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#sad to see it end
bennydwight · 25 days
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Thank you to all my moots and non-moots who made today one full of joyous boops 🐾💕 You're all the best in my heart
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hrokkall · 5 months
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"Sad Cat Poem" by Spencer Madsen
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pyralart · 8 months
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In which Luz gets isekai-ed another way
First part >> Next Part
Remember folks, look both ways before crossing the road or this might happen to YOU! This was an advert from the Road Safety Agency (it's not).
Oops, I just dropped the angst! I can reveal that it's inspired by this original post, although I'll put my own spin on it so don't think you know what's gonna happen!
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thebibliosphere · 10 months
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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5ftboy · 6 months
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"...I appreciate that you're trying to be on my side." "I am on your side."
BONUS REACTIONS:
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poorly-drawn-mdzs · 7 months
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Get Their Ass.
[First] Prev <–-> Next
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batsyart · 1 year
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so i read the newest update of @somerandomdudelmao‘s incredible apocalyptic series and i’ve been crying ever since-
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greatpistachiopie · 8 months
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it's mentopolis finale day!! i'll hate to see you go stacy fakename
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kimwexlersponytail · 3 months
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No. No. Just tell me what I need to do to change, okay? Just tell me what it is and i'll do it. Jimmy. No, Kim. You make me happy. We make each other happy. How can that be bad? Hey... I love you. I love you, too. But so what?
McWexler in Every Season
SEASON SIX
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equill · 3 months
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He didn’t, but someone else did.
(Road to Ninja AU inside an AU.)
Comic 2: Forgiveness on both sides
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White Tulips
Extra: Breaking & Entering (it’s for a good reason)
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probablyhuntersmom · 1 year
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"Wolves are actually great parents!"
Twitter link: here
Disclaimer (since my last set of edits got reposted and spread across Twitter and Tiktok): These aren't leaks! Drawn, photoedited, and coloured in Paint Tool SAI 2 :B
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andy-clutterbuck · 2 months
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requested by Anons
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luna-lovegreat · 2 months
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A concept:
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This is their entire relationship
"I grew up in a cave and my motto is I DONT KNOW THE MEANING OF GIVING UP!!!"
And
"I was raised in a forest but am older with a wife and somehow (?) can act responsible"
They love each other. I feel like that panel is just how they interact ya know? Magic Cave Boy is excited and Disturbed Forest Boy is. somehow still acting responsible.
Also going through the comics and?? Like every frame with them is like this
More of their goofy little dynamic:
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Art and odd little dudes from Jojo @linkeduniverse au
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popslwttuce · 3 months
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Random doodle w no ref, felt like drawing Nine
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ganondoodle · 11 months
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i think im here too early, hes not even finished marinading
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gunstellations · 10 months
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confessions
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