#patch 7.14

[leagueoflegends-confessions]

Riot, I love you for the 7.14 patch Taric buff!. Seriously, I love you, Riot. The changes with his Q make the heal decent. The E change is pretty good; a 1.25 sec stun throughout all levels is nice. It’s like a gift from the gods, this buff. Now I can play my boy more! ❤️

Art by @cangsir

#svadalica #league of legends #league #lol #submission #confession #taric #patch 7.14

[evaria]

ADC in 2017

#league of legends #funny #lol #guess i'll die #adc #attack damage carry #marksman #thornmail #bramblevest #patch 7.14 #adc in 2017 #caitlyn #vayne #jhin #graves #jinx #lucian #look at my fabulous shop work

[niche-pastiche]

SPN Clown Meta no one asked for.

From the person's mind that brought you the SPN Gun Meta no one asked for. It's the SPN clown meta no one asked for!

Though a more accurate title would be:

Clowns, Dean's internalized homophobia, Sam Meta and a case for Dean/Ash.

Just a warning up front, this deals with some heavy topics, and if that's not your cup of tea for meta, consider skipping this one

Things discussed within include: Discussion of the heavy implications that Sam is a CSA survivor. Discussion of the serial murderer and child predator John Wayne Gacy (no graphic detail). The "predatory gay" trope. Homophobia of the 1955 "Boys Beware" anti gay PSA variety. That same brand of homophobia, but internalized. The general homophobic background noise of the 2000s.

Use your best judgement and stay safe. I totally understand this meta's not going to be for everyone.

Okay lets start by listing off some episodes with clowns in them/mentioned in them.

2.02 Everybody Loves a Clown written by John Shiban Lots of clowns. So many clowns. Clowns out the wazoo. Going to go in depth on this one later in the post. 2.05 Simon Said written by Ben Edlund There’s a line about clowns. Specifically a reference to John Wayne Gacy. 5.11 Sam, Interrupted written by Andrew Dabb and Daniel Loflin Serial killer and sexual predator John Wayne Gacy's clown art is mentioned when Dean sees some creepy clown art done by Martin Creaser, an extremely anxious frightened man. 7.14 Plucky Pennywhistle's Magical Menagerie written by Andrew Dabb and Daniel Loflin Clown is an evil effeminate man working at a Chucky Cheese who specifically looks for vulnerable children (and brings drawings of their worst fears to life) 11.07 Plush written by Eric Charmelo and Nicole Snyder Clown is just a man. A good man. Mistakenly accused of being a bad man. 14.13 Lebanon written by Andrew Dabb and Meredith Glynn Clown is the literal ghost of John Wayne Gacy 14.20 Moriah written by Andrew Dabb Clown is the literal ghost of John Wayne Gacy. 15.01 Back and to the Future written by Andrew Dabb Clown is the literal ghost of John Wayne Gacy.

Please notice just how much John Wayne Gacy shows up in this. It's not the Joker (Jack Nicholson, Heath Ledger or Mark Hamill varieties.) Not Bozo or Buster Keaton. The go to reference is John Wayne Gacy. We get one mention of Ronald McDonald.

5 out of 8 of those instances are Gacy. Three of them are his actual ghost. There's something going on here.

Now lets take a closer look.

(I put an absolute clown car worth of meta after the cut)

Going in reverse order, we can set 15.01 14.20 and 14.13 to the side right now. John Wayne Gacy is John Wayne Gacy. It's not deeper than that.

But who is John Wayne Gacy? Why's it relevant to SPN?

If we want to understand what 2.02 Everybody Loves a Clown says about Dean Winchester's internalized homophobia, we have to understand what all things he's internalizing. Dean's go to clown reference is Gacy, so it obviously left an impression.

Wikipedia puts it thusly:

"John Wayne Gacy (March 17, 1942 – May 10, 1994) was an American serial killer and sex offender known as the Killer Clown who assaulted and murdered at least 33 young men and boys. Gacy regularly performed at children's hospitals and charitable events as "Pogo the Clown" or "Patches the Clown", personas he had devised."

But that really doesn't give a full picture of who this dude was, or what it has to do with Dean.

