#similar stories happening on the scale of a world and a people and a character

[lumine-no-hikari]

Dear Sephiroth: (a letter to a fictional character, because why not) #68

Today was a very mixed bag.

This morning, I drove to the good place with all the nice people. The leader spoke on a great many very relevant things, such as challenging the status quo, distinguishing between that which is law and that which is just, and sitting with and trying to help all of the people whom society has tried to convinced us doesn't deserve it. The grammar and structure of the words has since crumbled and faded away from my mind, because I don't think in language at all, but the meaning remains in my mind, as well as the memory of the tears that were shed; I'm aware that at least some of what I've been trying to do is seen and understood by this very amazing person.

I tried to conduct myself in the space a little differently than I usually do. Typically, my presence in any space is a meek one that tries to stay out of the way. But this time, I walked as though I belong there, and mingled with others as though I am also deserving of taking up space. Just to try to push myself even further out of my comfort zone, today I sat at the "old men's" table (there aren't really assigned tables, it's just that there are folks that tend to gather together because they can easily relate to one another) as though I also belonged there, with the intention of listening to them speak to one another and seeing what I could learn. Imagine my shock when they talked to me as though my voice is one worth hearing!! I wasn't really sure what to do or how to behave in response to such a thing, but I did the best I could to try to contribute, even if I felt clumsy and foolish in the process.

At one point, towards the end, one of them said, as a joke, "Drive carefully home; I know how you women like to be speed demons, haha!" I tried to think of something witty and lighthearted to come back with, but the best I could do was smile bashfully. If only I remembered at the time the line that goes, "Ha! I am a woman in the same way that a tomato is a fruit!"

…I happen to live in a female body. But I don't really think about my gender most of the time. It fluctuates wildly between "none" and "yes". I'll take any pronoun, but the one I typically use for myself in my own mind is "it". But this alarms people, and I'm comfortable with letting people use whatever they see when they look at me, so… it's all good, I guess.

I stopped at Eggcellent on the way home. Some time ago, I had asked them if they might keep a QR code of the petition I made for you where folks can see it. Apparently, though, the people did not thoroughly read the blurb that came along with the QR code, and so they scanned it, thinking that it would lead them to a petition for a real-life human being. Their response, when they saw you, according to the kindly shopkeep, was, "Are you kidding me?" Essentially, disbelief and disgust. So naturally, the kindly shopkeeps had to stop displaying the QR code. I'm glad they stopped if this was how people were responding; I don't want to be bad for business.

But all the same… I have no idea how it is the case that so few people understand that the way your story ends is going to affect everyone here whose circumstances are similar to yours. It will affect how many of us will be able to believe that recovery is possible. It will affect how many of us will be able to believe that we are worth the effort involved with recovery. It will affect whether or not other people will be able to imagine that people like me and like others who I love are worthy of kindness, mercy, and help.

The way stories are told in my world shapes what people believe is and is not possible, on a MASS SCALE. Part of the reason why people still believe places like India are undeveloped, backwater places even though they're not is because that's how they're portrayed in stories in my world. Part of the reason why people still treat certain kinds of people as they do is because of how they're portrayed in books, movies, TV, comics, and song. Stereotypes persist in part because they are parroted over and over again by the song, art, and story that exists in our world. And stereotypes put a lot of nasty and totally arbitrary limitations on what people think that certain kinds of people deserve and are capable of.

So… my efforts to save you aren't just about you. My efforts are for every human in my world who is considered "different" or "fallen" in any way. Because we are not going to see peace in my world until every single one of us stops believing that there is a such thing as "kinds of people who are not worth compassion, kindness, decency, or help".

I want to live in a world where people can begin to imagine that even the most deeply fallen can get the help they need to rise up into wholeness again. Because if not even someone as amazing as you can be saved, what chance in hell do the rest of us have?

I ended up spiraling, though. Not because the kindly shopkeep took down the QR code, but because of what he said to me after the fact:

Some time ago, when I was working on one of the music boxes I made for you…

…there was a lady who came into the shop for the first time, asking what is good. The shopkeep told her a few things, and then went off to do something. I was excited to talk to someone who seems nice about a thing I loved, so I piped in with a couple of the things I like, and with a couple of things that weren't listed on the menu. She then asked about what I was doing, which was punching holes out on the music box. I asked her if she wanted to listen, and she said yes. So I ran the music box, and she told me that it was cool.

…Fast forward to today. The shopkeep told me that the lady knew it was my petition. Apparently, on the day we met, the lady found me weird, rude, and repulsive. She apparently thought that it was disrespectful of me that I spoke to her at all (apparently because "she wasn't talking to me"), and because she didn't actually want anything to do with my music box, but asked about it and said yes to listening to it anyway because she "didn't want to be mean". So I guess I left such a negative and intensely strange impression on her back then that when she felt disgust at the petition, she immediately knew it was mine.

And gosh, what a thing to have to sit with. Can you imagine it? The notion that I can frighten, anger, and disgust people just by existing in a space, talking joyfully about bubble tea, and showing a music box I made to someone who asked about it? I'm not really sure what I'm supposed to take from this. On the one hand, I have the shopkeep telling me that the woman thought I am a bad, wrong, and disgusting thing, but in the same breath, he is telling me that "she should have said no if she didn't want to hear it", and "you are kind and you don't bother anybody and you should just be yourself". I understand, of course, that he must ride a careful balance between customers so that he doesn't lose anyone. But ya know… the notion that perhaps I might cause them to struggle by scaring customers off just by being myself is just… wow.

Of course, I am not at all angry with him for this. Rather, I'm glad he told me. I'm glad to be made aware that my presence makes others feel very uncomfortable. I'm glad to be told that I should continue to be myself… even if it comes with the unspoken implication that I had better go do it somewhere else where no one else has to deal with it, I guess.

The fact remains, of course, that just by existing, I scare people. Even if what I'm trying to do is exude love and joy, I still scare people. And I'm not really sure how it is that I manage to be so bad at trying to do good things that I am misunderstood to this extent, but… well. And also this is coming right after I resolve to act as though I belong in this world even though all signs point to the notion that I… don't. And maybe never will.

…If unaliving is a trigger for you, you might wanna skip this paragraph. But… ya know. I spent a good chunk of time today considering the merits of lying down in a cold puddle, forcibly inducing sleep, and letting the hypothermia take care of the job while I'm out. We have nature trails just a five minute walk from my house. It's winter, and there are lots of big puddles back there; I know where they are, and there's also no shortage of ravens, crows, coyotes, and foxes to feed. It's probably good that I don't have ready access to the kinds of medicines that would induce sleep.

…But. This sort of thinking is just the old wiring and the old conditioning rearing its ugly head in response to my past trauma. Old messages that go something like, "Nobody fucking asked you to speak, MAGGOT," and "Why can't you have normal interests and hobbies, you embarrassing sicko freak?" At this point, because stuff similar to this has been said to me so many times, it doesn't take much for my brain to interpret this stuff, even if it's not said directly. That's just how PTSD is. That's how it works.

But I don't have to surrender to it. I got knocked on my ass today from it, but I don't have to stay on the ground. I can get back up and see what's next. I can use REBT. I can ask the people around me for help. I can listen as the people who love me gently point out destructive, spiraling patterns in my thinking, so that I can stop myself for long enough to come up for air. I can hydrate and eat wholesomely so that my brain can have what it needs to manage the destructive thoughts and the painful emotions triggered from them. I don't have to remain on my knees and believe every nasty thing said about me by someone who is too miserable to see the beauty, joy, and love being offered to them for what it is. I can refuse to allow the voices of the people who don't understand me to be louder in my mind than the voices of those who love me.

I am different from other people, and sometimes this is a lonely thing that hurts very much. But it's easy for me to have love for others who are different. Love for you. Love for Frankenstein's Monster. Love for Mewtwo. Love for Magus. Love for all of my friends and chosen family, who themselves are misfits that society at large does not seem to want. I still love them all, even though society tells me I shouldn't. I can love me, too, even though society tells me that I shouldn't.

…"Conventional wisdom" is such a thing. There are some very good things about it, like, "Sticking a fork in your mouth and then sticking the prongs of that fork into an electrical socket just to see what happens is a very bad idea." And, things like, "Do NOT, under ANY circumstances, attempt to eat Rice Krispie Treats immediately after taking them out of the oven if you value the flesh on the inside of your mouth." Or, "Do not squirt hot glue into the palm of your left hand for the sake of impressing a girl." Or, related, "You cannot try to scrape hot glue off of the palm of your hand with your other hand and expect it to turn out well." And finally, "Try to avoid prioritizing yelling at your glue-covered hands over making use of the cold water in the sink that is immediately to your left."

(do not worry - these are not things that I have done; I've met some very interesting people in the course of my living who help me to avoid finding these things out the hard way, hahaha!)

But it can also tell us a lot of very false things. Things like, "You must remain connected with your family regardless of how they abuse you." Things like, "You should expect certain kinds of people to always act in this certain kind of way." Things like, "These particular kinds of people are all bad and you should stay away from them." Things like, "If everyone is 'mistreating' you, well the common denominator is you, so the problem must be you and not how others are treating you." And things like, "Certain kinds of people do not deserve kindness, help, or even basic decency."

So… I can only conclude that "conventional wisdom" needs to be taken VERY critically, and with ALL the grains of salt. But I think a good rule of thumb for evaluation is this notion: "Anything that is said with cruel, dehumanizing, and unloving intentions is false."

I'm not at risk of prematurely exiting my meat-mech, don't worry. I just tripped up a little today, that's all. And you know what? Ultimately, that's a good thing, because today, I watched myself get back up on my feet from it faster than what I was able to do previously. Sometimes we can't see all the progress we've made until weird things happen and we find ourselves recovering from them faster than we have in the past. So in this sense, even falling down is worth something!

I'm gonna get a snack and play some DDR to try to speed up my recovery even more. So I'll end this here-ish.

