferociously. Students watch with bated breath as (Y/n) sees, she’s going faster, trying to overwhelm his foresight. But even going as fast as a cheetah, her attacks remain futile as (Y/n) ducks down, and delivers a firm poke to her naval.
“Point two, (Y/n).” The teacher delivers the second one.
“This is best to five sweetheart. I know you can do better.” (Y/n) steps back, and Wednesday removes her visor, “Fine, no safety, I will win.” She and (Y/n) lock eyes. His confidence is overwhelming, (Y/n) doesn’t even assume a combat stance, Wedensday charges and uses her quick movements, but each attack was perfectly parried. (Y/n) calmly walks back as Wedensday attempts to put more pressure on him.
“Love, this is amusing…. But please, I’d rather not cut you. I do love you after all.” He tilts his head, dodging her stab. Wednesday is visibly angry, and says something (Y/n) could never foresee.
“I love you too! Which is why I’m trying to stab you—“ she blurts out in a small little fit of anger, (Y/n)’s foresight took a nosedive as his eyes go wide, “wait, did you—“ before he can ask, he could see the rapier racing to his face, with barely any hesitation (Y/n) threw his blade up to attempt to counter, but it was too late for him.
A splash of blood hits the ground and (Y/n) falls back, clenching his eye, grunge of pain echo though the room and stunned silence. Wednesday gripped her rapier, adrenaline finally causing though her cold veins, she suddenly comes down from her high and sees what she’s done, the blood splatter reached her forehead and she wiped the warm liquid from her skin and then quickly saw (Y/n) being helped by the teacher. Gut twisting regret was all over her face, she took a step to try to approach him, but something stopped her. Guilt.
Wednesday sat outside the nurses office, waiting impatiently. Her members have been agitated so bad, her foot is tapping the ground. She’s never done this, she could only stare at the ground, pondering the fate of her boyfriend. The doors knob turned and opened, the Nurse stepped out with bloody gloves and Wednesday hopped out of her chair.
“How is He?” Was her immediate first question.
“He’s fine, thankfully the cut just tore though the cheek muscle and part of the upper eyebrow, missed his cornea by millimeters. should be fine with a bad scar. I have to contact his family.” The Nurse walks off and Wednesday turns to the door, a wave of negative emotions washes over her. She gripped the handle and twisted the knob to enter. She saw (Y/n)’s face, half of it, he was staring at the wall.
“… What do you want?” He asks coldly. Wednesday had never felt so, off.
“I, wished to speak with you—“
“Why? You got what you wanted. You wanted to use our relationship to get one over me, you got what you wanted, right?” He turns to her, letting her see the other half, his eye was covered in gauze with clear medical tape holding it there, the beginning and end of the scar can be seen under the pad.
“You’re right, it is What i wanted, and I was selfish and, evil to do something like that.”
“Really?” He said with such Fake Shock, Wednesday couldn’t be angry at him for it. He looks back at the wall and then from the Corner of his good eye, sees her sit next to him.
“(Y/n), Im sorry…” She Mutters, (Y/n) turns to face her, she could barley look at him.
“You’re disfigured because of me, when you went down I had this sense of fulfillment and pride, but then, it felt like needles were tearing though my heart. I always thought I’d enjoy that sensation but I didn’t. I was selfish, bitter and angry, I hope you can forgive me.” Wednesday lays out her apology, it’s dead air for a moment until (Y/n) sighs.
“First of all, I’m not disfigured..” he grabs the tape and pulls it off, the scar wasn’t entirely bad. The bloods Coagulation around his scar so no bleeding, just your puckish rouge like scar now, his eye looks just fine, albeit a bit red.
“Second, if you want to make it up to me..” he begins, “Kiss it to make it feel better.” He said with a smug smile, Wednesday was actually taken aback, seems his attitude has always stayed intact. “But if you don’t want to—“ he trails on, before feeling her palms grip his face, more accurately the cheeks of his face and she lays a cold but, loving kiss on his closed eye. She lets go and (Y/n) stares at her, actually at a loss for words, he couldn’t hide his smile. He scoots over and lied back, laying his head on her lap, Wednesday was less than enthusiastic about it, his eye looked up to hers.
“Ye know, this might be dumb to say..” he starts,
“But what?” She replies.
“You kissing my eye, I actually didn’t see that coming..” he chuckles, Wednesday closed her eyes, trying to stiffen a smile to not show.
“Heh.. I love you, Wednesday..”
“… I love you too..”
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bishopsbeloved · 3 months
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the art of falling in love (part five)
natasha romanoff x fem reader
best friend!yelena belova, aroace!yelena belova, internalised homophobia, found family trope, coming of age, angst, fluff (eventual happy ending)
part one | part two | part three | part four | part five (16.3k words) | epilogue
read this fic on ao3!
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Death was first explained to you and Yelena when you were six; Yelena’s favourite of her mother’s pigs passed away, and you were both called in from playing outside to be sat down gravely.
“Girls… Wilbur the piggy has, ah, passed away,” Alexi told you. You stared back at him blankly.
“Do you know what that means?” added Melina more gently.
“Uh… Peter from class said his mom and dad passed away,” Yelena offered after a few moments. “And it means that, like, he can’t see them ever again, so he lives with his aunt now.”
“Yes!” said Alexi enthusiastically, before catching himself and adding in a much more solemn tone, “I mean, ah, yes… very sad. Not good.”
Melina looked at him sternly and he fell silent. “You are right, Yelena. When someone passes away, it means they are no longer with us.”
“Like when you go to the store?”
“No. When I go to the store I am always coming back, да? Passing away is permanent, and it means you never see them again.”
“Oh. But I like Wilbur,” said Yelena sadly, and you nodded in agreement.
“That is what makes life all the more precious,” Melina told you gently. “You never know when someone may pass away — only that everybody will, someday. So you must enjoy the time you have with them, my darlings, and never take it for granted.”
As the years went on and the two of you began to understand what death actually means, that first introduction to it became somewhat of a running joke between you and Yelena (because how else can humans deal with such a terrifying concept as death? You can choose to either laugh or cry, and Yelena will always choose to laugh); the idea of someone passing away will often be referred to as going to the store. For example, Alexi is probably the sole man responsible for the entirety of Ohio state’s roadkill — neither you nor Yelena can remember a car journey with him in the wheel during which some unfortunate creature has not stumbled into his path and suffered fatally for that mistake. Every time it happens, without fail, Yelena will turn around eagerly in her seat or poke her head out of the window and assess the damage before gravely announcing, “That one is definitely not coming back from store.”
It’s a euphemism that can be used in any situation — and often is, actually. Whenever the TV signal packs up (as it often does in such a rural town as your own) and the Kardashians begin to cut out awkwardly, Yelena will throw down the remote and shout in frustration “Ma! The fork thingy on the roof has gone store again,” and Melina will know exactly what she means. Or whenever your history teacher Mr Fury hobbles into class, who is so old he looks like he’s witnessed half the events he teaches you, Yelena will nudge you and whisper “he is close to store’s doorstep now, eh?” Et cetera, et cetera. The phrase gets used often.
You feel silly for your mind wandering to those words, given the circumstances. But all you can think of right now is your overwhelming hopes and prayers that Liho has not gone to the store — and that neither has your bond with Yelena. As for Natasha… well, recent times have been a cruel wake-up call.
It’s been a few hours since Melina left with the cat, and the only text you’ve gotten from her since then says cat in surgery now. Yelena has barricaded herself in your shared room — her room now, you think miserably to yourself. You have never, ever seen her so upset, not in your whole life. You don’t think you’ve ever even argued with her, outside of your usual half-hearted play wrestles. But now she’s shouted at you through your thick heavy door, a solid wall between you, putting miles between the two of you but still not enough distance to lessen the brutality of the words she hurls at you from the other side of it. Words you can’t think of for too long or tears will begin to brim in your eyes all over again. Words which you know you deserve, but ones you never thought you’d hear your best friend say to you.
Now you sit uncomfortably stiff on the couch, feeling like a stranger in the home you’ve grown up in, the silence threatening to suffocate you. You feel almost like a prisoner in your body, unable to move as you relieve the last few hours over and over in your head. There’s no doubt in your mind that Yelena is right. You are an awful person. If you weren’t, if you were better, maybe Natasha would still want you, instead of casting you aside once you began to bore her. Maybe if you were better you’d have been sensible or strong enough to not sneak around with her at all. But you’re not, and now you’ve broken apart a family you weren’t even worthy of in the first place.
Natasha is sat in the armchair opposite you, legs curled beneath her, nursing her bloody nose. Her gaze has been fixed on you for the indeterminable amount of time you’ve both been sat here, but you are too exhausted to care. For once, you have much, much bigger problems than her feelings.
Eventually, she speaks, more subdued than usual. “I’m sorry.”
“For what?” Your voice doesn’t sound like yours. It’s somewhere else, someone else’s, far away.
“For…” She hesitates. Like there’s something she doesn’t want to say out loud. “For not, uh. For treating you badly.”
Well, that’s not really what you expected her to say.
Your silence prompts her to flounder further. “I just— I don’t, well, I can’t really explain a lot, but I— I know I messed up. You deserved better. And I’m sorry.”
And you’re so done with her, and so little of yourself is left now that you simply stand up and walk away.
Natasha doesn’t even call after you, just kind of makes this sad and defeated little noise that makes your heart hurt. You know it would just ache even more if you turned around again, though. So you don’t. You walk the hall for a few aimless moments before your feet carry you to the only person currently home who you still have a dependable relationship with — Alexi.
His workshop, as he calls it, is adjoined to the kitchen; a tiny wooden door which he has to bend himself double to fit through, leading to the garage. This has been his space for as long as you can remember. You have no idea how he moves with such ease through it when it’s like a maze to you — huge chunks of greasy half-repaired machinery everywhere, cluttered workbenches and racks of tools and shelves of liquids labelled in his indecipherable Russian scrawl. He often has the tiny tin portable perched on a shelf squeaking out radio shows in his mothertongue which he guffaws merrily at, but as you enter now the room is peacefully quiet, save for Alexi’s disjointed hums of a thousand songs in one and the little chink noises the piece of metal he’s working on makes every time he hits it, slowly bending it into shape.
