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#so that they can own it and sell it and the original artist might not even be aware that thats happening.......
avaantares · 1 year
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Fanfiction Authors: HEADS UP
(Non-authors, please RB to signal boost to your author friends!)
An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:
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(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)
I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:
IF YOU ARE A FANFIC AUTHOR WITH LONG AND/OR POPULAR WORKS, PLEASE CHECK AMAZON TO SEE IF YOUR STORIES HAVE BEEN PIRATED.
You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:
HOW TO FILE A COPYRIGHT COMPLAINT FOR STOLEN WORK ON AMAZON.COM:
First, go to this form. You'll need to be signed into your Amazon account.
Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.
Enter the name of your story in the Name of Brand field.
In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.
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In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:
I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.
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In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.
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Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.
Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!
NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!
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mortalityplays · 1 month
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Unprintable: Artists Against Authority
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I am absolutely beside myself with excitement to announce the launch of Unprintable.
Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.
Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.
The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:
Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.
I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!
https://free.mortalityplays.com
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lexyeevee · 11 months
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it's wild to see myhouse having escaped the orbit of Doom People, because so much of it specifically riffs on doom in a way that is laser-targeted at Doom People, to the point that i just wouldn't have expected it to be nearly as interesting if you don't pick up on that stuff
right from the outset, "my house" is even a recognizable genre, because doom was among the first approachable platforms for creating a 3D space, and if you give random people the ability to create a 3D space then many of them will just try to recreate their own house. (i want to say jp lebreton even made an effort to play through every house map on the idgames archive at one point, though hell if i can find it now.) there was in fact already a "myhouse.wad", from 1995!
frankly it's incredible that someone (or someones) put so much effort into this map and then had the gall to simply post it on doomworld as "myhouse.wad", because that is a thread title that guarantees the fewest possible people will bother to look. there are posts in the thread where people outright admit that they only checked because they were surprised how many replies a "my house" wad got.
so anyway, okay, the "classic" doom wad experience is that you download a wad, it contains exactly 1 map, and it has zero custom textures or music or other frills. most wads from the 90s are like this; if you're lucky you might get a bad midi rendition of a metallica song. nowadays there are texture artists and musicians and everything collaborating on full map packs, but "just a map" is still kind of the default mapping experience and is recognizable to anyone who's been around doom for sufficiently long.
and myhouse riffs on absolutely every aspect of this:
• the music is the MAP01 music, Running From Evil, which is just the music you get if you supply your own map in the MAP01 slot and do nothing else. so a ton of 90s maps had this same track as their background music, so everyone has heard it a zillion times. it is ingrained into so many people's skulls. subtly fucking with it is a great way to fuck with the player
• the house uses only stock doom 2 textures, or occasionally light modifications of them. again this is just what you get if you make a map and don't supply any other resources, so the stock textures are very familiar. only later, with sufficient poking around, does the map introduce new textures, which really help sell the impression of being swept away to Somewhere Else
• if you take the exit, you go to MAP02, Underhalls. this is the expected experience because doom wads replace what's already there — you're not really supplying a "new map pack" or anything, you're overwriting a map from the original doom 2 progression. (there are ways to fiddle with this now, but in vanilla doom 2, the level progression was hardcoded.) so the "ending" of a no-frills single-map wad is always, always to transition to Underhalls. the opening shot of Underhalls is practically like seeing the credits. so roping Underhalls into the experience is completely unexpected, because Underhalls is the sign that you've escaped back to regular doom
• the super shotgun is "hidden" in Underhalls, in probably the best-known super shotgun location in the whole game, because it's the first time you can get it
• incidentally Underhalls itself feels uncanny, because the player camera height is higher than usual to make the house's proportions feel sensible. (part of the trouble with exact recreations of real spaces in doom is that the camera is weirdly low.) i was actually convinced that myhouse included a modified Underhalls, but no, it's stock doom 2 Underhalls, it just feels off when you're slightly taller
but wait, there's more
• silent teleporters are a feature from boom, a very early doom derivative that added a number of helpful mapping features and is basically considered only half a step beyond vanilla. so shifting between two versions of a space without interruption isn't completely unexpected. it's only later that the portal use becomes more obvious
• although if you're especially canny, you should notice that the second version of the house shows both the upstairs and downstairs windows in full, which is impossible — doom cannot do room-over-room. (in fact this is accomplished with a semi-obscure zdoom feature called sector portals — essentially, the whole second floor and the space outside it are a separate area, and the "ceiling" of the yard becomes a view up through the "floor" of that second space.)
• swinging doors are a hexen feature (polyobjects) that gzdoom inherited. (heretic and hexen were modifications of the doom engine, and zdoom started out as a merge of all three codebases into something that could play all three games.) they might also be in other fancy engines (eternity?), but they are very distinctly not a doom thing. if you're deeply familiar with doom's limitations then they'll jump out at you immediately, but if you're looking at doom like it's any old 3D game then maybe not so much
• recreations of other humble real-world locales are also a somewhat common theme, and remind me in particular of Doom City, from way back in 1995
• a very common desire for players is to "uv-max" a map, i.e. reach the exit on ultra-violence with 100% kills and secrets. if you can't do this, the map is (reasonably) considered broken. it is comically impossible to do this in myhouse, and anyone with the skill to create the map would be acutely aware of this
• the extra weapon frames look to be borrowed from the well-known smooth doom, which adds extra frames for everything and is just pretty dang slick overall. so it's not merely "ho ho, got you, smoother weapons" but specific integration of another familiar project
• this might be reaching a bit, but mirrors are specifically a nightmare in zdoom's software renderer because they work by rendering all visible geometry as if it were physically present on the other side of the mirror — and if there be any actual geometry back there, it will also get rendered and you will have a big fucking mess. so a mirror in the middle of a room is a laughable idea. this is somewhat less of a concern now that the hardware renderer is basically the default, but it's still a spectre looming over the very concept of mirrors, so the way mirrors play out in myhouse is very funny to me
there's probably more, like, the way it intercepts noclip is a stroke of genius and not something i've ever seen done before. but i hope you get the idea
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thankskenpenders · 8 days
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The Knuckles show
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The announcement of a live action Knuckles streaming miniseries was surprising, to say the least. I mean, what would such a show even be about in a version of the Sonic universe with no Angel Island and barely any characters from the games around? Is he gonna go treasure hunting with the gang from Montana or something? Would a streaming miniseries have the CGI budget to squeeze in any new game characters, even briefly? Rouge? Amy? At least one member of Team Chaotix? Anyone?
Now the show is finally out, and it turns out what they actually made was a comedy show about bumbling deputy sheriff Wade Whipple, the minor comic relief character played by Adam Pally who you might not even remember all that well from the first two movies, with Knuckles as his sidekick. While, yes, Knuckles does get a decent amount of screentime and opportunities to punch bad guys and do cool moves from the games, large stretches of this show focus on Wade's personal life, to the point that a couple times I almost forgot I was watching a Sonic-related show. If you're judging it purely by the metric of how well it adapts and engages with its source material, this surely must be one of the worst adaptations the Sonic franchise has ever seen.
So then, despite some huge complaints... why do I kinda like it?
(This will contain full spoilers for the Knuckles show.)
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A brief summary of what the show is actually about because I know half of you aren't going to watch it
The show picks up not too long after the end of the second movie. Knuckles is now living in Montana with Sonic, Tails, and the Wachowskis out of a sense of debt to them, though he doesn't really see it as his home. He doesn't feel like he belongs on Earth, and his life currently lacks direction. After communing with the ghost of Pachacamac, though, Knuckles is instructed to keep his culture alive by teaching "the ways of the echidna warrior" to a new apprentice: deputy sheriff Wade Whipple, who's currently more concerned about winning a bowling tournament in Reno than anything else.
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Things are complicated by the interference of two rogue GUN agents - Agent Willoughby, played by Ellie Taylor in a bad wig, and Agent Mason, played by Kid Cudi. (Yes, the artist behind the second movie's credits song is one of the bad guys in this.) They want to steal Knuckles' power and sell it to a former associate of Robotnik's played by Rory McCann (The Hound from Game of Thrones), who now works as a black market arms dealer. Yes, they're still doing the thing where Sonic and friends' quills radiate some kind of super-energy that the bad guys all want. No, I don't particularly love this element of the Paramount Sonic continuity. Anyway, they go after Knuckles and Wade, complicating their straightforward road trip to Reno. Antics ensue.
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The Wade show
So here's the thing. While the first episode focuses largely on Knuckles, the entire rest of the show is very much the story of Wade, and by extension the other original human characters invented for this miniseries.
Episode 2 is about Wade having to rescue Knuckles from captivity after the GUN agents get him. Knuckles spends most of the episode in a cage.
Episode 3 is about introducing Wade's Jewish family, including his slightly overbearing mother and weird sister, so that Knuckles can learn about their family traditions and have Shabbat dinner with them (and then save them from bounty hunters that the GUN agents hired).
Episode 4 only features Knuckles at the very beginning and very end of the episode, probably for less than a minute total. Wade is captured by a bounty hunter he personally knows, and Knuckles decides to let that be a trial for Wade to overcome on his own.
The last two episodes feature the climactic showdowns with the GUN agents and their arms-dealing ally, who comes in with a mech for the obligatory final boss fight. You'd think this would be Knuckles' time to shine, but really, these episodes are mostly about the bowling tournament in Reno where Wade encounters his estranged father, wrapping up his own personal arc. While Knuckles does get some fights, a lot of the finale is spent on lengthy bowling scenes where Knuckles isn't in the room or even mentioned. It frequently feels more like a spiritual successor to '00s sports comedy movies like Dodgeball, Talladega Nights, or Blades of Glory than it does a part of the Sonic franchise, and the presence of ESPN 8: The Ocho commentary in the finale only drives those Dodgeball comparisons home. They get so immersed in the bowling stuff that it's genuinely hilarious when the show suddenly pivots and remembers "oh shit we still need to do the final boss fight"
Throughout all this, Wade is the protagonist. He's the character we spend more time with, he's the character who drives most of the major events, he's the character who gets more of an arc. The emotional core is Wade's journey. Knuckles is still present - sometimes, at least - but he's there as Wade's wingman, and also just as the excuse for there to be some fight scenes.