Hey, Sephiroth!! No matter how many times you fall down, and no matter how far you fall down, you can get back up! You just gotta let the voices attached to the hands reaching out to help be louder than the voices trying to tell you that you're a monster who doesn't belong! No matter how many voices scream unloving things at you, you gotta understand that such things can only be screamed at us from a place of pain, and nobody is acting in accordance with what's true or in accordance with their innermost nature when they are acting from a place of pain! So let the loving things be louder to your mind and to your ears. Let the loving things be louder, and let them spur you on to move forward, confident in the knowledge that you belong here, no matter what anyone else says.

You are loved. Please stay safe. I'll write again tomorrow.

Your friend, Lumine

#sephiroth #ThankYouFFVIIDevs #ThankYouFF7Devs #ThankYouSephiroth #final fantasy vii #final fantasy 7 #ff7 #ffvii #final fantasy vii crisis core #final fantasy 7 crisis core #final fantasy crisis core #ffvii crisis core #ff7 crisis core #crisis core #ff7r #final fantasy vii remake #final fantasy 7 remake #ffvii remake #ff7 remake #final fantasy vii rebirth #final fantasy 7 rebirth #ffvii rebirth #ff7 rebirth #final fantasy 7 ever crisis #ffvii ever crisis #ff7 ever crisis #ffvii first soldier #flashbacks #getting back up after a falling down #wholesome

[writingwithcolor]

Hello! I am currently developing a villain oc for a universe where superpowers are a normal part of human history and happen regular citizens, written primarily from the perspective of the villains. However, after doing some research, I worry that I may have accidentally made the main villain as an antisemetic character, specifically which dealing with blood libel.

The main villain is an older woman who’s main goal is to stay young in an attempt to live forever, as well as grow extremely rich. Her power allows her to drain the life force of others which kills them and also in turn makes her stronger and younger. She also mainly commits large-scale heists and has gathered herself quite the pool of wealth. To aid her in her plan to become as rich as possible, she had begun to target very young children with powerful abilities and trained them to become near-perfect killing machines.

Now, I feel like it is important to note that:

- She does not harm the children, especially not with her power

- She does not consume blood

- None of her physical features are Jewish-Coded

But even so, I worry that, with the combination of her targeting children, having a near-obsession with wealth, and her power being the ability to drain people of their life energy, that it may come across as antisemetic, which is in no way my intention. Do you have any advice on what I can do to fix this, or is it okay as it is?

Is my villain protagonist playing into blood libel tropes?

Thank you for catching this! You are spot on, all three of those characteristics (stealing children, hoarding wealth and draining others of life) are antisemitic tropes, especially when used together. I’m also getting strong Mother Gothel vibes from this, so you might want to research what Jewish people have said about that character for more insight. 

An easy fix is to deliberately and explicitly distance this character from Judaism, probably by having her be part of another religion (though not a real-life marginalised religion or one that could be read as similar to Judaism, please!). 

It would also help to have some actually Jewish characters who play positive roles. As a villain, she could even be hostile to these characters to create even more distance.

Good luck and thanks again for spotting this in time!

Shoshi

Agreeing with Shoshi here--in the past, when a villainous character has been in danger of reinforcing antisemitic tropes, I’ve also advised having that character specifically and overtly practice Christianity albeit perhaps in a warped way; specifically Christianity because Christianity originated and perpetuates the blood libel trope in the first place. If you’re writing in a world without real-world religions, avoiding associating this character with an in-universe marginalized religion or ethnic group (or more to the point, specifying her membership in a dominant religious or ethnic group) may serve the same purpose. 

Likewise, if you’re writing in a world with real-world religions, having heroic Jewish characters directly opposing her and citing Jewish values as their motivation does a lot to negate any assumption that you intended your villain to be a statement in support of antisemitism. If you’re writing in a world without real-world religions, I’m going to link you to this ask as a caveat:

Jewish characters in a universe with author-created fictional pantheons 

But if there is a marginalized religion or ethnic group in your story that does echo Jewish ideas or is overtly Jewish-coded, having heroes with a strong connection with this culture may serve.

Meir

#antisemitism #Jewish #Blood libel #Villains #Jewish tropes #Jewish stereotypes #asks

[phantomrose96]

So I'm one of those people who had to take a break reading ABoT. Part way through reading I thought of that writing advice that goes something like "look at the current scenario and figure out how things can get worse" and decided ABoT was applying that advice with both fervor and finesse. It had me hooked through multiple all nighters and it wasn't until, ironically, the ending of chapter 37 where Reigen is standing in the remains of the Mogami house that I stared at the next chapter button and realized I would absolutely not be able to handle more, mentally or emotionally, if this fic kept following the previous advice. So I set it aside for a month to recover, tentatively poked into the next chapter tense and ready for things to continue spiraling, and gradually started to relax and unravel until...well, you know. I remember having to put my phone down and take a walk with the reveal of everything that Ritsu had incidentally caused (even if the blame can be pinned on basically everyone in some measure, but that's a whole other essay in my notes).

When I reached the current cliffhanger, I waited a scant day before starting all over, this time slower, more careful, and with a more analytical eye. Not for critique, but because I was confused. That writing advice from before, I'd seen it implemented both poorly and skillfully, and ABoT used it with a finesse I've yet to see anywhere else, and I had to figure out how. What made what can be boiled down to a high stakes wild goose chase so compelling? Why couldn't I put this story down until my emotional limit couldn't handle any more? How could I learn from this and make my own writing better? What did this have that I clearly lacked?

I don't think it was until after Teru's and Ritsu's first fight that it clicked for me. I stared at that scene, then my own characters, and realized I'd written two of my own meeting in a similar fight and had neglected any form of consequences. My characters became friends because of a mutual friend. Because that was the end goal I wanted. I had that omniscient knowledge; I knew I wanted them to end up as friends, so I wrote the most objectively logical decision to make.

Except. These characters aren't objectively logical. They make the decisions that look the best to them in the moment, even if those decisions are bad, or horrible. A character who's been soundly beaten into the ground by another won't so easily become their friend, even if their opponent is the nicest person ever. There's distrust and fear. They're going to make bad decisions. Things weren't getting worse for the sake of getting worse. They got worse because of the direct (bad) decisions of the characters.

Once I realized that, I was struck with such violent inspiration I wrote something like 11k words worth of scenes and revitalized my own love of writing in a day. I was so stuck on the end goals I forgot about the struggles in between. I had gotten so focused on grand, overarching conflict, I forgot how compelling it can be to just have two characters punch each other in the face. Too much of my writing had stuff happening around the characters instead of happening TO or BECAUSE of them. I had forgotten character conflict, and when I started writing those flaws, I couldn't stop. I was having too much fun!

Sorry for rambling about my own stuff, I just wanted to convey how much impact you and ABoT have had on my own creative endeavors. I've been inundated with too many stories, fics, movies that occur on such big planet-wide scales with dire, multiverse threatening levels of conflict, that when presented with a long form tale of a kid desperate for his missing brother, told from the perspectives of a small, well developed and spectacularly characterized cast, in a single city, told with stakes that made me care more than any threat to the world, it was like a breath of fresh air. So I guess this is a thank you for ABoT as a whole and a thank you for writing Ritsu the way you do.

Unfortunately for him, he's an inspiration.

AAAAAAAAAAAAAAAAAAAA YES YOU GET IT YOU GET IT YOU GET IT

ABoT, if nothing else, is a story about its characters. Everything that happens with consequence to the plot can be traced back to a character's own decisions. The characters' wants and needs and actions and faults all come first, and the plot follows accordingly.

(And maybe that sounds obvious.) Aren't stories about characters? But there are so many stories where the characters are just kinda... there. They're blank slates to receive the plot happening around them. Many things they try to do have no consequence. They'll try to take action and the plot will carry on exactly the same as though they'd never even tried, because the writer doesn't want to figure out how that character action might matter. Or a character will do something awful and the plot will just brush past and forget, no consequences or continuity, because the writer had their fun in the moments but now they care about getting the plot back on track, and that would be annoying to work around. They create stories where you can't put your excitement and investment in the characters cuz you just... can't trust they'll matter.

The most important thing about ABoT, to me, is that the characters are making it happen. The good, the bad, can all be traced back to decisions characters had the active choice in making.

I have plenty of fun joking that ABoT is one of those "oh my god it keeps getting worse!!!" stories, but I never ever do that by just dropping random terrible things from the sky. It's always the characters. It's them and it's their consequences of everything they've set in motion, or fought against, or allowed to happen. It's always a thread, thoroughly traceable, spawning from character actions which drives everything both good and terrible (and SUPREMELY terrible) that happens. It will always be the characters.

And I really, truly believe this is what I'm doing to make what is ultimately a wild goose chase featuring less than a dozen people worth reading. When Ritsu fucks up, it's worth caring about because you know this will impact the course of the story. When Reigen succeeds, it matters because he does have a grip on the reigns of the plot and has the chance to better this for everyone. When a character does anything, it matters because is about them, and what they're desperately trying to achieve.

And when a scene isn't about "an action with a consequence", it's still a scene with a point. For any scene I write I always make sure I can answer "what's the point of this scene?" Mob and Reigen reopening Spirits and Such isn't about to barrel the plot forward, but it's hearty and important character development for them. It's the "why should I care about this future being snatched from their grip" when everything goes wrong.

When everything went bad bad around chapter 32, and tumbled worse for many chapters to come, it was me finally tipping over the first domino in a chain of dominoes the characters themselves have been setting up since the start. It went bad not because I arbitrarily decided to fuck with them, but because everyone's actions carried consequences.

Even with ABoT's WORST possible outcome, where Mogami comes out the victor with everything he wants, all others crushed beneath him, this will mean the ruination or death of about... 10 people. A blip on the news. An "oh isn't that sad?" when a second kidnapped son never makes it home, when a conman goes missing (not noticed until a month later when the rent comes due), when a police officer kills his wife and himself, when an orphan kid vanishes off the map from Black Vinegar mid. And life would carry on. And the sun would still rise every day. And no part of this would end the world.