“Ah, привет! Good evening, daughter,” he says cheerfully, without even turning around as you creep up barefoot behind him. He doesn’t say anything more, and neither do you, for a while; you opt to simply sink down onto one of the wooden stools littered about the place and watch Alexi absently while he works. This doesn’t faze him at all. On the occasions where Yelena was busy without you as a kid, you would do this very thing. Alexi would simply chuckle at you and ruffle your hair with a large bearish hand, oftentimes leaving behind little smudges of black motor oil in it. You’re still in your prom outfit, though, with your hair done up intricately, so tonight he stops himself in time.
“Do you think Liho will be okay?” you ask after a while, in a very small voice.
“Oh, да,” he replies, without hesitation. Even with his back to you as he tinkers busily you can hear the sincerity in his tone. “Yes, yes. Think of what that kitty has been through already, eh? When you found him he was doing worse than that. He is, uh, tough meat. A fighter.”
Seeing Alexi so placid and unshaken in the face of tonight’s events is strangely calming and you nod, soothed by his words, before another thought strikes you. “Oh… but the vet bills.”
Alexi lets out a low but not unkind laugh. “Ah, не будь глупым, you worry so much. We will figure those out. Melina is a sly fox, has money tucked away in hidey-holes, eh?”
“But— I mean —” You twitch uncomfortably, and Alexi seems to finally cotton onto what it is that you’re really worried about. He sets down his tools with his usual gentleness, which never fails to look foreign on such a giant of a man, and turns to look at you.
“You are member of this family,” he tells you. “No matter what Yelena say. She is angry, sure, but it will blow over, eh? You love the silly little fur man, and we do too. So if these bills will help him of course we will pay it. There is no need for worry.”
“But I ruined everything,” you say quietly.
He laughs again. “Nonsense. You have not ruined any of the things, голубка.”
“But… your date night. And— Natasha,” you hiccup.
“We have date nights all the time, подсолнух, there will be others. And Natasha… well, me and your mama are knowing this for long time. Yelena will be coming round also, eventually. We will figure this all out, we are a family. She is your sister. All of the things will be okay. None of them are ruined.”
And you can’t help but cry at that, at his earnest sincerity, his certainty that things will work out — and because you love him, and he is your family. You tell him so through choked sobs, and he just looks at you softly before wrapping you into a petrol-scented bear hug, prom outfit be damned.
Maybe he’s right. Maybe everything will be okay.
Yelena sinks into another episode over the following days. She does nothing much but sit, a vacant look in her eyes, devoid of any feeling, and stare for hours at a time as though seeing something that the rest of you cannot. She has no words left to give, and drifts around on autopilot, only performing basic functional tasks when prompted to — as if they’re an afterthought. Seeing her like this wracks you with guilt in a way none of her episodes have before, because for the first time you know with a crushing certainty that this is because of you. You offer countless times to return to your parents’ house across the road, the residents of which you haven’t conversed with in months, but Alexi and Melina dismiss this as if it’s the silliest idea in the world.
“You are family,” Melina tells you firmly. “Fights happen, да? You stay.”
Even if you’re still welcome in the house you’re certainly not welcome in your usual room. Natasha offers to put you up in hers but drops this very quickly after the look that you give her, so instead a section of the loft is cleared for you. You and Alexi spend a merry Sunday together in his workshop assembling a bedframe for your new space, only to discover once you’ve made it upstairs that it’s actually too large to fit through the attic hatch, so you have to take it to bits to get it up there and then rebuild it all over again. (It doesn’t really matter though, because Alexi is so bemused by the whole thing and his own oversights that it’s impossible to be frustrated at the setback. He just grins so goofily.) When Yelena is in the shower you sneak back into her room to gather as many of your belongings as you can and begin to turn the little space into yours. Melina brings home some fairy lights from the store, you order some posters online and within a week or so you’ve organised yourself a very cozy nest amongst the mess of the loft.
Even now you’ve moved in, over half of the room is still piled high with boxes of various things and piles of junk and the distinct, cloth-draped, dust-gathering shapes of Alexi’s abandoned projects (which he insists on keeping on the basis that he might need them someday, much to Melina’s theatrical chagrin). The various artefacts throughout the room create a kind of ever-changing maze, and you remember playing up here with Yelena when the two of you were kids and it was too cold to play outside — for you, anyway, being someone who’s grown up in a relatively warm American state. To this day Yelena often scorns you for your inability to tolerate any kind of cold, and reminds you of the climates the rest of the family has lived in.
Thinking of her makes your heart involuntarily twinge, and you wince, standing from your perch on the end of your new bed in the vain hopes of shaking it off. As you do so something in the opposite corner of the room catches your eye; the neat pile of scrapbooks Melina worked on for years when you were kids. “I’m going full American mama,” she would quip, spending hours of an evening painstakingly prettying the pages laden with pictures that Alexi had taken throughout the day. You find yourself warmed by these memories, and drift over to the pile of books, settling before it. The newest scrapbooks are naturally at the top, so you shuffle through the pile until you reach the very first scrapbook Mama Melina ever made, which begins the day Yelena came home. You settle down comfortably on the floor, cross-legged like you’re a kid again, and begin to flip through its pages; the very first are adorned with pictures of Melina and Alexi in their youth, and then on their wedding day. After that is the day Yelena came home, absolutely unfazed by this strange new country and its drawling people. Every single photo has the date it was taken written beneath it in perfect cursive, and through the timeline shown you can see that it was barely two weeks into Yelena’s residency here before you and her properly met, and became firm friends. Things progress like that for two years, from when you were five until when you were seven; regular entries are made in the scrapbooks documenting road trips and school plays and lost teeth, all of which you smile upon fondly.
Halfway through the third scrapbook, Natasha comes home. You recognise one of the many pictures documenting this milestone as one that hangs large and framed with pride downstairs above the fire; a stunned, still blue-haired Natalia swathed in thermals, huddled in the corner of Alexi’s rickety old fighter jet on the journey back from the motherland, beaming widely up at whoever’s taking the photo. Despite the fact that you see it every day, seeing it alongside so many others in which she’s so bewildered but so, so happy makes your heart feel so strongly that you have to flip ahead.
You pore over the pages of the main scrapbooks with interest for a while longer, until the main timeline ends and divulges into you, Yelena and Natasha each having your own dedicated scrapbooks. You have no interest in studying your own baby photos, and given all that’s going on reliving Yelena’s would be unbearable right now, so instead you find yourself picking up Natasha’s, and pushing the others aside.
Seeing her grow up before your eyes like this is surreal. In reality you were by her side every day, and most of these changes happen so gradually that you barely even noticed them, but here are immortalised stills from throughout the years which show how she’s grown. When she first came home she hadn’t had her growth spurt yet, and still had her gentle Russian lilt which the rest of her family retains to this day. As she starts attending public school and socialising with her peers you can see that something changes very hastily within her; a light kind of fades from her eyes. The blue is bleached from her hair, and as the red fades back in its place she seems to fade a little too — into the quiet, observant Natasha that you know today. She doesn’t seem unhappy, as such, but… uncertain, and it dredges up a kind of sadness in your chest that forces you to push the book away, lest the tears in your eyes follow through with their threat to overspill.
You’ve always seen Natasha as someone so secure and sure of herself — so much so that she doesn’t feel the need to speak over anyone else in the room in order to get her opinions across. When she does speak it’s usually a quick, cutting remark that earns laughs and leaves everyone eager to hear more out of her. When she walks into a room heads turn to look at her, no matter where she goes. She knows that. She’s someone worth paying attention to. It’s never occurred to you, not once in your life, that her behaviours aren’t the result of something different. But looking at these pictures has stirred up something in you which you can’t quite describe. A deep sadness at the fact that you’ve probably never known her at all, aside from the parts of the real her that have slipped through the cracks; her Russian accent and sleepy kisses first thing in the morning, her goodnight texts, the way she doesn’t need to ask your order at drive-thrus or coffee shops, the notes she’d leave under your pillow. That’s Natasha. Not whoever this is who’s pushed you away. Not this girl who has bleached the childhood from her hair and taught herself how to be from another place.
You pile the scrapbooks back in the neat and tidy order in which you found them and crawl back to your bed, flopping into it, utterly emotionally exhausted by this trip down memory lane. You think it’s dark outside… you’re certainly tired enough to rest now, anyway, and you do; drifting in and out of an uneasy slumber, visited by vague and twisted recollections from your childhood which disappear upon your waking again, before you can grasp them properly, like the sand of your youth slipping through your fingers.
Mama Melina is a woman of science. She’s always considered herself a grounded person. She doesn’t concern herself with what she doesn’t understand, or care for (namely whatever she cannot see for certain with her own two eyes) to the extent that this is the path her career has taken, and is now what feeds her children. She is, objectively, an intellectual woman. Her analytical methods of thinking have led to scientific breakthroughs in her area of expertise, and she is renowned as an expert at her job. She did not reach this point through belief in the spiritual, or abstract. Hell, being raised in an orphanage herself, she didn’t even really believe in true romantic love until Alexi bore his whole earnest heart to her.
One day, when you were young, you came home from school and, with frightening nonchalance, came home and asked if one of your classmates had been correct in saying that people who kissed others of the same gender were hell-headed sinners. Melina abruptly halted her mundane household task and sat you down, taking one of your hands in hers.
