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#the crossing of paris
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The Crossing of Paris was described as follow:
Two guys cross over Paris with suitcases full of illegal pork meat in occupied Paris. Because of a complicated situation, the usual guy didn't have his accomplice and took under his wing the first guy he met, but as the night progresses and they evade french and german forces alike, the usual guy and the viewers start doubting the new guy. Until they're both caught by the germans, and the new guy's secret is revealed, saving his life last minute as the usual guy is taken, plausibly to be shot. Not spoiling you've got to watch it!!!
The Bridge on the River Kwai was described as follow:
A bunch of british soldiers prisonners of the Japanese are forced to build a bridge to help the japanese armies make their way through the river kwai.
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byneddiedingo · 1 year
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Jean Gabin and Bourvil in Four Bags Full aka The Crossing of Paris aka Pig Across Paris (Claude Autant-Lara, 1956)
Cast: Jean Gabin, Bourvil, Louis de Funès, Jeanette Batti, Georgette Anys, Robert Arnoux, Laurence Badie, Jacques Marin, Jean Dunot, MonetteDinay. Screenplay: Jean Aurenche, Pierre Bost, based on a story by Marcel Aymé. Cinematography: Jacques Natteau. Production design: Max Douy. Film editing: Madeleine Gug. Music: René Cloërec. 
Like most movie-lovers whose knowledge of film extends beyond "Hollywood," I was familiar with Jean Gabin, but although I had encountered the name, I didn't know Bourvil, celebrated in France but not so much on this side of the Atlantic. Which made it difficult for me at first to capture the tone and humor of La Traversée de Paris, a film also known as Four Bags Full, The Crossing of Paris, The Trip Across Paris, and Pig Across Paris. Since the film begins with newsreel footage of German troops occupying Paris in 1942, it strikes a more serious tone than it eventually takes. Marcel Martin (Bourvil) is a black market smuggler tasked with carrying meat from a pig that's slaughtered at the beginning of the movie while he plays loud music on an accordion to cover its squeals. He's responsible for transporting two suitcases filled with pork across the city to Montmartre, but when the other smuggler fails to show up, he has to accept the aid of a stranger, Grandgil (Gabin), who agrees to carry the other two valises. Grandgil, however, wants the butcher, Jambier (Louis de Funès), to pay much more than the originally agreed-upon amount for his services, and blackmails him into accepting, to the consternation of Martin. The task is perilous, given the vigilance of the French police and the German occupying troops, so the film wavers between thriller and comedy -- the latter particularly when some stray dogs pick up the scent of what's in the suitcases. It ends up being a fascinating tale of the odd-couple relationship between Grandgil and Martin, as well as a picture of what Parisians went through during the occupation. It was controversial when it was released because it takes a warts-and-all look at black-marketeers and the Résistance, downplaying the heroism without denying the genuine risks they took. Eventually, Grandgil and Martin are caught by the Germans, but Grandgil is released because the officer in charge recognizes him as a famous artist. Martin is sent to prison, but the two are reunited after the war when Grandgil recognizes him at a train station as the porter carrying his luggage -- a rather obvious, and somewhat sour, bit of irony.
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demigods-posts · 2 months
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sometimes. i just have to remind myself that percy took annabeth to paris. like, canonically. he forgot their one-month anniversary. and took his girl to paris to make up for it. the standards are in elysium.
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queen-boudicca · 4 months
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fedrrri · 8 months
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Journal de Paris II
Sguardo verso il cielo
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mccardswife · 2 months
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READY TO TAKE ON PARIS🇫🇷
paris2024 here we come!
💚💛💚💛
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council-of-beetroot · 2 months
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Thinking about the impacts of Feliks' complicated gender identity because even if he feels himself beyond that, he is still human and he is still subjected to the judgment of others both nations and his own people.
