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#star power make up
sailorsenshigifs · 29 days
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socksandbuttons · 6 months
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Things i originally drew for Let Lunar Say Fuck wiht my Lunar AU's but forgot about em. We got my Sun!Lunar babysitting Baby Lunar, universally he's still capable. Nice Eclipse/Solar is also still weirdly against swearing. Baby... Can hear ALL. Then we got Lord Lunar from that one canon dimension with Servant Eclipse. They're more brotherly than you think.
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linktoo · 1 year
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something about teru's continuous struggle to be humble. something about mob's teaching was the reason why he wanted to temper his ego. something about him facing off something that calls itself god, and also with the likeness of mob ohhh this is so fucked up
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"I am god" and he looks like the one person teru genuinely looks up to. his fight against the brainwashing is him refusing to bow down to anyone. god and faith and pedestals and prayer and reverence. guys. GUYS
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grace-nakimura · 7 months
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LEIA ORGANA SOLO + TITLES.
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feroluce · 7 days
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
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So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
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and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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lucy-moderatz · 3 months
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herwoahno-after-dark · 4 months
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I’ve been thinking on and off about this post @boyrobott
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I came to the conclusion that 1980 Astro could really have used a sling bag or fanny pack to carry spare cassettes
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See, they’re even out of the way of his darn butt guns 😂 how many times could he have avoided trouble by having even *one* extra battery on his person? But then we wouldn’t have an episode…
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leonisloresmith · 1 month
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This is the post where I admit I have a psychonauts 2 future au in which everything is normal except mythological creatures, aliens, etc are real and many hide as humans. This au is about how some of these characters would deal with the reveal and the secrets their friends and family have been keeping from them.
I’ve largely built the world as a separate original story but it’s a perfect playground to throw these characters in. I couldn’t help myself.
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pynkhues · 5 months
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I recently read an article in which Quentin Tarantino stated that fewer movie stars exist as a result of "Marvel movies in Hollywood." I think Jennifer Aniston made a similar argument before saying that there are no longer any movie stars. I'm not sure what that means. I can think of a lot of movie stars right now, such as Zendaya, Timothee Chalamet, and Zoey Deutch etc. what do you think? I'd love to hear your thoughts on this and Quentin's comments.
QuillBot's
Months ago, when you sent me this ask, anon, I wrote out a really long reply and as soon as I hit post, my laptop crashed and ate the answer, and I was so annoyed at myself for not saving my reply, that I couldn't bring myself to try and re-write an answer. I'm really sorry for that, especially because I think this is such an interesting ask (or well, two asks, because I think the death of the movie star and the impact Marvel's had on the broader concept of a movie star, are kinda two different things).
I've been thinking about it a bit again recently though, particularly as the Oscar race gears up, and Jacob Elordi and Charles Melton''s respective stars are rising in an industry currently desperate to find the new young Hollywood male 'talent', and I've been thinking about it again because honestly?
I agree with Jennifer Aniston, I think the movie star is dead.
We are a long, long way from Golden Age Hollywood where actors like Cary Grant and Marilyn Monroe could captivate a public imagination in a way that translated to big box office effect, after all. Hell, we're even out of New Hollywood, an era dominated by names like Al Pacino, Jack Nicholson, and Jane Fonda, and the Blockbuster era with Tom Cruise, Sylvester Stallone and Harrison Ford.
My original reply went into a lot of the different reasoning as to why this is (like with many things, I don't think there's any one reason for it), in particular how the advent of streaming has changed our relationship with films and TV shows, how the saturation of the market has diluted the staying power of celebrities, how social media and the perceived accessibility of celebrities removes personal mystique which in turn removes intrigue and increases a sense of entitlement, and the fact that so many people having stopped going to the cinema means that the experiential element of seeing a film in a setting larger than life has been diminished.
I think call out culture plays a role too, with any actor on the rise being torn down by tweets they made eight, nine or ten years ago impacting how their star rises, I think the dismantling of the studio system (which is a good thing!) also harmed actors in the long run as studios stopped investing the same resources into making and training stars (they used to be able to sing, dance and act! Now some can barely even act!), and I think, of course, the rise of prestige TV changed the industry substantially (after all, movie stars were movie stars - they traditionally did not, and would not, do TV, which created a clear class structure in terms of screen-based storytelling).
And yeah, I think the language shift from film and TV to content has done irrepairable damage to the artistry of filmmaking and the consideration of a movie star as an actor at the top of their field instead of an actor with the most Insta followers or YouTube subscribers (after all, if everything's content, isn't it the same thing? [no lol]).
Which I guess is kind of where Quentin Tarantino's argument comes in, right? What he's saying is that Marvel's made it so that the IP - the content itself - is the star, not the actor, and I'd say he's probably right with that.