“Sin is a fairytale,” she told you, as delicately as she could. “Nobody knows for certain whether sin or God or heaven or hell are real. To believe that is a choice, a leap of faith which certain people make. But all we know for certain is what’s here now, да? Like I am real, you are real,” she cupped your little face between her warm hands and squeezed gently, making you wrinkle your nose and wriggle happily, “Baba and Yelena are real. But sin is thing you choose to believe in. It is made up stories to make us feel better about death but it does not matter, малыш. What matters is what we do now, when we are alive, not what we do to secure a place in an afterlife that might not exist, eh? We are kind to each other now while we live because we know it to be true that we’re alive. To tell someone else who to kiss was wrong and unkind of that boy at school. Worry about the afterlife once you get there, да? If you want to kiss girls, kiss girls. No one who is kind or worth your time will care.”
She kissed the top of your head before standing back up and returning to her cleaning. No more words were exchanged on the prospect, but from that day onward it has appeared to be common knowledge in the household that you like girls, and that Melina is not a fan of religion justifying bigotry.
In all honesty, she is not a fan of anything that’s not an irrefutable truth. Science is her preferred method of explanation for any problem that may occur. But as her relationship with Alexi has blossomed, and then in turn the ones she shares with her daughters too, she’s learned that facts and feelings do not have to be mutually exclusive. Some of the complexities of the human mind are far beyond her understanding, or indeed any of us — and yet this is a truth which ought to be embraced, not feared. The greatest joys in Melina’s life are its mysteries.
And so Mama Melina has never questioned the dynamic you and Natasha share; at least to her, it’s seemed crystal clear since day one that the two of you harbour affections for one another — admittedly for reasons beyond her comprehension, but it’s nonetheless undeniable to anyone who knows you like she does. She’s watched you grow all of your lives, delicately inching closer to one another like two flowers craning their necks to reach the sun. Melina long ago accepted she’ll never in this lifetime know what higher power reigns as a puppeteer over her, or understand the complexities of love, but she knows better than to pretend as if some things in this world aren’t inexplicably and cosmically connected. You and Natasha only prove this point. If she looks hard enough, Melina can see the red thread that runs from your body to her daughter’s.
Alexi, by far the romantic, wholeheartedly agrees with her, which only furthers Melina’s convictions (he would know better than her, she reasons) — although admittedly the events of the last few months have blindsided the both of them. Melina appears to be more concerned by it than her husband, though; so much so that one night she actually sits him down to ask if he even knows what’s going on, and why there’s this big gaping gulf between her daughters, tearing her family apart.
Alexi just guffaws, so full of mirth that Melina is startled. “Ah Боже мой, my love. Do not be silly, I would have to be blind to miss those daggers over dinner, no? No, do not worry, I’m understand. But love is not easy, ah? Its course has never run so smooth. Remember when I first asked out you? You were so… skittish, like little kitten, for weeks,” he recalls with shining eyes. “And look where we ended up now, ah? These are silly babies. They’ll make mistakes. They need the time that you did.”
His words soothe her, in the way that they always do. She relaxes into his comforting embrace with the knowledge that even if she’s the intellectual (and financial) breadwinner in this relationship, Alexi always knows what to say in the face of the heart’s unpredictability. Maybe he is right. Maybe everyone just needs some time.
So, despite her doubts, time is what Melina gives.
Two weeks after that conversation, Liho comes home. His fur is patchy where it’s been shorn off and started to grow back again, and one of his legs is still bound tightly, but he’s back and he’s yours. He leaps happily into your arms when he sees you (despite the yelp of alarm Melina makes) and it’s like he never left. Yelena comes the closest to you that she’s been in weeks to pet his head while he’s curled up against your chest, and she even allows a smile to escape. You can’t help but smile back, like the beginning of spring after a long harsh winter, hope blossoming in your chest once again.
In the time that it’s taken him to come home, other things have happened too. Natasha’s nose, displaced by the punch Yelena successfully laid on her, heals quickly. Your relationship does not. Something unspoken festers between the two of you, hardening and shrinking and blackening into a sickening nothingness. You can’t look at her now without the taste of something bitter filling your mouth — and yet that boiling hot liquid rage still fills your chest when you think of her with someone else. How is it possible to love someone so much but hate them at the same time? You wish, more than anything, that none of this happened. You wish she would just let you love her without having to ruin it for the both of you.
It’s such an indescribably lonely feeling that the two of you are like this now, when only a short time ago the two of you bore open hearts to one another — well, you gave yours to Natasha, anyway. The more you think about it the less of her you have ever known. She’s a stranger to you. Quite a few times since prom night she’s tried to speak to you — offering another half-assed apology, no doubt — but you’ve only ever shut her down. What is there left to say? Nothing that you want to hear, for sure.
(And maybe the things that still hang heavy in the air between you are better left unsaid.)
A few days after Liho comes home you’re laid on your bed in the attic, with your baby boy himself curled comfortably on your chest, purring away merrily as you scratch at his head. There’s some soft music on in the background but neither of you are really doing much. You’re just trying to enjoy his company, (and he’s evidently enjoying yours,) now that you know not to take it for granted.
The scare you’ve had with him has shifted your perspective on a lot, actually — it’s been a rude but much-needed wake up call. Yelena, just like Liho, is your family, and you want to make up with her. Who knows how long either of you have left, or what might happen?
Yes, you absolutely want to be her sister again. You’re just not sure where to even start.
The knock that comes at your door is unexpected, though, and only more unexpected when you see who your mystery visitor actually is. Yelena stands in your doorway, eyes fixed on Liho on your chest. He mews happily when he sees her.
“Кот,” she says hoarsely, holding out her arms and making grabby hands. You blink, stunned for a moment at the fact that she is talking at all, let alone talking to you. This would usually be a good sign, one that she’s coming back into herself, but these naturally are unprecedented circumstances, and you can’t really be certain what anything means anymore.
Yelena steps forward, jerking you out of your trance; you shoot to your feet and kiss Liho on the forehead before holding him out to her with your hands beneath his armpits so that his legs dangle underneath him, rendering him comically long and thin. Lena scoops him up and curls him against her chest; he purrs contentedly and her eyes crinkle in quiet gratitude before she leaves, humming her song to herself.
You almost call out to her, but your body freezes. The door closes behind her you scold yourself for not reaching out, for trying to close this rift between you, but maybe you’ve not given her long enough yet.
What Yelena needs is time, you know. Her whole world has been turned upside down and she has to rebuild it piece by piece. But how much time is enough?
Well, as it turns out, you won’t have to wait much longer.
It’s the last week of school, just over five weeks now since your catastrophic prom night, and you’ve just walked out of your last final. Sam Wilson is waiting for you outside the doors with your favourite flavour of popsicle in his hand, and is already busily consuming his own. When he spots you he waves a broad hand merrily, and you make your way over to him.
“I’m sure you aced it, squirt,” he says before you can even open your mouth, and offers you the popsicle. Unfortunately you’re all too familiar to Ohio’s stifling summer air, making every thought or movement damp and groggy. You accept it gratefully.
Your core friendship group, which you’ve been in for years now, has been pretty turbulent since things went down between you and Yelena. Pairing that with finals and early graduations, you can feel a permanent shift occurring, and it’s frightening. Everyone’s still making  effort to maintain contact with you, but this change on top of everything else has you feeling like you’re drowning when you think too long about it.  It seems like you never know what are the golden days until they’re gone. (You got twelve golden years with Yelena, but is that where it ends? Will she ever tolerate your presence in her life again?)
Someone who you couldn’t be more grateful for throughout all of this is Sam. One day not long after everything happened you came to him crying, and confessed everything. He patted your back with an aura of awkward concern until your sobs subsided, at which point all he had to offer was, “Huh. Well, I guess that explains why prom night went to shit.”
You can’t help but admire the way that he takes everything in his stride. Nothing fazes him. It’s welcome after spending so long around Natasha, who’s constantly on edge, worried someone else might see her with you. Sam is so unbothered, just being in his presence is calming. He’s become a good and valued friend to you.
“That was your last final,” he reminds you, bringing you back to the present moment. “You’re free now for the whole summer.”
“Oh fuck yeah, man,” you say as the realisation dawns on you.
“How’d you want to celebrate?”
You look up at him and a toothy grin takes root on his face as he realises what you’re about to say.
“Arcade,” you say and he nods fervently in agreement. In recent times you’ve become its most loyal patrons; you retreat there often after classes, whether it’s to recuperate from a bad day or celebrate a good one. Today, thankfully, appears to be the latter.
“Arcade,” he repeats happily, and the two of you amble off out of the school gates and down the hill toward the centre of town, where the Boulevard housing the arcade is located. You chat happily for a little while, about your plans for the summer and what you might do together.
“And, uh… any updates on your… anything?” he asks delicately. It’s a vague question but of course you know what he means.
“Not really.” You deflate a little. “I’m not sure Lena wants me around anymore, to be honest.”
“I’m sure she does,” Sam consoles with a startling certainty. “Seriously. What about Natasha?”
You just shake your head. “I don’t want to… I can’t. Not until Lena…”
“Gives you the okay,” he nods understandingly.
“Yeah, I guess. But until she’s sorry, too. She was really mean,” you say quietly.
“Yeah, I get that. It’ll be okay, man.”
You’re not so sure about that, but before you can express this you cross the road and the two of you have reached the arcade, where your troubles are promptly forgotten.
Sam’s words are very quickly proven correct, though — within only a few hours. You arrive home from your arcade trip with some silly winnings tucked under your arm and a smile on your face. It is Friday night, date night for Melina and Alexi, so a car is missing from the driveway and the kitchen is empty as you enter.
Perfect, you think to yourself, and begin to fix yourself some food. These days you’re very careful not to venture into the communal areas of the house unless you’re sure you won’t be treading on anyone else’s toes. You kind of feel like a burden as it is — you’re not a proper part of this family anyway, not in the way that everyone else is — and you don’t want to make anyone uncomfortable in their own home. So you’ve moved bedrooms and now you meticulously strategise what times you’ll make an expedition down to the kitchen. (Sometimes, when you’ve not had a chance to eat yet, you’ll open your bedroom door to a plate of chocolate chip pancakes in front of you. Everyone in the house denies knowledge when asked but you have your suspicions of who’s behind it.)
