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#subuniverse
wahbdqwrtzbncs · 1 year
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Pillados con pija en bulto Slutty MILF Jenna Lovely Gets an Anal Creampie and Eats It Novinha magrinha Desi beautiful girl sucking cock Ghana girls with big booty otaku friki cogiendo se correo ve a red para ver el squirt Norway big tits babe deepthroat GF - Ebony Teen Petite Sensually Rides Her White BFs Cock - BCWD big butt mom dance naked and show her huge tits Orgie en club libertin - Je rejoins deux mecs qui sont en train de baiser une fille dans une chambre
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macfrog · 6 months
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not gonna lie, i think about call me at least once a week. it was SO HOT OH MY GOD?! i totally understand if not cause it is perfect as a one shot, but do you think you’ll ever do another second part? 🤤
thanks dude!!! i had so much fun writing that one and i'm so glad you enjoyed 🤠
i have had a joel pov idea for that particular subuniverse looping around my head since i posted it, but my wip list is just too big and too consuming rn for me to really dedicate the time and energy i'd like to, to another part.
never say never! i would love to write for them again. maybe one day when there aren't cowboys and ceos rolling around up in this tumbleweed head a' mine
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kettle-cover · 18 days
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So let's talk about something
Do you like the happy version of William?
Wilde/Derrick Man or Buck/Shapeshifter?
I want to add Multislacker and CEO to my local ttcc subuniverse. Your opinion?)
Your favourite cogs? I know some of my followers like Misty. Who else?
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Yes, banana auto also in plans)
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sleepdepravity · 11 months
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I was about to have this very angry rant about a trailer for a SLEW of disney movies that were all like prequels or sequels to materials (e.g. atlantis) to the point where the trailer of it essentially marketed itself as its own cinematic like subuniverse and there were several reasons I was pissed off but the main thing that drove me over the edge was in one little bit of the trailer music they suddenly used the Cinderella leitmotif from into the woods and I immediately woke up like “did they think I wouldn’t NOTICE? HUH??? YOU DISRESPECT SONDHEIM? MY GOOD FRIEND STEVIE SONDHEIM???????” and then about a second later I realized it must have been a dream and went back to sleep.
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mijukiwrites · 27 days
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Prologue
Swords and Stars
Between endless fields of golden corn, ready to be harvested, lived Billy Joe and Daisy May MacMillan, a charming yet simple farmer couple. They had good amount of land, a wonderful old farmhouse, and a big barn that was in desperate need of fresh paint. Most of their days were filled with the sweet laughter of their six small grandchildren that visited often, and the faint echo of Billy Joe’s tractor whenever he was working on the fields around the farm.
One lovely morning, as Billy Joe was working around the farm, he had a brilliant idea. He had a lot of wood planks in his barn, that were not needed anymore, so he decided to build a birdhouse out of it. Not any birdhouse though. Billy Joe was a talented man when it came to woodwork. As the proud american he was, he build a miniature and bird friendly version of the White House as it stands in Washington D.C.. With a big grin on his face, he proudly painted “The White House” on top of the bird house.
Daisy May was busy inside the house that day. Their grandchildren would visit tomorrow, so Daisy May decided to bake some of her fine homemade cookies. Covered in flour she was humming to a tune, all in excitement of seeing the happy smiles of her youngest family members again. 
Their cozy day however took an unexpected turn. 
As Billy Joe admired all his finished farm work in the evening, a weird noise appeared above him. He didn’t bother paying attention to it, thinking it would be nothing else but an airplane. When the noise however got louder, and more unusual to what he was used to, he looked up. His eyes widened. There, above him, was a huge wooden flying object, something he has never seen before. “Daisy May, stay inside the house and don’t come out. Call the cops if you can!” the old man shouted in a heavy texas accent, out of fear for him and his beloved wife. With a dropped jaw he watched the wooden object, which seemed to be a mix between boat and space shuttle, land in the cornfield in front of him. Mr MacMillan took his screwdriver that was still next to the birdhouse and held it tight in his hand, ready to use it for self defense. 
A door of the weird thing opened, and two humans with unusual hairstyling and clothing emerged. They both were very tall and slender, having straight long brown-grey hair that had some silver metal pieces and herbs braided into it. There necks were unusually long. They  wore coats that were longer at the back and dark grey pants and black boots. One of them, the taller one, was carrying a strange looking plant, that had visible pollen flying around it. 
Billy Joe’s heart raced as these two odd humans walked towards him with graceful, yet unfamiliar movements. They looked slightly confused at the birdhouse, then to Billy Joe. “We imagined your leaderships housing bigger, but every new civilization brings it’s own surprising traits”. The smaller one said with a big smile in broken english. They both bowed their heads slightly at Billy Joe. The smaller one spoke again.“Well then, greetings, esteemed leader. We are happy to announce your planet has been accepted into “The Merged Society Of Intergalactic And Extragalactic Universes And Subuniverses Of The United Democtratic Humanoid Non-Hostile Planets And Cultures”, short TMSOIAEUASOTUDHNHPAC or even shorter, “The United Society of Space”. 
Billy Joe only looked at them with wide eyes, unable to speak. 
“Are you sure that this is their leader?”, the taller one with the plant in it’s arms asked this time. “It says “The White House” right there!”, the smaller one said and gestured to the birdhouse. “It must be him. This also should be the right planet, and the translators should also work. To my knowledge, most of their species can speak without problems, maybe their leader is just slow?”