Gacy was a horrible predatory man who preyed on teenage boys and if you want the particulars of that you can look it up yourself. It was brutal. There were twenty-six dead, brutalized bodies were found in the crawl space of Gacy's home.

Which brings me to why this meta is about....

Clowns and Dean's internalized homophobia.

If you want to understand the Winchester's framework for who queer people are and what queerness is, you've got to remember that Dean was growing up during the AIDs crisis in an environment where the media he is exposed to is hardly likely to portray gay, much less bisexual men in a positive light. And Dean's ideas of queerness has been shaped by horror movies and high profile sex offenders.

I've never watched Lost Boys, but @deanwasalwaysbi puts it nicely, saying "Dean’s clearly very into Lost Boys, the 1987 queercoded gay vampire panic version of peter pan, complete with AIDS metaphors and fear of family acceptance."

That's the mental stage on which Everybody Loves a Clown is set. Queerness as predatory.

2x02 Everybody Loves a Clown

It's the second episode of season 2. John Winchester has just traded his life for Dean's. Dean is dealing with heaps of survivor's guilt. Their Dad, the head of household. The one traditionally responsible for protecting to the family (and who took that responsibility to unhealthy extremes) is dead.

Everybody Loves a Clown takes place one week later.

And Dean is managing. At the start of the episode, he's rebuilding the Impala. This is a good thing.

The Impala is Dean's childhood home, but also a symbol of himself. It's doing well when Dean is. It's not when he's not. This metaphor is established in the previous episode 1x01 In My Time of Dying during this conversation between Bobby and Sam while Dean is lying in the hospital dying after the car crash:

SAM looks down at the mangled car. BOBBY is there as well. SAM: Oh man, Dean is gonna be pissed. BOBBY: Look, Sam. This... this just ain't worth a tow. I say we empty the trunk, sell the rest for scrap. SAM: No. Dean would kill me if we did that. When he gets better he's gonna want to fix this. BOBBY: There's nothing to fix. The frame's a pretzel, and the engine's ruined. There's barely any parts worth salvaging. SAM: Listen to me, Bobby. If there's only one working part, that's enough. We're not just going to give up on... BOBBY (quietly) : Okay. You got it.

At the start of Everybody Loves A Clown, Dean is fixing things. He's staying occupied. He's putting in the work to get better. And so the car is getting better too. And he's fixing the car because it's something he can fix. He can't save his dad, but he can save this car. The only home he's ever known.

Dean's in rough shape, but he's getting better. He's putting in the work at self improvement.

The boys head to roadhouse, and find Ash asleep on the pool table. Like this. And the pose feels weirdly sexy in a way I can't pinpoint.

Sam moves on when they determine that Ash is not a chick and thus probably not Ellen, but Dean who walked closer, lingers longer.

And glances back while walking away.

Dean gets so distracted, in fact, that Jo is able to sneak up on him and hold him at gunpoint.

When we get our first real introduction to Ash...

Dean starts flirting with him within the first minute of meeting him.

"You got to be kidding me. This guy's no genius. He's a Lynyrd Skynyrd roadie." is a compliment coming from Dean. And Ash's appearance tells Dean enough to know that it would be one to Ash too. Dean's tone makes that clear even if you didn't know anything about Lynyrd Skynyrd.

If you watch Dean's body language in this scene, it may look a little closed off, but mostly it looks a lot like the thing guys do sometimes where they'll cross their arms so they can tuck their hands under their biceps to make their muscles look bigger. It's as adorable as it is obvious. And his body is turned towards Ash.

He's flirting. Dean Winchester starts this episode openly flirting with an openly queer man.

Ash responds positively, and Dean moves in closer.

What do I mean Ash is openly queer?

I can not possibly emphasize enough just how loudly queer this feral country boy is. This is 2006. Ash is wearing his gay little vest with his already very skinny frame and he's got one ear pierced.

Please trust me when I say that Country Good Ol' Boys like Ash (who we find out in 5x16 Dark Side of The Moon grew up in a snake handling church) did not pierce their ears in 2006 to be trendy.

