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#rewatching the show and I just think he’s neat :)
chitteringcicadaeyes · 18 hours
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my “Noir” Max hc
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more rambling below the cut
I have so much to say omggg please bear with me- but I started thinking about Noir!Max ideas after i rewatched gameplay of ‘The Devils Playhouse’
I looked online to see other ppl’s ideas of what Noir!Max would look like and it was all super cool! but I wanted to try and put my own personal twist on the thought (absolutely no disrespect to those artist btw this is all just my personal ideas)
imo, i don’t think Noir!Max would act Noir?? ig, cause in my head whenever Sam goes all serious detective mode it makes sense for his character since it’s shown he’s always wanted to be a detective/cop ever since he was v young and i’ve made personal hc’s about him always really loving Noir detective/cop media
Max on the other hand hasn’t really shown he cares about being a detective/cop, even as a kid and will just go whenever Sam goes. I also find that a Noir!Max doesn’t hit the same note for me as Noir!Sam. Whenever we see Noir!Sam for the first time it really puts into perspective how much Sam relies on Max to keep calm and have fun in his day to day job. He goes against his character completely as soon as he thinks Max’s is dead and it’s a great surprise to Sam’s established personality. With Noir!Max we already know Max is hyper violent and impulsive, sure taking it up a notch can still be interesting but it’s not like Max is going against his whole character like Noir!Sam does. I want to reach a similar type of shock with my interpretation of “Noir” Max
I took lot’s of inspo from the 1997 cartoon series! Specifically from ep.4 ‘Max’s big day’ in the scene where Max is holding what he thinks is a dead Sam and starts bawling his eyes out. It’s played comedically which makes sense for the show but i thought it was still an interesting way to characterize Max’s seeing a dead Sam (even if the cartoon isn’t canon). In ‘The Devils Playhouse’ one of Max vices is extremely depressed and glum showing off Max’s more melancholic personality trait. Max in that same game says (one of my fav lines) “Oh Sam, when I die i’m taking you down with me!” whenever Sam wonders if he should be happy or worried about that; Max responds with, “I see it more as an inevitability!” showing of Max’s dependency on Sam. There’s also a running gag through out the whole series where Max says “I will now weep openly”. All of these small moments in game encouraged my thought process of my “Noir” Max
Whenever Max sees Sam with his brain stolen, in my AU i imagine he absolutely loses his mind and just starts crying non stop, It’s so bad he can barley speak without sniffling, hiccuping or just in general being a complete and utter mess. I think it’d be a fun surprise on Max’s usual charismatic and controlled personality and show off how much Max’s depends on Sam to be happy. I also think it’d be a great way to be more serious without losing all of the games comedy, like many comedic scenes could show of Max’s trying to interrogate certain characters but he’s barely audible due to his hysterics. In other more serious scenes Max could yell at other characters when they say he’s being over dramatic. “My life is ruined!! What’s the point of pummeling criminals senseless If i don’t got Sam to watch!!!” and so on
These are all my ideas and personal interpretations of a “Noir” Max! I haven’t seen someone else take this specific route on Max’s character yet but if there has been id love to see it! in the end I really liked what i did and i hope u do too or think it’s neat idrk lol, thanks for reading btw!!
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writeouswriter · 6 months
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On this week’s episode of me being attached to the most random side characters
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saltburn-bi · 4 months
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finishing my saltburn rewatch and want to note they show at least twice that felix is like. easily scared?? first when venetia talks about shelley's double, he's plugging his ears and saying he won't sleep, and then when they're shown watching The Ring he's yelling and hiding his face. i just think he's neat
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paper-mario-wiki · 9 days
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alright look i know my following is not the target audience for this kind of post but i wanna at least point something out about a scene in the Fallout show that i haven't actually heard a single person point out or comment on.
spoilers ahead.
in the scene where the ghoul is rewatching his old movie, specifically the scene where he originally protested about killing the villain.
the first layer is the obvious one: he is talking directly to himself. "you were strong, ugly, and you had dignity. i'll give you two out of those three." he remembers what happened at that shoot just as clearly as we did, and after he literally tells himself to his face "you're strong, ugly, and have no dignity" followed by him killing the man he originally wanted his character to save. this, of course, coming DIRECTLY after the person he sold into slavery earlier that day sparing him with life saving medicine while he's on the ground and telling him to his face that he only lives on because someone stuck to their humanity. very heavy! i bet he feels like shit, which he probably should because he's kind of a jerkoff! (but in a cool way that i like to watch)
the SECOND layer is the one i find way more interesting. the phrasing of his final line we didn't hear before was so dripping with importance that it felt like i was reading RPG dialogue and story relevant words were highlighted. "i hope you like the taste of lead you commie son of a bitch". as we'd already seen in episode 3, he despises vault-tec for everything he knows they are responsible for while he was their face. moreover, it's made clear that he doesn't just resent himself for being used for their image, but he resents the fact that he was the face of the propaganda which drove the war fever that caused the end of the world. the wild west ideal caricature of masculine wisdom from the movies as the spokesperson of the company who stood to profit from the purposeful decimation of the human race. he became The Ultimate Jingo.
and i really enjoyed how brief yet informative that detail was! i really enjoyed how the directors tell you what the characters are thinking intuitively and effectively through the camerawork and those little details make the whole thing a lot more fun to mull over and consider as a part of the whole of Fallout! i think it's neat.
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0daylighthours0 · 1 month
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A Deep Dive into Milkvan and Byler's Development: If Milkvan Was Endgame All Along, Why Was it Written Like This???
SO. I've been rewatching st with my mother, who's never seen it before. And she was a fan of milkvan throughout seasons 1 and 2. Viewing those seasons again I could see why, they're cute. However, come season 3 and INSTANT distaste. And, listen, my mother is not the consciously shipping gal. She simply routes for main character pairings as writers intend, doesn't read between the lines, doesn't nothing. And she does NOT know my own opinions on the pairing. In other words, completely unbiased, uninternet drama influenced eyes. We've now reached season 3 and, after getting through a chunk of it, I asked her,
"so what do you think of Mike and El?"
and she expressed to me that they seem to be, quote:
"not very good together."
She said El's character doesn't suit the way she's acting now (in the first few episodes, concerning Mike), that Mike is more likeable and interesting when he's away from her. She doesn't like the way they ditched the party, and when it comes to their 'making out' the scenes are seen by her from Hopper's perspective (in other words, distasteful). She claimed that they'd be much better characters as friends.
And ya know what, she's right. And I mean like - duh, that's what we've been saying all this time, I'm not stating anything new here. But guys, wouldn't it be strange if the central couple of the show, pivotal that it is liked by audiences and is rooted for by them as they are THE pair, would be so dislikable like this? So uninteresting, so cliche.
I mean, okay, let's do a little mental experiment I like to do to test if I'm not just acting delulu. Let's play a game. In this game, milkvan ARE meant to be endgame. They are in love, they were all along, and they're here to draw in viewers and appease all El stans. Now, seasons 1 and 2 their relationship is honestly fine. Surface level, yeah, people will watch and appreciate them. They perfectly blend in with all the other neat pairings of the seasons, and have their own unique character traits to stand out as a main couple.
Just pretending our mate Will doesn't exist, we now get into season 3. Now, writers have nothing to lose here. If you've finished season 2, you probably like milkvan already. The issue is that they're already together now, so what's the conflict going to be? The arc? And every central couple needs that conflict to stay juicy.
