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#show thesis
joons · 1 month
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mom letting me gush and decode phineas and ferb for her and its essence as a physical safe space for its characters to grow without having to face adulthood yet. how we can struggle to believe the truth that we are loved, but that doesn't mean we ruin that love by doubting it sometimes. how offering that love creates the conditions we need to grow and learn.
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thisisapaige · 2 years
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Aw, but Dean not wanting to fix the problem because 'why should they die and not me?' Not a quote but you know that's what he's thinking.
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grntaire · 10 months
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“their miracle was so big bc crowley used to be an archangel” have u considered that aziraphale and crowley love each other so much that their love alone could move the tides just by staring at the ocean for too long. have u considered that they did the miracle not really to protect gabriel but to protect what they had, what they’d built with each other. and that was them barely even trying
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digitalafterlife · 2 months
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on tumblr you can say words such as ‘doctor who is like mythology to me. it’s like an ongoing cosmogonic folktale’ and you will recieve 5 notes from people that are willing to indulge your insanity. in real life you say things like how are the kids and was your holiday fun and the weather’s lovely this morning. and i think that’s beautiful. autism.com/careers
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mayasaura · 1 month
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Kabru is always my favorite tho bc I fucking love characters who are both ruthless and genuinely kind. Who have noble goals and strong ideals and will make compromises in order to reach them, especially when they aren't punished for it by the narrative. Kabru will straight up commit vigilante murder because he's done the math and judged it to be the action with the most harm reduction, and he's good at math.
Kabru is the only person in the series both on-scene and thinking about the larger implications of the actions being taken, and I love him for it.
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venfaaniik · 1 month
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thank @turtlemurmurs for sponsoring this coffee
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That fucking hospital scene…that is a sequence that I’m glad it didn’t feel like playing the game. Instead, I felt like I wasn’t breathing the entire time. That was one of the most effective sequences of television I’ve ever seen, from the acting to the emphasis on the brutality.
The way Joel seemed to be walking through a dream…that’s the part that hit the hardest. We as the audience were hyperaware of his actions, while he was barely there at all—Sarah and his grief and Ellie were the only things on his mind.
Neil Druckmann really wrote a story that turned a mirror on humanity, and my god am I thankful for both the game and this adaptation.
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kyosukeasatte · 6 days
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Go forth, Tanuki and become a legend! You can (not) run and gain one now!
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wingsofhcpe · 11 months
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actually there's a huge difference between queerbaiting/"Hey guys look how gay these two are haha they're definitely gonna end up together, give us views uwu oh- never mind oops they're going to superhell" and "Hey it's 2004-2012 and there's no way we can get away with having our protags/main couple be two gay men but we really want to show these two are soulmates so we'll do it through subtext and underlying messages and by literally telling you over and over again their relationship is the most stable and important in the entire show, and the ending will imply they lived and died together", and it's insane that some of yall don't see how these two are not the same fucking thing.
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queerly-autistic · 6 months
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I'm thinking again about Lucius going 'maybe the time spent with you is the best it's ever going to get for him' and Stede responding with 'I'm not ready to believe that', because, fuck, isn't that literally the whole heart and centre and soul of this whole show? When you're at your lowest point, and everyone else has (understandably, tbh) given up on you, the power of having that one person who says 'I'm still here, and I refuse to believe that it can't get better for you'? Someone who sees you at your worst and absolutely believes there's more to you than that? That one person who loves you when you're at your most unlovable and believes in you and your future even when you can't see it? The absolute conviction that you can come back, you can recover, you can make amends, you can be happy? Like. This show. Fuck.
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homoangel · 1 year
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jack kline thesis (he did nothing wrong btw)
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yoursonlucifer · 6 months
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catching up on burrow's end and this shit is crazy
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skywerse · 8 months
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ghostdrinkssoup · 2 years
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nbc hannibal is packed with ambiguous symbolism and confusing dialogue and at least three layers of subtext but if you ever get lost just remember that hannibal is a malewife pretending to be a girlboss and will is a girlboss pretending to be a malewife and exposing that in each other is what the show is about at its core
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pinazee · 10 months
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I only have praise for how they’re writing Jim Kirk in SNW. Though perhaps I’m biased because i love this character.
Admittedly, at first, I didn’t like the guy. I thought Wesley was a terrible casting choice. he didn’t have the passion that Shatner and Pine gave him, and frankly just didn’t have the look for me.
But Wesleys Kirk is pulling out that soft, kind hearted nerd that we all know Kirk is.
In La’Ans AR, he listens to Sera despite her being “unhinged,” he smoothly steps forward to put himself between Sera and La’An and sacrifices himself to save the timeline- to save Sam.
Then the real Kirk, despite getting decked, thinks first of Uhura and doesnt want her to have to explain the hallucinations. He doesn’t write Uhura off either like Chapel and Spock did , he believes her. And then inserts himself into the problem because, as La’An said, hes “the type of person who cant walk past a stranger in need”. and then sticks around to make sure she is okay.
So yeah, maybe Wesley isn’t who would come to my mind initially for Kirk, but i love his interpretation of him. His Kirk cares deeply for others and thats the Kirk i know and love. Im looking forward to how they develop his relationship with Spock.
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scificrows · 9 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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