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#shit this one got long
ghostinthegallery · 4 months
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Re-reading Twice Dead King, the character I was most struck by on a second viewing was Mentep. Now there’s a tragic figure. Simultaneously a mentor, an ally, an antagonist, someone so terribly understandable who I want to smack upside the head for being a lying liar who lies.
Ultimately, Mentep is a penitent. He has committed terrible acts (that we only get scant details of) and he wants to redeem himself. Thanks to his tampering with his own memories, he doesn't fully know what he is repenting for, which puts him in a bind. However, he knows that he played a role in creating the flayer curse/longing sickness, so he goes to a planet where a high concentration of them have gathered and works on his cure. He's respected, he's able to do his work with only occasional interruptions from the local angsty youth. Things are good-ish (until the armada shows up.)
Mentep and Oltyx have a weird relationship. Despite being his normal asshole-teenager self, Oltyx does respect Mentep more than most. Trusts Mentep enough to let the guy perform experimental brain surgery on him. Twice. And Mentep is able to be much more candid with Oltyx in return. He's one of the few consistently calling Oltyx out for his bullshit. On the surface, it is a standard mentor relationship, but what got me on a second reading is that there is hardly a single conversation Mentep has with Oltyx where he isn’t lying to and/or manipulating him.
It starts early with Yenekh. Mentep knows Yenekh has been suffering from the curse, he hasn’t told Oltyx, and when he finally has to tell him, he conveniently does so right before distracting everyone with the “oh btw, we’re all gonna die to a giant human armada” news. This is done with the best of intentions. Mentep wants to protect Yenekh (and Oltyx, in his way), so he delivers the news this way to get the bad news out of the way and then both of them on the same side. But it is the start of a pattern.
Which we get again when Mentep fails to mention a that Antikef is a flayer den ruled by a “We have Illuminor Szeras at home” Vizier, and boy does that end badly for Oltyx (see the last 60% of Ruin). Naturally, Mentep has a good explanation:
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But it is another lie, one that costs Oltyx dearly (put a pin in this, I am coming back to it.)
There's some little fibs and ommissions along the way as they go to Carnotite, but it all builds up to The Big Lie. The one that sends Oltyx spiraling and gets Mentep killed. Because you know what really helps with paranoia? Finding out your mentor and your best friend have been hiding a secret blood pit in your basement! Again, it makes sense why Mentep is lying about this! He has every reason to believe Oltyx would have rejected the flayed ones he and Yenekh were sheltering (he in fact does exactly this), and Mentep's entire goal is to cure the curse to atone for his role in its creation. However...
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I think Oltyx is correct to call Mentep out here (Oltyx is wrong about most things, but not this). Somewhere a long the way he became a means to an end for Mentep. Mentep was focused on The Curse and not the person in front of him who was cursed. He used Oltyx's friendship with Yenekh, his need to save his kingdom, his trust, his fears, all in service of admirable goals, but he was using Oltyx. Is it any wonder this is where it ended?
The lies were Mentep's undoing from the start. Remember the lie about Antikef? The one that led to all the events of Ruin? Yes, Oltyx and Djoseras did talk and avoid a civil war, but Oltyx also went through hell. He saw his home turned into an abbattoir, his father reduced to barely more than an animal. Oltyx was literally vivisected and almost consumed by his own dysphoria. And then committed regicide after leaving his brother behind to die. Antikef is where Oltyx truly learned that compassion was weakness and saw how horrific the flayer curse could become. So how was he ever going to accept the flayed ones as Mentep wanted him to? Oltyx experienced the comically perfect combination of traumas to ensure that would never happen, thanks in part to Mentep's manipulations.