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How much Sonic stuff is actually in this show?
Honestly? Not much.
Sonic and Tails are only in the first episode. Sonic gets some good scenes, but Tails gets a grand total of five lines. I counted. Unsurprisingly, Jim Carrey is absent as Robotnik, though he does get mentioned a fair bit. (For that matter, basically the entire established human cast beyond Wade is absent, even including Tom, though Maddie is there in episode one.)
GUN is involved in the story, which helps it feel slightly more connected to Sonic, but it kind of feels like it's GUN in name only. They don't use any recognizable GUN tech, and they don't call in the military. It's just two agents in suits. They might as well be the Men in Black.
The Master Emerald is mentioned as something Knuckles has to guard, but it's never seen. Angel Island is pictured as a drawing during the show's intro, appearing exactly how it does in Sonic 3, but it's never referenced at all beyond that.
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I guess the climax taking place in and around a Reno casino is a reference to Sonic's many casino-themed levels. That's something. I'll give them that.
Oh, and if you're wondering if this is the point where we finally start to get actual music from the games: no, it's not. The soundtrack consists of a lot of '80s needle drops, many of which are generic Hollywood picks like "Holding Out for a Hero" for the billionth time, thought it at least has some slightly less obvious picks than the Mario movie. The theme song is '80s rock song "The Warrior" by Scandal. You'll hear it many times. You'll hear the Adventure era Knuckles raps zero times in this. You'll briefly hear classic A Tribe Called Quest song "Can I Kick It?" before Knuckles takes the question too literally and breaks the radio in Wade's car.
Beyond a handful of surface level references for nerds (one of which is admittedly wild - we'll get to that), this is probably the least an officially licensed adaptation of Sonic the Hedgehog has ever tried to actually engage with its source material. I struggle to think of another Sonic adaptation that has less to do with Sonic. For as much shit as I and countless others have given Penders for seemingly ignoring the content of the games in favor of building his own convoluted mythos, his Knuckles comics honestly included way more elements from the games than this show does.
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Somehow, the one new(-ish) Sonic character introduced in this is the ghost of Pachacamac of all characters. Not even Tikal! Pachacamac! A very minor character nobody has particularly strong feelings about! You can't even use the excuse that they already had the character model, because they completely redesigned him compared to his cameo in the first movie to better match his Sonic Adventure design. And he's voiced by Christopher Lloyd! Honestly, so many of his lines are strained that it sounds like he's on death's door here, but then he'll surprise you with a more casual line like "just do it, man" and it catches me so off guard that I can't help but laugh.
Pachacamac here has basically nothing to do with the game character he takes his name and appearance from. Where the game character was a cruel warlord who kicked off a 3000 year cycle of violence, Paramount Pachacamac is now just this chill old man who gives Knuckles (and later Wade) advice in two episodes of the show. Hell, he also feels completely disconnected from his established role in the movies, where he's literally the guy who shot Longclaw. The show will not grapple with this contradiction at all. He's just here to be a thing fans like me will recognize from the games. Again, if that's all they wanted, it's kind of baffling that they didn't just use Tikal.
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I don't love Knuckles in this
But what about Knuckles himself? Well, he doesn't feel all that much like Knuckles to me. Ironically, he sometimes feels like one of the weaker elements in his own show.
Back when the second movie came out, I noted that Knuckles' characterization seemed to be pulling heavily from MCU Thor as a gallant warrior from an archaic alien culture who doesn't really understand modern day Earth stuff. That worked for me in that movie. It was just there for spice. Just a little extra flavor for the character in what was otherwise a very faithful adaptation of Knuckles' storyline in Sonic 3 & Knuckles. Without those familiar elements grounding him and with a much higher reliance on comedy, Idris Elba's Knuckles becomes a pretty one-note character in this.
In damn near every scene with Knuckles, he's going to say something about being a proud, honorable echidna warrior, or brag about his glorious feats of strength, or be confused about some Earth thing and call it sorcery, or act like every other character is also a member of some noble warrior clan. He still has his moments for sure, but this schtick kinda gets old fast, and it just doesn't feel like Knuckles to me. His entire character feels derived from the scene in the diner where Thor smashes the cup on the ground and goes "Another!" Sure, I can picture game Knuckles smashing a radio to turn it off and being a little too gung-ho about busting holes through walls. That's Knuckles behavior. But building a barbarian combat pit in the living room so the Wachowski family dog can fight the mailman? Nope. That's some other guy now. It really does just feel like them taking a broad character archetype from something popular that kinda sorta fits Knuckles and just running with that, rather than trying to actually adapt the character.
Oh, but don't worry, he wears the OVA hat for like two minutes! AND he loves grapes! See, Sonic nerds? We read the wiki! That's his favorite food! Grapes! This is gonna come up like five times!
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Knuckles kind of gets an arc here, but not as much as Wade does. I think the stuff about him starting to feel at home on Earth thanks to Wade's mom and the way he connects with their Jewish family traditions is oddly sweet. This arc is kind of let down, though, by the fact that Knuckles' heritage is treated as a complete joke. He's a cartoonish pastiche of various historical warrior cultures stuck together in a blender and used mostly for comedic effect. When Pachacamac's ghost appears, he's reading a newspaper and bemoaning the fact that the Mets lost again. This is not the place for a serious examination of Knuckles' feelings on being the last of his kind.
This is far from the only time the show undercuts itself with its jokes and attempts at self-parody. In the first episode, for instance, Knuckles clashes with GUN Agent Mason and his tech-enhanced punches, leading to an extremely on-the-nose inversion of the "Do I look like I need your power?" scene showcased in the trailer for the second movie. Except this time, Agent Willoughby butts in and points out how stupid that line is in this new context, since they're literally trying to steal Knuckles' power. The fight can't just be cool, they have to get cute with it. A lot of stuff like that happens in this show.
Given all these complaints, the first two episodes left me thinking I'd be fairly negative on this show overall. This seemed like the version of the show from the fandom's collective nightmares, one that undoes all of the progress the movie series seemed to have been making towards faithfulness to the games. Like, just look at these cast posters. Is this what you want out of Sonic? Do these excite you?
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But then, something strange happened. Over time, I just kind of let the jokes and shenanigans wash over me and basked in how fucking weird this show is.
And I started to actually enjoy it.
Look. The Wade & Knuckles Show was never going to be peak Sonic. But that sure as hell doesn't mean it can't be entertaining.
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This show is so fucking goofy
Here's the thing.
The show is funny.
Unlike a lot of other people, I didn't hate all the wedding stuff in Hawaii in Sonic 2, because I thought a lot of it was funny, both in its actual jokes and in the ways in which they tied everything back to Sonic. Tom looking wistfully at some bodybuilders doing Top Gun shit and spraying each other with beer and being like "I wish Sonic had that" is weirdly funny. The twist that those muscle bros are all agents of the newly formed GUN, who orchestrated the wedding as an elaborate scheme to catch Sonic, is funny. Mr. Olive Garden becoming the fucking GUN Commander is VERY funny. Are any of these elements of my dream Sonic movie? No, of course not. But my dream Sonic movie was never gonna happen in live action.
The Knuckles show follows up on the comedy of the previous films by being probably the funniest live action Sonic release yet. Did every joke land for me? God no. There are some stinkers in there that made me roll my eyes. But enough of them landed that it worked out for me overall. A big part of this is the fact that they've got a good cast of actors and/or comedians here.
Adam Pally is funny as Wade, and I found myself liking him more and more as a character as the show went on. He becomes an oddly endearing loser, with some sweet moments in his personal arc that made me feel for the guy. I like Wade more than Tom now, thanks to this show. I will now be happier to see Wade in Sonic 3 than I would have been previously.
The supporting cast is frequently great, too, many of whom are playing completely cartoonish, over-the-top characters. They took a cue from how exaggerated Carrey's performance was as Robotnik and decided to just abandon all pretense that this is the real world. Stockard Channing as Wade's mom is funny, and carries some of the more sincere parts of the show. Cary Elwes as Wade's very British dad who abandoned him as a child to run off and be the world's most egotistical professional bowler is funny. Edi Patterson as Wade's sister Wanda is... well, she's kinda trying too hard, but she has her moments. The Mighty Boosh co-creator Julian Barratt(!!) as a scenery-chewing bounty hunter, who was also somehow Wade's former best friend and bowling partner, is VERY funny. I love this guy.
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(Honestly, they should let more people who were on Garth Marenghi's Darkplace be in Sonic stuff. Where's Matt Berry)
This is kind of a stacked cast for a bunch of stupid side characters in a live action Knuckles show! And honestly, that just makes it funnier to me. Even when they're not funny, the fact that this exists makes it funny. They somehow convinced Paramount to give them a bunch of money to make a spiritual successor to Dodgeball about a schlubby guy who wants to beat his dad at a bowling tournament... except also Knuckles the fucking Echidna is there as his personal life coach. My life is richer for the fact that I can say that sentence. I think about all the little kids who are probably watching this show this weekend, going in expecting a show about Knuckles the Echidna and having to sit through extensive bowling scenes and lore about Wade's family, and sorry kids, but I just have to laugh. Wade isn't even on the poster! The poster is just a picture of Knuckles!! They punked those kids!!!
In a franchise where every single aspect is so carefully micromanaged these days, it feels truly special to get an adaptation this bonkers. It frequently appeals to the same part of me that enjoys the fact that there's an officially licensed Knuckles comic in which Charmy Bee's best friend (also a bee) dies of an accidental LSD overdose from a drug-laced chili dog. Or like, everything about the original 1993 Super Mario Bros. movie. Or the fact that they made seven direct-to-DVD sequels to Alpha and Omega, one of which is half a retread of the adventure from the first movie (with more annoying supporting characters in tow this time) and half a literal clip show of the first movie. The sheer absurdity of the fact that these things exist is charming to me. Except, with the Knuckles show, it has the added benefit of frequently being funny on purpose! This is why I'm not sure I'd call it "so bad it's good." Like, it's not amazing, but there were a lot of parts that I enjoyed in the exact way I was supposed to enjoy them.
