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#the end of the fucking world episode 6
egophiliac · 8 months
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starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.
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so I realized that around this time of the year is already past my 1 year anniversary of being hyperfixated on Rob?? time flies
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this is the timeline of how it happened according to some vague memories:
1. i happen to see some random video of The Rerun on like, YouTube I think
2. me: hmm i think that one eyed guy is giving some real gender envy– wait. oh no. its happening. he's the new Chosen One, isn't he
3. im not hyperfixated im not hyperfixated im not–
4. I AM SO FUCKING HYPERFIXATED I LOVE ROB FROM TAWOG HE MEANS EVERYTHING TO ME!!!!!!
5. rob is a major part of my life and my headspace now. i couldn't stop if I tried, because some part of my brain views him as an actual close friend, and therefore abandoning this hyperfixation would feel extremely cruel. i would never do that to him and therefore he will be my imaginary bestie/adoptive son forever. i will never grow out of it. i am perfectly okay with that
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jackklinemybeloved · 1 year
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went into this episode excited to see ylfa and the beast interact and crossing my fingers for a good elody and gerard union and came out with an existential crisis about these young nihilistic women running themselves into the ground and destroying everything because they don’t know what else to do
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emile-hides · 1 year
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Fucked up little Meow Meow
#Fairy Tail#My opinion on him has not changed he's still tumblr's perfect little guy#He just keeps going huh.#They really said how fucked up can you fuck up a guy#What isolation will do to a mother fucker#I love a good isolation story I love a fucked up curse I love a Everything I Love Dies And It's All My Fault#I love a I Just Want To Start Again Try Again This Time I Will Make It Right#I'm making a Fairy Tail bad ending AU where Zeref does pull off the reset right now like as we speak#I have maybe 6 episodes left and my brain is running#AU where Mavis' curse activated when Makarov died killing half the guild and then Zeref's plan worked out#Guys August is really fucking me up where'd he come from how'd he happen I don't want to know but also#His existance is so messed up#Anyway he and Makarov should have grown up together fuck you Prett#AU where the dragon slayers grew up together as planned and Prett wasn't a bitch and raised August along side Makarov#and they were BROTHERS#I'm rewritting Fairy Tail there's so much I want to do#This is one of those worlds that just makes me want to mess with it#I want to twirl the timeline on my fork like spaghetti#AU where Laxus is a true Dragon slayer and was adopted after coming through the gate#AU where Erik is a true dragon slayer and was kidnapped after coming through the gate#Those two don't change anything other than Erik and Laxus also have dragon parents I think that's cool#Also Laxus being Makarov's ancestor thrown into the future is just. Very funny to think about#I want to make Fairy Tail AUs I'm done with canon I want to mess with it
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friendshiptothemax · 1 year
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I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.
That’s not the issue at stake here. Let me tell you a little something about “minirooms.”
Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.
This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.
Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.
The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.
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ohbother2 · 3 months
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do you know what?
I miss long seasons.
I miss seasons that had 20 episodes and half of them could be cut and nothing would be lost to the story.
I miss the episodes where nothing fucking happens but you get to see the main cast goofing around with one another. You get to see their interactions, their relationships develop, their day-to-day lives and how they all fit together in them.
You get the Christmas/halloween/valentine's special -is it needed? certainly not. but is it good? is it entertaining? does it give the show and characters life? do we, the viewers, enjoy it? YES!
give me long stories!! give me little quarrelling spats between characters that can be resolved in one episode with no need to have an impact on the greater story! make these stories real!
let me enjoy them before they end!!!
I absolutely love Hazbin Hotel and the little world that's been created, but I can't help but feel disappointed we're only getting two seasons of 8 episodes.
back in the early 2000's 16 episodes would have been ONE season, never mind the entire thing.
show my angel dust and husk and nifty and sir penthouse living their daily lives in the hotel! show me Charlie brainstorming ways to redeem sinners! give me Charlie forcing the hotel staff to do cringe-y exercises! give me an entire episode of Vox trying to follow alastor through security cameras! Give me husks typical day! Give me a special through the eyes of nifty on a mission to irradiate the hotel of bugs! Give me sir penthouse and the egg boys up to no good!
give me something other than the bare necessities to make the story flow
6 months have nearly gone by in the hotel, and it feels like 1 month.
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gammija · 3 months
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some notes on dates so i have them all in one spot:
- With tmagp its a lot easier to tell when stuff's happening than in tma, where we had to go by live statements only. in protocol, every case is appended with 'today's date', so we can say with precision that episode 1 happened on the 9th of January 2024, episode 2 on the 18th, episode 3 on the 22nd
- Hey, those are around the same dates the episodes aired! Seems like they might be going for a kind of real-time parallel timeline? We'll see if that lasts all 3 seasons, or if they get out of sync when multiple episodes need to cover the same event.
- Chester and Norris appeared "about a year ago", which would be somewhere around December 2022.
- According to RQ's website, the Magnus Institute burned down in 1999, and "almost 25 years ago [from tmagp's timeframe]"
- In tma, the world ended in October 2018. Though there's no canonical timeline for how long it lasted, Jonny said in a Q&A he had imagined about 6 months, and Alex iirc said something like a year, landing mag200 in 2019. The episode itself aired in March 2021.
- None of those dates are anywhere near either the Institute burning down or Chester and Norris appearing, but dimension travel does canonically fuck with timelines. It's not impossible that the events of mag200 are what caused tmagp's weirdness - but it's not a guarantee either.
- Colin and Alice are heavily implied to have already been working at the OIAR for a while by the time Chester, Norris and Augustus appeared, the system dates to the mid-90s according to Alice, and both imply it's always been an incomprehensible mess. So whatever is causing Fr3-d1's weirdness, seems like it's not caused directly by either the Institute burning down or Chester and Norris appearing.
- TMA dates of potential relevancy: Jon was born around 1988, Martin 1988 or 1987, making them a few years older than Sam (16th October 1990, according to the ARG) and presumably Alice, but the right age to have been kids in the Institute in Protocols timeline. Leitners library burned down in 1996, Mr Spider happened to Jon soon after when he was 8.
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bengiyo · 4 months
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Too 5 horniest sex scenes
There were actually a lot of really solid sex scenes this year. For you, I will cheat and add extras.
Masumi and Ritsu in College in The End of the World With You
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I actually think these are better in retrospect because we got to see what these two look like ten years later.
Yang and Phumjai Knocking Down Their Own Store in Love in Translation
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I just know this was a fantasy for Yang and he absolutely still has that footage somewhere. They both had beds upstairs!
Namnuea Showing Sailom the Real Him in Wedding Plan
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We did not get enough focus on characters who have experience sharing that with each other.