I cannot stress enough that Mentep's individual lies all made sense at the time. May have even been the best option, at the time. But the consequences piled up, and even as he is dying he still refuses to give Oltyx even a scrap of the truth. That is the core of his tragedy for me. Well, that and this:
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He bases all of his manipulations on his understanding of people's psyche's, which are usually accurate, but it also traps them. It gives them no room to grow or surprise him or for outside factors to come in and intervene. Contrast this with Zultanekh, who is upfront to a fault. He gives Oltyx advice and resources, but what Oltyx does with those things is up to him. Even when he is screwing up royally, he's allowed to make those mistakes. Mentep causes ones of Oltyx's darkest hours (the secret blood pit), while Zultanekh lifts him out of another (the Blood Angel's attack). In the end, Zultanekh is the one who sees Oltyx's true growth and witnesses the birth of his kingdom. A birth that comes not from curing the curse but embracing it.
There was never a sickness to be fixed, which means Mentep never would have achieved his redemption because he was focused on the wrong things. Which does make his death and rebirth as Xott a bit of a reflection of Oltyx. He was too burdened in his first life, but in his second he (or at least a version of him) was able to witness the people he hurt reaching a place of peace.
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endusviolence · 2 months
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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ilumin · 6 months
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I'm crying, they're so silly
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for anyone who doesn't have the Return YouTube Dislike Plugin, here's how Watcher Entertainment's "Goodbye Youtube" video is doing right now
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yeah... gonna throw out a yikes on that one
i suspect this number will only keep growing in the coming days/weeks, especially the longer and longer we go without any sort of response.
EDIT: its only been three hours and the number has already jumped to 206K dislikes.
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sp0o0kylights · 9 months
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Part One / Part Two (You are Here) / Part Three 
A03
Hopper had undersold Harrington's condition. 
Wayne hadn't expected anything pretty, but the face that turned to them as they walked through the door almost had him freezing in place. 
Black eye, bruised chin, split lip. 
More and more bruises, some faded and some very new, trailing down the kids neck. 
 The rest was hidden by his preppy little polo shirt, but Wayne didn't doubt that there were more.
Harrington tried to stand when they entered the room and the way he moved--entirely unbalanced, clearly in a lot of pain--made Wayne think the only thing the kid really needed was a hospital. 
Because Steve Harrington hadn't just been beaten. 
He'd been tortured--and very recently strangled. 
(Abruptly, Wayne realized that Hopper had implied the boy had been in the mall fire--just as much as he implied the mall fire was anything but. 
He also hadn't stated how Harrington had escaped the Suites trying to break into his house.) 
"Sit down." Hopper commanded, and Wayne expected Harrington to do anything but listen. 
Say something cocky, or act the part of a demanding little shit maybe, despite the condition he was in.
Instead the kid just sighed in relief and dropped like a stone, right back into the chair. 
Hopper came around his desk, talking all the while. "Steve, this is Wayne. Wayne, Steve."
"Hello Sir." Steve croaked politely. His voice was wrecked, no doubt from the necklace of finger shaped bruises around his neck.
"You're going to stay with him for a while, and you're gonna pay him for the privilege." Hopper informed him, as he began digging around his desk. "Money, chores, whatever Wayne wants." 
Wayne held his gaze as Steve turned to appraise him. 
Would Harrington pitch a fit? 
Would he look at Wayne's work clothes, streaked with dirt and sweat, with the name of the warehouse embroidered in the corner and crinkle up his nose, just like his daddy did? 
Hopper didn't lie, but a part of Wayne wanted to see just how different this Harrington was. If the respectful demeanor was an act done for Hopper. 
Or perhaps, Hopper had mentioned Steve's father for a reason, instead of his mother. Did he adopt her ice-like approach to life? 
Micro managing and long-held grudges were Stella Harrington’s game, and she excelled at it. 
Steve however, did nothing of the sort, instead settling with the situation in a way that reminded Wayne far too strongly of the men and women who'd come home from war.
"Okay." The kid said simply, after a long moment of consideration. He turned back to Hopper. "But we need to tell the rest of the Par--" 
Here he cut a look back to Wayne, correcting himself. "the kids. I don't want them showing up at my house trying to find me and freaking out." 