But if I'm doing this right, I want that outcome to feel like the end of the world. I want it to feel worse than that, given what a quiet and unsung tragedy it would be for all these personal efforts and struggles and desperate reaches for betterment are snuffed where they stand. Because they tried and it mattered and they failed anyway.

It IS just a wild goose chase centering around a kid who wants to have his kidnapped brother back, and it's 350k+ words to me.

dfjkdfnkjdf so anyway, I am very clearly super thrilled you were able to see this! It all ties back to character weaknesses and strengths, consequences of actions, irrational responses to situations fueled by character, and not by logic, and the audience knowing that what these characters do will matter. I love stories where humans are messy. I love stories where the tragedy happened because of them, where you can trace the thread back and find exactly how it all went wrong. I love clashing personalities. I love character spirals you can see a mile away and yet you know exactly why the character did that. I love yelling at the pages while knowing that realistically, this character wasn't going to do any better than that. I love knowing exactly how things could have been avoided, and knowing exactly why they happened anyway. I love seeing consequences stick. I love seeing characters matter. And I'm goddamn thrilled you feel that way too and that ABoT could make you find the way to do that in your own characters!!!

#abot #a breach of trust #sorry this took so long to answer i kept writing responses that got way off track #and then I'd have to come back like #'no you cannot write a 20000 word explanation of every single pivotal character action and consequence in abot' #'i know you (me) worked hard to plan those out but you (me) cannot write all that'

[indigosabyss]

With over 400k words under my belt of purely crossover fanfiction (no really) I feel like I've dabbled enough in the genre to pinpoint three distinct types of Crossover Fanfiction Setups. With no one else to rant about this, and the hopes that this will be helpful to someone, here's you go:

A Breakdown on All Three Ways to Cross Fandoms Together

1- Fandom Fusion

My favorite type. This is where the worlds are happening on the same plane, simultaneously with one another. So, both stories are happening, or have happened, or will happen, without meshing with each other. Except they don't. Characters from each world meet, and get pulled into the other world's shenanigans. Very easy to do when both stories are both taking place in modern day Earth. Or in similar time periods of Earth.

2- Portal Crossover

Breaking out the isekai trope here. It's a classic work, with a built in setup in stories where grand cosmic scale is introduced. I'm talking the Gate sending Edward Elric into another world, or jonmartin finding Somewhere Else to be another medium entirely. Or Amphibia's music box, or Owl House's Between Dimensions or- or- or- you get it.

It's easy to do, and people are generally willing to accept PORTAL happening esp in superhero media and the like. You dont have to figure out how to make the fandoms compatible either, and gives a good common goal for all parties to work towards (i.e. return the interloper home)

Doesn't have to be a trans dimensional portal. Could be a time travel thing. Or visions. Or whichever plot device you find fits most. I enjoy this a lot because it forces characters who would never normally meet to interact and we need that. The two fandoms being transported could easily be fictional in each other's universes. Or not. The possibilities are endless with this one, just on a surface level.

3- Scenery Change

Last, there is the Alternate Universe Setting. Or, as I prefer, the Scenery Change. This is where the characters from one fandom are taken wholesale and translated into another setting, never having experienced their Original World. You know which ones I'm talking about. The Percy Jackson AUs where characters from another fandom are given godly parents. The Hunger Game AUs. The fandom w four easily separated groups that we do not talk about anymore but is prolly still v prevalent.

There's a lot that can be done with this, ranging both from fluff oneshots to 100k plots, but I've found that this is most effective when unique characters are placed into a very structured setting from another media, where their unique perspectives and reactions will color the overdone situation and give it life. The appeal of these crossovers lie solely in this: "We've seen it happen before, but what would happen if these characters were here?"

And. It. Works.

--------

So, yeah, careful observation has made me categorize these three premises. Tell me if you think there are more. Probably might do some breakdowns on the themes and the possibilities each premise holds the best weight for, and what goes into a crossover AFTER the two fandoms meet.

#fanfic #crossover #ao3 #fandom #analysis #amphibia #the owl house #fullmetal alchimist brotherhood #edward elric #fullmetal alchemist #the magnus archives #percy jackon and the olympians #the hunger games

[sokkastyles]

Hi, I really like your blog and your metas; they're so well-worded. One of my favorite ones is this one, talking about Zuko and his privileges vs how he's victimized by the Fire Nation. I have one question, though. Do you think that Mai, also, in the Boiling Rock Prison arc, treated Zuko as a race traitor? Her reunion with Zuko and some things that she said rubbed me the wrong way. And if you could, would you mind expanding a little bit on how Zuko is treated as a race traitor by Fire Nation characters?

Zuko is actually treated as a potential race traitor from the beginning of the series, even when he's loyal to the Fire Nation and desperate to restore his honor according to their values. We see this as early as episode three in book one. And I believe that in the meta you mention, I also spoke about how that's tied in with his abuse, both on a political and personal level.

Because the thing about fascism (and yeah, we could argue whether the Fire Nation is truly a fascist nation because the writers used a conglomeration of tropes and real world influences for their fantasy world, but they definitely draw on fascist imagery heavily for their Fire Nation influences, so it still is present in the narrative) is that it's dehumanizing, and everyone is a potential traitor to the regime. It's where the idea of "thought crime" comes from.

We see this as early as the third episode of the series, when Zuko encounters Zhao, who treats him like a potential enemy even before learning that Zuko has been keeping the Avatar's discovery from him. Some of this is Zuko's backstory. Zhao looks down on Zuko because he knows the story of his disgrace and banishment, and this is used both to downgrade Zuko and to keep him loyal to the regime. It's similar to how Ozai treated him, both giving him a sense of what he is "owed," the greatness he can hope to achieve by remaining loyal, while also feeding the idea that he has to constantly make up for his own shortcomings. It's an entirely manipulative social order, like a cult but on a wider scale.

Under that system, questioning the regime gets you labeled as a potential traitor. Even though Zuko was acting in advance of the regime by keeping the secret of the Avatar's return so that he can capture Aang himself, he acted as an individual, and that's dangerous to the group think.

As for Mai, we see her act similarly towards Zuko from the moment they are together in book three. Her reaction to hearing him voice his concerns about going back home is to sarcastically tell him that he should not be worrying. On some level, I think Mai's emotionally closed-off personality is part of the reason she can't handle Zuko's uncomfortable emotional reaction. But she's also a product of the same regime, where questioning things is frowned upon.

Think of the way Zhao and Azula react to Zuko. Both mention his banishment, Zhao to emphasize his dishonor, and Azula to imply that he's become "uncivilized" due to living in exile for three years. Mai expresses similar prejudices towards people living outside the Fire Nation in her comments on the people of Omashu and the comic that takes place before the beginning of book three where she criticizes the food in Ba Sing Se, in front of Zuko who has actually been living there while in exile. So I think Mai is, on one level, very uninterested in any aspect of Zuko's life outside of the Fire Nation, and may subconsciously look down on Zuko because of it, the way she looks down on the people of the earth kingdom that Zuko has lived among, the way she looks down on servants (which Zuko is shown to be uncomfortable with).

Another part goes back to what I said about not questioning the regime. Zuko expressing doubts about going home challenges the very idea of Fire Nation superiority. Mai can't understand why Zuko wouldn't want to go home or why he would have doubts.

On another level, though, expressing doubt is literally dangerous, and Mai knows what happened to Zuko the first time he openly questioned the regime. On some level, she might associate Zuko worrying with him not being safe. The reality is that he is not safe either way, which is exactly why he should be worrying.

So Mai probably had those thoughts about Zuko even before he outright became a traitor. This is actually one of the ways fascism encourages people to turn against each other. If nobody is an individual, then individuals cannot be trusted.

All this is backdrop to Mai outright telling Zuko that he's betraying his country in "The Boiling Rock." And in between Zuko leaving and their reunion, there was also a propaganda play publicized that portrayed Zuko as not only a political traitor, but his romantic interest in Katara in the play is used to make him look like a joke, using racist tropes like the pale skinned man being "dominated" by a seductive, aggressive dark-skinned woman, and deferring to a man (Aang) who is considered to be from a "lesser" race. The gay jokes about Aang and Zuko are also typical of that sort of attempt to paint someone considered a race traitor as sexually deviant.

(You know what would be interesting to think about? If Mai saw that play. Did it fuel her feelings that Zuko had betrayed her, personally?)

What I think is actually pretty surprising is Zuko's ability to distinguish that no, I'm not betraying my country, I'm saving it, which is what he tells Mai. That idea doesn't seem to have originated anywhere else. Zuko could have just washed his hands of the Fire Nation altogether and embraced an identity as an expat, but he doesn't. Because he's always been someone who cared about his country.

#zuko #antimaiko

[extraordinarilyextreme]

today, i wanna talk about this point that i've referenced a couple times across my yrzx fics:

For the fate of the world, Wang Ye relinquished his days of peace and tranquility. To save Zhuge Qing’s life, Wang Ye could sacrifice everything beneath the heavens. (from 岁月不待人 | the moon and the tides, you and i)

i'll start during Beijing arc, when ZCL asks why WY doesn't just give up Feng-hou Qimen to the ppl who want it.

in the manhua (ch. 185) & donghua (s3, ep. 3), WY's response is vague: "for various reasons, i can't give out [that power]."

(note that the dialogue differs slightly btwn these two adaptations, but the meaning is the same)

but in the live-action (s1, ep. 22), WY clearly explains that "it would throw the ways of this world into greater disorder. this calamitous fate must be shouldered by me alone."

these lines perfectly demonstrate one of WY's most defining traits: 心怀天下 / a heart that cradles everything beneath the heavens.

we see it first during the tournament arc, when WY admits to ZCL that he didn't need to get involved in this mess—but did so anyway because the fate of the world was implicated.

