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#so my friend convinced me to make it
ezrasimp · 3 months
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| MASH | 5x07 | The Abduction of Margaret Houlihan |
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lee-minhoe · 4 months
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hanjitonin for @strayklds 💖🎁
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medicalunprofessional · 9 months
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play dentist
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pain-in-the-butler · 8 months
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A compilation of art for my Dadbastian fanfic Coattails that I commissioned from the incredibly talented @tomoyoo! They went above and beyond with the details... Each picture feels as cozy and warm as a storybook, right? I'm so delighted with how they turned out!! Thank you for making each one so beautiful! 🥹🥹🥹
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hotasfahrenheit · 7 months
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i was fully on board the "Mix Must Be Boeing Who Else Could Be As Perfect" train until THIS MAN SHOWED UP
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quinn-pop · 10 months
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it’s cringe day Wednesday let’s get silly
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pretty sure these guys own the term partners?? romantically, platonically…they fight together, they fight each other, they have a bond that shook the heavens, AND they have parallel arcs?? wow…good for them
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lesbians4yoohyeon · 1 year
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THIS GIF AHHHHHHHH PLEASE THEY'RE SO CUTE :( MAX LAYING HER LEGS ON EL'S WHEN THEY WERE SLEEPING + THEM FACING EACH OTHER :( PLEASE I LOVE THEM SO BAD THEY'RE SO PRECIOUS AND CUTE :(
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ctrl-alt-cel · 1 year
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when i was 13 i wrote an essay explaining the rationale of puppyshipping to some guy in a skype chatroom. found the essay again. wanted to rewrite it. without further ado:
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HERE’S HOW PUPPYSHIPPING CAN STILL WIN: THE SEQUEL: 2 PUPPY 2 SHIPPING (4.3k words)
kaiba and jounouchi’s relationship stands at an awkwardly undefinable place in canon: they're not on good terms, but they're not enemies either. they know each other too well to be called passing acquaintances, but kaiba hardly acknowledges jounouchi as a duelist, let alone a potential rival. at best? they're mutual nuisances.
or, that's how jounouchi and kaiba choose to define it. both of them would love if their dynamic were that simple, nothing more than a back-and-forth of petty insults—but that’s not the truth. and they'll dance around the truth for five whole seasons, purposefully downplaying why they’re so obsessed with provoking each other whenever they’re in the same place.
they're foils.
—but the term "foils" is so dulled within fandom lexicon now that it can mean literally anything from two guys who just disagree with each other sometimes, so i'll sharpen this further. jounouchi and kaiba see their counterpart less as an individual person but more a representation of who they could have become if they had respectively, in their eyes, never learned the lessons they needed to. they project their own ideals onto the other and come away thinking they already know how the other operates, and the fun thing is, even when working from conjecture, their assumptions of one another happen to hit far closer to home than they have any right to.
so really, they can't leave each other alone because they can't stop seeing their failures reflected back at them. the other is a defective version of themselves that they need to correct because they can't stand constantly acknowledging who they used to be, so they try to bend the other to be more like their own image—an "i can fix him (by dragging him down to my level)".
jounouchi and kaiba’s parallels run down to their origins, both set up against abysmal family situations they have no choice but to make the best of. seto and mokuba are orphaned at a young age until seto gets them adopted, while katsuya is separated from his sister and stuck with a deadbeat father who can't carry his own weight. trapped in an environment where nobody expects anything worthwhile from him, katsuya joins a gang and lives out a self-admittedly miserable existence before befriending yugi, while seto is in a battlefield of his own, faced with protecting mokuba while enduring against the nightmare that is gozaburo kaiba’s parenting.
what they do to survive those conditions determines the outlooks they carry for the rest of their lives: jounouchi learns that losing is inescapable and the best you can do is learn how to cope with it, whereas kaiba learns that losing is something you must protect yourself from because there's only so much you can afford to lose.
jounouchi is positioned as the underdog, fighting tooth-and-nail for every victory he can manage, while kaiba has power in excess and holds to the belief that it’s all he really needs. one would argue that they have the perspective the other lacks—they argue that they have the perspective the other lacks. but in my opinion? it doesn't actually matter. what interests me is how they treat each other as a result.
