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#sorry lol this is very all over the place
foreingersgod · 2 days
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So so you wanted a small town reader request so I thought of this one. She she’s from a southern small town and plays basketball for the SEC team of her state, she really made a name for herself there, but wants to broaden her horizons so she enters the transfer portal and somehow ends up in Iowa where meet Kate who is OBSESSED with her southern accent. Then it’s just Kate trying to show her interest bc reader is totally oblivious until one of their teammates says something
Southern Charm . KM
pairing: kate martin x reader
synopsis: after transferring to iowa’s basketball team to broaden your horizons, you end up meeting someone who changes your life
A/N: i got a request to do another country fic like this one with kate, so expect one with ‘country kate’ here soon!
also, i’m not very proud of this one so i’m sorry if it’s genuinely shitty lol :’)
NOT PROOF READ
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ever since you were little, maybe 7 or 8, you were fascinated with basketball. growing up in texas you were exposed to a large following of sports and hard core fans. your family was always repping the pro and college teams of your state with pride, attending several games throughout your childhood. basketball in particular held a special place in your heart. you remember watching the university of texas’ basketball games with your dad, absolutely enthralled by the game. it didn’t take long for your parents to get you involved in the sport. you played in small teams as a kid then on your schools girls basketball teams in middle and high school. and with a lot of hard work and determination, you got into the university of texas to play on their women’s team.
while playing for the university, you made quite the impression on basketball fans. you were quick, had unbelievable stats, and extremely adaptable. you were a pretty valuable player in most eyes. but after two years at the school, you started to feel restricted. there wasn’t a whole lot for you to improve on your skills so you made a drastic decision to enter the transfer portal.
it was an emotional decision. realizing you would be leaving teammates behind as well as your home state was hard, but you longed for something greater. not long after entering the portal, you had transferred to the university of Iowa. you were ecstatic despite having to move away. it was time to broaden your horizons and hopefully expand upon your skill set.
˗ˏˋ ´ˎ˗
you had arrived in iowa around a week ago and you were still adjusting. figuring out where all of the buildings were, where the dining halls were located, was a lot for you to handle. hell you could barely remember how to get to your dorm at this point.
you haven’t even met your new teammates, practices not starting up for a couple of days. the anticipation had you extremely nervous.
what if they didn’t like you?
what if they thought you sucked?
the days leading up to your first practice were consumed with these uncontrollable thoughts. but as you laced up your shoes and grabbed your duffel bag, heading out the door, you felt those nagging thoughts dissipate.
when you arrived for practice, opening the large metal doors to the gym, it almost felt like you were right back at home. you wandered over to where the team was warming up, hearing the squeak of the polished floors. quickly, looking up from her clipboard, bluder spotted you a few feet ahead. she met you on the sidelines to officially greet you for your first day.
“ah, YN!” she announced, grabbing the attention of the other girls “nice to see you again, glad you could join us. let’s get you introduced and settled in”
her smile was welcoming as she motioned for the girls to huddle up. everyone gathered around, you being the center of attention as you looked around awkwardly.
“team, i’m sure you’re all aware of our newest member, YN” lisa said “let’s be kind and supportive and help her get settled in on her first day alight?”
everyone nodded “great. YN, would you like to introduce yourself?”
you took a deep breathe as you studied their faces timidly, fidgeting with your fingers and trying to think of something to say.
“um, yea” you managed, hoping you sounded confident “i’m YN, i just transferred from the university of texas..and i’m-uh-really excited to get to know you guys”
the team offered their hello’s, walking up to you one by one to shake your hand politely and introduce themselves. they were all incredibly sweet right away, telling you you’d fit right in and complimenting your skills. you went down the line, excited to get acquitted with the team.
then, at the end of the line, stood kate martin. you had seen her play and you thought she was amazing so you were excited to finally meet her. she approached you with the most genuine smile, eyes lit with zeal.
“hey,” she spoke up, offering her hand to you “i’m kate, it’s nice to meet you YN”
you smiled back at her “it’s nice to meet you too! you’re a fantastic player, i’d be lyin’ if i said i hadn’t been excited to meet you!”
“i’m flattered, really, thank you” you could feel her hand linger on yours as she pulled away from the handshake “so texas, huh? i caught onto the accent!”
you both laughed “yea, i’m from a small town not too far from campus, so i got that signature dialect”
“i think it’s really cute,” she looked down, avoiding your gaze “think it suits you”
“thanks, kate” you blushed, smiling at her once more before bluder summoned everyone to resume warmups.
what a sweetheart.
˗ˏˋ ´ˎ˗
it had been quite sometime since you had finally settled into your new team. there was a lot of awkwardness and uncertainty, but you had started to feel like this is where you were meant to be. and like you had hoped, there was so much more room for you to improve rather than back in texas. you were playing amazing games, beating your own records and personal highs on a regular basis. going to iowa was truly the best thing for your career.
you had also grown really close to the girls since arriving. kate, especially, was like your best friend. she had always been so kind and sweet to you. at some point in your friendship, you started to develop a decent crush on the girl, but you had always assumed that she didn’t feel that way about you. so you stayed quiet as to not distrust your connection.
but recently, things have been a little off with kate. she often avoided you during practices and didn’t stay to say goodbye when you left. both things she did on a normal basis and now she just stopped doing it all together. she didn’t even bother to text you or ask about your day, nor did she laugh when you said things funny (she’s always giggled to herself when your accent was thick). you were beginning to wonder if you did something wrong.
it had been weeks of her dismissive behavior and you were starting to miss your best friend. your heart ached at the thought of her not liking you anymore. so you devised a plan to meet her during her extra early practice one morning and confront her, hoping to figure out why she wasn’t giving you the time of day.
it was about 7:00 in the morning, much too early for your liking. you’d never understood why kate, amongst others, wanted to be at practice an hour earlier. but you had managed to get out of bed at 6, suiting up and sneakily heading to the gym. you hoped you could catch her off guard, maybe surprise her so she’d have no choice but to deal with your confrontation head on. you were approaching the doors of the locker room, about to open the door, when you heard kate’s voice echo from inside. freezing in your spot, you shamefully eavesdropped to see what she was talking about.
“no! i’m not going to do that!” she exclaimed.
“why not?” you heard another voice, from the sounds of it, it must’ve been gabbie. “you’re like obsessed with her, just go for it!”
“i’m not obsessed, ok? there’s just something about YN that drives me crazy and i like her so so much, but i’m sure as hell not going say that right to her face!”
you went numb hearing your name fall from kate’s mouth. you tried to move closer to the door, wanting to hear what she was saying a little bit better, but you tripped over your own foot causing you to lunge forward. the doors to the locker on went flying open, your stiff figure busting through the entrance as you immediately gave yourself away.
you stood, completely unable to move as you looking up into the vastness of the locker room. sure enough, there were gabbie and kate, sitting in front of you. their eyes were wide seeing you burst through those doors, realizing they had just been caught talking about you. and it was no secret that you had heard almost everything they were saying.
“i’m so sorry!” you rambled an apology “i was just about to come and talk to kate, but then i heard my name, and i really didn’t mean to intrude like this i’m so embarrassed”
kate sat, also embarrassed as gabbie spoke up.
“i’m going to give you guys some privacy” she said “i think there’s a lot that kate needs to say”
and with that, she walked out of the locker room, leaving you and kate in awkward silence. you walked over to where she sat on the bench to take the seat next to her. she looked at you, hardly able to make eye contact.
“i’m sorry”
“for what?” you asked
“i shouldn’t have been talking about you behind your back. i had no idea you were gonna be here, not that that makes it ok-”
“kate, it’s ok” you placed a hand on her shoulder “i was here early cause i needed to talk to you, but i shouldn’t have stuck around to eaves drop”
“what did you need to talk to me about?”
you sighed, suddenly wishing you didn’t have to bring it up in the first place “it’s just that i’ve felt like you’ve been avoiding me and purposely not talking to me so i wanted to ask why…but i think i already kind of know why…”
“yea” she replied, voice cracking “you weren’t supposed to find out like that”
“if it’s any consolation…i feel the same way” you removed your hand from her shoulder, taking her hand in yours. gentle fingers ran over hers soothingly.
“you-you do?”
“mhm” you grinned “i’ve been too afraid to say anything cause i didn’t know if you felt the same and i didn’t want to ruin our friendship”
she didn’t say anything, just sat looking into your eyes. there were no tears, no anger in her eyes, just a certain longing that only you could recognize.
