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#she's just feral
kirric-the-fan · 3 months
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Magical girl whose outfit just consists of the biggest wing-like ribbon bow on her back, to the size of whatever you can physically fit in the space she transformed in. It doesn't do anything movement or attack-wise itself but the bigger the bow summoned, the stronger the mg's power.
She deliberately goes to the tops of buildings to transform bc that supersizes her wings and her strength.
It also involves a lot of dramatically back-flipping off said buildings and flying through the air to go kick ass.
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ghosted-jazz · 7 months
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Traffic Gals- Introducing Gem!
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noxcheshire · 3 months
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I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
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p4nishers · 11 months
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crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever
hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE
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milkcioccolato · 4 months
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Tfw your newly abandoned feral girlfriend is still not tame and bites you😔
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slymanner · 6 months
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God dude these two scenes and how roxie moves hurt my heart so so bad 🥹
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it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.
it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.
roxie baby ur gonna be okay u deserve better :[
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morhido · 11 months
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what is wrong with all of them
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nelkcats · 1 year
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After Danny adopted Dani as his daughter, she decided to travel a little again, the problem is, she ended in Metropolis.
Now that the Justice League is chasing her cause "she killed her original" , she decided to go with them, just cause she is tired of running
Now they are discussing contingency plans and Dani needs ecto-dejecto, she decided to call her parent.
Enter 100% original Danny Fenton, full human form, screaming about kidnapping his daughter
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sparring-spirals · 23 days
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Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.
Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.
So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).
and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.
and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.
If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.
There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.
And Fy'ra Rai said: no.
I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.
Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.
And in some, sideways way, this saves you both, at least for a little while.
Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.
And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.
This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.
Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?
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iamnmbr3 · 5 days
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we don't talk about this parallel enough
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thecatspasta · 4 months
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One of my favorite and most interesting thing about Jon is that he sorts peoples actions into Human and Monster
To him, the actions of monsters cannot be forgiven, as seen with Daisy, Helen and Jared
But along with that, the actions of humans always have an excuse, like Basira and his grandmother
The most prime example of this is with Jurgen where, prior to his meeting with him, he wrote Jurgen off as evil and when he did meet with him he dubbed Jurgen as just a spoiled confused child
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And what makes this more interesting is how he perceives himself as a monster. He sees himself as unforgivable and monstrous, even when hes just doing what he needs to survive
He forgives people who hurt him, like his grandmother who neglected and obviously resented him and Basira, who threatened to kill him if he so much as stepped out of line, because they are human. They are people against a monster
The only time he doesnt blame himself for something is when he can blame another monster, like in mag 146, Threshold, where he blames the Web, another, different monster
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And what makes his mentality so much more devastating is that many avatars, the monsters in his mind, are shown to not often be in complete control, whereas humans do have entire control
Avatars have to spread fear and hurt or they themself will die. In more explicit cases of lack of control Jon himself has stated he often doesnt realize what hes done until after its happened and Daisy becomes completely mindless by the end of the series to the point of only recognizing two things, a hunt and Basira (daisy also sorts people into monster and human, but thats because of hunt reasons)
Humans dont have these restrictions, humans are entirely free to do what they please, with the only con being they are significantly weaker than avatars
When Basira threatens him, she is doing it entirely through her own choice, whereas when Jon hunts statement givers he is doing it partly because hes forced into that position. But he will still forgive and rationalize Basiras actions while condemning and scrutinize his own, because she is the human and he is the monster
Anyways I like Jon he needs therapy
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puppetmaster13u · 4 months
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Prompt 190
“I’m going to adopt them.” 
“Danny no, I love you but no. Do not.” 
Danny, of course, did not listen, and instead scooped up the feral ghostling. “No no, I’m adopting. We’re adopting now. Look at his itty bitty fangs and big eyes, how can you say no to that?” 
"..."
Valerie, to no one's surprise, is not impressed with her boyfriends returning after being told to ‘go touch grass’ with a literal child. Sam, on the other hand, is not surprised at all.
“I’ll get a room in the lair set up, say kiddo, you like gargoyles?” 
The child does indeed, like gargoyles. 
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cryptcoop · 6 months
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🌋
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redwineflowers · 6 months
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It's my party, and I'll cry if I want to-
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ask-mirage-mews · 6 months
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whatsitzface · 5 months
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The way Annabeth was thinking so far ahead of Percy that Percy was confused. The way she refused to elaborate on anything, and then was like; 'I'm surrounded by idiots' whenever someone (Percy) didn't understand her. The way she looked so smug after she pushed Percy into the water and he got claimed. THE WAY SHE WAS SO BLUNT!!!!! ("ARE YOU STALKING ME??" "yeah lol")
Sorry, but that's the most accurate Annabeth in the world holy smokes Leah did such a good job. All my forgotten love for Annabeth's character that I felt while reading the books just crashed into me full force and I'm frothing at the mouth with obsession.
“-You’re gonna expect me to know how to do something I don’t know how to do, and I end up falling flat on my face, I- I can’t really have that right now.” “You still don’t get where you fit into all of this, do you?” SHE’S TALKING ABOUT THE PROPHECY AND HOW SHE KNOWS HE'S A POSIEDON KID, BUT SHE HIDES IT AS HOW HE DOESN’T KNOW HIS PLACE IN THE CAPTURE THE FLAG GAME!!!! BECAUSE SHE WON’T TELL HIM!!!! AND ITS EPIC BECAUSE IN THE CAPTURE THE FLAG GAME HE DOES FALL FLAT ON HIS FACE, BUT IN THE PROPHECY HE DOES GET HIS DAD TO SEE HIM!!!! And then she fixes his armor plate, making sure that its secure. Making sure he won't get hurt. That's not part of her plan, and things always go according to her plan. She's the game master. IM SCREAMING
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