Kim Sung Min and Yoo Joo Hyuk in Love Class 2
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We don't often get solidly built boys together in BL, and once again we got two men who knew how to fuck going at it.
Boston and Top in that Car in Only Friends
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Top was trying to send that boy into orbit the way he jackhammered him! You know Boston's ass was clean and ready for this moment that he orchestrated.
That First Night Between Nail and Him in For Him
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Nothing like a rebound hookup. Bonus if he looks exactly like your ex, amirite??
Saengtai Blowing Patts in La Pluie Ep 7
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There's an extended version of this in the special episode on iQIYI. You should check it out. My man Patts was about to lose his mind in this and got what he needed to keep going.
Kon Diao and Yi on the Couch in Naughty Babe Ep 6
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Let us never again mention the thumb incident in episode 8. Instead, let's talk about Kon Diao taking charge in this scene and blowing Yi so good that he had to keep his socks on.
King and Uea Explore Kinks in Bed Friend
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King was trembling in anticipation when he shared this with Uea.
Ask Me Top 5 BL 2023 Anything
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tocomplainfriend · 3 months
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SEE!? THEY DON'T CARE!
TW: Rape, SA, Homophobia, Misogyny, Misandry
The specific censored word with "-", it's for my own reasons and comfort. It's not censored up and in tags due to filtering! Sorry if I made mistakes like forgetting of filtering or similar, I haven't used tumblr much before!
THIS IS A R-PE JOKE! THAT'S WHAT I HAVE BEEN FUCKING SAYING! ONE OF MY BIGGEST PROBLEMS WITH EPISODE 4 IS THE FACT OF "we want to write an empowering story about men getting sexually assaulted. Men victim don't get that attentio-" BITCH, YOU MADE MANY R-PE AND SA JOKES ALL THE FUCKING WAY THROUGH HELLUVA AND KNOW HAZBIN! You are the one making fun of scenarios where your male characters get assaulted or r-ped.
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HOW TF DO YOU PRETEND TO BE SOOO ABOVE PEOPLE (INCLUDING VICTIMS OF SA AND R-PE) THAT'S EXPRESSED HOW THEY FELT ON THE EXECUTIONS AND WHO WORKED IN EPISODE 4. WHEN YOU YOURSELF MAKE JOKES ABOUT IT????? For some context, Sir Pent is trying to get with Cherri, but always deflects first in case she rejects him. He offers her a drink, but immediately says it's because he'll buy a drink for everyone on the club. Then he asks Cherri if they can have sex- and deflects back (a repetition joke) "Because I'll have sex with everyone here". Then he gets dragged into a room by other people, yelling wait and no! And the door closes as you heard him scream.
Out of context in the screenshot, you might even think it might be a serious scene where something happens to Pentious. BUT NO! IT'S BRUSHED OVER REAL FAST AND PLAYED AS "HAHA SOMETHING BAD HAPPEN TO SIR PENTIOUS AGAIN LMAOO"- it's the punchline.
Then at the end of the episode he gets out asking "Where is Cherri" (who btw is having sex with a random guy).
And please don't say "Well, he asked for it"- you know how you sound. The whole point of the joke is that he is trying to get with Cherri and failing astronomically. The point here is that he really doesn't want to have sex with a bunch of random people, but he has to do it because he is getting dragged into a room. (Again, Pentious is like Moxxie Their joke it's getting trashed and bullied by the world or people around them).
You made a whole episode about dealing with a male character's sexual assault, abuse or r-pe. Saying how much you respect victims, and your episode, it's just perfect about the topic. BlaBlaBla- no, you don't. You made all this jokes since HB season 1. This new joke was episode 6 of HH. You never acknowledge power dynamics, or coercion. You never acknowledge anything bad in your show.
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Remember, as much as this shows go for LGBTQ+ representation and Queer media. As a ""Female lead show"". This jokes link back (not only to making fun of SA and R-pe itself, but to) homophobia and Misogyny. A scenario of where a man gets SA'ed or r-ped by another man or woman- leads to a scenario where the character is made fun of for not being "masculine enough" for being a victim or for not being able to defend themselves. In a scenario where this happens by a man to man, "It's funny because the victim is viewed as gay. As less masculine = gay and that's bad cause gay = weak and feminine and the idea of feminine = weak".
(There are a few jokes here and there, like Blitzo touching Moxxie's dick after making fun of him for having a baby penis.)
If you didn't notice, Moxxie gets attacked by multiple succubus, and that's apparently funny. KEEP IN MIND is not basic physical violence-no he comes out with lipstick kisses marks, the sounds effects are (ugh)... and Blitz tells him "Don't let them access any of your holes". In other concepts, I want to point out that the times when Moxxie is viewed as a bottom or feminine- he is made fun of. When Millie pegs him, he is made fun of because he is the man of the relationship, being implied as the bottom. When he wears the outfit of unhappy campers, he is extra objectified or made fun of even more than in any other episodes. He is also forcefully put on a dress in his wedding.
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He is made fun of for being SA'ed for being uncomfortable scenarios:
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These aren't jokes made by characters that "are bad because they are from hell". These are scripted jokes written by a person searching for the audience to laugh.
AND the reason why many audiences accept this jokes or even find them funny is because of some of these views (internalized or not) above. You'll also notice how all these jokes are directed at men (if you find an R-pe or SA joke directed at a woman in this two show, say something about it! POINT IT OUT!). People accept and write these jokes more because they care less about the idea of a man being a victim of such situation. More often than not- in the present, a woman getting assaulted or anything similar in any media gets noticed and called out. THESE JOKES OR THE NORMALIZATION OF SEXUAL HARASSMENT, ASSAULT, COERCION, OR SIMILAR TOWARDS WOMAN STILL HAPPENS!!!! There is an idea that men just tend to just want sex all times at any time. -And that a man getting SA'ed or r-ped by a woman it's just sex, cause "Why wouldn't you like free pussy". When it's a gay perpetrator is viewed as funny cause "that makes you gay or a woman" and that's apparently hilarious. Men can be r-ped no matter what. Men can be targets of all of these acts.
Remember that all the scenes of sexual abuse, harassment and r-pe in Poison are directed by the R2. Who, once again, is into r-pe porn- and they themselves said they are not an SA victim either. So remember, not even a victim trying to cope with their own R-pe or SA. This person draws and ships "R-pe ships", and tags it as "naughty men uwu" bullshit. Also, a person so obsessed with the character of Angel that they changed their name to Tony (Angel's real human name), make themselves look like him, and become a sex worker like Angel. They themselves looked at a comic of Val threatening r-pe and abuse on Angel as "thank good you have balls to draw something mean with these too, I was so bored" ???? (this stuff is in:) and cosplay and take photos of your Val x Angel ship
Congrats if you as a victim yourself thought that the scene with Angel was good. If it helped you be and feel seen. But remember the rest of the show, the hypocritical writers, don't care enough to view it as a serious topic to not joke about. Both HB and HH written by the same people (as in Vivziepop), take their sweet time to turn these topics into jokes.