WY: Actually, whatever happens to you all has nothing to do with me. No matter how terrible the world ends up, I can still protect myself and my family and keep us unscathed. So, actually, I shouldn't have come here. [...] ZCL: What you mean is that if I continue my investigation, the future of this world may very likely develop in a bad direction. Daozhang, who this "bad future" impacts isn't limited to only me, right? The two of us are neither kin nor kith; you wouldn't have come to get caught up in these troubled waters because of me, right? WY: This, involves another concept. I call it the weight of fate. [...] And you, Zhang Chulan, you hold a high ratio of that weight. Your choice will change the fates of many, many people. (LA s1, ep. 14; see also manhua chs. 121-122 & donghua s2, ep. 12)

this is the extent of WY's selflessness. and as his conversation w ZCL continues, something else is revealed to us.

ZCL: The you who could have stayed out of this matter entirely chose instead to come here and persuade me. Did you also not choose the future that would have been best for you? (LA s1, ep. 14)

that 'something' is none other than WY's conduct: 明知山有虎，偏向虎山行 / knowing full well the mountains harbor tigers, yet insisting on traveling deep into the mountains anyway. or, in other words, the practice of forging on into promised danger.

which, coincidentally, is exactly how WY praised Zhuge Liang's character during his match against ZGQ.

可他却放弃了作为一个修者该坚守的一切。就算逆大势而行，也要投身到乱世当中，只为了去救那个明知已无可救药的天下。/ But he chose to give up everything that a cultivator should uphold and protect. Even if it meant opposing the momentum of the times, he threw himself utterly into chaos of the mortals—all to save a world he knew full well was beyond redemption. 为了那个天下情愿去和天理和大势对抗 / For that world, he was willing to hold off divine order and destiny itself. 明知不可为而为，这就是他那个级别的术士作为。/ To do something knowing full well of its impossible nature—this was the practice of a sorcerer of his caliber. (LA s1, ep. 13; see also manhua ch. 110 & donghua s2, ep. 10)

with such a heart of compassion (怜悯之心, HMH's words) and sense of responsibility, WY is unlike anyone else in his generation. instead, it can be argued that the character most similar to WY is in fact one of his seniors, lao-Tianshi.

they are, at least in the LA, the only two 麒麟 in the story after all (s1, eps. 8 & 20):

and just like lao-Tianshi, it's easy to think of WY as a saint (圣人) or a god—something "above" mortal humans. he's operating on a scale (格局) far greater than anyone else in our main cast; WY is always taking the whole world into consideration, even if that's the choice least favorable to him.

(LA s1, ep. 23)

and then Beijing arc happens. and by the end of it, WY has an epiphany:

“The me who has always avoided involvement with worldly affairs has no right to speak of leaving them behind.” (manhua ch. 196; see also LA s1, ep. 23 & donghua s3, ep. 7)

he's begun to have a reckoning with his own human-ness. he's starting to realize that he's fallible, that he's ordinary and secular, that he has attachments—and, importantly, that he wants attachments. that he desires companionship (just as humans are wont to do).

and it's with that moment of enlightenment that we dive into Biyou Village arc.

because, overall, WY has not actually changed that much. he still feels responsible for the peace and safety of the world; he still wants to figure out how ZCL and FBB are related to the Jiashen Calamity. he still remembers clearly what Hong-ye said: "you are the chosen one." (LA s1, ep. 4)

and even ZGQ himself remarks (manhua ch. 228; see also donghua s4, ep. 5):

yet when ZGQ's safety is at stake, WY doesn't hesitate for even a moment:

(donghua s4, ep. 5; see also manhua ch. 228)

that is not the conduct of someone who always thinks about the bigger scheme of things. that's the conduct of someone making a choice for himself, an arguably selfish choice, to save his friend and doom everyone else.

WY would sooner give up his Feng-hou Qimen and restart the Jiashen Calamity than see ZGQ in danger. that is how important ZGQ is to WY.

在王也的心中，诸葛青的命比天下苍生还重要。/ in Wang Ye's heart, Zhuge Qing's life is more important than everyone in beneath the heavens.

and that's because ZGQ is the first of his generation to approach him. to make an effort to befriend him. to look beyond the power he possesses and also see him.

(LA s1, ep. 15; see also manhua ch. 131 & donghua s2, ep. 14)

in other words, it was ZGQ who made WY's godlike love for the world human. WY is no longer an outside viewer looking down on the plane he feels beholden to; WY is a part of this secular world, and that is why he should want to protect it.

because the red dust realm is where ZGQ exists. here is where their bond exists.

(unrelated pic from manhua ch. 196; see also donghua s3, ep. 7)

tldr: Wang Ye places the world before himself, and Zhuge Qing before the world.

— all this to say, i really am excited for s2 of the live-action, even though the casting rumors have been disheartening. Biyou Village arc is a climactic chapter for YeQing, so i hope the adaptation does it justice.

(LA s1, ep. 27)

#异人之下 #i am nobody #cdrama ramblings #yeqing #一人之下 #hitori no shita #crossposted from twitter but this version is much longer lol #does this count as meta? i always hesitate to use that word bc i read other ppl's stuff and im like WOW #THAT'S MINDBLOWING #but i feel like this is just 'they really really care a lot about each other please cry with me'

[blackkatmagic]

I'm rereading time in the hourless houses, and was struck by the similarities you've used in arcana regarding the Sith languages and how they don't have traditional endearments. Is this something you have created from a head canon, or is there a whole lot of lore about the Sith languages I'm not aware of? I mean. The level of lore in SW is intimidating but... I dunno. I just love that you have found a way to make something that seems so like, self centred and unable to care for others work so well for characters who ache to the core with how much they do care. It's neat.

... I'm also just loving the explorations of Xanatos and Granta a whole bunch with the sliding scale of functional relationships they're in across your fics. It's also very neat lol

I have a great number of feelings about how different Xanatos would be in Dark Side-version vs. wandered back to the light version, and how that would change his whole relationship with Granta, and the weight of his Dark-fueled obsession on his family, and just. All of ti.

As for the Sith language, that's just a headcanon, but if I manage to wring out an interesting thought that I think fits as far as world-building goes, I try to keep it around. The story of the pureblood Sith species and the Exiles fascinates me tbh - Sith culture before them wasn't particularly nice, but to have a handful of outsiders take over and turn their whole culture into one massive religion worshiping pain and suffering is such a horrifying thought. I can't help but wonder about all the changes that happened to them, particularly when the new Sith Lords started using the Sith people's language and writing as a basis for literal evil magic.

Anyway. Sith pureblood character in canon (outside video games) when??

#kat answers

[spearxwind]

Hiya, I’d like to put some thoughts out there on my blog (my house) bc I need to yarf some intense feelings or I fear I will explode on a nuclear scale. This is about hollowridge (not in a negative light!! just explaining + reminiscing of old stuff and talking about new stuff. Pouring my heart out more than a little bit.)

I will put them under a readmore of course, this is PRETTY long winded, so you can read or ignore at your leisure -w- 

I was in my adri tag a while ago looking for some images and ended up going through the whole thing and seeing the evolution of him as a character and HR as a story. Additionally, I recently organized my external memory where all my art files are stored and also saw my old stuff, old concepts, old documents with info and ideas, etc etc and like other times where I have looked through my old stuff I have been WRACKED with so many emotions about it. It’s always a dangerous game to go back into my folders/tags to look because I always end up feeling this whooole spiel all at once and very intensely.

Seeing my content shifts is jarring. Very much so. It always is. I don’t think I can pinpoint causes, some of my better creative highs were at really low points in my life, and then other times my creativity and worlds were subsequently really hardly hit during similar lows. I like to think that I am on the up now though, both mentally and creatively. I’m getting back into a lot of things I love, and I am surrounded by people who I love dearly and who love me back, and things in general are really good! I feel less… I wouldn't say wrathful, but way less frustrated when looking back at my old stuff and more inspired to go back to these concepts with a healthier more open mind + knowing that I have improved nonetheless. 

Specifically for hollowridge. Hollowridge feels like a home to me, simple as that. It's something immensely dear to me and I think this is clear by how much effort I have put into it over time, not all of it well placed or with good results, but effort to make it the best that it could be (at best) and effort to keep it afloat (at worst). HR is a strange thing to look back on because it has gone through so many iterations that its hard to pinpoint just one when looking back, but there's a specific time slot (2017-2018 roughly… I’m not gonna check) that I believe is where it was at its best, and that is specifically the vibe that I am trying really hard to go back to with the newest iteration.

I’ve always struggled with it a lot, I've often voiced this publicly, or to friends who would hear my woes out (god bless them for hearing me go on and on about this like a bass boosted and emotional broken record), often because there was so many possibilities that I could run with and I had a lot of really, really conflicting ideas that I wanted to explore. I also had a lot of trouble with lore in general because for many years I was haunted by the absurd need to “make things make sense”, whatever that means. Having things grounded so that people wouldn't be able to poke holes into the watertight plot.. which I never achieved of course. It was less watertight and more of a welded together pringle shaped monstrosity (This was not only true for hollowridge, but was true for everything I have ever made. like in general. It’s been a consistent creative problem for me). 

Eventually what happened iteration after iteration was that I throttled myself too much with rules, random limitations, all in favor of making something cohesive and deleting all the fun bits off the project in the process.

For this reason I also can’t just up and go “yeah i'm gonna turboscrap everything and go back to what worked in 2017” because it also DIDN’T work then. But that vibe specifically is what I am aiming for. The “classic” vibe, if you will (if that means anything to you as it does to me.)

