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#that scene is why the movie is better than the comic
cobbleztone · 13 days
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Me reading Under The Red Hood when Bruce throws a battarang into Jason's neck:
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demilypyro · 5 months
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So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.
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What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.
She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.
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The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.
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Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.
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The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.
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What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.
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Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.
It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.
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d10nsaint · 10 months
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☆…ready for it? | Miguel O’Hara x black cat! reader
≡☆tags: fem reader, Miggy being sus, Comic stuff goin on but movie Miguel, yk, the norm
≡☆ a/n: I hate Taylor swift but my friend shoved this song down my throat so here I am
≡☆ Leon Kennedy ver ! (coming soon)
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The moment that you saw Miguel, you knew something was wrong.
His hand was borderline hot, His eyes were protected by red glasses, and if you squinted, you could see how his eyes were…red. They were practically glowing, and if you stared for a moment longer, you were sure you’d become captured in them.
He opened his mouth a little too wide, and then thats when you were sure. You saw the fangs, sharp and unintentionally seductive.
When you asked around about him, all you found was that he was, essentially, a ghost. When you talked to his brother, he had nothing good to say about him—something about Miguel cheating on his ex and taking his girlfriend. Nothing special.
and if you thought he was the only one with suspicions, you were most definitely wrong.
He knew you were snooping. ‘seems as if he’d slipped up and you saw too much’, he concluded. But there was something about you that was off.How were you able to find so much so efficiently?
But that was the least of his worries.
There’d been a spike in burglaries in Nueva York, and as Spiderman, he had to be the one to fix it. But there was something off about them. The only targets seemed to be rich dickheads—Hell, the person had even stolen from Tyler Stone.
And as soon as you appeared, the robbing started. Of course he was suspicious of you.
Standing atop the rooftop of a building, he catches his breath. Swinging around was really a workout.
“Hiya, Miggy.”
His body tensed up before stiffily turning around and looking at you. A female figure clad in black with white fur, along nothing but a small mask covering your eyes. She was familiar.
“Who are you?”
“You aren’t denying it, Miggy?” You tilted your head to the side and giggled. The name really didnt suit him, but it was better than calling him Mike.
“Stop calling me that.”
“Sorry, I just thought we were close.Although you haven’t talked to me that much…”
“I dont like repeating myself.”
“Well, it wouldn’t be fair if i knew who you were and you didnt know who i was, would it?” You stepped closer to him and traced stars onto his Spider suit. The feeling of your long nails pressed against him left goosebumps on his skin, but he lowered his guard. If you planned to hurt him, you would’ve already.
“Don’t i look familiar? If you don’t know me already, im hurt. I thought I made a good first impression.” Your hand grabbed his and you smiled, recreating the scene from when you first met him.
“The newbie?”
“Hey, not nice.” You let go of his hand and crossed your arms, pouting your lips.
“Why are you doing this?” He leaned back onto the rail, back facing the people down below. Broad shoulders cast a shadow over you, swallowing you in the darkness of his figure. Even though his mask was on, you could make out his expression; A raised eyebrow, with a frown.
“I could ask you the same, Miguel. If you can be a ghost, why can’t I be a phantom?” You tilted your head and smiled, stepping away from him. You moved and stood near the ledge, looking down at the people beneath you, scanning the area.
His eye twitched under his suit as he tried to stop himself from letting out a sigh. Who the hell did you think you were? Strutting around and stealing from people that could kill you. You stole from your boss. The biggest question was, ‘How the hell do you get away with it?’
Before he could turn around and say anything, you spoke first.
“Sorry to cut this short, darling, but I think I should get going.” You stood on the ledge, ready to jump.
“See you around.”
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tagging (I dont have a taglist, but you guys seemed to like Black cat! reader!!) : @monoeve @rubyredish
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gffa · 1 year
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There’s a thing in Star Wars where installations of the canon tend to fall into one of three categories:
Foundational canon that everything else revolves around
Supportive canon that helps reinforce the structure of the foundation
Connective tissue and knick-knack collections
The movies are the foundation, the TV shows are generally supportive canon, and the novels/comics/games are the connective tissue and window dressing.  And I’m frustrated that I don’t think The Mandalorian knows what it wants to be, because I don’t think Star Wars has any good foundational canon since the prequels movies. The sequels are technically foundational canon, other books and comics refer to them as the unmovable points in history in this world, it was what established where the supportive stories are going, etc.  The problem is that they were so unfocused and actively eschewed worldbuilding that the supportive shows and connective tissue are left to do the heavy lifting and that puts The Mandalorian in a bad place. Because I think it should be allowed to be supportive canon, it should allowed to be like Rebels or The Clone Wars, which were supporting the strong foundations of the movies and thus absolutely flourished, which were stories that knew what themes they wanted to tell, they set the structure of the worlds they lived in, and so the animated shows could build up from there.  The Mandalorian flounders for me because it’s Disney+’s flagship show, so everything else gets spun off from it (except Obi-Wan Kenobi and Andor, which is probably why I liked those shows so much better, because they were coming off much stronger foundations), and thus treated like it’s foundational canon. But it’s not.  This episode really struck that for me all over again, because we don’t even see Moff Gideon’s escape, that should be a crucial moment in the story that we should see instead of it happening off-screen!  In the past, we barely even see the destruction of Mandalore, a key moment in the show that they’re building!  Whether this is Din and Grogu’s story of the story of Mandalore as a whole, we’re seeing a smaller scale story than what we should if this is going to be the flagship foundational story. “Yeah, but The Mandalorian isn’t meant to be a foundational canon, it’s about a dude traveling around with his Foundling and figuring out life on the way.”  Agreed, it should be allowed to be supportive canon, but because the sequels did almost no establishing of the galaxy’s setting, now the supportive shows have to do it, which means we have to get multiple episodes that do the work of establishing what’s going on with the New Republic that have little to do with Din or Grogu’s story. The problem is further exacerbated by how those scenes are genuinely good!  Those tend to be the scenes that I focus on the most, like I loved seeing everything happening with Pershing on Coruscant, but the problem is that it contributed to this feeling that The Mandalorian was telling a foundational story, because those scenes had nothing to do with our main characters’ journey, they were establishing the bigger world that’s not really directly related to our characters.  To be fair, I might feel differently if the show had spread those scenes out better, kept them as side info more than stopping the entire show to go into them--like this episode balanced it well, Teva’s trip to Coruscant worked for me!  And last episode’s flashbacks were perfectly relevant to Grogu’s story and his emotional journey, I have no problem with seeing Coruscant and the Jedi Temple again in that context! But the question looms in my mind with every episode:  What is this show about?  Is it about trying to be an anthology series that tells little stories from all across the time period in this era?  Is it about the bigger story of Mandalore?  Is is about a more back alley level story about a single Mandalorian and the journey he and his Foundling go on? I don’t think The Mandalorian itself knows.  Or else it can’t help straying from what it should be--supportive canon too often either trying to establish too much or get away with focusing on something too small despite the extremely limited run time because it thinks this detour is Rule of Cool--and so it’s not really even about anything, other than being about cameos. I don’t see that changing, either, because those cameos are fun.  They’re amazingly cool to get sneak peaks of what those characters are up to, they’re lighting the internet on fire with getting to see these things in live action, I am absolutely going to continue screaming about these same things myself!  It’s fun!  And Star Wars should be fun! But I think it ultimately means that, once the fun is done, that I’m not sure The Mandalorian is a strong story.  It’s a very cool story and extremely fun, but I don’t think it can carry a franchise like the originals or the prequels did and that it shouldn’t have to, but it’s dipping into those waters (sometimes by choice, sometimes by force, I suspect) and then trying to dip back out of them, and it’s just.  The story of the fall of the Republic had its story directly told, you know?  The story of destroying the Empire had its story directly told, you know?  That hasn’t happened for Mandalore, its spread out in too many pieces and half of it isn’t even directly shown to us.  The sequels refused to tell the story of the New Republic, so that onus is put on The Mandalorian and it shouldn’t be, and I wish the show could be allowed to pick a lane and stick to it.