“i think im in love with you”
“you don’t have to say-”
“no i mean it” she continued “everything about you, from the moment i met you, i’ve been in love with. you’re perfect and funny and gentle, you have the cutest accent i’ve ever heard, and i don’t think i can handle being just friends”
“kate i think i’m in love with you too” happy tears welled in your eyes as you inched closer to her, feeling her breathe on your skin.
“can i kiss you?” she asked, but she didn’t even need to, you would’ve done it anyways.
“please”
and finally, your lips met in the most gentle yet passionate kiss. teeth clashing at the urgency of it, both of you so eager from waiting so long for this moment. you wished you could’ve stayed like that forever. nonetheless, she pulled away breathlessly, forehead resting against yours as you smiled at each other.
“it’s that southern charm” she joked, large hand resting against your cheek “you’re irresistible”
you laughed, pulling her into another kiss, trying to savor this moment for as long as you could.
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avalikesf19 · 3 days
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A Day at quadrant: LN4 (Part 2)
Author note: I don’t even know how to post anything on this and never wrote a fic but I hope this is good but I think it’s pretty shit and I haven’t finished it yet and if any writers want to use this idea you can for sure just @ me please oh and if you have feedback please let me know thanks xx
Also i tried to change my like writing style thing cause i feel like it was shit last time but yeah idk
Lando x quadrant fem reader
Blurb: reader is a member of quadrant, she games most of the time but also likes f1 along with her best friend Ria bish. She is friends with all members at quadrant and finds it a good laugh with all her mates, but maybe her view of someone in particular is more than a mate..
Warnings: sexualising, swearing, mention of a gun, leaked tape, sad distraught reader, friends to maybe lovers if I make it a series? Smut-ish? If I missed any let me know (I don’t know how to do warnings sorry x)
Well wasn't last week a fucking eventful week. You still cant stop thinking about Lando right next to you comforting you about what happened. You're starting to feel better about the whole issue and get some support from people online and all the other members of quadrant, but fuck that was just shit. You haven't been in any quadrant videos since, but you're in a better place now and probably need to start participating in them more.
Lando and ethan make the idea of quadrant meeting up at landos apartment and trying to train like him for a day. You aren't exactly looking foward to it but oh well, at least Ria is going. You text your gc back and tell them that you will do it too. Then, you get a message.
Lando: are you 100% sure ur okay to come back and film already? you dont have to if you dont want to.
Y/n: yep. I need to get in more videos and im feeling better anyways, thanks for asking.
Lando: all good
Well that was polite and unexpected of Lando to reach out, but whats more unexpected is for your panties to be soaked right now over 2 text messages. well fuck, oopsies.
That night all you can think of is Lando, it's a bit embarrassing to admit, but he was circling around your head like it was an f1 race. You decide to get your head out of it and call Ria to come over and have a chat, since she is your best friend after all. Shortly she pulls up to your apartment in Monaco, funning in bursting of excitement to see you.
"RIAAAAAAA!" you shout when you open the door for her. "Y/NNNN" she replied back. You give her a hug and make her a cup of coffee just how she likes it. You guys sit and chat about the f1 grand prix in Bahrain coming up, and how you hope Lando continues to have a good season with Oscar this year. "Did you see the chat about the new yt vid we doing" You ask Ria. "omg yes and they are bringing angry ginge in I heard" Ria replies back.
"STOP IT" you yell back laughing. You love ginge and his videos, who wouldn't? he's a very very funny bloke. "OMG i''m definitely coming tomorrow then to the recording are you kidding?".
Unfortunately time goes by when you're having fun, and Ria was the most fun, so she had to go a few hours later which felt like minutes. Besides you both need sleep for the youtube vid you're filming tmr at Lando's. You go to bed and try to sleep as much as you can, which didnt happen lol.
rise and shine love. It's already 6am and time to go to Lando's place to film. Normally you don't have to wakeup early as fuck but for the purpose of the video and "being Lando Norris" you had no choice. You get to his apartment after parking at the front and knock on the door, to which he opens. "hi y/n" he says nicely and gives you a hug. "So good to see you Lando, where is everyone?".
"first here mate" he says almost excitedly. "so what are we actually doing today like playing video games or some shit" you say. "haha your funny mate, we are lifting weights, eating what i eat, using the sim, and neck strengthening" he says laughing at you. "fuck r u taking the piss" you say laughing. "oh my days Landoooo do I look like an f1 driver" you also reply with. "well yeah thats the whole point of the video ya dumb fuck" he replied jokingly.
"hahaha get fucked lando nowins" you snap back. he laughs as you proceed to miss the chair you went to lean on making you flinch and stumble looking like an idiot. he is still laughing which makes you laugh too. "Lando norizz" u reply. "haha you think I have no rizz, funny" he replies egotistically. "yeah i do actually" you don't at all, in fact he hasn't even tried yet he has rizzed you up. "wanna bet?" he snaps out.
you don't have time to think before he pins you against the wall and just looks at you with those hot eyes of his. you can already feel your cheeks burning and your thong getting wet. "you say I have no rizz yet your cheeks are burning, and I bet those panties are more soaked than that porridge you tipped over the counter when you stumbled at my gaze, huh?" he grunts out.
what the fuck just happened, first how did he know and secondly did he just pin you against the wall. not the first time you want that to happen. you know what fuck it if we wants to be like that then he may as well be uncomfortable the whole video.
"how did you know about my tight, black lacy thong i'm wearing over my tight pussy hey? not your first time thinking about it aye?" you tease him, but whole walking over to him you see him looking uneasy.
why? because ginge was at the fucking door and heard that, and can see Lando's boner from a mile away. "well bonjour" ginge says laughing. "bonjour mate" lando says as he daps up ginge covering his boner and trying to ignore what just happened.
You already know this video is gonna be the longest set of your life..
sorry its a short one x
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isan0rt · 19 hours
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@lightandfellowship re: your tags on this post (just to kind of bring this out to a different post).
I was thinking about making a separate post to expand on those tags anyway because they were a little off topic to the op, but I was like, you know, it's that Xehanort was worse to the Dandelions than Luxu was, yes. But Luxu was supposed to be that callous to the Dandelions in the first place. He was supposed to think of them as tools and to just let whatever fucked up thing was supposed to happen to them just happen. And with anyone else he can, but he can't put his personal feelings aside enough to 'do what needs to be done' for this set of people alone.
But Xehanort can.
And I think that's really interesting when looking at Xehanort as the 'replacement Luxu.' Xehanort who, as observed by another post I don't have immediately to hand, speaks with MoM twice. Xehanort who is chosen by MoM and manipulated into doing his bidding the same way Luxu was, given the same coat and made the heir to Luxu's keyblade, Xehanort who actually is allowed to take action to bring the Keyblade War about and revive the Lost Masters while Luxu is only allowed to watch.
Actually I started this post with a different thesis ('Xehanort is able to put his personal feelings aside and be ruthless even where Luxu fails to follow his role') but writing that paragraph I've changed my mind actually. Because Luxu has basically no agency in this situation, whereas Xehanort does.
Like, both of them are assigned roles by their mentors but Xehanort isn't really given a road map about how to fulfill his role. He's being manipulated, sure, but he's also making choices himself all along. They're choices that are fucked up but he understands they're fucked up and is choosing them anyway because he strongly feels it's necessary for the greater good.
Luxu has been told these things are necessary for the greater good. He's been told what to do. He's been told to just watch and that he can never take action. He doesn't even have the illusion of agency that Xehanort, who is actively choosing to lean into his feeling that destiny is inevitable, does. What is that like, to live hundreds of years never having any sense of agency? For Luxu, helping the Dandelions is fucking up. It's doing what he knows he's not supposed to, what he's been told is against the Plan, but he has no agency and this is his little way of rebelling, even if this is, to us, the 'right' thing to do. There's a question of what actually is 'right' and 'wrong' here and whether Xehanort is a 'better Luxu' than Luxu for choosing to simply follow The Plan.
Also I'm rambling here but putting things together as I go, sorry to also expand on other tags on posts I reblogged from you lol, but like. Luxu also very clearly has Lucifer stuff going on, the same way Xehanort does, down to the name. Xehanort takes on the Satan imagery over time - but it was Luxu's first. And Luxu is the one who actually tried to rebel against his Creator by deviating from his role (only to watch) and intervening with the Union leaders.