As the two weird people infront of him continued arguing about wether everything worked out according to their “plans and protocols” Billy Joe noticed Daisy May, who had emerged from the farmhouse with a tray of freshly baked cookies in her hands. With a warm smile, she handed the tray towards the two. “Would you like some fresh cookies?” she asked, stopping the argument between the two, and finally making Billy Joe move again. 
The two odd looking people looked at her confused but curious, before carefully reaching out towards the cookies and grabbing one each. So did Billy Joe. “Delicious! I knew this planet was worth visiting!” the smaller one said. Hesitant at first, Billy Joe and Daisy May MacMillan started to engage in some small talk with the two. Despite the fear and confusion at the beginning, they were quickly able to bond over the cookies in a chill summer evening.
And so, in the middle of a cornfield in rural Texas, history was made. The first encounter between humans and alien lifeforms was not one of fear or violence, but of warmth and hospitality, all thanks to the sweet innocence of an elder farm couple and some fresh cookies.
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softbutchzenyatta · 5 years
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i just remembered a different oc i made from a dream a while back... his/her(?) name is alpha. just huge and buff as fuck. was an alien in my dream but would probably have to be a human/faerie/demon/something if introduced to my canon universe
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funkylittlebidiot · 3 years
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Sometimes a girl needs to create an entire subuniverse based on sitcoms through the decades to cope and that’s totally okay
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pattern-53-enfield · 3 years
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Decided to become a weird trad, but specifically for men's adventure cover art
Observe, the decline of Mack Bolan
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The original run, with art by the legendary Gil Cohen, a man who I consider alongside Mort Künstler to be the best action artist of the 20th century.
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The "New War" era, still done by Cohen but with a larger scale as he was no longer confined by Pinnacle Books' smaller paintings. Does show Bolan as older and evolved, much like the stories themselves depict him as. No longer are women to be handled like luggage!
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The "Man With Gun era", where Bolan became a spinoff of himself. Art done by a rotating cast, although you can tell that they also worked on the 80s Conan novels and comics. The stories have become more "grounded", featuring a much more Ripped From Today's Headlines! conceit.
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Man With Gun Era continues, melding with the "Stony Man" subuniverse that was created by Gold Eagle around this time. Bolan is now no longer a lone vigilante, but is now operating with the black-budget of the Pentagon and the support of Able Team and Phoenix Force, the spinoff teams created by Don Pendleton. Has a heavy Cobra vibe, despite being from the late 90s.
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Now we come to the low point in art, the modern day runs and re-releases. Gone is Gil Cohen, what we have is this stock image jackass. By this time, Bolan has entered the "Punisher MAX" era, where he's unbelievably old yet still pulling ops.
And why? Cheapskate publishers!
remember what they took from you
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ewatsonia · 7 years
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more lineless practice, remember i mentioned there’s an au of the my hero asagao au where ian becomes a villain?
yeah.
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hollyhockash · 4 years
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The “Gamers Against Weed” group from SCP are a set of Glitch PCs.
So. There's this group/fiction collection/shared subuniverse of SCP that's called Gamers Against Weed, which is an online chatroom with an ironic name whose membership includes several "anomalous individuals". This is not particularly unusual as SCP groups go. Only, when I read it, I keep finding bits and pieces that extremely remind me of Jenna Moran's Glitch, a tabletop RPG about trying to live with a world that is incorrect. (Well, technically, Glitch takes place in the world of Nobilis, but Nobilis 3e is unavailable on the internet anymore and 2e is from like, two decades ago.)
The trick here is that the SCP Foundation wants to contain "anomalies", which happen to include several of the members of this group; this results in a larger social context broadly similar to the status of Glitch's Chancery organization - theoretically, they're not part of any world-destroying schemes anymore, but if they draw attention, they're still going to get locked up just as fast as any other anomaly is. In the meantime, they have a chat group on the Internet, and their way of coping with absurdity, meaninglessness, gender dysphoria, and the general suckiness of the world is to try to lighten the tone of the world with pranks - pranks they try very hard to keep from causing any actual harm. (See also this tumblr thread about millenial neodada.)
So here's some examples: there's the Cool And Awesome Ways To Say No To Weed series (part 1, part 2, part 3), where the characters do such things as breaking the space inside a Denny's to get away from the consequences of accidentally spending cloned bills, finding someone by following the "coincidences" that are not coincidences that surround them, finding an Anchor and dragging her handler out through the phone line, and enacting the Cliffhanger Rite to seemingly die but actually escape. There's also the one member who is probably a world-killing superweapon who decided to stop after discovering Homestuck, and the one who left a group of "artists" because their performance art had become lethal. And the project where they're trying to make what is basically a Chancel: a safe untraceable place for people who have nowhere else to go.
...Which is to say that this is perfect enough that I'm currently reskinning it, so keep an eye out for if/when I start talking about writing and/or running a Glitch game called The Finding Lord Entropy Hot Club.