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leavemebetosleep · 18 days
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do you have any good fluttercord fic recs?
OH BOY DO I. In no particular order (except of when I thought of them):
1: Non-Entity by Captain Wuzz: An AU in which, instead of being turned to stone, Discord was shot in the head with a magic arrow that takes away his sentience and magic for a 1,000 years. Fluttershy mistakes him for a wounded animal and brings him home. I loved it so much.
2: Chaotic Neutral by C-Puff: The magic is starting to fade from Equestria, and the Main 6 and Discord go on an adventure to find out why, and reverse it. A bit of AU, in the sense it was written before the show was done, so it diverts in some places because of that. Super sweet, and I love the character development here.
3: Time is Taller than Space is Wide by Dott. Can also be read on Ao3 if you prefer. Soulmate AU (?) fic with a Groundhog Day style twist. I rarely see fics play with the idea of what if Fluttershy and Discord's friendship had started when they first met, so this is fun.
4 & 5: Blank and it's sequel Reconnection by @geekcat. Can also be read on fanfic.net. AU in which, before Discord can choose friendship over ruling Equestria, Twilight remembers a "reformation" spell. He is stripped of his free will, and Fluttershy does her best to bring him back. If you don't like the idea of Twilight being a villain, you might not like this one, but I think her villain arc in this is done in a perfect way for her character. It's super heart wrenching in many places, but in a good way.
6: Our Fair Lady of the Chaos Lord, also by GeekCat Can also be read on fanfic.net. Fairy tale inspired AU in which Fluttershy is a princess who's father is pressuring her to marry noble knight Sir Big Mac. Wanting to be sure he's a good person, she makes a deal with the Chaos Lord, letting herself be "kidnapped" so she can test his character. You can guess who she falls for instead. Honestly I've enjoyed all of GeekCat's fics, so they're getting an extra mention. Check out the rest of their fluttercord fics if you like any of these.
7: The Draconequus with the Dragon Tattoo by A M Shark This is a major case of, strange premise, kick ass results. Basically an AU based off Girl with the Dragon Tattoo by Steig Larsson, with Discord as Lisbeth, and Fluttershy as an amalgamation of Mikael and several other characters, but focusing more on the murder mystery aspect of that book, and less on the...everything else. If you're familiar with GwtDT, don't worry, there's no rape scenes. Again, it's more about the murder mystery part. If you're not familiar with GwtDT, then don't worry again, because you don't need to know the original to enjoy it. It's just Discord and Fluttershy playing detective and solving a murder together. It has two sequels, but I haven't read them yet, and it didn't feel right to rec something I haven't read.
8: The Corpse Bride by Bad Horse. Dark fic. No relation to the Burton movie. Fluttershy dies in a tragic accident, and Discord brings her back from the dead as his zombie wife. Her friends (sans Pinkie) are horrified. Has a fantastic twist ending. If you like some of the darker stuff, def worth a read.
Bonus: Comic rec: The Last Adventure by Eveeka. Taking place after the final defeat of Tirek, Cozy, and Chrysalis, Discord gets into a depressive funk after shouldering the hatred from Ponyville citizens for his latest actions, but also because his friends seem to never be available anymore. He starts to think maybe Equestria would be better off without him, as he can't seem to exist with out making everyone miserable, and decides to hide away in the Everfree forest. Fluttershy, worried when he doesn't show up for tea, asks her friends for help, only to discover there's a monster running lose there he and the rest of Equestria might be in danger from. This fic has two endings, so keep reading even when it seems like it's over. You've got one more ending left. This one nearly made me cry.
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stryshttu · 9 months
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the scriddler nation doesn't appreciate Riddler 2022 as I do so I'm here to make you love him
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He's one of the best interpretations of Riddler and here is WHY.
“he's a desyassified version,” “he doesn't wear expensive suits full of question marks,” “that suit was boring” NO!!!!! IT WAS THE PERFECT SUIT FOR HIM TO START!!! He literally comes from the lowest point, and he talks about how the men in power and corruption keep the low income/poor people at the bottom. Ofc he can't afford those shiny beautiful suits because he doesn't have money for it. Also the military suit was GREAT. He paint it and designed his own symbol which is amazing, a gun sight with a "?" in the center.
Also, he fights againts corruption and classism? 😭 Why would ppl hate that? He fights for the people that were forgotten like him.
“it's not the same story of his father and blah blah blah” ok, they changed his origin story A LOT, and I can get why you get mad at it. I also get mad when I am used to the southern granny Scarecrow story and ppl change it to the story of his father experimenting of him- BUT regarding the Riddler's origin story, it is so so great. Eddie HATES LIES AS WELL, HATES CHEATING, because ppl used to tell him that he could have a better future, and gave him fake hopes. He just wanted an opportunity to be better and when that promise of renewal broke, he broke, too.
He grew wanting to please everyone, be a good boy for the nuns and the other children at the orphanage, even if he didnt agree in somethings or if it was difficult for him to act "normal" (masking his autism- we will talk about that soon), but NOBODY thanked or pleased him. As he got older, he still followed orders from his corrupt boss and the goverment. But what did they do for him? NOTHING. And when he does something for himself ppl tag him as self-centered.
He became the Riddler for the others that also needed help, not only because of him, and ppl still think he's selfish.
He's implied to be autistic (you can notice this more in the comics of Riddler: Year One by Paul Dano), he is non-verbal since kid (canon), as an adult ppl say he doesn't talk and call him weird. He doesn't know how to interact with people in a "normal" way. He also seems to vocally stim with riddles and weird silly noises that you can hear in the movie.
The catholic guilt content? PLEASEEEE. We need to take advantage of that. He even did a catholic reference riddle!!! (That one of the sins of the father)
We can also see that topic of him dont knowing if he's insane or not, (or denying being it). He knows his situation is not good, and HE TRIES to be better, listening to podcast about mindfulness and stay positive- but at the end, everything gets worse to him. He's very smart and is afraid that his biggest and greatest thing about himself (his mind) is also the worst thing and can turn againts himself because of a mental illness. We saw it in the movie when Batman calls him "sick and twisted, etc etc," and he has a mental breakdown. Yes, that scene is DEEPER than you think. His mother died in Arkham when he was in the orphanage as a kid, now imagine that the guy you always admired says to you, “you're gonna die alone at Arkham” just like his mother did and no one cared. He doesn't want that, he wants to be remembered. He doesn't want to end up like his mother- alone and mentally ill.
He makes funny jokes in the movie! He's so goofy!!!!
AND CAN WE TALK ABOUT HIM BEING A BIG BOY?!!!! CHUBBY RIDDLER SUPREMACY!!!!!
And please he has the same bad habits as Arkhamverse Riddler, you cannot hate this version of him if you love Arkham Knight Riddler. He doesn't sleep well because he plays the DETECTIVE role (YES! HE ALSO GOES THERE AND INVESTIGATES- or else how tf would he have evidence of all the corruption and know all that information?) and claims that Einstein only took naps. He doesnt eat well. His lastname is Nashton (a reminder that is canon that Arkhamverse Riddler had the same lastname before changing it to Nygma). And in this page called "nigma. org" is well known and ppl call him a genius, which suggests that we will soon see how he calls himself E. Nygma.