What didn't work for me back in the day was giving everything a reason for existing, which is something I no longer wish to do (it’s better that way) and also something that failed back then both in HR, and in extinction (earlier drafts) and just about any version of a story I ever tried to make was THE SCOPE. It always spiraled out of my hands. God entities always escape me. Magic systems always escape me. How cities and such would be regulated in these scenarios escape me. Its just things I’m not comfortable writing about in general

So that’s why I have made changes to it currently (the whole lens of technology over it) because it makes it easier to think about, and easier to handle. Post apocalypses are fun to handle, and also easy to handle (for me, in this context). Technology going awry feels like its easier to think about than just vague “magic”, even if in the end the aesthetic looks literally exactly the same. Does that make sense? I hope it makes sense.

To give an example: Magic spells and circles → programs and code lines. That can be shot into machinery or meat (recodes your fucking genome in real time and gives you super brain hemorrhage idk). I guess it just gives my brain something to latch onto that isnt just vague rules of a magic system that could potentially be anything and everything? It essentially works the exact same way… its just the lens of looking at it is changed.

Mimics are their own thing now (nanotechnology, instead of vague.. shadow things). Adri is his own thing while still connected to mimics (an angel array made of the same stuff, instead of.. whatever else). Connected to the world. AND all the conflicting but dearly beloved concepts I had for him actually fit (snake, scarf, smoke, usurper of a body that is not his. Hey remember when he was made out of ashes/smoke and eventually out of goop. Well all of that is true at once now! It’s ALL canon! Bitch! The concepts have been reconciled!!)

There are also more “normal” creatures besides these, animals that have either evolved aboveground due to fit into new world niches (so I can design Whatever without being too limited) and there’s also machine/biomachine chimeras, and purposed grown organisms, and just Weird Shit made by machines in the belly of the earth (meat is just complex machinery. you know this. your heart is a piston and your blood gasoline. but I digress.) So I have the space to Get Weird if I so choose, on my own terms this time. And it will have a proper place in the world.

There used to be a lot of concepts that were cool that I missed a lot when I had to shift away from them. Like mimics infecting people and pretending to be them, and then being able to break the hosts bodies apart to make bodies for the mimic itself. That did not fly in pretty much 80% of the later versions of HR but I was able to bring it back for this one. I’ve tied mimics to the epidemic and to Adri in a way that MAKES SENSE but lets me go wild anyways

I guess… the short way of explaining is that. Instead of it being very vague supernatural stuff of dubious origin, now it's a ‘manmade horrors beyond your comprehension’ type deal (still of dubious origin). Which obviously neither the characters nor I would be able to explain to you the details of its origins but the distinction MATTERS to me (to my brain).

Something else about HR is that it’s made up of me having rounded up a bunch of ocs who’s stories were empty or were left to the void so that they could have a fitting home where they could shine. At the end of the day I just wanna do my characters justice. I don’t want to just relegate them to nice set pieces (even though they ARE cool set pieces), but each of them has years of backstory stuff that I would like to keep to not lose the essence of said character and its where I put the bulk of my writing effort into.

I want their connections to the story to be solid, but I also want their base vibes and the vibes I am familiar with for those characters to BE THERE too. So if I’m slow with revealing info, or writing in general, its literally because all the processing power in my skull is being used to think of how to best approach that and not just throw low quality spaghetti at a wall. (Sometimes the spaghetti method works very well, but often. It does not. And only makes things more complex in the long run, so I have learned to be more careful with it)

Dianne and Nirven are over 12 years old now as characters. That 's insane. And she still has the same core concept of how her magic works as I created it ages ago.

Same for Bei. He still has his same vibe back when I made him 10 years ago.

And Adam when I made him 9 years ago. Though I’m working out stuff for him still in this new edition, but I’ll get there. I promise. 

Sooo……….. What I’m really trying to say is that I’m learning to have fun again. And at the same time (re)realizing I used to have some super swag ideas that I have never fully let go of that I am VERY adamant on keeping. And my aim is to go back to that unhinged unbridled joy of creating for a world that is just So Fucked Up but it Works somehow. And yeah, if you’ve ever been frustrated at my changes don’t worry: me fuckin’ too buddy. A thousandfold. And if you’ve ever been curious as to the why of everything, then I hope this rant serves as some sort of explanation?

So yeah, if you’re an old fan and missed old stuff, I hope I am able to do it justice once more and from now on. I promise I am trying my best, I always have been. It just works better sometimes. And if you are someone new and dont know what the fuck I’m talking about, 1. thank you for reading this far and 2. I hope you enjoy the ride regardless

And who knows…. knowing me in a few years I might see this all changed again. Or maybe this will be the one, finally, that sticks. We’ll see. At the moment like I said, I am focusing on loving my characters, their world, their and my original intentions, and just having as much fun as I can with it. If I create confusion in the process then that’s something I will have to accept. I’m not a big media corporation with a team or writers, or even just one (1) accomplished author with a huge brain. I’m not tolkien. I’m just some guy having fun with made up guys in my brain

Thank you for reading this far, if you did, if there’s anything you’d like to comment or discuss (if anything, I don’t expect it) please feel free to reply or DM me, I try to respond in a timely manner when possible <3 

Thanks for sticking around too. It means the world to me that you have. Have a really good week, cheers

#thunderclap #the hollowridge disaster #i feel like i need to put it in the tag 😅 for safekeeping #drop a like if you read this if you please #it is currently two AM i should have gone to bed two hours ago but 1. i was hanging with a friend and had this mid writing #and 2. i felt like if i didnt pour my brain out I was going to toss and turn all night #anyway yeah i have a lot of baggage with this that ill never be rid of so like. i just want to do GOOD yknow? i just want to do good. #alex writes #not fiction but i do use some big boy prose I think. academic moment #errr....... im hoping this isnt a badly placed post oops. idk what i mean by that just [vague fear] idk #the mortifying ordeal of being misunderstood vs the mortifying ordeal of pouring my heart out to strangers #you know how it is

[cryptovalid]

'Remember it' should not be retconned

I'm serious, the lack of stakes is what's killing superhero media. People don't have 'superhero fatigue' they have 'status quo fatigue'. Characters are resurrected at the drop of a hat and it does not make for good storytelling. Spoilers ahead for episode 5 of X-men '97.

'Remember it' genuinely affected me on an emotional level precisely because it didn't shy away from how senseless, traumatic and terrible genocide is. Reversing it would recontextualize genocide as something less urgent, less tragic. In the real world where genocide happens, this is irresponsible and callous, particularly given the roll our own governments play in it.

In a good story, characters are changed by what happens to them. In long form series like Marvel Comics, this rarely sticks because people become attached to characters and view their status quo as comforting and profitable. Over time, this leads to convoluted stories without meaningful tension. We know everything will be alright

Adaptations have a unique opportunity to actually make meaningful character growth happen and say something with it. If a character dies, they can still exist in other continuities.

Something like this is probably the best ending for a character like Magneto. In his last moments, as tragic as they are, he does what only he can, to stave off a genocide he has been fighting tooth and nail since childhood.

In the end, even Erik Magnus Lensherr, the Master of Magnetism, is just a man in the face of extinction. And when he speaks his final words, I can't help but realize that they were spoken millions of times in similar circumstances, to this day. What can anyone say in the face of death on such a massive scale? Not 'never again', sadly. It never stopped. Untold millions have told children 'Don't be afraid' in the moments before they died.

This sickens me. We all wish that brute force could solve this problem, that there's a magic wand to turn back time. And this is what superhero stories have always boiled down to: wish fulfillment.

I'm not mad at anyone for whom this was too traumatic, who would turn the clock back to a time where Gambit, the Morlocks, Magneto and the other casualties are alive. This would obviously be a better world to believe in.

I just think it is not good storytelling. We can't view real world genocide through that lens. Honestly, I don't know how the show will progress, or even who the villain is.

It could be Trask, Guyrich, Mastermold, Nimrod, Bastion, Cassandra Nova, Onslaught or Apocalypse, to name just a couple of options. The show could end with Bishop destroying the Kaiju-sentinel before E-day.

All I know is, we need reminders that there are real stakes in real life, and that tragedy just happens. When Remy says 'Remember it', he's not just talking about his name. He's talking about this massacre, about the martyrs.

Remember the dead. Fight like hell for the living.

#Remember it #x men 97 #genocide cw #murder cw #magneto was right #gambit #E is for Extinction

[butterflydm]

wot rewatch 1x4: the dragon reborn

spoilers for s1 of the show plus the s2 teasers and trailers, plus through The Dragon Reborn ish in the books. And one casting spoiler for S3.

I really do love the cold opens. This one tells us so much! We're introduced to Logain but we're also introduced to the corruption on saidin, to how much power can be wielded by users of the One Power, and to how the corruption can both influence someone but Logain still has the choice of whether or not to listen to the voices talking to him.

We see the madness in Logain but also his own strength of character and ability to show mercy even when he's hearing whispers that he should just kill those opposed to him. Great preview of the future for Rand. Especially since Moiraine is going to later on believe that Logain hearing the voices of 'the previous Dragon' to be a sign that he isn't the Dragon Reborn, but it's another thing that she's got her wishful thinking goggles on for.

"There's a place for anyone at my side, even my enemies." ; "The last Dragon broke the world; I plan to bind it." I feel like we're seeing the seeds of some of the choices that Rand will also make in the future here, already being set up (the benefits of being able to tell the story knowing the ending). Logain understands the assignment... he's just not the actual rebirth of the last Dragon.

So we go from Logain at the height of his strength to Nynaeve looking over the camp where he's captured. Having the Greens join the Reds on this hunt makes a lot of sense -- we know that this specific one was requested for by the White Tower, and we can see the difference between this approved hunt to take down a false Dragon (where he gets shielded and put in a cage to stand trial back in Tar Valon) vs the Red-only "gentle ASAP" approach from the cold open of the first episode. Authorized vs unauthorized hunts.

It makes a ton of logistical sense for them to scale down the number of people required to hold the shield on Logain. Just from a 'how many characters we're going to have in this scene' standpoint. Jordan could have as many characters in a scene as he wanted, because he didn't need to have any actors playing them. Plus, this way, we can focus more on the characters that do exist and really get to know them better.