side: seto kaiba
kaiba degrades jounouchi a lot. like, to an uncomfortable extent. you know that one post that’s like “why does bullying exist? why are you mad that i’m ugly?” why is kaiba so mad over the fact that jounouchi loses so much?
it’s projection. he’s just holding jounouchi to the same standard he holds himself to. you need to be powerful if you want to play the same games as kaiba, and seeing jounouchi so openly lean on his friends, ask for help, and have the audacity to lose sets kaiba off because he’s not playing the way he’s supposed to. kaiba rubs jounouchi's losses in his face because he believes that's what loss is supposed to look like, and that it’s jounouchi’s fault for not understanding that yet. kaiba is trying to teach him. to kaiba, this degradation might as well be an act of generosity.
while kaiba stayed true to his own ambitions, seizing kaibacorp from gozaburo and turning it into a children's entertainment company, he beat gozaburo at his own game not by inventing new rules but by playing it better than his adoptive father ever could. and as impressive as that is, it’s not sustainable. gozaburo kills himself when faced with his own defeat, and kaiba internalizes this lesson: that all losses are final, and it’s better to die than adapt to the consequences of a defeat. gozaburo’s death was a suicide, but in the context of their game, kaiba might as well have killed him regardless.
he mirrors this when he threatens to kill himself in duelist kingdom, his heightened emotions catastrophizing losing the duel to immediately equal failing mokuba and coming to the conclusion that if he loses mokuba he’d rather be dead. being someone so fervently self-reliant, any alternate solution, a possibility that he can lose here and still find a different way to rescue mokuba never crosses his mind. and, look, this isn’t his fault. this is the only way of living he’s ever been taught. he’s never learned how to cope in the event of failure because he’s never had the luxury to fail to begin with.
he's burned and rebuilt himself over and over again to survive in the world he operates in, and that’s why jounouchi pisses kaiba off so personally. jounouchi loses so much and so messily, and kaiba tries to show him that if he doesn’t start reinventing himself from the broken pieces of his defeats until all that’s left of him are jagged edges the same way he has, he’s never going to win. but jounouchi…does win. and keeps winning. and even when he does lose, it’s as if he creates new victories for himself, like there’s still value to playing a game with someone when you don’t win it—power of friendship bullshit and whatever. jounouchi is still here, a competitor that kaiba can no longer write off as much as he desperately wants to. (and, yeah, it is pretty ironic how jounouchi will jump through a million hoops to get kaiba to look at him, but he doesn't realize that he doesn't need to do anything to keep kaiba’s attention, only continue being himself.)
jounouchi refuses to compromise who he is and still manages to get far when in kaiba’s mind, that shouldn’t be possible; he’s supposed to be punished the way kaiba was. jounouchi is proof that you can take a devastating blow and move on from it, that even when you do fuck up spectacularly, there’s still something worthwhile in starting again tomorrow.
so kaiba constantly needs to prove that he’s better than jounouchi, that jounouchi isn’t even worth his time in order to justify his worldview. because if kaiba isn’t right, then he'll have no choice but to confront the fact that the war is over. that his circumstances aren’t instant life or death anymore and that even though he’s freed himself from gozaburo’s influence, there’s still further growth as a person he could stand to undergo, now divorced from the harsh conditions of his upbringing. jounouchi is a testament to how it’s possible to make peace and move on from the past without constantly bleeding for closure, that maybe, kaiba’s headlong quest to get the last word on his rivalry with yami yugi may not actually be as fulfilling as he thinks.
but admitting that you might need to change the way you live feels like a defeat in and of itself—it’s infuriating to hear that after everything you’ve had to learn, the way you live now isn’t good enough. that surviving insurmountable trauma doesn’t inherently make you better or more worthy than other people—it just traumatizes you, and is something you must heal from. so, instead of reflecting on these revelations, it’s so much easier for kaiba to tell himself that jounouchi is only ever graceful when he’s dead.
side: katsuya jounouchi
jounouchi is very stuck on this idea that he needs to be useful. his dad is an alcoholic with a gambling addiction and he believes it's not only his duty to pay his father's debts, but to be the household's sole source of income. his sister needs eye surgery and he believes it's his responsibility as an older brother not only to pay for it, but to act as her primary emotional support to get the surgery and throughout her recovery process. haga throws yugi's exodia into the ocean and jounouchi blames himself for not stopping it. jounouchi gets mind-controlled by malik and blames himself for causing his friends anguish from it. mai literally gets jounounchi’s soul stolen and he apologizes to her for messing up and making her sad. it's habitual, jounouchi doesn't know how to stop taking on the burdens of other people.