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diffractor · 4 years
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Large Cardinals 5: Supercompactness
So, an important thing to note about large cardinals is that size is not necessarily the same as consistency strength. It can be a very powerful assumption that some level of infinity has some fancy combinatorial property, but the actual level of infinity you need to go up to isn’t necessarily that high. Supercompacts are very very very large. Probably some of the largest of the large cardinal axioms, in terms of pure size (not consistency strength). A nontrivial elementary embedding from V to M is a function j s.t. (V models phi(x1, x2, x3...)) <-> (M models phi(j(x1),j(x2),j(x3)...) So, if you somehow had labels for everything in the universe of sets V, a nontrivial elementary embedding would be like... if someone’s just working in a smaller universe of sets M, and is using your same labels to refer to different sets in their smaller universe, and you can never ever tell that you’re referring to different things, because you’re like “is this property true of the sets denoted by these labels?”, and they have different denotations for the labels, but they’ll always say yes when you say yes, and always say no when you say no. A nontrivial elementary embedding tends to leave the ordinals alone, but there’s always a critical point, the smallest cardinal K where j(K)>K. Sort of like “if you were trying to talk the ordinals with the guy using the same labels for different sets, they never think the true ordinal that a label refers to is smaller than what you think the ordinal is. But they may think it’s bigger, and generally it’s only a very very big cardinal that is capable of moving up like this”. Now, we can define supercompacts. They are cardinals K where, for *all* ordinals O (that “all ordinals” thing makes the following thing ludicrously strong, because the ordinals can just keep going forever after supercompacts).... There’s an inner model M with an elementary embedding V->M with K as the critical point, j(K)>O, and M is closed under sequences of size O or less. Huh? Ok, an inner model is a model of set theory that has all the ordinals (may not have all the sets, though). To explicate this a bit more, let’s pick some stupid-huge cardinal/ordinal that’s as much bigger than the supercompact K as you want. Something unspeakably gigantic. Then, there’s some sub-universe of set theory that has all the ordinals (it may be missing some sets), and when you try doing the label-swapping thing, K is the first thing that jumps up and it jumps up really really high. Also, it’s a really big sub-universe. The pairing axiom of set theory is like “you have two sets A and B, the set containing A and B exists”. The “closed under sequences of size O or less” thing is like “you have some totally arbitrary list of O or less sets, you can make a set containing those and only those”. So, supercompacts are so big that they’re very very poorly pinned down by formulas. You can pick *any* incredibly huge ordinal O far far above them, and you can find a really big (size depends on O) subuniverse of (universe of sets) that fulfills a very strong version of the pairing axiom (strength depends on O), shuffle around what names for sets correspond to, and your supercompact is poorly constrained enough that it can jump up higher than whatever ordinal you cooked up. Supercompacts apparently don’t just have downward reflection properties (anything true of this level is true at a smaller level), they have very strong upwards reflection properties (anything true of this level of the set-theory universe is true for arbitrarily large levels of the set-theory universe). One of the reflection principles is reflecting things above them to below them! In particular, for any sigma-2 formula (any formula of the form “there exists a set x where, for all y, phi(x, y) is true”), if it’s true in the universe of sets, then it’s true at the level of a supercompact and vice-versa. Like, let’s say the generalized continuum hypothesis fails. A failure can be rephrased as “there’s a tuple of (set 1, P(set 1)>=set 2>set 1), where, for all functions f, (f isn’t a bijection between set 1 and set 2, and also f isn’t a bijection between set 2 and powerset of set 1)” As an example (assuming continuum hypothesis fails), set 1 could be aleph-0, set 2 could be aleph-1, and powerset of set 1 is the reals aka beth-1. Then this is saying “hey, there’s no way to biject aleph-1 and beth-1, we found our failure of the continuum hypothesis!” So, this is just the general way of saying “there’s a failure of the principal that “next level of infinity” is just the powerset of the previous, check it out, we found a set 1 and set 2 where 2 is strictly above 1, not bigger than the powerset of set 1, and we can’t biject set 2 and the powerset of 1″ Yeah, so, supercompact cardinals reflect that property below them. So, if there’s a failure of the generalized continuum hypothesis above the first supercompact, there’s a failure of the GCH below the first supercompact. Another example is huge cardinals. They’re even stronger than supercompacts in consistency strength. Assuming there’s a supercompact, we don’t know if there’s a huge cardinal, but supercompacts go “alright, if there’s huge cardinals above me, there’s huge cardinals below me”, so the first huge cardinal is *smaller* than the first supercompact. So, supercompacts are so big that pretty much any set theory property that’s like “a set like this exists”, if it’s true at all, it’ll start being true before you get to the first supercompact. They’re unbelievably big, and reflect the actual universe of sets pretty well. The really notable thing about them is V=ultimate L, which is still a conjecture at this point. So, “inner models” (sub-universes of set theory that have all the ordinals) can be very well understood. Like, V=L has the universe of sets being built up in a very precise and well-understood way from smaller parts, is consistent with a bunch of smaller large cardinals, and settles pretty much all the independent problems like the continuum hypothesis. However, it’s inconsistent with measurable cardinals existing. However, you can make another one, V=L[U], that’s almost as pristine, still settles all the independent questions, and can accomadate a measurable cardinal! However, it can’t accomadate *two* measurable cardinals. So, inner model theory was the task of going up the large cardinal theory and coming up with larger and larger inner models that were defined in a really nice way, had a lot of intricate fine structure to analyze, and basically gave a complete picture of the set theoretic universe corresponding to that large cardinal. But it was hard and slow going, you’d have to routinely invent completely new concepts and you’d regularly hit parts where your existing tools just broke in your hands. So, it was thought to be a sort of pointless sissyphean grind up the large cardinal hierarchy, and they had to invent a bunch of fancier and fancier tools to make these inner models, like Mice and strategic extender