Sometimes you think about moving back to the place where you were born, but you’re not sure if you could stomach that. That feels like a forever choice. There’s no going back from that.
Liho pads up to you, excited that you’re home and even more excited that you’re making food. Unable to help yourself, you indulge him with some chin scratches and scraps. Life’s too short, you say. Why shouldn’t you make a fuss of your boy?
He winds himself around your legs contentedly while you cook. It is just you and him and school has finished and you have the whole summer to do what you want, and you are cooking, and for the first time in a while you are able to shut off and experience a moment of complete peace.
Naturally, with the trajectory of your life at the minute, this peace does not last long.
“Is Sam Wilson your new best friend?” says a cool voice behind you. You actually yelp in alarm, and very ungracefully fumble with the piping hot utensils you’re using, burning your hand in the process. Liho hisses, and you do too, making a beeline for the sink.
“Don’t sneak up on me like that,” you mutter half-heartedly. Yelena, now moving to stand fully in the light, just makes a noise in the back of her throat as she opens the cupboard above your head and reaches for the first-aid kit. Her face is carefully unbothered.
“I only asked a question,” she says, moving your food off of the heat. Liho claws at your ankles worriedly. You struggle to process Yelena’s words, much less the fact that she is talking to you. Did you blink and miss a chapter?
“Uh,” you rub at the back of your neck with your hand not under running water, “n-no. No, he’s not my new best friend. I don’t,” your voice drops, and you look away, “I don’t think I have one anymore.”
“You do,” she informs you matter-of-factly, hopping up onto the counter beside you and swinging her legs while you continue to bathe your hand. “If you still want one. But she is very mad at you.”
Your voice catches in your throat.
“She does love you,” Lena continues, “but she is wondering why you did things in the way you did.”
There’s a moment of quiet. You gather your thoughts. You weren’t expecting to have this talk tonight.
“I was scared,” you tell her.
“Of what?”
“Of,” you gesture between the two of you, “this. Of making things bad. I always figured it would be like a,” you tilt your head back to keep from crying, because now would be a stupid time to cry, “a stupid schoolgirl crush, you know? She never even spoke to me, I was just her little sister’s dumb best friend, but then things happened and it was so fast and I was so scared. And I wanted to tell you but she… didn’t. She only wanted me when no one else could see. I guess I hoped that she would — come around, eventually, and then I wouldn’t be lying anymore.” You’re heaving with the effort to not cry. “I was wrong.”
“All this time the mystery girl was treating you like shit, you could have told me who it was,” Yelena implores. “I love my sister but she makes me sad also. She can be a dick, absolutely. She’s the worst. Why wouldn’t you tell me?”
“She’s your family,” you choke. “I couldn’t cause a— a rift or a problem like that. And what if you believed her over me? And it kept getting worse, and —”
“Сестра,” she leans over, cupping your damp face between her hands and forcing you to look at her, “I would always believe you. Always. Never before have you given reason to not.”
You nod tearfully, and she lets go. The only noise is the running water for a few moments.
“That is probably long enough under tap,” Lena murmurs, turning it off and taking your injured hand in her lap. Opening the first aid kit, she begins to dress the burn. “I am sorry for making you jump.”
“I am sorry for everything else,” you reply honestly. “I was stupid.”
“Yes,” she agrees bluntly. Then, “Natalia was stupider.” When you look up in open surprise, she rolls her eyes. “Close your mouth, you will catch flies. Of course she was stupid, she has fumbled so hard. You,” she pinches your cheek affectionately, “are a catch. I am not even into all of this, but if I was a dater we would be together and I would treat you like four million times better than she does.”
“You already do,” you say quietly, looking down at your hand in her lap as she continues to bandage it.
“Oh absolutely, I am the best.”
Another, much longer, pause. She finishes wrapping your hand, and pats it three times to notify you that she’s done, the exact same way that Mama Melina does. The action makes your heart swell and eyes fill with unexpected tears.
“Do you know why I was so upset by all of it?” she asks unexpectedly. You blink in surprise. This feels like a trick question.
“Because… I lied?”
“Because you picked Natasha over me,” she tells you.
“No I didn’t— what?”
“Yes, you did,” she says, and she’s a little choked all of a sudden. “All of my life Natasha has been the one who everyone looks at first. She is the special one. You are the only one I had first, who was mine. My близнец. And then I find out that for months you have been lying and picking her over me instead. When she is mean, she is so mean sometimes, yes I love her but she is not much like when we were kids anymore, she is so mean. But everyone likes her more than me. Even you.” She turns away.
“No, no I don’t,” you rush to her side, unable to help it now, scooping her close to you. “No I don’t. I was wrong, and I’m sorry. It was stupid to think she’d ever love me, I shouldn’t have— and I shouldn’t have left you out of it. I think I was trying to protect you? I don’t know. You’re always the one to protect me and punch everyone else, I think I was trying to stop you from getting hurt. And her? But it was dumb. Very dumb.”
“Very, very dumb,” Yelena agrees.
“The dumbest.”
“You have broken world record, кролик.”
You laugh a little tearfully, and while Yelena’s arms are wrapped around you she feels it throughout her body. She revels in the feeling of you holding her and loving her again, after the longest time.
“So we are back from the store?” she asks hopefully after a moment. It takes you a moment to process what she means.
“Oh,” you laugh, “we were never there. You will always be my favourite person, Yelena Belova-Shostakov.”
“Okay.” She exhales in relief. “Good. Just, because — well, you know, we have not spoke in so long and you didn’t think you had a best friend, and—”
“No— what? No,” you frown, “that was me giving you space to process and heal. I wasn’t sure you’d want me back,” you laugh. “I wasn’t ignoring you. I promise.”
“I will always want you back,” she says in a small, content voice. “I will always want you home. With me. Not at store.”
“Not at the store,” you repeat.
And just like that, you have your best friend again.
One familial bond repaired doesn’t mean all of them, though — and Yelena’s relationship with her sister has been patchy recently, to put it mildly. In your eyes it’s a plus that they haven’t outright fistfought in the way that they absolutely would if they were any younger, but Mama Melina doesn’t seem to see things that way.
A few days after you and Yelena make up, the two of you along with your parents are sat around the dinner table. At the very least Melina is able to fuss over her twins again, and Alexi is able to once again boom “here comes trouble” whenever the two of you enter a room together. They both take great pleasure in it,  much to Yelena’s entertainment and your endearment. You love your parents.
The conversation halts when the front door slams, though. Natasha appears in the kitchen doorway for a second before processing the scene in front of her and slowly backing away, back out of sight.
“What is this about?” Alexi calls after her through a mouthful of food. “Come eat, love.”
There is no response, only footsteps on the stairs.
“Our daughters hate each other,” Melina sighs heavily. When you and Yelena look up at her, she clarifies, “no, not you two. You and Natasha.” She pinches Lena’s cheek.
“We do not hate each other,” Yelena says placidly, much to everyone’s surprise. “I am just angry at her. We will be fine.”
Natasha, who is still within earshot at the top of the stairs, feels her heart skip a beat at this and thinks to herself that just maybe Yelena is ready to be receptive to her attempts at reconnection. Her only issue is she has no idea how to facilitate it. She’s done all the things she can think of, aside from straight up cornering her younger sister — she leaves offerings of food at her door and texts  her when the Kardashians are on the TV — but all of it has been treated with nonchalance that’s left her bewildered as to what her next step should be.
Yelena’s got her covered, though.
It’s her turn to strike, she knows, and again she chooses to do it when her sister will least expect it. Nat traipses home late one night, exhausted from cheer practice that overran. (Their next game is the last of the season, and her last cheer match ever considering she’s graduating this summer, so this semester’s team captain Sharon is determined they go out with a bang — even if that bang is a cheerleader toppling from the pyramid out of sheer exhaustion.) She mumbles her greetings and goodnights to Melina and Alexi, who are huddled around a decanter of whiskey in the study with Liho, and stumbles upstairs. All the lights are off up here, and she figures you and Yelena are probably settling down for the night. With a long, wistful look up the spiral staircase towards your firmly closed door, she trudges into her own (pitch-black) room. When she flicks on the light, though, she shrieks in horror. Sat expectantly at the foot of her bed is a long-limbed and blonde-headed figure, with hands folded neatly in its lap.
“Good evening, сестра,” greets the figure, sometimes known as Yelena Belova, with vaguely ominous nonchalance.
Natasha leans back against the door and closes her eyes in a desperate attempt to revert her heart rate to normal. Her first instinct as an older sister is to yell at her to get the fuck out, but in light of recent events this probably wouldn’t be the wisest of choices. Instead, she clamps her mouth tightly shut as she attempts to regain herself.
“I don’t,” she pants after a moment, “I haven’t— what? Hi. What?”
“You should really get a better lock,” Yelena says amusedly. “Very easy to pick.”
“You don’t have to break in,” Natasha grumbles, letting her bag slide to the floor and flopping backwards onto the bed. “Just knock.”
“No fun.” Yelena pokes Nat’s thigh with her toe just like she would when they were kids and for a moment they’re both young again. But she blinks, and the moment is gone, and now they’re two almost-adults with an entire universe between them.
Natasha just groans and flops back to stare up at her ceiling. A few years back you and Yelena helped her paint it blue and now it looks like the sky. It makes her smile when she’s sad sometimes. Yelena joins her, and the two cloudgaze for a moment.
“Why are you in my room?” Natasha asks quietly.
“To annoy you,” Lena quips.
“Success.”
“And to talk,” she continues.
“Also success. We are talking.”
The blonde lunges for her, and Natasha rolls away playfully. “No, I’m serious. Real talking.”
“Alright, I’m all ears.” Nat puts her hands behind her ears and pushes them forward to emphasise her point — again, like they would when they were kids.
“I want to know what you were intending when you started dating Y/N,” Yelena says, and Nat’s stomach drops. She knew this was coming, she knew this was where the conversation would lead, but she was still hoping to stall it for as long as possible just for the joy that her sister is talking to her again. The excitement is short-lived, though.