Just take a look:
Jancy: quarrels, struggle to understand one another
Jopper: not yet together, one sided? will they won't they
Lumax: ...
Lumax? Lumax. Huh, guess they were simply together. Some loveable bickering, maintained a friendly dynamic while clearly in closer proximity. Well then, writers can do the same for milkvan right? Well, yes easily. But one might argue that since they are supposed to be THE pairing they need more going on between them than that. So what'll it be? Well, it seems that writers thought,
"hey, why not break them up?"
ok so.. that's a bit risky. I mean you want people to like this ship, if you break them up then that threats: 1. there being a disliking to one or both characters, 2. coming off generic if done incorrectly, 3. the break up might make no sense considering how in love they came off as just a season ago. But hey.. it could work, if done right. Some kind of misunderstanding, similar to Jancy. Maybe an argument leading to a sudden parting. I mean, yeah, Yeah! I can see that. Perhaps Mike is being too overprotective whilst El's trying to sacrifice herself for something, so she NEEDS to separate herself from him attempting to hurt him less. Or, I dunno, something akin. What's crucial is that us, AS THE AUDIENCE, still know them to be deeply in love. I mean, we have to still want them to be together. And we've seen couple trouble before. Just take a look at Lumax season 4 - did you or did you not want the best for both of them as a pair? You most likely did. See, it's doable. So did people like milkvan season 3 the same way, even after a separation plot? No.
Okay well, there are obviously those who'll always love milkvan no matter but, see, season 3 tainted it. "We need to write them like this cause it's more realistic to teenager behavior" my ars. You can make it messy without making it icky. Not only did it sour their unique dynamic, it flabbergastingly stomped on Mike as a character.
Honestly, I feel Mike has always been a mild struggle to write. Season 1 his motivations were 'find Will' (who still doesn't exist in our mind game yet shh) and 'protect El'. This worked well for him. Afterwards though, El and Will became more separate plots to him. But as a main character it remained integral that he be closely linked to them somehow. This sets him apart from Lucas and Dustin, who can easily be given any arc any season as their plots have the flexibility of a side quest nature. Since what Mike does is meant to matter more - with there probably being a better way of phrasing that but you know what I mean - it's harder knowing what he'll do when El and Will (who we'll GET to sh.) are their own separate people. And Mike is just a boy, he doesn't have super powers and he isn't a cop, which leaves there even less for him to do which is of significance. Season 2 writers decided upon having him support Will's arc, making himself of enough relevance by being able to take credit for some Will development in the story, and the plots that surrounded that, and then Mike was thrown a little bone by being the one to come up with the idea of burning those vines in the finale.
Truthfully, you don't really remember Mike's deeds much when reminiscing the series. It isn't like Dustin who's bond with Dart sticks to everyone, or Nancy and Jonathan responsible for kicking out Hawkins Lab. This is due to them, again, being able to traverse all sorts of adventures without limits. But my guy Mike can't do dat. Sadly, this kind of leads to him coming of as a little.. well... insignificant. And I know I know, the Mike truthers are gonna come at my throat. And hey! I love him too. I only want the best for my boy.
This makes season 3 a unique case cause it seems that, for the plot they decided they wanted, writers actually had to almost entirely change his character. I mean mate s2 Mike and s3 Mike are two different peoples, don't even. And I don't believe that the Duffers had their story and character turnouts completely drawn out from the very start at all. If I was to guess, I'd assume they have vague ideas of little plots they plan to include in future, but there is definitely a lot that has come unpredicted or changed throughout st's runtime. And one of those phenomenons are Michael Wheeler. So they decided to make this guy a di-
So they decided to make him more douchy, more movie typical teenage guy. It's not as if he wholly sucked, he didn't, but he didn't really do much. Whined about his girlfriend, separated the party. I mean what even was his arc? (UnLESS–)
You see, if milkvan is written to be loved, then season 3 was strike one. All of its charm was stripped away. It seems they had some cute scenes after their reconciliation, but it's not enough. It's just sort of
"oh, ok, so they're happy with eachother now. yayy."
and Stranger Things should want to be anything but boring. Sure they often enjoy indulging in tropes, but they always do something different with them. Something standoutish. And from this point on milkvan just got dull. Either writers ran out of ideas or lost interest, honestly (still with our mind game of telling ourselves they're meant to be).
But it's okay. Look, so season 3 was a bit rocky, maybe lost a couple of fans for the guys, but it is salvageable. Easily, easily. Looks like we want a plot of Mike struggling to tell El he loves her. Great! Much to work with.
So let's get into it. Season 4! Choices were... made. And, okay, now we can't go any further without bringing in our boy Will.
Mike is intrinsically tied to Will and El and has been from the start. Maybe Will was more of an accident. Maybe s1 Will was just a plot device for Mike, then s2 Will was a plot device again and Mike needed to be there as the main boy character. Come season 3 and it seems their relationship still matters. Will was sidelined - hard - so most of Mike's moments revolved around El. But as his bond with Mike is the only that's been properly built up, that's the only friend we'll get him interacting with in a way that matters. So the Mike and Will tie continues!
But that does not have to be the case for season 4. Now the writers have a chance.
They made Will gay.
Ok so.. ok so yeah that's fine. Yeah! I mean they didn't have to do that, might put them in hot water with the bylers since milkvan is their golden beauty but.. you know what no no that's okay. He's been hinted at being queer since episode 1, why not make it canon! Cool that works. Explore that, especially since we now have Vecna who can easily target Will for this. Give him a boyfriend! Or a guy crush. He's at a new school now? That's cool. Maybe we can explore some new male character Will's taken interest in. Hey maybe he meets someone who interests him which rises to surface his whole sexuality plot and-
he's in love with Mike.
Ok. No. No. What are you doing? What do you mean?? You didn't have to do that. Strike- strike EFING TWO mates! Strike. 👏 efing. 👏 2!
This was part 1. I am tired and gots to get my ars in bed. But ohohoh, do not worry. I am just getting started.
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blitzwhore · 18 days
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I really really hope we get to see how Blitz and Millie met.
She's always so lenient with him when he oversteps her and Moxxie's boundaries, always so chill around Blitz no matter how unhinged he gets. And the more I rewatch the show, the more I feel like the reason she's so chill might be she knows things about Blitz the others (and maybe even we the audience) don't.
It makes sense that the way they met affects how she sees him, too, because we already know how the way Moxxie and Loona met Blitz impacted their relationships. Moxxie was at his lowest point in life, with no friends, family or partner he could trust; a victim of abuse and a member of a mafia he knew nobody outside of. And in prison, on top of it all. And just when he was about to give into despair, Blitz showed him sympathy and took him under his wing. So now, even though they bicker and get on each other's nerves, Moxxie does show that he appreciates Blitz (for example, in Truth Seekers after their bad trips). The same is true for Loona, who everyone had given up on, but who Blitz took in as well. Even if she complains about his displays of affection, she constantly gives him small smiles and softens around him, and takes care of him, like after Bee's party.
From what we know, Millie had a pretty good family life before she joined IMP. Unlike the rest of the IMP crew, she doesn't seem to have a horribly traumatic past. So, while there could be more that we don't know, it doesn't seem likely that her appreciation toward Blitz comes from him taking her under his wing when she was at a low point, the way he did Loona and Moxxie.
