I’m not sure if your comfortable with it, but if it’s alright, can I request Billy Lenz and the reader (established relationship) having some sort of conversation on his past and the reader comforting him?
this one is rlly sad im sorry :(( this is mostly hc since i've only ever watched the original 1974 film, so idk if this lines up with the canon from the other movies. from what i know about it, i think it's similar. no mention of agnes in this
warning: sa of a minor mention, please do not read if that bothers you. also, reader insert was abused/beaten by their mom. very sad take care of yourselves please
☾⋆⁺₊ billy lenz x gn!reader
Night fills your bedroom and coats itself on the floors and walls, except for where the yellow streetlamp spills in past your curtains. Sparing a glance to the alarm clock on your bedside table, you see the time is so late it could already be considered early.
Still, you can’t think about sleep; not when Billy is laying beside you and the house is blissfully empty, two things so rare that it almost seems serendipitous. You’re not one to look a gift horse in the mouth, so you keep staring at the ceiling and let the warmth of his body radiate into yours.
“Billy,” you whisper into the quiet room. “Are you asleep?”
You can hear him grunt and squirm beside you, and you feel bad for waking him. It wasn’t often he got a full night’s rest on a bed, and you knew for a fact that there was no mattress in the attic. There were only so many chances to have Billy and the house all to yourself, though, and you don’t want to squander it.
“Billy,” you say again, nudging him with your foot.
He grunts again, but it sounds more cognisant than before. He reaches over himself to pat your arm, almost like he’s quieting down a noisy cat, and you can feel his hand trail down to your own. His palm covers the back of your hand, and he threads his fingers in between yours, curling them down together.
It’s a gesture so sweet that you’re tempted to let him fall back asleep. There’s no helping your addiction to him, though, and you tighten your fingers on top of his.
“I’m not tired,” you say with a pout. “I wanna talk.”
This time, Billy groans, low and long. You think it might be out of annoyance, but you can feel him stretching out beside you, straightening his long legs underneath the covers. He huffs when he’s done, eyes blinking open.
You love his pretty eyes, an orangey amber that you were always getting lost in, no matter how unsettling they could be. It always felt like he was staring into you, like he could see the marrow in your bones.
You loved his intensity. It made you feel alive when the rest of the world was tired and grey.
“Hi,” you say, reaching over with you unoccupied hand to touch his jaw. “I didn’t ask before. How was your day?”
He’s quiet for a long time, and you wonder if he can fall asleep with his eyes open, but then he says, “Bad.”
The word hangs in the air. Billy’s face gives up nothing, a blank page with no words of his own to say. You frown and pull your hand back from his face to rest on your own chest. The other stays in his hold, neither of you willing to let go.
“I’m sorry. Do you want to talk about it?” you ask, although it doesn’t surprise you when Billy shakes his head against your pillow.
“Okay.” You squeeze against his fingers again, pulling gently on his arm so that it rested more heavily on top of you. The bedroom air is quiet, but your mind continues to race. It’ll be good for him to get it off his chest, you tell yourself.
“Is it something old or something new?”
He thinks about your words for a while, but then you hear him mutter, “Old.”
“Bad memories?” you ask, looking back at him. He blinks at you, then nods.
“I get bad memories, too.” You lean against him slightly, and glance up at the ceiling. “From when you were a kid?”
This time, Billy shrugs. You know you shouldn’t push him, but your heart aches to see him hurt and to not have the rememdy.
You turn around and let go of him for only a moment. You search for his hand again, this time with the opposite one to press your hands together, palm to palm. Your fingers entwine so easily, so naturally, that it makes your heart ache.
Maybe he just needs to know he’s not alone in whatever bullshit he’s had to endure in his life. Maybe it will help to know that you have bad memories too.
“My mom used to hit me,” you admit quietly. You stare at the way your hands mesh together, with your nails polished and Billy’s own chewed up. “She used to take my stepdad’s belt and hit me with it. Used to just be the leather part, but then she would swing the buckle at me too. She broke a tooth, but it was just a baby one. My adult teeth grew in alright.”
You keep your voice casual as you speak, because facts are facts, and there’s no reason to get upset about something you can’t change anymore. Besides, you reminesce about your childhood so infrequently that it feels like it all happened to another person.
You remember the beatings like you’re watching it happen to someone else – something else, because you don’t feel bad for them when they can’t sit at school because of the welts on their ass. You don’t bat an eye when their mom has to take them to the doctor to reset their broken nose.