“We were never dating,” she reminds her quietly.
“Why not?”
The bluntness of the question makes Natasha stop short.
“Because it just, didn’t work out like that, I guess,” she tries. Yelena remains eerily stony.
“It’s not nice to lie to your baby sister, Natalia.”
Natasha deflates. “Because w— because I’m a fucking idiot. I don’t know what you want me to say. I know I messed up.”
“Step one is awareness,” Yelena nods sagely, while Nat grits her teeth. “So what are you going to do about it?”
She shrugs. “Graduate, and leave town, I guess. You and Y/N are twins again now, and I caused all these problems, so once I leave things should be fixed.”
“Untrue and false,” the blonde interrupts sharply. “That is lie. Y/N/N is crushed. This will not magically be fix if you take off for college.”
“But it will help,” Natasha insists.
“No it won’t,” Yelena pinches the bridge of her nose in frustration, “oh my god, how are you so stupid. She is in love with you, and she is so patient with you, she is not even angry. Which I would be, by the way, but she’s not. She’s only sure you don’t want her.”
“Huh? But I do.”
“No, like wanting her,” Yelena says gently. “As a whole. Like… unity, ah? Влюбленный. She feels so not good enough for you, and every day you are prove her right. You take only what you want from her and leave the rest. That is not what love is. She feels not loved by you, and that you only like her for the things she can offer you.”
“Oh. But I didn’t mean to,” Natasha says tearfully. Suddenly she is very small, and she draws her knees up to her chest. “I was only… Lena, маленький, I didn’t know what to do.”
“The answer seems pretty simple,” the blonde observes astutely, “all you had to do was either tell her you love her and want to be with her, or tell her it is over. You can’t keep having things in your way forever. She has feelings too, and the relationship cannot be on just your terms. She is not a doll, or toy.”
“I do,” she says hoarsely. “I do, t- the first one. It’s- I do. But I’m so…” She raises a pale trembling palm to run a hand through her hair, inhaling shakily, and with a blink of surprise Yelena realised how scared her older sister truly is.
“What is so terrifying?” she asks tenderly.
“Y/N is a girl.”
Yelena almost laughs at the confession but is able to refrain, and is proud of her capability to do so upon seeing just how agitated her company is over the subject. “Is this all that holds you back? Nobody would care. Ma and Daddy wouldn’t. This is not end of the world.”
“No, you don’t get it,” says Natasha fiercely. “Ever since I came to America... you were here first, you and Y/N, and you just get to be you. You have who you are. But I don’t know who I am, so I have to — do all the American girl things. I have to fit in. I don’t have a Y/N. And American girls don’t kiss girls.”
Yelena stops to consider this. It’s true that Natasha has always put far, far more effort into fitting in and Westernising herself more than she or their parents ever did. Yelena is perfectly content with her slightly broken English and her raspy accent and her life of in-betweenness. She’s okay with being from two places. To her, when she looks in the mirror, that is Yelena Belova. They’re just parts of who she is. She’s never even stopped to consider those as potential insecurities — not when she had other things and feelings (or lack thereof) to worry about. How could something so unchangeable be a source of doubt? And yet here she now sits, struggling to wrap her head around this invisible binary which has suffocated her sister for so many years.
“But you are not… what?” she says confusedly. “You did have a Y/N. All of this… you’re being someone else. I knew something felt strange. I do not understand why? I like who you are before. It wasn’t bad. I like Natalia.”
This seems to break Nat, who buries her face in her hands. Yelena lets out a motherly cluck of sympathy and scoots closer to loop a gangly arm around her sister.
“I just want to be normal,” breathes Natasha.
“But it is not worth all this,” Yelena says, squeezing her sister tightly to her chest. “What does normal even mean? Being cool is not the most important, Natalia. Everybody liking you doesn’t… fix you not liking yourself.” She cringes at her own words, reminding herself a little too much of Darcy’s Pinterest feed, but the words seem to ring true with Nat, at least.
“I am just so scared,” Nat says in a small voice. “And I think I’ve made this so bad it can’t be fixed.”
Yelena pulls away to look her sternly in the eyes. “Things can always be fixed. Maybe not in ideal way you want them to be, but we can always make amends. But you have to be sorry.”
“I am,” Natasha cries, “I am sorry.”
Yelena holds her. “I know.”
She’s not so sure you know it, though.
Maybe somewhere deep down, you do. You see it in the saddened smiles Nat offers you whenever she steps out of your way or leaves a room so you can use it. You see it in the way she brings your favourite snacks home and leaves them in the pantry without word or question, like she doesn’t even expect you to notice. You see it even in the absence of her; in the way that she gives you space, quietly leaving rooms when you enter them so you can use them despite the fact that you can feel in the air how much she wants to stop and talk to you. Sure, you can tell that she’s sorry. But you’re not sure that she knows what she’s sorry for.
You’re not sure she knows how badly she’s really hurt you, with her every move stabbing into you repeatedly over a course of months. Now that the knife is turned on her and she’s the one in exile, a selfish part of you wants to leave her there, just so she knows what it’s like. You guess that’s kind of what you’re doing now. You know this can’t go on forever though. In a couple of months Natasha leaves for out-of-state college, which she announced over dinner a few nights ago. You had to excuse yourself from the table to process that information. Your time is limited, you know, and it’s clear what Natasha wants (to kiss and make up) — but what do you want? To leave this wound untreated, festering for the next eternity? Or to allow yourself peace and let this go?
“Why do I have to be the bigger person?” you half-heartedly complain to Yelena one night as the two of you wash the dishes. “It’s not fair.”
“Because you are the bigger person,” Yelena laughs. “Natalia has given you the control. The next move is on you. That’s just the way it is, if it’s fair or no.” She whips you playfully with her tea towel, and the conversation moves on without further incident.
The issue plays on your mind long after the words are spoken, though. Whether you like it or not, Yelena is right. The next move’s on you. But how are you meant to make that call? What is the right move to make?
Well, one of Natasha’s friends appears very opinionated on the subject. 
On a particularly warm afternoon, you and Yelena stroll into town, and stop off at May Parker’s ice cream parlour — the best in town.
“Ah,” Yelena grimaces, as you draw close to its glass windows, “it is so busy in there. I go in, you wait out here?” 
You smile at her gratefully, and she disappears inside. 
“Y/L/N!” a voice calls out behind you, and you turn around to see Bucky Barnes making a beeline for you. He’s about twice your size in every way imaginable, and you gulp. 
“Hi?” you say uncertainly. You don’t think you’ve ever spoken to him in your life.
“What’s up with you and Romanov?” Well, he’s straight to the point. 
You flounder, mouth opening and shutting, and he’s gracious enough to continue, “look, I know you and her are a thing. Were. I don’t know, she’s being so weird about it. It’s okay, it’s okay, I was her beard. And she was mine,” he adds, gesturing over at Steve Rogers, who’s stood on the other side of the road waiting patiently for his boyfriend. He smiles and waves amiably on cue. 
You blink. “And no one thought to inform me?” 
He shrugs. “Not my place. I think it is my place, though, to ask what’s got her so torn up. You and her fallen out? I’ve never seen her like this. I’on know what to do.”
He may not mean it menacingly, but he’s towering over you and you’re finding it hard to breathe. “She was an asshole, dude,” you say, perhaps a little more defensively than you envisioned. “She wasn’t nice to me and we weren’t even together, because she didn’t see me like that. So yeah, I guess we fell out.”
He frowns, deeply, and takes a moment to process this. “Oh. That… but she does feel that way about you.”
“It’d be nice if she’d show it,” you say bitterly. 
His face softens. “Maybe… Look, even if the two of you don’t work it out proper, wouldn’t it be easier to at least clear the air? She likes you so much. She just wants you in her life, I think.”
You look at him uncertainly for a moment, but he holds your gaze earnestly. You know him and Natasha are relatively close, and you don’t see why he’d lie about something like this. It’s definitely tempting to believe.
“Okay,” you say, “I’ll bear that in mind.”
He looks like he’s about to say something else, but you feel a hand on your shoulder and instantly recognise Yelena’s presence just behind you. “What is going on?”
“Just talking,” says Bucky smoothly, but it seems apparent that the moment is over. “See you around, kid.” He crosses the road back to Steve.
“Kid,” you mutter, “he’s one grade older than me.” 
“What did he want?” Yelena asks you, and you relay your strange interaction to her. “Oh. Well, he is probably right, but I’m not sure how much it means coming from Natasha’s ex.”
“Were they really together?” you ask, your stomach turning at the thought. Wouldn’t that co-occur with your and her relationship? “He said he was her beard.”
She shrugs. “Not my expertise. Come on, the ice cream will melt.”
You don’t see Bucky Barnes again for the weeks that follow, although you can’t help but wonder what he meant, and what he was trying to achieve. (And a little part inside of you thinks that maybe he could be right.)
“Ma?” says Natasha suddenly. “How did you know you loved Alexi?”
It’s late at night, and the two of them are on the car ride home from Nat’s last cheer game of the season. (At her request it was not a family affair, despite Alexi’s insistence that it was his right to make a fuss of his talented daughter’s performance at her last high school cheer game.) The roads are empty and the towns are sleepy, but Natasha’s question has Melina wide awake.
“Eeh… it was not like a revelation. I did not wake up one day with new clarity. It came to me over time. It took me long time to accept, though. Your father is very patient man.”
“But was there anything specific?” Natasha persists.
Melina purses her lips in thought. “Well, when I met him I was not trusting person. One time when we were in the kind of in between bit right before being proper couple, ah —”
“The talking stage,” Nat supplies helpfully.
“— yes, да. We were in that, nothing proper but something, and he went to touch me and I had a… panic? I shut down. Achh, моя любовь, I was still figuring out who I was and what I did and didn’t like and… still growing up and healing from when I was kid. I was scared.”
Natasha nods solemnly. There are some childhood experiences which, despite unspoken, bind she and her mother at the soul.