And yes, he is also a little bastard insufferable, and if you dont think so, then I guess we didnt watch the same movie.
THERE'S SO MUCH MORE OF HIM BEING ONE OF THE BEST ONES!!! but i'll end it up here, thank you for your attention.
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duchezss · 8 months
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All my favorite moments in blue beetle: a very long and silly list because this is my new fav movie ever (latinos on top fr)
The fact that the entire movie is low key a representation of how lost people can feel after they finish college and don't know what to do with their life.
How celebrated it is that Jaime is a first gen college student
As much as I loved him being from el paso, I love that he now gets his own city that it still deeply rooted in latino culture
How despite the fact that everything is going bad for the family, Jaime still tries to keep moral up and be positive
Jaime stands up for Jenny without thinking
How his persistence is what ends him landing up with the scarab, and subsequently keeping it out of victorias hands
Am I allowed to say his entire family? The scene where they're all pushing him to open to the box was so funny. Their dynamic felt so real, and it makes even more sense because apparently any time they were bickering it was improv.
How well the movie handled micro-aggressions against latinos. Like the receptionist didn't even attempt Jaime name, and how Victoria would never get her scientist's name right. They are subtle, but very real problems.
Maybe this was just me, but from the trailers I thought Jenny and Jaime already new each other, but I liked that they just met. It made their story more interesting.
The body horror route they decided to take with the suit was so cool.
The suit in general. I missed practical suits so much, and it just looked so amazing.
Another thing, that has already been talked about a lot but idc, is that I still am so in love that his family knows from the get go. Of course it wasn't really his choice, but I love how there is never any big secret, and they are constantly in the picture.
I know the Khaji-Da doesn't have as much personality compared to the comics, but the whole sequence where Jaime first gets the suit was so funny.
Notoriously in the comics the beetles were sent out to worlds to be the harbingers for their creator species to invade said world. I loved the small detail in the intro of the blue beetle crashing into the green beetle and then having a flash of electricity. I wonder if that was to hint at a malfunction, since the Khaji-Da never goes to evil with Jaime.
I love Rudy's truck. It's stupid but that's why it's so good.
The whole family debrief was was funnier than it should've been, and the beetle on Jaime spine looked wicked as well.
I thought it was interesting how much of a presence Ted Kord had on the movie, mainly because. of Jenny, but it was still there.
Every. Single. Latino. Reference. I could barely keep up there were so many good ones omg, the details were amazing.
For Jenny being an original character I thought she was done very well
I love how Rudy was useful and basically got them into kord industries.
I love the way we only see Jaime eyes in the suit. It's a different approach to what we've seen with masked heroes so far and I love it
How much they talked about the first two blue beetles, I thought adding that context made it better
They made it very evident how lonely Jenny feels, and I think her small emotional moments really paid off in the end.
I love how Jaime was so openly affectionate with both Rudy and his father, it's something uncommon with men in latino cultures and I loved seeing it.
The entire sequence where Jaime's house was being raided was so uncomfortable. And it was in moments like this were I thought Soto did a great job of weaving real world problems latinos face within a superhero movie.
The moment when Jaime's father had a heart attack, and Jaime was being dragged away, and his sister was screaming was just so heartbreaking and powerful. All of them were hurting so much.
I loved how active his family was, and how all of them immediately went to go rescue him.
Side note: the bug ship looked so cool and goofy and I loved it so much
How Jose was actually very curious about Jaime's connection to the beetle, but Victoria didn't care
The whole dream scene with Jaime and his father. I thought it perfectly mirrored their conversation from the beginning of the movie, and I thought it was incredibly moving. Not to mention I loved the detail of Jaime wearing the last outfit he saw his father in.
I loved that Jaime saved himself, but that his family greatly aided him. I thought it was a great metaphor for the fact that you can do things on your own, but having support can really make the difference
I thought it was so funny that Jaime absolutely refused to kill, and his family members did it was a smile on their face lmaoo.
I know it's cheesy, but I always love it in superhero movies when the main character finally accepts their destiny and it was a very cool moment for Jaime too. But I will say I think they did it with an interesting approach. For most superhero movies the big moment is the superhero finally deciding to go out of their way and fight the big bad, but in this movie he just finally fights what's right in front of him.
How once Jaime accepted himself as the Blue Beetle, Khaji-Da started speaking to him in spanish and adopted his ideologies, further proving their relationship is a two way street.
I loved that Khaji-Da stopped Jaime from killing Carapax, because he was justifiable angry, but he would've regretted it at some point
The low key plot twist of the locket Carapax had not being his wife and child, but being him and his mother. That was genius tbh.
I loved that Jaime had the iconic 2000s superhero half masked fight. This movie felt so 2000's but in the best way possible.
How the entire final act was circling back to the point of loving his family making him weak, but throughout everything we've seen, it's clearly the opposite.
I liked how once Jaime bonded with Khaji his mask would come on and off on command.
How Jaime started wearing his father's necklace in the ending :(
I loved the entire score so much, the synth wave vibe they decided to take was fantastic. I also love how iconic and recognizable they made blue beetle's main theme. Like the bum bum bummm that kept showing up was so good.
I really loved how they aged Jaime up to 22 as a newly college grad. I feel like superheros are always either 16 or 40 and there's never any in between, so it was nice to see.
And for my last point to a very long list: I loved that in the end Carapax helped Jaime and Jenny. Because the real villain was Victoria making them fight each other, and in my opinion that was such a powerful metaphor for latinos and any pocs
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dgaftilwedie · 5 months
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SCOTT PILGRIM TAKES OFF WAS FUCKING NUTS AND I WANNA BE ANNOYING N TALK ABT IT BC I LOVE SCOTT PILGRIM SO MUCH!!!!!!!!
SPOILERS UNDER THE CUT OBVS XD
OKAY SO??? THE FACT THAT THEY LITERALLY SET UP THE FIRST EPISODE LIKE IT WAS GONNA BE JUST LIKE THE COMICS N THEN SCOTT "DIED"????? literally had me questioning fucking EVERYTHING i was watching that episode with the most quizzical look on my face?? also the fucking funeral scene was hysterical bc the way rammy n knives were abt to have a verbal face-off n envy's bitchass shows up n steals the whole show?? i have such a love-hate relationship with her.............
also lucas lee is fucking adorable and i love him :33 rammy becoming friends with roxie n making up with her after everything was something i really needed to see. cuz like for as much as i loved the movie n the comics, i feel like they could've done their relationship so much better. like seeing ramona take responsibility for hurting roxie made me so happy and im so glad they got a redemption arc.