"They wouldn't--" Jim paused, fingers freezing from the rummaging they'd been doing. "they absolutely would, goddammit." He muttered darkly.  
"I'll tell the kids. The only thing I want you doing right now is laying low. I need to get a hold of Owens, but it's gonna take time to do that, and more time to fix this, so as of right now, Harrington? You're on vacation." He pointed sternly, as if Steve might argue.
The kid looked too tired and messed up to bother trying. 
"I mean it. You're out of the country, where is anybody's guess. No one's seen you and no one better be seeing you, got it?" His voice held firm, and Wayne had to blink because the tone here wasn't one of a police chief warning a teenager--but of a father talking to his son.
He knew, because his own voice did that now. Took on a worried tone that masqueraded as something more like annoyance and seriousness. 
"Yes, Sir." Harrington said, remaining weirdly compliant. "Consider me gone." 
A hand came up to briefly press above one eye, and Wayne wondered if the kid had been looked over, or if they had just crammed him into Hopper's office without offering so much as a tissue box. 
How many painkillers did they have back at the house? Wayne usually kept a good bottle around, but Steve was going to need more than that…
He found himself once again cataloging Steve's wounds, this time comparing them to the medicine cabinet he had at home. 
"I expect you to be a damn good house guest, you hear me?" Hopper continued, trying to cut a menacing figure. He finally found what he was looking for; pulling out a large, padded envelope. 
He handed it over to Harrington, who took it without looking, shoving it into the duffle bag he'd had sitting at his feet. 
There was a smudge of red on the handle of said bag, that matched perfectly up to a shittily done wrap on Steve's right hand. 
Wayne mentally added 'buy more bandages' to his list. 
Steve nodded at Hopper again. "Yes, Sir."
Jim’s eyes narrowed. "Quite that, you know I hate that." 
The briefest glimmer of mischief crossed Harrington's face. "Sorry, Sir. Won't happen again, Sir."
'Ahh.' Wayne thought. 'So there's a teenager in there after all.'
Jim rolled his eyes. "Get out of my office."
"Thanks Hop." Harrington said, finally dropping that odd obedience, a hint of a smile on his battered face. 
He stood, and Wayne had to stop himself from offering an arm out as Steve reached for his bag and limped towards him. 
He paused right before he left Hopper's office, hand on the doorframe.
 "You'll check up on Robin too, right?"  He asked, and for the first time his tone took on something more alive--and filled with worry. "And Dustin? Erica?" 
"Dustin and his mom are finally taking me up on my suggestion to see their family in Florida for a while, and the Sinclairs are taking a sabbatical from Hawkins. I'm working on the Buckley's." Hopper drummed his fingers on the desk. "So far, no one else besides you and El have been targeted, and we're going to keep it that way."
Steve let out a breath, and while Wayne could tell the worry hadn't left him, he could almost physically see Steve force himself to put it away.
Another act that was far beyond the kid's years. 
A different officer popped up as they walked down the hall towards the exit, waving his hand madly. "Harrington! Chief says you forgot this!" He barked.
(Or tried to anyway. Callahan wasn’t the most aggressive of officers and frankly, never would be.)
A slim sports bag was held in his hands, and Steve nearly tripped over his own feet when he tried to turn and claim it.
"I'll get it." Wayne said, knowing his tone sounded gruff.
No use for it. He could either sound gruff or sound sad, and Wayne knew better than to start off the relationship with yet another hurt young man by acting sad.
Pity wasn't gonna win him any favors here. 
He took the bag, slinging it over his shoulder, uncaring of the wince on Harrington's face until something sharp poked at his shoulder. 
Several somethings, in fact. 
"What the hell do you got in this thing?" He asked once they hit the parking lot, voice low as he escorted Steve to his truck. 
"Just a baseball bat, sir." Steve said, in the exact same tone Eddie used every time he thought he was bein’ slick. 
Considering the thing in the bag could have passed for a baseball bat if not for the sharp pokey bits, it wasn’t a bad attempt. Steve just hadn’t accounted for the fact that Wayne lived with Eddie. 