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Look. Here's a list of real lines of dialogue from the Sega-approved Knuckles the Echidna streaming show that they're billing as a pillar of the Paramount+ lineup, to drive this point home. Let these marinate for a minute:
"I only eat grapes, and Cool Ranch Doritos™."
"Annihilate this little girl, Wade. Crush her spirit. Humiliate her so badly her parents won't even look at her again." "Doesn't that seem like we're going a bit far?" "Not far enough."
"So is he Jewish?" "Half, I think."
"I had a friend who when he listened to Alien Ant Farm he could lift a Toyota Corolla over his head."
"I'm in dire financial straits. Due to my lawsuit against an unnamed rainforest-themed restaurant franchise, I don't have two pennies to my name."
"We're here in sunny Reno, Nevada, which is so close to Hell you can smell the sparks."
"You can't threaten me with your Jewish karate chops because I am a federal agent."
"I will say, regardless of how you feel about child abandonment - and I'm against it! - the deals at TJ Maxx can't be beat."
This is a Sonic show in which they got Paul Scheer and Rob Huebel to appear as ESPN 8: The Ocho commentators.
This is a show where Wade's mom insists upon pronouncing "Knuckles" with the throaty Hebrew "ch" sound, and declares that Knuckles is basically Jewish. Later, they watch Pretty Woman together while enjoying a nice slice of key lime pie. Knuckles comments: "I don't understand. This young streetwalker with a heart made of gold, why do the others treat her with such disdain? Is it so wrong to walk the streets?"
This is a show where the fourth episode is directed by one of the guys from The Lonely Island and features a hallucinatory low budget rock opera stage musical put on by the ghost of Pachacamac. It recounts Knuckles' life story, with Wade playing Knuckles and the "evil" Longclaw played by the bounty hunter guy who's played by the Mighty Boosh guy.
Look at this.
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And also, Knuckles' singing voice is provided by Michael Bolton, which they proudly announce in the middle of the musical.
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And also...
Also...???
IBLIS IS IN IT????????????
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Yes, Iblis!
From Sonic '06!!
Knuckles is said to have looked for a mythical power called the "Flames of Disaster" to avenge his clan, which ended up being the power that was within him all along that lets him do fire punches yadda yadda yadda. As part of this, he apparently fought Iblis off-screen at some point, as conveyed with the giant singing papier-mâché Iblis in the musical.
...Then Iblis sings about hitting up Facebook Marketplace
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How? How does any of this exist? Why reference '06 of all games? How did Iblis get into the live action Sonic movie universe before Amy and Metal Sonic? Why are they using Iblis and the term "Flames of Disaster" in such a goofy way that completely disregards their original context?
I don't know. I don't know how any of this happened. But I love it. We got a Knuckles miniseries in which Michael Bolton sings the phrase "the Flames of Disaster." The world is a beautiful place sometimes.
Some people will tell you to skip episode four. "Knuckles is barely even in it," they say. "It's dumb and pointless," they say. "They clearly just ran out of special effects budget," they say. These are people whose opinions you should disregard. The episode with the least Knuckles in it is somehow the most entertaining episode of the show. I would, in fact, go as far as to say that if you only decide to watch one episode of the Knuckles show to see what goofy bullshit they get up to, it should be this one.
I cannot be mad at this show. It's so dumb, but it completely owns the fact that it's a dumb and unnecessary spinoff. Inferiority is baked into its very DNA. It's very self-consciously redoing the premise of the first movie, but stupider. It's about The Other Cop from the movies, instead of the competent one. Instead of being into a "cooler" sport, his life revolves around professional bowling. Instead of going to Vegas, he goes to Reno. Even his tragic backstory that shaped his entire life sucks. He was abandoned by his pro bowler dad in a TJ Maxx. Not even a nicer department store. A fucking TJ Maxx. This whole show is a Dril tweet.
They put a ton of effort into making it dumb in an occasionally spectacular way. So much effort was put into that joke rock opera that fans will just write off as stupid filler. They put their whole pussies into it. This is not a poorly made show. This has better production values than half the shit made for Disney+. This was made with love. Maybe not as much love for the Sonic the Hedgehog series of video games as we'd like, but it's love nonetheless.
Maybe this show broke me and these are the ramblings of a madwoman. Maybe I'm just really nostalgic for the '90s and '00s comedy movies all the Wade stuff is modeled after. Maybe the Alan Wake fan in me just really loves it when a story pivots to a silly rock opera for no real reason. I won't discount any of these possibilities. This isn't high art. This isn't something I would recommend to anyone with zero interest in Sonic, and it also isn't going to sway Sonic fans who hate the Paramount universe. I really can't blame them for being bewildered by this show. But for a specific type of person, this is the absurd three-star Sonic-adjacent comedy miniseries of your dreams. It's a mid masterpiece.
Again, I just have to step back, realize the fact that this shouldn't exist, and smile. Sega's too afraid to do stupid bullshit with the franchise like this these days. And I can't blame them, after years of Sonic being a treated as a laughingstock. But part of me misses some of the goofy shit. No matter how much I tore some of the Archie comics apart as I was reading them for this blog, I just look back on stuff like Cal and Al or the Many Hands issues and laugh. And that same part of me looks at this show about Knuckles being the sidekick to this fucking guy, and just goes...
"We're so back."
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In conclusion, I genuinely think this was a more enjoyable TV show than Sonic Prime.
I wouldn't go back and rewatch Sonic Prime anytime soon, aside from maybe, like, a couple of the Shadow-heavy episodes. Huge stretches of that show bored me to tears. The writers squandered all of that show's potential. But I would rewatch the Knuckles show, which takes a terrible premise and has a lot of fun with it, in a heartbeat. Even the bowling parts. The bowling scenes in the Knuckles show are more engaging than 70% of the fights in Sonic Prime. I am not trolling. I mean that sincerely, with all my heart. Don't @ me.
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Stray observations
There is effectively zero meaningful setup for the third movie in this, unless Wade's family or the two GUN agents come back or something. Project Shadow is not mentioned in this. There is no secret post-credits scene with Gerald
The CGI in this is pretty good. Not quite on par with the movies, but pretty good. Sonic's weird forehead wrinkles are distracting in his scenes though. Please fix that
I wouldn't say I liked this as much as the second movie, which obviously gets a ton of points for, you know. The Cool Sonic Shit. But I had more fun with it than the first movie, which I still feel is a painfully generic family movie that was only saved by Tyson's redesign
"Grapes are an interesting choice for someone who doesn't use his individual fingers."
Agent Willoughby was apparently the one at GUN who had to buy the Olive Garden gift cards and set up the fake wedding. Her origin story is that she hated doing shit like that and wanted to go fight aliens
This miniseries contains another Keanu namedrop because Wade's childhood bedroom has a Speed poster on the wall. I swear, if Sonic doesn't say Shadow sounds just like Keanu...
Knuckles is familiar with Paul Blart Mall Cop
Near the end the ESPN 8: The Ocho commentators say that the 1974 Reno bowling championship was also interrupted by an extraterrestrial, and given that was exactly 50 years ago I can't write off the possibility that that was Shadow. Please for the love of god give us a sequel series after the third movie where Wade takes Shadow the Hedgehog bowling. I need this more than I need air
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mistysblueboxstuff · 2 months
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For those who are genuinely curious to know how can you sell fanart when it might be technically illegal to do so, the answer is that most IP holders don't care enough to try and criminally pursue some rando fan artists selling their little pictures of their favourite characters
fan artists aren't hurting them or their profit, in most cases fans making merch are helping promote a show/movie/whatever
can you get in legal trouble for selling fanart? perhaps, but from what I've seen you're mostly just asked to take the art in question down and that's the end of story
anyone is entitled to their own opinion on how "morally right" it is to sell fanart, but imho fan artists work hard, they make art for stuff they have huge love and admiration for and they share it with others who love it too - it's not wrong for fan artists to be able to make some money off it too and being able to make some money enables them to make even more art. you're not stealing from a billion dollar corporation by selling some prints (of art that you worked hard to create) and making a few bucks from it.
i know Disney, Nintendo and a few others are very diligent about taking down fan art though but most others are either totally fine with it or just don't care. You can even have your fan art officially licensed on Redbubble (like for original Netflix stuff, ie Stranger Things).
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mochatsin · 8 months
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WHEN MC CAN DRAW
Drawing and the arts is one of the things you’re most passionate about. There’s a lot of things, and certain demons, that are out there to give you inspiration to draw. How will the brothers react when they find out you’re a great artist?
literally in the middle of drawing when I thought about this and i'm wondering why it took me this long to think of an Artist!MC prompt damn. Enjoy reading!
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Lucifer
He already had a vague idea that you have a keen eye for the arts when he took you to a gallery once. You’re familiar with a lot of paintings in the human realm, but none of them could quite compare to the styles down here in Devildom.
Lucifer wanted to teach you more about the cultures of Devildom through painted histories and stories which is why he took you to the gallery, and he notices how observant you are of the details on the artwork. He assumed maybe you’re just very educated with the arts up in your world.
Though one day he found you in your room trying to draw a piece with the styles similar to the paintings you both saw the other day. The linework and colors are very on point, Lucifer would have assumed this wasn’t done by your own hands if he saw it displayed on the walls. 
“You’re quite talented if you drew all this after just one art gallery tour.” Lucifer says as he moves closer to further inspect your art. If you ask him how to improve it or how the method works, he would be happy to give you some tips or pointers. 
“As impressive as this is, I would like to see something you’ve made in your own style.” Lucifer would want you to show something that speaks more about you, not about Devildom. He’s curious to see what makes your art style original. He wants to see you take pride in whatever you create of course. 
He’d love to have one of your artworks be framed somewhere in the house. You can use his office for that peace and quiet so that none of his brothers would disturb you while you worked. Lucifer wanted it framed in his room for him to enjoy, though after his brother’s protests and one heated dinner discussion, the piece was placed in the living room instead for everyone. 
