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#seriously i love talking about these characters
zoe-oneesama · 3 days
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Why does the fandom think Nathalie cares about Adrien? She's always all monotone indifference and "this is what your father says/wants". Yet the fandom likes leaving Adrien in her care post-hawkmoth sometimes? If you're really gonna read into things like that let's praise the one adult who DOES care about him- his bodyguard! Remember how the mere sight of him was enough to calm him down enough to thwart Hawkmoth's intentions in the gigantitan episode?
But no seriously I'm so bad at noticing these things- why do people think she cares about more than Gabriel?
Welp, she is the reason Gabriel let Adrien go to school according to Origins Part 2, and then we got the Great Hiatus to let that one tiny moment of feelings sit and fester in the fandom brain.
And Season 5 definitely did it's hardest to frame Nathalie as Here For Adrien, so it's like the whole series is bookended by That version of Nathalie.
But I get the confusion, Nathalie's been all over the damn place. Different Seasons characterize her almost like adjacent sister versions of herself? Like not a TOTALLY different person, but different enough that I'm worried about body snatchers lol. I pretty much compartmentalize Nathalie according to the season:
Season 1 - Belligerent Assistant who's job description does not and should not include taking care of her boss's son yet here she freaking is.
Season 2 - Reveal that she's totally In-The-Know, her indifference has reached knew levels of being just outright negligent, she is officially culpable.
Season 3 - Team Rocket era where she is fully into the evil dramatics. Also the gross fun addition of her officially being In Love™️with her boss and being angsty about it despite her bringing it upon herself. Also girl he's so crusty get some standards.
Season 4 - Bedridden bionic woman. Was it worth it? WAS IT WORTH IT?!
Season 5 - Pissed off divorcee era. She is actively picking fights and weaponizing the children at her not-ex, and while I'm side eyeing the last 4 seasons, I am here for this level of sass while she scoffs at Gabriel being his Worst Self™️. Too bad about the whole Dying thing but hey. You gotta make up for...all of that other stuff, right?
She's just kinda doomed to not be a cohesive character. I do like her heel turn in Season 5, especially because she was RIGHT, Gabriel had THE OPPORTUNITY to save not only Emilie but also Nathalie and threw it away because he wants to throw hands with teenagers. I too would walk away after that spectacular display of failure. I kinda wish she had someone to talk to, like even Duusu, just to explain that the only reason she hasn't exposed Gabriel altogether is because he'd definitely expose her as well and then Adrien'd be left alone. Like it's easy to infer that, but in a kids show, stuff like motivations kinda need to be laid out neatly.
Cuz otherwise it leaves it open ended - is she covering to spare Adrien from being essentially orphaned, or is she covering to save her own ass? After the 5ish versions of her, either interpretation is fair.
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woodchoc-magnum · 10 hours
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idk. i'm annoyed.
i realise i am a fandom old at this point
and i have seen some shit in this fandom; witnessed the discourse.
and i don't post meta or spec or much of that stuff; i usually put all my ideas into fics.
but guys seriously. seriously.
eddie's current arc is not about buck.
buck and eddie are not currently dating.
buck is eddie's best friend and vice versa.
eddie is not cheating on buck.
eddie is lying to buck by omission, yes, but that is not a friendship ending offence.
eddie is on the very cusp of cheating right now. he went on a date with another woman, yes. he has not kissed her or slept with her. we are at a tipping point. we do not know what is going to happen next.
he only went on a date with another woman because she reminded him of shannon, who he is not over, who he has spent seasons trying to replace.
the point of this show is that none of the characters are perfect - and especially not buck and eddie. they all make mistakes. they have all made mistakes and will continue to do so because in real life, people don't always make the right decisions 100% of the time.
this black-and-white, morally righteous way of thinking, like eddie is suddenly evil now because he's on the cusp of cheating; that it's going to end his friendship, that buck is going to be angry at him for lying - do you have friends in real life? like, i am genuinely asking.
because if my best friend suddenly started cheating on her husband, i wouldn't be mad at her - i would be worried. am i alone in this? like i would be genuinely concerned and trying to help figure out what's going on.
all the shit i'm seeing in the fandom today, all of the spec posts and commentary about the episode and what might potentially happen, just feels like, once again, an attempt to paint eddie as the villain in the story to prop up buck. let's make eddie so terrible that buck has to have custody of christopher, right?
clearly none of you understand how a will works. it's for after you're dead. not for when you're alive.
but the main issue is this - now that buck has tommy, the people who tolerated eddie can stop pretending to like him. there's another option for buck now, so you guys don't need eddie anymore. right? am i fucking right??
i love drama as much as the next person, but in what world would buck turn on eddie because of this? in what world would the 118 shun him? he is their friend! they love him! they care about him! they are a family!
my god, nobody shunned hen when she cheated on karen. nobody shuns bobby and he indirectly killed 140 people!
eddie is a good person who makes mistakes, just like every single other character on the show.
that is the fucking point.
and the way ryan was talking in the interviews - isolation could mean any number of things. we know eddie has a tendency to isolate himself when he's feeling stressed out - does anyone remember season 3? season 5? buck literally broke down his door!
i'm just fucking tired of this bullshit.
eddie's not a bad guy because of this. he has done shitty things, yes. they all have. that's the fucking point of the show, and if you can't understand that or appreciate adult story-telling, then fuck off and watch riverdale.
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These are the best plushie promos ever, oh my gosh-
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*I love everyone's flower crowns in the top left pic, but I think they should get Zooble's parts out of the tea...
*Zooble epic Hollow Knight gamer real
*The open casket funeral, smh
*Free my girl Gangle from the crybaby corner and the cage, she didn't do nothing-
*egg
*Right pic is weird to look at, since my siblings' favorite joke to perform with my Caine plushie right now is to have him yell "WE NEED TO COOK-"
*We gonna talk about the knife ritual? No? Ok.
*Insert "four eyes" joke about bottom right here
Seriously tho, I love how there's plushies of every character now. I snagged Ragatha IMMEDIATELY, Gummigoo is also ordered, and I might end up getting the whole gang in the future, once I have room.
(Minus Jax. He's banned from my house.)
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theawkwardvillainess · 23 hours
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Some more of my art! This time it's Jin Guangyao and (young) Nie Huaisang, two of my favorite characters in all of MDZS. I think I will come up with my original designs for all the characters in the future, but for now they are based on the donghua which I btw started watching (everything is so fast ahhh)
Also I know I probably messed up some anatomy/face features/other things but please don't point it out! I start to get ashamed and afraid to post my art even with soft criticism... So please let it be imperfect
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dulcesiabits · 14 hours
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want to know your thoughts about 2.2 and the massive sunday lore drop 😈 also ive read ur thoughts about him and yea now i know why i vibe with sunday immediately from the get go bc he reminds me of myself too 😭
OH MY GOD THE SUNDAY LORE DROP........ I have some things to add to my characterization of him now and MANY thins to say......... Also, since I'll be talking about spoilers, I'll put it under the cut!
Personally, I love contrasts and parallels when it comes to characters, so Sunday and Robin opposing each other's ideas of "harmony" and "dreams" and "paradise" and "freedom" is so good. I love how the bird metaphor comes into play (what do you do with a baby bird? cage it or let it fly free?) with Sunday, and how he decides that "order" is the best way to achieve a perfect paradise. I also love the religious themes with him, especially because Sunday is definitely a person who thinks suffering is a virtue. Bro read The Ones Who Walk Away from Omelas and took it a little too seriously!!!
All jokes aside, I definitely think Sunday's emotional core is his sister. Like before he is the head of the Oak Family or even Sunday, he is Robin's brother. Their relationship is so integral to who he is, and it's hard to talk about him without talking about her. She's so important to him!!! Their promise to create a paradise is so dear to his heart, even if the way they want to achieve is different. I genuinely believe Robin is a stronger person than Sunday because he is the one trapped in the cage, and she's the one who tries to fly even if she stumbles, to bring back the metaphor. Where Robin's altruism leads her to help and inspire others, Sunday's altruism leads him to control and make choices for them.
There's something about how Robin believes in the inherent goodness of humanity, even when she gets hurt, and how Sunday is more nihilistic and pessimistic. He truly believes that the best way to make everyone happy is by trapping them in a dream, because reality is cruel and unfair, and people get hurt so easily, and the "strong" will not protect the "weak." Only in a dream can everyone be truly equal. There's an altruistic angle to his argument, but it's also inherently selfish, because he decides he's the one who knows best and is the only one who can carry out his plans to make everyone happy at his expense. Self-sacrifice is selfish, too, and Sunday gives me the vibes of the he has a more "divine" altruism that can only sympathize with others by condescending or looking down on them. Because people who you think need your protection are inherently less powerful/more weak than you.
If Robin is a singer, then he's a conductor. He knows best, and he'll willingly shoulder the burden of protecting the dream for the sake of others. This speaks to a lack of trust in people, too, and a deep streak of hyper-independence, where he can't rely on anyone else and prefers to do it all himself (because only he can do it right/only he should be the one to bear the burden of doing it). He's giving lonely oldest sibling martyr complex, and someone so set in his ways that you need to quite literally beat his ass to make him stop and see otherwise.
Now, I love messy characters, so when I interpret Sunday, I will lean into those messy aspects. I think he's someone who can't get close to others through conventional means, and it's exceedingly uncomfortable for him to be open. He's guarded and cagey, and he needs to express his emotions through 1000 layers of pretension, mind games and power plays (his favorite love languages) because it's never that simple with him!!! I think his feelings can be passionate, but in a way that's a little intense and all-consuming and manipulative <3 He thinks birds need to be kept in cages for their protection, after all, and the fear of the bird getting hurt means he's a very devoted warden.