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What pisses off more, it's the trying to make yourself be viewed as a sensitive person about such topic. Make it seem like you are a savior for writing about it in such "serious, powerful and not sugar coded" way. But then you drop that on the fucking ground to make a joke about it when you are tired of pretending you are so good. If you were so informed of SA and r-pe, you wouldn't be making these jokes. If you knew how much SA male victims struggle to get viewed as serious or their stories taken into account-you wouldn't be this shitty.
God, you are so proud of the joke too.
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My poor snake guy... one of the few characters that I like-
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somekindofpoet · 1 year
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Missed Connection 2
Summary: A flight delay causes a chance meeting between R and Jenna Ortega
Word Count: 2.1K
A/N: Laughing at the fact that I thought I could do a one shot of anything
Part 1 Part 3
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“No big deal,” you grumble under your breath, fumbling with the keys to your apartment. “Oh yeah, I was just on SNL, no big deal.”
Your Uber driver, who informed you is named Dani, ranted and raved about Jenna for the rest of the ride home. She then insisted you watch Wednesday before you even thought about texting her. The words “respect on her name” and “so fucking lucky” were cried out several times. Dani refused to drive away before you promised her you would update her on the situation. It seems you were friends now. Against your will, but she appeared serious about not leaving, so you exchanged numbers and made your promises.
Your door opens, and you take a deep breath, happy to be home. The house sitter deep cleaned before he left, and you were grateful for the smell of fresh laundry the moment you stepped in. Your cat sat, perched on the shelves above your head, watching you closely.
“Hello, Mr. Burton, wonderful to see you too,” you smile up at him, and he narrows his yellow eyes at you. 
You nod and drop your bags to the side, happy to see nothing had changed in his world. You trudge into the living room and flop on the couch, sliding your phone onto the coffee table. Half of you wants to text Jenna and let her know you know who she is now. The other half is absolutely mortified at the idea of ever seeing her again. You decide you’ll watch one episode of Wednesday, then hit the hay. You can decide how to approach the Jenna situation in the morning. 
——
Four hours later, you’re still on your couch, valiantly fighting sleep for just one more episode. It’s 2AM, and you know you need to pack it in. She’s just so brilliant. Her version of Wednesday is quick-witted, hilarious, and naturally, insanely good looking. She’s so different from the person you ran into at the airport. She wears Jenna’s face, but that seems to be where the similarities end. Besides the straight faced sarcasm, that was a strong parallel. 
Your grogginess fools you into a sense of confidence, and you finally pick up your phone. You’d already saved her number hours ago, afraid you’d lose the gum wrapper. You open a new message and type out “…” nothing. Nothing comes to mind. What do you even say to a movie star? You remember how she reacted to you calling her a big deal and decide you can’t tell her how great she is in the show. You stare at the phone, sigh, then lock it. Maybe sleep will help.
——
Your phone buzzing on your pillow wakes you up. You forgot to turn on do not disturb, and now you’re paying for it. You crack open an eye and look at the name on the screen. You note that it’s 6 AM and groan as you slide the answer button.
“Sid, are you aware of the hour?”
“Good morning, sunshine! Welcome back to glamorous LA!” Sid’s voice rings through the speaker, her high-pitched singing making you wince.
“Uuuuuugh,” is all you reply, letting her know how you feel about the call.
“So I know you just got back, and yes, I know you’re supposed to be on vacay after your Nat Geo thing, but….”
“Sid, if you ask me for a favor right now, I’ll kill you.”
“Listen! Before you say no, I may have accidentally overbooked myself, and I need a favor.”
You groan, rub your eyes with your knuckles, “You need to get a scheduling assistant dude.”
“I know, but this is big. I have a thing that got moved up, and now I can’t do this Dior shoot.”
You open your eyes, your interest piqued, “Dior?”
Sid laughs, “I knew you’d like that. Uhm, just one thing though, it’s in like two hours so-“
“Sidney, are you kidding me?!” You shoot up and leap out of bed, beginning your search for decent clothes.
“I mean, if you’re late, it’ll be on me, but I knew you wouldn’t be up yet. Can you take it for me?”
You pull on a pair of black slacks and grumble, “I swear you owe me so big, Sid, like we’re talkin' drinks on you for the next month.”
“Okay love you I’ll text you the address you’re the best byyyeeee!”
You sigh as she quickly hangs up the phone and resume your search for clothes. It had been a while since you’d photographed people since you’d moved on to nature photography. The models weren’t bad; you just found the shoots boring. Everything is staged and unnatural, beautiful people in beautiful clothes with beautiful lighting. The biggest challenge to it was dealing with managers and temperamental brand agents.
You brush your teeth and tame your hair as fast as you can, gathering your camera and equipment for the shoot and hustling out the door. You paste the address from Sid’s text into your maps and peel out of your parking lot. If you hurry, you’ll make it with a few minutes to spare.
You should have known LA traffic would play you like a fiddle. You park your car four minutes before the shoot time. You’re not sure why you care if you’re late, seeing as you’re not the one who booked the shoot. But still, somewhere deep down, you want them to like your work, and no one likes a late appointment. It's for this reason you practically sprint through the parking lot and into the studio, your equipment making it nearly impossible to see.
For the second time in two days, you’re barreling into someone, knocking them on their ass and sending you flying over their body. You hit the ground with a grunt, your precious camera safely tucked into your chest. You sit up groaning, ready to spew apologies when you see who exactly you’ve run into. You think it has to be some sort of cruel joke or karmic intervention for sins from a past life.
Jenna sits up, rubbing her head, her oversized black hoodie draped across her frame. When you meet eyes, you both freeze, baffled. You gawk at her. You know you’re doing it, but you can't stop. She stares at you, her eyes narrowed in confusion.
“Is this how we’re always going to greet each other, do you think?” She asks, a smile pulling at her lips.
You grimace, “I can’t believe my luck. What’re you doing here?”
“Uhm,” she sighs, shrugs, “Working?”
You push yourself to your feet and offer to help her up, but she’s already gathering your things and piling them neatly in her arms.
“Thank you,” you tell her with a smile, “I’m working too, a favor for a friend.”
She frowns up at you, handing over your equipment, “I thought you were a nature photographer?”