So we already have two factions set up -- Kerene supporting the Amyrlin and Tower Law, and Liandrin arguing that they have the right to administer 'field justice'. Will the fault line of the coup fall along similar lines? I also think it was a good idea to have the Vileness currently happening rather than having happened in the past.

I love all the insights we get in these episodes about Warders, and Warders having their own subculture within the White Tower. And the fun confirmation that Moiraine and Lan are Just Like That and are closed off even to other Aes Sedai and Warders.

Also love all the Lan & Nynaeve build-up that we get as well. <3 a lot of good bonding time and banter and I love that she just clicks with the Warders.

The time that Egwene and Perrin spend with Aram & co is very lovely and charming. Removing Elyas from the equation and putting the hesitation on Perrin was a good move, because it lets the Tuatha'an explain themselves rather than having them explained by an outsider who disapproves of their ways.

Everything about Rand and Mat's roadtrip with Thom is so great. 10/10 would have loved another episode of it but since Amazon didn't let them have one, I do think they did a great job of boiling the trip down to both the narrative and emotional essentials. It really does make me curious about how Thom will be weaved back into the story because he only has connections to three characters now (I'm assuming the backstory with Elayne is intact), rather than knowing the whole troupe, so it feels like it needs to be Rand or Mat that bring him back into the story, but we'll have passed the canon moments when that happens.

There is so much useful lore information in Alanna and Moiraine's convo that show haters just flat-out ignored because it didn't fit their narratives - Alanna straight-up talks about not being able to see Logain's weaves!

Protective!Rand really begins to peek out in this episode, even here at the start with the farmer but more and more as Mat gets worse. Also poor Rand and Mat are covered in mud.

13. Mat and bonding with little girls! If we do get Olver, I hope we get a young girl instead of a boy, to keep on theme. And Birgitte namedrop, still exciting to hear.

14. Last episode, Thom bonded with Mat and, this episode, he bonds with Rand (over concern about Mat). Thom also helpfully puts the idea into Rand's head that Mat has 'all the signs' of being a male channeler, accidentally enabling Rand's massive case of denial that lasts until Moiraine heals Mat and tells them it was the dagger causing his issues. Oh, Thom's story is so heartbreaking here. And Thom promises here to try to keep the two of them safe, and away from Aes Sedai. Really really curious how this setup will play out when Thom returns in s3.

15. Nynaeve getting through her moment of poly confusion now is a great little moment of setup for the viewers too -- showing that this can be acknowledged as a valid relationship in this world. And we will maybe get a hint about Aiel culture next season as well.

16. Poor Moiraine and her pangs of uncertainty over Logain. Uncertainty that will only grow once Nynaeve's power is revealed.

17. Last episode, it was Rand's turn to remind us about his relationship with Egwene -- this episode, it's Egwene's turn, during her private conversation with Aram. I do love Egwene falling into a new culture and immediately finding things about it to love and appreciate. And Perrin is taking the Tuatha'an more seriously than in the books, because it's so much more grounded in the reality and the faith of their world and culture.

18. Rand trying to comfort and reassure Mat, I'm fine. Totally fine. Not emotional at all. And even before they know that the Fade is there in the farmhouse, Thom and Rand are just wanting to get Mat out and safe. Thom is ride or die for these kids after knowing them for a handful of days.

19. Nynaeve is SO curious about Lan and so hesitant to admit to it. You are not intruding! He already has a big crush on you! It's such a lovely moment between them.

20. Moiraine taking advantage of the attack to interrogate Logain... Lirandrin taking advantage of the battle as a reason to justify gentling Logain... they get to be shadows and mirrors of each other too. (Did Liandrin let her part of the shield drop to try to manufacture an excuse, once she realized that his army was attacking or was it just her genuinely taking advantage of an unexpected opportunity once she's able? If Liandrin is being sincere then that lends weight to the speculation that she isn't Black Ajah yet and we'll see her wooed into it over the early parts of S2)

21. I do think it was, again, very smart of the show to actually show us the effects of an Aes Sedai and Warder's bond being severed before it happens to any main characters. And we actually get to see Greens being the Battle Ajah here too.

22. Nynaeve's power burst here really creates another point of uncertainty for Moiraine about the identity of the Dragon Reborn. If Nynaeve is stronger than Egwene, then Egwene cannot be the Dragon. But Nynaeve is too old to fit the prophecy. So now Moiraine has some thinking to do.

#wot #wheel of time #wot on prime #wot rewatch #wot book spoilers #the dragon reborn #wot s2 spoilers #minor #will i manage to finish my rewatch before the new episodes air? #time will tell

[ketho484]

Hoi! This is gonna be the start of my personal version of the Welcome Home Actor AU made by Frillsand on Tiktok and inspired by the drabbles made by @wally-darling-hyperfixation (love your work! Keep being inspirational!). This will mostly follow Wally and my OC, Willow. I'll put up a character sheet or several for each story I have in mind at a later date. For now, let the show begin!

Au belongs to @frillsand

🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬

Chapter 1: The blue haired child

It was a pretty normal day in the busy city. Cars were full of people trying to get to work or trying to get kids to school. The hustle and bustle of the early morning was fairly common, albeit rather annoying. The city was a good place to live, but it wasn't without its flaws, to put it kindly.

The greatest flaw in this city would be its discrimination against puppets. See, in the late 1950s, a prideful puppeteer had discovered a way to bring what he created to life. Nobody knows how he did it, but the puppet population exploded rather quickly after that as the creatures spread out into the world. They were similar to humans in many ways. They can grow and develop from childhood like humans, their digestive tracts are like humans, they can produce offspring like humans, and they can bleed, be bruised, get hurt, and even die much like humans. However, nobody knows if they are a new race of humans or if they are a species of their own due to the differences they have. The puppets can be hurt, but they are significantly more durable than humans. They can heal rather quickly, needing stitches and casts for roughly half the time that humans need them. If the injury is grave, like, say, a limb gets cut off, they just need to stitch the limb back onto their bodies and it will work with no problem. It was a bit freaky, but people started accepting that as normal for puppets as time went on. Even still, discrimination is a bit of a problem in the city as humans still try to grapple with the existence of puppets living among them.

However, this story doesn't deal with that on the macro scale. Instead, this story begins a bit smaller, beginning in the city suburbs, where a small puppet girl worked tirelessly to meet a deadline set for her, hearing an argument between her human parents outside her work room door. She had yellow felt skin and dark blue hair that hung down to her back. She wore a ragged dress with long sleeves, but wore no shoes. She had a gift of mastering many creative arts, including singing and sewing. This little girl would hum to herself, just like right now, as she worked on costumes for this place her father had signed for called PlayFellow Studios, the home of her favorite show, Welcome Home, the cast of whom always needed new costumes, so her father made a contract with the studio owners to make them and dumped all the work onto this poor little kid.

It was rare that she was allowed any time with the TV, but sometimes her father would allow it if she had been very good. When that happened, she was always keen on watching Welcome Home when it aired. It was one of the few things that made her feel like an actual child, watching all of the friendly characters sing and dance and have fun. It made her start to daydream about how different her life would be if she went to that beautiful town to live there. It would be far better than this horrible place…

She shook her head and got back to work. These new outfits had to be ready for tomorrow or else her dad would punish her. She hated being punished. Her dad had set up a whole room for her punishments depending on the severity. If she didn't get this finished, then-

"Willow?" A gentle voice called from the door to her sewing room, the voice of the girl's adoptive mother

"Yes, momma?" Willow looked up, turning off the sewing machine for the moment to speak

"Hey, honey…Your father and I were talking and-"

"You mean arguing?" Willow cut her mother off, making the woman chuckle as she came closer

"Either way, I…I might've convinced your father to take you with us when we go to show these costumes to the cast" Her mother said with a smile that widened when Willow's smile came bright and beaming onto her face

"You mean I'm gonna meet them!?" She asked as she bounced in her seat

"That's right…though for your safety, I need to ask if the costumes are ready yet"

"Almost" Willow said as she calmed down, turning to her current costume project "I just need to finish the costume for Mister Darling. I know he didn't demand much, but I wanna make all the costumes really special and I can't help but feel like this one is missing something…"

"Like what?" Her mother asked as she looked down at the white shirt Willow was sewing

"I'm not sure" Willow said simply as she kept going with her project "That's the problem. I'm not sure what this is gonna need. I made everything right. What is it missing?"

"...Could you sneak something onto it?" Her mother asked quietly

"What?" Willow perked up as she took the finished shirt off the machine

"Try adding something as a personal signature" Her mother said "Something your father can't take credit for"

Willow started thinking. What could she add to make these costumes unique? Something to ensure people knew she made them…That’s when it hit her. Her mother had been teaching her this technique for a few weeks now, so maybe she could try it. She gathered all of her colorful thread, grabbed the knit sweater for Wally’s costume, a simple dark blue sweater, and started sewing some embroidery on it, specifically a nice rainbow wrapping around the body. Willow gave her adopted mother a nod and the woman left to let her work. Willow didn’t often smile, especially at home, but she was smiling now as she embroidered all of the costumes. Wally’s white shirt to go with the new sweater had some vine and apple patterns on the collar and shirt cuffs, Julie’s new dress got some flower embroidery on the skirt and neckline, Frank’s new vest got some butterfly embroidery, Howdy got some apples on the pockets of his apron while his shirt cuffs got some caterpillar imagery, Polly’s new costume got some baked goods imagery, most notably on the bottom of her baking apron but also on the skirt of a dress, Eddie’s shirt collar and hat both got some letters embroidered onto them, Sally got some stars on her skirt and a theater mask symbol on her dress pocket located on the chest, and Barnaby’s vest got some bouncy balls and dog bones on the bottom along with a rainbow on the chest pocket and a daisy embroidered into the new hat. Willow was going through a creative frenzy thanks to her mother encouraging her, and she finished it all just after her parents went to bed.

