here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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bringing astarion along for the mystic carrion quest is so fun. the whole party is doubled over panting from spell rot, meanwhile astarion gets to feel smugly superior
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naruto as a whole is a fucking mess and i say thisas somebody whos read the entireseries 3 times over. “naruto is going to change the system! haha teehee never mind hes not doing anytning about the child soldiers and slave castes and the genocides.” “sasuke can be upset at his brother for committing a genocide but actually genocide against an oppressed bloodline is good if theyre getting uppity and its sanctioned by the government and also have a genetic predisposition to be evil so he should just get over it and be okay with it” “sakura needs to stop obsessing over a guy whos not even interested and become strong for her own sake. actually shes a housewife now”
kishimoto im going to blow you up with my mind
YOU GET IT
For real though I think what they did with Sasuke's arc was one of the most baffling fucking things I've ever seen. "Actually. Your brother who carried out a genocide loved you :( he only put you in the Torment Nexus for several days because uhhh he wanted you to hate him and not find out about the government who ordered it. Everything he ever did was actually to protect you. And Uchihas are actually kinda rotten anyway so it's good an entire GROUP OF PEOPLE died. Don't think about any babies or children who were also slaughtered btw uhh nope all of them were bad."
Sasuke: "Yes I understand. I will now rule the world through fear. Actually nvm Naruto won our fight so, my philosophy is gone now."
Thank goodness that Evil Sasuke killed the three Bad Government Officials before that point, though. We had this whole theme going about toxic structures, cycles of abuse, and how oppressive regimes can propagate themselves even when a leader is well-meaning... but, like, Naruto REALLY wants to be Hokage, so actually if you just kill these Three Bad Governors it's gonna be fine.
There is no need for systemic change. Slave castes and child soldiers are fine. It's ok as long as the president is blonde :)
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Aigis and Minato are like escalators.
A non-human becoming a person, a person becoming something all but. One's starting their journey at the bottom, and the other at the top. At the end of everything, Aigis is on ground level, with SEES as her newfound friends in the same boat, with the same mindset. Minato meanwhile, starts at the bottom, with everyone, all of the people, and slowly leaves until nobody can reach him anymore.
Their journey's intersect but they're not headed to the same place.
They briefly touched, but in the end, they were just at the wrong place at the wrong time.
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One of the reasons I find Lizzie so interesting as a character is that, of all the interns, I feel like her characterization is the hardest to nail down.
Like, she has an aesthetic, to be sure, and a bit of a sarcastic, irreverent demeanor, and I think most fanon is content to run with that-she’s the punk, the rebel, the delinquent. But if you look at what she actually says and does over the course of the game, it doesn’t really align with the surface level interpretation. She’s the Bad Girl-who uses less profanity than either of the ten-year-olds. She’s the delinquent-who thought she got a buzz from a pickled onion. She’s the slacker truant-and one of the few interns to actually work on their assignment. She’s the edgy badass-who runs around in the woods pretending to be a vampire.
But it goes beyond just subverting her surface aesthetic. She comes off as almost chronically indecisive. She takes part in the intern’s shenanigans, but almost never on her own initiative, always as an accessory to another intern’s antics. She’s the one to suggest Raz use mental connection to change Hollis’s mind...and then she seems to immediately get cold feet about the idea, if her passive-aggressive “You’ll get kicked out of the Psychonauts for trying, but what the heck?” is any indication. (Interestingly, this the second time she brings up getting expelled from the Psychonauts as the inevitable consequence of rule-breaking.) She spends almost the entire middle third of the game hemming and hawing about getting a goat to follow her, without actually doing anything. She has tattoos, but are they real? Temporary? Drawn on with marker? Projected figments a-la-Helmut? Honestly, given that we only know her for half a week at most, it’s entirely possible that even her goth getup is a more recent development than we might think- it certainly does have an amateurish “i’m gonna wear all this cool stuff at once” vibe about it.
One could reasonably argue that these inconsistensies are simply the result of the limitations of writing and screentime - obviously Doublefine can’t fully flesh out every secondary character in the game. But given the writers’ attention to detail, and the relatively consistent writing of the other interns, I can’t help but wonder whether this apparent incongruency speaks to some deeper facet of Lizzie’s character. How does she understand herself? Does she even know who she is?
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Thoughts on toxic yuri?
One of my very favorite storytelling concepts, I love it when women make each other worse. <3
I do think it's important, for me anyway, to note the difference between a dynamic that's toxic in one direction versus something that is mutually toxic. The first one doesn't really interest me a whole lot, usually because it means one character suffers constantly without being allowed to do anything else--at the very least, it will come across as the more ""normal"" character not really being that into the relationship in question. I need BOTH parties to be unhinged.
The important thing for any fictional relationship (though we're specifying toxic yuri here, obviously) is that it's interesting. If there is no limit to what the women can do within a dynamic, then there are an infinite number of ways for that dynamic to go. And while you can learn a lot about a character through examining their values and positive qualities, you can learn just as much (if not more) by considering their flaws. And those flaws really come out in the case of toxic yuri; characters get to show the uglier parts of themselves in this context, which I am always a fan of. A fraught, complex relationship, when written well, can be a really great way to psychologically explore the characters: what inspires them to act this way? why do they think this behavior is acceptable? if they don't think it's acceptable, why do they keep doing it? what do they think about the concept of love as a whole? how far would they go for intimacy or to be understood? how do they view other people in general? and probably most importantly, what led to them developing the beliefs underlying their actions in the first place?
From a more "psychologically, why do people enjoy this" standpoint, mutual toxicity often goes hand in hand with extreme obsession, extreme jealousy, and a willingness to forgive a whole lot of horrible shit. Which, yeah, in real life you don't want to be in a relationship like that. But I think there's a lot of emotional resonance in exploring those feelings. The idea that someone will never leave you. That they think so intensely about you specifically that they'll break anything and anyone to stay with you. That even if you're the worst version of yourself, someone will still want you because that's still you. Someone knows exactly how to fuck you up because they genuinely understand you. Things in fiction that we would never want in real life can be incredibly interesting or even cathartic to witness from a distance. I think we all feel things that scare us sometimes (or even simply feel an innocuous emotion so intensely that it scares us), and looking at unpleasant feelings within fiction can help identify, parse out, process, and successfully cope with those feelings. And I think, at the end of it all, a lot of people want to matter to someone, in some way. It makes sense that some creators would take that concept-of meaning a great deal to another person, of affecting them deeply-to its absolute extreme through writing.
(And also, consider. That I am very gay. And that horrible women are very attractive.)
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