models. Then Woodin came along and showed that if you could push the inner model project up to the level of one supercompact you’d be done. There’s a weird overflow at that point related to how supercompacts reflect stuff above them to below them, which basically means that if you get an inner model for a supercompact, it’s going to inherit *all* the stronger large cardinals you could ever invent from the true universe of sets. You can add whichever large cardinal to it, and it won’t break anything. You can pristinely analyze it, get a very clear picture of the universe of sets, and settle all the independent set theory questions like the continuum hypothesis and the omega conjecture. It would be the ULTIMATE inner model, and an excellent candidate for a principle of set theory. Also, forcing breaks it, you can no longer use forcing to come up with independent statements any more. I mean, there’d still be some unprovable things, like ZFC+V=ultimate L’s consistency, but the situation for set theory would then be like number theory, the only examples of independent statements left would be stuff about very very fast growing functions and self-referential things, it’d be hard to find a naturally independent statement. So, V=ultimate L would be awesome if it worked out. The ultimate inner model, to settle all the unprovable things in set theory, provide a clear picture of the universe of sets, and consistent with all the large cardinals you could ever create. It still hasn’t been created yet (the current state of the art is somewhere around stationary sets of Woodin cardinals, which are a bit below supercompacts), we don’t have the detailed level-by-level construction yet. But a bunch of constraints have been placed on what it should look like, allowing us to get results like “yes, it proves the continuum hypothesis”. Also, the project got supported from a completely different direction. Set-theoretic geology is like “hey, there’s a bunch of models of set theory, can we map out which ones were made from which other ones by forcing?”. Intersecting models of set theory and just recording the parts where they agree is like digging down through the extra sets added by forcing to find a sort of “core set theory”. And some guy named Usuba managed to prove that (given a hyper-huge cardinal), there’s *one* very special model of set theory that inherits all the large cardinals from the true set theoretic universe, matches the true universe of sets reasonably closely, and everything else is just forcing extensions of that single immutable core. So that thing is probably V=ultimate L. Once it gets fully worked out, expect to see it as an axiom of set theory.
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margotverger · 5 years
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Hannibal is so very much its own subuniverse/meta-verse that it’s very easy to believe everybody’s bisexual or gay just based on how frequent it is and the subtext (which is very much due to being written by a gay person imo) that when there is homophobia in it or implied to be in it due to the original texts (Margot, Dolarhyde) it’s so jarring to me... but at the same time it makes complete sense that all of these people are gay and just happen to hang out despite everyone outside of their bubble being a heterosexual. Like that’s just how gay people are 
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glittertrail · 2 years
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12 and 39 please 😊
thanks Juno💖
12. What’s something about your best friend that you love?
we are not exactly big on interaction with our fandoms because we are used to having each other to bounce out with, i would tell her fic ideas and she would go off that and spin it around and this can go on for days/weeks if we let it to the point there's entire subuniverses we've made to entertain each other (of which there is not a single word written down because we are the worst💖 lmao) and we can just send each other funny videos and say the name of a character and know exactly what the other means and it doesn't matter how rotten i feel sometimes she can always make me smile
39. What was the best part of your day today?
going to the cinema with friends i hadn't seen in a while☺️ i woke up hungover and didn't want to see anyone but i'm glad i did go out with them, we had churros and hot chocolate which might be the biggest Spanish cliche but it just hits the spot, and i was told i am in for a museum afternoon with my honorary niece (the daughter of a friend) which makes me incredibly happy because she was the one to ask for it and i love spending time with her
ask game questions
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turtlethon · 3 years
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"The Mean Machines"
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Season 2, Episode 4
First US Airdate: October 22, 1988 First UK Airdate (TMHT): January 24, 1990
Shredder & Baxter connect the second fragment of the Eye of Sarnath to a supercomputer that turns New York's vehicles and machinery against the Turtles.
The third chapter of the Eye of Sarnath saga is the series debut of Michael Reaves. You might not know Reaves by name, but if you're reading Turtlethon you're almost certainly familiar with his work, which includes episodes of Batman: The Animated Series, both the eighties and noughties incarnations of He-Man, Challenge of the Go-Bots, The Real Ghostbusters, and most pertinent to my interests, the original Transformers show (but we'll come back to that later).
For this episode and this episode only, the title card is in a different font, would could be seen as an early indicator that this one's gonna be visually... unusual.
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We open with Michelangelo and Splinter snarling at each other. It might look like Mikey has made one pizza-related gag too many but this is actually a training session. Splinter takes his pupil to SUPLEX CITY, and when Raphael makes a mocking remark, he gets thrown across the sewer as well.
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Raph somehow seems to remain in mid-air for about ten seconds while Donatello makes his entrance, leading to this painful-looking collision.
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Donnie has built a new tracker to replace the alien one that went kaput in the last episode. Heading topside to hunt down the fragments of the alien crystal, the team sport what I can only assume are supposed to be Gregorian monk costumes, a Michelangelo innovation.
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The Turtles are momentarily distracted by a bank robbery (foiled by hurling nunchucks at the guns of the perpetrators and with the help of some paint cans). Shredder and Baxter are also nearby, and after finding the fragment quickly make their escape.
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At this point I have to pause to appreciate the taxi driver who gets yeeted by Shredder, Grand Theft Auto style, from his car and barely has a moment to find his bearings before the Turtles enter and exit.