(It must be mentioned he didn't try to dissuade Robin from leaving Penacony, but her getting shot frightened him and made him reconsider if he should have supported her so readily. His control issues stem from a fear of his loved ones getting hurt, but at the same time, he wants them to be happy more than anything. He's overprotective....)
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dreamsinmoonlight · 12 hours
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Angel Cocoon
(Blame the brain rot. I watched Hazbin and had a dream about pathetic Adam and found myself deeply in love with this asshole. I did not expect it and I feel if I don't write I will explode so have this. Probably not my best work but it was stuck in my head all day at work; I have ideas for other stuff, including a more indepth fic (might be x reader, might be x oc, haven't decided yet). Hopefully this isn't too bad though
Fandom: Hazbin Hotel
Characters: Adam (damned pathetic man), angel!Reader
Pairing: Adam x Reader
Genre: Comfort, fluff (not smutty? For Adam? I'm impressed by myself sometimes)
Summary: Every morning this happens. You do not mind.)
Every morning you were thankful that heaven's temperature was always perfect. Because every morning you woke up in a state that could best be described as the Cocoon.
When you first started dating the egotistical, loud mouthed, foul mouthed, perverted asshole known as the leader of the exterminators, aka Adam the first man or “Dick Master” if he could ever get his way, you had expected a lot of things. Getting your ear talked off on a regular basis, all sorts of pet names running the gambit from honestly a bit sweet (what, you liked being called sugartits) to you're-lucky-i-don't-take-you-seriously-Adam (who calls their significant other a slut, really), being expected to go to most if not all of his music gigs, occasionally having your back blown out because damn could that man fuck, learning to find some of the stupidest things funny because he managed to make it so; these were things you expected or at least got better used to. It was sort of like dating a hyperactive teenager but nine feet tall and with the strength enough to swing around a guitar-axe like it was a pool noodle. You had not had a normal day since the moment you agreed to this and you had quickly realized that that was fine by you.
But this. This you did not expect. Every morning, every single morning because God forbid you be allowed to sleep alone, you woke up not to your room, not to the ceiling or the sunlight filtering through the window or even your blankets. No, instead you woke up to the first man, first of the human angels, curled around you like you were going to disappear if he didn't hold you as tight and completely as possible. To call what he did a koala hug would be a disservice and did nothing to describe this phenomena, which upon the first morning after you had fallen asleep in bed with him you had freaked out a little over. You still were startled every time you woke up to it since. It was more like what you coined it as: a cocoon, created by the combination of two factors.
One: Adam. He was of course much bigger than you, a giant among angels and that was how you liked it. After all who didn't daydream of climbing a tree once in a while? Except this tree loved to talk and could make you feel things you were pretty sure was very much not pure. You were a good, solid four feet shorter than him, almost half his size; this worked in your favor when you wanted to hide behind him because of some stupid prank or when you again decided to climb onto him or honestly generally being picked up by the troublemaking angel which he certainly liked to do. The other side was that when he curled up his body enough it could surround you with little effort at all. Those arms of his wrapped easily around you and you could feel the fraction of true strength with which he held you, still more than enough to hold you where you were. His legs were folded up just enough to cut off escape from below, leaving you cradled against his body. His head tucked down, buried in your hair, he was warm and hairy in multiple places, and if you were absolutely honest a little overweight for someone who lived in heaven of all places. But none of these things bothered you and in the position you were in, your head pressed against his bare chest, you could hear the ever surprising existence of a heartbeat within a long dead man's chest. You felt your own calm hearing it; you couldn't help but love it.
Two: his wings. Oh those beautiful golden appendages, almost as beautiful as those golden eyes of your idiot boyfriend's. The feathers shimmered and shone near enough to rival the sun and you could see them past your prison of Adam flesh. How he could sleep so peacefully with them wrapped around you both was a mystery you spend every morning contemplating; it could not possibly be comfortable. Your own shuddered lightly on your back in sympathy but trying to stretch yours only brushed them against his and his, as they always did when this happened, quaked but did not open. He slept with them wrapped around you two like an eggshell, encasing you both and leaving no escape all around.
You reached out by instinct, running your fingers lightly along the feathers. They too were warm and soft as down yet you knew how strong they truly were, how strong his wings were like all other parts of him.
Save maybe his psyche. You felt the feathers shiver under your touch and he made a noise in his sleep, nuzzling his face further into your hair, his arms holding tighter to you. You woke like this every morning, since the first time you'd fallen into bed with him, and at first it was a mystery why, like so many things about him. How could he be so loud, how could he be so crude, how could he be so rude. But bit by bit you'd learned and you had come to understand.
He held onto you like you might disappear. Somewhere deep down that's exactly what he feared would happen. You knew about Lilith, you knew about Eve, and you knew how to read subconscious messages. He encased you like he was afraid otherwise you'd slip away, that you'd leave, that you'd go too. You woke to your head against his chest; how often had he fallen asleep with his on yours? Adam was many things, and truthful about what was really going on in his head and heart was definitely not one of them, but it didn't take a genius to know why he hated letting you out of his sight. Why he always held you like this in his sleep. Why he got enraged whenever the idea of you ever meeting Lucifer Morningstar came up.
Could you blame him? You couldn't and nor could you resist a smile as you wrapped your arms around him, closing your eyes and snuggling close to your ever-so-troublesome lover.
Sure you probably should get up soon but honestly it was hard to want to when you felt comfy right where you were. Besides it wasn't like you really minded all that much what would happen next after you both woke; he'd whine and you'd massage his sore wings. But you'd long since stopped trying to convince him to not sleep like that.
It was hard not to love being loved so deeply after all.
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thewatcher-ofmedia · 2 days
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🔥CHARACTER REVIEW TIME🔥
(Can you tell that my portuguese teacher didn't come so I have 100 minutes without shit to do)
ANYWAYS, since I'm in the 4th episode I think it's a good time to see first impressions
MAIN CHARACTERS
CHARLES
I love him so much, like I was 10 minutes in and saying "I would die for you, I would kill for you, just ask and I'll do it"
Favourite character obviously
Wanna put him in a jar and protect him from everything bad in the world
He's brunette, has curls, is the sunshine character, has daddy issues and uses humour to cope so obviously he's also on the list of fictional crushes
Also something that I absolutely love about this show is that they pick this "stereotypical characters" and make them better.
Like, in this case the always happy character would have a ton of trauma but the show (or the characters, but that's a talk for another post) would not acknowledge this, they would show real depressed shit and then completely ignore it for the rest of the show.
Or just show it in the end of the series then kill him off.
But here they're letting people know from the beginning AND it's visible that the fact that he hides it is gonna be a major plot point in the show which makes me SO HAPPY
And in the loop scenes they made sure to focus on Charles face and reaction every. single. time.
Anways, I'm soo curious to learn more about his trauma and death and to see his character development
And he's so cute and trying so hard to make sure everyone likes him and lighten the mood and to not be a bother and to make everyone happy and I'm gonna cry
EDWIN
I also love him so goddamn much
He's also going in the jar, don't worry I'll protect you from everything
He's my baby (he was born more two hundred years before me and is my age BUT HE'S MY BABY)
Seriously someone needs to sit him down and say that everything is going to be ok (and get death the fuck away from him, my boy does not deserve hell, he deserves to be with his boyfriend best friend)
Also love this concept that everyone around him knows he's not straight, he knows that he's not straight but somehow he's still in the closet. Like, he never says he's straight, but he says to Niko that Mounty and him both boys, so one cannot be into the other and when Niko says that boys can like like each other he just turns the conversation around
I think they're writing that so well. It's subtle yet obvious, it's so good
Also, he's autistic, definitely in the spectrum. He obviously doesn't know because the first diagnosed case of autism was in 1943
And the dynamics that he has with everyone is SO GODDAMN GOOD
CRYSTAL
Someone give this girl an aspirin, a therapist and a bed
My girl cannot catch a break
One more in the protection jar, don't worry, I'll find your family for you, you need to rest
Overall great character, she's sassy, she's funny and she's the only emotional intelligent one
She's definitely gonna be the bridge for Edwin and Charles' romantically relationship
Like she's Miss "Edwin is acting weird because he's jeaulous of the sexual tension that we have, Charles" and Miss "Charles got stuck in the loop because he has strong feelings towards abusive fathers because he had one, Edwin"
Really love that we have someone to smack this idiots and say "You're in love with each other" because they are not gonna realise that by themselves
Also, DAVID GET THE FUCK AWAY FROM HER, SHE DOES NOT DESERVE YOU. I'LL GET THE CROSS, I SWEAR I'LL DO IT.