ROXIE IS LITERALLY ME BTW??? her whole interaction with ramona n kim at the end kf the episodr was so silly N THE LEG LOCK HELLO????? also the way she walked off singing the HAMSTER DANXE SONG I LOCE HER
the toddlace thing was also so unexpected but holy shit?? i loved it. bi todd has been my fav headcanon for YEARSSSS and seeing jt happen right in front of my eyes?? WATCHING THAT EPISODE WAS SUCH A TRIP THO I CAN'T STOP QUOTING WALLACE'S "LINES? TRAILER?" BITS BC THEY'RE SO FUNNY
uhmmmmm what elseeeee OH YEAH young neil is a fucking goof n i love him, i really like that gideon (gordon ig 🙄) became like this not evil guy who just lived with julie n kicked it with lucas. the old scott stuff kinds fricked with me but i think it's cool that he became chill with the twins
LMFAOAO THAT SCENE AT THE END WHERE SCOTT'S TRTING TK FIGJRE OIT WHY HE CAN'T KISS RAMONA N HE TRIES TO FIGHT THE TWINS AND THEY'RE LIKE "our robot says we become bros in the future, so we have no intention of fighting you. see ya bro ;)" WAS SO SILLY
obligatory matt mention i love him he's so dumb i love that he took over gideon's entire empire only to turn around and change his mind :3 glad he got his broadway moment....... silly pirate headass
knives n stephen becoming the best brother/sister duo ever was so dope bc like. knives had someone to look up to n make music with n they had a lot of chemistry both personality wise n musically wise
my only critique is that i wanted more lisa ;^; i know she probably would've been out of place but it would've been cool if kim mentioned her to ramona and ramona interviewed her just like she did with her exes yknow :P she was one of my fav characters in the comics n she wasn't in the movie AT ALL so i was hoping she would've appeared in the anime, but alas 😞😞 i also kinda wanted to see where kim's love life went...... i know she's not the focus but she had undeniable chemistry with knives and that moment with roxie... i love that she's totally very queer and open to the idea of experimenting with girls n i wish that would've been expanded upon like how todd n wallace had their moment :33
other than that, i LOVED the anime. i love how we got baited into thinking it was just like the comics and i love what was done with it :3 it was such a goofy show and a lot of it was so jaw-droppingly surprising that i couldn't believe it, but it also had some really sweet, serious, n heart-warming moments which is something i really appreciate in a show :33 it's hard to keep watching something for so long but i binged the show in one day xD i'd give it a solid 9/10 (deducting points just for the sake of what i think was missing and how i don't recommend it for like "beginner" fans)
oki rant concluded!!!!!!! ^___^ there's so much more i wanna say but this is already sooooooo long as it is xD
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avelera · 11 months
Text
Some slightly more coherent thoughts about Spider-Man: Across the Spider-Verse (ATSV) now that I've had a little time to process and long to return to the theater to see it again and again and again:
1 ) Go see it. Holy shit, go see it. Re-watch Spider-Man: Into the Spider-Verse (ITSV) before you go if you have the chance but you don't have to, they recap it well enough and I promise anyway, the first thing you're gonna do when you get home after is turn ITSV on and then scream a bunch because it is all so tightly connected from the very beginning.
2 ) ITSV is a masterpiece. ATSV is more of a masterpiece in the same way that 11 is bigger than 10. They took everything in ITSV, which is a perfect 10/10 and made it 11/10 for this film. I shit you not. It cannot be otherwise expressed with words. Everything is just bigger, faster, bolder, more.
Ok, now getting into some of the more spoiler-y thoughts:
3 ) Loved me those themes of connection and loneliness. When you go back to ITSV, you see it's right there from the start. All of the version of Spider-Man are lonely. They are tired. They're isolated and unsupported and they are all suffering. Miles makes their lives better. They make Miles' life better. This becomes such a huge, huge theme in ATSV as Miles literally breaks the canon, he is the ultimate fix-it fanfic character, every Spider-Man he interacts with gets some element of their tragic backstory fixed. Peter B. reunites with MJ and has a child that brings joy back into his life. Gwen gets a friend again. Pavitr doesn't have to watch his girlfriend's father die. They are no longer doomed by the narrative.
4) Another post commented on how tired Peni looks when we finally see her, but she's not the only one. All of the Spider-People in the Spider-Verse look tired and it is, in fact I'd argue, Miguel's fault. He appealed to their sense of martyrdom to put together an organization that helps people and saves the world(s). BUT he made "maintaining the canon" an aspect of this (a wonderful meta commentary on Miles himself, btw, and all the comic book nerds who want to rehash the same story over and over instead of transforming it into something new and hopeful). Because they had all suffered so much, it followed logically for all the Spider-People that all of their parallel universe selves must also suffer.
This is the crab bucket mentality. Miguel dragged all the Spider-People into the crab bucket with him. He taught them learned helplessness. They're all tired and worn down because they have to keep reliving their own trauma by standing by and making sure these awful things that happened to them continue to happen, over and over. It's the mirror too for any marginalized community where the past generation believes the next one must suffer as they did. But it's exhausting for them to see the misery and do nothing. That's why they're all so tired. It makes sense to them that to be Spider-People, the next generation must suffer as they did but they are also, all of them, heroes and so it wears them down to watch this happen over and over. Miles brings back their energy and joy and their hope by refusing to be doomed by the narrative.
It's wonderful fanfic but it's also fantastic storytelling and it works on so many layers of the story, Doylist and Watsonian, all the way down.
5 ) THIS is a tightly knit story. Every. Single. Element. Ties back to the central story, the central themes. Every line either reveals plot, character, setting, or themes. It is so, so tight as a writer I was gaping. In necessary, if brief, moments of exposition they make sure to keep the screen busy and moving. There's no time for boredom. It is literally so fast that even as someone with ADHD I was sometimes overwhelmed as much as riveted. The few scenes that slowed down to simply fast movie pace felt achingly slow as a result and I bet you they were maybe 30 seconds long.
6 ) I AM. SO HYPED. FOR THE ENDING AND THE SEQUEL IT SETS UP? The perfect dark mirror story, not rushed but simply introduced so we can see that the final boss for Miles is himself. Unless they subvert that expectation, which they might! But it is so ominous to see Prowler Miles, it makes so much sense, it is perfect and deep and rich. Literally every time you think, "Maybe they'll rehash old material?" they don't they just keep introducing cool new characters and concepts and themes it's mindblowing.
7 ) They never leave you with one thread. Miles is going to face himself and fight to save his dad from the Spot and fight Miguel, presumably, in the next one. No single line only does one thing. No frame does one thing. And yet everything ties back to the core story of Miles and the Spider-People both on the Watsonian and Doylist level. I want to study every frame under a microscope. It's insane.
8 ) THE ART IT'S JUST. I'm not an artist so I'll leave it at this but THE ART.
9 ) I love Pavitr and Hobie. So much. I gasped when we saw Pavitr's world.
10 ) The Spot's animation was insane just insane and I think he's foreshadowed in the ITSV and it blew my mind on the re-watch.
I need to see it again. I could talk about any single element for hours. But I just can't stop thinking about the mastery embodied in this film. I know a sequel to a superhero movie that's animated will never win Best Picture but I do not exaggerate when I say that in itself might be an indictment of Best Picture. This film deserves Best Picture. It is the best movie I've seen in an unfathomably long time including ITSV.
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wishingstarinajar · 2 months
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I know, I know I'm a scratched record
But I'm dying to hear your thoughts on the Wakfu finale when you get to it!
I just finished watching it and it's uuh... hmm. I read people saying the finale was "satisfactory" but I am not fully on board with that sentiment.
Too much left unanswered, not enough wrapped up, too rushed to get to the end.
I know the Waven game is a continuation of sorts, it takes place decades after Wakfu's conclusion so that game might hold some answers or closure, buuuuttt... I'm not interested enough in the game to play and find out. I guess I've grown a bit tired of the whole cross-media info/lore some franchises love to do (like Blizzard and covering important info across the Warcraft games, books and short stories).
Wakfu season 4 obviously has an open ending, no matter that it is the final season, so who knows what might follow. I'm just a little saddened that the story picked up a little too late this season but the animation, particularly during action scenes, was pretty great... when not using the same static images of characters xDD They loved that a little too much but I understand the budget wasn't that big so I can't really fault Ankama for it.