The thing about angels is they are not, in Catholic traditions (I can't speak to other denominations) is that they are not supposed to have free will. Free will is for humans; angels only follow The Plan, with no agency or say in the matter. They're messengers and avatars created only to execute the will of God. The Foretellers seem to play this role, if you will, in relation to Master of Masters. He hands them roles to execute the plan he's already designed. If we're, in this analogy, considering Master of Masters to be in the role of 'god', both Ava and Luxu are ultimately fallen angels - they both question the will of their creator, both rebel - but Luxu rebelling was built into the plan. He is Lucifer, and Lucifer rebels, and so he was still allowed to come back to the fold at the end of kh3, having fulfilled his duty even considering his rebellion. He still had no agency in the end, even having done what he thought was exercising it by saving the Union leaders.
Anyway I'm just rambling on at this point and don't really have a conclusion to this but the whole interplay between Luxu and Xehanort, agency and servitude, angels and devils, light and dark, feels really compelling to me.
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moonspirit · 1 day
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what do u think the alliances favourite form of media is? (books, poetry, music, movies etc.) now that they’re able to freely enjoy such things
Hiya!
Oh well xD I have some strong opinions on this one.
For Armin, his fascination with books will not cease, obviously, and good for him if he finds a library he can spend all day cooped up in, reading about wonderful new things. But also, I like thinking that he's gonna enjoy music a lot. Once he gets his hands on some records, and the Alliance hauls a gramophone into their house, he's going to really become a music enthusiast. I see him bonding with Pieck over their mutual love for good music.
(also. Once he discovers a new machine or contraption or invention, it's over for everyone.)
Annie - well @aquietjune introduced the image of Annie being a movies lover, and it's been stuck in my head ever since xD It's just adorable to think she enjoys going to watch the moving pictures and can spend any amount of time there. But aside from this, while I think she's not much of a book person, I like the idea of her enjoying crossword puzzles a lot. She'd like to have something to keep her mind busy and they're good for that. Ofc, this means Armin and her can have dining table dates where he's reading a book and she's doing a puzzle and he helps her with words when they're being particularly difficult.
Jean - XD oh god. I imagine this guy likes activities that exude an air of elegance and class. This could be painting, or an interest in fine art, and poetry, museums, art galleries, the like. I think he'd also enjoy the movies and maybe he and Annie could go together for a few (tho she's not having any of his intellectual put-on opinions on them).
Pieck - she's gonna be a plant lady 100%. There will be so many plants in her room and in the house that a giant leaf is smacking everyone in the face wherever they go. I just think she's going to find some comfort raising baby plants especially if we consider that she's the only real "odd one out" in the Alliance. She's lost everyone she knew and loved and is a newcomer among the others. But! There's also the music! She's got good taste in music and I imagine she's going to find some closeness with Armin in this interest.
As for Connie and Reiner. See, I really think they'd enjoy festivals and carnivals and board games and shooting games haha xD Not that any of the others would enjoy them less, but they're the first to make a beeline if there's something going on somewhere. Reiner canonically enjoys playing chess too (if I'm remembering right, he used to play a lot with Armin during their cadet years). Connie would enjoy mimicry and jesting shows(?) a lot (plenty to laugh at) and I think Reiner would also enjoy romance novels a lot and get too involved in the drama. I just like making fun of him a lot sorry
Not related to media but I think taking care of pets would help them all, but Reiner in specific. Not going into details here cuz that is another tangent, but for someone with so many suicidal thoughts and ideations, finding joy in bonding with a dog or cat or any animal really, would be good for him.
Falco and Gabi? - they probably love everything! Though Gabi is too restless to sit in one place for anything too long lol. Falco would probably get great book recs from Armin.
Levi - leave the man alone in peace, he's got a tea shop. (But I also hc that he likes the radio a lot)
Mikasa? - I think she'd also like radio broadcasts a lot, and going to plays. I have a very hard time getting into her headspace 🥲
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communistkenobi · 2 years
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I think that one thing that makes the MCU different from past franchises like SW is how much it's relying on its conglomerate of Marvel source materials across various mediums. The MCU does not need to establish Peter Parker's Spider-Man or the values that went into creating the character and his canon (as in his comics/cartoons/shows as a whole, not in-universe character continuity) bc its target audience already has a rough concept of the character due to prior exposure to Spider-Man canon/media in pop culture—which means there's just enough of a foundation for the MCU Spider-Man to be widely recognizable as Spider-Man without portraying what makes Peter Parker Peter Parker (poor financial situation from childhood to adulthood, low self-esteem, learning up to stand up to his bullies and his boss, survivor's guilt, etc.) on-screen. But it's like the franchise is then relying primarily on the audience's concept of the character of Spider-Man from exposure to other (including both subjectively and objectively better) versions in other mediums to establish their iteration of the charracter and by extension those films. And that's how adaptations work, of course, but I think the MCU as a whole fails to capitalize on the benefits of adapting into another medium, so all that's left for the critical audience are elements like the military propaganda, the racism and whitewashing, the imperialism apologism, and so on that are consequences of franchising decisions rather than creative decisions.
Like yeah, franchises and fandom aren't new and are direct results of capitalism and mass-media consumption, but the MCU feels like its own special blend within the Marvel franchise (as a whole) in how much it relies on this idea of The Brand and being just recognizable enough that it doesn't (and won't) go further than surface level. It's insular to a degree that I don't know what I can compare it to. I think SW has started to shift toward this template(????) with the D+ shows (well really since Solo), but I don't know how to explain where this shift occurred or where it falls between MCU and traditional franchise media????? Even the DCEU differs enough despite still imo having the mass-produced/soulless/lacking in substance feel. It's like you said, we don't have any specific term that quite defines this yet, and not to be a snob but I really really REALLY hate that I added a yet there even though I know it's only a matter of time.
(Sorry for the rambling, I just really like your analyses, especially where capitalism and fascism intersect even tho I didn't really bring those points up bc I'm not sure what I could contribute in that area lol)
sorry for the late reply i know this was like two days ago now lol
anyway i think my framing of the mcu as uniquely bad is incorrect in the sense of what you said, which is that fandoms and mass media are not new. mcu is just a good shorthand to refer to mass media because its the most glaring and obnoxious example of it.
i also don't want to be ahistorical about it because the first marvel movies weren't like the recent ones, they felt more real in the sense that there was more to them than simple reference. @sashacore made a good point about not categorising art into low/high categories because you can quickly get into reactionary territory. which i don't want to do, obviously, but i'm coming up short on language that describes what im trying to articulate. and i dont think im being reactionary when i say the mcu is devoid of meaning
agh idk i guess i just have a motivated desire to call the mcu uniquely bad in a way. like when scorsese said that the mcu isn't art i want to agree with him. like it literally just feels like an infomercial for capital and empire. if you wanted to point to something as the logical endpoint to art produced with the sole goal of capital accumulation i would point to the mcu. but it's not unique in that sense. the difference is of degree, not kind
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jungkookverse · 1 year
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can’t stop thinking about Jungkook in CK denim
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illegiblewords · 4 months
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SOME ILLEGIBLE RAMBLES AND REFLECTIONS: ON GALE AND MYSTRA
I've been on the fence about whether to make this analysis specifically, but after seeing a few other discussions floating around figure it's worth offering another viewpoint in case it resonates.
These analyses in particular are very subjective and offer an interpretive option more than anything. I might allude to discussions I've seen elsewhere that I have different views from, but different views don't automatically mean personal dislike for me. Life would be boring if we all thought the same way, you know? Anyway. Hugeass post ahead, proceed at your own risk lol.