if you live with the mentality that you’re inevitably going to fail for long enough, you’ll come away with the belief that caring about your own wellbeing isn’t worth the effort. it depends on how pessimistic you want to read it, if it’s just his love language or jounouchi compensating for the damning act of being himself, but jounouchi quantifies his worth by how much he provides for other people. he’s always jumping in the line of fire for the sake of others because if you constantly undervalue your own wellbeing, you always have less to lose. as the underdog, he may not be as overtly powerful as kaiba or yugi, but he can still give himself away, and he’s convinced himself that it’s what he’s supposed to do. jounouchi is still new to this whole friendship thing. after a lifetime of supporting himself by himself, he doesn't know when he's allowed to ask for help yet—he’s supposed to be the help, dammit.
a key distinction between jounouchi and kaiba’s upbringings is that while kaiba’s biological parents died in an accident, jounouchi’s parents are still alive and they choose not to be responsible for him. jounouchi is conditioned to fend for himself by himself because having a parental figure actually present in his life isn’t a luxury he gets to have. to jounouchi, there has to be a reason why his mother only takes shizuka and never goes back for him in the six years he’s left with his father, and he rationalizes this with his notions of masculinity: he’s a strong man who can handle it. jounouchi is not delicate, he can endure it. men are responsible for their own circumstances. kaiba is hyperindependent out of a mixture of spite, paranoia, and self-defense. jounouchi is hyperindependent because he believes he deserves it. it’s the reason why he believes he’ll finally have a good relationship with his father if he just wins enough money to pay off his gambling debts—jounouchi can fix everything if only he were man enough to, and he can get people to stay if he demonstrates himself useful enough.
so death doesn’t carry nearly as much weight to jounouchi as it does to kaiba. in kaiba’s eyes, death is the punishment for failure, but to jounouchi, death is just the natural consequence for the kind of life he leads. he can't stop himself from fighting for the people he loves until he’s spent everything and forced to stop (read: dies), so during the several times jounouchi is confronted with his own death, he meets it with a solemn acceptance. like, yeah, it sucks, but he doesn’t regret the actions he took to end up here—he’d do it all over again, frankly. it’s better to die than not give everything he can, and at least he was able to give his life in service to someone else. it’s not necessarily good to die, but it doesn’t matter as much if he does.
so where kaiba is afraid of losing, jounouchi is afraid of outliving his usefulness (and being abandoned as a result), and kaiba disrupts jounouchi’s worldview specifically because he puts his ideology on the defensive. to jounouchi, kaiba’s presence never demands a question of “what can you do for me?” (nothing, kaiba doesn’t want jounouchi to do anything for him, and frankly, he’d be insulted if jounouchi even tried) but “what makes you worthy of standing on the same level as me?”, and jounouchi can’t sacrificial lamb get set on fire die a billion times into getting kaiba into seeing it his way (rather, that would only prove him right: kaiba would love nothing more than for jounouchi to lose the ability to fight and finally align with his preconceived notions of how the world works), and he can’t argue that his value is in how much he provides for others because that’s a non-answer. kaiba doesn’t care.
kaiba’s presence forces jounouchi into a position of self-reflection: jounouchi works so hard to preserve the friendships he’s created, but who is he—what does he value about himself in the absence of it? jounouchi needs to acknowledge something inherently valuable about himself if he wants to counter kaiba in any meaningful way, and it’s not like he doesn’t have valuable qualities either: he’s tenacious, he’s resourceful, he’s a quick learner—it takes intelligence to rank as high as he does in tournaments, but he undervalues all of it. these traits are all to be expected, they don’t actually count as extraordinary when it’s him. they’re only remarkable when they’re being applied to something greater. jounouchi believes he has the potential to become strong (and valuable by extension), only with the stipulation that he’s never actually there yet. he focuses too much on his inadequacies, constantly pontificating on how he needs to become a “true duelist”, but by the way he speaks about the title, the only way to be a true duelist is be named yugi muto, i guess.