So I can't help but wonder if the opposite could be true. If maybe she met Blitz at a low point in his life—low enough that he couldn't keep his facade around her. There are theories going around that Millie could've been Loona's babysitter (the one Blitz mentions when he meets Moxxie). I don't know if it'll turn out that way, but I do like the mental image of Millie meeting Blitz at the very beginning of his parenting journey, desperate to fight for the humanity and the well-being of this extremely violent and unhinged 18-year-old girl. Desperate enough to hire a babysitter for an 18-year-old. I wonder if, maybe, one of the first things Millie learned about Blitz was just how desperately he wanted to be the adult role model and caregiver that Loona needed. I wonder if she saw him taking Loona's violence over and over, and still not giving up on her; not just that, but giving Loona the only bedroom in his flat and sleeping on the sofa every night just so she could have her space to decompress and feel safe. I wonder if, at some point, Blitz broke down and told Millie how scared he was of being a bad dad, or of Loona deserving someone better than him.
I just love the idea of Millie being this completely chill and functional young adult, and Blitz being this struggling 30-year-old dude who clearly cares so deeply and feels so inadequate that his whole life is a massive trainwreck.
So now, whenever Millie witnesses Blitz being overbearing and obnoxious and over-the-top, she immediately recognises it as an act, and understands that it's his way of communicating appreciation and seeking connection, which he can't do in other ways because he doesn't think he deserves those things.
Idk man. I just hope we get to see more of Blitz and Millie. I just think their interactions are neat.
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angelmichelangelo · 9 months
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wanted to talk about my favourite scene in my favourite episode because i have a lot of feelings about it so here we go.
so it’s this particular scene in ‘of rats and men’ - anything to do with the rat king and i am there. he’s a really cool villain and i think the added bonus of him using solinher to fight the boys is really interesting but there’s this ONE scene that is always in my head when i rewatch it.
so after we see mikey hide away ice cream kitty we get a little comedic scene with him and his brothers + april and casey until splinter comes in, having just had the rat king invade his mind, he’s clearly unwell and weak, he goes to the freezer for some ice and a cheese sickle to which mikey tells him no and straight up slams the door in his fathers face to keep him from seeing the mutated cat in there.
to which splinter doesn’t take kindly towards.
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remember, at this point, it’s not obvious to them that splinter is basically being possesed. he towers over mikey (ik he’s crouching here but the shot is really well done, pulling back to really emphasis how much he towers over these kids) and mikey just looks up in fear. again, splinter’s eyes don’t turn red straight away, he doesn’t show any obvious signs of change so to mikey, he’s suddenly aware of the fact that he’s pissed his dad off big time.
then, splinter strikes him, sending him across the kitchen.
we don’t see it, just a flash of red but it then immediately cuts towards the brothers reactions which again, i find interesting
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it’s total shock. usually when one of them is hurt or down, we get angry reactions, something protective. but here they’re not mad. they’re just in utter disbelief that their father has just struck one of their own.
and i know splinters done this many times in the past but that all happens during training. it never occurs just because mikey is being odd. casey (and i know he was still grappling with his fear of rats here) actually recoils at this.
then we get a chase scene. again a little comedic just to lighten the tension but splinter is honing in on mikey. he wants to get to him, ignoring the other five teenagers who are in the room with them.
then we get these shots (the main reason i wanted to talk about this scene)
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mikey is pushed against the fridge, exactly where he started. and you obviously can’t tell from screenshots alone but mikey is actually trembling with fear here. he’s hyperventilating and it’s not because he’s out of breath. he’s a trained ninja. he can go far longer than the little lap around the kitchen he’s just done. he’s positively terrified, and it’s not like the kind of fear in “invasion of the squirrelanoids” where he was making quips and making jokes to un-scare himself. this is a new fear because this is his father that is attacking him. he doesn’t even say anything during this moment. he just whimpers. he just trembles in fear until leo calls out to the others to “help him!”
then after splinter is pinned down, the rat king breaks through and we get reaction shots from the rest of the characters as they realise what has happened to their sensei.
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i think it’s really sweet that april immediately goes to mikey, putting a protective arm over him. his eyes have shrunk to pinpricks (a neat little trick i really love that they show throughout and show when they’re scared or shocked) mikey doesn’t move or try to get back up, staying down with april it’s a nice moment (also we needed more of this duo! orange coded, blue eyed freckled friends for the win!!)
another little detail i found interesting was that after splinter seemingly goes back to normal everyone rushes to his side. april stands from where she’s crouched down with mikey and leo, raph and donnie are there to help him.
but mikey doesn’t get back up. he stays on the floor, perhaps coming out of his shock. he makes no attempt to reach his dad which.. breaks my heart little actually.
and as much as i love this episode, i really do wish it had some mikey + splinter pay off. we hardly see any moments of them together, especially since each brother gets their share of dad moments where he passes down some sort of wisdom, mikey gets a very brief “love yourself you don’t need to change” lesson in “mikey gets shellacne” and that’s it. we really were robbed of more of these two as father and youngest son. and ik all of them get attacked and scared by possessed splinter at some point but it clearly really affected ooor mikey here after being targeted in this one scene.
anywho. that’s my rant over. if anyone has any additions to this post feel free to add them as i’d be interested to see if anyone else is as crazy about this scene as i am lol
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nipuni · 23 days
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Time for an old school blog post, Hello!
Just various updates about life and shows and clothes and some photos! Adding a read more cut because I talk too much 😊
Happy equinox everyone!! The mild weather has been wonderful for daily park walks. We have been taking our meals outside as often as we can to make the most of it before summer scorches the land and all life. The longer days allow for a lot more wandering too but the imminent return of the heat is also making the longing to move up north worse by the day. We miss the choppy ocean and seaside cliffs 😭 We love the silence and the rain and the nippy sea breeze!! it's like being suspended in early spring for half the year and a rainy autumn the other half, Ideal if you don't mind humidity, but that's what wellies and flat caps are for. We have been looking for properties to rent to show up everyday so for now we lie in wait.
Speaking of nature, a few months ago we discovered a free app called Plantnet that you use to take and upload photos of plants, trees, flowers and it will identify them for you. You keep a log with their locations and can share them too to help contribute to each local biodiversity database. It feels like a pokedex for plants. There are many apps like this one to choose from too. It's been so fun learning what all these plants are called and memorizing them! I recommend it, is like a little educational side quest to take on while stretching your legs and getting some fresh air. This is not an ad I promise lmao I just think it's neat! kind of sad feeling the need to clarify that.
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This weather is also making me want to start making outfit posts again! It's been so long since I made any!! my winter wardrobe is mostly long wool coats or capes and boots so the inspiration wasn't there but now I'm ready to pull out all my stuff back from under my bed storage and experiment again 👏 I've also been meaning to share some of Nicolas outfits for ages too so there is more variety, could be fun!
Speaking of clothes, lately I've grown more and more frustrated with how poorly most clothes fit me to the point where I'm considering learning how to make them from scratch. I usually have to take in the tops and hem the bottoms but most things I try on are just built weird even if I fix the size, or maybe I'm built weird! I think it may be both. Nicolas also said he would love to learn along with me so we will probably embark on that adventure soon. OH and on a short tangent, I got myself a sort of binder-like top that flattens the chest a bit and I'm loving it! I'm very flat already but what little bust I do have has always bothered me when I dress and I've found I feel a lot more comfortable in this type of top. I'm glad I tried it out so if you feel similarly you may want to give it a go too, see how it feels!
