Happy Thursday, my lovelies!!
Just wanted to jump on here and say hellllooooo!
But also, your girl is STRUGGLING to be creative. I’m feel like I’m so behind on everything. I do hope to have something new for you tomorrow though.
For fans of the Sweetest Pain Series, I started a little something today. Little Anna Raven is getting a sibling and for everyone who’s read A Memory from Come in Raven, This is Blackbird, you know that Little Raven is getting a baby brother. We’ll see how she handles it 🤣
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Transitions & Tension
I know we’ve all been praising Mile and Apo for their acting this episode, but I want to jump in and say that what’s impressive isn’t only their execution of immense tonal shifts but the speed and at which they execute these shifts. Their mood changes are seamless rather than choppy and divided. Not only does it make the scenes more entertaining and realistic, but it also makes them feel whole.
Like in this beloved scene:
The shift happens right in this gif. Kinn’s face falls ever so slightly--without saying a word, we’ve already connected the dots about what he’s feeling. It reminds me of Ep6 in a way. This flirtation between them is a break from the real world. Kinn gets caught up in the moment before reality crashes back in. Porsche’s smiling face brings him joy, but everything about their situation is fragile. Porsche is still Kinn’s bodyguard, and he must assume all of the duties that come with that, but Kinn has never really wanted Porsche in this position (and I don’t think he ever really will). In the first few episodes, it was out of obstinance and annoyance with Porsche’s attitude. But oh how the tables have turned by Ep7. Kinn has acted as Porsche’s bodyguard in previous episodes, and it’s all been leading to this realization that the only way for Kinn to guard his heart is for Porsche not to guard his body. It’s an unwinnable situation though, because regardless of Kinn’s authority, Porsche still has to assume his role, no matter how dangerous it is. Kinn failed to free him from it in Ep6, so the only option now is to keep Porsche close and pray for his safety.
Back to my point: the fact that this one scene--this one gif--can bring all of this context to mind shows just how natural and impactful the transition is. The mood flips as Kinn’s expression changes, but that’s all we need to understand the gravity of this moment. They can flirt and play with each other, but there is always this underlying threat to their interactions--the thought that for all they have gone through together, they could be ripped apart in a million different ways.
(We won’t talk about the fact that this scene also uses three different music selections, each with varying tone, to coincide with these transitions. It’s a risky move to use so many selections, but in my opinion, it works. And Jeff’s soaring vocals of “Why don’t you stay?” as they look at each other??? Yeah.)
Let’s not even get started on the newest installment of The Scene™, because that’s got mood changes galore. Rage, frustration, heartbreak, guilt, forgiveness, desperation, lust, love: all in the span of only a few minutes. Mile and Apo have proven themselves to be phenomenal actors on their own, but they have a unique way of communicating with each other through their expressions alone. Their emotions are almost palpable, and they silently interact in a way that heightens these mood transitions effortlessly and realistically.
From a screenwriting and acting perspective, this final scene is risky. It quickly becomes sexual, but this isn’t a hate-sex moment, as it very well could’ve been. Kinn and Porsche are very clearly sexually attracted to one another, but their coming together isn’t initiated solely by lust; as in both of KP’s sex scenes so far, the physical intimacy is inextricably tethered to the emotional intimacy. As @fleet-off mentioned in one of her posts, television doesn’t show emotionally-invested sex scenes very often, but that’s what makes KP’s so poignant. The tonal transition feel seamless at the end of Ep7 (at least in my opinion) because of these emotional layers they have built up so carefully over the course of the last seven episodes. I personally went into the show expecting the feelings to come after the sex, but I have been pleasantly surprised by the added layer of emotion because it makes everything feel not only necessary, but richer. And I think it’s really difficult to portray a relatively graphic sex scene and make it feel as if it really needs to be there.
Anyways, I go into more detail about how cinematographic features like lighting and camera angle play into these mood changes in this post.
As usual, this post became a lot longer than I intended, but my concluding thought is that KinnPorsche manages to handle transitions in a masterful way that I adore very much. 🙂
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love that for all he has this massive interdimensional team, miguel feels desperately isolated in the emotional burden of what he does. men will literally have breakdowns about how they’re supposedly the only one holding it all together and claim all the responsibility for how to approach these issues (probably because that suffering feels like the closest measure to atonement), instead of going to therapy. or like. confiding in literally anybody about this before you start breakdown-blaming a teenager.
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i am gripped by the ankles at the thought of lee seolhwa and kim dokja doing makeup and skincare routines together, and like just exploring her relationship with kim dokja in general. like how he saved her, how he said it was because of yjh, how he carefully makes efforts to separate her (and lee jihye) into yjh centred boundaries, off limits to kdj's deepest affections, and yet look how he readily sacrifices and hurts for her just as easily, also how she drugged him to sleep alongside kimcom
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here's the thing: buck had already begun to understand his worth, even before the coma.
his coma dream wasn't an alternate dimension he travelled to, it was, as coma!bobby said, a dark part of his subconscious. and if buck truly underestimated his worth to others, i think everyone in his dream would be living a fine and dandy life without him. but no, even though daniel was alive, in this world where buck never became a firefighter, maddie was stuck with doug (more permanently, since they had a kid), eddie had lost his son, bobby was dead. deep down, he knows that he's important to them.
but for the first time, he's learning to be important to himself. he's learning that he's not defined by what he can do for others, that what he does for himself matters too.
yes, his family has his back, but now, after this, he's going to have his own too.
i just think that's beautiful.
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the effect of "if you do your job well then you get zero appreciation but if you slip up even a little then you instantly start hearing WHY IS THIS BROKEN" feels like such a common and frequent experience that applies to many different maintenance fields, i'm honestly upset it doesn't have a name. some sort of term to refer to this by. like "maintenance fatigue" or something
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Alh*itham & K*veh relationship analysis (spoilers below)
I said before that Alh*itham holds a level of "resentment" for K*veh, but what I really meant was "contempt." It's the contempt you feel when you're pushed past the point of sympathy and pity. You see someone you care about that's in a bad state, but the thing is that they're ALWAYS in a bad state due to nobody's fault but their own. They go from pitying to pathetic and pitiful.
This line isn't because Alh*itham literally refuses to do good deeds. It's because giving into K*veh's nagging would only serve to enable his guilty conscience. K*veh's guilt is what pushes him to clean and do things. One would think that helping K*veh would help ease his guilt and ease his stress, but all that does is put a bandaid on a gaping wound. What K*veh needs to learn is simply to stop. Learn he doesn't need to clean. He doesn't need to do the errands. He doesn't need to be "good." He doesn't need to give. He doesn't need to DO. He can just BE and that's okay.
But K*veh doesn't learn. He doesn't catch the hint. He doesn't change. Then the thought comes, "Why should I care about someone that doesn't want to get better?" And the next thought, "But unfortunately I DO care, so this whole situation irritates me even more." Alh*itham can ignore K*veh for the most part, but the times he gets too much, Alh*itham's irritation and contempt begins to seep in and he gets more biting.
It confuses me why people pair these two together because they are not what the other person needs. K*veh needs care. He needs love. He needs reassurance. Alh*itham needs independence. He needs low maintenance. He needs stability. As of right now, they only make the other worse.
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