One of the arguments I've seen cropping up recently is the idea that romance between gods and mortals is inherently unequal, abusive, and problematic. I am very much of the mind that Mystra abused Gale. The developers at Larian have stated that every companion in Baldur's Gate 3 is a victim of abuse in some capacity. Some of my favorite romances over the years have been between gods and mortals. Mystra/Gale is not one of those. I think blaming the divine/mortal dynamic for any abuse misses the point. Moreover, it absolves Mystra of a huge amount of personal responsibility in the abuse she committed. I think it makes the abuse focus on what she is rather than who she is, how she looks at others, and how she treats others. I reflected on the divine/mortal pairings I've enjoyed compared to the dynamic between Gale and Mystra. In every divine/mortal romance I've loved, the god found wonder and saw a kind of power they lack in their mortal partner. This power stems directly from their mortality. There are experiences and perspectives specific to being mortal that are invaluable. The god doesn't relate to those experiences and perspectives the same way. The god always needs not only humility but equal respect for their mortal partner in some capacity. Additionally, the god acknowledges that being divine does not equate to omniscience. This is not a god according to the monotheistic definition. It's closer to an immortal being who excels in a very specific area and has certain responsibilities weighing on them. The god sees the forest but may no longer see trees, while the mortal sees trees but may not see the forest. There is value in what is ephemeral and fragile, just as there is value in what is permanent. The god and mortal need to bring balance to one another in the sense that the god helps the mortal find comfort in a bigger picture while the mortal reminds the god what it feels like to be small, vulnerable, and intimately connected to the world/other lives. A healthy divine/mortal romance requires recognition of multiple forms of strength, intelligence, and value. That very, very much is not what Gale and Mystra had. Another layer to the 'divine/mortal romance is always problematic' argument ties to questions of power imbalance. I would argue that even among human beings--power imbalance always exists. Human beings are not identical or interchangeable with one another. One partner might be brilliant at math and runs finances where the other partner would be lost. The other partner might be brilliant at people and can navigate social situations the mathematician would feel helpless in. One partner may be physically larger or stronger than another. The other partner has the full weight of social/legal support in most conflicts. And this isn't touching on issues relating to mental health, physical health, economic stability, societal issues, etc. People are multifaceted. None of us excel at all things, find power in all things, or suffer all things. We each have our own pains and triumphs. We each have the ability to hurt each other if we want to. If we wanted to avoid any power imbalance in favor of 1:1 equality, the only answer we'd have would be to literally romance ourselves . And that's 1) narcissism 2) lonely 3) sad. Just ask Raphael.
But unhealthy power imbalances must exist, right? And there is a horrible power imbalance between Gale and Mystra. I would just argue it has more to do with them personally than because of Mystra being a goddess. I'd argue that we should be looking at Gale and Mystra not as mortal and god or man and woman, but as people above all else with their own experiences/motives driving choices throughout the relationship. Examine the ways they look at and treat each other versus themselves. If Mystra was the mortal and Gale was the god, if Mystra was a man and Gale was a woman, I would not change my stance regarding where abuse was committed. Imo people get too caught up trying to make sweeping generalizations instead of focusing on the individuals and how they specifically interact. This in-mind, what are some examples of unhealthy power imbalance as I define it?
A character is physically and/or mentally incapable of participating with proper awareness of the situation, as a partner with equal respect and sway within the relationship.
A character is dependent upon the prospective partner for survival and cannot refuse them without fear of retribution or withholding necessities to survival.
A character is being systematically isolated and made dependent on their partner for all socialization and self-worth.
And so on. Hopefully you get the gist. What I do want to draw attention to though is that these examples offer room to include a variety of circumstances or dynamics within their umbrella. Ex. An underage character with an adult would easily qualify for the first criteria, but an extremely, non-functioningly drunk character would also count. So lets have a look at Gale and Mystra's situation in particular again.
Gale has, by his own admission, been involved with the Weave for as long as he can remember. He sees Mystra as synonymous with the Weave, and with magic. These are things he explicitly states within the game. Gale also has notable reactions to say, saving Arabella from being killed over the idol of Silvanus or Mirkon from harpies. With Arabella especially, the idea of being treated as unforgivable or deserving death for a youthful mistake is something he talks about as if he has some experience with it. And while this is a video game with limited character models, I'm going to estimate that the tiefling kids are probably somewhere between nine and thirteen. We know Gale has been stuck largely alone in his tower with the orb for a year or so. The orb specifically is something that happened when he was an adult, but the way he talks about Arabella with implicit personal identification of facing older authority figures as a young person who didn't know better... I don't think this is the orb alone troubling him. Minsc also has a dialogue option where he talks about how in Rashemen, boys with an affinity for the Weave were hidden away and he suspects it was to keep them from being preyed on by Mystra. Not men, boys. I've seen people try to argue that Mystra would have been indisposed/dead and unable to take advantage of Gale when he was a kid due to the broader Forgotten Realms timeline. I'm inclined to say in this instance, with all evidence in the narrative pointing to a particular arc and theme for Gale and Mystra's relationship, it's more likely that the timeline was something Larian chose to fudge in the interest of storytelling opportunities. The alternative would be that none of those dialogue exchanges meant anything. The narrative is weakened if those moments are made meaningless, and the characters become flatter and less credible without them too. If it comes between trivia and the emotional core of a story, I'd argue the core wins. Gale claims to have slept with other people before Mystra, but that a romanced character is the first person he's slept with after her. I personally suspect it wasn't a lot of prior experience, and he was pretty young when his romance with Mystra began. Additionally, while it's pure conjecture on my part--given how Gale reacts to the tiefling kids it would make sense to me if Mystra started grooming him when he was between nine and thirteen years old. Other people have shared analysis pointing to evidence that Gale unknowingly dual-classed and was a storm sorcerer originally, but was told he was purely a wizard and then had all of his sorcerous abilities eaten by the orb without ever knowing they existed. I do think it makes sense for Mystra to influence Gale as a potentially very powerful sorcerer this way to 1) get him to self-limit through wizard spells so he's easier to predict and control 2) be completely dependent on and devoted to her, starting as early as possible. (For the curious, sorcerer Gale theory is here and here. Very well-done imo!) In any case, Mystra absolutely has personal motive to do what she did, that has nothing to do with Gale personally. That it turned into grooming for a sexual relationship isn't a huge leap in light of her apparent mindset either. But lets take a moment to review that.
This is a really good recap setting up Mystra's situation. Karsus too, by the by. This second video here helps explain Mystra's own situation. My understanding is like this:
Mystryl was the original goddess of magic. Mystryl was a born-goddess rather than an ascended mortal goddess, which is important to note because both exist in the Forgotten Realms. Mystryl was neutral alignment. The Weave, magic, and those casting magic all tied into her divine portfolio. Divine portfolios reflect deities' jurisdictions and callings, which empowers them through use in the world as well as mortal worship. With all this in-mind, naturally it benefited Mystryl to encourage experimentation, devotion, and arcane ambition. The more spellcasters pushed the limits of magic, the more powerful Mystryl became too. This was when the Empire of Netheril came about, with its floating cities and its magocracies. Worth noting, eleventh level spells were being used at this point in time. Cue a bunch of aberrations showing up, called phaerimm. Cosmic horror monstrosities that sort of looked like if you combined grubs and lampreys then made them way too big. On the one hand they were ridiculously powerful natural spellcasters themselves. On the other, they could straight up detect, deflect, and eat magic at will. Incidentally they were also extremely hostile to other life forms. So them existing at the same time as Netheril caused some massive problems. The wizard empire was at war, struggling, and panicking. Karsus was a prodigy and the one most people were turning to for protection at the time. Karsus decided the best way to solve the problem was to become a god himself using the first and only twelfth level spell (of his own design) then get rid of the phaerimm that way. The spell specifically required the caster to replace a god of their choice. Karsus, being a wizard, thought Mystryl was the strongest divine force of all time and chose her. The first video explained very well, but it basically sounds like as a born-goddess--maintaining the Weave was essentially an autonomic process for Mystryl. Basically required as much thought as beating your own heart. It wasn't like that for Karsus. Karsus might have been the best wizard in the sense that someone might be the best marathon runner of all time, but if you take that marathon runner and then tell them they have to pump their heart manually from now on they're not just going to lose any future races they attempt--they might just die on the spot. Which is kind of what happened to Karsus. Karsus became a god of ambition along with magic, then lost his divinity to become a Great Old One instead. These days he's a stone stained in the gore of his dead people who speaks in fountains of blood. (One of the reasons I'm not enabling Gale in his quest to become god of magic, by-the-by.) Mystryl died because of Karsus's spell. Mystryl probably hadn't considered mortals, let alone the wizards who gave her so much power as a goddess, a threat to her personally before. An incarnation of Mystra (not Gale's Mystra) was born from the ashes of Mystryl to become the new goddess of magic. One of the first things Mystra does after basically reincarnating from Mystryl is ban mortals from using magic at level ten or higher. Mystra is now aware that mortals can challenge the gods and straight up kill her personally. She still needs casters using magic at high level to empower herself as a goddess, but it's a double-edged sword that can absolutely kill her. And to make matters worse... this Mystra also gets killed later. The Mystra we have now was a mortal woman (Midnight) who kept Mystra's name to avoid confusing worshippers, who'd been chosen by Mystra previously and ascended into that role. Midnight-Mystra, from the sound of it, also got killed for a bit and had to get saved by Elminster.