People aren't going to see that and think he's cool, or punk. They're going to see it and know he's gay.

Literally the only reason for a guy like Ash to be walking around in 2006 with an earring is because he's loudly and proudly gay.

And Dean notices. Dean's interested.

By the end of that conversation, Dean's body language is open and entirely directed towards Ash. He's impressed. And he's considering it. As Ash leaves Dean takes his chance and complements Ash's hair. Look at that face. That is Dean's flirting face! And Ash is preening under the attention.

Gif description: "By the way, I dig the haircut." Dean flirts. Ash flirts back, preening a little as he says "Business in the front. Party in the back." Complete with a little hair toss of his mullet.

Of course, the second Ash leaves, Dean checks out Jo's ass. As if to remind himself and the world that he's still into women.

Sam's fear of Clowns. Why Clowns? Why Gacy?

Ellen hands Sam the folder on the child abducting clown and is kind of gentle, hesitates a little a first when she says "I was going to give this to a friend of mine."

I think the implication being that she was going to give it to their dad.

Which makes sense considering how almost obsessively protective their dad was of Sam. And honestly, in light of the clown symbolism, I'm feeling pretty dang protective of Sam too.

Okay let me explain. And tie things into another clown episode.

In 7x14 Plucky Pennywhistle's Magical Menagerie, it's heavily implied that Sam was abused by a child predator after Dean left him at one of those play places as a kid. When Dean calls and asks Sam "Do you remember a chain called Plucky Pennywhistle's?" Sam's face looks genuinely afraid at just the mention of them.

SAM: [after a pause] No. DEAN: Really? Could have swore you loved those places. SAM: No, dude, I hated them. Uh, you would dump me and go trolling for chicks. DEAN: It's not like I left you in jail. I mean, those places are supposed to be fun.

Dean asks Sam to go investigate and when Sam expresses reluctance, sounding genuinely scared now, Dean wonders aloud "Yeah, what in the world did they do to you?" And Sam makes a face Dean can't see from over the phone that says clearly they did something.

The reason they stamp kids hands at those kinds of places are to make sure that each kid leaves with the adult they came in with, and while it's better than nothing, it's incredibly far from fool proof.

Dean left Sam in those places unsupervised as a kid, and if Dean's account is at all trustworthy it seems like Sam's fear of clowns was something developed after that started. And Sam would have been particularly vulnerable, as isolated as he was.

The bad guy in that episode turned out to be an employee at Pennywhistle's who targeted vulnerable children. And also targeted Sam Winchester.

In 1x18 Something Wicked, we find out that a Striga who disguised itself as a pediatrician and preys on children targeted Sam as a child. Azazel has appointed himself in the role of an evil coach at evil summer camp and made sexual comments about Mary Winchester while wearing the body of her dead father during 4x03 In the Beginning. (The same Samuel Campbell who Sam works so closely with after he comes back from hell soulless.) then broke into their house while John was asleep and bleed in Sam's mouth infecting him with demon blood. Then, there's a scene from 5x22 Swan Song which only works if watched while remembering that boys and men can be victims too.

In some astoundingly good acting by Jared Padalecki, we watch Lucifer (wearing Sam's skin) bring together people who have all taken advantage of him at some point in the past. An elementary school teacher. Sam's "prom date" (guys can also be coerced into sex) and Doug from "that time in east lancing."

The show doesn't say it outright, but it insinuates it. Rewatch that scene with an eye towards that and it becomes clear. Sam Winchester has been through repeated revictimization. (Sam's storylines are dark, y'all. Ruby was his abusive girlfriend and drug dealer. Meg 1.0 repeatedly makes unwanted sexual advances on him. Sam is dealing with A LOT.) There's themes of self harm/drug use (demon blood) and coercion and being taken advantage of that Sam's stories put center stage and portray as matters of importance to the entire world. This stuff that usually gets wrongfully minimized and dismissed as "teen girl problems", as if that makes it less important.

Is it messed up that this show had to give a man those stories to be able to address them seriously? Yeah. But I'm still glad they did it.

Because Sam's got a lot going on to write meta about if you look past the stories you'd expect based on his gender.