Think of it this way - back in the New Hollywood/Blockbuster era, Harrison Ford was the movie star - he was leading new franchises left-right-and-centre between Star Wars and Indiana Jones, sci fi epics like Blade Runner, leading action thrillers like Patriot Games, The Fugitive and Clear and Present Danger and getting nominated for Oscars for Witness.
He was a movie star in every sense of the word because you could hinge a film - one with a new concept, not just remakes or sequels - on him and be virtually guaranteed a success. He was what sold the tickets, the director just hopefully had to make something good enough people would leave the cinema glad they saw.
Tarantino's argument is the Marvel model - - hell, even the new Star Wars properties, turned the franchise into the star, for better or worse, which means original films can't compete because nobody knows the IP. Back when Harrison Ford was at the top of his game, his name was what helped original films including smaller, standalone works like Witness find an audience, but the studios have changed that. Capitalism has changed that.
Properties with existing audiences and deep pockets for merch were prioritised, only now those franchises are faltering and you've got a generation trained that 'cinematic events' are reserved for blockbusters in established universes, instead of taking a risk on a new film because you know you love an actor who's in it.
Do I think we could go back?
Maybe, but probably not.
I think the place we are now in the history of cinema / TV / 'content' means you can't make a movie star anymore because I think the industry is simply so different that no actor can break through in the same way that even Leonardo DiCaprio could 30 years ago. That industry doesn't exist anymore, actors aren't guaranteed draws (Bones and All proved that for Timothee Chalamet, and Wonka I think could go a similar way), or they have to heavily rely on other industries to become household names which I think dilutes them as a pure 'movie star' (Zendaya's a great example of this - I like her a lot, but how many movies has she even been in? They built her career up in peripheral industries long before they tried to sell her as a movie star, and frankly, I'd question her even as a leading actress yet given she's typically only either been in ensemble casts or clear supporting).
It's a whole new world, and yeah, I think the movie star is dead.
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sailorsenshigifs · 27 days
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disappeareddraws · 4 months
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man i drew this back in october and totally forgot to post it til now oops... anyway go read the webcomic castoff / @castoff-comic its a fun time with fun characters
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astarlightmonbebe · 4 months
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it's easy to read the situation between li tongguang, ruyi, and yuanzhou as a love triangle on a superficial level, but looking even one step further, it's clear that there's no triangle about it. li tongguang is obsessed with ren xin; ning yuanzhou is devoted to ren ruyi. ltg's obsession is fervent and all consuming, but it's not devotion. like ruyi herself notes, his feelings to her are on the basis of her as a mother figure in his life, as a replacement for what he never received from his mother. is there an element of romantic/sexual love/desire to it? maybe. more likely he's deluded himself into thinking that, because the truth is, it's doubtful that ltg even understands what love is (platonic, filial, familial, romantic, all of the above, etc), because he has no basis for understanding. ruyi's teachings and actions towards him are the closest thing he has to hold up as an example. what he wants is ren xin, is a replica of the master he had. he doesn't want ruyi, because he doesn't actually care about ruyi. therefore, he doesn't care if she's sad, angry, mad; he just can't bear her 'abandoning' him. we saw this way back when she first meet and left him, both at thirteen and seventeen. although he distrusts her first, she saves his life and cares for him in the way no one else has, hence her first being raised on a platform in his mind. when she leaves for good, ending their master-disciple relationship/training, even though it's for official business and she's not abandoning him, in his mind that's exactly what it is. so now that she's in his life again, he won't let her leave again. he was powerless before, a child with no proper name, but now he's a recognized member of the imperial family, a man who can meet her as 'equals' (even when that's far from the truth). as a child, he could only cling to her legs and beg her, but now he has the power to keep her by his side. it's telling that when he finally gets confirmation of her identity, it's not ning yuanzhou he seeks to harm (even though he detests him and their relationship), but yang ying. yang ying is ruyi's new disciple, and as ltg doesn't know she's a woman, he only sees her as his direct replacement.
ning yuanzhou, on the other hand, is devoted to ruyi. he wants to build a new life and future with her, instead of slotting her into a spot in the life he already has. he's someone who accompanies her on walks and makes her midnight snacks, who holds her when she needs to be held and lets her go when she needs to do things on her own. when she speaks her mind, he listens, even when it makes him discontent/it's not what he wanted/wants to hear. he sees her unabashedly as his equal, and though he acknowledges her skills and abilities, or points out her naivety, he never does it to belittle her; to him, she is his peer, deserving of the highest honor and respect. he trusts her to have his back, and she has come to trust him to have her. he did what she might have thought no man would ever do: he proved himself reliable, so she came to rely on him. yuanzhou gives her freedom and autonomy as both ren ruyi and ren xin. of course they run into problems, but they both learn and grow from them, as individuals and as a couple. yuanzhou's belief in her is unwavering, but adaptable, whereas ltg's is unwavering, but frozen in time, disallowing for any new information to be presented. yuanzhou works with ruyi to accept the changes thrown her way; he seeks the core behind her actions in order to better understand her. li tongguang cannot accept the changes in ruyi's character, because they run contrary to the master he has on a pedestal in his mind.
what li tongguang wants is to return to the past, but yuanzhou offers ruyi the promise of a future, even one that might never come to fruition. there's no triangle about it.