Like I said before, I do think there were some timeline blips going on for Mystra with Baldur's Gate 3. As long as she's died and reincarnated twice, her psychological state is cemented. How long it took her to come back and whether there were even more deaths than that is less important. I'd argue the key ideas we're supposed to take away about Mystra from this are that she is a goddess who 1) at this point is an ascended mortal who may have certain inherited memories or experiences from born-deities 2) is hyper aware that mortals can kill her 3) has been killed and reborn multiple times, not just by mortals but the very wizards she draws power from.
This is absolutely a shitty situation. It makes sense Mystra has complexes around it. It makes sense Midnight-Mystra would feel especially afraid when it comes to wizards seeing as she herself is a former mortal, so her position likely feels even more tenuous. The way she interacts with wizards and relates to her own position as a goddess is not as someone secure in her own power, but someone who sees anyone coming close to her level as a direct threat to her life. She needs casters to be strong to fuel her portfolio, but if they're too strong they can challenge her. So she is using whatever tools at her disposal to keep them beneath her while maintaining her own strength. It's also worth remembering that Mystra has no pretense of being good-alignment. Her motive in confronting the Netherbrain wasn't to protect Toril from mindflayers, but to protect herself personally from the Crown of Karsus and protect the Weave from the Karsic Weave. If magic as a force is in danger (as per the Karsic Weave) she might try to do something, but what befalls mortals is irrelevant to her. I'd argue she's 1000% acting out of self-interest for Baldur's Gate 3. And again--it makes sense given her position. It makes sense given the track record for gods in the Forgotten Realms.
So, if we go with the in-game implications that Mystra is supposed to have been active across Gale's life and was active when Minsc was running around a century ago (referenced in his comments about Rashemen protecting boys from Mystra)... what kind of relationship has Mystra built with wizards in particular? This is heavy speculation here but I'm going off of Gale's experience, Elminster's behavior, a point of notable cattiness from Lorroakan, and Mystra's motives.
I think Mystra encourages wizards to compete for her favor, both through their arcane power and on a personal level. She encompasses their entire world and dictates everything they are capable of by holding the Weave in her portfolio. Casters are nothing without her. She is fickle in her attentions, moving between wizard paramours and chosen so they constantly feel the need to prove themselves worthy of her love. As their goddess, they have no room to question her or ask for loyalty born of personal affection. Mystra does not care. She is inherently more than they are and ever will be, and unless they have something to woo her through her portfolio specifically there is no reason for her to stick around. They're lucky she gives them the time of day. Even if she can't literally, physically, personally prevent a wizard from interacting with the Weave--she can seriously screw with them while they do. Mystra's first post-Mystryl act was to blanket-limit the spells wizards could perform, remember? And BG3 Mystra was able to pluck the orb from Gale's chest at any time, whenever she felt like it. She just didn't. Lifetimes of work, dedication, study, and innovation are not ultimately credited to the casters who built themselves through their art but to Mystra. Memorized spells, arcane gestures, the interaction of components. She can make all of that so much harder. And she takes credit for any advancement a wizard makes. Origin Gale has lines with Minthara where he struggles to see himself as capable of anything without Mystra's say-so and needs to be reminded that she can't claim everything he has ever done through magic, and she hasn't managed to stop him yet. The fact that Gale himself, as Mystra's former lover, doesn't believe this initially and needs someone who very much is not a wizard to remind him says a lot about the dynamic Mystra set up with him and (in all likelihood) other wizards. So how does all of this fit in with the grooming point? Well, magic users are going to be much easier to psychologically control if Mystra starts taking advantage of them when they're still children and don't know any better. She needs to feed off of their strength with no risk to herself, so she needs to make sure they are can't even fathom turning on her. Maximize the power difference, ingrain that shit early. And if it becomes a sexual relationship... Mystra can tell herself they're even less likely to consider turning on her because it's just one more way they depend on her for validation.
Mystra's own fear and trauma (like Cazador's) does not prevent her from becoming an abuser. And like Cazador, she's using it to fuel the abuse she commits herself.
Something else I want to highlight before I segue to focus on Gale further, is how wizards deal with each other and why policy differs toward wizards versus other casters.
Wizards are nerds with shared interests. They're fucking around to see what's possible with magic and seem genuinely excited when anyone innovates. Innovation is something they can learn from and incorporate it into their own art. But actual wizard friendships, at least in Baldur's Gate 3, seem to be rare. They undercut each other emotionally and often look for ways to elevate themselves above their peers. Gale's colleagues left him to twist alone in his tower for a year. Elminster prioritizes pleasing Mystra by passing on her message for Gale to kill himself, and defends her if the player condemns Mystra's behavior. He even gets angry for certain dialogue options.
(It bears saying, I think Elminster has been psychologically wrecked by Mystra too. He does seem to be trying in spite of that but guy's not well himself.)
Even if not all wizards look to become romantically entangled with Mystra, Mystra has definitely encouraged competition and mistrust between them. After all, if the wizards supported each other they might realize they're stronger than her and that she's been causing harm. Another potential death.
I suspect the reason Mystra focuses on wizards is because wizards are ordinary people who know they were born ordinary, and know how hard it was to build arcane power. They aren't as secure in themselves as sorcerers who use magic like a reflex. And warlocks manage to work around Mystra with patrons who aren't beholden to her. So best for Mystra to undermine, manipulate, or otherwise occupy sorcerers who are strong enough to pose threats and teach the wizards they'd be nothing without her.
... One of the other arguments I saw recently was that Gale was being disingenuous/lying to himself and the player when he claims he wanted to gift Mystra a part of herself back. That he only wants power for power's sake, is kind of a terrible person, and it would be boring if he was being genuine. I deeply disagree with this stance.
When it comes to motivation, I'd argue power is by nature a means to an end rather than the end itself. "If I'm powerful enough no one will be able to hurt me again," "If I'm powerful enough I can fix every terrible thing I feel the need to," "If I'm powerful enough I can push the boundaries of what is possible and find a sense of wonder at the results."
Power because power does not cut it as a motive. It's likewise with ambition. We're not 2-D mustache twirlers here.
Ambition includes experimenting with a project to see if you can pull off something new or particularly difficult. Finding joy in the process and challenge itself isn't evil. It isn't even unhealthy.
Competing with others isn't necessarily negative either, in the right context. Being an elite athlete at the Olympics for example, you're putting your own skills against those around you in the hopes of surpassing them. It doesn't mean you think poorly of your fellow competitors. If anything, one would hope you respect them deeply for the shared discipline and passion. (But you still want to win, course. ;P)
If you read my post about DnD's pantheon, it's pretty clear I'm not opposed to the idea of A. firing gods from positions they're neglecting or B. nominating others to oversee necessary-but-unused portfolios. There are established gods of the Forgotten Realms who need, urgently, to be sacked. Being born into divinity, set up through nepotism, or 'elected by seniority' is not enough to shield a deity from my judgment. Mystra is abusing her worshippers, and while her portfolio might be able to squeak by I'd argue she's been compromised and is committing unprofessional and detrimental behavior in her capacity as goddess of magic. ESPECIALLY knowing she's like this as an ascended mortal. Any other mortal would be well within moral bounds to replace her. She has no ethical high ground in that regard. Managing autonomic maintenance of the Weave is an issue, but if someone showed up to replace her with the argument that Mystra is unfit due to committing abuse... I don't think that person would be morally wrong. Ballsy as hell, but not wrong.
So what's going on with Gale?
Gale canonically, in dialogue, thinks he and the world might both be better off if he was dead. I'll go a step further and argue that before the game even starts Gale considers his personal self a net-negative. If he isn't offsetting that with magical skill, knowledge, achievements, material possessions, and overall usefulness--he doesn't think he has a reason to be alive. The universe is worse for his existing in it.
Gale brags because he's trying to show he has something of value to give other people when he sees nothing of value in himself. He's trying to prove he can be an asset so others will keep him around. He brags notably less as he gains a sense of self-worth, self-confidence, and general support as acts progress. The times he gets snippy with other casters are because if he isn't the only and most useful magic guy to get something done, Gale thinks he might as well be thrown away. He is replaceable. He's also terrified to admit anything about the orb in Act I because there is no way to see it as anything but a danger and a burden. When that's added to his depression, he's sure he'll get abandoned in the wilderness to explode by himself and it might even serve him right. No one will mourn him. They might even be glad to be rid of the burden he brought.