Did I like this season? Mmmyyeeaaah, it's a mixed bag. Better than season 3 but not better than the first two seasons or even the OVA episodes. Glad it exists but I don't feel super satisfied with its conclusion.
HEAVY SPOILERS ahead, so be mindful but gonna share some thoughts:
Seeing Joris play a bigger part in the second half of the 4th season, and him vibing with Adamaï made me very giddy and happy. Love that for them, hope they become good friends. And thank fek neither of them died. RIP, Qilby, Armand and Brakmar (maybe?). The guys who needed to redeem themselves got their chance, at least.
Goddess Eliatrope was a big disappointment and an unlikeable character but I guess that was kind of the point...? Angry that she totally ignored Chibi and Grougal, like what the fuck even? Didn't even show a hint of acknowledgment towards them. What if they wanted to meet mom, huh?? And what even happened to Baltazar and Glip, who were in Emrub with the same kids that were asleep in Goddess Eliatrope's belly? What did she do with them?
But hey, at least my headcanon that the Sadida and Eliatropes will combine into a single kingdom/people (which I also wrote about in my Rebirth fic) actually happening was pretty satisfying x'D It even has Wakfu-infused trees, om nom nom.
A little frustrated with Necroworld (not the same Necroworld from the Transformers: Lost Light comics) because it's supposed to be a different planet in some other universe but it had dofus (dragon eggs) and races of the Twelve like Sadida, Sram and Sacrier. It was pretty confusing... Imo, it should have been something similar to The Upside Down (Stranger Things), or an alternate version of the world of Twelve rather than a completely separate place. But eh...
Why did nobody care about the state Inglorium was in, or that the Gods have disappeared? That bothered me so so so soooo much during the first two episodes; nobody non-Eliatrope or non-demigod cared that their God/Goddess was... well... gone. Aside from God Iop, where are they?? Hated the disinterest, hated the silence around it. Guess that's a mystery that will be unraveled in some other media.
Yugo grew tall and handsome and I'm not afraid to say it. Happy for him, though him suddenly growing so quickly was a bit silly. I figured there would be a time skip to justify his 'growth' that we saw in promotional images and teasers. Won't complain though, he deserved to finally be in a body that reflects his actual age, it took him long enough!
"Bootleg Alys" from the Dofus movie made a cameo in episode 11 which made me snerk. (I noticed a few more background characters from the movie that were re-used in episode 11.)
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And that's all I have to say, at least here on Tumblr. It was quite a ride.
A big thanks Ankama and all the Kickbackers that made it possible; this show had its ups and downs over the past decade but it was enjoyable and loved. It still holds a special place in my heart and I will keep a tiny eye out for more Krozmos stuff in the future (like Welsh & Shedar, gimme!!).
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flickrrposts · 5 months
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Black Hat is going to be Hypnotized by Heroes - Theory
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Why?: It'd be cool.
Okay, seriously, this could be nothing more than fanfic potential, but in case there's some small chance that I'm right about this, here are a few points on where I'm coming from.
#1 - Tension
This show has reaffirmed time and time again, in the show, comics, livestreams, interviews, that Black Hat is:
A, Powerful,
and B, Terrifying.
I don't think I need to go through evidence of that being the case, if you're familiar with the show at all, you know this.
He's been side-lined throughout the entire show, and it would not only be cathartic to finally have him show off his powers, but it would also make him feel like a real threat in the story if he's positioned against Flug, Dem, and 505.
The tension would be raised to infinity. The show would practically feel like a horror movie because of how near-impossible it would be to defeat him.
#2 - Goldheart's Plan
According to Miss Heed at the end of s1e6, Goldheart wants to "end all villainy."
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Black Hat controls all villainy.
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P.E.A.C.E. has already caught on to how deep Black Hat's rabbit hole goes, via the agents creating the Podemos Bailar website. (omg, with Magician being one of the agents, then Black Hat's hat is the "rabbit hole", it's like a pun, you get it? You get that-)
Before the third Arenque Noticias video, Melissa Lead states, "If you ask my objective opinion, I'd say a controlled villain is better than a villain set loose."
As observed by @paper-gold-theories, characters with gold accessories tend to be associated with Goldheart or the Golden Rule in some way (Miss Heed, Porccini, the reporter in s1e4).
Melissa wears a golden necklace and ring, so it's very likely that her opinions either align with the Golden Rule, or Goldheart himself.
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So if Goldheart's objective is to brainwash all villainy, then who better to target than the man at the top? (the man in the top-hat, haha, I'm on a roll)
#3 - Black Hat's Weaknesses
Alan has hinted that Black Hat is not invincible, and has actually described him as "lazy".
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So the concept of Black Hat slipping up is not an impossibility for the show to explore.
#4 - Details
This is getting into TJLC levels of analysis, but I've noticed a couple things that could somehow be foreshadowing this:
In this poster:
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Villains have a red outline, and heroes have blue:
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(The fact that Flug and 505 have blue is an analysis for a whole other day)
But Black Hat has a gold-ish color on both sides:
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This could be a stretch, but,,
In 2021, promo art was released for the show:
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And Black Hat's monocle looks suspiciously pink.
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Sure this could just be red shading that accidentally looks pink, but it isn't that hard to edit if the colors came out wrong, I did it just now:
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The difference is night and day:
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I don't think Black Hat has ever been associated with pink before outside of Demencia's fantasies. It would have been easy to choose any other colors too, like green, yellow, orange, or even blue.
The Black Hat being lit with pink for the first time is a coincidence in the very same promo that ALSO includes Miss Heed.
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And as is obvious, ALL of the people Heed hypnotizes have glowing-pink eyes:
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Even if this isn't foreshadowing to my specific fan-theory, I find a Black Hat - Heed connection extremely suspicious.
It's very well that in this scene, Flug DID perfect Heed's formula.
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The heroes have the perfect hypnotizing formula. Or at least they still have some version now.
They have the means.
So TL;DR, Flug perfected Heed's hypnotizing formula, and so P.E.A.C.E./The Golden Rule/Goldheart is going to use it to control Black Hat when his guard's down.
(or somethin like that, idk)
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I've heard some stuff about Peni being closer to her comic iteration now, but what I find more interesting is her being lead into that direction, and the end of ATSV, her straying from that direction.
Think about it! The first time we her in the movie is her tired, depressed, and beaten down by the world around her. She was made to just accept that her trauma was just a necessary step to maintain canon and that it was simply something that had to happen. She simply had to suffer & stay in line to what canon had predetermined for her, just like everyone else
But spider society, and by extension, she herself was wrong. Miles very existence & the fact that he is spiderman proves Miguel wrong, everything in ITSV proves him wrong, and Miles having a positive influence on the entire spider groups lives proves Miguel wrong. Ironically in the first movie, despite the fact that Miles was never supposed to be spiderman, he was the one that stopped the collider and saved the multiverse.
Miguel view of canon is wrong because even ignoring everything I just said, the Spot isn't gonna stop if he kills Miles father. He's not gonna stop until either something is done about him, or the entire multiverse is ripped to shreds. Miguel and his followers plan on doing nothing and letting his father die for practically nothing, which goes against everything Spiderman stands for, that you shouldn't just stand around and do nothing. Despite Miguel technically being the closest to a spider due to weird experiment stuff and Miles being an anomaly, Miles embodies what it means to be Spiderman better than Miguel
Honestly, I will say that Miguel had gotten the closest to nearly killing the idea of Spiderman
And to get back to Peni, I think she, along with others, realized this. That being put through constant grief all for some canon that Miguel has flimsy proof on at best, is all for nothing. That she had abandoned her friend for nothing. They were vulnerable & racked with grief enough that they were practically manipulated into thinking that their pain & suffering, and by extension, other's pain & suffering, was something that had to happen and they just needed to suck it up, get over it, and stand by to let other Spiderman suffer for the greater good.