NIKO
She's so cute, I wanna protect her from this cruel, cruel world
This means that I already have her in the jar, no one else is gonna get to her
At first I thought she was gonna be this really closed and introvert character that was gonna talk when absolutely necessary and was a bit emo. But like her hair her personality lightened up as soon as the parasites got out (she was sick it's normal that she was wuth a really depressed attutude but Bea's too focused on the story to remember how people act socially)
I really wanna hug her, I need to
Also love how eager she is to help and how she has nothing to do with the boys , she's a "cas closed" but even Edwin can't say no to her
I feel like her "almost dying" trauma is gonna be a bit underrated (although I see that they are not completely ignoring because of the 3rd episode where she felt like she couldn't deal with death since she almost met her the week before) but I want to believe the opposite because until now the show has not disappointed me in terms of traumas (or in other terms really)
SIDE CHARACTERS
ESTHER
I don't have much to say, I like her in the twisted "this is a fun villain" way
I'm really curious to know more about this Lilith and immortality thing
She did loose some points in my book with the whole torturing the crow thing
I am ✨️traumatised✨️
CAT KING
I'm so confused about his character
Like, he's a really fun character
And his outfits are great
But at the same time, get the fuck away from Edwin, in both the scenes with both of them I was so scared that he was going to the "no consent" zone
I do love that both the scenes where he's in he slays the outfit, tries to drag Edwin out the glass closet, fails, keeps him trapped so he can try to do this one more time and goes away
Like, he has one objective and one objective only and honestly, respect
JENNY
My patient queen
I have not much more to say
She accidentally adopted two really weird teenagers and regrets that so much
I respect her so much
As an older sister, if she snaps, grabs a knife and kills them both out of annoyance I would support it
That's it 🫶
If you haven't understood yet I have way too many thoughts about this series
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lover-of-mine · 19 hours
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Hello love, I read your masterpost about color theory and I find the last part about how Eddie is wearing a lot of black in season 7 interesting, because it caught my attention too.
Do you have any more ideas about that? Because every episode we get more moments of Eddie wearing black in important scenes, like him meeting Shannon's clone in today's episode!
Have a good day!
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Hi, darlings, thoughts on the black. I have thoughts on the black and I have theories about the black, but I actually only solidified them after talking about it with @stagefoureddiediaz and honestly, if you want costume analyses she's the blog to go because her insights get me mindblown all the time because she talks a lot about patterns I kinda saw but didn't fully understand were there, so seriously, props to her with this one.
But to talk about Eddie in black, I'm gonna go back to Shannon in s2. And his love interests in general.
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Shannon was a character that was always wearing color, and she always wore warm, bright tones, and considering Eddie's earthy, somewhat muted, still army colors palette, she literally brings color to his life. They go as far as making this quite literal in 213, because the hospital scene, Shannon is literally a point of color in this very dark moment, since most people around are in darker colors, her orange stands out. And obviously, the yellow she died in is a staple.
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Ana was very muted when it was about the 2 of them, she was allowed color when it was about Chris, but about Eddie, it was black, white, or soft colors.
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Marisol also follows that same pattern, she's mostly in black and white adjacent stuff, but she was allowed color during Chris' date and when Eddie was daydreaming Shannon. But with Marisol is worse, because Ana was allowed he's baby blue outfits, and Eddie had color around her, Marisol is just whites, greys, and blacks. And Eddie too. She brings no color to the table.
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And the thing is, Eddie has been looking for the yellow. In very simple terms the dude has been looking for the color he thinks Shannon was supposed to bring to his life. I think that was even more exemplified by the way the daydream about Shannon didn't have the usual muted colors flashbacks have in the show.
And the thing is, black is the absorption of all colors, right? Dude is trying to find something to absorb, to get that color, but he has nothing to show for it because these relationships don't bring color to his life in any way. I think this even ties to the way he keeps getting hit by the sun when it comes to Buck or gets some random pops of color even if his outfit is black when he's around Buck, maybe even the random rainbow lens fair that keeps happening this season on him. But he is trying to force something that's not there and it's never gonna be there, if you mix black with white all he's gonna keep getting is grey. And when you think about the implications of black, the association with mystery, something hidden, and, yeah, even mourning, Eddie being consistently in black can also be a way for him to hide behind the ghost of Shannon and never face what he's actually searching for, because he can't get what he wants. He will never have the future he planned with Shannon, he's never gonna be able to fix the mistakes he's made. He needs Shannon to tell him is okay he fucked up, but that can never happen because she's dead so he's holding on to the widow status. It's something I talk about a lot, Eddie was always written to be the tortured widower, even when Shannon was alive, he already had the archetype, and considering we found out they met when they were 14, Shannon is literally all he knows, but the Eddie we meet and deal with, only knows her when she left him and he's searching for that color the plans you can only make when you're a teenager going through you first love give. But considering the black he also has nothing to give this woman he meets in this quest, he's not reflecting anything back because he wants a do-over and that's not something someone can give him.
Also, no one asked but I gotta say it, I am obsessed with the way Kim is blue where Shannon was yellow/orange, but she is also in neutral colors when interacting with Eddie.
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And he is still very much in black interacting with her.
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But the blue/yellow thing is interesting because when you look at a color wheel, they are on opposite sides. They are complementary colors and complementary colors create contrast and it's very deliberate the way Shannon was warm-toned and Kim is cool-toned.
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But the idiot (affectionate) is still in black, because he's not reflecting what he needs, he's absorbing what he thinks he wants.
But that's just a theory, a game theory. (Sorry, I read this back and my brain filled the space with this, I had to say it okasoasoaksas)
if you read this, I love you 💜
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justforbooks · 2 days
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Haruki Murakami
The acclaimed Japanese author’s deceptively simple writing combines fantasy and reality in stories of everything from missing cats to dystopian histories via fantasy thrillers and meditations on love.
Japan’s bestselling living novelist Haruki Murakami started writing aged 30 and became a literary sensation in 1987 when his fifth novel Norwegian Wood was published. His mixture of realistic and dreamlike narratives has earned him a dedicated fanbase, and his name is often floated as a contender for the Nobel prize in literature. If you’re new to him, or want to re-read his greatest hits, here are some places to start.
The entry point
Murakami’s novels can be crudely separated into two categories: the fantastic and the realist – although many fall somewhere in between. Published in 1987, Norwegian Wood lacks the otherworldly strangeness that has come to characterise much of Murakami’s most popular work. Instead the novel is a deceptively simple reminiscence of young love. Landing on a German runway, narrator Toru Watanabe hears the titular Beatles song and is transported back to his college days and turbulent love affairs with two different women. Nostalgic and sweet, Norwegian Wood is Murakami’s most accessible novel, and the book that transformed the author into a literary superstar in Japan.
If you only read one
The Wind-Up Bird Chronicle is peak Murakami, and features many of the things the author is known for (Mysterious women! Vanished cats! Phone sex! Spaghetti!). Unemployed thirtysomething Toru Okada is looking for his missing cat and missing wife when he sleepwalks into a wild goose-chase of increasingly bizarre events. “The best way to think about reality,” he declares, is “to get as far away from it as possible.” Part detective story, part nightmarish Alice in Wonderland, The Wind-Up Bird Chronicle becomes a story about Japanese history, bizarre mysteries and red herrings. Abstract, infuriating and very funny, it is Murakami at his most beguiling.
If you’re in a rush
If you want to make a critically acclaimed film, adapt a Murakami short story. The South Korean thriller Burning took Murakami’s story Barn Burning as its foundations, while, more recently, Ryūsuke Hamaguchi won an Academy Award for his adaptation of Drive My Car. Some of Murakami’s finest storytelling can be found in his microcosmic worlds. Sleep, published in the New Yorker in 1992 and included in the short story collection The Elephant Vanishes, was the first time Murakami wrote from the perspective of a woman and the result is stunning. The story offers a character study of a devoted wife who is suffering from a sleeplessness that is not quite insomnia. Murakami frequently – and justifiably – receives criticism for how he writes female characters, but Sleep is a brilliant story that uses the liminality of the night to evoke the unease of being a woman in a patriarchal society.
The memoir
Murakami’s biography could be the backstory for one of his protagonists. The author was running a jazz club, turned 30, and quit to become a novelist. The rest is bestseller history. Murakami’s slim memoir, What I Talk About When I Talk About Running, offers an insight into his diligent creative practice. “Most of what I know about writing I’ve learned through running every day,” he explains. Only seriously taking to running in his 30s, Murakami reflects on the comparisons between marathon-running and writing , and demystifies the author’s practice as regimented routine, endurance training and occasionally injury inducing.
It’s worth persevering with
Across three volumes and over a thousand pages, 1Q84 is Murakami’s most ambitious novel to date, encompassing cults, assassins, parallel realities, two moons and creatures that emerge from the mouth of a dead goat. Following twin story threads of fated lovers, Murakami’s epic is set in a version of 1984 that slips between the familiar and unfamiliar. While 1Q84 is certainly sprawling, it’s structured like a maze with the occasional trick mirror and trap door. It was bemoaned by some critics as a disappointment when first published in 2011 and its length may be intimidating to the casual Murakami reader, but descend into 1Q84’s world and you’ll be treated to a page-turning thriller, a tender love story, a pulpy mystery and a meditation on the metaphysical mysteries of a world not dissimilar to our own.
The one that deserves more attention
After its publication in English in 2001, Sputnik Sweetheart left the orbit of Murakami’s more popular works. It’s a shame because the novel offers a refreshing variation of the author’s most predictable trope: women vanishing. Narrated through the eyes of a typical Murakami narrator (male, pining, passive), at the heart of Sputnik Sweetheart is a lesbian romance between Sumire, a wannabe Jack Kerouac, and Miu, an older, refined wine importer. Lusting after Miu, Sumire begins to shed her bohemian exterior, transforming herself to become Miu’s chic personal assistant. The unequal romance soon develops into self-obliteration as Sumire seems fated to be forever Miu’s sputnik – orbiting her from the isolation of space – before she disappears. Sputnik Sweetheart’s yearning romanticism is as tender as it is uncomfortable.