“Oh, I am. Like I said, I’m doing my friend a favor. She’s an idiot and overbooked herself, so now I have to deal with models and Dior.”
Her eyebrows shoot up, her eyes bright, “Hi, it's me. I’m the model you have to deal with.”
You choke on your spit, coughing and spluttering, “You’re kidding, right? That's a joke?”
She jerks her head back, “Is the idea that horrifying?”
You're kicking yourself internally for sounding like an asshole, “No! Not at all. It’s just…I…well, to be perfectly honest, you make me a little nervous.”
A laugh escapes her throat, and she looks down at her feet, “You managed well enough yesterday.”
“Uh, yeah. I saw your billboard on the way in from the airport. You undersold yourself a bit.”
Her shoulders sag, and it makes you regret admitting it. You scramble to fix the situation.
“But! But I can pretend I never saw it. If that’s what you want. We can just act like this is some weird meet-cute again.”
She lifts her head, smirks at you, “You thought yesterday was a meet-cute?”
You blush, your eyes wide, “Oh. I…uh, yes?”
She nods, and you can see her mull over the idea. She seems to accept it because the next thing you know, you’re following her deeper inside the studio. You spot the door Sid told you to go to and follow Jenna inside. She disappears behind a mass of stylists and a curtain of clothes with a handful of other celebrity models. You work with the brand managers and review Sid’s vision for the shoot, making your own tweaks here and there. As a whole, it goes shockingly well. Like, well enough for you to reconsider your self-imposed exile in nature photography.
When the shoot ends, and you’re packing up to leave, you’re reminded why you left fashion in the first place. A throng of people wait outside the studio doors, flash cameras held high, yelling and jostling each other. They’re choking at the bit to get the best shot of Jenna and the others when they walk out the doors, like vultures waiting for their pound of flesh. It makes you sick. You stand behind the tinted glass doors, watching the mob with clear distaste.
A voice at your side surprises you, making you jump, “Day in the life,” Jenna sighs, eyeing the crowd.
You hum in agreement, looking back out the window. “You deal with this all the time?”
“Every day,” she grumbles, her eyes tired.
You decide to change the subject, turning away from the doors to look down at her.
“You were great today. You’re a natural.”
Her eyes leave the crowd and turn up to you, “I’m glad you think so, but it’s not natural. I’ve had my fair share of lessons.”
You shrug and start to walk toward the back of the building with her at your side, “Well, it seemed natural. So that’s a good thing. I’m sure I don’t need to tell you that, though, because, well, you’re here.”
She snorts, “I guess I can’t pretend being in a Dior promotion isn’t a big deal, can I?”
You give her an exasperated glance, “No. You cannot.” 
When you round the corner, a man in a black suit is waiting at the back door. He opens his hand toward Jenna and dips his head, ushering her toward the exit. 
“Well, this is my ride. I meant what I said yesterday, though. Text me. I’d really like to hang out, you know, when I’m not working.”
You gulp, nervous at the thought, “O-okay, yeah.”
As soon as she’s out the door, you pull your phone out, frantic to tell someone, anyone, about this. For some reason, your first thought is Dani. You get one text through to her, and she calls you immediately.
“Hey! I’m driving, can’t text. Tell me everything. Did you text her? Did you watch the show? Are you in love yet?!” Her voice comes through with road noise in the background.
You laugh, holding the phone to your ear with your shoulder as you push open the door.
“So, actually, I just photographed her at a Dior shoot. I-”
“YOU WHAT?! God, how are you the luckiest person on the planet? Tell me everything.”
And so you do. On your drive home, you tell her about not knowing what to say over text, how you accidentally bowled Jenna over again, how the shoot went, the conversation about the paparazzi, and how Jenna insisted you text her.
“So?” Dani says, and you hear a horn screeching in the background.
“So what? And are you okay? It sounds like you’ve pissed every driver in LA off.”
“Oh, don’t mind them. I’ve got a great Uber rating they can fuck right off. Did you text her? She doesn’t even have your number yet dude!”
“Oh…shit you’re right!” You yelp, not realizing that, obviously, this interaction was one sided because Jenna couldn’t reach out to you even if she wanted to.
“Okay, I know this friendship is new, but I feel like we’re close enough now for me to tell you. That's your in, idiot! You know what, I’m hanging up right now. Text her. Then tell me everything.”
The phone line dies just as you’re parking. You stare at the phone, absorbing the onslaught of information you’ve just been assaulted with. Dani may have been slightly crazy, but she was right. This was your in. You open the phone, pull up Jenna’s contact and type out a new message.
Hey! Its y/n. I just realized I have your number and never gave you mine. 
Anyway, I want to take you up on your offer
I’m off for the next few weeks, so just let me know when you’re free
You stare at the phone, watch as the text bubbles turn blue and the delivered mark appears under them. You bite your lip, anxious about a reply. After a moment, you realize she’s probably an incredibly busy person and would absolutely not text you back immediately. 
Jenna
Hows tomorrow sound?
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favcharacterpoll · 7 months
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ROUND 6 MATCH 3: CECIL VS. C!WILBUR
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Cecil Palmer from Welcome to Night Vale faces c!Wilbur from the dsmp. @10piecechickenmcnugget get over here sage
Cecil Propaganda:
"Cecil is not only the Tumblr sexyman, he is the first gay protagonist of a podcast that most of us have ever heard. From the very first episode he was unashamedly queer and no one has ever called him out or given him shit for being gay. He is a gay Jewish fashion disaster who is the mouthpiece for an incredibly bizarre town and plays the whole “this horrifying thing is completely normal”thing so well. If Cecil wasn’t there, I think a lot of people wouldn’t have felt so accepted for just being who they were. Cecil is an inspiration and the queer podcast rep we all deserved as we were growing."
"he’s gay. he’s a dilf. he’s ageless. he has been since there’s was nothing and he’s still here after the world ended. he can summon music. his mother is a oracle his father is a tree. his cat is a man who got cursed and also has wings a stinger and poison??? he thinks a tutu and crocs is formal wear and has talked to god and she said ‘I love you. I’m sorry’. he’s definitely guilty of manslaughter from negligence"
"this is the website Night Vale built!"
c!Wilbur Propaganda:
"Accurate depiction of mental health and spiral, handled delicately and deliberately, every piece of his story was thought and planned and in the end he went home to Utah. Thank you lord."
"Please don’t let the name dream smp effect how you feel about this submission, this character is completely unrelated to dream and I’m pretty sure the person who played him has nothing to do with dream anymore. This man single handedly got me through a horrible patch filled with extreme paranoia by also being extremely paranoid. Genuinely really helped me feel seen and I coped a lot by getting invested in this character. I almost cried when he died :("
"He’s so fucking stupid. I could infodump for hours this man transed my gender. Everything has gone wrong in his life. He’s the definition of a bisexual disaster."