An unfair advantage, really. 
‘Least there can’t be any baby racoons in the damn bag.’ Wayne thought idly. 
Went on to gently put the bat in the backseat, watching as the kid struggled to lift himself into the truck.
"You can drop that, I take too being called Sir about as well as Hop does." He said, keeping his tone nice and calm, hoping to ease into calling Steve out on his lie. 
Fussed with a few dials on the stereo, giving Steve an excuse to take his time before starting the engine and taking the long way home.
Wayne wanted to talk a little-- without the chance of Ed’s interrupting. 
"Son,” He started off. “I was born in the morning, but not this morning. I'm hoping to make the next few weeks as easy as I can for both of us, and I can't do that if you're starting off with a lie." 
Steve blinked, turning to face him in a matter that was too fast for his injuries. He didn't bother hiding the hurt it caused him, but his voice stayed even as he spoke.
 "What do you mean Si--Wayne." 
"Nice catch.”  Wayne said. “We’ll get you there yet.” 
It was a trick he'd learned with Eddie--little tidbits of praise went a long way when it came to gaining trust.
Especially with kids who hadn't ever been given much. 
Harrington seemed smart to it, or perhaps was just hesitant to speak in general because he remained quiet, not offering up any info. No further lies, but nothing towards the truth, neither. 
Which was fine. Wayne didn’t think a little pushing would hurt.
"That bat of yours was digging into my shoulder like a bee swarm." Wayne continued, when it became clear Steve wasn't talking. "I'm more a fan of football than baseball, but last I checked they hadn't changed the design of a bat." 
"What teams?" Steve asked, perking up a touch. "Of football. Which ones are yours?"
Wayne could ignore it of course, or demand Steve give him an answer to the question he asked. 
He did neither. "I’m liking the Colts since they got moved here. You?" 
"Green Bay Packers, though I like the Colts too--that trade in 84’ was crazy." Steve said. After a second he proved that answering instead of pushing was the right move because he added; "What did Hopper tell you? About…" He trailed off, making a gesture Wayne didn't bother trying to interpret. 
"He said some things. I've guessed a few others." Wayne admitted. Cut a little look out of the corner of his eye as he came to a stop sign. "I know the feds are real interested in you after Starcourt." 
Steve took that in, hands tightening on the handle. 
"It really is a baseball bat." He said, a little fast and with the tiniest hint of that challenge Wayne had been looking for. "It just also has nails hammered into one end." 
Wayne took that in with one nice, slow blink. 
"A bat with nails in it." He said, and it made a hell of a lot of sense compared to the sensation he'd felt carrying the case. "You use it against anyone?" 
"Some of the feds." Steve admitted, and even with his eyes on the road Wayne could tell he was being stared at.
Judged.
Not in the way one expected a rich kid to judge, but in the way Eddie had, those first few months he'd lived here. The times when  he'd push, just a little, to see what Wayne's reaction would be. 
Eddie hadn't done it in a damn long time, but Wayne recognized the behavior nonetheless. 
"Anybody else?" He asked. 
"Nobody human." Steve replied. 
"Alright." Wayne said, and made a mental note to drop all questions related to that. 
He didn't need to know, definitely didn't want to know, and had a feeling if he did know he'd find himself being watched by the same spooks after Steve.
"I've got a few deck boxes that lock on my porch. Think you'd be agreeable to leaving the bat in one?" 
Steve paused, hand clenching tighter around the strap of his duffel bag. "If you gave me a key so I could get it in an emergency,  I'd be happy to." 
He tried to sound calm, even a little charming in that sort of upper-class businessman sort of way, but the fear bled through. 
The kid wasn't happy separating from the bat, and given it sounded like it might have saved his life recently, Wayne understood the hesitation. 
With an internal apology to Eddie, he promptly threw his nephew under the proverbial bus.  "I've got my nephew at home and he'd be far too interested in it, is all. Blades and weapons and such tend to attract him, and I don't need to be rushing anyone to the ER." 