The masterpiece
Departing from his typical thirtysomething, whisky-drinking, jazz-listening protagonists, Kafka on the Shore is narrated by 15-year-old runaway Kafka Tamura. Fleeing his violent, dead father after receiving an Oedipal prophecy, Kafka finds refuge working in a small coastal town’s library. Alternating with Kafka’s tale is Satoru Nakata’s, an older man who lost his childhood memories at the end of the second world war, but instead gained the ability to converse with cats. Nakata is forced on the run after he crosses paths with a sinister cat-catcher who goes by the name Johnnie Walker. Both characters embark on vision quests, with one foot in everyday Japan and the other in a magical undercurrent that delivers the characters to each other. Murakami has said that the urgency behind his stories is “missing and searching and finding”. Kafka on the Shore eludes genre pigeonholing, and instead exemplifies its author’s ability to map a dreamscape labyrinth, one with its own strange poetic justice.
Daily inspiration. Discover more photos at Just for Books…?
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tangledbea · 1 day
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I saw a post on Reddit talking about how they disliked the show because it dumbed down Flynn Rider. I don’t think he was dumbed down but more carefree as he wasn’t being chased anymore but I recently watched the movie and he was more serious and less “himbo”. Do you think the show could have been improved with Keeping Flynn more in tune with the movie characterization?
You come into my inbox and call him Flynn instead of Eugene?!
I jest. Sort of.
(Dang this is the second ask I've gotten about this Reddit post this week!)
But anyway, yes, he's more serious in the movie, but he's also the constant slapstick comic relief. He gets inf sword fights with a horse. He runs straight into a jutting rock on the solar plexus. He's tossed around like a ragdoll in the Snuggly Duckling. He's forced to sing.
Also, you must remember that the movie takes place over the course of three very stressful days. Three very stressful days during half of which he's still pretending to be Flynn Rider, who needs to be taken seriously.
Also, he's still learning who Eugene Fitzherbert even is. He spent more than half his life being Flynn Rider, and he's not in touch with his real self anymore. Honestly, the audience doesn't know the real Eugene when he's not under stress and not in the process of falling in love.
He is definitely made to be the primary comic relief of the main trio, because Punz is the Main Character and Cassandra is the vry srs character. But he's also the primary comic relief in the movie.
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sharonccrter · 2 days
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I love the Tashi-Patrick dynamic too! I was wondering if you could do a deep dive on why they’re drawn to and love each other.
Um, yes, anon, I'll happily talk about it.
So we learn that Patrick's been following Tashi's career for a while (at least I think that's likely). I think there is a physical attraction because, duh, look at her; who wouldn't be attracted to her? But I also think it's raw talent is attracted to raw talent, and that's something both he and Tashi share. I think that raw talent is a big part of why Tashi is attracted to Patrick; there is an effortlessness to the way Patrick plays when he's younger - most likely because he's never had to take it too seriously. He's family's rich. He's playing for fun, and he's naturally good.
We also see throughout the movie that Tashi and Patrick have a very combative relationship. It's a battle of the egos. Neither is afraid to tell the other what they think of the other. In different parts of the movie, they have berated each other. Two examples that spring to mind are the scene between T/P when Patrick asks Tashi to be his coach. Tashi goes to town. Then, in the car scene, Patrick calls Tashi a "loser." Never do I get the impression they're doing it out of hatred, maybe more frustration. However, I think they're looking for that combativeness. They want to fight; they want to tear each other apart. They're good at it.
I call it the "Too Much Alike" trope. It's when two characters have a difficult relationship not because of their differences but because of their similarities. 
Patrick said it best, he's never going to be in her fan club. He's not going to let her treat him badly; he's going to call her out on her bullshit. He treats her like a person, a human, rather than as an idea. And I think we're all looking for someone who's willing to do that, even Tashi Ducan. He calls her out in the car scene and tells her she's a loser, and yet she's still drawn to him; she still sleeps with him. And in the end he gives into her because of the fondness he still has for her. He misses her and wants her in his life, and maybe if he does this for her, he can hold onto her. Keep her in his orbit.
Patrick challenges Tashi, forcing her to confront parts of herself she doesn't want to but needs to confront. He's managed to retain the passion she lost and shows her the path to getting it back.
Lastly, I don't see people bring up comradery enough. Neither lived up to their potential, and it's a disappointment they both share. Whether it's because of Tashi's knee injury or Patrick never being able to get out of his own way. Their two child prodigies who were touted to be great yet never lived up to their potential. Art can't understand what that's like. But they both can, and I think they find comfort in each other over that.
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lovelyjasmari · 2 days
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Pomefiore Endnote - Perfectionism, Apathy and the True Tragedy of Book 5
Warning: Long post and pic heavy.
So…this is something of a continuation of my last twst reaction post, where I analyzed the Absolutely Beautiful dance video. I ended the post by saying that the true tragedy was not that NRC Tribe lost but that Vil could be convinced he was an inferior performer compared to Neige. Now I’m going to expand on that…in excruciating detail. XD
In all seriousness, though, I'm not really sure if I'd call this an analysis in the traditional sense. Maybe more like a long-winded rant based on canon observations. But all the same, I’ve been grappling with this for the last year and a half since when Book 6 first dropped in EN. I’ve wanted to share my thoughts for a long time but decided against it because I acknowledge how contentious this topic is in the fandom and I prefer to keep my online space as drama-free as possible. I also didn’t want anyone to get the idea I’m attacking others when at most, I’m just being critical. 
But with the new story update imminent and it looking like it will be Pomefiore-centric, I’ve come to the realization that if I don’t share this soon, I never will. My timing is admittedly ass but I think it would be worse if I share this AFTER the update and you’re about to understand why.
So before we dive in, disclaimer. This is going to cover the end of Book 5 and the first few chapters of Book 6 and my in-depth opinions on both. There will be mentions of trauma/mental illness and some very blunt (but honest) Rook criticism. But please keep in mind, that while I have my own interpretation of the twst characters and their respective arcs, I am not Yana and ultimately, my opinions are just that. Opinions. Everything I say is subjective at best but a lot of what’s coming up is based on a blend of canon observations as well as my own specific, personal experiences as someone with very similar life experiences as Vil and has been dancing for most of her life.  
Still, these are just opinions and I have no intention to offend anyone. But if you don’t like reading negative things about Rook or take issue with this general way of thinking, I HIGHLY advise you to ignore this and respectfully (or quietly) agree that we disagree.
When I wrote the greater bulk of this, it was around when Book 6 dropped in EN. A year has passed since then and I’ve had time to think more about my opinions here and, to a greater extent, how I feel about Book 5. This may sound strange but I feel that Book 5 is both the best and worst part of twst’s main story to date. I really like how it touched upon something that isn’t really isn’t talked about much; how we as a society both admire beauty but also vilify it. Vil’s primary dilemma is how he is wrongfully villainized for his beauty, wealth, and harsh personality, despite subverting expectations of cruelty at every turn. Ironically, when the fandom mischaracterizes him as vain, cruel, classist, racist and the like, they are falling into that same literary trap. Proving the point of his arc.
And as much as I hated the ending from an emotional point of view, I actually love it as well, ironically for reasons that might not have been intentional. What I hated, mostly, was the fandom’s response. There was a great opportunity here for some deep discussion regarding society’s views on beauty, how constant trauma causes us to internalize false perceptions of ourselves, and the rather fascinating/dangerous dynamic Vil has with his vice dorm leader. Instead, any interesting discourse has been lost in all the misinterpretations of Vil. To the point I wonder if we all actually read the same story. I’m disappointed in the fandom, but somehow not surprised either.
But regardless, Rook’s actions were extremely disquieting but not for the reasons you might think. There was nothing wrong with his decision but the way he went about it and how he (and Vil) tried to justify it really left such a nasty taste in my mouth and I gotta talk about it to get it out.
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First I just want to commend Vil for his level of maturity and rationality regarding his overblot. Even when it was happening, not once has he tried to justify his actions and in fact it was his own guilt at his potential wrongdoing that ultimately caused it. His fear that in a brief, desperate attempt to be seen as not a monster, he became exactly that. Throughout Book 5, it is implied that Vil already sees himself as a villainous person and internalizes that image of himself almost with pride. But despite this false perception, his actions have always proven the opposite and it’s clear that Vil has always valued being altruistic, determined and just. And his guilt when he failed to meet his own standards was beyond compare.
I feel that this guilt sets Vil apart from the other overblots thus far. Most importantly, he apologized of his own volition and wasn’t forced to. That alone makes him stand out among the overblot characters and, to my mind, makes him the most compelling of them all. If I’m being completely honest, out of all those who have overblotted thus far, Vil has been the LEAST problematic even before his overblot. And the one instance where Vil displayed any “cruelty” beforehand is EXTREMELY subjective. (his treatment of Epel) But the fact that Vil has been the least problematic overblot student so far also makes him the most tragic. And makes what’s about to happen next all the more disturbing.
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Interestingly enough, Jamil is correct about this but for the wrong reason and here comes the first point. There was no indication that the audience was anything but enthralled with NRC Tribe. And if Vil or any of the others made significant mistakes, because of Vil’s fame, I’m certain they would have been pointed out by magicam netizens. With the recent release of the Absolutely Beautiful mv over on twst jp, we now also have a visual to go off from. 
I talk about this more in a previous post but basically, yes, NRC Tribe’s performance wasn’t perfect, but based on what I saw, I would have expected A LOT worse considering the circumstances. The fact is all evidence points to the NRC boys giving a wonderful performance made all the more remarkable by the fact they were still able to perform after dealing with Vil’s OB not too long before. And the audience clearly thought so too if they were only one vote away from victory. 