On the media side of things we have also been watching more of David Tennant's work. We are still very much in love with him to an embarrassing degree, you can probably tell if you follow me anywhere, my likes on twitter alone give me away alksjdf and Nicolas isn't any better! if he used social media his would look the same lmao.
Since my last report we have watched and absolutely LOVED "There She Goes" we already want to watch it again honestly. The family dynamics for all his characters are always so real and refreshing!! Their relationship with their wives especially are always so believable in every series we've seen, the comfort and camaraderie, the banter and just friendship! You can tell they enjoy each other's company, it feels true. I love it so much!!
We also watched "Inside man" which was..a very stressful mess but David was incredible as always, also very hot and very pitiful which is always great, and Stanley Tucci was on it! so that's also fun.
Then we rewatched season one of Good Omens and the first 4 seasons of Doctor Who, with all the extra content like the Confidentials, deleted scenes, video diaries and more, they are just so good!! our list of favourite episodes keeps growing, season four is incredible, we are loving all these seasons even more the second time around!! Now we are probably going to start watching either Classic Who or Torchwood, along with more of David's work. We were trying to pick what to watch during dinner the other day and Nicolas was like 'damn, David is not in this though, I miss him' and lmao same so now we just watch one show without him and one with him right after to cope 😂
OH we have also been doing more historical reenactment! Since the last one in the 20's we jumped back to Regency times. We have been putting our outfits together for a ball soon and hopefully another one in autumn in the UK 😊 1800 is the farthest back in time we've been yet so it's been fun doing research, finding pieces and learning the dances in class but also very hectic. I'll share more about this soon!
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Then we also have a couple of 1900 events coming soon, so I'll be sharing more Edwardian looks as well, our favourite era!!
Anyway I think that's all for now, thanks for reading to whoever is doing so!! I know this is long and not a popular blogging format anymore but I enjoy it a lot, maybe some of you do too 🥰 I will reply to some messages soon, I'm so sorry I'm so bad at keeping up with those!! I've read them all and cherish every word 🥺 Thank you for supporting my art and shenanigans as always!! I hope you have a great week!!
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scoobydoodean · 8 days
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How did, you think, the perception of Dean come to be so twisted/different from what is actually shown to us? Like some things I can see people just not bothering to look past superficial instances (The “no chic flick moment” thing, assuming that him not having Sam’s level of formal education means he’s automatically unintelligent because people assume that irl, for example) but others (Him being emotionally constipated in fandom but genuinely one of the most introspective and emotionally intelligent characters in canon, making him a slob/a bigot/an abuser, or someone that only hunts for the thrill of the kill) just… I can’t even begin to understand and it’s so homogeneous in the Fanon Mindset too.
I honestly do think a lot of these relate to Sam in an interesting way. A lot of narratives about Dean are in "contrast" to Sam. Sam is smart, Dean is dumb. Sam is introspective and emotionally intelligent, Dean is repressed. Dean is a slob, Sam is neat. We get many of these ideas from or through Sam.
Sam sometimes makes digs at Dean's intelligence (though he's far from the only one—even Dean himself is guilty of it) and people just kind of buy into that and regurgitate it despite the many examples we get to the contrary. In fact (and I wish I had tracked this in particular over this rewatch but I noticed how often it was happening pretty late) Dean is often referred to as dim-witted right before or right after displaying exactly how brilliant he is.
I think a lot of the idea that Dean is emotionally closed off also heavily comes down to Sam... because Sam is often the person asking demanding Dean open up, and when Dean refuses to open up to Sam, and Sam starts spouting off pop psychology talk about it not being good to "bury your emotions" or whatever... people buy into what's being sold to them... by Sam. Sam is selling a story that HE is emotionally healthy, but Dean is NOT emotionally healthy, and the details of what is upsetting Dean need to be pried out of him for his own good. When the truth is, 1) in many cases, what we are actually seeing is Sam being pushy and not respecting Dean's boundaries 2) many of these instances show Sam urging Dean to open up to him as a proxy for his OWN feelings that HE is avoiding (ex: 2.02, 5.11, 13.04) 3) other instances demonstrate that he is a poor confidant for Dean who is best avoided because he will harm Dean using what Dean's opened up to him about (ex: 2.09/2.11, 4.08/4.14/4.18/4.21, 6.02, 13.04). 4) Other episodes simply demonstrate that Sam is not always a preferred confidant because of their upbringing or whatever other reason but is still willing to be vulnerable with others (even if spurned by them too) (ex: 2.03, 3.10, 3.16, 4.15, 4.16, 4.22, 5.07, 6.02, 6.06, 7.04, ). And even then... Dean still opens up to Sam quite a lot! (ex: 1.16, 1.18, 1.22, 2.03, 2.09, 2.20, 4.10, 4.11, ... I'm losing steam here but you get the idea).
One of the reasons this happens I think is actually a lack of interest in Sam. Because many fans don't spend a lot of time analyzing Sam, they tend to vaguely grasp who he is based on how he talks. Then the issue multiplies when they use him as a self-insert in a fanfic instead of characterizing him as he is in the show, using him to tell Dean or Cas things the author wants them to hear, or to act as a confidant. That further lends to this belief that Sam is some High EQ Therapist Lite type who is endlessly sensitive and vulnerable and Dean is uniquely in need of Someone To Help Him Get His Shit Together.
The idea that Dean is a slob I give people a little more grace with, because I think it likely comes about more honestly through how Dean eats—and this is one area where Dean absolutely is not neat. He tends to ignore manners when eating, and I think a lot of people extrapolate from "Dean doesn't care about table manners" -> "Dean is a slob". Dean actually having some issues with germs at times is something members of the writing team have messed up before. It might also be related to Sam's weird perception of manners surrounding food (i.e., not eating food in other people's houses even when it's offered to him for some reason) and people associating his overemphasis on that with "neatness" in contrast to Dean.
Another angle here is probably classism rearing it's ugly head. Because Dean has less formal education than Sam, he has to be a slob, and he has to be emotionally closed off, and he must be a bigot, and etc etc etc.
The reasons some people insist on Dean being a bigot or an abuser are more nebulous (many forms of bigotry may be under discussion, many moments might be chosen as "proof" of one thing or another and that may require some more individual attention). In a broad sense, it's sometimes classism at work here. However, a lot of these ideas persist through certain metas passed around by people who already don't like Dean. Many of them developed a dislike for Dean early on and will always choose interpretations of various events that cast him in the worst light based on their first impression, whether their interpretation is all that reasonable or not. I mean, I could go around saying Sam idolizes a known pedophile and is afraid of people with certain disabilities because he's ableist, and I could insist his interactions with Madison in "Heart" are intentionally written to tell us that Sam is an absolute creep who takes advantage of vulnerable women, but if the goal is to analyze the show in good faith, my analysis ends up being more charitable as I dismiss some of these things as Writer Crimes or things that maybe I wasn't intended to take so seriously or things that are a product of their time. Of course we also all know that some Sam and Cas fans love to shit on Dean for doing the same shit their fave did. That does sometimes leave me wondering if people's selective memory on Sam and/or Cas is more of the issue than their selective memory on Dean, but I also think because Supernatural is so long, and there is SO much fanon content, a lot of people's views on the characters are based around fanon/fanfiction they read in ways they simply don't realize, and that ignorance persists and strengthens as memories of the actual source material become more hazy.