so it’s very jounouchi-esque for him to miss this point with near deliberate precision and try to make himself useful to kaiba anyway. while kaiba is bent on seeing jounouchi fail to prove that his cynicism is superior to jounouchi’s altruism, the inverse is that jounouchi sees his old self in kaiba and he’s dying to teach kaiba a lesson. during battle for bronze, jounouchi states that they used to be the same, people who only relied on themselves and thought they’d be fine living like that. the argument jounouchi makes is that living that way is fucking miserable. he calls kaiba out: you’re supposed to be having fun. why are you playing duel monsters if you’re not having fun? he’s trying to show kaiba that he can be useful and teach kaiba things if kaiba would just let him, but for reasons mentioned in both of their sections, kaiba isn’t interested in being taught anything.
while less malicious in display, it's important to note that jounouchi’s method of trying to teach kaiba doesn't make him the better person here. jounouchi isn’t coming from a place of understanding when he lectures kaiba, he’s coming from a place of misdirected self-flagellation. and from kaiba's perspective, jounouchi is just dispensing unwarranted advice for the sake of his own ego. the most egregious example is when jounouchi picks a fight with kaiba in duelist kingdom, demanding they duel when kaiba is clearly not in the mood, busy with more pressing matters like, i don’t know, trying to rescue his abducted brother? so, okay, maybe a little bit inconsiderate on jounouchi’s part.
they're two ideological extremes: kaiba lashes out at the world while jounouchi gives himself to it, and jounouchi will keep barging in on kaiba with his life lessons because it’s the only way he wants to engage with kaiba’s arguments otherwise. jounouchi interprets kaiba’s rejection of his ideals as the equivalent of the stubbornness jounouchi had before befriending yugi, and he uses it as a reason to keep pushing, not understanding that while he may have found the most honorable path for himself, you can imagine how constantly burning yourself for others isn’t very…appealing. or sustainable. and that maybe it’s something you need to work on, actually.
conclusion: how i WIN
what’s fun about jounouchi and kaiba is how wrong they are. they genuinely can't live the way the other demands them to, their respective environments won’t allow it. if jounouchi chased victory with the same cutthroat relentlessness as kaiba, he probably never would have left his gang. or, at least, he’d lose the selfless devotion and consideration he has for others, traits that helped him build his support system, and he never would have found the friendships he values in his life—his willingness to change and start again was how he was able to befriend yugi to begin with. (and if you wanted to get really extreme with hypotheticals, his self-destructive tendencies could have grown so severe in the absence of a support system that he probably would wind up getting himself killed somewhere. lol.) inversely, if kaiba granted himself the freedom to worry less about the outcome as long as he enjoyed himself, he’d put mokuba’s safety at constant risk. kaiba’s guarded nature isn’t without reason, there are powerful corporate executives who would love to see him fail, and there are very real consequences if kaiba slips up for even a second and gives his opposition any leeway. the way they live works for them because it’s theirs. it’s not so much that either of their lifestyles are in dire need of correction, but that the other represents the possibility that they could be living better.
and this is fantastic because it means that, despite what they think, neither of them are in the “wrong” and must learn to change their idiot ways or that the solution is to strong-arm each other into some kind of compromise. it’s a battle of perceived weakness. they need to, naturally and individually, accept that the traits they’ve always deemed immature and beneath them can be just as vital for survival, even when it’s not necessarily their own.
jounouchi and kaiba are essentially the most extreme example of two people who want what’s best for each other (gone wrong!) and puppyshipping is appealing because them getting together requires that they stop punishing themselves for who they used to be. they expect too much out of themselves and then inflict those demands onto each other, but if they’re not wrong for the ways they’ve overcome the circumstances they were left in, then it’s equally true that the ideals they abandoned to survive weren’t inherently naïve just because they weren’t given the space to utilize them. sometimes life will push you to your limits in the hope that you fail, and there’s no deeper meaning to it. it’s not life’s way of teaching you a necessary lesson to make you stronger or a test to see if you deserve to live, or that it’s your fault when it breaks you. sometimes there’s no great meaning to suffering. things happen, and you will adjust to it in order to live. when kaiba and jounouchi believe they know each other as much as they know themselves, pairing them is the hope that they’ll respect themselves enough to respect each other, that they’ll one day be able to embrace the parts of themselves they’re the most ashamed of.