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To add to this point, when the other characters comment on the NRC Tribe’s performance, they make no mention of any noticeable errors. And when Crowley laments their defeat later, again, there’s no mention of any errors. Considering that Ambrose was pretty pretentious about RSA winning, I'm sure he’d mention that, too. 
Even further, one thing you learn from being on stage is that your audience rarely notices mistakes unless they are extremely obvious. You, as the performer, might notice, but you quickly learn not to draw attention to your errors and keep it moving. Now of course, the NRC characters could be biased because they want to defeat RSA. But considering the nature of a lot of them, I doubt they would lie so flagrantly. Especially Jack who is pretty no-nonsense even with the people he likes. And Malleus who seems pretty difficult to impress. So if their commentaries are to be believed, this shows that any errors made by the NRC Tribe were not noticeable. 
That Vil would think otherwise speaks to something far deeper and far more insidious. Stick a pin in that; we’ll come back to it soon enough.
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Vil then goes on to explain to the boys that Neige and his friends worked just as hard and had their own struggles. That Neige grew up in an improvised environment and had to juggle acting obligations with household chores and helping out the dwarves. Again, it is extremely commendable that Vil is able to acknowledge this about this rival. It shows that his contempt for Neige was never as simple as “boo hoo people think he’s more beautiful than me” and he at least respects Neige’s efforts even if this explanation once again falls flat. 
Firstly, narratively speaking it doesn’t make sense that Vil is just finding out about Neige’s backstory now (likely from Rook) because I feel like he should already be aware. In fact, all through Book 5, I thought that he did know but didn’t care. Honestly, Neige’s backstory shouldn’t matter to Vil anyway and surprisingly, it’s Ace of all people who explains why.
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Neige’s struggles might matter to his fans but at the end of the day if Neige cannot perform better than Vil, then that’s his own fault. There are many artists out there who have to deal with similar struggles but come out as phenomenal performers and yet Neige’s “best” basically consists of the twst equivalent of this meme. Precious, but cannot compare to all the sweat and tears Vil and his team were put through. 
There’s actually an interesting analysis floating around this hellsite about how Neige’s childish performance was actually an incredibly manipulative tactic and could have been intentional if he were a different character. I’m not gonna link it cause I don’t want to bring any heat to the op. But I will say that while I don’t think Neige intended to manipulate the audience with his cuteness, in the end, it did indeed work in his favor. And the fact that Vil thought to train Epel to weaponize his cuteness to defeat Neige indicates that he’s already no stranger to seeing such underhanded tactics in the industry he works in. In his beansday vignette, Vil mentions an actor he initially admired destroying one of his stage outfits. If Neige weren’t presented as so naive and twisted from a traditionally “good” character, his choice regarding his performance could be regarded as deliberate. Which is why Vil lamented that he and his team had been “outplayed”.
Back on topic, what I took away from this was that, once again, Vil’s hard work and determination count for nothing because of things he cannot control. Because he was born to wealth, because he didn’t have the same hardships, he doesn’t deserve the same consideration or sympathy as Neige. And his wealth and beauty once again put him in the position of villain to Neige’s hero. It’s a textbook case very common in media, like Sharpay opposing Gabriella in High School Musical. But what’s worse is that from all that we’ve seen of Vil, he could coast on his wealth, beauty and father's fame if he wanted to. 
Instead, he chooses to work hard and have his accomplishments come from his own merit. When anyone else in his situation could easily choose the opposite. And just from a personal standpoint, if I practiced day and night for a dance competition and ended up losing to someone under my level simply because they were cute and disenfranchised, I would feel extremely insulted. At the end of the day, Ace is correct and whatever struggles Neige and his team had, they were still inferior performers. 
And to add to this point, I believe that at some point Vil KNEW this even AFTER his OB. Despite his earlier anguish at never being able to perform innocent cuteness like his rival, once his mind was clearer, he was able to see that NRC Tribe’s performance was still technically better. He was able to see how the audience responded to Neige and still believed in himself as a better performer. I say this based on another scene earlier in book 5. 
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Vil was undoubtedly in a very emotionally vulnerable place right after his overblot. He went to great lengths to conceal the aftereffects before going on stage to the point he collapsed as soon as he was alone. After going so long trying to hide them, his darkest, ugliest emotions were laid bare to his teammates and to himself. Manifesting in the worst way possible. And as a professional performer, if any errors were made, he would have been painfully aware of them.
And yet, despite having just dealt with the darkest moment of his life, Vil was still able to stand upon the stage until the very end and give the best performance he could. Against all odds, before a world that has wrongfully perceived him as evil and hideous for most of his life.
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And despite knowing that Neige possesses all that he never can, it is strongly implied that Vil still chooses to vote for his own team. Meaning he saw the appeal in Neige’s performance and STILL knew that he did better. And I’d like to believe that even if Vil was aware of Neige’s backstory, he would have still made the same decision. It’s easy to be beautiful when everything is right and perfect in your world. But being able to smile even when you’re struggling and your heart is breaking is even more beautiful still. 
Sadly, Vil isn’t likely to realize this anytime soon and will continue to see his own mental struggles as not as valid or “ugly.” Now back to that original pin of thought, Vil will likely continue to believe that he didn’t deserve to win the VDC despite all evidence to the contrary. He’s likely to continue internalizing the false villainous image of himself as well. And for that we now must get to the crux of this matter.
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At first glance, this statement doesn’t seem like much but when you look deeper, and look back at some of Rook’s own actions, this comes off as incredibly hypocritical and cruel. As we have seen from Vil’s backstory, he has dealt with untold hardships as well. But Vil’s anguish is more internalized than Neige’s and it’s very unlikely that he has ever really been open about how dehumanizing and hurtful his treatment has been. 
And from an outsider’s perspective, his problems aren’t as dire anyway. It’s just like Vil said, his life has been quite different from Neige’s. But mental trauma doesn’t know demographics and can affect anyone. The fact is what Vil has gone through is extremely traumatizing and comes from nothing beyond people wrongfully vilifying him for his beauty. Projecting their insecurities onto him from a very young age. It’s clear that what Vil has dealt with has fundamentally altered how he sees himself. 
But at the same time, what do you think would happen if Vil WAS more open about his frustrations? The dehumanizing effect and the bullying? The typecasting and prejudice thrown his way? And the feeling that nothing he does will ever be enough to break free from his villainous mold? What would happen if Vil were to be open about ANY of that? He would be mocked and shamed and perceived as shallow, petty and crying about nothing. Lowkey how many in the fandom already see Vil anyway. We as a society sadly don’t take mental illness as seriously as we should but when celebrities deal with it? It quickly becomes meme fodder and nowhere is this more obvious than on stan twitter. We are all guilty of feeding into it, whether we’re honest about it or not. 
Ironically, Vil’s mental struggles is one of the things that would make him more “relatable.” But the truth is that people would never accept that because society has a long history of trivializing the mental issues of celebrities because they seem so far removed from normal people. And then being surprised pikachu faced when they do something drastic to themselves. So Vil internalizes all of it because he knows he can’t be open about it. 
A person like him simply can’t be open about his hardships but HERE is the kicker: neither can Neige. He also has an image of perfection to uphold so it is likely he is also internalizing mental struggles of his own. Living and caring for seven others can’t be easy in addition to trying to grow his career. And if his deeper origins are anything like his Disney counterpart, how he came to live with the dwarves must have been traumatic as well. 
But here’s the difference: from Rook’s perspective, he is “better” at internalizing those ugly emotions than Vil is. After all, Neige is able to overcome all his struggles and still smile and not give hints to them, but when Vil finally buckled under all of his own trauma, we see what happened. 
There’s also the fact that since Rook and Neige attend different schools, Rook doesn’t have as close a seat to any of Neige’s more personal troubles. So it’s likely easier for Rook to project his own ideas of beauty onto Neige because from his perspective, he is perfect. He is beautiful. He is pure. Like the legendary singing princess Rook so reveres. He isn’t plagued with any of the ugly emotions that caused Vil to overblot. And if Neige DOES have ugly feelings or ugly trauma responses, Rook isn’t privy to them, so they clearly must not exist. 
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I genuinely believe that THIS is what Rook meant when he stated Vil’s performance wasn’t as beautiful as Neige’s. I know he mentions another reason at the end of book 5 but in my mind, they are both one and the same. Whatever technical difficulties NRC Tribe had, they were still polished enough to garner enough votes that it was only Rook’s flawed ideology that sealed their fate. And throughout book 5, Rook is hinted at being aware of Vil’s internal struggles and yet still chose to stay silent. He frequently saw that Vil was struggling but tried to justify his silence by saying it wasn’t his place to interfere. 
But that is also untrue because we’ve seen time and again Rook is more than willing to stick his nose in Vil’s businesses. His labwear vignette is the most obvious example but there are plenty of others. In Book 6 Rook admits that his decision to go to the Isle of Woe was fully a selfish one. Leaving Pomefiore without leadership and potentially falling into chaos (the only dorm to have no clear leadership at all during the crisis) simply because he wanted to give Vil skin products that he really didn’t need. A few days without them wouldn’t do that much harm and Rook essentially placed Epel, Yuu and himself in great danger for a reason far more shallow than anything Vil has done in the name of beauty. 