NOTE: I know you know this—but for others: I track some of these things in the following tags:
#my smart bby
#dean and introspection
#bad therapist sam
#dean and cleanliness
#dean minimizations
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springbeemaya · 1 year
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Part of why Willow (2022) is so enjoyable to watch is how it sets up a lot of stuff and then pays it off without bringing much attention to it. It lets the viewer (me) spot it themselves, and be all excited about it. Here are some of my favorites (MAJOR SPOILERS AHEAD):
The golden door. First seen by Thraxus in episode 4 in Nockmaar, it shows up again in episode 6 in the vault holding the Kymerian Cuirass. This is the door supposedly Madmartigan went through to fight the Wyrm, an act Thraxus was unable to follow. His nightmare in Nockmaar is seeing this door and wanting to hopelessly open it. Even if he was not aware of it at the moment, his nightmare is trying and failing to fix the biggest mistake of his life.
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The Crone being a Cashmere princess. In episode 7 Crone appears to Airk as a young princess from Cashmere but it is unclear if any of that persona is actually true. In the same episode we meet an old man who once was a Cashmere paladin on a quest to rescue a kidnapped princess. This shows that the Crone was actually telling the truth, going back to her pre Crone look. It also shows that the Wyrm already tried this plan once and succeeded. It is a very quick set up and payoff but what’s fun about it is that the viewer gets the whole story from two different povs.
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Airk actually knowing the name Brunhilde. In episode 1 we get a typical scene where Airk, established as a womanizer, is asked if he knows Dove’s actual name. He replies that sure, but the viewer expects he’s lying. A whopping six episodes later he almost offhandedly says the name Brunhilde to the Crone, showing that he is more genuine then a type of character he was set up as. And I'm sorry Airk I was trying so hard to give you more glamorous screenshots.
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Elora’s process of learning magic. In episode 2 Willow says Elora has to first master four pillars of sorcery - charms, potions, concentration, and divination, before even trying battle magic. The charms and potions are a major focus of the following episodes, but the other two are more subtle. Concentration, manipulating the matter and forces around you, gets resolved quickly when she turns an okay soup into a good soup in episode 5. Also when she blows up the cage, but I think soup is more fun. Divination happens when over the course of episode 6 Elora can hear an echo of a sentence, and at the end of the episode this exact sentence is spoken by Kit. And after all that, Elora is ready for battle magic montage in episode 7.
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I just think it’s neat! And makes it a really good show for rewatching.
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fjtrickster-blog · 3 months
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Raph Ninpo
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Raph's ninpo is something I think that not only gets over looked but also his progress with it in the series.
I was rewatching season one and couldn't help but reflect that everyone makes a big deal about Mikey being the one with all the mystic mojo and stuff when the one who really does the heavy lifting and is shown to grow with his power is actually Raph.
I mean yes Mikey makes his mystic weapon activate first and he clearly has a knack for mystic stuff. However we don't see Mikey really do much with his powers over the course of the series. So I guess in terms of brothers you have Leo actively struggling with his. Donnie having none of it, and Mikey not having any real issues at all.
But here's a point I'd sit on. Mystics and Ninpo are not the same thing. They are similar but I was thinking on this. Ninpo is made out to be a big deal and is about connection and family and just the power of love. And the cool thing? This is hinted at through the whole of season 1.
BY RAPH.
I wish I could find screen shots to add to my points but while Mikey just makes his weapon work and then has zero issues for the rest of the show. Raph has active progression with his powers all tied to specific moments.
Raph catching Leo is the iconic one of this but there are a few littler ones throughout. Raph's giant form actually shows up as soon as the Paper Theif episode. All his brothers are caught by the giant oragami ninja and Raph charges in and actually for a brief moment goes huge. A more interesting point though that gets over looked Raph uses his ninpo once without his weapons prior to season two. During the late fee episode when they find a mutant silver fish Raph throws his basket ball. If you look during this scene the ball glows with his ninpo energy and that's why it goes through the silverfish and the rental machine. This is the only example of the turtles not using their weapons to use their powers prior to the season 2 finale. It's a fun detail I wish was talked about more because it has implications to the debate of "do the turtles need their weapons" to do things.
A small complaint though is how under appreciated Raph's ninpo can be. Donnie's abilities are free realistate, Leo's straight forward (though not really as abused as they could be c'mon folks I know you've played portal), and Mikey is a freaking wizard who can do what he wants.
Raph however gets "big form hulk smash" which is fair but I hate how his ninpo upgrade is like ignored 90% of the time. More than that there are neat ideas where this power does interesting things like when Raph throws himself with his own big form. More over he has freaking SHADOW CLONES! I want Raph to be Narutoing up the scene! Even if they're not solid (which maybe could make them solid we only have ONE SCENE TO WORK WITH!) it's still a fun thing that can make their total chaos fighting style even better.
SOMEONE APPRECIATE HOW COOL RAPH IS!
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makedonsgriva · 4 days
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I’ve been reading a lot of posts where people talked about watching Yuri On Ice for the first time back when it was airing in 2016 and it really feels so heartwarming and heartbreaking because can you imagine loving a series so much and being there for it from the start only for it to get cancelled.
I watched YOI for the first time back in mid or late 2019 (don’t remember very clearly), after a friend on tumblr urged me to watch it and it just altered my brain chemistry. I watched the whole thing in a day. And then I proceeded to re watch it very soon. I was obsessed. As a baby gay who was still struggling a lot with their sexuality, never comfortable with the labels, the pronouns, all the nuances and always thinking how do I fit myself into this Queer cardboard box with neat little labels, that show rocked my shit.
Viktor and Yuri didn’t need any labels. There was no grand coming out scene, no need to fight against the world for their love and no struggle with their inner self about wtf am I doing or am I right or wrong. They literally just skated and did their work but they fell in love side by side and it was so so beautiful for me.
A part of me was also dismayed because the kiss scene was censored. The touches, the love they showed was subtle. I felt that this meant many could brush them off as friends. That maybe, just maybe, the love wasn’t as strong and maybe I was just deluding myself. It was only after I rewatched it yesterday after years, I realized how wrong I was to think that. And that in turn helped me realize the progress I’d made in my journey to accept my own queerness. Love is not about grand romantic gestures. It’s about being there for each other and lifting each other up and not caring about how the world perceives you. Especially so in queer relationships. It doesn’t matter how some people might perceive Viktor and Yuri as old pals, we know that they are in love.
They don’t have to be incredibly loud. That love is abundantly clear when Yuri asks Viktor to coach him till he retires and Viktor oh so sweetly replies that he hopes Yuri never retires. It’s clear when Yuri changes a jump in the China Cup to show his love for Viktor. It’s clear when Viktor decides to be with Yuri every step of the way from his journey from the rock bottom to the Runner Up of the Grand Prix Final.
We call everything on this ice love and oh YOI you’ll forever be iconic for giving us queers so much love.
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oneatlatime · 5 months
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City of Walls and Secrets
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I am also once again saving the commentary for a rewatch.
I still think rock trains are neat but their inefficiencies hurt my brain. The friction! They should at least install dynamic braking.
That's big. This show has really confined itself to the hinterlands so far, so this is really novel. I had no clue anything this big existed in the Avatar universe.
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Complete nitpick time! Given that earthbending is a thing that exists, why bother making things out of stone with individual tiles like this?