Mammon
Mammon doesn’t really have the best sense of boundaries when it comes to your room, so he ends up barging through the doors to see what you were up to and maybe try to whisk you away for a bit of gambling for the evening. Though he finds you on your desk doing some homework, papers scattered on your bed.
You tell him you’re busy working on a project so he whines but stays with you in your room. You have homework about summoning circles so you had several discarded drafts resting on your bed. Mammon can’t help but go through the papers while he waits out of pure boredom. 
Mammon eventually spots under the pile a few of your own personal artworks you’ve made. You forgot to keep them away since they got buried underneath all those papers. “EY!! This ain’t part of a class project right?! This looks freakin’ fantastic!” 
You can tell he’s being genuine about his compliments just by seeing the look on his face. “I-I'm not just sayin’ that cuz you’re my human! I know a gold mine when I see one yaknow?” Mammon says while he goes through the pile to see if there are more works out there for him to admire. He might be tempted to steal one of them just so he can piece of something you’re passionate about so close to him. 
He would definitely urge you to sell some of them for profit, put up commissions online or advertise it on RAD. At first you wondered if this was part of his money-making schemes… he admits it was at first but he wants you to succeed in this if it’s something you genuinely want to do.
“You gotta cut me some slack sometimes ya know? I bet you’ll make bank outta this. I know my old plans for quick grimm haven't worked out, but this one I'm SURE won’t fail” his enthusiasm is almost contagious. Regardless of your decision, Mammon is happy enough to sit back and enjoy your artwork. 
Levi
He is going to be so ecstatic knowing that you’re actually really good at drawing in any form of medium. Levi found out one day when he asked to borrow your notes for class and you lend him your notebook. He was flipping through the pages until he noticed that you’ve been doing little doodles at the back. “I-is that…”
Your peaceful little afternoon got chaotic when you heard an excited scream from down the hall, followed by rampant footsteps that got louder in a matter of seconds until your door opened. Levi has your notebook in hand, with the biggest grin plastered on his face. 
“Y-YOU COULD DRAW RURI-CHAN?!” Levi doesn’t even give you the time to speak when he shows you the doodles and starts going on a rant on how you captured the details of her outfit so perfectly. Even the magic staff is actually on point! 
There’s times he would be peeking by your door while you’re doodling something in your room. Levi wanted to ask if you could draw his favorite characters but he’s too shy to do so, but he’ll be the happiest when you agree to it. 
“I-if you need the references i have a few!” He would say ‘few’ but ends up giving you what’s almost an entire album of art references that you could use. If you want, he can even take the figurines of said characters off his shelf (which is rare) so you can have a better look at it from all angles. 
Levi would definitely have it posted on the walls, keeping all your artworks like a new collection. He would gush about how he wishes he could draw because it’s another way of expressing your love for something you care about. Would definitely commission you for certain things because he doesn’t want to keep asking you for free art.
Satan
Recently he got you hooked on this detective novel series, and you both spend a lot of time together just talking about your favorite parts. Satan loves that chase scene between the detective and thief since it was written so well, it’s almost like you can play the scene in your head.
He’s with you in his room, sitting on the couch with the book propped up by your knees. He assumes you’re just rereading the book and does his own thing. He likes that about your company where the silence is comforting, though there are times you ask Satan what he thinks the detective or the thief looks like in his head.
By the time Satan had to answer one more query that he realized you’re not actually reading the book. He sees that you’re holding onto a pen as you scribble something behind the book, so he decides to sneak behind you while you’re distracted out of curiosity.
He’s surprised to find you drawing on a notebook, looking at the chapter of the book with the chase scene that he mentioned the other day. “You’re… drawing the scene?” He asked, the corners of his lips tugging into a smile. He’s impressed that you got the compositions so well too. To him, you brought this scene to life. 
“Is this why you were asking me all those questions? Well, I’d say you perfectly captured the scene and-” He’d talk about the details you’ve drawn and how it matches what’s written in the book, like a professional critique. He’d love to see the piece once you finish, and even see all your other works you’ve done in the past as well. One cat drawing would make him excited for sure. 
One time you made him a bookmark by using your art for the designs. The brothers know that Satan doesn’t use those as often because he tends to finish books in one sitting, but he began to have that cute little bookmark pressed between the pages of his current book. Not only is the design so perfect, it’s from his precious human too.
Asmo
Asmo is adoring the attention he’s been getting from you recently whenever he would make a little fashion show in his room with all the new outfits he’s bought. He loves the awe he hears from you and how you eye him up and down after he strikes a pose. 
He even saw you buying a magazine with him on the cover, and he just can’t help but feel giddy at the thought of how much you probably adore him because who wouldn’t? You must really love how he looks, right? Asmo even thought of giving you a private show just for your eyes. 
Though he found out eventually that you’re using the poses in his magazines as reference when he saw that you’re trying to copy the pose he made on the cover. “I’m rather offended that you didn’t reference me, the source material itself! I’m always ready to be your model, hun!” 
Asmo would make the perfect model because being in model magazines, he’s used to holding on poses for periods of time without complaint. He’s not shy about his body either so you can ask him to be in any sort of pose for you (but you have to stop him from being not so family friendly when you try to fix his position).
If you’re good at designing clothes then Asmo is going to fall for you even harder. He would admire all the designs you can do, and if you’re open to suggestions then as someone who works and shops frequently at Majolish, he would have a lot of good ideas. He’ll have the connections to make your designs come to life and model it for you.
“I just know if you posted these fine works on Devilgram, it’ll get you tons of views for sure! Especially if the muse is me” Asmo says with a wink as he admires your art. If you made an account then he’ll be loud about it on his social media, wanting people to feast their eyes on it.
Beel
He does a lot of home workouts so often you spot him doing a lot of stretches or lifts around the house. There’s even times you offer to help like sitting on his back while he does his push ups or just being his little moral support. 
Though he noticed all the attention you’re giving on his muscles recently. You offered to wipe off the dirt and sweat he got from his Fangol practice, and Beel sees how much you’re staring intently at his muscles while you wipe him dry with a towel. “MC… is there something wrong?” 
It's only then you realize that your eyes have been glued to him for so long so you decide to explain. You tell Beel that you’ve been sketching recently with someone of his body type but you can’t seem to get the muscles correctly. Hearing that makes Beel smile though. 
“Well, if you want me to help I could. But I want to see your works, if that’s okay with you” Beel said. He’s not much of an artist himself (Satan notes that Beel’s art still haunts him to this day), so he’s very supportive knowing that you can draw.  
He has this awe in his face like how he looks when the restaurant serves him the biggest platter of food as soon as he sees your artworks. Beel is happy you’re sharing such talent with him. “This piece is so colorful. It reminds me of the rainbow layered parfait we had the other day… oh, now I'm hungry.” Even if Beel can eat books and things that aren’t exactly food, he never once tried that with your artworks. 
He’d invite you more often to his little home workouts so you can study his muscles more closely. Beel would love it if you sit on his back while he does push ups as you draw. The sound of the pencil scribbling would bring him to focus.  
Belphie
There’s an upcoming event for RAD that requires a lot of decorations. Since a lot of people are busy with their own tasks, you and Belphie were paired up to think of possible decor for the stage.
Belphie complained how Asmo or Levi should’ve been here instead but since they’re both in charge of the outfits, then he’ll settle with this because at least it requires minimal work. You both were trying to discuss the backdrop designs and the props but he fell asleep midway. 
Belphie wakes up in a few minutes later to the sound of scribbling pens when he saw you creating the designs. You asked him to pick from one of the sets you made but he’s too stunned to even decided when all of them are so good. “You made all of that while I was asleep?” Belphie is in a state of disbelief. 
The one that struck him the most is the starry sky landscape. For someone who loves to watch the stars, this one was particularly mesmerizing for Belphie. So out of personal bias he chose that one.
He never stopped bugging you about your art, always wanting to see what you’re drawing when he spots you on your notebook. He’s not much of a ‘draw me next’ kind of person, but he’d be absolutely happy if you did. More so if you drew him and Beel together. 
Whenever you’re drawing, Belphie wants to take a nap by your lap while you do your work. He likes the look you make whenever you’re trying to figure out something in your art before he drifts off to sleep. His favorite part is waking up to see that you’ve already finished your piece so he gets to admire it first.
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youryurigoddess · 3 months
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The stuff dreams are made of, or the interesting case of Anthony J. Crowley
We’ve talked a bit about Crowley’s trauma and his way of reclaiming the narrative in the past, but it’s time for some deep dive into the story he’s trying to tell. A story that meanders through the fabric of time and space, slightly changing with the human fashion trends, but slowly and surely bringing the demon closer to a certain angel like the red thread of fate.
1793
Some stories start in a garden, some even Before the Beginning, but this one starts with an Arrangement. Or, to be precise, a little bit after that.
See, most of the iterations of Crowley we saw throughout the history until then didn’t delve too deep into human cultural tropes. If anything, they were the inspirations behind more or less prominent biblical figures, maybe some nameless villains matching his demonic provenance and role assigned to him by his employers.
But in the hustle and bustle of the revolutionary Paris, Crowley emerges as a prototype of the Scarlet Pimpernel — a chivalrous Englishman who rescues aristocrats before they are sent to the guillotine. Stan Lee famously called him “the first character who could be called a superhero”.
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Sir Percy Blakeney, the main character of the novel and the West End play under the same title, leads a double life. Appearing as nothing more than a wealthy fop, in reality he’s a formidable swordsman, a quick-thinking master of disguise and an escape artist. Even his own wife, Marguerite, has no idea.
Unfortunately Marguerite is being blackmailed with her brother’s life to find and expose the wanted Pimpernel. She regrets betraying her husband the moment she's forced to do it and spends the rest of the plot working to save him. She does, they make up, and return together to England.
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In Aziraphale and Crowley’s case there was just a short stop for crêpes. But what seems to be an inspiration of a specific scene might as well come up later in the wider perspective of the show, so keep in mind those fragments of the musical’s libretto:
We all are caught in the middle
of one long treacherous riddle.
Can I trust you?
Should you trust me too?...
