#salve regina | Explore Tumblr Posts and Blogs

valkraud · 11 months

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#succession #succession fanart #shiv roy #tom wambsgans #shivtom #tomshiv #salve regina #succession hbo #succession season 4 #succ sesh #Tom of Siobhan #Joan of Waystar #succession finale

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myremnantarmy · 8 months

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𝘏𝘢𝘱𝘱𝘺 𝘉𝘪𝘳𝘵𝘩𝘥𝘢𝘺 𝘉𝘭𝘦𝘴𝘴𝘦𝘥 𝘔𝘰𝘵𝘩𝘦𝘳...

𝘐 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶.

#jesus #catholic #my remnant army #jesus christ #virgin mary #faithoverfear #saints #jesusisgod #endtimes #artwork #Blessed Mother #Mother Mary #salve regina #pray for us #happy birthday

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truedevotiondesign · 4 months

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Queen of Hearts Rosary ❤️🤍

#rosary #catholic rosary #catholic #etsy #mary #jesus #christian #catholic art #handmade rosary #ruby #white #red #queen of heaven #queen #salve regina #hndmdbystephanie

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les-larmes-d-eros · 10 months

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Suffering 2, par Swen Münstermann. Modèle Frau Katzenblum

#swen munstermann #salve regina #frau katzenblum

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ocean-not-found · 1 year

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Heaven and earth resound the Hymn, Salve, Salve, Salve Regina

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angeltreasure · 11 months

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youtube

Salve Regina 🩵

- Gregorian Chant, solemn melody by Harpa Dei

#Harpa Dei #Salve Regina #hymns #Catholic #Catholicism #music #Youtube

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rosebenny · 11 months

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#salve regina #humiliation slave #mistreatment

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internetcatholicism · 2 years

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I've been sick so I couldn't sing along, so thought I'd record my beautiful friends (one who is a former Carmelite postulant) in this beautiful hidden gem church. 🥰

#catholic #salve regina #chant #catholic church

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customkits · 1 year

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More progress on the Knights! Very fun project.

#hobby #fun #customkits #dnd #knights templar #knight #deus vult #da pacem domine #salve regina #table top games #toyphotography

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infinitelytheheartexpands · 2 years

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since my brain has apparently decided that bouncing back between the 1987 and 2019 met dialogues salve reginas (thank you @smile-at-the-stars for making both productions easily available love you) is the only thing it is allowed to do after a certain point at night, here is my compare and contrast of the two:

[of course, there are factors that affect this such as hd vs non-hd filming, different choices, different personal histories with each, etc.]

staging of the prelude to tableau 4, act iii: both are great. i’ll give the slight edge to the 1987 version just because the choral acting is much more ruthlessly brutal and violent in the 1987 version.

tempo of the actual salve regina: 2019 version wins here; nézét-seguin goes for a heavier tempo, which suits the moment better imo.

madame lidoine’s final interaction with the other carmelites: i’m torn on this one—jessye norman and adrianne pieczonka have very different but equally valid approaches, the former more filled with strength and the latter more maternal. in the end, i’d have to say slightest edge goes to pieczonka in the 2019 for the sole reason that she kisses constance on the forehead and it’s the most adorable and saddest thing ever. 🥺

the carmelites themselves: dead tie on the acting, which is magnificent in both productions, intensely human and still full of grace and faith. the 1987 group stands out against the larger chorus better, while the 2019 group has a much better blend while still sounding like individuals. i’d have to say edge goes to the 2019.

both the chaplains are good actors, so i’d say that’s a tie. (also not entirely a fair comparison given that the 2019 version glances over to the chaplain much more often.)

guillotine sounds: i feel like honestly this has to do entirely with hd vs non-hd. both are really good. the 2019 is clearer just because of hd and surround sound.

lighting: somehow the 2019 lighting is just too bright (maybe that’s my Autism Light Sensitivity), maybe this has to do with the hd vs non-hd, but yeah, 1987 lighting for me all the way.

blanche making her way back in: 2019 automatically wins because we don’t see her make her initial entrance into the crowd. the 1987 version does show blanche coming into the crowd and personally i feel like it kinda hampers the final effect.

chorus and orchestra: both sound amazing either way because it’s the met. however, and this is almost certainly exclusively due to differences in recording technology, the 1987 version sounds warmer and it wins.

constance freaking out at the scaffold and blanche coming out of the crowd so they reunite: 1987 VERSION ALL THE WAY. it’s hard to explain but it just feels more full of grace and true to the moment.

blanche’s final address and execution: once again, 1987 version all the way. maria ewing gets blanche in this moment perfectly. (she and felicity lott are THE two best blanches de la force for me, but anyway.) i love isabel leonard to death and she’s a great blanche; at the same time, having her walk backwards to the scaffold with a huge grin on her face feels wrong for the moment. also there’s a really awkward pause in the 2019 version because apparently whoever was making the guillotine noises missed something, so there’s an awkward about-5-second pause after she finishes her final line before the guillotine noise, while the cutoff (pun not intended) is perfectly timed in the 1987 performance.

the walkoff/final reveal: absolutely brilliant ending staging from john dexter, perfectly executed by all. no notes, dead tie.

also, um. audiences for both performances: could you at the very least wait a few seconds until the curtain falls and you start clapping? thanks.

i’d say overall the 1987 version is slightly better but both, as with the overall performances themselves, are magnificent and more than worth watching.

[also the 1987 version has a special place in my heart because long before i ever saw any incarnation of the full production, i listened pretty much exclusively to a youtube video of that performance of the salve regina for about a week in early 2018 after receiving some devastating personal news, so it’ll always have a special place.]

#opera #opera tag #dialogues of the carmelites #dialogues des carmélites #why do i do this to myself #salve regina #met opera #poulenc #francis poulenc

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les-larmes-d-eros · 1 year

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