Anyway, it's little wonder why the show uses Gacy's Pogo the Clown as the quintessential clown instead of someone else. Because Sam's fear isn't really about clowns.

Back to Everybody Loves a Clown though. Dean doesn't know about the clown case yet. He's off going through the motions of flirting with Jo but his heart's not in it. And he realizes that so he gives up before even really trying. And like... she calls him on the fact he was going to try a pickup line. There's no chemistry there. Zilch. Zero. Nada.

In the office at the carnival, there are two chairs. One's a normal one, and the other looks like a clown. Sam looks incredibly uncomfortablewhen he has to essentially sit on this plastic clown's lap.

In this episode, we also discover that Dean hates funhouses.

Hmmm. I wonder why? Is it because they're full of mirrors that reflect yourself back at you, but distorted. Is the metaphor a little too on the nose surrounded by all those clowns?

At the job interview for the traveling circus or whatever, this exchange happens:

MR. COOPER: You see, this place, it's a refuge for outcasts. Always has been. For folks that don't fit in nowhere else. But you two? You should go to school. Find a couple of girls. Have two point five kids. Live regular. DEAN is about to say something, but SAM leans forward, eyes serious. SAM: Sir? We don't want to go to school. And we don't want regular. We want this.

Dean sits back and shuts up, looking at Sam trying to figure him out.

Suddenly Sam has started caring about what "dad would have wanted" now that John's dead. (Please take a moment to note that the entire plot of season 2 is about how the demon that their dad has been trying to hunt down and kill is one that sneaks into children's nurseries and bleeds in babies mouths and kills their mothers. This show is not subtle with its aids fears. But they're all filtered through a bizarre brand of masculine right leaning home invasion fantasy.)

And Dean's stuck reassessing how safe it is to come out of the closet right now.

Anyway, the rest of the episode happens and Dean and Sam fight a child abducting clown in a funhouse and Dean hates fun houses and Sam hates clowns.

And then it's back to the roadhouse.

What's with Dean's lack of chemistry with Jo?

I swear this interaction with Jo looks more than anything like she's trying and failing to flirt with Sam. But Sam's just being an idiot and reads it wrong.

I know that's not what they meant for it to look, but that's what it does look like.

And then we're back to Ash again with the way Dean says "Hmm. Can I be honest with you? See, normally I'd be hitting on you so fast it'd make your head spin. But, uh, these days... I don't know."

This is a boy who's probably not fully aware that bisexuality is even a thing. But Jo seems a bit more informed. "Wrong place, wrong time?" Jo replies knowingly, as they are waiting for Ash to return any minute now.

"Yeah," Dean mutters, not making eye contact.

"It's okay. I get it." She assures him.

And then Ash opens the door. Returning triumphant. And this time he's lost the shirt he had on under his home made vest. He's showing significantly more skin, and dropping a Pink Flamingoes reference.

Pink Flamingos is a cult classic and it's extremely queer.

This feels like Ash is testing Dean to see if it was just a fluke or if Dean really is queer.

To admit knowledge of Pink Flamingoes is to admit to some level of familiarity with queerness. And Dean does.

Sam looks confused at the reference, but Dean just takes it in stride. Ash glances at Dean, and then continues.

And then Dean, reaches out to touch Ash's laptop. And the way it is filmed is... It's kinda sensual? Anyway, Ash drinks Dean's beer. Ellen, who took in this squirrelly country boy after he got kicked out of M.I.T. for "fighting" (i think it was probably self defense), and who is raising this kid like he's one of her own, watched this interaction and offers them a place to stay.

Ellen hands Dean an excuse to stay the night.

Somehow I get the feeling Ash doesn't have a lot of friends. And even fewer queer ones. Ellen is being a good adoptive mama to this young gay man who likely has no other family to turn to. The entire roadhouse is so gay. I love it, y'all. (Even the gun Ellen pulled on the boys was a really butch choice. Gender roles are something that happen to other people in the Harvelle's roadhouse.)

But Dean says no. He's not quite ready to come out yet. But he's so close.