He also admits that he would have been willing to drink the poisoned juice Vil gave to Neige for again, a pretty shallow (and extremely twisted) reason. If he’s willing to do that, he is more than capable of intervening in other matters on Vil’s behalf. And later in book 6, it’s revealed that Rook was originally a Savannaclaw student but made the very unprecedented decision to transfer to Pomefiore in part due to his fascination with Vil and desire to further study beauty under him. So Rook had EVERY opportunity to step in regarding his overblot. Even if Rook couldn’t be his “savior”, the fact that Vil would see that he at least had support could have gone a long way. 
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But Rook’s silence is rather in keeping with his character and his own ideas about beauty. I find this quote very ironic based on how he and Vil are frequently misconstrued. The Pomefiore dorm leaders' views on beauty appear to be the opposite of each other. 
Vil can be extremely strict, harsh and can come off as critical at times, but he is never harder on someone than he is himself. He has shown time and again that he sees beautiful potential in anyone. And Vil is more than willing to share the spotlight with his NRC Tribe; build them up from scratch and give each of them the chance to show off their potential. Likely because he knows all too well what it means to be in the shadow of someone else. 
Even further, when we look at the dichotomy of a villain versus a hero, the main difference is how they respond to their personal pain. A villain takes their pain and says “the world hurt me so I’m gonna hurt the world”. While a hero says “the world hurt me and I’m not going to let it hurt others”. Up until his overblot, Vil has been the latter of these examples. He wants the best for those around them and while his methods might be difficult to understand, they always bear results. Vil can honestly see beauty in anything, even if he has to coax it out in his own way. 
Rook’s views on beauty however, all seem to be based upon the superficial and the evidence can be found in his Halloween vignette. There, he explains further how he grew to adore Neige and based on what he said, it sounded more like obsession than actual reverence. There’s also hints to this in his most recent birthday vignette as well. His ideas seem to be very fantastical, far removed from reality and so obsessive to the point that it actually affects his ability to be a good person. Such an obsession can sometimes make people oblivious to the world and in Rook’s case, often cause him to act out in ways that border on problematic. 
In his fixation, he stalks Leona and Jade, says some weirdly otherist shit to Malleus, harasses and assaults Ruggie, and places ridiculously high standards on both Vil AND Neige that rob them of their humanity. Rook saw firsthand how deeply Vil’s insecurities ran. He heard Vil cry and scream out how ugly he felt. He saw Vil’s anguish and despair firsthand and seeing all that, still chose to punish him because Vil’s lack of confidence made him unable to respond to his trauma in a beautiful way. Or at least in a way he could deem as beautiful based on his vapid description of the word. 
Rook will likely never be privy to any ugliness Neige has displayed so for him, the fantasy remains intact. And in chasing that fantasy, he betrays not just Vil, but his other teammates as well. Then has the audacity to try to justify it with bullshit ideology and sadly, because of Vil’s low opinion of himself, Rook succeeds. Vil holds Rook’s opinion so highly that he is able to take advantage of that and compel him (and the others) to see his point of view. And believe it or not, in chasing that fantasy, the NRC Tribe members were not the only ones Rook hurt. 
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Neige might have been happy to have won but he was essentially rewarded for an inferior performance and robbed of an important lesson. One far more valuable than any “lesson” Vil had to learn. As mentioned before, even with all of his hardships, if what we saw in book 5 was the best Neige could do, that still means he is not as good a performer as Vil. If cuteness, nostalgia and warm fuzzy feels are the only thing Neige can offer, he could easily find himself struggling to remain in the entertainment industry as he ages. Not unlike many other former child stars in real life. 
Losing the VDC could have been a major wake-up call to Neige that if he wants to continue acting, he has to do better. People might not take him seriously when he’s still doing the cutesy bullshit ten years from now. But because he won, this will likely never cross his mind. Neige will learn nothing. 
Now before anyone begins writing up their comments about how Vil verbally stated that Rook was right, I’d like to bring up one final point: Vil agreeing with Rook was another trauma response. Internalizing Rook’s response because it is so in keeping with all he has been made to believe about himself, about Neige, and how it has all now been “confirmed” by his overblot. From his point of view, Rook has no reason to lie to him. 
But just because Vil states that Rook was correct, does not mean that it’s true. Despite being one of the more positive characters in the game and being twisted from a “good” character, Rook is just as morally grey as everyone else in the twst cast and just as capable of dubiousness. And this would not be the first time something like this has occurred between Vil and Rook. Once again, I bring up Vil’s labwear vignette. Particularly this exchange here:
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Okay, so beyond the general tactlessness of telling Vil he’s gaining weight in spite of knowing how such a statement would affect him, what Rook is basically suggesting to him is that he cannot trust anyone but him. Not even his own senses. That for all of his perceptiveness, Vil is incapable of seeing himself accurately. Though he initially does not believe it, Vil eventually does accept  Rook’s statement despite knowing it was bullshit twenty seconds before. 
Later on, Vil mentions to Trey that Rook’s only crime is being too blunt and perceptive. It’s true that having another point of view is important at times, but the level of trust Vil has in Rook’s opinion can also be dangerous if he can convince Vil to doubt himself so easily. Theirs is an interesting dynamic but it also has potential to be extremely toxic and detrimental to Vil. At best, Rook gives him useful insight and pushes him to be the best he can be. But at worst, Rook contributes to Vil’s insecurities, enables his more toxic tendencies and his fawning of Neige feeds into his obsession to be the fairest one of all in the worst way possible. Rook can’t be completely oblivious to this. It would be such an easy thing for him to take advantage of Vil’s doubt in himself and value/dependency on his opinion. 
Which is exactly what Rook does. As much flack Vil gets in this fandom for being critical and harsh to others, he never criticizes someone harder than he will criticize himself. This is a person who has grown up in the spotlight and has had to maintain an image of perfection for most of his life.  A person who gave up one of his favorite condiments because of the damage it caused to his skin. A person who has so deeply internalized the villainous image people have projected on him that he wears it almost as a badge of honor. And because he holds himself to such a high standard and already internalizes a lot of toxic beliefs about himself, it makes perfect sense that Vil would agree with Rook. In his current way of thinking, Vil has no reason to disagree with Rook because from his point of view, Rook has always been honest to him and his overblot already proved he was unworthy of victory anyway. 
Of course Vil must be gaining weight. How could he possibly be objective regarding himself? How vain he must be. And how could Vil possibly be objective regarding his VDC performance and still vote for himself after such an ugly trauma response? He can’t trust his judgment, he can’t even trust his own senses. How arrogant and pathetic Vil must be if he can still vote for himself in good conscience after witnessing the pure wholesomeness of Neige Leblanche. Someone who would never overblot. Thankfully, he has Rook to humble that arrogance and tell him what he needs to know. Even if he’s tactless about it. 
I mean, Vil literally ran looking for a scale immediately after Rook’s comments on his weight. He probably added an extra hour to his daily workout routine the morning after eating the cake Trey gave him. I don’t believe that Rook is completely oblivious of Vil’s darker feelings, just as Vil has stated, he keeps too close an eye on him not to be oblivious. And he was astute enough to keep his infatuation with Neige a secret from Vil for nearly two years. This had to have been intentional. It honestly makes me wonder what Rook thinks of Vil on a more personal level. 
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But regardless, the fact is, Rook was always going to vote for Neige and his explanation at the end of Book 5 was always going to be his reasoning. Vil’s overblot just gave him a more “legitimate” reason to do so. For whatever reverence he holds for Vil, it was never going to trump his reverence for Neige. The fact he brought all of his Neige photos with him to the training camp further implies that he was never going to be objective in this situation. And seeing Vil almost poison Neige probably further convinced him that Vil was undeserving of victory. 
That may make Rook seem duplicitous considering how positive and sincere he seems to be, but he’s still human. And truthfully, him voting for his bias is not an inherently bad thing. What makes him inconsiderate in this situation is openly telling Vil he prefers the catalyst for all his insecurities and overblot, while Vil was still grieving and in a very vulnerable place. Then justifying his decision as the correct one based on his own personal preferences, weaponizing that vulnerability to avoid being called out. Knowing that Vil wasn’t likely going to object. 
Even if NRC Tribe did win, it’s very likely Rook would have still brought up his vote to Vil and still convinced him it was undeserved. I would even go so far as to argue that Rook’s remarks about Neige early on in book 5 as well as Vil’s labwear vignette foreshadow the ending of book 5/start of book 6 far more than the fact that the huntsman betrayed the evil queen in the original Snow White. 
That coupled with a perfectionist like Vil looking back at their less-than-perfect performance is what compelled him to agree with Rook. If we take into account the idea that Vil still chose to vote for his own team afterwards, Rook’s actions and words probably further pushed him into believing in the idea of his inherent villainy and inferiority to Neige. After all, surely Neige Leblanche would never be reduced to such a hideous state. His heart is too pure, the fairest one of all and as different from Vil as night and day. 
If left to his own devices without Rook to influence him, Vil might not be so hard on himself in this case and would resent his defeat more. As he has every right to. But instead, Vil agreed with what was easiest and what made most sense based on everything that has happened in his life and all that he has been made to believe about himself. Why should he continue protesting when no one else will? 
Nevermind all the evidence we’ve seen of Vil’s tenacity, excellence and kindness. Why should he believe that he is the most beautiful one of all when Mira frequently tells him the opposite? Why should he believe in his own noble spirit when people openly say it’s not enough and that he’s not relatable enough to be a hero? Why shouldn’t he believe he is hideous when the entire world says it’s so? When even a large majority of this very fucking fandom mischaracterize him as such and agree with Rook anyway? 