Single most threatening musical sting of the whole show so far goes to an overly smiley tour guide.
Wow! I hate this lady already!
"Oh, Ba Sing Se has many walls! There are the ones outside, protecting us, and the ones inside, protecting us from smelly poors!"
"In case someone brings home a lady friend!" Do you know your nephew AT ALL?
Both Iroh and Zuko are right. Life does happen everywhere and without your permission. But, the city is also remarkably prison-like.
He got them jobs in an afternoon. AN AFTERNOON. Stop it Iroh, you're making me feel inadequate.
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Once a fuckboy, always a fuckboy. This particular leopard can't change his spots, no matter how he tries to dress up his actions in a new law-abiding veneer. I feel sorry for Smellerbee. Her faith in her leader isn't exactly being rewarded.
So... is there a law on the books that makes being a firebender illegal in Ba Sing Se? Because the head-in-the-sand vibe I'm getting from Judy makes me think that the average citizen doesn't even know there's a reason to dislike the Fire Nation. Iroh and Zuko could probably bend as openly as a waterbender or an earthbender could here.
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This whole being handled thing must be dredging up some pretty nasty feelings for Toph. This is specifically what she left behind.
Speaking of precisely targeted torture, Judy is engineered to be as irritating to Sokka as possible. Man of action versus Lady of script.
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What a productive use of time! What an exemplary case of turning over a new leaf!
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Iroh buddy I have news for you regarding the ingredients of tea.
That's like the nicest thing a member of the Fire Nation royal family has said all year.
How to get Iroh's ass in gear: Step 1: Make insulting tea. Step 2: There is no step 2.
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I thought that little thingy in the background was one of those electricity things.
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The attention to detail in this show is stupid. There's a moving reflection of the carriage in the water as it goes past.
Hi forbidden city!
Ba Sing Se has a morality police?
I've already run out of patience with the city and I'm 7 minutes in. I haven't even made it to a commercial break yet!
Their house is cute but the veranda is so substantial that it's probably really dark inside. Also there's a pumpkin hood ornament on the roof.
I don't think you can stop there for a month. Have you guys forgotten the now-doubled ticking clock? Eclipse and comet?
Oh ok we're doing 1984 now. Damn. This show goes places.
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I stand corrected. Everyone knows about the war and would be appropriately non-welcoming to firebending. But not openly. This could be like one of those Bugs Bunny bits where he traps someone in societal rules. If someone told a firebender not to bend, all they would have to do to get the guy off their case would be to ask why they aren't supposed to be firebending. What's the guy going to say, because there's a war on?
Shout out to Pong for doing the Gaang a solid and providing the only useful info since they've arrived.
There is something very Gollum-like about Jet, crouched in laundry on a roof in the dark, talking to his stolen spark rocks.
Sokka. Feet off the artwork.
Time for Toph to weaponise her oppressive upbringing and out-fancy the fancies in the name of ending the war.
Aang can master an element in a couple of months but a qualified expert declared manners to be beyond him.
I just realised that Sokka and Katara don't have a last name.
Sneaking into a Bear's (JUST Bear's) birthday party may be the single least violent infiltration attempt in the show so far.
Smellerbee is very articulate, and it's rare that this show spells out its themes so obviously. No metaphors, just "you're obsessed. It's not healthy." And Jet still doesn't get it. Maybe Smellerbee should have tried metaphors.
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Normally glowy green stuff is bad news, but all of Ba Sing Se's green lighting is surprisingly cozy.
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Sometimes, rarely but sometimes, Zuko has to put up with a lot of nonsense.
A raise? Did I miss a timeskip?
Busting in to a local business, yelling about the enemy, pulling out a lethal weapon: How to Look Sane, A Guide by Jet.
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Customers, amirite?
I guess the Bei Fongs are too minor as nobles?
"You don't know what I had to do to get seats this near the bear!" but I want to.
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I know this guy's voice from something.
Momo ghost plan. I want it.
Pretty funny that the busboys plan works better than the fancy ladies plan. Goes to show you should always play to your strengths.
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Get de-wheated punk.
I'm not sure I've rooted for Zuko this wholeheartedly since The Storm.
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Jet be like.
Judy is not good at her job. Like really not good. Her insistence on getting out of there before they cause a scene caused the scene. Nice going!
The music slowing down when Judy's face falls is really effective.
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You ever get the feeling that it should be Aang who ran away to the circus rather than Ty Lee?
Actually a travelling circus would be a great way to be, and remain, an incognito airbender. Aang should have done that rather than frozen himself. Ok I'm not sure how much say he had in that, but you know what I mean.
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For the first time in his life, Zuko has people take his side. It's too bad that it's based on a lie, but it must feel nice.
I would have preferred if Zuko had a clean win against Jet - they're both great with swords, but I thought Zuko was better - but an assist from the funky hat police works too.
I'm getting some funky vibes from the funky hat police.
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Bye! I won't miss you!
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The face on the guy on the left is the funniest part of this episode.
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Now these are some funky hats.
I know this scene is supposed to be scary and tense and action-packed, but I can't get over the fact that the king just did a drive by. They carried him in one side and out the other. This concludes the King's presence at his Bear's birthday party. He's a very busy man, you see.
Long Fang's title keeps getting fancier.
Brain washing crops up quite a lot in kids' cartoons. This is not the first time I've seen this plot beat.
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Forget the Fire Lord. Forget the Fire Nation. Long Fang just threatened Appa. Long Fang has to die now.
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The Judys are replaceable. Given everything else this city seems ok with, they're probably disposable too. Yikes!
Final Thoughts
This episode was probably the most expository I've seen this season. Maybe even the whole show. It was a big infodump with barely any humour. Actually that's wrong; there was humour, but not to my taste.
Jet is infuriating as usual. I think the writers are going for the villainous decay trope, because smooth-talking season one Jet hasn't reappeared once.
I feel really sorry for Smellerbee and the archer guy. I wonder if they even wanted to go to Ba Sing Se in the first place.
Once again, for the third episode in a row, Zuko is one of, if not the, most reasonable character. Season one shouty Zuko is gone. Is this what I think it is? Has Zuko really turned a corner? If so, I'm liking (rather, disliking less) this new Zuko. This is good. I'm also surprised, because in my experience, if you want to domesticate someone, you don't put them in a customer-facing role. That will have the opposite effect and make them turn feral.
Iroh is having too much fun. It's good for him to have something of his own going on. I think he's been in Zuko wrangling mode 24/7 for the last two? three? years, so he definitely deserves to pursue his own interests for a bit. But I can't see Zuko being a tea boy for long before he's back to needing wrangling.
What's the long term plan though? Are Zuko and Iroh going to live the rest of their lives in Ba Sing Se? Are they waiting for something? Are Iroh and Zuko functionally dead, with Lee and Mushi taking their place?
I will give the show credit for finally coming up with and antagonistic force that Aang & company can't just bend or talk into submission. Bureaucratic tomfoolery covering for authoritarian censorship and information suppression and re-education was not something I'd ever have expected in this show, because it's a little too much like the real world, if you know what I mean.
I don't like seeing our heroes unable to triumph, so this episode was kind of uncomfortable to watch. It felt off the whole way through, which I credit to that creepy music box tune that played throughout. The soundtrack of this episode was a cut above what I usually hear in this show. I noticed it more than I usually do, and I mean that in a good way.