(or, you know, for the alternative crowd, they most definitely can make each other worse.)
for two men who claim to be so self-assured in their own lifestyles, jounouchi and kaiba are fascinating because there’s so many layers of denial at play: the denial that they see anything in each other, denial that there may be aspects of the other that they’ve come to envy, denial that they even care, and it's so tempting to imagine if all of it was forced open. jounouchi and kaiba choose to maintain this delicate equilibrium where they never actually confront anything because the idea of admitting vulnerability viscerally disgusts them, and it begs what would happen if the balance irrevocably tipped for once. watching them is like watching a pencil teetering on the edge of a desk, always this close to some kind of breakthrough. i won’t even lie to you puppyshipping pisses me off half the time because i just want to shake them around until something metaphorically breaks.
kaiba and jounouchi never let each other become complacent in their pasts: whenever their personal tragedies and childhoods are brought up in the context of one another, it’s never because they are being vindicated for continuing to dwell in them, but because they are being contested on how much the mindsets they’ve carried over from their pasts should be allowed to determine their futures.
returning to canon, kaijou operates through the language of competition. jounouchi tries to prove himself as a competitor so remarkable that kaiba can no longer deny him, while kaiba already knows he’s remarkable, and that is precisely why acknowledging it pisses him off so much. so they’ll play their game: jounouchi will provoke kaiba into fighting him because he enjoys going up against challenging opponents in the hopes of becoming stronger, whereas kaiba keeps trying to set up situations where jounouchi will lose to the point of letting him die because he wants so badly to believe that losing does equal death and jounouchi’s existence is the most inconvenient counterargument of all. and obviously, jounouchi keeps not dying. and it's endlessly infuriating—almost slapstick at this point, that much to kaiba's frustration, no matter what he does, he can never make jounouchi submit for very long.
jounouchi and kaiba spur each other on to a ridiculous extent: kaiba enjoys pushing jounouchi past the breaking point, whereas jounouchi enjoys getting pushed to his limits to test his own capabilities. whether that’s necessarily a good thing though is…well…hmm. anyways. 
their dynamic is the type of messiness only two prideful high schoolers can get up to. maybe it’s just kaiba's repression and jounouchi's recklessness, but there is a fascination with each other that they’re incapable of leaving alone. there’s intimacy in knowing someone so well and fearing that fact, but kaiba and jounouchi never respond to this fear by avoiding it—they’re engaging with it time and time again. they infuriate each other with a passion that never sits still. kaiba and jounouchi seek a validation from their counterpart while simultaneously denying each other from it, and it’s mean, but invigoratingly so.
at some point, it’s not even about wanting validation anymore, but point-blank wanting its keeper by any capacity: wanting a visible reaction to their effort as proof of reciprocation, proof that says “i’ve finally affected you just as much as you affect me.” because kaiba and jounouchi want to leave a mark on each other, they want their counterpart to fully understand how much they’ve affected them, and they want to witness that reaction themselves. it’s no longer this big, nebulous ideological debate with a reflection: the pull between them is made both physical and personal. so, like, not to go the trite route of arguing that two men who can’t stand each other were ~secretly attracted to each other this whole time~, but how else are you supposed to word this?
in some hypothetical universe where they do come together, even the ways they love manage to compliment each other in its own clumsy way. seto kaiba never does anything in moderation: if he hates something he will destroy it, if he loves something he will possess it, and if he is obsessed with something, he will single-mindedly pursue it at the expense of everything else. his repression manifests itself in a passion so pressurized it’s all-consuming against everything it comes to contact with. inversely, katsuya jounouchi loves freely and transparently: showing affection comes as naturally as breathing to him. he embodies the belief that love is not only about the grand gestures, but the day-to-day acts of warmth and casual acknowledgments that it's there. a man who wants to be wanted by someone so badly it aches paired with someone who makes no reservations as to what he's committed to, capable of a love so overwhelmingly insatiable that it is neither fickle nor delicate, and a man who finds the act of trusting others with his affection so unthinkably humiliating that he’s convinced himself it’s something beneath him paired with someone who makes it look infuriatingly easy. they are going to invent a new language to love each other with. i believe in them. i would not write two separate essays titled “here’s how puppyshipping can still win” if i did not believe in them. 