“So I freak out, and I expected him to… belittle or leave, or something. But he stays and he is so patient, he apologise for making me jump and fetch me tea, and I thought like wow, he is so gentle. And he is not like the other men I known.”
Again, Natasha nods. Gentle is the perfect descriptor for her father. He’s the most wonderful man she’s ever met.
“So we spent more time together, he was patient with me and always caring. That was the time that I knew I would fall in love with him. But I’m not really know when it happened. Maybe by then it already had, ah? I have only ever had eyes for him. He make me feel… valued, and worthy.”
Natasha just hums in response, for she’s suddenly and embarrassingly on the verge of violent sobbing. She blames Ma and Baba and their beautiful relationship. Nothing else.
“Is this about Y/N?” Melina asks quietly. Natasha opens her mouth to reply and there it is, just as she feared, the waterworks are unleashed. Ma sighs heavily and pulls over.
“Идите сюда,” she says, holding her arms out, and Natasha crawls into them. She rocks her daughter back and forth, exactly how she used to so many years ago when the girl was half this size, while Nat’s face is buried in her mother’s neck. They stay like that for a while, until Natasha’s tears begin to die down.
“Do you want to go and get milkshakes?” Melina breaks the silence. Natasha hums her assent.
The 24-hour diner isn’t far from where they’ve pulled over, and it’s almost empty at this time of night. With no words exchanged Melina orders Natasha’s usual, or what was her usual when she was a kid — a strawberry milkshake and fries. A young Natasha decided strawberry was her favourite as soon as she found out that pink was a girl’s colour. Thinking about that now, especially with the hindsight of her conversation with Yelena, has her stomach turning a little. How long has she been letting her view of the world colour every single choice that she makes? Which parts of her are really her, and which are the ones she’s willed into existence?
It’s a scary line of questioning, and Natasha can feel herself beginning to spiral. No more, she tells herself. Yelena was probably right about needing to get to know herself — and learning her real favourite flavour of milkshake seems a manageable starting point.
“Can I have the caramel one?” she asks Melina gruffly, pointing at the menu. Her mama just nods and alters their order accordingly.
They sit at their usual booth and eat in a comfortable silence, punctuated only by the occasional “pass the ketchup”s. Once they’ve finished, though, and Melina can sense her daughter has calmed enough to leave, she turns and says to her, “Love isn’t easy thing to admit. But it’s… not something to be ashamed of. When it comes, just let it happen. It’s scary, but it does not make you weaker, ah? It will do you no good to push it away.” She hesitates, but then seems satisfied with what she’s said. She turns on her heel and heads back out to the car. Natasha, dumbfounded, follows her.
When they finally make it home, Alexi is snoring away upstairs and you’re on the sofa with Yelena sprawled on top of you, fast asleep. You’re wide awake, though, and look up as the two of them come in.
“Night, ma,” Natasha murmurs to her mother, kissing her cheek before tiptoeing off to bed. Melina hums at the action and pads into the living room toward her twins.
“Hi ma,” you chirp, voice a little husky. “Everything okay?”
Your mama nods, and holds out a brown paper bag. “We stopped at diner. Got your favourite. Some for Lena too.”
Your eyes crinkle up into half-moons as you smile at her in gratitude, and Melina smiles back fondly, her chest filling with warmth. “Thank you.”
She kisses Yelena’s forehead, who does not stir, and then yours, lingering for a moment.
“I love you,” she tells you sincerely, and a fierceness glimmers in her gaze that you’re not quite sure what to do with. “We all do.”
“I love you too,” you tell her honestly. You only hope you’re matching her intensity. She holds your gaze for a moment longer as if searching for something within it,  then nods, seemingly satisfied, and retreats upstairs to join Alexi, leaving you alone with a meal to demolish, a slumbering blonde pinning you to the sofa and many, many thoughts.
A few days after that conversation, you wander into the backyard (Melina’s carefully pruned pride and joy) to pet Liho, who’s basking peacefully in the summer evening sun.
“Careful of the flowerbed,” you warn as he flexes his claws and kicks his legs happily. “Someone will suffer if Ma’s roses are ruined.”
He huffs in what could be agreement, and you toe absently at the sandy dirt you and Yelena used to play in.
A gentle creaking sounds from somewhere nearby. It’s a noise that makes you feel ten years younger, and curiously, you rise to your feet.
At the far end of the backyard, nestled among the pines and pratia, is the swing set Alexi built a little while after Yelena first moved in. It’s a little haggard-looking, as when Natasha came to America Alexi bodged a third swing so all of you could play together, but to his credit it’s still held up all these years. Sure, it doesn’t get so much use anymore, but sometimes when one of you is feeling a little down you’ll revisit the simpler times of your childhood.
This seems to be what you’ve stumbled upon Natasha doing now. She’s sat on the middle swing (which in times gone by was your swing, as the middle spot often was when you were a kid, so both siblings got to be next to you), rocking back and forth gently as she cradles something small in her hands, turning it over. She’s lost in thought. Wondering if you’ve intruded on something private, you begin to slowly pace away. When you catch sight of what it is in her hands, though, your stomach turns; a small and glistening pink rock, rubbed smooth by years of love.
“You kept that?” you ask quietly. Natasha’s head shoots up and she takes note of your appearance in the same way that a deer takes note of rapidly approaching headlights. Her mouth opens as she fumbles for words, but she just settles for nodding vigorously before lowering her gaze to her lap again.
You don’t really know what to think, or do. You hesitate for a moment, and find yourself thinking of Bucky’s advice — wouldn’t it be easier to clear the air? This tension is suffocating. With this on your mind, you seem to surprise Natasha as much as yourself when your feet march you over to the swing on your left, and your knees bend to seat you. Her entire body tenses as yours nears her. You can tell that, since you’ve gone to great lengths to escape her company recently, this is the last thing she expected. (In all honesty you weren’t really expecting this either. What now?)
“You know that I’m in love with you, right?” Natasha says suddenly, and you freeze. Your chest tightens, and it’s like she’s wrapped herself around it, claiming your breath as her own.
“That’s not funny,” you reply in a small voice. “Don’t— don’t do that.”
“Do what?”
“Play with me like that.”
Her stomach lurches. “I’m being serious.”
You’re quiet for a moment. “Were you and Bucky ever actually together?”
“What?”
“Bucky Barnes. Were you with him when you were with me, too?” 
“N- no,” she says with vehement certainty. “I was — well, I guess it doesn’t really matter now, but when him and Steve were a secret I was his cover story. And I guess he was mine, so that I could… yeah.” She gestures towards you, pressing her lips together. 
“But even after they came out I was still a secret.”
“I—” Natasha says, and buries her face in her hands for a moment, because this is not how she hoped this would go. “Yes. And that was wrong of me. I’m sorry. I think I was trying to protect you, and me, and you from me because I know how messy I can be, and I wanted you so bad but I didn’t want to drag you down with me. And I still did anyway.” She sighs heavily.
“That’s an interesting way of showing affection,” you quip. 
“I know,” she says quietly. “And I’m sorry. I know I haven’t shown it well — at all — and I don’t really blame you for not believing me. Or, uh, hating me.”
“I don’t hate you,” you say softly.
Her shoulders sag. “Oh. W— well that’s good, then.”
“But I wish I did,” you add.
“No, yeah. That’s fair.”
“You’re really mean.”
Natasha just nods.
“And it’s even worse because I can’t even hate you because you can also be really nice.”
She nods again uncertainly. She’s not really sure how to respond to that.
“Why?”
“What?”
“Why are you so mean sometimes?”
This makes her stop up short. The way that both you and Yelena never fail to cut to the chase or ask the questions that nobody else would will always catch her off guard. “It’s kind of just who I am,” she begins, but at the way your face scrunches she adds, “or who I’ve decided to be, anyway. I don’t really know. I’m not sure… who I am.” Even uttering the statement aloud is a weight lifted from her shoulders. “It’s scary. I guess I… I thought that, like, I have to be the mean one, or someone else will first. To me. You know?”
“Why would anyone be mean to you?”
“Because I like girls,” she says truthfully, and there’s a tremor to her voice.. “And I’m not from here.”
You stare at her. “…? I like girls, and Yelena isn’t from here. No one is mean to us for it.”
“Because Yelena can and will beat the shit out of anyone that tries something,” Nat snorts. “But I just… I don’t know. It’s different for me.” You nod encouragingly and she adds with reluctance, “I don’t— belong here, not really. Or anywhere. I’m too American to be Russian and too Russian to be American. Ma and Baba and Yelena have it figured out, they’re just both and themselves and they don’t even have to think about it. But that’s not so easy for me.”
“Maybe,” you say carefully, “it’s to do with the people you choose to surround yourselves with. Is it possible that you’re… spending time with the wrong people? If you’re made to feel as though these things make you lesser.”
She shrugs. “Probably. But that doesn’t change the fact that I just… I really don’t have a lot going for me. So I kinda pretend that I do, and then it gets out of hand and I’ve convinced myself that I’m a lot more interesting than I am, to the point that I don’t know who me is. And I get all freaked out. And I’m so scared I kind of just shut off and try not to think, so I guess I’m just an asshole instead. Like it’s a reflex, you know? But it’s not really me. Nothing is me. My entire life is one perpetual identity crisis.” She drops her gaze to toe at the ground.
Your swing comes to a still as you clasp one of her hands between both of yours. They’re warm and perfectly manicured, and her eyes light up at the contact. “You don’t have to know who you are. You just have to exist, and you find out. I’m learning things about myself all the time, and so is Lena. This was my first relationship —” Nat’s stomach drops at the use of the word was “— and I’ve learnt a lot about myself and how I like to be treated. And Lena only came to terms with being aroace this year. Even Ma only just decided she’s demi,” you point out, and Nat can’t help but smile at this. (A little while ago, after Yelena first came out, you and Melina began joining her in attending weekly meetings at the local youth centre for young queer people and their parents. Your mama was determined to be a more educated advocate for her three queer daughters. Very recently, with all this new terminology at her disposal, she dropped into a dinnertime conversation in the presence of the whole family that she thinks she’s demi. “Not that it matters,” she added, “the only one for me is your father,” and she kissed his beaming crinkly cheek with a motherly tenderness. It was a beautiful moment to witness, despite Yelena’s playful booing.)