All of which were very true facts (one Wayne learned the time he'd allowed Eddie to bring a sword  home, only for him to nearly cut his own nose off winging the thing around) but he figured it might make Steve more amenable to separating from it. 
Sure enough, some of the tenseness bled out of Steve's shoulders. "Yeah that's fair." 
The truck hit a few potholes as they finally turned into the trailer park, and the kid hissed, a quiet sound. 
Judging by the uncomfortable wince, and hands clenched into his jeans something painwise was giving him trouble. 
"When was the last time you took a pain pill?" Wayne asked, doing his best to weave around the other holes that dotted the gravel roads.
Steve blinked. "Uh…" 
"You take any today son?" 
Steve his head. 
"Didn't have time to grab it." He said, offering a sad look to his pack. 
Course he hadn't. 
"Let's get you inside then and get you some." Wayne said with a sigh. Thankfully Eddie's van wasn't here--Wayne was fairly certain he had band practice today but knowing him it could be a million other things.
Just meant he had to acclimate Steve as fast as he could, to try and get the poor guy settled before Ed’s came in. 
He just hoped life and lady luck would work with him, for once. 
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wellfine · 10 months
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I mowed him sorry (← guy who thinks buzzed heads are handsome)
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bizarrelittlemew · 6 months
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calling it right now that season 3 starts like this
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clouvu · 7 months
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Offering to you all some sandy doodles in these trying times
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introspectivememories · 2 months
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too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.
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dykealloy · 5 months
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boltlightning · 1 year
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the blade is folded steel. that’s gold filigree laid into the handle. if i may — perfectly balanced. the tang is nearly the full width of the blade.
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canisalbus · 3 months
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I'd like to say that I love your art but never really saw the older stuff where Machete is just getting the shit kicked out of him by a homophobic universe so I only know your cute gay dogs as operatically dramatic dudes getting into Situations that only homosexuality can save them from.
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marley-manson · 3 months
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the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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inkskinned · 1 year
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im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:
videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.
and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.
this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.
there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.
there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.
for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.
i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.
here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."
eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.
we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.
"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"
thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.
it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.
an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.
and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."
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『会社に行きたくないOLちゃん』フィギュア化 by 大嘘@コミティア147参加
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puppyeared · 3 months
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is this your card? ♦️♣️♥️♠️ it isnt but you dont wanna hurt his feelings
#this was supposed to be a warmup but i got carried away.... i havent drawn in so long that its been hard to focus orz#im testing a new brush for fun. again.. i think i can use this for clean lineart..?? im surprised i went as long as i did with the#narinder brush honestly... but i wanna try something new so here we are again#if i could get my shit together id love to draw a model of his van because i have smth really cool in mind..i was looking at pictures#of old wooden caravans like the horse drawn ones and i wonder if i could combine that with the shape of an RV#i like the ones with a door at the rear bc it kinda lookslike a train caboose.. maybe he'd get someone to weld him a custom ride!!#idk how intricate and detailed i can design it without making it a pain in the ass to draw every time BUT i have a general idea#it would probably have a door on the side but idk if itd flip down to make a stage or upwards to make a roof?? and then theres a#curtain behind it where he would come out and do his show methinks.. ive been looking at pictures of camping vans on pinterest for ideas#i dont think he LIVES in the van since i mentioned his home is an old run down theatre when he isnt on the road. i wanna draw that too#but the RV should have enough for long travels like a bed and cabinets..? maybe a net hanging on the ceiling where all his props go#id like to think of ideas for a hometown.. toronto has a huge entertainment district so it would make sense for him to live there#although id also love to base parts of it from vancouver since id love to go back and visit </3#..would there be furth names for those places?? nyancouver... clawronto... whinnypeg (like a horse whinny)...#pawson creek.... purrlington... otterwa.. i love coming up with names lol#my art#myart#my oc#oc#sleight#laikas comet oc#fan character#fur#furry art
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