As someone who'd be lucky to pass as a busboy, upper class intrigue and social games stuff doesn't do it for me, so this wasn't an episode I was going to enjoy anyway. I preferred the B plot with Zuko and Iroh, for the sheer absurdity of the concept. Imagine you're in 1950s London, having barely survived the Blitz, and you come across Himmler working in a pub. It's so odd that it almost wraps back around to normal again.
I didn't find this episode very enjoyable. I don't like the forced inactivity that's been imposed on the Gaang. The humour was not to my taste. The worldbuilding was substantial, but - probably thanks to Joo Dee, whose name I've definitely been misspelling - it felt inorganic, like a lecture. Which the writers do lampshade by making Joo Dee sound like one of those audio guide things you rent from tourist attractions. But lampshading a fault does not make a fault go away.
Thanks to what happens to Jet, I know that the people of Ba Sing Se don't dare even think about the war, for their own safety. But after spending more than half a season being shown every type of refugee and victim of war in other parts of the Earth Kingdom, I could not bring myself to give a flying fuck over Pong's concern for keeping his house. The city is frustrating, the officials are frustrating, their priorities are beyond frustrating. Zuko was right when he said he didn't want to make a life there, although I did find the lower ring where Zuko and Iroh are to be far more comfortable than the high ring where the gaang is.
This episode makes me want to bite something.
And still no Appa.
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feelingpure · 6 months
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Fellow Travelers | The Orange Elephant in the Room
Alright, let's talk about it.
For those who've watched the available episodes of FT so far; I'm sure we've all noticed the citrus haze they all seem to be living in.
Especially if you've attempted to edit/GIF any portion of it. The struggle is real and I'm sure has inspired many colouring dilemmas.
And we're all asking "WHY?!".
Now, I'm writing this having not looked up anything about it. So I dunno if anyone responsible has made a formal confession.
One of my initial thoughts around it was; okay... so is this just a 1950s thing? But after watching (and rewatching) episode 2, I feel like it's part of the story in a different way; It's clearly a stylistic choice, yes (I should hope that doesn't just happen by accident). But it also seems to double as a narrative choice.
Putting the rest, with image examples, under a cut because it's kinda long.
Warm vs Cool
The conclusion I've come to is pretty simply, one that we've seen used across media in a lot of movies and shows. Warm tones used to colour scenes that are meant to literally be 'warm'; a loving environment or somewhere where the character(s) feel like they can be themselves. Cool tones used for scenes where it's quite the opposite; a cold hostile environment where the character(s) does not feel welcome. Gradients in between for all the neutral/'greyarea' spaces.
Consider
Cool/neutral outdoor bench scene (with park spies around):
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Maybe it's an indoor/outdoor thing? No...
Indoors (even with the mandatory orange lamps nearby) they stay pretty neutral:
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Night time/day time thing? No...
Night time vs day time in Tim's apartment:
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Compare it to day time neutral alone Tim in the same room before. The difference is that he's with Hawk, out of sight of any would be naysayers.
So yeah, while I am mad about the colouring for giffing needs, I do think what they're doing is pretty neat, and the POC in the show look glorious in the warm tones.
The warm/cool motif is dialled up even more in episode 2, with the contrast of Mary's warm welcoming party and Hawk's cold af family gathering (even though they still have the orange lamps/sconces around, they add nothing to the warmth):
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🥺 Ugh, Tim at Mary's party. Might be my favourite part of the episode, alongside the kissing n spooning. Anyway...
The transition of Mary from the same living room where she hosted that party, to the kitchen they were just questioned in:
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That transition made me start paying more attention and go back to rewatch previous scenes just for colour themes.
Interestingly Hawk's apartment seems to live in this neutral/warmish space. It was more warm earlier in the episode, especially when they were in the bedroom the morning Tim left his glasses. But in general it's a lot less warm than Tim's apartment when compared; still their skin glows with a hint of tangerine:
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Of course, not only the lighting/colouring but their outfit choices say a lot. Tim is usually in the warm browns with his dress, while Hawk pretty much sticks to black, white, grey (hints of a cool toned blues and reds in his ties). This coupled with the differences in their own living space probably reflects a lot about the character and how 'welcoming' they are to others. Idk... or I could just be thinking too much about it.
This is another really interesting transition in episode 2. As Hawk hangs up the phone in that cool toned side room, opens the door to the main room of a gay bar, the warm tones literally seem to absorb him in. Which makes sense, this is obviously a gay friendly place in San Francisco. He doesn't have to try to hide any part of himself, like he probably was still trying to do on that voicemail to Lucy just before.
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Now, I could go through and screenshot a load more examples (some scenes with Lucy are interesting, and that lounge/club), but you probably get the gist, you see the pattern. If not before, on your next watch, you'll certainly see it.
This has got longer than intended; I'd be surprised if anyone got this far, I did NOT fully organise my thoughts before I started this, I just began rambling and I feel like it could've been more organised and laid out better. But if you have thoughts about the colouring, I'd really like to see those too. 🤗
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the-s1lly-corner · 5 months
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Gooooood day to you wonderful author! I hope you’re having a swell time and that those pesky wasps called negativity are swatted and shooed away. I’ve scrolled your work and have thoroughly enjoyed your stories and thoughts, so maybe if you would be so kind as to hear me out, I’d gladly pay you a penny for my thoughts!
The TADC work is brilliant, and thus I had an idea! What if this rambunctious crew, met a their S/O who is rather cartoony in nature and take to the world of the circus rather well, being bouncy, stretchy and all around a ball of joy as they embrace this toon power they’ve been given.
The idea came to me when I was fiddling with a sticky hand, whilst rewatching the pilot, and thought how amusing it would be to see someone embrace these looney toon abilities.
TADC cast x cartoony!reader !
yahoo i now have some down time to take a crack at requests today! im making gingerbread cookies, peppermint macarons w/ white chocolate ganache, and double chocolate macarons! all for a friend as a christmas gift! yahoo!! waiting for the first bath of macarons to dry out before baking; cant do both since i only have one decent sized pan that can pit my silicone mat without it bending... bent macarons..... thinks also dullahan by worthikids has me in a death grip rn so im playing that on loop while i tackle these requests i am going to go insane!