“I guess,” she says quietly. “Um, I’ve been talking to someone. Professional,” she adds at the look on your face. “Yelena said some stuff that made me realise I probably shouldn’t sort through this alone.”
“Yes, you shouldn’t,” you nod. Natasha raises an eyebrow at your ready agreement. “It’s not something to be ashamed of. Lena sees someone. I do too.”
She blinks. “Really?”
“Yes,” you laugh, “Baba takes me every other Thursday. I have horrible abandonment issues. I guess after everything that’s happened, I’ve kinda internalised some stuff.”
“I definitely took advantage of that,” Nat says guiltily. “I’m sorry. Honestly, I am.”
You look at her. “I know.” Your hand squeezes hers before letting go and she instantly aches to feel it again. “I’m sorry, too. For not… I don’t know, setting more boundaries. Or being more forceful.”
“No, no, it wasn’t your fault.”
You hum, and the two of you sit in silence for a long while as the sun begins to retire.
“You know,” you say suddenly, “you don’t have to move across the country. You can if you want, obviously, it’s your call, but if it’s just because of me… you don’t have to.”
“But-? I’m trying to give you space? To heal,” she says confusedly, and you laugh.
“And it’s very sweet, but I don’t need that much space. I’ve already forgiven you.”
Natasha’s soul leaves her body. “You— huh?”
“I have,” you laugh kindly. “I did some of my own thinking, and I just… I don’t know. I don’t think you need me being mad at you, on top of everything else going on in here.” You tap at her temple gently to emphasise your point, and she shivers. “And I don’t think I need that either. I don’t want to carry that with me.”
“Okay,” Natasha breathes. “T— thank you.”
You wrinkle your nose at her affectionately. “You’re silly.”
She’s awash with the overwhelming need to kiss you, and instead twitches a little, digging her nails into her palm. You take in the movement with such wide-eyed concern that she has to close her eyes for a moment, because she’s almost ill with how much she feels for you. This feeling only grows more intense as you continue.
“I know we’re… whatever we are, but… if there’s anything I can do for you, let me know,” you say more quietly. “I know you’ve been through some stuff, and even when you’re seeing someone for it it can get overwhelming. I do care about you.”
She nods, and swallows thickly. “ I don’t— I— uhm. What does this make us?”
You can hear her hopes heavy on her tongue, and your heart is like lead. “Friends?” you offer. “I— I don’t think we should be anything else, right now.”
Natasha nods, and swallows thickly. With it she swallows back the words but I love you. It must be written across her face, though, because you cup it between your hands (which really isn’t helping her self-restraint at all).
“I love you,” you tell her honestly. “And I always have. But love isn’t… you don’t… I don’t know. That kind of love is something that you earn, I think. And we both need to take care of ourselves.”
“I understand.” Natasha’s voice is hoarse, and barely above a whisper. “And I want you to feel like I respect your decision. But I also want you to feel like I’m serious. About you. And I will prove it if I have to.”
Against your own better judgement, you smile at her.
One thing about Natasha Romanoff is that she’s not a quitter.
Some would say it’s an endearing quality. More would probably tell her it’s the reason she finds herself in so many messes in the first place. What’s objectively certain is that she’s a stubborn little shit — and and with this determination she’s decided she’s going to win you back. Your slight encouragement, no matter how vague, is enough fuel for a fire that could simmer for months.
It starts as chocolates, and flowers. At this point she seems to have cottoned onto the fact that you’re not one for big, theatrical confessions of love, but rather consistent affirmations of it. Actions, not words, she’s heard you say (although now more than ever before she’s seeing for herself what you mean). So there’s no four-act sonnet recitals when you receive her gifts — although you don’t really receive them at all, in the traditional sense. Rather they seem to begin popping up everywhere you go. At one point you open your locker to a bouquet so over-endowed that flowers begin to tumble out onto the floor. Sam steps neatly to the side and watches with glee as you scramble to clean the mess. (He’s most definitely enjoying watching all of this play out.)
Your favourite of all these surprise gifts is probably one delivered by your own four-legged Cupid himself. Liho headbutts the door to your room open and stalks in with a scowl on his face and something attached to his collar. As soon as you remove it to inspect it he rolls onto his back and looks up at you expectantly, clearly expecting compensation for this favour.
“Yes, you’re a very handsome boy,” you tell him distractedly, using one hand to rub his belly while you attempt to unfurl the note he’s delivered with the other. Yelena lets out a noise of amusement. She’s perched on your bed with the Kardashians paused on her laptop in favour of watching this play out instead.
“You are so ungraceful,” she comments mildly, making no move to help you.
“I love how you always see the best in me,” you reply through gritted teeth.
After a moment, you manage to succeed in your task. I picked these for you :), the letter reads. You glance over at Liho’s collar again to see a tiny bunch of forget-me-nots, only slightly battered from their journey and bound neatly by brown twine.
“Another gift from the mystery girl?” Yelena teases, and you groan.
“Okay, saying mystery girl is officially banned. It’s giving me war flashbacks.”
“And that is fair,” your sister muses, getting to her feet to inspect your latest delivery. After she’s done she sits back on her heels. “You don’t have to keep turning her down, you know.”
“What do you mean?”
“Well, if it’s just because of me. You have my… blessing, or whatever. But on the condition that you’re not gross about it.” She rolls her eyes, and nudges your cheek with her nose. You squirm good-naturedly.
“Why thank you, your Grace.”
“Yes, I’m the graceful one,” she preens.
“Sure,” you snort, and she smirks. “Um, thank you, though. That’s good to know. I guess I’m still… figuring it out, but she’s growing on me again.” And it’s true. You have your reservations now, but she’s trying to remind you why you first fell for her (and yeah, she might be succeeding). Part of you wonders if she’s turning on the superficiality again, but after she spilled her guts to you on the swing set you’re trying to have faith that she really is turning a new leaf, and charming you authentically.
Yelena considers this. “Yes, okay. This makes sense. Remember to tell me if she tries anything again though. I will put them up.” She raises her fists and you giggle, but you know she’s at least partially serious. She’s very athletic in her own right and people at school go out of their way to avoid crossing her. That’s how you’ve stayed out of trouble your whole life — by standing behind Yelena and letting her handle it instead. Where you hesitate, she dives right in. You adore that about her, though.
“Do you know what you’ll do once she’s out of state?” Lena asks, and you shrug.
“Figure it out as we go, I guess. I don’t know if she’ll lose interest in me.”
The blonde looks up fiercely. “If she does that I will stick them up.”
You beam at her, admittedly less for the violence and more for the sentiment behind it. She beams back for reasons more ambiguous.
“Do you know what we will do?” Yelena queries. Upon your frown she elaborates, “next year when it is our turn to pick college. You and me, what will we do?”
“Pick the same one, and both get in because we’re super smart, and we’ll be roommates. And you can make us mac and cheese every night,” you say, as if it’s the most obvious thing in the world.
She contemplates this.
“Okay,” she says, seemingly satisfied with your answer. “Can we hit play now? I want to know what’s happen to Kim’s diamond earring.”
“Two cookies say she gets it back.”
“Two cookies say eat my ass the way a fish ate her earring,” she retorts, and the two of you settle on the bed again. (You have two more cookies than usual after dinner.)
Despite the witticism you take Yelena’s blessing with pride, and it means a lot more to you than you let on. Now that every single member of your family has shown their support for your relationship you can’t help but feel a slight ray of hope, the likes of which you thought had been stomped out long ago. Never before have you dared to imagine a situation where you could actually have a shot with the girl of your dreams, who you’ve wanted for as long as you can remember — and yet here you are, with her putting her back out working overtime to win you over, and your family watching with interest. Every morning you wake up a little warmer to the idea of letting this happen.
That doesn’t mean Natasha’s out of the woods yet, though, and you’re careful to make this clear to her. She senses your hesitance, and completely understands its presence. She’ll wait for you as long as it takes. (She’s genuinely stunned at how forgiving you have been of her, in all honesty.) In fact she takes your reluctances in her stride in a way that actually has you feeling more for her — but again, you know better than to repeat your mistakes of the past, and so you take this as slowly as you can considering she’s coming on strong and you live under the same roof.
Three months of summer lie ahead of you, stretching out like an endless expanse of sunset-tinted possibility. You and Yelena manage to land jobs at the video store in town — Yelena goes blazing into the interview and makes it clear as she can that the two of you are a package deal. Wong, the guy who runs the place, just seems grateful for the help.
The store becomes somewhat of a hangout spot for the two of you, who work the same hours and are joined at the hip like always, and it’s a safe bet to stop by if anyone wants to find you. Sam often swings by to playfully irritate the both of you, since the marina where his parents’ boat is docked is just round the corner, and Natasha will meet you when you’re closing to take you out for dinner after. (Sometimes Yelena tags along to these meals, and gleefully revels in the awkwardness her presence causes.) Since you and Yelena are twins again too, things are looking up for your friendship group and they’ve taken to visiting also. You’re delighted to spend time with them again. (Seeing Makkari’s face light up when she steps into the Deaf & Subtitled section of the store makes your whole week.)
In fact, word seems to have gotten out about the fact that Wong’s employed you, because one sleepy Tuesday afternoon Bucky Barnes drops by to rent a DVD. He picks one at random, not even glancing at the cover, and as you scan it through for him he says to you lowly, “thank you for making Natasha happy again. She cares so much about you.” He offers you a genuine smile before heading out abruptly and almost forgetting his DVD in the process. (You suspect his purchase was a mere means to talk to you.) It’s a strange interaction, but decidedly more pleasant than your last with him, so you take it no further.