And then Sam and Dean are back at the Impala. Dean's Baby. Having a heart to heart about Sam's feelings and grief over their dad. Grief that Dean is (at that particular moment) doing his best not to wallow in. I don't think it's a coincidence that Dean is considering exploring more of what life has to offer right after John died in suspicious enough circumstances that Dean can guess that some kind of deal was made, even if he doesn't know for sure yet.

SAM: I miss him, man. And I feel guilty as hell. And I'm not all right. Not at all. (Tears in his eyes.) But neither are you. That much I know. (pause) I'll let you get back to work.

But Dean is listening to Sam here as someone who was just starting to think that maybe it's alright to be queer. Who was thinking that maybe the family he has left would accept him. Would understand that being a little different from who they thought was doesn't mean he's evil or predatory.

Dean goes back in the closet and hates himself.

They've been fighting killer clowns in funhouses and now he's hearing "You're not all right" as a sign to stay in the closet.

Because now's not the time. Or "it's not safe" or "think about your family" or how he "can't add one more thing for Sammy to deal with right now." or maybe it's just wrong.

So Dean takes a crowbar to the Impala.

Just last episode it was established that the state of that car reflects the state Dean's in as a person. So I think directly attacking his car like, destroying something he loves and cares about, counts as an indirect form of self harm.

So Dean beats himself the car up over it. The part of the car specifically made for carrying baggage around.

And stays in the closet.

Which finally brings me to the whole reason this meta demanded to be written. The episode title.

Everybody Loves a Clown by Gary Lewis & The Playboys.

It is a Dean/Ash anthem. Check out the lyrics and tell me this does not sound like Dean "Undiagnosed Adult ADHD, Internalized Homophobia, Closeted Bisexual" Winchester.

I don't know how to say that I love you 'Cause you would smile and say, "Tell a joke or two" Yes, I'm a clown but I don't wanna be Why can'tcha see the other side of me? Guess I'll be the guy who plays the part Of a clown with a broken heart Dreamin' of your love and not knowin' where to start

This is the episode that sold me on the idea Dean is Bi.

Originally I was going to write more about how Martin Creaser is also afraid of clowns and is so convinced that Benny must be predatory. But I think this meta has gotten too long already so I'll leave it here for now.

Dean/Ash took up too much space for me to get to Dean/Benny. But I think I made my case about the clown symbolism well enough without the Martin stuff.

#SPN meta #sam winchester meta #dean winchester meta #ash spn #Swan Song #myspnmeta #spn 5x22 #Sam Winchester #SPN Clown Meta #Dean Winchester #kripke era #Everybody Loves a Clown #internalized homophobia #Supernatural #SPN #Youtube

[mia-japanese-korean]

Sake cup (guinomi), Koie Ryōji, early 21st century, Minneapolis Institute of Art: Japanese and Korean Art

irregularly shaped black sake cup; large white patch on side with speckled black design Size: 2 1/8 × 3 × 2 13/16 in. (5.4 × 7.62 × 7.14 cm) Medium: Glazed stoneware

https://collections.artsmia.org/art/116958/

#minneapolisinstituteofart #artsmia #koieryōji #museumarchive

[addictedtostorytelling]

Hi! In 7.14, Sara looked pretty distraught while she and Brass interrogated Jesse, who killed his mom after she put him up for adoption. Do you think the case kind of… had an effect on her? Jesse was in the system and obviously went through trauma due to his mother. It might be a stretch but do you think it was one of the episodes that built up towards her departure in the future (and her eventually kinda patching things up with her mom)?

hi, anon!

this experience is one that i think she definitely reflects back on once she does decide to leave vegas and reunite with her mom.

that said, i believe it's probably more of a justification for than a catalyst of her decision.

here’s how i figure:

certainly, this case affects sara strongly in the moment, as do most cases involving current or former foster children, and especially those with strained relationships with their biological parents.

whenever sara looks at a current/former foster child who is either the victim or perpetrator of a violent crime, she probably thinks, "there but for the grace of god go i."

in particular, jesse's line from the end of the episode probably hits a little too close to home for her: "don't tell me i have a mother, because i don't. i never did. and i never will."