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CAINE:
oh this man fully embraces it... in fact he even encourages it, i think! i mean caine himself is pretty whacky and cartoony, it only makes sense thats hes going to really enjoy you. i think his approval may lead to you being a little more rowdy than you normally would be with anyone else... likes to use IHAs to see how far your funny physics can go... bonus if you get those little... emote things when you're feeling an emotion particularly strongly (ex. hearts for adoration, the red vein for anger or annoyance, the blue line things to express sadness or disgust and the like. stuff like that idk i just think that would be neat). you guys get outright silly with it, totally funky, completely strange you know? whimsical, even! plus i like to think that caine has a touch more "cartoon physics" than the others but thats just admin being silly
POMNI:
obligatory "pomni is put off by it at first thanks to her being new and having to adjust to the physics of this new digital world.... well adjust to the digital world as a whole" so without a doubt, shes going to look mildly uncomfortable or confused when you just fully embrace to funky cartoon physics of the world. in fact it even looks like your physics are even more cartoony than everyone else's... odd.... i think it would take her some time to get used to it, but she wouldnt try to be rude about it or make you feel bad for her surprise discomfort, you know? doesnt like when your rambunctiousness makes you a little reckless, though, but thats just her care for you showing! you can be a little overwhelming for her, sometimes, by being all... bouncing off the walls... literally and physically... communication is key here if you guys want a decent relationship; be it romantic or platonic
RAGATHA:
for the most part she loves you for who you are, and your randomness and shenanigans do put a smile on her face more often than not. she just finds you so endearing, and finds your funky physics to be just as cute! buuuuut.... sometimes you can get overwhelming... ragatha already has so much on her plate, with being this beacon of optimism for herself and others, the IHAs, having to make sure no one is at each others throats.. i mean i know we only have the pilot to work off thus far but ragatha gives me mediator vibes. so getting back on topic, i do think that sometimes she needs to be firm and let you know to tone it down, or to let her have a moment to herself because the last thing she wants to do is make you feel bad if she gets too irritated... holds
JAX:
another obligatory thing but you can stretch and squash hes going to try to find a way to tie that in with a prank or one of his jokes. now if youre teaming up with him or the one being pranked really depends on how jax feels; because i think even his "partner in crime" wouldnt be immune to his bullshit. but consider, given the readers personality, what if theyre a little bit of a prankster themselves and they utilize their extra bounciness for pranks; effectively starting a prank war with jax. like imagine the chaos that would spew from something like that. i could go on a tangent for that, but the admin has a pea brain rn TToTT
has probably crushed you down into a ball shape and used you as a bowling ball. throws you. au where reader is in the circus but theyre the bowling ball jax throws at kinger
KINGER:
honestly he might mistake you for an npc at first and be wary of getting close to you because... well you arent real... except you are..! it takes him a while to realize that, he didnt know someone as whacky as you could exist, and hes been here for a long while! that said when you guys do befriend each other. please try to tone down any recklessness that may come with your rambunctiousness, this poor old man is already stressing out enough about things...! dont give him a heart attack,..! though i guess the bonus of having funky whacky body physics is that you give good hugs and/or cuddles since you can easily and comfortably wrap yourself around the other person.... ponders... so you know what, at least hes comforted via that
ZOOBLE:
easily irritated so you guys are going to have to work together to make things word; so zooble doesnt too overstimulated and so you dont have to change or greatly suppress yourself. say it with me: communication is key, baby!!! definitely takes a lot of time to make something work.... stealing this idea from jax's part, but if youre in the middle of a prank war with jax, where its just you and him going at each other zooble is going to be sliding you ideas and perhaps might come up with ideas to utilize your weird anatomy... very evil, they just want to see jax get karma, i think...
GANGLE:
also can get easily overwhelmed with your wild personality, but not so much in an "overstimulated" way and more so a... wait no i guess thats the best wording for it? plus gangle seems to be the type of person to enjoy her calm and quiet peaceful time, when shes not thrust into the chaos of an IHA... so similar to zooble, you guys are going to have to do a lot of communication and teamwork if you want a good relationship. gangle DOES feel bad, though, like she is inconveniencing you... please reassure her... not many ideas for the whacky physics thing here, simply because i dont think she would have any special thoughts about anyone's looks or bodies if that makes sense
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tojitsukaisen · 2 years
Text
Dramatically in love with you.
Toji x reader
genre: flufffff fluff fluff i need more Toji fluff
warnings: none, a tiny little bit suggestive at the end.
notes: hi, this is my first ever fic, i've never really written anything like this, so I hope you like it. let me know in the comments. no i will not apologize for the cringe title. oh yah the reader is a bit oc (ok just me) but i hope it's still relatable. hope you enjoy lovelies
Toji swears he loves you. He loves you so much he puts up with your weird domestic habits. He puts up with the fact that you leave cupboard doors open after you’ve used them as if it doesn’t even occur to you to close them as your mind is already focusing on your next task. He puts up with the fact that he’s bonked his head more than once on those damn things when he steps into the kitchen. He doesn’t say a word when you leave clumps of your hair on the shower walls. He only curses inwardly when steps on yet another fucking bobby pin. He doesn’t consider himself a neat freak; he’s lived, slept, ate and shat in a whole lot worse, so he puts up with a bruise here and a sore toe there. He deals with your high-pitched screams and the fact that he is yet again on jar-duty as he chases a spider through your shared apartment.
Domesticity the way you present it is something foreign to him. While your warm personality sharply contrasts his stoic demeanor, your brazenness is something you two have in common. You don’t hold back on who you are, and he doesn’t really mind the fact that you piss with the bathroom door open sometimes, while continuing some inane story about your day, or that you don’t bother going outside to fart. He honestly loves you and your little quirks and the fact that he gets to call you home. His cute little girlfriend who broke down his walls and managed to sledgehammer through them with your bold moves, your kind eyes, your sharp tongue always followed by a loud laugh, the strokes of your fingers on his calloused hands and his scar-littered body, the morning kisses and the daily effort you put into making sure he feels loved and cared for as well. He swears he will love you until the day he gets dragged into death by the ankles. And beyond that.
He's reminding himself of all these things while fighting the urge to groan, roll his eyes, and throw a pillow at the TV that’s currently displaying a drama series you’re rewatching for the umpteenth time, and with one sharp look from you he’s reminded that he lost that fight.
“What’s got your panties in a twist?” you pout at Toji.
“Ya know before ya got here I used to watch actual good shit, right? Something that’s actually fucking interesting. Not this yappy supernatural cry fest.”
“Okay, grandpa. I bet those horse races were real titillating.” You spit back sarcastically.
Toji tsk’s as a response and kicks your feet off the coffee table and reaches for his beer. It never ceases to make you laugh how your 6 feet tall tank of a boyfriend can throw tiny temper tantrums like these. You pause the show and go to retrieve your pillow.
“If it bothers you so much, I can watch it on my laptop, and you can watch the news or some old people program like bingo or some-“
“It’ just..” he interrupts you “I don’t get why she kept that information from him when she knew she was pregnant at the time.” He lectures while pointing his beer at the TV.
“I- what?”
“The chick from the show! I get that he’s an asshole, but you’d think she’d get off ‘er fucking high horse an’ tell him about the pregnancy, definitely knowing she’s cursed or some shit, wasn’t that her? The one who got cursed last season? Or was that the evil twin sister or something? I can’t fucking listen for one more second about how- what?”
You can’t control your giggles as you hop into a squat on the couch next to him and poke his cheek.
“The fuck you laughing at, brat?” he warns.
Your giggles die down a bit before you crawl over to him and he instinctively places his hands around your waist and pulls you into his lap.
“You’re such a cute hypocrite, Toji. My big strong scary man who supposedly only likes serious content” you chuckle.
“ ‘s not my fault you put this shit on every day, it gets in my head”
“Yeah okay. ‘s not like you're actually invested” you grin at him.
He snorts at that. “You’re a fucking headache, y’know that, sweetheart” he sighs while kissing the top of your head.
You lean into him and smile into his broad tobacco scented chest.
“Yeah right back at ya, dollface”.
Oh, he swears he’s going to wipe that smile off your face later that night when he gets his payback in the bedroom. Or the dinner table. Or the couch after just one more episode. So, for now, however..
“Put the damn show back on, so I can at least know how this shit plays out."
You stifle a laugh as you shuffle in his lap so you’re facing the TV and you press play.
He swears he hates these things, he really does. He’s not invested. He’s putting up with your weird habits. Because god, does he love you. And maybe your dumb little drama series as well.
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