Gale wants others to like him, to see him as a good person, to see him as someone brave and smart and worthy of trust. He absolutely does not see himself that way. If he's trying to prove it to the party--he's trying to prove it to himself just as much. There's a line he can give with The Dark Urge where he comments that if people are being killed just for being annoying, he should be dead a thousand times over. If you get solid approval with him at the tiefling party, he'll admit he didn't have any friends before the game. And while I can only speak to a particular romantic route, in Act III he talks about having been told to his face at various points/in various ways that he's insufferable. He knows other people don't like him and don't believe in him. If bad things happen to him they probably think he deserves it. He might even think so too.
Gale doesn't see anything worthwhile in himself that isn't built through wizardry. It has to be because he was smart enough, worked hard enough, and showed enough character to earn his power. If it's sorcery (and this is only a standard he applies to himself) then all that effort he put in would become meaningless. He can't look at his personal self as having done anything deserving of value or respect if he's a sorcerer because magic was easier for him than other people. And if he can't provide any magic, knowledge, or resources at all then no one has reason to give him the time of day. People hate him. Mystra only paid attention for his abilities as a spellcaster. The mortal, personal aspects of him were things she put up with.
So forget power and ambition for just a moment. What does Gale as a person in that position, who feels that way about himself, actually want? I'd argue that he probably just wanted to know the person he loved most actually gave a shit about him as a person. That he wasn't disposable or only worth as much as his skills and material possessions. I'm pretty sure he'd have wanted that regardless of whether Mystra was a goddess. Mystra both being the kind of goddess she was and the kind of person she was kept telling him he should be satisfied, that he shouldn't want any more than she was giving him. He can't climb any higher than her. No one can give him more than her. She is divine, she is the world itself. Gale never felt loved in that relationship. Due to Mystra's abuse he got to a place where the idea of wanting to be loved back became sacrilegious. It meant there was something wrong with him, that he was arrogant and insatiable. How else could he feel utterly alone and unlovable with a goddess?
Gale desperately wanted to mean something to Mystra personally, so he tried to offer a gesture of love in her language. Something he thought would be valuable to her as an individual and something requiring a ton of arcane skill/strength to deliver. He wanted her to look at him like he was irreplaceable as a person. I genuinely don't think that's a power-hungry or ambitious thing to want.
Gale didn't understand the orb, and unfortunately for him he didn't understand Mystra either. She wasn't the wise and understanding goddess he thought she was. She never wanted an equal. She does not have it in her to love someone as such. The idea of equality, for Mystra, is something that must be crushed to preserve herself.
I figure that the Gale who ascends to godhood has accumulated a divine amount of stuff and power to compensate for his belief that lacking those things, he would be worthless. If Gale wasn't a wizard it might have been music, or writing, or fighting, or politics--any skill, influence, or resource could be used the same way. It’s not that ambition is inherently bad. It’s that for Gale, it’s unhealthy. The ambition isn’t for its own sake. He’s using it as a counterweight against his own sense of worthlessness. God Gale buries his problems instead of dealing with them. He will never know if a character who romances him only did so because they saw his potential and wanted to come along for the ride. He will never know if they'd have bothered to stick around if he was only Gale Dekarios, if he didn't have so much to offer them. He tells himself it's enough that they believed he could do it.
With the mortal Gale ending, we should note that Gale doesn’t need power to enjoy the study of magic if he’s healthy. His priority isn’t about pushing the limits of spells, making new ones, or making a name for himself. Given room to decide for himself, he just wants to uplift and share with others through teaching. His trends in approval and disapproval support this preference too.
For Gale, I really think ambition and power are crutches he uses to justify being alive because he doesn't see any other reason. Give him a reason and he genuinely doesn't need them. They're the means, not the end. He does not want power for the sake of power. Guy is sad and doesn't know how to live with himself. He's not a worse or less believable character with that being his motive. Stories are about people, and people don't move through the world with static 'flaws' and 'virtues' checklists that need to be balanced. There's nothing inherently deeper or more meaningful about villainous characters compared to heroic ones. People make choices and deal with situations according to their experiences moment to moment, trying to make sense of things as best they can throughout their lives. Gale fits perfectly within this. The other cast members do too.
And for the record, while I'd argue Karsus was far more ambitious in character than Gale--even for him, it wasn't just about power. The guy was trying to save his people. He fucked up in a horrible and traumatic way so he's a Netherese blood fountain now. (RIP Karsus but also someone please pact with him.)
And as one last, controversial section... what did Gale's experience with Mystra do to him when it comes to his relationship with sex?
From how Gale talks about and shows Weave-sex, I'd argue it's an extension of him feeling inadequate as a mortal. And knowing this is a controversial point + a lot of people have done and loved the Weave scene because it reflects Gale's love of magic, I offer this: Gale would not be less worthy of love if he didn't have magic. Gale does not know this about himself. He went from an archwizard with a tower and Mystra's chosen to a level one adventurer sleeping on the ground. His entire relationship with magic for much of the game is incredibly unhealthy because he sees the person left in its absence as worthless. For Gale to have a healthy arc, I'd argue he needs to learn how to look at himself as nothing but a man and know he's still precious and irreplaceable. He needs to learn that he doesn't need to prove he deserves to be alive. He isn't disappointing. He doesn't have to try to impress others all the time to have a place in their worlds. He doesn't need to bribe people with shiny things or unique abilities so they'll tolerate the rest. He can exist as no one and nothing but himself and be treasured just for that.
I think at some point Gale could potentially have sex in the Weave again as a repairing experience where he's confident that his physical body, his reactions, and his wants weren't anything to feel ashamed of. Reclaiming that from his experience with Mystra could be very powerful and sexy. But for the first time he has sex since Mystra, when he thinks he's going to need to kill himself any day now and has been struggling between terror and self-hatred, I personally think it's healthier for him to get the validation of being enough as just Gale. Not the Wizard of Waterdeep. His life isn't being advocated for because he's strong or unique in bed. Someone wants him alive as just a person.
And not for nothing... I'm saying this as a writer who can't not write. I've had to do my own share of reflection about how I look at myself if writing isn't the metric of my worth. I wouldn't think Gale needs to abandon all magic any more than I would need to abandon all writing. But it's really important to know we aren't empty trash without our callings, you know?
Before I end this post, I do want to invite readers to think back to those bullets I made before on unhealthy power imbalance.
A character is physically and/or mentally incapable of participating with proper awareness of the situation, as a partner with equal respect and sway within the relationship.
A character is dependent upon the prospective partner for survival and cannot refuse them without fear of retribution or withholding necessities to survival.
A character is being systematically isolated and made dependent on their partner for all socialization and self-worth.
If Mystra deliberately started grooming Gale from a young age, emphasized and exaggerated the power discrepancy rather than making any effort to close the gap, that's a pretty big deal. Gale definitely never had equal respect or sway in the relationship compared to her. She'd probably find the idea insulting in the face of her godhood. She didn't want a partner but a supplicant who obeyed her with no needs for himself. Mystra actively distorted Gale's sense of boundaries and magnified what she could take from him if he displeased her. His life's work, his ability to access parts of his own mind for spells, his means of functioning in the world, his ability to defend himself... but also? His health and survival, once the orb was brought into play. And socially, Gale was incredibly isolated. It sounds like he hasn't even seen his own mother in at least a year, which I have some thoughts on. He was friendless for a long time even as Mystra's chosen. And Mystra made sure other wizards knew when she abandoned him to the point that even Lorroakan was aware. Mystra's offense was something for others to look down on him for. And Gale struggles in-game with the idea that Mystra mistreated or neglected him--because how could a goddess, his goddess, do that? He's been gaslit so hard that he doesn't quite get a moment of fully realizing it wasn't his fault. In some dialogue options Mystra even tries to frame his trauma over her abuse, unaware even that he had the Karsic Weave inside him, as wallowing in self-pity.
Gale did make a mistake, but I'd argue it matters a lot that the mistake was innocent and that he's woefully misjudged Mystra's character. He's being told it couldn't have been innocent and he deserves to be punished for it. He largely believes that. Doesn't make it true.