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This guy is... suspiciously similar to pre-mutation Rocksteady in terms of looks, and sounds a fair bit like him too. Possibly a long-lost relative?
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Back underground, the Turtles decide to hook their tracker up to the equipment in the Turtle Van, which quickly proves to be a major mistake as Donatello is sent flying out of the back, the vehicle now hurtling out of control...
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...And in one of the most implausible events to occur in the series so far, Michelangelo hurls his nunchucks into the van, they wrap around the steering wheel and steer it to safety.
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Elsewhere, Shredder and Baxter are hooking up the crystal fragment to an artificially intelligent supercomputer called OMNSS ("Omnipotent Multi-processing Nexus Subuniversal Sentience"). With the added power of the alien artefact, the computer can use the electrical grid to make machines across the city come to life and do its bidding. And vehicles, even though for all intents and purposes there were no electric cars in 1988.
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Does OMNSS look familiar to you? Because in both appearance and thematically he's extremely similar to TORQ III, a supercomputer that Megatron used to take control of machines in the season 2 Transformers episode "Day of the Machines". You might think, then, that this is a case of a writer recycling one of their old concepts. But Michael Reaves wasn't responsible for that particular TF tale. It was, in fact, credited to Teenage Mutant Ninja Turtles mainstay David Wise. Small world, huh?
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OMNSS just happens to have Google Maps installed (with added mutant tracking functionality) and sends a bunch of construction vehicles to attack the Turtles, with April in tow.
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And just like that we're back to Transformers again!
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As the Turtles battle the vehicles it really becomes apparent how visually uneven this episode is. We get great characterisation with lots happening on-screen at any given time - it's clear a lot of work went into this one at the storyboard stage - but there are also glaring errors throughout and plenty of shots where characters look goofy as hell.
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Right on cue, Shredder's usual wedge-shaped pink communicator, which was coloured grey in the early scenes, has now been replaced by a variant on April's compact Turtlecom. It's not a one-off either, he continues to use this throughout the remainder of the episode.
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To the horror of the other Turtles, Michelangelo puts himself in danger, luring one of the possessed vehicles to collide with a shipment of explosives.
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In the aftermath of the battle, April is horrified to discover her news van has been totalled. Here again we see how when this episode is at its best, it almost has the 80s anime vibe of first season Turtles.
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An infuriated Shredder demands OMNSS take further measures to defeat the Turtles, and the computer responds that it needs more power. I love that Baxter can't hide his resentment at his human intelligence being sidelined in favour of OMNSS's artificial smarts.
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Back at the lair, the Turtles watch as a Channel 6 newsflash interrupts a broadcast of Definitely Not Astro Boy.
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We see footage of New Yorkers flipping out as OMNSS sends all kinds of machines into overdrive. ATMs shoot money in all directions. These have to be some of the wildest looking humans we've seen in the series so far, including a guy dressed in an Elvis jumpsuit for no apparent reason.
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Back at Channel 6, Burne is complaining about April's absence to Vernon and two returning characters from the very first TMNT episode, who presumably have been rehired after all this time. These guys have no official names so I have dubbed them "Handsome Vernon" and "Pete Rose".
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The Turtles confront a robotic meter maid and threaten to destroy it using a fire hydrant if it doesn't cough up info on OMNSS. I actually feel kinda bad for this bot who was only following orders, even if it is most likely an entirely non-sentient machine.
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Throughout this episode we continue to get these tiny glimpses of Baxter's bubbling resentment. This is going to come to a head very soon.
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I don't think anything encapsulates this episode better than this gawky-looking Shredder spinning around to point at OMNSS, giving Baxter a bit of a haircut in the process. So much detail put into this story and yet it's somehow also "off" in all kinds of ways.
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Another example of this can be seen as the Turtles infiltrate the building where OMNSS is housed. Donatello tossing the tracker to April as the Turtles charge into battle is a fantastic little touch that a lesser team of animators might have not even bothered to incorporate, but MAN do our heroes look crude when we see them in close-up.
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The Turtles aren't pretty here, but the animators really come into their own during action sequences. I love these shots where they're taking out wave after wave of machines sent by Shredder.
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Eventually the team are halted in their tracks by an animated hose pipe, in a sequence that's almost as baffling as the magic steering nunchucks from earlier. Fittingly, that same weapon is used here to take out Shredder's security camera while Donatello and April work to shut the water off.
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The Turtles suit up to begin scaling the exterior of the building en route to OMNSS, giving us one of the flakiest bits of animation in the entire episode. From left to right:
Donatello ("D" belt, speaking in Donatello's voice, with Raphael's red bandana)
Raphael ("R" belt, with his correct red bandana)
A SECOND Donatello ("D" belt, this time with purple bandana)
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And then as if all of that wasn't enough, the first Donatello's bandana briefly turns green. If there's one scene in this episode that really could have used a redo, this... might have been it. Actually there's a few definite contenders.
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I don't know that I've ever seen anything in any episode of Turtles that pushes my anxiety buttons as much as April awkwardly clinging to Raphael's shell as he climbs upward from what we're told is "seventy stories high", robots teetering out of the window before falling to their demise the whole time.
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The Turtles finally confront Shredder, Baxter and another wave of robots. Shredder and his henchman escape via an improvised smoke bomb, but the Turtles are confused as to how the robots were disabled. April then emerges from underneath a desk, having successfully shut them down by... unplugging OMNSS from the wall.