“Bitch,” Billy spits out from beside you, and you have to laugh at the venom dripping in his voice.
“I don’t talk to her anymore,” you tell him, smiling sadly. You glance at him, but it’s hard to look at the mean look on his face. It probably isn’t for you, but your mind is traitorous and too sensitive.
Even worse, Billy could be mad on your behalf. No, you can’t think about that either, not when you’ve spent so long pretending that it didn’t really happen.
“Anyways. All that to say, I know what it’s like, having bad memories. You don’t have to tell me, just… I’m here for you,” you say, running your thumb along his hand where they’re still locked together.
“Want to,” he mutters, voice croaking unnaturally as he speaks in his own voice.
Quietly, you release his hand and instead wrap yourself around him, laying partially on top. He lets out a heavy sigh as you settle, with your arm coming up to rest by his head and your same-side leg resting over his hips. He watches the ceiling, and you watch his face from where you lay your ear to his chest
“Bad billy. Disgusting,” he mutters, and you pet his cheek with the back of your hand.
“I don’t think so.” You keep your voice careful and quiet, but he sighs and its agitated. Pent up memories start to overfill, and you can see it on his face.
“Mommy,” he starts, but his voice breaks and he coughs to clear his throat. “Mom. Fucking hate her. I hate her. Stupid fucking slut. She’s disgusting. Not me. Not Billy.”
You take your hand away from his face, watching how his expression continues to contort, mixing between anger and disgust and fear. It wrenches your heart in your chest.
“You’ve been so good, Billy. You’re not disgusting.”
“I hate her. I hate her,” he chants again. “Oh, Billy! Shut up!”
When he says his own name, it sounds like a feminine moan. You almost don’t understand, but the implication dawns on you only a moment later. It’s not difficult to piece it all together: his rage, the names he calls himself, the moan. You feel sick.
“Hey, we can stop,” you try gently, but Billy either doesn’t hear you or doesn’t want to stop.
“No one needs to know, Billy. Be a good boy.” You can’t look at his face anymore, the ugly way it scrunches up hurts you down to you core. Guilt claws at you from inside, and you wish you knew the right thing to say but you don’t. The truth, you decide, is enough for now.
“I hate her, too,” you tell him, and it sounds a little wet. You don’t let yourself cry, but your heart breaks for a younger Billy, afraid and confused.
“That’s my mom,” he says. You don’t know what he’s trying to convey when he says that – if he wants you to pity her, or if he’s sharing his betrayal with you. He whines, a painfully soft noise that gets trapped in his throat.
Gently, carefully, you card your fingers through his hair where you can reach, and you kiss his shoulder.
“She’s gone. She can’t hurt you anymore,” you tell him, although you don’t know if it’s true. You do know that, as long as you’re by his side, there’s no way you’ll let that woman touch him again.
“I wish I could kill her,” he says through clenched teeth. His voice is thick, like he might be crying. You can’t bare to look. Billy’s grief melts into you like it’s thermodynamics, heat into cold, and you can only hope that you can take some of his and ease his mind.
“How would you do it?” you whisper, pressing your hand over his hammering chest.
“Cut… cut her head off. Smash it like a pumpkin. Oh, Billy! Good boy, Billy. Shut up!” His voice breaks when he shouts. He coughs, then gasps for air, his breath shaking as he fights against the tightenness in his throat. “I’ll turn her teeth into pumpkin seeds,” he snarls.
Without warning, you move yourself to lay completely on top of him, pressing against his body with your body weight. He groans, and you’re sure you must be squishing him, but he doesn’t complain. In fact, his arms come up around you, hooked under your arms and pressing you against him with his hands at your shoulders.
“I’ve got you,” you tell him, pressing your face against his neck. “You’re okay now. It’s just us in here. Just me and you.”
“I hate her,” he whimpers again. “I hate her. I hate her.”
You don’t say anything, because you don’t think there are any words that could possible take away his hurt without also being a complete lie. Underneath your body, you can feel Billy start to relax, grounded back to reality from the rotten memories playing in his head.
“I’m sorry today was a bad day. We can have a good one tomorrow,” you say. It’s an impossible thing to promise, but you mean it like one. You’ll make sure Billy has a good day, whether fate wants it or not.
“Okay,” he murmurs. “I’ll kill your mom too.”
“Thank you,” you say. You kiss his temple, and he leans into your lips.
© slicznymartwy 2023, please do not repost or copy.
a/n: reblogs and replies are really appreciated
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
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