ultimately, it feels cheap to build kaiba and jounouchi’s relationship off what life lessons they could "teach" each other reformation-style when they already have a legitimate dynamic in play. they can be good for each other, or they can tear into each other in ways they’d never expect to be capable of. there’s something exhilarating in knowing there’s someone who has that kind of power and wanting to keep them within your reach, a buzzing excitement in knowing someone who can not only withstand you at your worst, but fight back at you with twice as much vigor. sure, there’s potential for growth here, but that’s because there’s potential for literally anything.
kaiba and jounouchi inspire reinvention and self-determination from each other at the best of times and enable each other’s most self-destructive tendencies at their worst. so i think. puppyshipping is the most fun. when you ship them the same way you leave a fork in the microwave to watch it explode. the end.
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TL;DR: me x the guy who keeps breaking my worldview and forces me to reevaluate myself every time i see him which i hate so much that i just want him to DIE
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grey-edges · 1 month
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someone convince me to like piper mclean im begging. idc if i have to get spoiled
i wanna like piper SO BAD but i’m struggling soo hard. ive just finished house of hades moments ago and she had her badass moments but every interaction with jason pissed me off. i’ve been trying to hold out through this series in hope that she gets better bc i want to love her so bad but she’s so infuriating.
this scene in particular, chapter 34 jasons pov pissed me off:
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it’s understandable to be jealous of an ex (not that reyna has been confirmed thus far to actually have dated jason, just crushes) but magically altering jasons thoughts?? that’s so messed up
my biggest comparison is love potions in Harry Potter which are super frowned upon and are basically a form of date rape. is that not the same thing as how she’s using her charmspeak??? convincing both jason and herself that they’re together?? even later she has moments where jason describes her voice influence over him in even more casual settings not just about reyna.
jason here is such a people pleaser and has been convinced he’s not worthy of his own thoughts and opinions his wholeeee life that he willingly lets her convince him of their ‘love.’ he doesn’t think he deserves to have his own say because he never has. she totally has been taking advantage of that. but ig that’s an analysis for another time
i know they break up but whenever it happens it’s not soon enough in my opinion. i actually liked her in the lost hero up until the end when she declared jason as hers before anything had even happened. in fact i was rooting for her and jason for a minute because i thought it was sweet until it became weird and she clung so hard to gaea’s mist memories of them and refused to accept the truth. she’s not a girls girl and im not here for it, maybe it’s the time these books were written cause i know the “i’m not like other girls” mentality was at a high but idk it’s got to be more than that
idk i’m fully down to hear someone out about why they like her/her redemption. literally anything. because at this point i’ve just had to remake her character in my own mind in order to like her. but i want to like her in canon too
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skiespaintedblue · 11 months
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If ur romantic f/o has any siblings, they're ur in law(s) now!!! How do you feel about them? How do they feel about you? What does your f/o think about you guys? Do you hate eachother, or are you friends?
#selfship#selfship community#self shipping#fictional other#selfship imagines#sort of#idk what tags to use aaaa#hope people see this post tho#i really wanna get more integrated into the selfship community cause i just like. reblog stuff#i wanna b friends with people!! if anyone is looking for selfship mutuals hmu#its probably cause i dont make much actual content. i should draw more stuff#but anyway about the actual topic of the post dgfjgkd#this came up for me cause i was thinking about leo and was like hey if hes markus's brother doesnt that make him my brother in law#and i was like :0#fuck yeah we'd vibe so well together fr!!#im convinced we'd be besties even if i wasnt in love with his brother#we both got that tboy swag ykwim#platonic t4t? is that a thing? idk#but yeah we'd get along great. markus would be happy about it too until we started doing some stupid shit then he'll regret everything#i also have brother in laws on connors end w nines and sixty#honestly. i think realistically id be scared of sixty#he'd torment me i know he would#if i yawned around him he'd stick his finger down my throat#fucking spawn of satan#nines would be very different#i think it might be a bit awkward at first bc. youre sticking two bitches with social anxiety in a room together#one of which barely speaks#but i think eventually we'd get along just fine :D#id prolly enjoy going shopping with them. nines just feels like a good person to shop with#maybe ill make a post for parental in laws too cause i havent thought about hank and carl as much
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medi-bee · 1 year
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You will accept affection. You have no choice in the matter.