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Back in the sewer, the Turtles are alarmed when the shadow of what seems to be another robot, but it's actually just a toy being manipulated by Michelangelo. He gets pelted with slices of pizza for it, and we get another fantastic googly-eyed still to close things out.
In terms of storytelling "The Mean Machines" feels like a routine TMNT episode, with occasional moments of greatness and absolute nonsense in equal measure. From an animation perspective however, this one almost has to be seen to be believed, as it hops back and forth from great frenetic action sequences to looking like a total mess seemingly on a second-by-second basis.
All of which leads me to ask... who's responsible for this?
A cursory examination of the end credits reveals this one is the work of "A-1 Productions", not to be confused with the similarly named anime studio A-1 Pictures. This A-1 is a Korean studio that also worked on episodes of Chip 'n' Dale and Alvin & The Chipmunks. Their Turtles-related output covers both the second and third seasons, so we'll see them again.
Next time: The Eye of Sarnath saga reaches its conclusion in "Curse of the Evil Eye"!
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suelencristina · 3 years
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A NOVA ERA DA CONSCIÊNCIA ESPIRITUAL/HUMANA - ARCANJO MIGUEL
EVOLUÇÃO DA TERRA * PRIMEIRA A QUARTA DIMENSÕES
EVOLUÇÃO DO SISTEMA SOLAR * QUINTA DIMENSÃO E SEXTA DIMENSÃO MÉDIA
EVOLUÇÃO DA GALÁXIA * SEXTA DIMENSÃO E SÉTIMA DIMENSÃO MÉDIA
Amados mestres, os Raios Divinos da criação para a Era de Peixes, que continham os aspectos específicos, qualidades, virtudes, projetos e fórmulas para o processo criativo dessa ERA foram emanados para a Terra e a humanidade por mais de dois mil anos. Esses Raios do Criador estão agora no processo de serem retirados e desligados. Por isso é que as massas, que ainda estão aprisionadas na ilusão e nas frequências vibratórias das dimensões desequilibradas da terceira e quarta inferior, parecem que se perderam. Nada está funcionando do jeito que funcionava no passado, e parece não haver esperança para o futuro. Antigos regulamentos, diretrizes, bem como muitas instituições e organizações religiosas consagradas não são mais confiáveis, e muitas estão caindo no esquecimento. A fragmentação de quase todas as fronteiras raciais, culturais, sociais e políticas no paradigma da terceira e quarta dimensões estão se esfacelando ou sendo desafiadas. A consciência da humanidade está em ascensão, e nada pode parar a dinâmica. A HUMANIDADE ATINGIU A MAIORIDADE, e todos devem seguir o fluxo da consciência expandida ou cair na armadilha da inércia e do caos.
Felizmente, cada vez mais pessoas estão despertando para o processo de voltar-se para dentro, a fim de conquistar um sentido elevado de Autoconsciência, que, em última instância, conduz a um desejo de maior consciência da Alma, por meio das energias do descontentamento divino. Cada grupo cultural, cada raça, cada país na Terra está buscando direção ou um caminho filosófico superior para seguir. Esse fenômeno se deve ao fato de que os Sete Raios da Consciência Divina para a Terra, que continham o Projeto Divino da Era de Peixes, foram quase totalmente retirados e estão sendo substituídos pelos doze Raios de frequência superior e mais refinados da consciência galáctica da Era de Aquário.
Nas etapas iniciais do despertar, antes de uma grande fusão da Alma ocorrer no interior de uma pessoa, não pode haver interferência dos reinos superiores, devido ao dom divino do livre arbítrio, que em última análise tornou-se uma dádiva com grandes e opressivas consequências. No entanto, quando uma pessoa alcança uma assinatura energética, que ressoa com as frequências superiores da quarta dimensão média e acima, ele/ela está pronto/a para afirmar: “Seja feita a tua vontade. Peço pelo meu bem maior e pelo resultado mais elevado para todos”, alinhando, assim, a vontade pessoal com a Vontade do Eu Superior e do novo Projeto Divino para a Terra. Em resultado, um caminho mágico de Luz se estende para essa Alma, através da sua coluna pessoal de Amor/Luz/Vida. Esse Caminho de Luz, muitas vezes chamado de Rio da Vida, conduz a uma autêntica Consciência da Essência, em que cada pessoa, que alcança o nível exigido de consciência, começará a receber a sua parcela especial dos Átomos-Semente codificados e cristalinos do novo Projeto Divino (Missão) galáctico ou subuniversal. Esses novos Átomos- Semente conterão também a sabedoria avançada, os talentos, as qualidades e os atributos necessários para se qualificar como um participante na etapa inicial do processo criativo da nova Galáxia Dourada do futuro.
O processo de evolução está mudando – a estrutura corpórea de toda a humanidade será gradativamente aperfeiçoada e atualizada. Serão fornecidas orientações e instruções para aqueles que se sintonizarem com o seu Coração Sagrado/Mente Sagrada e que colocarem a sua vontade pessoal sob o comando da Vontade Divina.