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obihoe · 4 months
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literally the amount of cunt that orochimaru serves on a day to day basis, its insane to me. and he's sooo so fun as a villain. very glad actually that we got to see him at almost full power, in action, at least once in shippuuden before he gets nerfed and then becomes normal. his fight against naruto generally fucks so hard, i think the way that naruto's powers as a jinchuuriki are depicted here is also rlly well done. the way that the foxes power ... it overwhelms him. naruto loses himself, almost completely, and he exudes such a level of power and chakra, his body transforms and as he strikes the earth, the ground shakes and he destroys the entire landscape around them .. its a lot of fun to watch and its very well done i think
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treemintart · 8 months
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faux headcanons/observations cause i looked way too deep into a character xd
cw: abuse mention (nothing graphic)
under a readmore cause of spoilers for the end of the game
TL;DR: i think that faux is just a guy whos too chained by his roots and couldnt escape so he took it out on everyone around him in the absolutely worst way possible
Long version: i personally feel like faux has a LOT of unspoken issues, which is kind of hinted at in some dialogue/cutscenes
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this entire conversation really felt like he had to uphold a perfect image so he wouldnt (couldnt) tarnish his fathers reputation. he had to do what it took to survive, even if it meant throwing his fellow writers under the bus. his perception on being a writer starts to warp and change because of this, turning into what he is now. also immediately being put into a machine he didnt have time to cope with anything, his anger just got worse. (i think that the death of Berlage was his doing as a way of having control, as he probably felt that he couldnt escape his roots and his ties to the police.)
i do find it interesting that he starts stuttering and panicking, which to me felt like a last ditch attempt to be accepted and understood in some form.
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this line really stood out to me, as they are (assumed to be) similar in age. i think that maybe he went through abuse (presumably by his father), so that he views his body as aged.
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i think that he really did trust felix, and felix became an anchor for him; in a very unhealthy way. when felix left to go solo, he felt that his stability went with it and was betrayed and angry. so he took it out on him in the worst way he could.
he didnt want to be left behind again, to be abandoned by his crew, so he tried to make it so he was the only one left. so there wasnt anyone around that could betray him.
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storytellering · 5 months
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Love your art and I'm generally curious as to what the appeal of Dante/Vergil is to you? Do you have any hc that you're drawing from or is it just personal preference? I struggle to imagine the right conditions for them to be involved in that way and would like to know what inspires you.
I will premise this by saying, that I’m actually not a MASSIVE fan of just DV for its own sake, if Nero isn’t also included (or like, with the assumption he will, 100%, be included once he’s in the picture). To me it’s kind of a baseline pairing?
As in, I don’t even have to think about it. Of course they’re in love, of course they’re together, of course they’re fucking. It’s almost an afterthought to me, the way the married parent couple of the protagonist in a story inherently are. It doesn’t necessarily interest me by itself, that fact, it’s just a certainty, it just is. I guess, for me, the interest in DV specifically comes more out of what other people make of it, because for me I’m almost always approaching first from the perspective of Nero being there also, haha.
There’s also the fact that I have a lot of hc about just like, the way demons function as a species, I guess. I took a lot of things dmc canon gave me and went like, “alright, time to project this into the most self indulgent, non-human society but humanoid looking species I can think up in my brainhead”. To me a lot of the appeal comes from it being not necessarily a predestined thing as much as like, a biological inevitability - (going to speak in definitives about my own hc from here on, so not making any statement about canon dmc lol) demons mate with their kin, and with whoever deems worthy - and twins from the same litter would inevitably end up being the other’s first partner, their first choice, their other half. In a sense, to me, they’re soulmates - though honestly I prefer to think of it more as two halves of the same soul, following the implications in 3 and the 3 manga that them being twins comes from the spawn of Sparda being too powerful to just be born in one body. That might sound like I’m just saying they’re soulmates in a different way, but not really - to me, if I had to go the soulmate route, Nero would be both of their soulmate - because the two of them make one single soul, and the match to that would be Nero’s.
I kind of just go off of the assumption that they are in love and have been since they were in the womb, you know?
That colors the way I see their every interaction. To me, in their fighting, their squabbles and their feuds, there’s always love at the source. Familial, yes, but romantic and sexual as well - and to me, when I think about them, it’s all one and the same. To love each other like family is to be intwined, is to be mated, is to be a pack and is to be one.
That’s the more deep thoughts I have about it, I have more shallow/surface thoughts (and specifically ship dynamic thoughts about like, what appeals to me about them sexually lol) but if I had to quickly sum it up that’s what I would say, I think. 
#Sorry if this is a bit jumbled/all over the place lol#I actually never really stopped to think about it besides just liking it i guess#Like to me things like dante’s lines to vergil read as flirting the fights read as full of tension#every time I see them fighting I could very easily picture them just stopping mid stab to make out yknow#I guess it also comes down to how much you personally like conflict in a ship#or how much rivalry/fighting reads as charged or tension to you#Plus again the whole demon thing#And in a way also ig I just really like thinking of demon twins as a mating pair#I like them hybrid the best but in that context I do like to hc vergil as super fertile and Dante as near infertile#and them navigating this nature in a sense of like. It’s not what they want out of life.#It’s not what they naturally gravitate towards nor what they would choose if it were up to them.#But its nature and its playing cruel tricks on them#and ig in a way to me that’s a feeling I like to project as a trans allegory#I don’t often veer to making characters trans in a realistic human way bc it hits a bit too close to home#And rather I prefer adding a lot of things that are exactly like being trans but not in a human way#And I think that’s that to me yknow?#Nature + instinct imposing something on you that you have to actively struggle against for the rest of your life#And compensating and making yourself be perceived as who you feel yourself to be despite of it#Yes this is still all about weird demon pseudo omegaverse bullshit no I cannot physically hold myself back from getting into it#asks#vague mpreg allegory/mention#thank you for the question! lots of food for thought lol#spardacest
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why-the-heck-not · 1 year
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hate hate hate the feeling of turning in a part of an assignment and being hella embarrased abt how it is :3 like, feeling someone’s just gonna email me like ”hey?? what the fuck ??? what are u doing here this is garbage” like yeah dude i dont know what to tell you, things did not go well this week
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thirdtimed · 8 days
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quite truthfully my very personal highly self indulgent interpretation of the life series & it as a timeloop specifically is like. entirely 10000% shaped by orvs metanarrative so if you want access to this specific interpretation that like maybe 2 or 3 total people globally hold you will unfortunately have to read 551 chapters of a korean webnovel that only exists in full via awkward fan translation. but it sounds tempting does it not
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thisismeracing · 4 months
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hi friend, you still have the potential to be sued here in the US, even if you’re not using images. That’s a big part of why authors likes Anna Todd, scrubbed After (with all references to Harry’s name) from the internet when she started charging for it and before any publication would take an interest. (Before anyone comes for me, I’m sure the original has been saved by some third part somewhere. This is the internet after all. But the point remains if she were to be sued, she is able to claim that she did her due diligence by removing any and all content with any reference to Harry Styles from the internet BEFORE she received any payment.) The US is currently starting to crack down on copyright and intellectual property infringement. In large part due to the fact that so many people have received huge payouts over the last ten years. Unfortunately they’re not choosing to go after the ones that have actually gotten rich from the issue. And while the drivers might not care. Their management most certainly will. If you’re choosing to charge for your fiction it might be best to at the very least change names so you might have some form of deniability.
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this was an interesting ask, thanks for the heads up again!
I'm not trying to go against your word, but rather wondering about the topic myself because it seems to me it's a huge gray area, so feel free to reach me on my private messages or on anon again if you want. But speaking about Anna Todd, technically she could still be sued even after scrubbing Harry's name from the story because there was still proof on the internet that it was a story about him, if we're talking about defamation it doesn't need to involve the monetization aspect, it's still defamation without it. This would mean that ANY RPF fanfiction is illegal and could be sued (which is not necessarly the case because theres the whole fair use thing).
We're talking about huge payouts, but I'm getting less than fifty dollars a month with Patreon lol would their team really come for me (a poor grad student) on behalf of a billionaire for getting less than fifty dollars a month to help pay school and medical bills? this would need a huge pr work too to make them seem good after doing something so crazy like this.
Talking about defamation, let's say I change names, but this Tumblr would still be up and everything else would easily show that it's about pilot X, this could still be considered illegal because you can tell who it is about. The reason why nobody comes for rpf is because 1) the money people are talking about is just a few bucks most of the time, and 2) it's exactly this real people's FICTION, there's not much to talk about defamation of a worldwide artist when the content you're sharing is for a nich of less than one hundred people, it's not reasonable. I haven't found a past decision about something similar in the US court, if there is, please send it in, but other than that it's a huge speculation thing in my head, which only a judge could clarify.
Patreon and monetizing fanfiction is quite common in fandoms like Chris Evans', for example, and I haven't seen anything legal come from it yet. again because it's unreasonable for those artists to go after their own fans for taking less than a hundred dollars in content that clearly sets a fictional character that just happens to look and have the same name as them because more often than not it's set in an alternative universe.