As usual, she had to feed herself, but there was nothing in the fridge, so she went and got some money from her mother’s purse to go buy a burger from a place down the street. The owner, Jerry, was there when he saw her come in and sighed. She looked worse and worse every time she went in to see him. She just ordered a plain burger, but he gave her a big combo meal including a burger, chicken nuggets, and a large holder of fries. He paid for it himself and bid her farewell after she thanked him. She ran home, but ate on the porch so her father didn’t catch her eating in her room again. Last time it happened…She shuddered and finished eating before throwing out the bag and taking out the still full trash. She then quietly crept to the room she had been sewing in and laid down on some fabric scraps, the softest of which was her pillow. She took a deep breath, smiling at the outfits she’d made, and closed her little eyes.

Tomorrow was another day…

#Welcome Home #OC #TW: Mentions of abuse #Actor AU

[alizalayne]

books of year ‘23, but only the ones that weren’t rereads and that I had something to say about. Text is written out below the cut. Please recommend books to me!!

Scales and Sensibility by Stephanie Burgis

when i saw this being recommended to me on scribd i sent it to my friends along with the word YESSSSSSSSS about 80 times. This has palpable Diana Wynne Jones insanity which is very exciting to me. The romantic lead is so boring but he’s not important; what’s important is the main character’s batshit physical transformation and its consequences. This book also triggered a personal ephiphany that i’d been setting myself up for for years, which is a little bit happenstance but I’m glad it happened while listening to this as an audiobook on a hike.

___

Lonely Castle in the Mirror by Mizuki Tsujimura

I’ve read a few books with a similar tone and goals but most of them do not feel as sincere, or they get preachy in a way this does not. I am a massive sucker for narratives about going and coming back to magical worlds (pre-isekai boom), like coville’s unicorn chronicles or barker’s abarat. they’re the most effective to me when they do what this is doing: telling an empathetic human story. One thing I really appreciate about this book as a mental illness narrative for younger people is its willingness to tackle the idea that someone’s terrified inner voice can be incorrect, or it can reflect reality accurately— some people do have a reason to be excessively scared. I think there’s a tendency when tackling this concept, especially for child readers, to tell them that their anxieties are silly and illogical, that of course no one is trying to hurt them. But that’s not always true. I appreciate that this story is able to question the main character’s assumptions about other people’s evil intentions while not questioning that her feeling of fear is real, while simultaneously acknowledging that similar pain is felt by kids going through abuse. I think I would have preferred a smaller cast or a longer book with more exploration of the other kids.

___

Earthlings: A Novel by Sayaka Murata

another very empathetic mental illness book, but much more disturbing. the main character’s worldview is alluring because the narrative paints reality in such a bleak way. If it didn’t force a sense of perspective on you, it could be a document that starts a cult. It’s very accurate to some experiences that I have had and things i have heard people say while in dangerous situations that involve religious behavior.

It’s very difficult to challenge the type of thinking this explores because each brick that builds a wall between someone’s mind and the rest of reality can seem like a reasonable brick. but when you look at the whole wall you can’t understand how such small and normal things as bricks could seal someone up inside and swallow them. This does a good job of showing you its challenge without being cruel. I’m glad I read it.

___

What Once Was Mine: A Twisted Tale by Elizabeth J. Braswell

official goth retelling of disney’s tangled, I had to see what was going on in there but it was pretty boring, worth the $0 price of library admission for rapunzel having evil moon hair that fucking kills you

___

Cutting Teeth by Chandler Baker

NO EXPLANATION FOR WHY THE TODDLERS STARTED TO CRAVE BLOOD. WAS HOPING DRACULA WAS BURIED UNDER THE PRESCHOOL BUT NOBODY LETS ME HAVE ANYTHING AROUND HERE

___

Gone Girl by Gillian Flynn

I’d never read this before. Soooooo fun

fucking GET HIMMMMMM GIRLLLLL YESSSSSSSS!!!!! KILL!!!!!!!!!!!!

___

Declamation on the Nobility and Preeminence of the Female Sex by Henricus Cornelius Agrippa, edited by Albert Rabil Jr. 2007 edition

I cannot recommend this text enough if you are insane like me in pain like me (english literature major). Imagine that you are the princess of Austria and you’re bored of mummifying your husband’s heart and you decide to buy the man who would become arguably the world’s most famous wizard. this happened in real life. And what he decided to do was kiss her ass with his entire mouth. To that end, he wrote a torturously funny ted talk about how god made women better than men. Here are some reasons: women don’t drown in water because they’re fatter than men, but when women DO drown they do it face down so no one will see their boobs. Menstrual blood cures epilepsy and depression and can extinguish fires (????). all eagles are female (?????) and god created women last so he had tons of practice by then. This is the holy grail of bitchy footnotes. So many of these are just “he made this up”. It’s so fun!! And it’s helpful to remember that people have always been making shit up.

___

honorable mention: I read through the letters of Saint Hildegard of Bingen and I have to recommend this to everyone alive. I think she was in lesbian love so hard that that’s why she she wrote that shitty letter to the pope. but what do i know. she is also about 80% of the reason we know anything of what medieval medical knowledge was among women in europe. She also documented a ton of natural science.

___

The Crone Wars by Lydia M. Hawke

Now i have to admit i didn’t read all these. I did read the first one but this author’s priorities just don’t really align with mine, since these are ultimately straight romance novels. However, I wanted to show how long the series goes and what the titles are because I think they’re really fun. It was very cool to see what YA sensibilities look like with a 60 year old protagonist. This main character really reminded me of Usagi from Sailor Moon, which as a massive freak about sailor moon is not something I give out lightly, and I kept imagining events from this book as drawn by Riyoko Ikeda. After spending a little time with it, the manga panels just sort of happened in my mind and i recommend the experience. I do still want to draw some scenes from it sometime.

#did not include things by friends or friends of friends because it felt very strange to lump those in with usual reading

[dungeons-and-dictions]

It’s Analysis Friday about precisely why Hazbin Hotel is such a stand out.

But first - this is probably my last Hazbin Hotel-related analysis until the next season; give me asks during this long dry spell!

Why on this specific topic? Because I’m tired.

Y’all.

Listen.

I’m all for subjectivity. People can just like or dislike things regardless of quality. Heck, I know Helluva Boss is part of the Hazbin world, but it gives me too much cringe and vicarious embarrassment to handle.

(Yeah, I’m weird. I know)

But I keep hearing people say Hazbin Hotel is mid or just relying on hype.

Those are fighting words!

We are getting quality on par with Disney movies for a tv series!

That’s crazy! Let’s break it down.

Musical numbers

Talented singers play the main crew. Stephanie Beatrix plays Mirabel Madrigal, Kimiko plays Izzy, etc.

There were 2 songs per episode! And because it is truly perfect for a musical, we even get thematic reprises and callbacks!

Does anyone recall when similar things have happened in animation? MLP:FiM had a glorious episode that was ALL musical with a reprise. That’s all I have at this scale outside of Disney.

Characters

I’ve always known Vivzie to put thought into her work, and this shines through so well in Hazbin.

Lucifer’s depression is similar to my own

Angel’s gradual changes and struggles are realistic

Charlie’s breed of passion is the same as mine in my career

Alastor’s extremely manipulative yet we all love him

Velvette had one of the best formal character intros I’ve seen in a long time

Hazbin Hotel works really hard to get away from stereotypes, and dives in past superficial traits.

Also, we get things like Valentino sounding like he’s squeaking because moths squeak. We don’t need these things!

Animation

You know what else we don’t need?

Airplane arms!

Complicated dance moves!

Cute leg swishies with cuter sound effects?

Every second you see is 10+ frames traditionally. (Idk the studio’s technical details). That’s wild to add in these complicated extra details! And they flow so nicely! This level of quality for 2D (and honestly 3D too most of the time) is unheard of in the West nowadays.

And on that, western adult animated shows typically are so poorly made, especially in the art. Even the few I have seen that have okay stories to tell absolutely stink in terms of visuals and movement.

Story

Yeah, this is the biggest weakness Hazbin Hotel has, no doubt. The story is actually an incredible premise, and truly done pretty well within the awful time constraints. I think everyone is valid in saying it was far too fast! Hopefully we get more (or longer) episodes in upcoming seasons.

But at the same time, this is also the nature of musicals. If you think this is fast, don’t watch the Les Miserables musical where everyone only sings. Idk why, but singing the entire time makes everything seem like you’re in a race car on autopilot.

Don’t forget; the symbolism just drips out of the screen in this show. The fact that I could still do more analyses even now is a testament to that with all the content I have done since it aired. Vivienne goes hard on the details.

But put yourself in Vivzie’s shoes. You do the impossible, shot for the moon while hoping for maybe the top of a 5-story building, and you were offered the stars. Your project has been a part of who you are before you even went to university, and a major company gives you a way to bring it to life? Why wouldn’t you settle for this good of a deal?

Innovation

People do not bring up often enough that Vivienne broke a glass ceiling separate from that of gender. She showed that YouTube animations can be taken seriously, and even be aired.

In this age, the Saturday morning cartoon blocks I grew up with no longer exist. There were tons of great shows, and I could talk with other kids about it. Nestled within these weekends were shows that ran short pilot episodes for potential series. The last time I saw one was Adventure Time’s pilot.

It’s been a whiiiiiiile.

So having a cutesy little indie pilot animation amongst thousands on YouTube be such high quality and get a mainstream platform? Spindlehorse made history!

Moreso, Helluva Boss is also demonstrating the capacity of indie studios like never before - and what may pave the way for the future of animation too.

Out of all the animated series running on YouTube, Glitch is the only creator who does 3D that I am aware of. Even Glitch’s work has only started within the past few years, ie after Vivienne managed the impossible.

