the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:
P2 Layers glyphs take from the mongolian script:
while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)
the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)
some of the sigils also look either in part or fully inspired by Phags Pa script letters...
some look closer to the mongolian or vagindra (buryat) script
looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):
shaped and reshaped...
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So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.
The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.
You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.
And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.
Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".
His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.
But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.
Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.
And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.
I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.
He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.
He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.
He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.
He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.
But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.
I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.
Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.
I don't know, I just have a lot of thoughts about his character.
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i think there's something really beautiful about carpenter distancing herself from the trawler man every chance she gets and still getting showered by miracles while faulker, oh he of strong convictions, gets to bring the miracle of the trawler man to everyone around him but never quite gets to ascend to glory himself. i just love that they're both perfectly poised to stare at each other and each think "your goals are backwards and your methodology is dumb and possibly sacrilegious" and then still end up as something close to friends
also let's talk about how, despite these dynamics, at the end of the day, the trawler man is really just trying to give each of them what they want from him.
MMM YEAH. carpenter being beloved by multiple gods despite being such an ornery bitch who wants NOTHING to do with their sacrificial bullshit..... it really gets me. as does faulkner's ongoing crisis of faith and spiral into Faithless Cult Leader (TM). SO GOOD.
perhaps only tangentially related, but.
i've been thinking a lot about faulkner killing roemont lately. i was surprised that roemont's death ended up Breaking My Fucking Heart -- a real testament to his voice actor!! the whole pathetic old man losing everything he's worked for really.... Got To Me. ough. "don't you recognize me?" OUGH.
but i've been thinking about it in the context of faulkner's crisis of faith, too. because like. faulkner Knows that roemont is faithful. he considers roemont a heretic for trying to legalize the worship of the trawler-man, but it's like....
i feel like. killing roemont was a test of the trawler-man that faulkner devised on purpose. because if roemont dies due to the prayer marks that faulkner scrawled, then there are two possibilities:
1. the trawler-man really IS furious that the high katabasians want to legitimize the faith; the trawler-man really IS on faulkner's side; this schism really IS necessary to keep the faith "pure," and faulkner has never done anything wrong;
OR
2. the trawler-man really IS nothing but a mouth. this isn't a god with a plan or with sentience or with feelings, this is just a living river that chews things up and spits them out, and it doesn't care for its followers at all. and if that's the case, then faulkner is betraying nothing by being a faithless cult leader lying repeatedly to his people.
faulkner is devastatingly clever and constantly being underestimated. but he's also completely alone in the world. and he's Desperate for any sign that the choices he's making are the right ones. and he can't find that sign in anybody close to him, because he keeps destroying the lives of those close to him. so he has to devise his own trials....
hrugh. my boy. my boy my boy my boy.
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Okee Osis
Mother of the Crop
This is my latest spirit mural piece, which brings the total up to 7? I think? I've lost count. These pieces are some of the most creatively challenging for me, and this one definitely took a lot of brain power to pull together. I make these to show the deities that exist in the world I'm building.
This is Okee Osis. (Okee is a honorific, you can just call her Osis) Osis is a eldrin (high spirit) of nature. The old story goes that long ago a nomadic people traveled the land as far as they could, heading east. Eventually they found themselves in a desert. They pushed forward, believing that one day they would find vegetation and a place to call home, but eventually the sands ran out and turned to cliffs overlooking the ocean. Too weak to head back the way they came, they were devastated. That is until some of the people paid tribute to Okee Osis and begged for her to save them. Osis, was always skeptical of people, but could not turn away from those is need, so she blessed the sandy landscape with a new types of vegetation the humans had never seen. Fruits, wheat, and vegetables that thrived in the sandy climate. Over the years, the people turned the land from a sandy desert into a thriving community. They vowed to always respect the land and protect their sacred bond with Osis.
Here are some close-up shots of the mural:
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starting around 2nd grade or so, i came up with this fantasy world with fantasy animals that can all communicate with each other, and it gradually evolved folklore and a collection of gods that i never quite decided were real or not in-universe
a key figure in said folklore was the god of darkness and ice (and cold and death etc etc) who was stripped of her powers and sealed away by the other gods for being too destructive for a few centuries, gets released by her followers, and regains her powers by gaining the following of the daughter of the 2 most powerful gods, light and life (ie the manifestation of spring), who'd hidden her in a regular village because her physical form was the same species as that of the god of darkness n ice n stuff
i haven't actively worked on anything from this world in a good while, but it came back to me a few days ago and i had the thought that eventually the dark god has a conversation with the god of plague (who's actually the manifestation of entropy and much older than any of them thought) and realizes that she's not cold or darkness or whatever, she's not a destructive force or an absence, but a manifestation of the universe itself trying to reach equilibrium
so she starts to make peace with the other gods because she no longer sees them as competitors but as a part of herself, and she now knows that even without her intervention she'll outlast them and probably see other planets arise with their own gods and she'll outlast those too, until it's just her and entropy
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