Which back to my point, is why I actually like the interpretation of her being lead to fill in her comic book self by the nature of the Spider Society, and being strayed away from that and snapped out of that mindset that needlessly suffering will somehow help others more. That the symbol of Spiderman revolved around endlessly suffering for no reason, even if it did nothing to help anyone. I believe that after the chase scene, she had to process that Miles "had" to suffer for no reason, and had to challenge the notion of what canon events even were and how Miguel's understanding of the concept falls apart like wet paper.
And by doing that, Peni broke away from what canon told her she had to be, and by extension, became something unique to herself away from her comic book iteration.
Peni, along with others, had learned that it's not what canon tells you that dictates your worth and value as a Spiderman, it's you and you alone
And she decided to embrace herself with a smile on her face
I love analyzing stuff! Please let me know your thoughts of this. I am open to constructive criticism. I just needed to word everything running in my brain!
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beary-rambles · 1 year
Note
Hi there ❤️
I saw that your requests are open and i would like to request something if you dont mind.
Maybe one where reader has the same age of ethan but she was in a relationship with Richie (she meet Richie in the store when she was hired and Richie was a worker at that store ) but Ethan was in love with her (they go to the same school /college) so he got heartbroken when he discovered that reader its dating his brother the time that he went to the store to buy something (angsty) In the end he convinces her that he is a better option. Thank you so much ❤️
The better brother
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Warnings | highschool!ethan (seniors), RICHIE 🤮 (you are 18 richie is 20 ethan is 18 quinn is 19), you and richie work at a convenience store, neglected and insecure ethan, cursing, richie is a major asshole, angst with happy ending !!! seriously richie is an ass. not proofread !!
wc | 2.4k
a/n: thank you for the request i really liked writing this prompt! maybe a little different than what you wanted but i hope you enjoy!!
--
"Ill see you later." "bye richie." he kissed you on the cheek before he got out of the car and walked into work. You had school today so you just had come to drop him off, you watched him walk in before driving off.
The two of you had been dating for almost two months now. You started working at the same place as him, for four months, he was the store manager so you two were constantly with each other and he asked you out soon after.
You were happy, mostly. Richie was nice yes but he seemed kind of distant most of the time unless you two were at work and you were helping him stock or he needed a ride to work. But he was nice, yes....
You dont wanna think about it any more as you arrive at school. You get out of your car and walk towards the building, "Good morning." You turn and see ethan standing in his usual spot waiting for you like he always does.
Ethan has been a friend of yours since the beginning of the school year, he was sweet and smart (and super cute.) You two had a couple of classes together so he waited outside for you every morning so he could walk to class with you.
"Good morning e." He smiles at you and you smile back, "did you finish the paper for english yet?" you groan, "dont even remind me." he laughs and begins to walk along side you to class.
---
Ethan didnt know when he began to like you. Maybe it was when on the first day of school this year when you sat down next to him you smiled or maybe it was when you didn't mind as he talked your ear off about comic books or maybe it was when you comforted him while his cat was at the vet and he had to go to school.
He didn't know and frankly he didn't care all he knew is that he liked you, he liked you so much he didn't know how to tell you. Everyday he would try to build up the courage to confess to you and once he finally tries he sees your smiling face and he fails.
Today at school you looked especially gorgeous, he tried to tell you but he just wouldn't come out and hes so frustrated with himself, why cant he just suck it up and say you looked pretty. On the walk home hes beating himself up, maybe he should just text you? no you said you had work after school he shouldn't.
He rolls his eyes at the text from quinn to pick up a bag of takis for her and tries to tell her no but shes insistent he gets them so groans as he begins the walk to the store. He finally arrives and begins to look around to find the chips, where the hell were they?
He finally finds the isle and spots two employees standing in the isle stocking the shelf, they look so familiar-
"it wasnt that bad."
"you cannot be serious the menu was actually horrible."
oh my god, it was you. and his brother? he hides around the corner unable to take his eyes off the scene, you work here? with his brother?
"well i liked it." you shrug as you put another bag on the shelf.
"you just dont understand good movies babe its not my fault."
He feels his stomach drop as he watches richie kiss you, no. He might throw up as he watches you shove him and shake your head saying something about being at work. his eyes begin to water as his hands shake.
Richie. Of course. the shadow he'll always live behind, the man he can never compete with. His older brother, hes the star of the family, his dad adores him so much to the point ethan was so neglected by his father to the point he decided to take his mothers name instead. His father never cared, not when he had his star son.
In his shock ethan drops his phone and it hits the hard ground with a bang, "shit." this was awful, ethan bent down to grab it but unable to spot it behind his watery eyes. The loud sound must have alerted you two and he looked up to see the two of you standing over him.
"Ethan?" You looked the most shocked to see him. He quickly looked back down and grabbed his phone hoping you didn't see his watery face.
"oh hey ethan." richie wrapped an arm around your shoulder with a smirk while greeting him. ethan cant even look at you. Of course youd date a guy like richie, he was a lot cooler than he was. God why did he have to suck so fucking much?
"you know ethan?" you sound confused as you look at richie, ethan looks at the ground wishing it was open up and shallow him whole so he could get far far away from here. "of course i do hes my baby brother, isnt that right ethan?" he's mocking him. ethan's tears begin to flow freely down his face.
You brush richies arm off and take another step closer to ethan, you look concerned and it makes him feel awful he was so fucking embarrassed.
"Ethan are you okay?" Ethan nods his head and races out of the store ignoring you yelling after him. He begins to sob as he feet hit the ground hard as he runs away from the store.
At some point he cant run anymore, he can barely breath because of how hard he was crying. He sits at some random bench and cries his heart out.
His heart is broken. its squeezing in his chest, he puts his hand over it and wishes he could just rip it out of his chest because that's exactly how it felt.
--
You stand frozen in the store looking at the soot ethan was just standing. You move to go after him before a hand grabs your arm, "dont worry about him babe." You turn to richie who was a smirk on his face.
"He was clearly upset-" Richie rolls his eyes, growing more annoyed at the conversation about his brother, "hes always been a fucking crybaby, it's nothing to sweat about. fucking annoying." He mumbles to the last part under his breath but you can hear it and you stare at him in disbelief.
"Hes your brother you shouldn't take about him like that-" richie groans and throws his hands uo in the air, "thats just how he his babe," "dont call me babe." "hes a fucking whiner! thats just how it is, he always has been. And he never shuts the fuck up sometimes like jesus christ no one gives a shit about your fucking comic books man. Me and dad make bets to see how long he'll keep his mouth shut." He laughs to himself as he reflects on the memories but you can only stare at him in disgust.
Who the hell was the guy standing in front of you? Your face contorts into anger as you feel yourself get defensive over ethan, "You make me sick." You hiss at him, "How dare you talk about him like that?" He rolls his eyes, "Why do you care so much-" "Cause hes my fucking friend! and you disgust me with the way you talk about him. I feel like i dont even fucking know you right now."
"if you like him so much than you go fuck him or something." You stand in shock, who the fuck did he think he was. you grab your name tag and rip it off your shirt. "Go fuck yourself richie. I quit and we're fucking done." You storm off and he sighs, "you cant be fucking serious right now." you turn back to him, "yes richie i'm done serious you make me sick."