We shamble on through this hell
taking on more secrets to sell
'til there comes a day
when we sell our souls away.
We seek him here, we seek him there,
Those Frenchies seek him everywhere!
Is he in heaven? Is he in hell?
Where is that damn elusive Pimpernel!
1941
The London Blitz is when we see a full-fledged iteration of the superhero Crowley performing dashing and heroic deeds under the literal cover of darkness and air bomb smoke. In a bespoke double-breasted suit and a fedora — still free from the unfortunate modern connotations from the internet culture — he’s clearly channeling Humphrey Bogart as a private investigator Sam Spade in The Maltese Falcon (1941) now.
It all starts with a woman and a simple plan gone wrong: Spade’s partner is shot dead, just like the man he was supposed to be tailing upon the request of a mysterious Miss Wonderly. And when a very soft-looking, sweet-scented man named Joel Cairo appears in his office willing to pay a hefty price for a "black figure of a bird", Spade starts not only a new job, but also his own quest for truth.
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On the surface, The Maltese Falcon ends happily: the killer gets caught, and the hero winds up with the Falcon. But Spade's victory is completely hollow. The Falcon itself, originally meant as a symbol of loyalty, transforms into a symbol of a corrupting, futile, and self-destructive greed that makes people betray their own loyalties.
The treasure is just a worthless forgery and he’s fallen in love with the criminal — one of the first femmes fatales on screen. Despite his feelings for her and a kiss, Spade gives her up and submits the statuette as evidence, describing it as "the stuff that dreams are made of".
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Remember the eagle lectern? The eagle was believed to be flying highest in the sky and therefore closest to heaven, symbolizing the carrying of the word of God to the four corners of the world. Aziraphale in the 1941 church scene is the closest to Heaven we’ve seen him on Earth. Just look at him: dressed in a smart, well-fitted coat with peaked lapels, symbolizing his Heavenly allegiance, and doing good this time not as a work assignment, but of his own accord. Being the closest to Heaven means the furthest and most unattainable for a demon like Crowley.
The Maltese Falcon is a metaphor for unattainability — things out of reach to desire and fight for, although never truly possess. It’s “the stuff that dreams are made of”. But Crowley secured the original — made of gold and encrusted with jewels, but hiding its real value under black enamel — eerily reminiscent of the demon himself and the unending kindness behind his inappropriately tight black clothing.
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Quoting Michael Ralph — the production mastermind behind Good Omens — from the S01E04 “Saturday Morning Funtime” DVD commentary, “We wanted to tip our hat to the Maltese Falcon as being a precious object that no-one thought really exists but it does”. So we can safely assume that Crowley can and will achieve his dream in the future.
1967
Do you know what else happens in 1941 in Scotland? Ian Fleming, a British naval intelligence agent, meets with the famous occultist Aleister Crowley and asks him to lead the interrogation of newly imprisoned Rudolf Hess — a leading member of the Nazi Party in Nazi Germany appointed Deputy Führer — given the two men’s shared enthusiasm for the occult.
This meeting has a significant impact on Fleming’s work as a writer; Aleister Crowley becomes the inspiration for his first villain Le Chiffre and creates a blueprint for most of the James Bond’s franchise ever since 1953, the publication date of the novel Casino Royale.
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Meanwhile our Anthony J. Crowley believes in himself not being the villain he’s usually and sometimes forcefully painted as, but a superhero in disguise. The character of James Bond in particular inspires him so much that he buys petrol to get the limited You Only Live Twice (1967) window decals for his Bentley, dons his own tactical turtleneck, and sets off to organize a heist like no other. Sean Connery style.
Like a typical superhero, Crowley’s once again both saved and betrayed by his love interest. Aziraphale leaves him with a thermos of Holy Water, a faint smile, and a hope that they’ll soon match their speeds to meet halfway at the Ritz. The cancelled heist is not an ending, but a promise of a new beginning. And the fact that UK decriminalizes homosexual acts in the very same year is more than telling in this regard.
2019
An exceptional situation calls for exceptional solutions, and what’s more important than the impending Apocalypse? Demon Crowley does his best to put the arsenal of his 20th century film inspirations to good use.
"Ask yourself, do you feel lucky?" Crowley drawls, clearly imitating (although slightly misquoting) the titular Dirty Harry (1971). He’s hoping to be menacing and making the point of being the one on the right side of the law and history.
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Some situations require more than quoting action heroes is not everything though. He knows what to do:
A jeep was heading purposefully towards the gate, and it looked as though it was crowded with people who were about to shout questions and fire guns and not worry about which order they did this in.
[Crowley] brightened up. This was more what you might call his area of competence.
He took his hands out of his pockets and he raised them like Bruce Lee and then he smiled like Lee Van Cleef.
'Ah,' he said, 'here comes transport.'
When in doubt, Crowley acts. He transforms into a combination of a stoic martial arts phenomenon and a sardonic, menacing character. His smile alone — even on Aziraphale’s angelic face, as seen in one of the final cut scenes — seems to be enough to ward off evil spirits, angels, and humans alike.
But we all know that even as breathtaking performances as those can’t protect anyone from the cogs of the Heavenly machine and its plans.
2023
No wonder that Crowley’s tactical turtleneck comes back in style after mere four years of retirement with a self-introduction “Former Demon, hated by Heaven, loathed by Hell. How will our hero cope?”. Something has changed during this time; he’s more mature now, not playing pretend by hiding behind the usual veneer of sarcasm and movie quotes anymore. Finally comfortable with the fact that this is his own story and there’s no need to become anyone else than himself.
The bookshop fire and the Heavenly trial still seem to haunt the demon in a way that makes him realize what all humans know: that every hero is his own biggest enemy. His ultimate dream might effortlessly change into his greatest nightmare any moment now, and the only thing he can do about it is hover in a two-minute distance from the epicenter of his feelings. But Crowley has no time to work on it when a new mission appears, to protect his angel from Gabriel and the combined powers of Heaven and Hell. Even if this — rather ostentatiously — is the last thing he wants to think about at the moment.
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Crowley tries to plan ahead, while his story slowly warps into a different genre due to Aziraphale’s interruptions. He eventually changes back into his usual Henley shirt after agreeing to swap places and guarding the bookshop while the angel is off to Edinburgh, collecting more clues. Did he finish his personal quest off-screen? Did he just give up on it in the whirlwind of matchmaking shenanigans? Remains to be seen.
In the S2 finale our master of disguise in yet another turtleneck proves that he can successfully infiltrate even the universe’s back office. We don’t know where he drives off in the end, but one thing is certain — he’s got a plan. And a world (and his dream) to save, like a superhero he is.
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Note
Maybe it is not because of cgi movies but because how bad written the characters especially the villains. So far the only villain I can think fits is Mother Gothel because of how well-written her character is despite lacking of powers and a twisted version of her helps. Although they did take inspiration from CGI movies like Big Hero 6 for that chapter 6 plot and even took some TV shows like Lion Guard which it revealed to have lion guards in Leona's hometown.
[Referencing this post!]
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As I mentioned in the original post, yes; TWST does take inspiration from and make reference to many Disney properties regardless of artistic medium. This extends to their animated and live action films and shows, as well as musical productions (the whole plot line with Rollo having a little brother that was led astray by sin comes from an obscure Hunchback of Notre Dame German musical) and more. It’s just that TWST has yet to introduce characters in their own universe explicitly twisted from characters in the 3D era, whether villains or not.
Seeing as the big “sell” of Twisted Wonderland is its villain-based characters, I can see why one might think poor quality of the original (3D) Disney characters would be a factor in preventing them from being successfully adapted. However, I personally don’t think this is a huge consideration since that would imply Disney’s old villains are all written significantly well when some are simply generically evil or not that interesting (though this will vary depending on who you ask). Besides, it would also discount the fact that no matter how low quality or boring the original villain was, they can always be “dressed up” and given a more interesting story and character by the TWST team; they are not 100% beholden to the mold the original Disney character set.
I definitely agree that many of the more recent villains aren’t the… strongest… (if we had a villain at all, that is). Mother Gothel is the only one that immediately sticks out in my mind as a great villain from the 3D era. (She’s so uniquely wicked in how she gaslights and manipulates Rapunzel.) However, we don’t know if the people on the TWST team also hold this same opinion of disliking the 3D era and letting that actively influence their design direction for the game. It’s very hard to discern what the overall sentiment is since we don’t often hear from the TWST devs and just make assumptions of what the popular opinion is based on what we hear from our own social circles.
With the deliberate 3-4 years of staying with 2D animated characters (+ the G7 being some of the most iconic Disney villains) and now the Platinum Suit line now making references to the classics, I really think nostalgia is the main motivator rather than TWST (or Disney) questioning the quality of their 3D stories and characters. If anything, they (Disney, that is) seem pretty eager to stroke their own egos about mega box office and merchandising hits 😂 Frozen, anyone?
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archiveikemen · 2 months
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『 The Past Records 』 Collection Event: Chapter 2
Jude Jazza & Ellis Twilight
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This is a fan-made translation solely for entertainment purposes with no guaranteed perfection. I do not own any of the original content. Please support CYBIRD by buying their stories and playing their games. Reblogs appreciated.
❥・• Warnings and FAQ
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Jude: …
Business Partner: My goodness, it’s a pleasure to have you personally come all this way! All our goods are of the best quality, please, feel free to inspect them…!
Jude: One load of goods isn't here, right?
Business Partner: … Yes?
Jude: “Yes”? No. Do I have to spell it out for you? Show me another load.
Business Partner: Huh… um, we do have another warehouse that’s located a little bit far from here, so it might take a while to bring the other load of items to you.
Ellis: I expected you to say that, so I brought these with me. Are these the goods you’re talking about?
Business Partner: Eek!? W-When did you…!?
Jude: … The quality of these goods look different from the ones you sent to the headquarters for inspection, don’t you think?
Jude: They look different from the ones here.
Ellis: You’re very discerning. They all look the same to me.
Jude: Your eyes must be rotten. Shut up.
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Ellis: Oh-kay.
Jude: What’s the meaning of all this?
