i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]
Post invasion, Leo is fine.
More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!
Leo really is better in the ways that matter.
He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.
Raph even said he was proud of Leo!
So obviously things are going well.
But.
It’s not enough.
Leo’s better, sure, but he’s still got work to do.
So - and here’s something that will probably make his brothers faint on the spot - he needs to train.
_____
His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.
Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.
Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.
He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.
_____
Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.
But of course that’s not enough, it was never going to be.
So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.
He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.
See, the invasion made him realize something.
It’s not about him, but it was his shortcomings that led to everything going to hell.
So he just…needs to get rid of those shortcomings.
He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.
Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.
And after any of these, he heads to Run of the Mill to compete in the Maze of Death.
_____
This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.
He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.
The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.
It’s easy enough to teleport on by.
Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.
When he first actually won, Hueso congratulates him in that typical deadpan tone of his.
“Ah, felicidades, Pepino. Now you can move on, sí?”
“Hm? Nah, boneman! That run was sloppy!”
And then Leo runs off before Hueso can stop him.
He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.
_____
His second win is much like the first, and only his third win is actually acceptable.
But he knows the field too much now. He needs a challenge.
When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.
He got a bit more banged up that time around.
“Pepino, basta ya, you’ve already won. Where are your brothers?”
“I can’t stop yet, señor! This is for my brothers - no les digas, please.”
Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.
Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.
So to speed things up, he incorporates the blindfold into his regular training.
His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.
He’s only a little put off by how fast Mikey adapts to it when the others try.
“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”
Seeing their mystic energies is pretty cool, Leo can admit.
He just wishes he could grasp that himself - and that it was useful for a death maze.
_____
Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.
He’s gotta go again.
Hueso’s more insistent than ever, though.
“You must stop, Pepino.”
“But I can do better-“
“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”
“I told you, this is for their own good! For everyone’s own good!”
He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.
He ignores how childish the act makes him feel.
_____
Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.
He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.
It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!
But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.
He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.
_____
So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.
The Hidden City is pretty big! There’s probably a bigger challenge somewhere.
Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.
Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.
Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.
Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.
It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.
He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.
…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.
Leo needs to be a hero. Not a face man. Not a failure.
Not a kid.
_____
Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”
He doesn’t plan to, anyway, yeesh.
He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.
Hueso doesn’t say anything. Leo doesn’t either.
Or, he doesn’t, until he feels a familiar large hand helping him up as well.
Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.
“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.
“Pepino…”
“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”
“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.
Leo feels unmoored. “I-“
“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”
And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.
He wants Raph to continue being proud of him. He wants his brothers to trust him.
Instead, he passes out.
_____
The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.
He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.
And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.
All three of his brothers being in his room prove that.
“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.
He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.
All the parts they didn’t need.
And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.
Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-
No.
No it’s not about him. He needs to remember why he did all this in the first place.
“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”
“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.
“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.
“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”
Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”
“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”
“YES I AM!”
The words rip out of Leo before he can stop them.
The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.
“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“
Then what was all this for?
Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.
“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”
“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”
“I- but I need to train. The Maze is-“
“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”
“But- but I’m doing this for you-“
“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.
“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.
“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”
Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.
He swallows dryly. “Is that a bad thing?”
He feels his family crowd in around him, feels his father’s hand on his shoulder.
“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”
Leo’s breath hitches.
“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”
“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”
And-
Leo smiles, watery but genuine. “Yeah, Raph. We are.”
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