Another perk of having this job is that you have your own money now. You’re not really sure what to do with it at first; the only thing that occurs to you is that you want to get a gift for Natasha. At the end of the summer is her graduation — she’ll walk and wear the square hat and everything, and you’re very excited to embarrass her with photos of the event — and after that she’ll leave for college. Her graduation is the perfect time to present her with said gift, you decide.
You know you want the gift to be meaningful, but you’re not really sure of the specifics. Luckily for you, one night on the roof with Natasha is all you need for the inspiration to strike.
Can’t sleep, you text her one night, after hours of fruitless tossing and turning.
She replies immediately.
Me neither
Come down to my room :)
If you want to!!! she adds after a moment, and you can’t help but smile to yourself. She is adorable.
Omw, you tell her, rolling out of bed.
The door is unlocked!!!!!! just come in
You follow her instructions and slip inside. The room is cosily lit, with her fairy lights on and her little lamp shaped like Calcifer flickering merrily; the bed is unmade, as if someone’s been in it recently, but Natasha herself is nowhere to be seen.
“Nat?” you call out uncertainly, and squeak in surprise when her head pops through the window. She smiles softly at your reaction.
“I’m out here,” she tells you. “C’mon, there’s space for both of us.” She wriggles along her perch on the flat row of tiles of the roof, and pats the empty spot beside her. Antics like this don’t faze you after twelve years of friendship with Yelena. You clamber out beside her readily.
“Hi,” says Natasha a little bashfully, once you’re settled. You lean up to peck her lips and she flushes. “Y— yeah. Um, hi.”
“Hi,” you reply sweetly. “It’s nice out here.”
“It is,” she agrees, her gaze not straying from you. You take no notice, though; your sights are set to the heavens. No matter how much you snipe about how annoying it is to live in a small town, the views still take your breath away. The stars shimmer bright above you, as they do almost every night. They’re not the only beautiful sight your town has to offer; Wanda adores the rocky hills at the edge of town, where many scavengers like squirrels and raccoons have made their home (one boy in your grade, Peter Quill, has befriended one of the raccoons and affectionately named him ‘Rocket’. He visits Rocket every day after lunch with his leftovers from the cafeteria). Occasionally she’s able to convince everyone in your group to accompany her hiking there. Despite your grumbling, it does make for an enjoyable day out.
“I come out here when I can’t sleep,” she tells you quietly.
“I sit on the roof sometimes,” you reply, and you beam at each other. It’s true — you do, but sharing the information feels vulnerable. You’ve figured out how to hoist yourself up through the skylight in the loft and onto the utmost point of the house, but it’s an activity you’ve kept as your own for now. While you adore more than anything being twins with Yelena, and living your life with her, you’re also learning how to exist by yourself for the first time in your life, and enjoying having your own space. Your little corner in the attic has afforded you many freedoms, and not just material ones.
“You see the moon?” Nat asks. The planet in question hangs round and heavy over the horizon, not quite full.
“How could I miss her?” She’s the most beautiful thing in sight.
“You know the difference between waxing and waning?” Natasha prompts, and you shake your head, solely because you love when she talks about her passions. “Waxing is when the moon transitions from a new moon to a full moon — so she fills out. See, that’s what she’s doing now.”
“She’s nearly full,” you remark quietly.
“Yup.” She grins. “Now when she’s waxing, she fills in from the right side — so she kinda looks like a C.” She makes a C shape with her left hand and holds it up against the sky to confirm that, yes, while the moon is waxing it vaguely resembles the letter. “But soon she’ll start to wane — maybe next week? After the full moon. Waning is the transition from the full moon back to the new moon, so she shrinks away into nothing. She’s eaten away from the left side, so she looks like a reverse C.” Nat makes a C shape with her right hand this time, so that it’s reversed, and holds it up to compare to the moon. They don’t match up right now, but they’ll get there someday.
“This is my favourite period though,” she confesses, her voice dropping a little lower, “of the lunar cycle. When the moon is waxing.”
“Why?”
“Because it feels,” she hesitates. “I don’t know. It feels like gross to say out loud but it kinda just feels like, encouraging. Things are always changing. They won’t be like this forever, you know? The cycle keeps on repeating itself.”
“The cycle keeps on repeating itself,” you repeat, and she smiles at you.
“Yeah. You don’t think it’s… dumb? I don’t know, I’ve never brought anyone else up here. I —”
“I don’t think that at all,” you tell her, and she kisses you gently.
The next day you go out and buy a crescent moon necklace.
Natasha has been coming into your room more and more often lately, and you don’t trust yourself to not leave it lying around in plain sight, so one day while she’s out you enlist Alexi’s help to loosen one of the floorboards in the attic so you can stash things under it inconspicuously.
“It’s not for anything suspicious,” you tell him quickly, “you can look under it whenever you want. It’s just to hide gifts and —”
“Relax, sunflower,” he chuckles, “you are entitled to your secrets.”
The necklace stays hidden there until summer draws to a close.
The weeks fly by in a golden haze and before you know it, you’re getting ready for Natasha’s graduation.
Alexi is stood on the landing in his smartest suit, and flexing proudly in the mirror on the wall. “It still fits!” he booms triumphantly.
“Don’t forget to wear your nice shirt, любовь,” Melina calls up the stairs to him. “No one with holes in.” He deflates a little, and retreats back into their bedroom to change.
“He looks fine,” Yelena scolds half-heartedly as she lumbers down the stairs, holding out her wrists to Melina. “Can you do my cufflinks?”
“Where’s your please?” Melina retorts, but she sets her clutch down so she can use both hands to help her daughter.
“We have to leave in ten minutes,” Natasha announces as she bursts from her own room. “Семья, I know what you are like, and we cannot be late.”
“Relax, love.” Alexi reemerges from the bedroom in a different shirt this time. “I will go and start the car,” he starts down the stairs, “and— oh.” He pauses as several buttons pop off his shirt simultaneously. “Ебать.” He turns around and subduedly makes his way back up the stairs.
“Baba,” Natasha groans. “This is what I mean.”
“Hey! I am nearly ready,” says Yelena indignantly, nodding at her mother in thanks for doing her cufflinks before ducking in front of the mirror. “Oh shit, where is my tie?”
“Language,” reprimands Melina.
“See?” Natasha sighs exasperatedly. “Y/N/N is the only one who’s ready.” She hurries down the stairs to where you’re stood in the hall, watching the scene unfold serenely. You’ve been ready to leave for the last ten minutes. She beams at you and pecks you on the cheek just shy of your lips. You flush, and the crescent moon necklace burns a hole in your pocket. Now isn’t the time, though.
Eventually, you all make it into the car, with everyone now sporting correctly-fitting outfits. As always on car journeys, you’re in the back, sandwiched in the middle between Natasha and Yelena. Lena scrolls through her phone disinterestedly, headphones in, while Natasha vibrates on your other side with anticipation and nerves. You take one of her hands between both of yours and she stills instantly.
“I am very proud of you,” you say quietly, “to have made it this far, with these grades. You’ve gotten into your dream college. You can do anything. Today will go fine.”
She doesn’t speak for fear of bawling and potentially ruining her eyeliner, so instead she rests her head on your shoulder in silent gratitude. She doesn’t move until you arrive, at which point she shows you all to your seats (front row, you note) and disappears to the backstage meeting point for all of the graduates.
The actual ceremony doesn’t begin for a while, so Melina converses with the other parents seated around her while Alexi nods politely, and you and Yelena compete in a thumb war. Eventually Principal Rambeau steps onto the stage and a silence settles on the gathered audience.
“Thank you all for attending,” she begins. “We’re here to celebrate our wonderful seniors, who have put in so much work to make it here today, and walk this stage.” She continues like that for a short while before they begin to call the students’ names, and they each walk across the stage in turn to claim their diploma. Natasha is a little later on the register, so you just sit back and enjoy the show — you’ve lived in this small town all your life, where most people know of each other, and so you recognise or even know the vast majority of the people who make their way across the stage. Some of them choose to make a memorable exit from their high school career (like Happy Hogan who chooses to breakdance his way across the stage, or Ned Leeds who walks proudly in a hot dog suit), whereas others take the more graceful route (see Valkyrie King, a prominent athlete of the school, who walks with confidence and regally basks in everyone’s recognition of her). When Natasha Romanova-Shostakov is called, she walks the stage a little bashfully, and with a blush accepts the cheers showered upon her after several years of being the cheer team’s star. You clap and shout louder than anyone else, and to Yelena’s glee capture several shots of her in her square graduate cap. Front row seat privilege. 
After the presentations, the students flood into the crowd and people break off into little groups. The air hums with the joy of people laughing and congratulating and embracing one another. Natasha makes her way over to you and Yelena, who are stood now with your parents beside the refreshments. She brightens when she spots you, and is instantly by your side, pressing a kiss to your cheek.
“There is my girl!” Melina cheers. An outbreak of hugging ensues.
You mingle politely for a while with the other families milling around your own. Natasha appears intermittently, being the centre of attention today. Yelena is by your side (with her arm annoyingly resting on your shoulder to remind you that she’s taller) until one of her hockey friends pilfers her to show her something. In the few moments that you’re unaccompanied, Natasha resurfaces from the crowd, takes your arm and leads you somewhere a little quieter, and a little less visible to the masses.
“I just, um,” she realises she’s still holding your arm and lets go of it with a blush, “I wanted to thank you for being here. Like actually. It means a lot to me. I know— I know that in a couple of weeks I won’t be here properly, and it might make things weird, but —”
Now is the perfect time, you decide. As she continues to nervously ramble you pull the crescent moon necklace in its little velvet box from your pocket, and present it to her. She falls silent and looks at you.
“It’s for you,” you say unnecessarily, opening it to show her the treasure inside. Her eyes widen. “I— I want to do this with you. I want to give us a try. I like being with you.”
And as you clasp the delicate chain around her neck, and lean up to press a chaste kiss to her lips, Natasha understands. Love is something you earn.
She entwines your hand with hers, and together the two of you make your way back towards your family.
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