He rushes over to you and grabs you by the arm, He looks at you with a disgusted expression, "over him? really?" Youre face contorts to one of disbelief, "Yes! Youre a piece of shit! ethan is a nice guy, much nicer than you."
He shakes his head at you in disbelief as he lets go of your arm, "What so youre in love with him or something, i didn't know you were a fucking whore. Its good were done i dont wanna be dating a slut."
Your fist slams into his jaw and he hits the ground, hard. "Never. Ever. Speak to me like that. And if i ever catch you talking shit about ethan i will do worse than punch you seriously." You spit on him as you walk out slamming the door hard behind you.
You feel yourself shaking with anger. Was that a stupid decision, maybe. did you regret it? hell no. You can barely believe richie and how mush of an ass he was, thankfully you found out sooner rather than later.
You can barely even be bothered with richie right now, but right now all you can think of is ethan, you begin to look around trying to see if you can spot ethan, he doesn't drive so he must have walked here.
"Ethan?" You call out and begin to walk in what what hopefully the right direction, you're mind races as you try to find him. Was he okay? He was clearly crying before, you continue to call for him before you see a figure crouched over on a bench. Ethan.
You rush over and call for him, "Ethan." You sit next to him and you feel your heart drop at his shoulders which are shaking and you can hear him sobbing into his hands.
You try to grab his face out of his hands but he doesn't let you, "Ethan please." You feel your heart break as he shakes his head furiously, "Leave me please." His voice breaks as he tries to speak, you can barely make out his words. "Im not going anywhere, ethan please."
He reluctantly moved his hands from his face and you cup his cheeks, you frown as you see his teary eyes, his wet face and the pout on his face. "Ethan." Its hushed, you pull him into your arms. he wraps his arms around you tightly as his head finds its way to your neck as he begin to cry again.
You attempt to comfort him by running your hands through is hair, "what wrong ethan? please talk to me. I hate seeing you like this." His cries only get worse, "ill never be good enough." youre confused, "dont say that ethan its not true-" "of course its true! ill never be good enough for anything or anyone, especially not you."
You freeze, the hand in his hair stops its motion as he continues, "why am i so awful, if i wasn't so terrible, if i wasnt so annoying, if i was him, you would choose me. Why cant it ever be me who gets choosen?"
You pull back and grab both of his cheeks, hes look down at your lap. You wipe the tears of hiss face, "Ethan-" "I dont want your pity." he continues to look down and he pulls away from you and begins to furiously wipe his face with is sleeves, "Ethan-"
"hes always had everything i ever wanted, i dont know why im so surprised he got you too." Your heart is racing at the implications of his words, does he mean- "of course he got the girl im in love with."
You rethink over everything interaction youve had with ethan over the past couple months. you always looked forward to seeing him every morning at school with his smile and his awkwardness. He told the most horrible jokes but they made you laugh so much that when you thought about them later in the day you laughed to yourself to the point you must have looked crazy to everyone around you, he always cheered you on if you had a test and always made time to help you study even if it conflicted with his schedule. You hated the days he was out of school, they would feel lonely and empty and you would spent the whole day texting him. even the thought of his smile made you smile- oh my god. You were in love with him.
With richie it felt like just passing time, like you knew it was never going to be you and him in the end but you still wanted it to work. You grab his face for the third time and force him to look at you. "Ethan, you have to be honest with me, do you mean what you're saying?" He nods, "Of course i do, ive been in love with you for forever." he covers yours hands with his, "i know youre with my brother but i need you to know i've always loved you and if you could ever consider the possibility of liking me back-"
You kiss him and you feel in gasp against you, he soon enough begins to kiss you back. It feels like electricity running through your body as the sparks between you two fly out everywhere. It was perfect, richies kisses were rushed, like he wanted to get it over with but with ethan he was slower, like he wanted to savor every second of you and every bit of you.
You two pull away for a air and he stares at you in disbelief, "im in love with you too ethan." His eyes widen as he shakes his head, "no no youre not richie-" "me and richie are done. Hes a dick." Ethan laughs, "I realized while he was talking shit about you that it was never him. When he was talking about you and then me i got so mad i fucking quit and punched him across the face." you laugh as his mouth opens in shock, "no-" "yes! because i felt so much for you. i love you ethan and im sorry i didn't realize it sooner."
A huge smile falls on his face and yours reflects his, more tears begin to fall but this time theyre happy ones, "god im so fucking happy right now." you laugh as he pulls you into another kiss.
"did you really punch him?"
"yeah and i fucking spit on the asshole too."
"I fucking love you."
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Carter and Lovecraft, by Jonathan L. Howard (2015)
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I really wanted to like this book.
I've read a few Lovecraft novels and stories, and I liked them. So when I saw this on my friend's bookshelf, I borrowed it, and read it.
Tried to.
The first real fly in the ointment? NYPD protag sees his partner take a 9mm retirement in front of him on a creepy case, and becomes a private detective. Mysterious lawyer shows up at his office one day and says there was a bookstore owner in Providence, Rhode Island, who has been missing and just declared dead.
The protag gets the bookshop. He's not sure why.
Protag goes to the bookshop. Owner's niece, Emily, is there. She's been running the shop alone since the owner vanished, and she co-ran it when he was alive. Also, she's biracial. Would be played by Zoe Kravitz in the movie, he thinks.
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Her name is Lovecraft.
As in, she's a descendant of ol' Howard Philips.
She notes the irony; a black-ish "mulatto" descendant of an anti-black racist.
"Okay," I think, as I checked the publication date. "You've gotten that token bit out of the way. Now, can we move on?"
Apparently not.
As protag starts looking into the disappearance and other weird stuff, he decides he needs to get his eye in. So he goes to a gun range, where he needs to sign up for the NRA first
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and ends the session by "re-engaging the safety" on his Glock.
Fun fact: stock Glocks don't have manual safeties, AFAIK.
In the next chapter, protag thinks about how he used the gun. He hates the NRA and the whole "gun fetish" thing, but he needs the iron, just in case.
Two strikes. Three if you count the safety thing.
Yes, I know an NYPD cop might be a bit bigoted about the issue, especially considering how his partner died. But it really feels like the writer's opinion.
In fact, let me just-
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Yep. The writer is British. This sounds awfully familiar.
It was about this time that I realized something. The protagonist has no traits that aren't directly related to being a cop or detective. Absolutely none.
I don't think we know what he does in his off hours. No friends. Nothing but the job.
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Heck, Miss Lovecraft has more personality than him, and she takes up a lot less screen time.
Protag decides to give Lovecraft half the business, so he can become a silent partner. People start dying in physically impossible ways - like the dude who drowned in his dry car in a parking lot - our hero looks into it.
He also ends up learning about a local family, the Waites. Rich, keep to themselves on their own land, been around since before the area was officially settled, apparently.
The local who tells him about all this says the younger ones are oddly attractive. The family has distinctive big eyes.
Anyone remotely familiar with HP Lovecraft just went "Oh, right, they're fishmen. Got it." I've seen this trope done better before, like in the comic Shadowgirls.
Hero looks into the archives, finds records of a racist Town Council rant by an early Waite, back when they were still into trading. Including slaves. Specifically, patriarch Newton Waite went to a council meeting and said black people should serve others, and shouldn't have self-determination.
The archivist intern says it's was "a different time", and that's just how people were back then.
Of course, he adds "People who talk like that now - no pass for them."
End scene.