Why should Vil question any of this?
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And Vil will sadly continue to be second to Neige and will likely never question it. He will continue to internalize the toxic dichotomy between him and Neige and again, why shouldn’t he? After all, Vil is the evil queen to Neige’s Snow White, the Sharpay to his Gabriella, the Odile to his Odette, the Madonna to his whore. Vil is not supposed to be the hero in this story and not even his trusted vice dorm leader has faith in him.
In discourse regarding the end of book 5, I’ve often heard it said that this was a “lesson” Vil had to learn in order to become a better person. I believe there was indeed a lesson to be learned from this, but not the one that many think. Since Vil knew from the beginning that trying to poison Neige was wrong, he didn’t need to learn how to play fair like Leona. 
Despite being a harsh leader, Vil was generally always fair with his teammates and again, as a former dancer, the way Vil instructed the NRC Tribe members seemed tame compared to some of the dance teachers I’ve had in the past. So learning to be less tyrannical wasn’t the lesson to learn either, like with Riddle. And part of what led to his overblot was realizing that NRC Tribe had been “outplayed” by Neige’s cuteness. But he still had enough faith in his ability to vote for his own team, so learning not to be manipulative wasn’t really needed either, like with Azul. 
No, the lesson for Vil here is that hard work is rarely ever rewarded fairly. And that his trauma is not valid because he was blessed in a way that Neige was not. He must always take second place to him because of his blessings while simultaneously ALWAYS being perfect. And because of his blessings, he can never express ugly emotions, he can never express anguish, and he must always, ALWAYS, take his mistreatment in stride. And God forbid if Vil DOES respond to his trauma in an ugly manner, he WILL be punished for it. He will ALWAYS be punished for it and by those closest to him no less. 
If Vil doesn’t like how they’ve treated him in his darkest hour, tough titties. It’s all his fault for not hiding his trauma to begin with. And he doesn’t even have the right to a moment to himself to cry. 
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But that is where my analysis ends. Honestly this was kind of painful to write because it has made me fully realize just how much I’ve grown to disdain Rook after adoring him for so long. You all have no idea how hard I was hoping he would have some scrap of redemption in book 6. It’s really upsetting that so many people in this fandom look down on Vil or mischaracterize him but somehow don’t notice the glaring red flags in his dynamic with his vice dorm leader. 
Honestly, when I think about it, the ending of Book 5 is actually kind of brilliant, even if it’s also emotionally sadistic and lacking in other aspects. I'm not sure if that was Yana’s intention, but the fact that so many in the fandom tend to see Rook as the kinder one compared to Vil is very telling. 
Now I’m not saying that Vil is absolutely without flaws, Heaven knows he has many. As does every person in the twst cast. Vil is impulsive, domineering, harsh, difficult to please, overwhelming at times and extremely complex. But he is also helpful, perceptive, intelligent, genuinely kind and wants the best for those around him. Not for his own glory but for their own happiness and well-being. He is also clearly a deeply misunderstood and insecure young man, so I guess because of Vil’s faults, it’s “easier” to mischaracterize him. 
As for me, I find Vil’s character all the more compelling in spite of his harshness because I can see in him a true understanding of beauty that is both profound and attainable by anyone. If we are brave enough to behold it.
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buddiebeginz · 2 days
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Since everyone is so up in arms over Ryan's recent interview I wanted to compile some of what he's said in other interviews this season. There are a lot of breadcrumbs here that show Eddie's sexuality storyline is in the works it's just going to take some time to get fleshed out especially since there has been so much focus on Buck and his coming out this season.
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But what about Eddie and Buck? Is there still a chance for romance between them?
"As far as [Eddie's] sexuality, I think it's pretty clear that he's tried to fill in this motherly, this wife type role—that's all he knows," Guzman explained. "And he's a man [that] first off, he's Catholic. Second off, he's from the military. So those are very straight-edge kind of lifestyles that don't offer too much of exploring. But through the 118, he's had this epiphany each year, like, 'Well, maybe I don't know as much as I thought I did. And maybe I should be exploring a little bit more and maybe I should understand myself a little bit more and even seek a therapist,' which is something new for Eddie. So I feel the representation is reflective of the inclusivity that Ryan Murphy's show likes to have and Tim Minear likes to write."
Parade
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Did you have a personal reaction when you found out about the reveal of this moment and the change in Buck's character? Was it something you saw coming, or was it a surprise?
GUZMAN: Since there's so much talk about our characters, it wasn't a shock to me. For Buck's character, I feel like it kind of tracks. And I think that we trust Tim [Minear], to be honest. He's such a great, incredible writer, and he's very inclusive in his writing. And it shows beyond the sexuality, beyond representation. It shows humanity, and that's what I love about these characters. You can do whatever you want in the bedroom, but at the end of the day, that love remains, brother-sister, intimate relationship, whatever that kind of connection is. We allow the audience to get a sense of the human side. And I think we explore that in new ways every single season. So, this season, getting that opportunity to see Buck evolve into who he is has been just a beautiful storyline.
You've mentioned it a little bit already, but I can't not talk about the potential of romance between these two characters. It's such a huge aspect of the fandom around this show and around the commentary of this show. Did the reveal make you consider a romance between these two characters? Have you considered it seriously before? Or was it always, "We'll see where it goes, we'll see where it takes us"?
GUZMAN: It's always kind of been a "we'll see where it goes, we'll see where it takes us." Because, at the end of the day, it's a fine line between giving the fans what they want and also staying true to the characters themselves. As an actor, your one job is to give your character truth. And what I love about this whole world that we play in 9-1-1 is that truth changes at a moment's notice. So, we allow ourselves to stay open to all possibilities. At this moment, Eddie's got so much going on in his life as far as his relationship with himself, and Marisol, and God, that he's got his plate full. And to take on anything else at this moment, I don't know, he might crack again! [Laughs] So, who knows what happens with him, and we're here for Buck and his relationship. And, again, I think that strengthening of that bond is crucial.
I don't think either of these characters are ready for this yet. They need to settle their own lives first before anything happens in that direction!
GUZMAN: Yeah.
Collider
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Do you think it was the right decision for Marisol to move back out?
Eddie has shown himself to go from zero to 100 all the time. He finds one girl that checks off a couple boxes in his list and he's like, "Ah, that'd be good enough. Let's get married." This time, thank God, he didn't need a Carla in his life to say "Slow down." He did it himself. He had a conversation with Bobby, he had a conversation with Buck, he figures it out and he goes, "Okay, maybe it's time to have some growth on my end." He is doing a big thing for not only him, but for his son. He's not trying to fill in this space that was left open by Shannon and he's taking care of that relationship that [Gavin McHugh's] Christopher has with his mother that passed. He realizes he has to take it a lot slower. It seems like a step back, but it is so many steps forward for Eddie in what that means to him and his family dynamic.
How did you react when you found out Buck was going to explore his bisexuality? And what did you think when you first read the scene where he comes out to Eddie?
I think we felt this scene was coming one way or another — and we knew we had to handle this with care, because there are so many people who have attached themselves.... Oliver and I are so grateful for the people who have attached themselves to our characters, and what they do with it. And so we really wanted to give this scene a sense of groundedness. And luckily for me, I've had an experience in my life where a friend trusted me with their own coming out, and I got to understand first person that it wasn't so much about me accepting them, it was more about me allowing them to feel safe and loved. So I wanted to exemplify that in this scene. Like, "Hey man, you can say whatever you got. I'm not going anywhere. Okay? This connection remains." That was something that forever changed my life — in my personal life, with my friend — so this had to feel the same for the millions of people who are going to see it, because some may not be getting this from their friends. Some may be scared to do this in front of their friends, and maybe this gives them the opportunity to find their own bravery, as Buck did, and go to their closest friend and say, "Hey, this is how I feel nowadays. Can you explore this with me?" I love that scene.
What else can you tease for Eddie this season?
Now that Eddie's taken that step forward with Marisol, that offers a lot of new obstacles. This is unknown territory — much like Buck's character, it's unknown territory. And that is something to be a little bit more scared of, to be honest, because we have no clue how to handle the unknown. So I think with Marisol and Eddie, their relationship is strengthening, but there's so many traumatic moments that Eddie still has yet to answer for himself in his own past. So how that plays into this present moment is a balancing act. And what I'd like to see is him handle it with ease, but that doesn't offer great TV. So yeah, he's going to be a mess just as much as he was — as we all are, really.
EW
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starsoftheeye · 2 days
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TMAGP Episode 15 Live Reaction
I'm destressing after an exam so we're doing this again baby wooo
Pre-Episode
My YouTube keeps not showing the episode, it's been like an hour since the release and its still not up for me
It's not even up for my laptop this is so annoying
I can't remember how I got it to show up last time as well
Bro I keep refreshing my page and its not there WHERE ARE YOU???
Screw it Spotify get over here
THANK YOU SPOTIFY
who is this man and why is he just doing the toffee/gum in mouth/ face stretching exercise from every drama rehearsal i've ever been to
this is oddly scary
as a physics student... probably
oh its a gum ad
oooh implications
this podcast sounds cool
hi simon!!
i'm gonna stop talking about the ads now this post is so long already lmao
i love it when people dedicate episodes to their friends its so sweet
Pre-Statement
sam and celia!!