#star stumbles#my thoughts#a journey to love#一念关山#cdrama#written right after watching ep 26#hope i explained it well#honestly i have a lot more thoughts about this ep and ruyi/ltg but that's still a separate post that will happen. well sometime#maybe after ep 32 idk#it's just the juxtaposition between entering a room that is a shrine to the person she is trying to leave behind#and going home to a man who makes her wonton soup and accompanies her on her revenge journey#who offers his own insights and thoughts but lets her lead the way when it comes down to it.#he gives her ultimate control over her own journey. and ruyi who has never had that freedom of course is drawn to him#oh and one more point that didn't make it in#ruyi's confrontation about how ltg is unwilling to give up his power and success is further proof of his obsession =/= love or devotion#it's not that ning yuanzhou WOULD necessarily give up those things if she asked him to#but he would respect her enough to let her go if he knew he was unwilling to give up his position#of course nyz right now is someone who is planning on retiring and living a quiet life away from it all#which is appealing to ruyi#but ltg obviously won't give up his name and success. he wanted an imperial name but now that he got it the avenue has opened up#we saw his big dreams early on in eps 4-5 (before the character butchery...though i can't really call it that since it makes sense#but still drives me insane)#and of course he won't! for a neglected illegitimate child with no power even gaining a sliver of it is just the beginning#and ruyi is honestly so far from the court in that she might have been close with empress zhaojie#but her understanding of the court is very ignorant. not in a bad way but she was a weapon so of course she didn't have to understand that#she just struck when told to. the power games of the court are basic knowledge but they still shock and confuse her#so it's also a thing about living two different lives and different paths#even though yuanzhou and her are on different ones theirs are still compatible#at this point in their lives. as they said earlier if they had met earlier they probably would be trying to kill each other
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moonshynecybin · 2 months
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I think a lot about how vale would rather k*ll himself than cry in front of a camera, like nobody ever saw that man shedding a tear. he really wants to be THAT though guy 🤨
i get it thoughhhhhh!!!!!!! like imagine EVERY aspect of your life since you were literally a TEENAGER has been exposed to the public for consumption and interpretation and worship and ridicule!!!! imagine loving the place you're from SO much, but refusing to live there for yearssss because you get mobbed by press and fans who want a piece of you. literally every time you step foot in the country. every time you go on a date —or simply dare to exist in public— there are news articles and pictures in the tabloids and people commenting on social media....
like after #TAXEVASIONGATE he felt the need to build a self-sufficient ranch slash mansion where he can practice privately (no paps !) and where he only invites people to come to him if they wanna hang out. like NAUR he wouldnt want to afford people any access to his soft little underbelly and the things that make him feel vulnerable, because he knows that they will be broadcast with a MEGAPHONE to every person with an internet connection on earth !!!! (which even HIS FATHER DID TOO). like. it would color a person's relationship with their emotions in all contexts of their life methinks !
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reitziluz · 1 year
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Unbidden, he remembered the first time he had woken up on the office couch after hiring Serizawa. One of the bath robes for the clients in need of more hands-on exorcism had been carefully spread over him. For the rest of the week, Serizawa had hovered around him, subtle as a bear. He hadn’t minded it at all, having all that worry and care and affection wrapped around him like a warm blanket. “It’s different in practice. It’s different… with you.”
Days Spent Dreaming Shit-All, chapter 2: Theory and Practice
[read on ao3]
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moghedien · 24 days
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I’m so sorry Lae’zel for romancing you as the cthulhu hentai warlock who’s has more idiotic curiosity than sense in every circumstance she’s in and will absolutely info dump to everyone and let a mind flayer poke around her head even after the last time that happened
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starrysupercell · 1 year
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Not Supercell making the Bros completely inept to make it seem like Maisie's cool 😭😭
Don't fall into those types of tropes, you're better than this!!
Let Fang be badass and rush into things, let Buster be kind and protective of others, let Maisie be badass AND protective.
It undermines Fang-
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-Buster-
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-and Maisie!
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Let her shine on her own!
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