Like this extremely mainstream, boring opinion is some kind of
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In the next scene, protag chats about the fit he had near the Waite place. Learns about another mysterious death. When he chats about it with Emily, he suddenly realizes she's hot.
Then the narration tells us that he was a racist bigot in his teens, though he thought he was being sensible at the time. He now knows he was wrong, but he still feels sparks of it when he reads about some black kid doing some stereotypically black thing, which gives certain white people "a hard-on of righteousness".
And, of course, his time spent walking away from "instinctive racism" means his dating pool opened up. Like Emily Lovecraft, for example.
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The most stereotypically black thing would probably be crime. Or being a single mom or deadbeat dad.
 Sadly, I know of plenty of black people - from my black majority home country - who fall into one of those categories. Or two. Three if you include "poverty", but we're Developing, so that barely even counts.
Also, this basically came out of nowhere. Not Emily being hot - I mean, look at Zoe Kravitz - but his unsolicited thoughts on racism.
All of these issues have also been issues for many concerned black people. For decades. The 'stereotypically black things' might be bad themselves, not because they make racist white people feel smug.
This is precisely where I closed the book for good. I would've put away the bookmarks, but I needed the page so I could write this rant.
Honestly, writing all this made me realize that I should've given up long before I made it halfway through the book. But I just kept hoping it would get better.
Doing the same well-worn cliches in a modern setting doesn't really make them interesting. Neither do the little 'racism is bad, mmmkay?' bits.
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Things I noticed the nth time watching Nimona:
Knight armour can get sliced through like nobody's business (Balister's arm), but can take a laser hit without serious, body-altering consequences (Director hitting Ambrosius with a laser made from the same one that apparently has the power to wipe out half the realm, or kill an Immortal being who doesn't feel severe pain from an arrow wound)?
...is this because Ambrosius' armour was made to be more protective than Balister's?
"She manipulated BOTH of us." Ambrosius says this about Nimona, who he had very few interactions with aside from her very blatantly fucking shit up for the institute. How did she manipulate HIM?
I guess it probably makes sense when you consider he was going to arrest the director, implying that he believed Bal AND Nimona, but I dunno. The little rat in my head started running on its brain-powering wheel at all the possible fanfic plots this could lead to.
Nimona as Ambrosius grabbed the Gloreth statue when they fell to the ground.
On the one hand, this could just be actor!Nimona putting dramatic emphasis on how even in death, the leaders of the realm will cling to their hopes and beliefs, or the golden boy finally getting to join his ancestor.
On the other hand, we could make it deliciously angsty (yum yum) and say it is Nimona's personal desire to grab the statue of Gloreth for reasons such as: taking down the monster-killer image of her former friend out of anger and sadness because she never wanted that image to be so true in representing one of the few people who ever cared about her even briefly;
OR, While trying to think about how she would act if she were actually dying, she reaches for the closest thing to a friend that she has, but this is her staging a false death, as that particular friendship was false so this is just fitting, isn't it?;
OR, They wanted it to spread a message that with the fall of the director, would come the fall of the corrupt system they live in, as well as the fall of this narrow-minded view of both Nimona and Gloreth's story as well as Gloreth and Nimona themselves.
Nimona freaking out about the arrow in their leg in the comic vs Nimona treating it like a little scrape not to be worried about in the movie.
This is really interesting to me. In the comic, it's played up for humor like Nimona is almost overreacting, then having Bal take care of her because he does care about her. This shows it as a bit silly, but so very meaningful.
Then you have the movie where Balister is freaking out and it's kind of funny because clearly Nimona is relatively fine about it, so he doesn't really need to make a big deal out of it. Then he helps her and is still very careful about it like with anyone else's arrow wound, and asks her questions so he can better understand them. Again so very important.
I love both versions of these scenes, I just am so curious about why they made such a drastic change.
I love this movie so freaking much. (I knew that already, but it bears saying for the thousandth time. It's just so fucking good.)
For this last one:
TW: mention of police brutality (discussed as a theme in the movie, nothing specific outside of the Nimona movie)
"He's got a weapon." It's not a weapon. It's a phone. But Todd (and who knows how many of the other knights) didn't choose to see it as anything other than what the director told him it was, and destroyed it as he was trained to do. This screams messaging about the stupid, dangerous, and harmful actions of too many police officers who don't check the situation for themselves before acting on "information" they gathered from insufficient data and/or unreliable sources, and combine that with profiling to make decisions that so often end up being harmful and even fatal to others.
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dingle-dee · 9 months
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Hey serious callout time
Never thought I'd make this kinds post tbh
I first have to say please do not witch hunt, harass any of these individuals nor my account, I am only looking to inform you about the situation at hand.
If you try to witch hunt, dox or harass me you will be blocked. I do not condone any if that shit.
First of all must say this callout is about the recent AU appearing in the Pizza Tower Fandom called Asylum tower.
The AU compromises of peppino in a straight jacket commonly used to detain violent, unpredictable or malicious intending mentally unstable people, which on record has been used last in 1956. Peppino has a unamed mental illness similar to schizophrenia, psychosis and delusionry (despite the creator claiming he has none/unspecified*)
* which causes confusion with the straight jacket since if he wasn't mentally unstable why would he need a straight jacket
As someone who has experienced/ has had family who've experienced psychosis, delusionry and schizophrenia this is highly disrespectful and glorifying the aspect of Asylums and mental illness.
The creator has been harassed for these reasons exactly *either in a constructive or harsh way* but has either deleted all claims or come back in a non professional manner.
One of their posts which has now of today been deleted from their account had an untasteful way of handling the situation along with a disrespectful PTSD joke at the bottom.
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I find it highly suspicious that someone would delete this covering up their distasteful way of handling things. And not actually point out the AUs many many problems
1. The term asylum isn't used anymore and is often associated with torturous conditions, unhealthy ways of coping and treatment and is only used in serious films/serious TV series and is glorified by hollywood. The term used now is mental clinic or just hospital in general.
The way they treat patients now is much better but from personal experience than I share with others and my family is it still torturous and brutal and half the time you end up worse or , worse case scenario the end doing suicide. So using this theming must be treaded lightly.
2. Straight jackets are no common place anymore and are mostly used In Hollywood as a way of dramatization of a scene in general and is a very unethical way of treatment. Using it for simple means like psychosis, delusionry or schizophrenia is like killing a thief for taking an apple. Unethical and a ill stereotype. In general not a fun cute wholesome thing and shouldn't be bounced around.
3. White padded rooms are are the stuff of movies and really padded rooms are torturous and not a fun thing at all that is not funny in a comic light that they re trying to portray.
4. The handling of this situation on the creators part is fishy at best, as I said one of their explanation posts was unprofessional and made a half baked joke that is honestly offensive. It seems like they are really try to play up the victim card here. I understand the feeling of being harassed since I have been under that light as well, I understand the stress but these posts/way of handling things from all parties has been a mess.
The creator has stated that some traits that the pulled are meant to be funny but they simply don't line up.
Claiming that a character isn't crazy but your clearly making them crazy in a straight jacket doesn't look good and is honestly doing the opposite for you.
Honestly these feel like cover up lies as well as dismissing the criticism given.
There's is nothing comedic about this au in its current stage, and honestly it should stay that way. The AU is distasteful all round.
People are dancing around this and making fanart similar to the clover kit situation. Only no one is acknowledging the larger image and only think at base value.
I'm pulling myself away now and anyone involved in the Asylum AU/ fanart chain please do some research/ please pull yourself away as well. This is not a quirky thing and never will be. If you condone this I'm not gonna block you but i will raise an eyebrow.
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