Business Partner: … I-It’s uhh… um… a m-mistake…
Jude: A mistake. You hid your poor quality goods, and tried to sell them at premium prices. A mistake, you say?
Business Partner: …
Jude: I’ll let it slide this time.
Jude: It’s your first time getting caught, and it’s also on me for letting myself appear easily deceived.
Business Partner: W-Wha…? Oh…
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Jude: But now you know damn well that I’m no fool.
Jude: Try anything again and I’ll sink your entire ship. Keep that in mind, yeah?
Business Partner: …! I- I understand. I’m very sorry, thank you so much!
Alfons: Wow, did you see that, Sir El? Look at that devious look on his face. That was threatening, wasn’t it? How terrifying.
Elbert: It’s not nice to deceive people… I understand Jude’s rationale.
Alfons: Yes, yes. Thank you for your textbook reply.
Alfons: The report will be boring if we write down exactly what we saw. Let’s add some spice to it, shall we?
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Alfons: “Jude torments and shames innocent civilians with a sinister smile on his face…”
Elbert: Lying is bad, Al.
Ellis: Ah, by the way…
Business Partner: *hiccup*...!?
Ellis: It seems that some suspicious individuals have been going in and out of your rented warehouse lately… are you aware of that?
Business Partner: —...!
Ellis: Oh, it’s fine if you’re unaware. I’m just making sure you’re not violating your contract.
The business partner turned pale and started trembling, briefly glancing in the direction of the street of warehouses.
He quickly turned his gaze back and shook his head like a broken string puppet toy.
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Ellis: …
Jude: … Good then.
Jude: You know what will happen if you violate your contract.
Ellis: There’s a trading company that purchases inferior goods at a low price, you can take your defective goods to them.
Ellis: Here’s the contact information of their company representative. Best of luck.
Alfons: … Ellis is even helping the person who swindled them clear their inventory…
Alfons: His good deed is unsuited for Crown, who “conquers evil with evil”!
Alfons: I must include this in my report with the best vocabulary I can think of— uh, El?
Alfons looked around and Elbert was—
Unsophisticated Young Lady: Um… I like you! Could I at least have your name…
Voluptuous Noblewoman: I have a decent social standing back in my home country. Why not leave your troublesome mundane life behind and let me have you…?
Shady Artist: You are a wonder… how would you like to visit my atelier sometime?
– Surrounded by passengers who had just disembarked from a luxury cruise ship.
Elbert: I have something to attend to over there—
Elbert was pushed further and further away by the oncoming crowd.
Alfons: My, my, just like ducks swarming at breadcrumbs…
Alfons: Shall we deal with this situation and get back to work?
Alfons: I hope they haven't noticed us tailing them.
Jude: … Ellis. You noticed that, right?
Ellis: Yeah… what do you intend to do? Should we catch them?
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Jude: Nah.
Jude: … We’ll deal with all of them at one go.
Liam: I wonder how El and Al are doing.
William: What’s your guess?
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Liam: Oh, they’re back! Welcome back, the two of y— huh?
Alfons: …
William: Your facial expression doesn't look good. Is something wrong?
Liam: Could it be that they’re really spies…?
Alfons: We have uncovered a horrible truth, which I must share with all of you.
Elbert: … Did we?
Alfons: The two of them… have really been at work all this while!!
Liam: WHAT!? They’re so hardworking!!
Elbert: That’s not horrible at all…
Harrison: *sigh*... Is that all?
Alfons: They’ve been working so much that we have nothing else to report on. They must be insane.
Elbert: People are fearful of Jude, but Ellis seems to be well-liked.
William: Do the two of you think Jude and Ellis can be trusted?
Alfons: Honestly speaking, I don’t care about that.
Elbert: I don’t yet… I guess.
Harrison: … Will we even get anything out of this?
Liam: Ahaha, it’s going to be rough.
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William: Speaking of which… I just recalled something.
Harrison: …?
William: Roger knew Jude and Ellis before they joined Crown.
Harrison: Huh?
William: Roger’s opinion on whether they’re trustworthy would be rather useful, don't you agree?
Harrison: … You lied about the part where you “just recalled this”, didn’t you?
William: What do you think?
Roger: So, what do you want to ask me about?
Harrison: Can you tell me whatever you know about Jude and Ellis from ever since before they came here?
38 notes · View notes
quonit37 · 2 years
Text
Clip Studio Paint is Moving to Subscription, so...
I think now is a good as time as ever to tell people about the best art program that you’ve never heard of.
Sketchbook Pro was previously owned by Autodesk, who supported it for years before selling it to another company that only gave out the free crap version of the program. For years, there was no legal way to obtain the Pro versions. But recently, the original developers rebought the program and are once again actively supporting it and giving it updates and frequent blog posts!
Lets start with this image:
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Every single component can be moved around. The bar at the top, the layer menu, the toolbar, the color picker, EVERYTHING YOU SEE ON SCREEN CAN BE MOVED. And also closed.
The top bar has most major tools artists need, giant red and green undo buttons so that it’s actually faster to tap those than reach for Ctrl + Z on a keyboard.
Magnifying Glass
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The magnifying glass is the BEST MOVEMENT TOOL I’VE RUN INTO WITH ANY ART PROGRAM. With other art programs you get the scroll wheels on the bottom and sides of the screen that you have to individually control and a magnifying glass where you need to specifically switch between zoom in and zoom out mode, and the options to tilt the canvas are either limited or not there. Here it’s just. press. Drag. Press. Drag.
Select Tool
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The select tool is basic with most of the options an artist might need or expect, all the different shape tools, a bar for the magic want to increase how intense it is, the option to add more to your selection or remove parts, an invert button, and the deselect buttons.
Cropping
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The cropping tool automatically fits around your selection, which can be useful if you’re trying to make things like emojis where you want as little free space as possible. All of the edges and corners can be dragged, there are options to type in your own numbers, and the link bar to make it so your cropping stays the same shape when you move it, and the cancel and accept buttons.
Move Tool
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The move tool is very similar to the magnifying glass, with the same method of movement and zooming and tilting. The move tool has extra things though like easy stretching, and if you have something selected it automatically tries to move that.
Transform Tool
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The transform tool has a lot of options you can see in the gif. The circle in the middle makes it so you can move stuff in the middle.
Lagoon
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Every single one of the options here is drag and drop. There are a total of 50 things you can just drag and drop for, and they are all assignable. You can customize putting any function in those 50 drag and drop slots. I highly recommend putting the flip canvas/flip layer options in there (there are vertical options as well!)
Layer Menu
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The layers are as excellently straightforward as everything else in the program. Multiple one or two tap ways to do everything you need.
New layer? tap the + button, or drag up on the layer you want a new one on top of.
Want to delete a layer? drag.
Want to hide a layer? tap or drag.
Want a lower opacity? drag in either two areas.
And the layer menu is large enough you can actually SEE what’s on the layer! It’s not microscopic in some hidden corner!
Toolbar
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The tools are highly customizable, have large icons, there are LARGE downloadable libraries of custom ones (that you don’t even need to leave the program to some website to download), and it’s really simple to make anything you want in here.
I’ll make a separate post of the tools I’ve made + a download. Here’s a link to that post
Color/Brush Pucks
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There are two pucks, the color and brush puck. They are both drag and drop.
With the brush puck, drag left or right for a smaller or bigger brush, and up or down for a lower or higher opacity.
With the color puck, drag left or right for more saturated or more de saturated colors, or up and down for lighter or darker colors.
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You can also tap the color puck for a more limited color menu! The eraser button makes your brush go invisible. Which. Is so helpful. You can erase with any tool.
You can access the same limited color menu from the layer menu’s background button.
Color Editor
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Extensive color wheel
optional pallet for you to save colors to
the eraser and eyedropper tool
an option to put in numbers if you like
a randomize option which is VERY VERY CUSTOMIZABLE and I use it for so many drawings (particularly pictures of space)
Paint Bucket
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The paint bucket will color what you tap it on, or fill a selection if you have one.
It has a flat fill, two different gradient options.
When you have a gradient, the color puck gets a new menu for saving gradients to
Every single color is editable and movable. You can drag it.
Option to reverse the direction the gradient is going
a strength meter
an option for it to see other layers or just the one it’s on
Text
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The text option is admittedly pretty limited, but it does its job. All the fonts are just the ones you have installed in windows
RULER AND CIRCLE TOOLS
many movement options
I have no idea what the use of the french curve is but it’s also there and similar
Perspective Tools
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There is a robust perspective system but I don’t know it well enough to explain it. someone who actually uses these tools can lol
Symmetry Tool
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Can be moved easily
Has option for cutting the screen horizontally rather than vertically
option for both at the same time
option to be able to go over the lines or not
option to hide it
option to stop yourself from moving it
Struggle with smooth lineart???
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Steady Stroke makes it so that you drag your cursor rather than just draw, so you can get smoother lines. Easily increase how large the drag is
Predictive Stroke corrects your line after you make it, and you can change how much it tries to correct it. REALLY USEFUL FOR CIRCLES.
Conclusion
I barely even use buttons with my tablet because of how accessible this art program is. Why press undo with the button on my tablet when I can move my cursor a few inches? Why go through two different submenus to create a new layer when I can just drag upwards? Why create a mirror canvus button when I can just drag???
This art program is really obscure but I struggle to even imagine using something else. PLEASE give it a try if you’re struggling with your program and want to experiment with something else
<<FREE DOWNLOAD HERE>> 
<<20 DOLLAR PURCHASE HERE>>
REBLOG TO SAVE AN ARTIST
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emptymasks · 8 months
Text
so this hasn't happened in like a year
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[ID: a tweet from me saying that my art has been stolen with screenshots of the art they stole badly cropped out and put on a tshirt with text that says 'yes, darling? do you need something?' and another screenshot of the store page. next to it is a screenshot of my original Goostarion artwork I posted to Tumblr and Twitter 6 days ago.]
someone stole my art. again. please never buy from tshirt shops like this on etsy. they are 100% stolen fanart and stolen official art. my own goostarion artwork as a sticker is one of the first results on etsy when you search for baldur's gate (which, thank you guys so much for that) and so perhaps because i put him on etsy you might see the tshirt and also think it's mine without checking the shop name. but it's not. and multiple people have the shirt in their basket. if an artist is selling their own work as a shirt it will be in their own shop, or perhaps in a redbubble/teespring shop under the same name. and it won't be a badly cropped version of their art with their watermark painted over.