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magguy-crossdresser · 5 months
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Samedi 25 Novembre 2023
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Une photo de moi ( Magguy Crossdresser ) / me
C’est un essai de résille rouge, sous corset cuir, et par dessus une catsuit noire…
Pour le moment je reste dans l’anonymat… peut-être qu’un jour j’en sortirai… 🤞🏼
Magguy Crossdresser
💋
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juneviews · 2 months
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lmaooooo me & my mom are literally trying to find out how long off is staying in paris & which hotel he's in so she can go wait for him on saturday 😆😭 atp she's more invested than I am 😆😆😆
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Les passagers de la nuit (Mikhaël Hers, 2022)
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grandtyphoonpoetry · 6 months
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THE FIRST SEASON OF OUTER BANKS IS JUST ROMEO AND JULIET
Sarah and John B's love draws people in because people love the idea of star-crossed lovers in any form of media. Because we're fascinated by love and tragedy intertwined, and even more fascinated by people trying to overcome all odds to find happiness, even when it's not in the stars for them. Which is exactly why so many people are drawn to the story of Romeo and Juliet. (or maybe its just leonardo dicaprio) And at first star-crossed love is all they have in common. But if the Kooks are Capulets, and the Pogues are Montagues then all the characters start to fall into place.
The Kooks/Capulets:
Sarah = Juliet The leading woman. Both are young and beautiful and naive on their ideas of what love is and what it should be, both get drawn into a whole different world when they meet their lover, and both are willing to risk everything, including their family to stay with them.
Rafe = Tybalt The violent relative. In Rafe's case it's a brother, and in Tybalts case its a cousin, but in both cases they'll do anything for their family honor and their own honor, including hurting and killing people who aren't even involved with their fight just because they can.
Topper = Paris The jealous ex-lover. The person who was to be with The Leading Woman from the start, and despite a bad attitude about their scorned(or lost) love doesn't grow violent till it all starts coming to an end and they get defensive of the woman they loved, and even then they're still able to make amends.
Weezie = The Nurse The nosy close friend of The Leading Woman. They are more different from each other than many of the other characters. But both are the closest female friend The Leading Woman has, are incredibly nosy, and don't particularly care who she ends up with as long as there is a little drama.
Ward = Capulet The Kook/Capulet patriarch. They're both an enemy of The Leading Man's family, both family oriented towards their own family but in an unhealthy way. Successful and commanding of respect, but liable to fly into a rage when things don't go their way.
Rose = Lady Capulet The ineffective mother. Neither of these characters are well connected to their families despite any efforts they put forward. Both are young and inexperienced.
The Pogues/Montagues:
John B = Romeo The leading man. Impulsive and immature but also, idealistic and passionate, aware of the fight going on, but not at all interested in it. Both affectionate and devoted to their friends. Both are absolutely captivated by their new love and do everything they can for them to stay together.
Pope = Benvolio The peaceful friend. They spend a lot of their time throughout the story trying to keep the peace between their friends and other violent characters. Level headed and thoughtful, they try to diffuse a lot of violence especially in public places.
Kiara = Benvolio/Mercutio The friend with a foot in both worlds. As Mercutio is a relative of the duke and doesn't even have a reason to be involved in the rivalry, Kiara is technically a Kook and doesn't need to be involved in the rivalry either. She's sarcastic and salty like Mercutio, but also pragmatic, sensitive and an advocate for peace like Benvolio. (She could also be translated as Rosaline, Romeo's love at the beginning of the play, but I feel like Kiara is too important to be brought down to just that character.)
JJ = Mercutio The reckless friend. Hotheaded and chaotic, they spend a good amount of time getting into fights or encouraging others to do so. They're both imaginative with a strange sense of humor, and wildly loyal. They're both implied to be more sexually active than their friends and flirt with anything that moves.
Both Montague and Lady Montague are far less involved in the story line than the heads of the Capulet family which could be translated as John B's parents being out of the picture.
Other Characters:
Peterkin/the police department = Prince Escalus Law enforcement. They want to help and attempt to maintain the peace at all costs, but are too uninvolved and oblivious of what is actually going on to actually play an important part in the situation.
Nobody = Friar Laurence Everything the friar does for the story comes from somebody else in Outer Banks. Escape plans, support, soothing words, and even legally marrying two people, all come from separate characters.