Até então, as massas viveram em um mundo de consciência ilusória velada, e parece que estão agora enfrentando um futuro, que parece muito com um navio que foi lançado em um mar tempestuoso, sem leme. É por isso que a energia da Força de Vida Primordial, que esteve disponível a toda humanidade durante as eras passadas, não está mais cheia das Sementes Divinas de grande potencial de dentro do antigo Projeto Divino para este Subuniverso. As massas ainda receberão os padrões vibratórios de que necessitam para manter o status quo. E, garanto-lhes que a energia amorosa de nosso Deus Pai/Mãe e dos Seres de Luz sempre estarão disponíveis à humanidade; todavia, a fim de conectar-se ao novo Projeto Divino, que está aguardando cada Alma, deve haver uma sintonia com pelo menos as frequências de Luz da quarta dimensão média. O maior desejo de nosso Deus Pai/Mãe é ver todas as facetas do seu “Ser”retornar à Automestria de modo que possam usufruir o amor, a paz, a alegria e a abundância, que é a Herança Divina de toda Alma. Sempre haverá ajuda disponível dos grandes Seres de Luz, e o reino angélico sempre responderá aos apelos ou pedidos de ajuda. Contudo, há leis universais imutáveis que devem ser respeitadas, e essa deve ser a escolha de cada pessoa quanto a que caminho seguir: o Caminho da Luz ou o caminho das sombras.
Vocês, as Sementes Estelares, que equilibraram e harmonizaram os padrões vibratórios dos sistemas dos seus quatro corpos inferiores, de modo que a Canção da sua Alma esteja ressoando com o quarto subplano da quarta dimensão e superior, estão agora começando a acessar osRAIOS DE FREQUÊNCIA SUPERIOR DA ERA DOURADA DO FUTURO. Há um novo Projeto Divino para este Subuniverso e para cada pessoa que estiver pronta para vestir um brilhante manto de muitas cores – um campo áurico de Luz refinada – o que significa uma prontidão para receber as virtudes, qualidades, talentos, capacidades e aspectos da Nova Era. Essas dádivas maravilhosas estão programadas nas Partículas Adamantinas da Luz do Criador, e elas estão agora disponíveis para aqueles dentre vocês que alcançaram o nível de Automestria exigido.
As Partículas Adamantinas da Luz do Criador são facetas completas da Consciência do Criador, prontas para serem ativadas, programadas e manifestadas em novos e ilimitados esforços criativos. Na iniciação de cada plano subsequente para um novo projeto criativo, as Partículas Adamantinas são codificadas com o Projeto Divino para aquele plano. Essas Partículas Adamantinas do Projeto são, então, enviadas em grandes Raios de potencial ilimitado por nosso Deus Pai/Mãe, que recebeu o comando do Criador Supremo, para o novo projeto que está para ser manifestado nos domínios materiais. Os pensamentos-semente do Pai Divino, que são, então, irradiados do Útero Cósmico da Mãe Divina, são conhecidos como GENES DA ESSÊNCIA.
Vocês possuem genes em sua estrutura do DNA de todas as diferentes dimensões que vocês já experimentaram. Vocês, as Sementes Estelares, estão agora em um estado de preparação, que vai condicionar os seus atuais sistemas de quatro corpos, para receber esses Genes da Essência, juntamente à sua nova Missão Divina. Esses Raios poderosos de frequência superior contêm as Células da Essência do Criador para o Projeto Divino da Nova Era Dourada, e eles estão sendo irradiados por todo este Subuniverso, através dos grandes recipientes brilhantes dos Elohim e do reino Arcangélico. Essas frequências vibratórias são reduzidas a cada subplano de cada dimensão. Se não fosse assim, todas as manifestações materiais, inclusive a humanidade, se queimariam devido à força/intensidade eletromagnética da Energia do Fogo Sagrado.
O SAGRADO FOGO CÓSMICO BRANCO, as Partículas Adamantinas, que vocês atraem para si como Mestres de Si Mesmos despertos, deve circular de maneira contínua. Apenas certa quantidade – que é a adequada para cada Alma integrar em seu nível atual de iluminação pode ser armazenada dentro do receptáculo físico; o equilíbrio deve ser irradiado em direção ao mundo da forma.
O Criador Supremo compõe-se do Poder da Essência, infinito e indefinível, que é tão avassalador que vocês não podem nem imaginar a sua magnitude. Esse maravilhoso Poder da Essência foi reduzido dentro de cada plano da Criação para que vocês, as cocriadoras Sementes Estelares, pudessem reivindicar a sua parcela desse poder potencial magnífico. Cada Ser humano possui centenas de características de personalidade, em potencial, que foram guardadas na estrutura genética dos sistemas dos seus quatro corpos (físico, mental, emocional e etérico). Depende de cada pessoa determinar que características de personalidade ele/ela vai desenvolver e apresentar ao mundo exterior. Quanto mais rápido neutralizarem ou harmonizarem suas características negativas de personalidade, mais rapidamente o seu potencial divino ou de Mestre de Si Mesmo emergirá. Somente, então, vocês terão acesso ao seu pleno potencial como mestres cocriativos nos planos físicos da existência.
O seu planeta está agora conectado diretamente ao coração/núcleo do Grande Sol Central, dentro da Galáxia da Via Láctea. As novas ondas cósmicas da Luz do Criador são uma grande dádiva para as Almas despertas no planeta Terra. Embora esses Raios refinados, de frequência superior, não estejam sendo irradiados diretamente para a quarta dimensão inferior e para os níveis subdimensionais da terceira dimensão, as frequências transformadoras de Luz vão, de modo gradativo, penetrar e afetar a todos e a tudo sobre a Terra e em seu interior.