"I didn’t fail 10th grade math bc I was thinking about c!wilbur for him to lose round one"
"I mean look at him!! his Minecraft skin is adorable!!!"
"if you people vote for cwilbur i'll draw him in a bikini."
"A VOTE FOR C!WILBUR IS A VOTE FOR GIRLBOYS EVERYWHERE"
"i should not have underestimated minecraft fans they came together"
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"Season 1 changed me. I didn’t know minecraft videos could have good acting, dramatic plots, etc. Wilbur was one of the best there. His plot was so interesting with the L’Manburg and the unfinished symphony arcs. He was funny, dramatic, sad… I fondly remember my dsmp days (though I only saw up to like part of Tommy’s exile)"
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chaoticace2005 · 1 month
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Why Sir Pentious got redeemed:
1. He was killed so his soul got re-evaluated (if so what happens to all other Sinners who die?)
2. He got redeemed a millisecond before Adam killed him, the intent of sacrificing himself being enough to get into heaven
3. He was destined to be redeemed when he put his pride away and confessed to Cherri
4. Being in Heaven or Hell is based on whether or not you believe you’re a good person. At that moment his opinion of himself shifted enough to qualify for Heaven.
5. He racked up enough good points to be redeemed, as did Angel, the only reason he’s there and Angel isn’t is because Valentino owns Angel’s soul.
6. Susan owned Sir Pentious’ soul, keeping him tied to Hell. She died at that very moment though, releasing him.
7. Susan is a bad bitch and can’t die. But she saw how stupid he was about to be and was like “I give up”, releasing him.
8. The universe knew that Adam was going to die and there always has to be one Alex Brightman in Heaven. They couldn’t take Fizzarolli because they don’t want to deal with Asmodeus, so they defied their own rules and took Sir Pentious.
9. He didn’t get redeemed. His design was just re-used and this is a totally different Winner, the story just ended like this to give us hope
10. He didn’t get redeemed, this is Charlie’s hope of what did happen because she can’t accept his death
11. All of Hazbin is a story being told by Frank, and he added his boss going to Heaven because that’s what he believes happened (either a conspiracy theory or that’s what the Hazbin crew told him.)
12. Using a war machine to kill people was the last sin he needed to repent for, the fact he was redeemed before Adam’s blast is just luck.
13. Adam’s blast beamed Sir Pentious up to Heaven
14. Adam’s blast is actually a de-Sinner, usually it kills people but because Sir Pentious didn’t have a lot of Sin-juice he was reborn
15. He chose that moment to convert to a born again Christian. He was born again.
16. He sneezed and an angel blessed him
17. This was another “fuck you” from the universe: he kissed the girl he liked and made a family only for it all to be taken away
18. It’s a Good Place situation where he thinks he’s in Heaven but it’s really not and this is just extra torture.
19. He’s in purgatory and this is what he’s dreaming.
20. It’s a test by the higher ups in Heaven “OH you think heaven is good for Sinners? Wrong!” Then they chose a guy who was starting to find happiness in Hell to prove their point that Sinners can’t find joy in Heaven
21. His death was so anticlimactic the universe felt like it had to give him a second chance.
22. Vox is a heavenly official in disguise (the TV is just a mask.) And told him back in episode 2 to kill himself, Sir Pentious sacrificing himself fulfilled that wish, so the universe redeemed him for fulfilling Vox’s challenge
23. Lilith ex-machina came in last minute like a girl boss and saved his ass. Her powers transcend time.
24. That’s Sir Pentious’ clone, which Pentious had programmed to be released the second he died (there may be tons of Alex Brightmans in the world, but there can only be one Sir Pentious.)
25. Charlie learns how to redeem Sinners in the future. She also learns to time travel, so she grabs Sir Pentious at that last second before he died, helps him get redeemed and then chucks him back into the timeline because screw the consequences.
26. Alex Brightman got amnesia and said “H-huh?! Where-where am I?!” during recording. Everyone though he just ad-libbed a line and tried to make it fit in.
27. The Eggs are secretly gods. They blessed and saved Pentious before Adam could kill them.
28. Emily saw what he was about to do and pulled a lever. It was the right lever.
29. Last minute someone realized the play on words with Pentious’ name (Sir Repentious) and added this scene in
30. Alex Brightman was originally not going to return to the show, so Pentious and Adam died. Later things changed and he could return, but most filming had already been done so they took him aside and filmed that final scene separately and added it in.
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woodchoc-magnum · 20 days
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how do you have so much faith in buddie after that episode? i just feel like the show just told us buddie won't happen but buck will be with a guy(maybe not tommy) but some other random ass guy.
Because:
"You can have my back any day." "Or you could have mine."
Buck taking Eddie to collect Christopher after the earthquake
Buck recognising that Eddie needs support, and finding Carla for him
"You two have an adorable son."
Buck and Christopher in the tsunami
Buck telling Eddie that he lost Christopher
Eddie literally coming to the loft and reassuring him that he trusts Buck more than anyone in the world
The lawsuit breakup and reconciliation
"Wanna go for the title?"
Ana says Christopher shouldn't skateboard, so Buck finds a way to build him a skateboard.
Eddie gets trapped at the bottom of a collapsed well, and Buck CLAWS AT THE DIRT SCREAMING FOR HIM (aka the television moment that changed my life forever)
Abby comes back, and Eddie is RIGHT IN THE MIDDLE of it.
Buck going out of his way to buy Eddie the coffee machine he secretly wants
Buck Begins, where Eddie spends the entirety reassuring Buck.