The details of how the story goes down are obviously changed up, but key elements are the same. Romeo and Juliet fall in love, and in an unrealistically fast amount of time are willing to do anything for each other. Romeo's friends notice a difference in his behavior. Mercutio takes a hypothetical bullet for a friend and takes their place in a fight that isn't his. (JJ saying it was him, and not Pope that sunk the boat.) Because of this Tybalt is ultimately a huge part of Mercutios downfall (emotionally and physically or fatally)( and Benvolio is there for Mercutio in those moments when Romeo isn't!!!!) Romeo is accused of a death that wasn't (entirely) his fault and has to go on the run from the law. Juliet dies. (disappears) Paris and Romeo fight. Paris and Romeo are tolerably respectful of each other in their very last moments with each other. A plot is hatched for Romeo and Juliet so that they can still be together. (In John B and Sarah's case they plan it together) The plan goes wrong. They decide they would rather die than be without each other. (Sarah literally says the words, "I would rather die than be without you") They hold each other as they die. (Or are presumed dead)
By the end of the season it's made clear that a social divide is never going to come to anything good. It's about young people who are torn apart by their families or cultures or things that were decided far before they were born or far before they could have any say in it and how they're stronger after realized that what they are fighting is not each other. Despite being a cliche, love overcomes all things and kids are smarter than they seem. The only major differences are that in Romeo and Juliet, the death is permanent and far more tragic, and the reaction that is had by their family and their people is that of overcoming their differences. They overcome their differences for their children and because they realize that it was their fault Romeo and Juliet were driven to this. Love prevails. Whereas in Outer Banks, they eventually come back (yay) and a lot of the people who drove them away were corrupt and didn't care, or change. I like to think that was a plot choice, for the sake of an ongoing story and that love prevails eventually.
Anyways, if you got this far thanks for entertaining my rants, sometimes i like to hyper-analyse every single thing, there were a lot more things that i did not add because it is obscenely long now
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cemeterywanderings · 19 days
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Cimetiére de Montmartre, Paris, France Photographed by Christophe Maîtrejean
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fabseg-reader · 12 days
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Miraculous fanart: Emerald Queen Plagg (Full Body)
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I've made a new draft of Queen Plagg again. Or I must call him now: Emerald Queen Plagg.
The draft takes the form of a Vogue magazine.
Translation: Plagg a model from elsewhere Adrien Agreste leaves the business A création Gabriel M.D.C. in duet with Kagami The Emerald Queen
The post hasn't any commercial sponsor.
This time, I've designed the kwami of Destruction in full body (their humanoid form).
It happens in an AU: Plagg has found a new hobby (in same level as eating cheeses): Wearing fashion clothes.
In this AU, Plagg is interested by the fashion mode. The kwami becomes a top model. He participates to Fashion contests and events.
Plagg becomes popular in the Mode. That's why everybody calls the top-model: The Emerald Queen.
In the Vogue cover, he wears his famous emerald-dark grey dress (and he likes this dress).
Bonus: No title/No text version
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The Emerald Queen Plagg posts here
Adrien and Emerald Queen Plagg
Queer Plagg
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look-at-my-dresses · 1 year
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Versace, automne hiver 1997
Exposition Fashion Big Bang au Palais Galiera, musée de la mode de la ville de Paris
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the-expatriate · 5 months
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((FESTIVE PARI FUCK YEAH))
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Great Sand Dunes National Park and Preserve, Colorado. Pyramid-shaped Star Dune and the jagged Crestone Peaks above it are covered in snow, with pink sunset light illuminating the high points. Photo: Patrick Myers/National Park Service (2023) :: [Robert Scott Horton]
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Metaphors are not how we define territories; they are how we travel across thresholds between categories. They are bridges across difference. Through them, we connect the abstract and the concrete, the small and the large, the live and the inanimate, the human and the nonhuman. Sometimes the metaphors are built so deeply into language we hardly notice the bodily anatomy that gives mountains foothills, rivers headwaters and mouths (curiously, at opposite ends), needles eyes, vases necks, chairs arms, and tables legs. We think through our bodies, and that includes seeing bodies elsewhere, making bodies the terms of understanding how animate and inanimate, tiny and huge objects and systems work. Both needles and storms have eyes. Metaphor is the process of relating things that are alike in some fashion, to some degree, and the literal-minded object on the grounds of those differences while the metaphorically minded understand the limits of similarity. 
['Crossing Over' by Rebecca Solnit] Paris Review
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