So please, stop complaining about subjective parts so much. Hazbin Hotel objectively has some of the highest craftsmanship in western animation.

We are blessed that Vivienne’s dream has come true in such a glorious manner. When I discovered her back in 2012, I couldn’t have guessed the pilot would be so successful, nor that it would change what was possible for animation!

#hazbin hotel #hazbin hotel analysis #analysis fridays #animation #symbolism #analysis #musical #musical show

[mayullla]

Artifact Set (Yan!ver): Torched Limerence Set

Flower: Beloved's Blazed Bloom

Feather: Beloved's Scorched Feather

Sands: Beloved's Scaled Clock

Goblet: Beloved's Charred Goblet

Circlet: Beloved's Smoldering Earings

Set Bonuses

2 Piece: Pyro DMG Bonus +15 They fall in love and if already in loved their love increases a certain amount to insanity.

4 Piece: When a character ---- Similar to how a small flame is lit will slowly become bigger if left unchecked. The character would slowly be becoming madly in love with their target that they could not think about anything than them. What was once innocent will slowly turn into mania as time goes on and the love is not returned.

How to Obtain

Source 1: Found in a domain at Monstade Source 2: Rarely found in chests.

Artifact Lore

An artifact set of a lover's infatuation that burned so bright it burned many people to ashes. A story about a woman falling in love with a man she could not attain so obsessively that at his wedding she torched her mansion burning her and the people within it.

Flower: Beloved's Blazed Bloom

This flower was the start of the obsession it was pure luck when the maiden saw her beloved face for the first filled with blossoms. She remembers the red flowers blooming around her and thought that it was faith. She took one and encased it to prevent the memory from forever rotting.

Feather: Beloved's Scorched Feather

A feather that belonged to a dove in the wedding of her beloved, the one who walked that aisle was not her but another woman. Running away she could not bare her anguish and late at night with a candle she lit the curtains on fire quietly watching as the dancing fire quickly consumed her entirety leaving not even her farewell letter to the man. What she hoped in the future was that if she would ever love again she would forever consume her lover with fire together her.

Sands: Beloved's Charred Clock

What was supposed to be a gift from the maiden to the man was shoved away as the man looked upon her with disgust and annoyance. He was tired of her adorations and told her to leave him. Heartbroken she still kept the clock closer to her in a special box hoping that one day this present that she so painstakingly picked would finally be lovingly accepted by the man.

Goblet: Beloved's Chipped Goblet

The maiden is known to be the fairest in the nation many men tried their hands at winning her heart yet many failed to capture it. The world was cruel as the maiden fell in love with the one who didn't love her. Their relationship could have been something beautiful as the maiden's heart was once clear but as she tried and tried, it slowly tainted into something ugly. As she grabbed the man's chest begging him to love her just as she loved him she was instead pushed away. This goblet was on his hand when it happened in the middle of a party and was thrown and forgotten only to be picked up by the maiden who was mocked by everyone in the banquet hall.

Circlet: Beloved's Smoldering Earrings

The pain was unbearable as the fire licked her skin and burned her dress. As she looked at the moon from the window of her room, the curtains burned brightly. She always thought that the moor was the brightest thing in the night but her thought changed as she thought that fire was brighter and closer than the moon that was so far away. Rather than be lonely like the moon so far away she thought that this would be the better end, numbed to the physical pain her heart too broken sleep quickly took her as she promised that she would never love again.

"No that would be too sad... If I ever fall in love again I would love them to the point it is like fire consuming the both of us."

What was left of her after the fire finally died down were these glass earrings. What was once hollow inside the glass orbs now has flaming ambers that never vanquished.

Note: Lowkey this was a random urge to write kind of thing. But still, hope you like it! Also thank you @nicebonescomrades as she had helped me with naming and gave me ideas for this post too!

#genshin impact #yandere genshin imagines #yandere genshin #yandere imagines #yandere scenarios #genshin imagines #genshin scenarios #genshin writing #yandere writing #genshin artifacts #genshin x reader #yandere x reader #genshin x you #yandere x you #tw yandere #yandere prompts #yandere

[dolls-self-ships]

hi everyone, I know I haven't been very active lately in terms of posting art, but I would like to make a post anyway about the future of this blog, as it concerns current events happening in the world.

As you all have probably seen (and if you haven't, I highly suggest you do some research on the subject), Palastine is currently being terrorized and the people are experiencing a mass genocide. Many companies we know and use, are funding this by sending money to Isreal to continue bombing, gasing, and shooting the innocent civillians of Gaza. Disney being one of them. Now, I've always loved Disney, and been a huge fan of their creations ever since I was little. They are the animation studio that inspired my art the most, and still do to this day. As you all are probably aware, my blog is known as the "Disney self shipping blog" , my most in-depth and popular self ships being with Hades from Hercules 1997, and Captain Hook from Peter Pan 1953.

So, I know me posting art of these two characters with different versions of myself being in relationships with them isn't directly funding the Disney corporation, but I feel that, as a content creator with somewhat of a platform in the self ship community, it's my responsibility to speak on this subject, as it's one that is weighing heavily on me and has been for most of the week.

I am not muslim, nor do I have any muslim people in my immediate circle, but I don't feel that that matters in the face of a genocide, and having empathy for the people experiencing their world being colonized.

I don't feel that it would be appropriate for me to continue posting art that clearly is meant to mirror the infamous Disney art style, with its characters, and story lines inspiring my self insert stories. I can only see two immediate futures for this blog which are either A. I find a way to pull more inspiration from the original source of my f/os and find a more personal style, while, not entirely disregarding any Disney versions of them, greatly distancing myself from them, and no longer using the Disney tag (as I feel platforming Disney in anyway, no matter how small the scale, will contribute to putting money in their pockets one way or another). Or B. ceasing my Disney self ships indefinitely until it is appropriate (if ever) to start posting them again.

I can't say for certain the future of this blog, I am still drawing and self shipping in my private time, but for now I think it would be best for me to put those to the side when posting online for the foreseeable future.

If I do start posting my Disney self ships again, I will be very clear that I want to distance the art I make from the company, the studio, and put a disclaimer on every piece I post, as I've seen similar blogs to mine do in the past, and I think it does a good job at denouncing the Disney brand/lable while staying true to the art they want to post.

For now though, I want to submit this post as an informal, temporary goodbye. More of a hiatus, until further notice.

And as always, free Palastine 🇵🇸

#bees self ships #self shipping #self ship #self ship community #free palastine #self ships #boycott israel #boycott starbucks #boycott disney

[smash-64]

2022 Game of the Year Countdown 2. Panel de Pon Intelligent Systems Super Famicom, 1995

Yeah! FAIRIES!

In early January, @studentofthors​ said she wanted to try this game. I’m not into puzzle games, but I said I’d give it a shot. Between being completely lost and being stomped into the dust, I somehow developed a love for everything this game offers. Gorgeous visuals, overflowing charm, bright colors, funky bass guitar, and a depth to gameplay that far outreaches my humble skills. Panel de Pon is the greatest puzzle game I’ve ever played, and nothing else even registers on the scale.

Let’s start with the visuals. This game is so gorgeous, it’s hard to believe it’s a Super Famicom game. It has highly detailed and animated sprites, each one distinct from the others and displaying each fairy’s personality with the many reactions during games. The backgrounds are also gorgeous, and I just cannot understand why new Puzzle League games have removed this sort of thing. Just look at them!

Everything about this game is charming and upbeat. Positivity is kind of my thing, so seeing a character like Lip is really fun for me. And all of the fairies have detailed and colorful backgrounds.

Even the bad guys have a sort of charm to them. Thanatos is supposed to be scary, but some of his sprites are just ridiculous.

I cannot get enough of the music from this game. Neris’ theme is calm and relaxing, with a really funky slap bass beat when the panic theme kicks in. Flare’s theme is probably the most invigorating tune. Ruby has a great theme, too. And Walking on a Rainbow is one of my all-time favorite credits tunes. It’s just so calming and reassuring.

So, as everyone likes to point out, this game came West as Tetris Attack, rebranded as a Yoshi game. There was an N64 sequel planned, which ended up being rebranded as Pokemon Puzzle League, and while it did eventually get released on a Japan-only puzzle collection for GameCube, it seems like the developers had only one goal in mind for the series: remove ALL charm from sequels. No fairies anymore for Puzzle League games. This is supremely sad for me and honestly kills all desire for me to play the newer versions. I do like the actual puzzle gameplay, but the rest of the game was what really enticed me to begin with.

I cannot even begin to describe the gameplay to this game because it is so deep and complex. However, the basic concept is so simple, you can grasp the goal of the game in mere seconds. Yet, even after a year of playing this game, I’m probably considered barely even intermediate level. Watching tournament finals absolutely blows me away every single time. I’d lose to these people in literally 10 seconds. It’s absurd.

The VS mode is probably where the most fun can be found, as you can do the story mode against CPU opponents, or fight your friends. But there is an endless mode where you can go for a high score, and there is also a 1P puzzle mode where you are given a puzzle and must solve it within a certain amount of moves. There are an astounding 120 levels to this 1P puzzle mode. This game is 27 years old. I love it.

With the addition of this game to the Nintendo Switch Online subscription, you can play it online against anyone in the world. This was how I initially tried the game out, and it’s probably the best thing that ever happened to Panel de Pon. So many people are discovering the game this way, and are able to play against other people online. I even ordered a physical copy from Japan and swapped the board for a donor cart to be able to play it on my SNES. I brought it into work and we’re currently working on an interdepartmental tournament on break time! 

In the past year, I have gotten no fewer than seven people hooked on this game. I guess it’s similar enough to Candy Crush that people took to it quickly, but then stuck with it because it was more interesting and deeper. Take a break from your normal game rotation and check out something different.

#panel de pon #super famicom #sfc #puzzle league #tetris attack #nintendo #intelligent systems #game of the year #2022 #countdown