sara definitely knows that feeling, not in the sense of being abandoned since infancy, like jesse was, but rather in the sense that even though she lived with laura during her early years, laura was never really a mother to her in terms of providing for her needs and making her feel cared for and safe; she had too many issues to really parent sara in the way that sara so desperately craved.

i also think sara can relate to jesse with regards to his dual love and hatred for his mother, which is something she talks about at the end of episode 05x21 "committed" within the context of adam trent; while she would never be violent toward laura in the same ways that jesse is and adam wants to be toward their mothers, she understands what it's like to feel such conflicted emotions for one's parent(s).

on the one hand, sara retains a lot of rage for her mother, who was supposed to nurture and shield her when she was young and helpless but failed to (and indeed eventually herself became a major source of pain in sara’s life). on the other hand, even after so many years and so many disappointments, there is still some part of her that would give anything to have her mother swoop in and embrace her and tell her everything will be all right.

she gets the self-loathing that comes from this kind of internal conflict, as well as the disturbing thought patterns.

honestly, that's what probably fucks her up the most in this situation: her awareness that even though she would never take the same actions jesse has, she can understand why he did what he did.

—and that's where i think her distraught look comes in.

it's triggering for her, coming into contact with fractured parent-child relationships in general, but especially in this case, where she feels empathy for the killer.

his parting words haunt her, as in many ways she sees herself in him.

so.

all of the above said, i don't know if after the initial gut-punch wears off she thinks about this case much in the weeks and months that follow, but i do imagine that while she's on the plane to san francisco a year later, she probably hears jesse's words echoing in her mind and ponders whether or not it's going to be possible for her to move past her trauma and "have a mother" in a way he never could.

while this case may not be “the straw that breaks the camel’s back” in terms of actually getting her to leave vegas and go see her mother in the first place, it’s likely something that she looks back on retroactively and thinks, “this is just another example of why i need to address these issues in my life once and for all. i don’t want to be this way anymore. i don’t want to have to carry these kinds of thoughts and feelings around with me forever.”

thanks for the question! please feel welcome to send another any time.

#answered #anon #asks: csi #** #my meta #meta: csi #meta: sara #let's talk shop #07x14 #abuse cw #csi #sara sidle #fcebl #csiverse

[engineerload207]

Git Visual Studio Code

GitDuck is a video chat tool built for developers that has direct integration to the IDE so you can talk, share your code in real-time and easily collaborate with your team. It enables remote developers to work as if they were side by side. With GitDuck you can code with people using different IDEs, like VSCode or WebStorm, IntelliJ or PyCharm.

Visual Studio Connect To Git

Git For Visual Studio Code

Chapters ▾

Visual Studio Code has git support built in. You will need to have git version 2.0.0 (or newer) installed. The main features are: See the diff of the file you are editing in the gutter.

The easiest way to connect to your GitHub repositories in Visual Studio. Download GitHub Extension for Visual Studio anyway. Download Download GitHub Extension for Visual Studio. By downloading the extension you agree to the End-User License Agreement. Requires Windows and Visual Studio.