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[ID: a screenshot of the shop selling stolen art, SweetieBestieStore on Etsy. They have had 85 sales, 12 reviews with an average of 5 stars, the listing for the shirt with the art they stole from me says '3 people have this in their basket'. There is also stolen art by artists I tracked down using Google's Reverse Image Seacher they are grimmsever on Twitter, BryeArt on RedBubble and twistedlonewolf on Twitter. please support the actual original artists. their art has all been cropped, backgrounds erased and/or text placed next to it.]
i've repoted the listing, we'll see if etsy does anything. no one else can report it for copyright other than the person who owns the copyright so. we'll see if anything comes of that. i've reported stuff on other websites before like wish and amazon and got them taken down, but never etsy before so i don't know how quickly they work on these things or what the response could be. i have no idea if this post will reach any of the people who have this shirt in their basket on etsy, anyone who's scrolled past items like these on etsy, but please don't support shops like these.
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[ID: a screenshot of my own Etsy shop 'emptymasks' where I have search for 'baldurs gate' within my own shop to show only my baldur's gate items, you can see my original artwork for goostarion which i have been selling as a sticker this past week since i drew him.]
And if you want Goostarion, you can just buy him as a sticker off my own shop. Or you could reblog the original post I made of the artwork here.
Ugh this isn't what I wanted to wake up too. I really hope no one buys anything more from their page.
136 notes · View notes
redslug · 5 months
Note
I think it’s kind of a question, kind of a statement but, there seem to be a lot of people upset about you utilizing ai art recently. Correct me if I’m wrong, but if you’re training an ai on your OWN art, doesn’t that cut out a lot of the unethical things about mainstream ai art generators? And if I may ask, how do you feel about mainstream ai art generators and the way it utilizes others’ art? I apologize if this comes off as rude, I’ve not seen someone train an ai specifically on their own art and I’m curious about your thoughts. Thank you for reading, I hope you have a lovely day. Your world building and art is phenomenal and inspiring.
My opinion is that the only unethical bits stem from how an operator uses a tool, not the tool itself. Stable Diffusion isn't a person, it's isn't good or evil, it is incapable of acting on it's own without a human's input.
I could do some extremely unethical things with oil and canvas if I bothered to dig them up from the closet. I have the skills to theoretically mimic the style of a known artist and then sell it as if it's genuine. I could use the same traditional tools to straight up copy an artwork and claim that I came up with the composition and plot myself.
I then could come up with an original plot and composition in my head and then achieve that with prompts and inpainting using Stable Diffusion. The prompt might have some artist's name in it to achieve a particular style, but the end result won't match anything that artist has drawn before. You can't steal a style after all.
If I did all that it doesn't make oil and canvas evil and an AI good. The only thing that mattered was my intent. If your intent is foul anything you create with any tool can be unethical.
My attitude towards mainstream AI art isn't all that different from that towards normal art. Majority of both is unoriginal, boring, poor quality or all three in that order.
On AI's side it'd be big titty babes just standing around or Midjourney stuff (I hate MJ's style with a passion), on normal art's side it'd be what I call "face in flowers" types of drawings. You'll see that exact type infesting all of Instagram.
Should these artworks not exist? No, they can stay, they have their fans so whatever. I just personally don't find them interesting.
And then a small percentage of both is truly interesting. It has surprising plot, style, other quirks or is just genuinely funny. Good art is memorable regardless of what it's made with. It's just my opinion though.
If you haven't seen anything memorable made with AI yet, I recommend you search for "Will Smith eating spaghetti checkpoint". It's burned into my mind and still causes an ugly laugh each time I remember it exists.
Or "Anime rock paper scissors" for something less meme-y.
Thanks for the compliments btw, nothing is more rewarding than inspiring others.
41 notes · View notes
hpysprkl · 19 days
Text
Spark's Art Commissions
Commisions are: OPEN
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What I Draw
All Fallout, all the time. I've played every Fallout in existence (except that Tactics/BoS bullshit) and I love them all - yes, even 76. Fair warning: I'm less well-versed in Fallout 1 & 2, what with it having been a couple decades since I played either.
Interested in non-Fallout art? Doesn't hurt to ask.
Who I Draw
Your Fallout OCs and fave companions. As long as it's a character I can find enough reference for online, I'm good.
Looking for more examples of my work? Here they are.
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Prices (USD)
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More details on terms, what I will and won't draw, what I need from you, etc below the cut.
Payment is currently only available through PayPal. I'm looking into other payment options, such as Ko-Fi.
What I need from you
your faceclaim(s). If they're not someone I can easily google, I will need a few clear photos from different angles. Don't have a faceclaim for your OC yet? This is a great place to start looking
in-game screenshots are sometimes useful, so include those as well if they look anything like your OC. I will always prefer real human reference though, so please give me a faceclaim!
basic details: height, build, age, hair color/texture/style, eye color, identifying marks, etc etc etc. For companions, give me your headcanons on any details not provided in-game (or if you headcanon something differently), or I'll use my own if you don't have any
what outfit(s) they wear. If it's vanilla/Creation Club/Atomic Shop, just the in-game outfit names will usually do (i'll tell you if I need more)
any personality traits, background info, or quirks you want to share are absolutely GREAT and help me breathe a little more life into a character
if I'm drawing them with a companion, tell me a little about their dynamic
Will draw:
your Fallout OCs
their companion(s) (including ghouls)
weapons
some blood/gore/injury
sfw romantic content
Difficult areas:
curly hair - I'm trying, I'm learning, but it's harder and might take me longer
Super Mutants - haven't tried yet, but it can't be that hard
artistic nudity/pinups: I'm really out of practice, I make no guarantees
Won't draw:
anything racist/queerphobic/transphobic/bigoted/etc
minors
backgrounds. There's a reason this is a serparate, specialized job in animation and comic studios
nsfw romantic/sexual content (I don't have a problem with it, it's just way outside my wheelhouse. I'm learning.)
excessive blood/gore/injury (again, outside my wheelhouse)
creatures (same reason)
IMPORTANT STUFF
What you get
high-resolution digital art (A4/8x12" at 200dpi for busts, minimum of 12x12" at 200dpi for half body and up) suitable for printing for personal use only
If you'd like me to crop you an isolated closeup of a character for use as a profile pic, I'm happy to do so at no extra charge
my work always includes my signature watermark; you may not remove or modify it
you're not required to credit me if you share it on social media, but of course I very much appreciate it if you do, and a link back to my tumblr along with it will earn you my undying love and gratitude
What you DON'T get
the right to modify, redistribute, sell or in any way profit from the work or products derived from the work (you can share it on your socials or post it with your fanfic and that sort of thing, but you can't sell stuff or give things away with my art on it). If you are interested in licensing for prints, stickers, or any other digital or physical merchandise (even not-for-profit), please let me know so we can discuss licensing terms. The 'no redistribution' rule does include gifting. If you're interested in, for example, printing stickers with my art of your OC to hand out at comic con or something, please contact me.
copyright/intellectual property rights. It's still my original artwork. As such, I am free to modify and distribute it in any way I see fit, including for profit.
20 notes · View notes
l-crimson-l · 18 days
Note
I'd love to get into girlpla, I'm just a bit too broke to afford any kits; however, if you'd like to talk about it as a whole, I'd be more than happy to hear.
So…let me try this again. I had a whole nice post written up and I swapped off for a moment to check something and I completely lost the post.
Mecha Musume has a pretty long history that I’m not going to go into but here’s a little video if you’re interested.
Now when most people think of Mecha Musume there’s basically one standout line above them all: Frame Arms Girl.
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This line is a bit old now but its popularity has set the aesthetic style for the market as it stands now. The build of these are…ok. Kotobukiya was definitely learning with these kits but they’re still solid at the end of it.
Now if you’re like me you’re not too much a fan of the pantsu out look, and other kits in the line don’t exactly do anything to mitigate that feeling (looking at you Durga I).
The next line Koto would release would be better at this tho. The Megami Device line features all original designs as well as collabs from new and old mecha musume brands alike.
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First thing off the bat this is that they’re pricey. At an average cost of $70 you’re basically buying a Bandai MG gunpla. That said, they all typically come with a bunch of option parts. These are usually in the form of unarmored limbs, different chest pieces, face plates (with water slides to make your own) and extra connectors to help with kitbashing. Koto also has released option body segments to let you swap any part of the body you might want to if the right option isn’t available in the box (~$12). It should be noted the newest kits in this line have brought the price down to $50 as well as reengineered the build to add a lot more articulation and pose-ability.
Also in this lines favor is the articulation and build quality. You’re going to get a nice range of motion with or without armor and some of the smaller details also sometimes come pre painted.
That said Kotobukiya is a company that favors more complex character design over an Out Of Box experience so there’s some smaller details that are etched into the kit but unless your paints them won’t be color correct. I would say this is pretty common across most Koto lines.
Both the FAgirls and Megami Device are scaled at 1/12 so Little Armory guns and the whole market of 3rd party accessories will work with these kits.
Next up is Koto’s Sousai Shoujo Teien which is simple girls as plastic models
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A little cheaper and at 1/10 scale instead of 1/12. I’ve not built any but I do know they can bash with Megami Device and Hexa Gear lines just fine. If you take a peek at the JP girpla community there’s actually a niche but healthy group dedicated to taking nice photos of their kits dressed up in everyday scenarios.
Finally the newest line of Koto girl kits is the Arcanadea line.
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Purely in a fantasy take these are Incredible kits. I’ve only built one (Lumitea) but it was far and away a much better build experience than the FAgirl kits. These are actually designed by a vtuber artist iirc which is why the designs are so different than other Koto kit lines. If you have the cash and want to try something different I would highly recommend.