Os cientistas anunciaram que uma barreira formada por uma parede de hidrogênio foi descoberta na borda deste sistema solar. São essas membranas de Luz de que falamos no passado. A ciência e a espiritualidade estão confirmando e consolidando muitos ensinamentos conceituais e teorias do passado à medida que mais Seres humanos se conectam aos recursos da Mente Sagrada.
Como resultado do seu alinhamento com o Centro Galáctico, e a sintonia com o Grande Sol Central da Galáxia, a Terra está no processo de elevar seus padrões de frequência – Canção da Alma – de modo que possa retornar ao seu status de Planeta Sagrado. Este Subuniverso está sendo também atualizado nas frequências vibratórias como resultado de ser bombardeado com as Partículas Adamantinas da Luz do Criador, através de nosso Deus Pai/Mãe universais.
A Galáxia da Via Láctea também está dividida em doze setores, assim como o universo está dividido em setores subuniversais, e cada setor dentro da Galáxia possui um Conselho de Doze, que governa. Felizmente, vocês estão obtendo uma compreensão melhor quanto à importância dos números 12 e 144, porque esses números se aplicam a muitos aspectos da criação por todo este Subuniverso.
As codificações da sua consciência estão constantemente sendo modificadas por seus pensamentos, intenções e ações positivos ou negativos. São-lhes oferecidos testes de tolerância, benevolência, humildade e paciência, e as suas visões culturais estão sendo desafiadas igualmente. Cada dia, os pensamentos-semente, que contêm os padrões de frequência negativa desses aspectos, vão encolher e desaparecer quando vocês deixarem de alimentá-los com a energia.
Nós lhes ensinamos a se tornar “uma meditação viva”, em que vocês são capazes de funcionar de modo eficiente, em seu ambiente terreno, enquanto mantêm um equilibrado Estado Alfa de Consciência. O próximo passo é esforçar-se para viver em um estado constante de alegria e gratidão, tornando-se, assim, “uma oração viva”. À medida que se tornarem mais competentes, como cocriadores no plano terreno, vocês devem monitorar constantemente os seus padrões de energia e procurar aprimorá-los. Devem se empenhar pela harmonia constante e pela expressão divina aperfeiçoada. Devem liberar o poder do Fogo Sagrado interno, que, para a maioria, tem permanecido latente durante milhares de anos. Devem se esforçar para direcionar e concentrar sua energia nas áreas de sua vida que vocês gostariam de mudar. Ao estabelecer e aperfeiçoar constantemente sua Roda da Vida do Criador, vocês estão plantando as sementes da mudança focalizada, e serão providos do Fogo Sagrado da Criação necessário para manifestar o que vocês imaginaram. O seu principal objetivo deve ser conquistar a Automestria enquanto estão no veículo físico. Quando os seus esforços são direcionados para o bem mais elevado de toda a humanidade, dá-se uma dispensação especial, e uma medida maior da Luz do Criador lhes será disponibilizada.
Imaginem, meus queridos, como seria a sensação de se ter acesso ao suprimento ilimitado da Essência Divina do Criador. Visualizem-se como um grande vórtice de energia, pulsando com poder, enviando grandes Raios de cores luminosas, irradiando ondas de energia e criando toda e qualquer coisa que o seu Eu da Alma puder imaginar. Percebam como se sentiriam à medida que as energias que vocês projetam, rodopiam e se solidificam, como estrutura e forma, tornando suas criações perceptíveis, belas e exclusivas, além dos limites, pelo poder dos seus pensamentos, amor, emoções e imaginação inspirada. Estamos nos empenhando em ajudá-los a compreender por que vocês e a Terra são tão importantes durante esses tempos caóticos em seu planeta. Nesta experiência galáctica, a Terra é o lugar para se estar durante este período extraordinário de evolução das espécies e da expansão deste Subuniverso.
Construam sua visão, meus corajosos e fiéis. Comecem no centro do próprio Coração Sagrado e reivindiquem esse poder e magnificência que são a sua herança divina. Em seguida, comecem a irradiar esse poder e perfeição para o seu receptáculo físico, e externamente, para o seu mundo: relacionamentos, local de trabalho, comunidades, país e mundo. Permitam que tudo o que não lhes serve mais continue em seu caminho de limitação ou se reúna a vocês no reino das frequências superiores de potencial ilimitado, através do processo de transmutação. O caminho em direção à Luz e o caminho que segue em espiral ainda mais para a escuridão têm agora que chegar a um ponto distinto de separação. Vocês estão sendo forçados a enfrentar, de uma vez por todas, as sombras residuais do Self – todos os desequilíbrios e restrições que os estão impedindo de serem plenamente capacitados à Autorrealização. Ser Mestres de Si Mesmos não é para os tímidos ou fracos de coração, queridos. Aceitem minha Espada de Luz, que está codificada com O PODER DA VONTADE DIVINA de nosso Deus Pai, e aceitem um brilhante CÁLICE DE AMOR/LUZ de nossa amada Deusa Mãe, enquanto avançamos corajosamente para o alvorecer da nova ERA. Estou sempre perto para guiar, dirigir, inspirar e proteger a todos vocês.
EU SOU Arcanjo Miguel.
Canalizado Por: Ronna Vezane - 01 de maio de 2019
Fonte:https://www.starquestmastery.com/
Tradução: Ivete Adavaí Brito - [email protected] -https://adavai.wordpress.com/
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tedkaymusic · 3 years
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Solo and mc98 and Subuniverse and double bass e900
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