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munamania · 4 months
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i dont wanna be a dick and act like i have no responsibility in this but after a point dont u think if all you ever say to ur friend is Omg you never make it out why dont you ever come out with us you bail all the time youre such a flake etc. dont u think that person (me) is like. not gonna feel so inclined to. be there
#like. yeah i was bad last semester i get it. and probably i shouldve tried at least once or twice to push thru#but i was so exhausted. and every time they would bring up hanging out it was on my longest days#and when i casually brought this up they were just like Well we have long days too. Okay!#and i love and miss these friends and i know for the most part. or at least think. theyre just teasing#i hate being seen as the flake like any time i do have to be like Oh i cant make that or Shit im sorry i have to bail#i try to offer an alternative???? and they never compromise on that. how is that fair like im not just outright rejecting u all the time#not to mention most of the time last semester it was always gonna be somewhere super easy for them to get home and far from me#im not like constantly holding this against them btw but i feel like they're holding it against me and i dont have any more apologies in me#anyway. that said. if theyre somewhere really expensive and far from me tn and i get out of work early#i. probably will not make it. lol! if theyd be willing to come a little closer to my place to one of the dives or some shit thatd be great#and like im not doing much today until class and work so really like. i WILL try. but i think they could sometimes not go for the most#expensive and inconvenient option as well. and these r all things ill say if it becomes like a problem problem or smth#but rn im not gonna be a dickhead and shit on their plans#but also! ok whatever im not gonna keep going on i just feel shitty im not 100% better from being sick and im just frustrated#about having to fuckign grovel over and over and over. i meant it the first few times now im just like#u could try not to be an asshole to me for five seconds too. like. i am very clearly not someone trying to secretly stop being friends#w yall. things happen#abby talks#and maybe this is an esp sore spot bc like ive certainly had some of you bail on me or be flaky or whatever before. and i didnt throw#a fucking fit to your face about it. probably bc it actually did feel more mean spirited sometimes#OK im sorry im not trying to make my friends sound evil and its mostly just the one and like im working on forgiving her for it cause it#was years ago but also like christ!
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a-motherfucking-beast · 4 months
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coach ur so cool but i hate exercising :(
SON. LET ME TELL YOU. THERE IS A CERTAIN THING ALL THE LANKY BINOS IN THEIR HAUGHTY-TAUGHTY UNIVERSITIES AGREE ON. AND THAT'S THAT THERE ARE *SOME* THINGS THAT ARE ESSENTIAL TO BEING A HUMAN. ART -- MUSIC, DANCE, VISUAL MEDIUMS. FRIENDSHIP, BROTHERHOOD. JOY AND SORROW. SHARING OF KNOWLEDGE. FAITH. LOVE. FOR SOMEONE ELSE, FOR THIS WORLD, FOR YOURSELF.
AND, LAST BUT NOT LEAST -- PHYSICAL ACTIVITY. FUCK YEAH
BE IT PLAYING TIGGY IN THE SCHOOLYARD OR BEING A PROFESSIONAL LINEBACKER PRETTY MUCH EVERYONE PLAYS A SPORT OR EVEN JUST WALKS SOMEWHERE AT SOME POINT IN THEIR LIFE. FOR GOOD REASON -- EXERCISE RELEASES ENDORPHINS AND DOPAMINE AND OTHER FEEL-GOOD SHIT IN YOUR BRAIN, BALLFACE, AND EVEN IF YOU DON'T CARE ABOUT ALL THE OTHER BENEFITS OF STAYING HEALTHY AND BEING ABSOLUTELY YOKED AND TAKING CARE OF YOUR BODY THAT SHOULD PROBABLY CONVINCE YOU TO TRY OR SOMETHING LIKE THAT
SON, I'M NOT GOING TO CONVINCE YOU TO TAKE UP BODYBUILDING OR ANY OTHER HEFTY COMMITMENT LIKE THAT. THAT WOULD BE FANTASTIC BUT EVEN I CAN RECOGNISE THAT IT'S NOT FOR EVERYONE. I CAN ONLY OFFER THIS ADVICE.
IF YOU HATE EXERCISING THEN THERE ARE ONLY SEVERAL (AT LEAST ONE) POSSIBILITIES WHY YOU DO.
A) YOU HAVEN'T FOUND THE RIGHT OUTLET. TRY OUT A NEW SPORT YOU HAVEN'T PLAYED BEFORE THAT YOU CAN PLAY AT YOUR LOCAL GYM. HARRY WAS THE FUCKING GOAT AT BEING A GYM TEACHER BUT NOT EVERY GYM TEACHER IS AS FANTASTIC AS HE WAS AND MAY NOT FACILITATE THE FULL EXPERIENCE OF PLAYING A SPORT SO MAYBE EVEN TRY PLAYING SOMETHING YOU THINK YOU DON'T LIKE. HELL, MAYBE TRY SOMETHING LIKE ACROBATIC ARTS, THAT SHIT NEEDS STRENGTH AS WELL. FUCKING BREAKDANCING. BECOME AN ANAL ACROBAT LMFAO. HELL, YOU DON'T NEED SOMETHING STRENUOUS -- EVEN IF YOU GO FOR A WALK IN YOUR LOCAL PARK EVERY MORNING WHEN THE SUN'S JUST RISING (THE VIEW AROUND THE LAKE IN THE MIDDLE OF JAMROCK IS BEAUTIFUL) OR DO SOME STRETCHES WHEN YOU WAKE UP THAT COUNTS FOR SOMETHING. DON'T LET ANYONE PUT YOU DOWN FOR DOING LESS THAN THEM.
B) YOU HAVEN'T GOT THE RIGHT PEOPLE SUPPORTING YOU. AGAIN, YOU ONLY WISH YOU COULD'VE HAD OUR HARRY AS YOUR TEACHER AND REFEREE, BUT IT ALSO COMES DOWN TO YOUR TEAMMATES, WHETHER THEY FACILITATE YOUR PRESENCE AND BUILD A SENSE OF CAMARADERIE WITH YOU. YOUR SPOTTER, WHO YOU PLACE ULTIMATE TRUST IN. YOUR FRIENDS AND FAMILY, THE PEOPLE YOU HOLD CLOSEST WHO YOU CAN SHARE YOUR ACCOMPLISHMENTS WITH. OR EVEN JUST THE PERSON DOING THEIR OWN THING NEXT TO YOU WHO MIGHT GIVE YOU A WORD OF ENCOURAGEMENT OR CONGRATULATE YOU WHEN YOU HIT A NEW PERSONAL RECORD. GOING TO A GYM CAN HELP WITH THIS WHEN YOU ALL HAVE A SHARED GOAL, BUT THERE'S PLENTY OF ELITISTS THERE WHO MIGHT SHIT ON YOU FOR BEING A NEWBIE OR NOT HAVING THE SAME CAPABILITIES AS THEM OR EVEN HARASSING YOU FOR YOUR IDENTITY. TUNE THEM OUT. THESE KINDS OF PEOPLE ARE PRESENT EVERYWHERE YOU GO AND YOU SHOULDN'T ALLOW THEM TO SULLY YOUR EXPERIENCES. OR ALSO YOU CAN DECK THEM IN THE FACE. PERSONALLY I'M LEANING TOWARDS THE SECOND ONE BUT IT'S YOUR CHOICE (DO THE SECOND ONE)
NOW THAT WE'VE GOT THAT STRAIGHT, I'LL TELL YOU RIGHT NOW -- ONLY DO SOMETHING YOU KNOW YOU'RE CAPABLE OF, AND SOMETHING YOU KNOW YOU CAN ENJOY. DON'T TURN THIS SHIT INTO A GODDAMN CHORE THAT LEAVES YOU SUFFERING EVERY TIME YOU DO IT, THAT'S NOT THE FUCKING POINT OF ANY OF IT. I DON'T KNOW YOUR PERSONAL SITUATION, NOT EVERYONE'S GOT THE MEANS OR THE TIME OR THE PHYSICAL CAPABILITIES. BUT CALISTHENICS DOESN'T TAKE ANY SPECIAL EQUIPMENT AND EVEN JUST SOME STRETCHES WHEN YOU GET UP WILL DO. GODDAMMIT, COACH *WILL* FIND SOMETHING THAT WORKS FOR YOU, BOY
ANYWAYS DAMN RIGHT I'M FUCKING COOL DON'T YOU FORGET THAT
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lesbiangiratina · 8 months
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