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#sometimes it's very frustrating
writeastorywhere · 1 year
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It always grinds my gears when a writer doesn't seem to have any love for human beings. Everyone is inhospitable, or too stupid to function, or too much a stock archetype to develop in any meaningful way. Not because I personally think that human beings are intrinsically good ("good" is a useless designation for real people anyways) but because real human beings have the fucking range.
Most people aren't going to be inhospitable to random strangers, because that's not a useful way to live your life--being needlessly cruel is a good way to get your shit pushed in. If someone is being stupid about one thing, chances are there's something else they know a lot about, because nobody is blanket bad at everything. And of course most people are going to subtly contradict any stock archetypes they're assigned.
That's not to say that people can't be cruel and stupid and predictable; it's just that they're kind and intelligent and chaotic in equal measure, and when I see a writer forgetting that, it frustrates me, because that's good drama you're missing! You could be taking advantage of all that. And what are you doing instead? cheap bullshit. boring asf
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wis-art · 7 months
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Not a big fan of capitalism
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tenvishund · 3 months
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F I S S I O N - Why the hell do you hurt yourself for this?
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viveela · 7 months
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If you draw dip i woul be sooooooo happy
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So I like to imagine Damien likes to fill in Pip about what happens back on Earth
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elvyn · 7 months
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Iudex of Fontaine
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captainjonnitkessler · 4 months
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Me: So the podcast "Your Own Backyard" actually helped lead to a 25-year-old cold case being solved, that's so interesting! I wonder what sort of evidence the narrator uncovered, what witness he drew out of the woodwork that finally cracked it!
The podcast: Yeah literally everyone knew exactly who did it but the police bungled the case so badly on every single front due to a combination of incompetence and corruption that they could never bring charges.
Me:
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emry-stars-art · 6 months
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Whumptober day 27: forgotten/locked away/immortal (full under the cut)
Find the royal au masterpost here
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These poor puppies have no idea why someone’s huddled in their house; Abram might not find it so bad if he wasn’t too hungry and tired to keep them from playing too rough with him.
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magicicephoenix · 1 month
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i love the idea of her wearing an alice angel cutout to cover the ruined side of her face…
youtube link (and thumbnail too since you can’t see it up there) below the cut!
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#genuinely i didnt do this on purpose i was just very tired when i went to draw yesterday and did pose practice instead of new comic#but then i see franz kafka trending this morning and i remembered this hellsite has the most arbitrary holidays i love it#dr draws#danganronpa#dr#ndrv3#drv3#kokichi ouma#ouma kokichi#kokichi oma#oma kokichi#glittersart#TAPP AU#if you want it doesnt have to be#but i am working on an ask about how everyone is holding up post-sim#mostly in writing if thats alright bc im not positive yet how to draw out the story i want to tell#and therein is a small headcanon that kokichi kinda. for several reasons has a bit more intense a time than most of his classmates#and sometimes he Needs to sleep at arbitrary times during the school day. if he wont do it voluntarily he'll just kinda faint-#- which is especially frustrating for him because the lack of control and his inherent distrust of most people fuel his paranoia-#- and over time he designates a couple of Probably Secure places around campus that he can sleep if his dorm is too far.#ive started setting it up (itll take a lot of drawing to explain it all) but one of them is the animal shed#i do want to try actively to write about Students Who Aren't Kokichi but this all did start bc im kinda fixated atm#actually i think kokichi has been in all of the comics so far. like at least appeared#which will probably continue to be true as kokichis brand of pranking#('i put a kick-me sign on kaitos back and when saihara sees it theyll have an excuse to talk. all according to plan.')-caliber#is a nice device to crash characters into eachother like bumper cars
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oldmemoria · 3 months
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I love how trans mascs can’t say anything about their dysphoria without TERFs and radfems coming in to “erm actually” us or for people who say they aren’t TERFs or radfems to come and “erm actually” us.
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season1mac · 11 months
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sometimes i’m like. i think we should all just watch this show the way it was intended to. brains off and laugh. and then they do shit like show mac being burned by his mom for not being quiet and dennis actually trying to be calm and charlie apologizing to his mom and taking care of her when he didn’t do anything and she did it to herself. and i’m just like. oh okay i’ll be insane
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simandy · 3 months
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I need to make a resources page. Guys im non wcif ;-; please understand
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strawberrygiorno · 1 year
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if there's one piece of advice i want to give to people playing disco elysium for the first time it's to not worry too much about passing all the skill checks. yes, succeeding at them is great. but also, sometimes failing the check gets you the better result. sometimes it doesn't matter much if you pass or fail, things will continue in more or less the same way. sometimes the game will have mercy on you if you fail the same check multiple times and give you a new way out. one of the great things about this game is that failure is often just as rewarding as success, so seriously, don't worry about it.
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pseudokap · 1 year
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albatrio!
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ineed-to-sleep · 8 months
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I'm watching Berserk and I may or may not have hyped myself up to turn my vampire ocs into dark fantasy characters. mmaybe
#sketch tag#so uh. pepper is kind of a guts basically jdjgkckkc#they're both in an army and they butt heads a lot bc pepper is big and stronk but very impulsive and reckless#but there's no griffith situation or anything like that it's just that vince worries abt her#and he's way more restrained as a fighter and a strategist. maybe a commander or second in command#and just like in vtm he's very paranoid and afraid of change. so he worries abt her and is also unhappy in the army but too scared to leave#so he broods a lot and mopes around and gets on her ass abt her recklessness#and just like in vtm pepper is impulsive and has a lot of pent up frustration and she uses the battlefield to release all of it#sometimes overexerting herself and nearly getting herself killed#she also wants to leave bc she's not sure she believes in what they're fighting for anymore. but then she loses her coping mechanism#things change when they have an argument where he reveals he cares abt her sjfjjfkf YES very cliche I am thriving#and she's dismissive at first but after being alone for a bit his words start sinking in#and when they're on a battlefield again there's a moment where they have to retreat and she's about to absolutely not listen to that#but then she has a change of heart bc she remembers what he said + she cares abt him too so she doesn't want him to be hurt by her actions#neither by him getting worried nor trying to come to her aid and putting his life at risk#so she retreats#and he's very happy abt that he thanks her later for what she did#and then she's like yeah sure I guess I didn't die but also guess what. I'm bored#everything she wanted to release back there she just didn't. so she's still frustrated and especially bc she had to admit defeat#and she's an extremely proud person. she's irritated#and he's like aight. I'm gonna fight you then#and she's like what. and he's like yeah#so he picks up a sword and throws another one to her and there's a *sexual tension play-fight* hell yeah babey#I'm having sm fun w this au can you tell jejfjckckkc#eventually they do desert the army they're in bc things get worse and pepper decides she no longer wants to be a part of it#and in a fight or flight moment she pushes vincent to make a decision and he leaves with her#and like the story is only getting started there bc then there'll be some big misteries in the story they're gonna uncover#which. I haven't figured out what they are yet#but either way akhhdskfha I'm having a lot of fun w this#sleep.txt
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recitedemise · 5 months
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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