Eddie starts dating Ana, so Buck starts dating again (because one can't date without the other panic dating as well)
Eddie gets shot in the street and Buck is literally splattered with his blood
Buck crawling under the firetruck to save Eddie's life
Buck having to tell Christopher that Eddie was hurt
Buck RACING TO THE HOSPITAL WHEN EDDIE WAKES UP - oh Ana is there? No she doesn't matter, Buck is the one that matters
Eddie telling Buck that he isn't expendable and confessing that he changed his Will so Buck would be Christopher's guardian
Ana being mistaken as Christopher's mother and Eddie subsequently having a panic attack about it
Buck recognising that Eddie wasn't in love with Ana and essentially guiding him into breaking up with her
Leading to the most queer-coded breakup in the history of television. "The idea of us??" Eddie
The hostage situation; the gun going off and Buck thinking that Eddie is hurt
Depression era Eddie, and Buck literally breaking down the door to rescue him
Buck then being there for him every step of the way. Girlfriend? what girlfriend
Culminating in them working together again when dispatch burns down, and Eddie returning to the 118
Buck FINALLY ending our misery and breaking up with Taylor
The family scenes at the start of season 6
Buck getting struck by lighting and Eddie climbing the ladder to try to pull him back UP because he was so panicked
Eddie trying to get to him; Eddie giving him CPR
Eddie telling them to DO MORE
Eddie sneaking Christopher into his hospital room and crying at his bedside
Buck knowing in his coma dream that Eddie and Christopher were missing
Eddie being Buck's safe place; the only place he can fall asleep
Eddie taking him on a poker date and apparently not railing him afterwards??
the look on Eddie's face when Buck tells him that Natalia "sees him"
And Eddie immediately trying to date because Buck's taken
The fact that we start season 7 with Buck already single and Eddie having essentially filled a permanent babysitter role in his life with Marisol
Eddie and Tommy becoming friends, being the cause of Buck's jealousy - this is not about Tommy, by the way, because Buck hasn't quite figured the Eddie of it out YET
All leading to the BIG BI KISS
And wherever the fuck the next episode is taking us
So yeah, one kiss doesn't invalidate five six seasons of build-up, and that's why I'm not worried.
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chaifootsteps · 4 months
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A summary from someone who was at the premiere:
Hi! I'm the person who was at the premiere and noted how Viv ignored her fans (yes the theater was small looking back on it, this was my first time going to an event like this)
Here are the summaries of the first 3 episodes
Episode 1 The episode starts with an origin story about how the angels created the world and Lucifer was one of them and was very creative and shit. So when the angels made Adam and Lilith (and before you ask yes Hazbin's Adam is the first man, they confirmed it in the episode) and Lilith rebelled she and Lucifer became chums and ended up convicing Eve to eat the fruit, which brought sin into the world and made the angels banish Lucifer and Lilith to hell which made Lucifer sad and lose his spark because he's now surrounded by shitty humans. Lilith meanwhile continued to inspire demons with her singing and because heaven didn't like that they sent the exterminators to make sure demons do not rise up against them. But now it is up to Lucifer's and Lilith's daughter to help sinners.
Then it turns out that this was a book Charlie was reading and Vaggie comes in and comforts her telling her she believes in her. Also it turns out that Charlie has not seen Lilith in 7 years. Vaggie then tells Charlie that Alastor has a surprise and we get to see the ad Alastor made. Turns out that they forced Alastor to make an ad with video (and yes he was upset about it). Big woop the ad sucks cause Alastor insulted people in it. Angel Dust suggests to remake the ad into a fucking porno because of course he does.
Then Charlie gets a call from Lucifer who tells her that Adam wants to meet with her and she sings Happy Day in Hell during her walk to Heaven's HQ thing. Meanwhile Vaggie decides to redo the ad which involves Husk reading off the script and Angel sexually harassing him. Vaggie gets upset and Alastor sees this and promises to make a deal wirh her, he helps her make the ad with a video camera and in return they never make him do shit with video again.
Charlie reaches the Heaven's HQ where she meets Adam who literally talks like Chaz. He swears all the time, talks about sex, and even called himself "the original dick" or something , I dunno I had a stroke. He just spends like an hour or so talking to Charlie about how cool he is, how he had sex with this one chick, ect ect. He's really no different from the average demon. Also he's a hologram and he eats ribs during this. Charlie than finally gets to explain her plan to Adam but he and Lute go "no" because sinners had their chance as humans and Adam likes killing them. He then sings a song which I forgot the lyrics for, and yes the "this shot is EVERYTHING" clip came from that song, and he kicks out Charlie. Oh and the next extermination will be 6 months later because Adam felt like being a dick.
Charlie comes back home all sad and shit and Vaggie tries to cheer her up by showing her the new ad. Until it interrupts and Katie Killjoy announces the news that the next extermination will be in 6 months instead of 12. And yes her voice is literally just Bryce Tankthrust's. The episode ends with Lute showing Adam an image of a decapitated exterminator, and now they want to kill all demons because of the murder of an exterminator.
And that's episode 1
Episode 2 Episode 2 starts out with Charlie realising sinners are freaking the fuck out, and that this 6 month deadline may mean sinners may get desperate to redeem themselves. Also Valentino is constantly DMing Angel because Angel moved out. Then Sir Pentious shows up to fight Alastor again but Alastor kicks his ass.
We then meet the 3 VVVs, and Valentino disemboweled Velvette's model because he's angy Angel moved out, so she calls Vox to calm him down. Vox shows up and calms down Valentino. And bruh, Valentino somehow acts no different from Stella. He's so unthreatening and goofy with how much he acts like a spoiled child who got mad his lolipop got taken away it fucking hurts! During their chat, Valentino mentions to Vox that Angel is not the only patron at the Hazbin Hotel, but Alastor is as well which angers Vox because he thought Alastor was gone when he vanished 7 years ago.... wait-
Alastor defeats Sir Pent by punting him after he rips off a strip from Alastor's jacket. Alastor leaves to get his suit fixed up but not before summoning some monsters to guard the hotel, with whom Angel flirts with because of fucking course he does. Then we get a duet between Alastor and Vox where Alastor basically announces he's back baybee. The three VVVs then try to inflitrate the hotel so Vox they have to hire someone Charlie would not expect as a spy.
Charlie returns with no new patrons until Sir Pent knocks on the door. Vaggie is about to murk him when Charlie decides to give him a chance and welcomes him into the hotel. There she tries to teach Sir Pent how to be good by making him learn about apologizing, so he apologizes to Alastor for ripping his jacket and gives him back the strip he tore off. Alastor responds by burning the strip.
Charlie then does an excersize with the crew where they all introduce themselves, and only Charlie and Sir Pent do it. At some point we get the Roleplaying scene where Sir Pent pretends he is an innocent kid, and Charlie tells him he'll be on his way to redemption in no time, which makes Angel sad for some reason. Angel goes to his room where he scrolls through voice mails Valentino sent him which flip flop between "Angel baybee I'm so sorry" to "Pick up you fucking whore". And the last one is him telling Angel that "there is no hope for you" while red smoke wraps around sad Angel.