Now finally we get to Bandai. After learning from their failures with the Hg Build Fighters girls they went back and designed something solid and what got me into mecha musume: 30 Minute Sisters
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Right off the bat with an average price of around $30 the barrier to entry is much easier. While not as refined as the Megami Device line, these simple kits cram in a lot for the price. You’ll get an armored and unarmored form, as well as face plates. However the biggest selling point is How Damn Easy they are to bash. Being apart of the 30M line means they’re completely compatible with the 30MM line of mechs. Which also means all of those extra weapon and armor sets transfer over for the most part. And that’s not even talking about the dedicated 30MS option sets like hair parts, body parts, etc.
This is a Very beginner friendly line of kits and the place I would suggest most people starting if they’re looking to get into mecha musume.
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This example I think uses about 5 different kits to build and I don’t believe any serious modifications were needed.
Another Bandai line to mention is the Standard Figurise line which you’ll be familiar with if you’ve picked up the Sulletta, Miorine or ChuChu kits. Typically pretty solid kits (uma musume excluded, only get the 30ms version of that one) they usually include characters from a variety of different shows. These are still of course bash-able but not without modification.
With the explosion of popularity with these kits means we have even more companies now joining in the race. ATK and MS General have a bunch of kits to offer and we see new companies pop up some really sick looking kits (see tgat Galahad)
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We even have Plamax giving us the really cool looking GODZ ORDER kits and soon character kits from Blue Archive, Konosuba and others.
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For these smaller/third party companies I would suggest doing plenty of research before buying one. The ATK kit that I made was Especially frustrating and required a lot of extra work to make parts fit right or to clean them up so they fit at all. Not to mention the extra detail work required to really make them look like the box example. Just do your homework.
I hope this helps!! It’s a growing market so there’s always more kits being announced. This should have covered the majority of kits out there but IMPORTANT! Check sites like AmiAmi for sales or resales on kits. You can sometimes find an unbuilt kit that retails at $70 going for $30.
USAGS will regularly get Koto kits in and new releases but by no means believe them when they say a kit is USAGS exclusive. Remember to check HLJ as well. Let me know if you have any other questions and I’ll do my best to answer them!!
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razorblade180 · 6 months
Text
Home improvement
[Sumeru Tavern]
Dori:Aether! Have you seen Kaveh? It’s time for me to collect.
Aether:Uuuuhh-
Dori:Stop! You’ve said enough. That alone told me he’s here and told you to say “You didn’t see me.” Let me guess, men’s room?
Aether:….Am I allowed to speak know?
Dori: *sighs* To think a day early on payment has him shaking. I’d collect tomorrow but I have to go on a trip. Kaveh is an intelligent person. I know he’s saved the appropriate amount after his recent commission. What could be the hold up?
Aether:I think anyone would be slightly scared of the person who made them sell their home.
Dori:Kaveh is homeless?
Aether:What?
Dori:What?
………
Aether:Didn’t you…overprice Kaveh or something?
Dori:Overpri- KAVEH! YOU HAVE THREE-
The man already walks out before she could finish that probably real threat.
Kaveh:Stop shouting. You’ll cause a scene! Anyways I still have to cash in-
Dori:Do you have people believing I put you out of a home?
Kaveh:What? I never said that. The project crippled my finances and I owe you money but I never really said…hmm *rubs chin* Okay, I can see how that impression was made.
Dori:Kaveh! That’s slander!
Aether:Wait, Dori didn’t bankrupt you? I heard you had buy a bunch of stuff with your own expenses.
Dori:*slowly turns*…
Kaveh:Who told you that? The situation is more complicated than that. *rubs head* I guess that might be my problem. I tend to avoid topics about my living situation so someone got the wrong impression.
Aether:(Or you were drunk…)
Dori:I commissioned and paid for his work, like I was supposed to. How would I scam a person when I’m the consumer and could afford it!?
Aether:To be fair, you’d find a way.
Dori:Yeah, with haggling! That’s fair game and once again, I’m the consumer. Nobody knows a good deal like I know a good deal. I also know I wasn’t a fan of the location Kaveh wanted for my original house!
Kaveh:The cliff side was a gorgeous backdrop and you would’ve loved it!
Dori:It literally could’ve been anywhere and you insisted on the place that not only you liked, but The Withering loved!
Aether: Original house? It was ruined by The Withering!?
Kaveh:Roughly 70% in fact…
Dori:My hard earned mora, completely wasted! All the resources I bought were no longer good and my palace became a dream I was content with abandoning. I neither cared about it being built nor did I ask you to compensate me for it.
Aether:Wouldn’t have counted as a natural disaster?
Dori:An avoidable one if he had listened, but I let the artist have his way after obsessive insisting. Regardless, I was ready to wipe my hands of the situation, but it was Kaveh who couldn’t let it go!
Kaveh: Your alace is my Magnum Opus; the pinochle of my efforts in physical form. There’s no way any self respecting artist would let that go unfinished!
Aether:*eyes widened* So you paid out of pocket to redo it!?
Dori:Oh no, dear Kaveh did more than that. Like any crazy scholar graduate, he paid for the things he wanted, then pleaded for me to cover the rest of the finances he couldn’t afford in this project I had lost time, money, and interest in.
Aether:….Kaveh.
Kaveh:What!?
Dori:However, I’ll hand him a bit of credit. Despite the fact he was clearly doing this to satisfy his own ideals, I can respect a individual not willing to buckle for them. So yes, I paid the remaining costs of his pride, but not for free.
Aether:So that’s the debt. I can’t even say you got away with a free house, because you didn’t.
Dori:I’m a good talker, but nobody is that good. Anyways, it’s not like I didn’t give him anything worthless. Being your benefactor has introduced you to a several recommendations and work. Knowing you, it probably isn’t stable income because you continue to spend for your dream.
Kaveh:That’s…complicated as well. Putting that aside, I’m not advertising my situation and didn’t go spreading around false accusations.
Dori:Of course. You’re not the type. You would however make a complete mess out of a simple situation. I could refer you to a very savvy financial advisor if you’re-
Kaveh:Not a chance. It’s either you or a book of common sense.
Dori:And just like that, you’re a little sharper. Well I business to attend to. Kaveh, there’s a job regarding a fountain you may want when I get back. Until then, might as well enjoy a meal with Aether. He’s actually eating for free. *walks away*
Aether:(I am?)
Kaveh:*sits down* Sometimes I really can’t deal that woman. I’m drained! So, I can order anything?
Aether:Uh, knock yourself out. Get leftovers if you want. (She didn’t even mention the bill again. Maybe because she’s actually a day early?)
He glances towards the tavern owner as they take a bag of mora from Dori. Guess she has tab here and today it was used.
Aether:(Guess I shouldn’t be surprised, given her discounts for me and her past- oh!) Kaveh, question. So clearly not everyone knows the extent of situation properly, yet you still work with Dori despite the drama.
Kaveh:No matter how you look at it, I could only build my dream because of her. She’s one of the few clients that allows nearly complete artistic freedom. I’ll always grateful for that. I just wished she cared about more than money!
Aether:….So why didn’t you just offer your future services for dirt cheap in exchange for living in the palace as a way of managing your debt, having a home, and keeping an eye on your art.
Kaveh:…..
Aether:It never crossed your mind, did it?
Kaveh:*puts head on table*
Aether:Hey Boss, give this man your finest wine!
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porcupine-girl · 1 year
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TeePublic: Making changes but WAY more reasonable than RedBubble
RedBubble and TeePublic are owned by the same company, but TP has always operated very differently. When RB originally bought them, I'd actually been hoping that the better parts of both sites would find their way to the other, but that never happened.
The main difference for artists is that TP pays flat fees for items. For example, for classic T-shirts, you get $4 per shirt or $2 if it's bought on sale. For stickers, it's .75/.50. No percentages, nothing you set yourself.
After RB's recent ridiculousness, when I saw an email from TP about changes, I was worried. But it's actually pretty reasonable, if they have to increase fees.
Tiers (but not as bad)
Yes, they are doing tiers like RB. And like RB, they won't give the exact formula or let you pick your tier, BUT the criteria are far better.
The lower "Apprentice" tier, it sounds like, is mostly for accounts that spam them with hundreds of automated designs or that have a normal number of designs but almost no sales. NOT for regular small-to-medium accounts like RB's lower tier.
I have 56 designs that I've slowly added over the past five years or so, and I make maybe $10/month on TeePublic. And I am in the higher "Artisan" tier. I don't know what might get me bumped down, like if I don't sell anything for a few months in a row or something, but for now I'm good.
So if you're a small-to-medium artist with a couple dozen designs who sells a few items a month, there's a good chance you'll be Artisan tier.
Fee changes (but also not as bad)
As for the fee changes, they're more reasonable, too. For Artisan accounts (which, remember, little ol' me qualified as) they're just standardizing the artist cut to $4 ($2 on sale) for all apparel and home items. Which means for the most popular items, like the classic tee, there's no change! The biggest cut here is on hoodies, which will drop from $8 to $4. Which sucks, but I've only sold a handful of hoodies in several years so it's not a huge hit. Most other cuts are just going from $5 to $4.
For Apprentice tier accounts, apparel and home items will be $3 ($1 on sale). Which is more of a cut, since nearly all of them were at least $4 before, but it's definitely better than RB's 40% fee, and seems unlikely to hit most regular artist accounts.
There's also the fact that while RB closed my account with no warning or explanation and ignored my appeal, TP has done no such thing. As a fanartist I've also had far fewer DMCAs on TP, probably because it's less popular than RB so companies aren't monitoring as closely.
So anyhow, if you're a RedBubble refugee you might want to check out TeePublic! I'm in the process of uploading whatever designs I had on RB that I hadn't put there already. It definitely has downsides (the search is absolutely awful), and again it's owned by the same company, but for the moment it's staying more artist-friendly than RedBubble apparently.
(If you already have a TP account, it might be helpful to mention in the notes which tier you're in [it should say in the email you got] and how big you are, so others can gauge what's likely to happen to them. I'm curious to see if anyone around the same size as me got bumped down to Apprentice.)
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