:0 he got them tickets? thats so sweet i love him
Theatre tickets can be fucking expensive as well jesus he is down bad
ah yes, my favourite piece of theatre to bring a date to: The Pillowman
i love them
alice!!
oooh luke mention
every thursday i listen to a new tmagp episode and every thursday my samalicelia post becomes a little more plausible
she has really thought this through huh
okay this is probably alice meddling out of jealousy but seriously you cannot expect me to hear her basically asking these two to hangout after theyve been on a date and expect my samalicelia brain to not go insane over it
aw alice :(
jack mention jack mention
"babys are cool" shes so me
aw celia i love her
uh oh sam and alice conversation
oh so now youtube decides to work
i cannot understand what sam said there but i'm assuming it was funny and only a bit passive agressive
Statement
Ah another voicemail
this guy sounds like tim but not
oh god what fucked up dinner party are the rich doing now
"they wanted to know whos kill they were eating" oh this is gonna be interesting
oh no theyre watching
ah yes, very informative "prepare"
whos gonna die
ooooh a fucked up woman i love fucked up women
i know this is probably a very important character and i should be paying attention but i am a mere lesbian and i am finding this woman very attractive right now
thats when you realised something was up?
oh im so gay
theyre gonna aim for the caterers they are not safe
bingo
theyre gonna make them run methinks
they killed all the birds
oh are they gonna make the caterers kill something/someone?
oh no steven :(
these people are being very vague id be asking so many questions
each other?
EACH OTHER
PLEASE BE EACH OTHER THATS SO COOL
EACH OTHER YES
I LOVE HUNTING STORIES
this guys enjoying this a little too much
go on boris
oh no boris :(
is she following him?
OH NO HE GOT CAUGHT
AHHHH WOMAN
SHES HOT
HUH????
CELIA RUN
actually no dont you have a better chance if you stay i think
SLAY CELIA
lena what did you do
this is weirdly homoerotic
GWEN???
GWEN WHAT DID YOU DO
GWEN I LOVE YOU BUT WHAT
CHESIRE BOUCHARDS WHAT
GWEN?????
Post-Statement
ooooh is this lukes band?
theyre good i like it
awww these two arent gonna survive together
damn hes doing well
pfffft weedy git i love luke already
hello?? whos this??
lady are you okay??
alice run
ALICE RUN
ALICE HONEY WHAT HAPPENED
yippee more trauma for her to cover up with jokes
is she doing ellie the elephant oh my god
oh shes back
yeah alice you should run
im betting this was the stranger from the magnus institute
i shouldve paid attention to her little ramble lol
oh my god so much is happening in this show and we're only on episode 15
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Why is it always the middle age women after the middle school boys? heck not even middleschoolers, tell me why some 40ish woman is after some of the UNDERAGE twst boys. Not men, BOYS.
Miss ma'am, you're old enough to be MY mom. I saw an art she did with Jamil and Kalim in a suggestive position, stripped down to their boxers. She said and I'm quoting her on this:
"I tried to draw something nsfw but I added clothes on a separate layer and ended up liking it better lmao.....oh well."
about a suggestive drawing between two underage boys in their undewear. I see that she draw Kalim and Jamil together, but the thing she forget about Kalim is that he's a drummer. She's trying to touch a cord and it's probably A-MINORRRR.
(Ok edit, I think I got too heated when posting this so yeah, I have some more to say.)
the bad part is that she's a good artist, her art is genuinely good, but seriously? I'm not saying that you have to stop like certain things at a certain age, but it's not fucking to NOT sexualize a minor, it doesn't cost you anything. And her excuse is the 'they are fictional, so it's not a problem' bullshit. I want you all to look up blogthegreatrouge on YouTube and look at all the videos calling her out on her weird ass art. I used to watch her shit when I was 7-8, I didn't know any better and thought the stuff she drew was normal. I and many of her use to be fans grew up and realized how fucked her comics were, the characters are fictional but the kids watching aren't.
This kind of shit will groom a kid to think it's normal because their favorite fictional character does it so it's ok. Kids are stupid, naive and looking for support, they will look up to someone they admire and if that person is feeding them such harmful information to that child, they will normalize it. This could affect the child's view on love and how relationships work, to the point that if someone is doing this to the child they will think it's normal, or the worst case scenario that child grows up to become that abuser without realizing it.
This artist isn't as bad as blogthegreatrouge but they are the adult in the situation, Twst is a fandom catering to a young adult audience, that includes young tweens. Like I said, kids don't know any better and it's our job as a community to be a good example and make sure they are safe. I hope if this artist knows who they are and see how this can affect someone, even if they're in their 40s....I doubt.
If anyone knows who I'm talking about DO NOT harass them, just unfollow, block and move on. If anyone is interested into know who I'm talking about you can privately message me, again. Do not harass them.
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unicornsaures · 14 hours
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with marching band coming up(for me at least), id like to yap about my hcs for the gang if they were to be in a marching band..(exception of steve because i dont know his character well enough to make decent hcs for him😭)
PonyBoy
-he would play a trumpet, he gives me major trumpet player vibes
-hes also not very good at playing it, he only joined because Soda did
-actually really good at marching
-either remembers all of his music or none of it
-he gets upset whenever the directors seperate brass and woodwind because soda plays a saxophone😕
-he would take football games very seriously
-NO extra playing in the stands
-fighting for his life every practice because marching at 180bpm and playing a trumpet takes a lot of air that he doesnt have
-thinks the uniforms are cool asf
-he almost died at band camp because he forgot water once
-Darry had to walk him off of the field
-Most hated section; percussion(dally hit him on the head with drumsticks once and he hasnt forgiven him)
Sodapop
-saxophone player !!
-he would be first chair because i said so
-WAY too lenient of a section leader but if you aint got your music memorized youre getting scolded
-really wants to be a drum major but he was never able to 'secure' the spot
-he fell a lot during his freshman year
-tries to teach ponyboy his music/drill spots as best as he can whenever pony gets confused
-not that serious about marching band, he's kinda doing it just because it sounded fun
-thought the uniforms made him look like shit(hes lying)
-remembers basically every show he did by heart
-really upset about quitting band when he dropped out
-Most hated section: Flutes/Piccs(Twobit rants about how much the section sucks)
Darry
-Drum major !!!
-he was like an overbearing parent to Soda and Pony during band camp(constantly checking if they had enough water breaks, ate enough each meal, etc)
-played the baritone in concert band and during his freshman year in marching band
-amazing at marching not so much marching and playing at the same time
-he didnt have enough time to practice at home so he only played during band and so his playing was mediocre
-drum major from sophomore to senior year
-he didnt mind the uniforms, he liked the normal uniforms better than drum major uniforms though
-HATED dally during marching band season. only during marching band season though
-director(s) loved him because the band actually listened to him
-got really upset when he graduated but the entire band said they were gonna miss him + the rest of the seniors so that makes it a bit better
-Most hated section: Percussion(Dally annoys him during MB season)
Two-bit
-Piccolo player.
-He thinks it sounds like a dog whistle and likes annoying Dally with it(he gets hit on the head with drum sticks)
-good at playing, bad at marching
-he has overall poor coordination from drinking so often
-his coverdowns suck
-god forbid he's backwards marching
-directors got onto him a lot about it he just couldnt fix his marching, he just sucked
-love/hate relationship w/ his section
-flutes n piccs gotta lot of drama overall, he just tried to ignore it
-(he started most of it)
-he's showed up drunk to a football game and he nearly got kicked out
-^darry had to talk the director out of kicking him out of the band
-annoys johnny all the time during practice considering he likes the clarinet section better
-Constant 'this one time at band camp..' jokes
-he adores the uniforms for some odd reason
-exclusively watches mickey mouse on his way to/from games and comps
-he complained a lot during band camp
-says hes going sober for the season every year(he lies every year)
-Most hated section: Flutes/Piccs(Its his own section, he just doesnt like the other people)(they dont like him either)(im not exaggerating this. flutes have the worst drama ever.)
Johnny
-Clarinet!!
-Takes marching band VERY seriously
-good distraction for him
-out of the house a lot because of practice
-he has to carpool to get back home basically everyday
-really good at marching, surprisingly
-soda was his marching band brother basically
-stayed as close as possible to dally during warm-up blocks
-liked talking about his music and drill to pony whenever practice ended
-dally told him he did good after a show once and hes never forgotten it
-really quiet during practice
-like pony, fighting for his life trying to get air he doesnt have during practice
-usually ends up talking to pony in the lot after football games
-doesnt really like wearing the uniforms but he thinks they look fine
-type of person to cry at championships
-LOVES stands tunes theyre so fun to him
-Most hated section: Trumpets(No hate to Pony, but theres too many.)
Dally
-Percussion - bass drum
-he used to be a snare but he broke 2 of them and the directors gave up
-really irresponsible when it comes to memorizing his music
-he remembers half of the show and just wings it for the rest
-comes up behind people and hits them in the head with drum sticks
-he doesnt even know why hes in band
-he complains about practice every day(who doesnt tbh)
-suffering at band camp
-pale bitch burned so badly its not even funny
-worst mischief during band camp and football games
-annoying the fuck out of darry during water breaks
-Sylvia is in colorguard so its really awkward whenever they see each other
-actually decent at marching
-he just doesnt take it seriously
-he hates stands tunes with a burning passion
-he has to tie his hair up to put on his hat and twobit makes fun of him for having a 'man bun'
-he touched the feathers of a plume with his hands once and darry yelled at him
-hates the uniforms but is convinced he looks good in it(he doesnt)
-Most hated section: Mellophones(He has beef w/ one of the guys who plays one)
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