Later that night Angel gets up to get a drink of booze when he walks in on Sir Pent putting up a camera from Vox. He confronts Sir Pent and they start fighting. Charlie and Vaggie walk in and Angel reveals what Sir Pent did. At that moment Vox calls Sir Pent and tells him he's a failure who should die because he failed. Sir Pent then bows down to Angel and Vaggie saying he's sorry and they can kill him. They're about to do so when Charlie breaks out into a song how redemption starts with a sorry. They all then go back to bed when Alastor t poses into the room and bullies Vox for a bit before breaking the watch Sir Pent used to have to talk to Vox.
||Also Niffty simped for Sir Pent for a bit because he's a "bad boy", but after he and Charlie sang that song she got upset that he wasn't a bad boy anymore||
And that's ep 2
Episode 3 So episode 3 starts out with it being one week since Sir Pent joined and Vaggie is chewing him out for building weapons and havine egg minions. So she has Alastor take the egg men away. (We also get a scene of Alastor eating a deer carcass for breakfast) Sir Pent also keeps trying to shoot ppl because he doesn't trust anyone.
In response to this Charlie tries to do some trust exercises for the rest of the crew, such as having them say the most intimate things about themselves while also falling down and letting the crew catch them. She tells them how much she loves them and Vaggie catches her. Angel sexually harasses Husk by saying he loves sucking popsicles and then falling in his arms and saying he loves sucking dick too. Sir Pent says he loved his minions and tells ppl not to catch them but they all do anyways. Niffty confesses that she loves killing mama bug infront of their babies so they learn fear. No one catches her but she keeps jumping off the stage over and over. Then Angel suggests another exercise.
Cut back to Alastor and the egg fellows who meet up with Zestial (who also has one of the hottest voices in the show like holy fuck, then again he's voiced by Ozzie's VA). Also people seem to be so scared of Zestial they either run away or the hurt themselves. Alastor and Zestial talk about how Alastor went missing for 7 years and is now working with the princess of hell or sumthin. They end up in a meeting for overlords where Rosie shows up but she says nothing. Also despite Alastor telling the egg sapiens to stay outside one of them ends up following him. Here we meet Carmilla who gathered the overlords to talk about protecting sinners from the extermiation or something. Then Velvette shows up because Vox and Val didn't wanna show up, and she reveals to the overlords a dismembered exorsist head. Then we get a song where Velvette and Carmilla duet and the song kinda slapped? I forgot most of the conversation tho. Then after the song Carmilla tells the Overlords to leave, and Alastor makes the egg man that followed him spy on Carmilla, and it turns out that she's the one that killed the exorsist but I forgot why she keeps it a secret. Also Carmilla and Zestial seem to be a thing. Then she gets a song that's also a duet with Vaggie which I also forgot what it's about.
Speaking of, Angel takes the crew to a BDSM club because of fucking course its a sex joke. Vaggie says no and then takes the crew to a turf war and makes them all fight against other sinners to make them learn how to trust one another??? It some how ends up working btw. Later on after the afromentioned duet Vaggie apologizes to Charlie but she says it's ok since Angel, Sir Pent, Husk, and Niffty seem to be chummy now now that they helped one another in that turf fight. Alastor returns with the eggs and Vaggie allows Sir Pent to have them back. The episode ends with Sir Pent and his eggs going to bed.
And that is the end of my Hazbin screening.
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novalizinpeace · 4 months
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can we talk about this for a moment?
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'm going to talk about this, sorry, i need to go crazy a lil
As i had hinted before, 'm working in some ''episodes'' fo the smiling critters, and one part of say process is world building, and this help me SO MUCH in some part
BUT 'm not going to use them all in my ideas, and 'm going to explain why in each one.
1-Dogday House
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'm going to use this one, yes! Not just 'cause it was in the canon one but also 'cause i really like the design, is cute~
2- Catnap House
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'm not going to use it. It just don't go with the personality i give the cartoon catnap. Now, if we talk about what this house speak about canon cartoon catnap? It's seems like he's from a higher class that some of the other critters, specially more that dogday.
3- Hoppy House
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I like the design but uuuuuuuuuuuuuuuuugh i don't know, the ''rabbits like carrots'' gags in the cartoon is funny sometimes, but i think this one doesn't work with Hoppy's personality. I mean, at least for me it would make more sense to have her live underground like Bugs Bunny that in a house like this, it even work to make the gag of ''bunny and x character travelling underground and x character hating every moment of it'' like in looney toons ('m already working in a video with it). So no, even if the house is cute, 'm not going to use it.
4- Kickin and Picky House
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As i had said before, i hc Picky and Kickin as siblings, and i was thinking in make them live together in a barn (this barn is perfect), but since Kickin also have a house that i like here, i came with a idea: Yep, Picky and Kickin lived together, but Kicking been the typical ''i'm a grown rooster, i'm going to live alone'' decided to make his own house (that why is so tiny, 'cause he make it alone), but still came everyday to the barn to spend the day with the critters or his sister.
5- Bobby house
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I hate it, sorry not sorry. It just look like a poop to me, and i can't take the image out of my head. Bobby deserve a house just as cute as her, and this one isn't.
6- Bubba house
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This one surprise me, i was expecting to see a more tribal or rustic house (tribal if Bubba was a African Elephant, rustic if Bubba was a Asian Elephant), not a beach one, this doesn't even look like a house for a elephant, but more for a marine-like critter. I really like the design and maybe 'm going to use it in a episode, but not for Bubba.
7- Craftycorn House
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FUCK YEAH, MY HC WAS RIGHT! I mean, since the beginning i had the hc of Crafty been a princess, or more exactly, a princess on the run (that what the special is about, the critters discovering that Crafty is a princess). And even when this give away say surprise, i think i can make it work, 'cause i really like this house for her~
And that's the end of my rant, if you make it this far answer me this: What kind of animal would you think it would work for the beach house? And what do you recommend for Bobby's house? 'm reading you~
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pt XI good omens season 1 finale I'M SORRY THIS IS LATE, I WAS READING FANFIC.
How is this a title I'm now forced to write. Yes, I know it's been a week since I finished episode 6 with you maggots. And today is the day we start season 2. However, I, the Official Good Omens Mascot, procrastinated writing part XI, because I was reading too much good omens fanfiction. Yesterday I do believe I was reading till 3 in the morning. Thanks guys.
Season 1 finale, or whatever I can figure out with my records of the watch along chat, at least. WAHOO.
[EDIT: I'm back at the intro after finishing this post, and I realised this is a very long summary, because most of it is me yelling at you guys. As I typed it I started reliving my rage of last week. Read on if you dare, yes the post is long, and yes the second half is in all caps. THIS TOOK EMOTION. YOU GUYS BETTER REBLOG IT INSTEAD OF LIKING IT SILENTLY WHILE LAUGHING AT MY PAIN. I WANT MY RAGE EVERYWHERE ON TUMBLR.]
Someone puts a message about how Crowley can no longer sense Aziraphale's presence, and again for some reason covers it with black. My reaction is of course horrified, and then everyone tells me to STOP CLICKING THE SPOILERS, ASMI.