Featuring @bitteraerie‘s wonderful slug!iterator designs!
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blackhholes · 6 months
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Teen Wolf as Horror Subgenres
Season five B: Gothic Horror
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coquelicoq · 7 months
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actually natori has some kind of tracking talisman on matoba at all times. that's how he knew where to abduct matoba from for Operation: Kitty Cat City. matoba fully knows about it; it's why he wasn't at all surprised to find a paper doll in natsume's hair after the mask youkai debacle (matoba internally as he watched it fly away: classic mother hen shuuichi-san momence 🥰). because this is matoba "boundaries? what are those? can you eat them?" seiji we're talking about, he's not bothered by this "violation" of his "privacy"; rather, he finds it fittingly clingy (it is, after all, only right that natori should be keeping tabs on him obsessively). sometimes the talisman gets confused and sticks to yesterday's outfit, so he always checks to make sure he has it on the way out the door (his pocket patdown is "keys, lighter, wallet, exorcism supplies, shuuichi-san's cute lil tracker he thinks i don't know about <3"). i wouldn't be surprised if he's figured out how to uno reverse it and now uses it to track natori's location as well. this may not technically be canon but it is probably all 100% true in an important way that transcends canon, we just never hear about it because it isn't relevant to natsume's journey 😌
#matoba: a natori talisman. sure wish i had one of those 😇#<-knows that he has one on him at that very moment and also that natori doesn't know that he knows#convince me that he didn't say this on purpose to make natori sweat. you can't!#in response to him saying that natori side-eyes him and has a dot dot dot speech bubble (my favorite vol. 26 ellipsis btw)#which is exactly how he would react if he had secretly planted a talisman on matoba#and was trying to figure out if matoba knew and was alluding to it!!#check and mate. game set match. QED. i rest my case.#i've connected the dots i've connected them but also i feel like it wasn't that hard. the truth is out there you just have to believe#natsume's book of friends#natsume yuujinchou#horrible exorcists#matoba seiji#f#homura cats arc#my posts#btw i do not think the head of the matoba clan actually does anything so base as to carry keys on his person#he has people for that. he has a driver. he has servants who open the door when they see him coming. what possible need could he have#for such an object#he also may not need to carry a wallet (or equivalent) for similar reasons#but it was the best shorthand i could think of to make what i meant by 'pocket patdown' readily apparent#especially since 'cell phone' isn't an option either since this is set in the 80s#i figure he must have some kind of lighter or firestarter bc he uses smoke to find the source of the locked-room curse#he also seems to carry a brush & ink and various & sundry tools of the trade that i decided to call 'exorcism supplies'#matoba-san drop the 'what's in my purse' youtube video 👀
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I DROPPED EVERYTHING TO BRING YOU THIS POSTSECRET FROM AZIRAPHALE
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vanhelsingapologist · 10 months
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I am loathe to say it’s the Devil’s taste.
Finally got around to redesigning my PC Tatyana. She’s my main character, but as mentioned, I haven’t gotten to play Demetria in campaign for a bit because she’s been sealed up in Ravenloft with another PC. I’ve said it before but my DM had every one of their players make two characters right off the bat in case of death. So far, I think everyone except one has had to play their backup because of temporary/permanent death or incapacitation. Smart move, then! I love playing Emilia but I miss Dima!
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tearsoftime0086 · 10 months
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I was talking about this to a friend a few weeks ago, but I love how Kamille basically starts and ends Zeta Gundam with the same motive - righting a wrong - but the way he internalizes it shows how much he's grown (spoilers below).
Like, when he goes awol and steals the MK II, he's solely in it to pay back the MP who physically assaulted him (which also I could go into a whole other conversation about... dude why did you turn back around when a gundam crashed into the military facility???? anyway). He wants to get revenge for being looked down on, from being toyed around with by the officers on the sidelines. It's a very self-centered and almost egotistical drive.
By the time he's fighting Scirocco however, the rationale is different. Yes, he's still calling out Scirocco for doing much of the same as the MP - watching from the sidelines, messing with people - but Kamille's a changed man. He's now a formal pilot, but he's also learned to love and to lose people, and he's learned that he has the potential to be something more for them. And so he couches this intent in the framework of "sacrificing his life" for it - for a bigger cause, for the people who he cares about.
Until it swallows him whole.
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