So that's what that was. I realise this out loud, and everyone is ready to cry with exasperation. I explain to them very reasonably that while I don't read every message on the watch-along chat, every time there is a black message I assume it's important and I click on all of them to reveal the text.
Realising the spoiler function has backfired, as most things do with me, the chat sighs and everyone goes for a break. Then someone puts another blacked out message about the bookshop, and I react to that, leading to another blacked out message which simply says STOP CLICKING THE BLACK.
Oops, I already forgot. THE SPOILERS ARE JUST TOO CLICKY. CLICK CLICK CLICK. I HAVE TO CLICK ALL OF THEM.
Someone says I forgive you, Asmi. I reply with Don't bother, which leads to tears and threats to stab me. The chat maggots give up and we start episode 6.
There is a random flashforward. I don't understand what is happening, but then again, I never do.
Back at the airfield. Crowley walks in, recognises their hubby instantly, and takes charge sexily. Then the Bentley bursts into flames.
Crowley is heartbroken. No one comforts them. When I point this out (read, YELL IT AT THE CHAT IN DEVASTATION) someone tells me that this is how it always is.
APPARENTLY DAVID WAS TOLD TO THINK ABOUT THE TARDIS EXPLODING IN THAT MOMENT. I HATE THAT I KNOW WHAT THIS MEANS.
Crowley needs all the therapy. Someone says kinder fanfic authors give it to him. LIES, I point out, FIRST THEY GIVE HIM EVEN MORE REASON FOR THERAPY. THEN GIVE HIM THERAPY.
Everyone is yelling about a fanfic called demonology while Adam the Antichrist feels so weird at Aziraphale being inside someone that's not Crowley that he separates them in the First Bigeneration style. Doctor Who is inspired.
Aziraphale like the babygirl he is, tries to girlboss his way through the situation by making Crowley murder the kid.
Pepper FUCKING STABS WAR IN THE NAME OF FEMINISM WITH THE SWORD OF EDEN AND THEN OTHER TWO KIDS END THE OTHER HORSEPERSONS IN THE NAME OF HOMECOOKED MEALS AND ECOFRIENDLINESS AND WHAT THE FUCK THESE KIDS ARE TWELVE WHAT PERCY JACKSON LEVEL OF BADASSERY-
Crowley and Aziraphale give a half-assed attempt at a father-son (gn) talk with the Antichrist as the world is ending. It is a terrible contribution to saving the world. The Antichrist thankfully has inherent common sense, because he wasn't raised by them.
Aziraphale tries to overshare his and Crowley's meetcute and has to be shushed by an embarrassed Crowley who is trying to keep them alive.
Satan is supposed to arrive. I mistakenly assume Gabriel is actually Satan. Which pleases a lot of people.
Gabriel and Beezlebub talk and blame Crowley and Aziraphale (who contributed exactly JACK SHIT to averting the apocalypse).
I kind of ship Gabriel and Beezlebub after seeing them interact for 30 seconds, which for some fucking reason leads to a lot of reactions and yelling. I want them to be together. Which leads to more yelling. PLEASE TELL ME THIS IS NOT ACTUALLY CANON?
Satan arrives. Antichrist disowns him. Through the power of Manifestation, Law of Attraction and Positive Thinking, Adam is now no longer the Antichrist, Satan leaves, none of this happened and the BENTLEY AND BOOKSHOP ARE SAVED.
NO ONE IS FUCKING HUGGING CROWLEY. I'M GOING TO STAB A BITCH.
There is the bus stop scene Crowley asks Aziraphale to move in with him and they hold hands I DON'T FUCKING KNOW BY NOW THE CHAT HAS DESCENDED INTO CHAOS I'VE LOST MY BRAINCELLS.
ICE CREAM DATE AND SUDDEN INVASION AND I'M WATCHING THE ACTING AND I'M LIKE HANG ON A SECOND SOMETHING IS OFF AND I ASK SUDDENLY IF THEY SWITCHED.
THAT'S RIGHT, I ASK IF THEY SWITCHED. I KNEW THERE WAS A SWITCH AND I THOUGHT IT WAS MIDWAY THROUGH SEASON 2. BUT THE SIGNS ARE TOO MANY HERE. EVERYONE IS NOW YELLING AND PEOPLE KEEP IGNORING ME.
ALL THE ACTING IS FLIPPED I'M NOT BLIND YOU FUCKERS. AZIRAPHALE'S FACE IS DOING CROWLEY'S COULDNT-CARE-LESS EXPRESSION AND HE'S QUESTIONING HEAVEN AND CROWLEY'S TALKING HAS LESS CONSONANTS THAN USUAL AND NO CROWLEY SASS MORE AZIRAPHALE SASS IT'S THE SAME BACKGROUND AS THE NOSE-SCRUNCH SCENE AND SURELY THAT WAS AZIRAPHALE RIGHT.
EVERYONE KEEPS TELLING ME TO WAIT AND SEE. I KEEP YELLING THAT THEY MUST HAVE SWITCHED.
SOMEONE SAYS I'M EITHER A MADMAN OR A GENIUS. I TELL THEM I'M BOTH BUT THAT'S NOT THE POINT DID THEY FUCKING SWITCH.
I'M NOW QUESTIONING MYSELF BECAUSE EVERYONE ISN'T LYING BUT THEY'RE MAKING ME QUESTION MY REALITY SO THE CLASSIC GASLIGHT GATEKEEP GIRLBOSSING.
I'M YELLING ABOUT HOW ONLY AZIRAPHALE WOULD BE POLITE ABOUT JACKETS AND SURVIVE HOLY WATER. EVERYONE IS LAUGHING AT ME. I'M NOW 60% SURE I'M WRONG.
PEOPLE KEEP YELLING WAIT AND SEE AND TALKING ABOUT SADIE AND DOTTIE I HATE IT HERE.
CROWLEY IS IN HEAVEN THAT WAS HIS DISMISSIVE LOOK I'M NOW 90% SURE I'M RIGHT. I'M YELLING ABOUT IT.
ADAM LEAVES THE GARDEN IN A METAPHOR AND THEN AZIRAPHALE AND CROWLEY SWITCHED BACK. THEY SWITCHED BACK. I WAS FUCKING RIGHT. I AM LIVID. I AM YELLING.
IT'S VERY EMOTIONAL AND NIGHTINGALES AND THEY TOAST THE WORLD AND I'M VERY EMOTIONAL BUT I'M COPING BY THREATENING MURDER BECAUSE I WAS FUCKING RIGHT.
THE END.
SEE YOU GUYS TODAY AT SEASON 2 I GUESS GAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH.
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