1. Getting Started

1.1 About Version Control

1.2 A Short History of Git

1.3 What is Git?

1.4 The Command Line

1.5 Installing Git

1.6 First-Time Git Setup

1.7 Getting Help

1.8 Summary

2. Git Basics

2.1 Getting a Git Repository

2.2 Recording Changes to the Repository

2.3 Viewing the Commit History

2.4 Undoing Things

2.5 Working with Remotes

2.6 Tagging

2.7 Git Aliases

2.8 Summary

3. Git Branching

3.1 Branches in a Nutshell

3.2 Basic Branching and Merging

3.3 Branch Management

3.4 Branching Workflows

3.5 Remote Branches

3.6 Rebasing

3.7 Summary

4. Git on the Server

4.1 The Protocols

4.2 Getting Git on a Server

4.3 Generating Your SSH Public Key

4.4 Setting Up the Server

4.5 Git Daemon

4.6 Smart HTTP

4.7 GitWeb

4.8 GitLab

4.9 Third Party Hosted Options

4.10 Summary

5. Distributed Git

5.1 Distributed Workflows

5.2 Contributing to a Project

5.3 Maintaining a Project

5.4 Summary

6. GitHub

6.1 Account Setup and Configuration

6.2 Contributing to a Project

6.3 Maintaining a Project

6.4 Managing an organization

6.5 Scripting GitHub

6.6 Summary

7. Git Tools

7.1 Revision Selection

7.2 Interactive Staging

7.3 Stashing and Cleaning

7.4 Signing Your Work

7.5 Searching

7.6 Rewriting History

7.7 Reset Demystified

7.8 Advanced Merging

7.9 Rerere

7.10 Debugging with Git

7.11 Submodules

7.12 Bundling

7.13 Replace

7.14 Credential Storage

7.15 Summary

8. Customizing Git

8.1 Git Configuration

8.2 Git Attributes

8.3 Git Hooks

8.4 An Example Git-Enforced Policy

8.5 Summary

9. Git and Other Systems

9.1 Git as a Client

9.2 Migrating to Git

9.3 Summary

10. Git Internals

10.1 Plumbing and Porcelain

10.2 Git Objects

10.3 Git References

10.4 Packfiles

10.5 The Refspec

10.6 Transfer Protocols

10.7 Maintenance and Data Recovery

10.8 Environment Variables

10.9 Summary

A1. Appendix A: Git in Other Environments

A1.1 Graphical Interfaces

A1.2 Git in Visual Studio

A1.3 Git in Visual Studio Code

A1.4 Git in IntelliJ / PyCharm / WebStorm / PhpStorm / RubyMine

A1.5 Git in Sublime Text

A1.6 Git in Bash

A1.7 Git in Zsh

A1.8 Git in PowerShell

A1.9 Summary

A2. Appendix B: Embedding Git in your Applications

A2.1 Command-line Git

A2.2 Libgit2

A2.3 JGit

A2.4 go-git

A2.5 Dulwich

A3. Appendix C: Git Commands

A3.1 Setup and Config

A3.2 Getting and Creating Projects

A3.3 Basic Snapshotting

A3.4 Branching and Merging

A3.5 Sharing and Updating Projects

A3.6 Inspection and Comparison

A3.7 Debugging

A3.8 Patching

A3.9 Email

A3.10 External Systems

A3.11 Administration

A3.12 Plumbing Commands

2nd Edition

Git in Visual Studio Code

Visual Studio Code has git support built in.You will need to have git version 2.0.0 (or newer) installed.

See the diff of the file you are editing in the gutter.

The Git Status Bar (lower left) shows the current branch, dirty indicators, incoming and outgoing commits.

You can do the most common git operations from within the editor:

Initialize a repository.

Clone a repository.

Create branches and tags.

Stage and commit changes.

Push/pull/sync with a remote branch.

Resolve merge conflicts.

View diffs.

With an extension, you can also handle GitHub Pull Requests:https://marketplace.visualstudio.com/items?itemName=GitHub.vscode-pull-request-github.

The official documentation can be found here: https://code.visualstudio.com/Docs/editor/versioncontrol.

Those new to Visual Studio (VS) Code might just see a code editor. The true power of VS Code lies in it’s extensions, integrated terminal and other features. In this hands-on tutorial, you’re going to learn how to use Visual Studio Code by working with a Git repo.

Related:What You Need to Know about Visual Studio Code: A Tutorial

Using built-in VS Code tooling and a few extensions, you’re going to write code and commit that code to source control using a single interface.

This blog post is a snippet of a chapter from the eBook From Admin to DevOps: The BS Way to DevOps in Azure. If you like this chapter and want to learn about doing the DevOps in Azure, check it out!

Tutorial Overview

In this tutorial, you’re going to learn how to use various VS Code features on Windows by building a project using Visual Studio Code and Git. You’ve been tasked with figuring out how to build an Azure VM with Terraform as a small proof of concept (POC) project. You have VS Code and have heard of its capability as a full IDE and want to put it to the test.

You’re going to:

Create a VS Code workspace to share with your team

Install the Terraform extension

Modify the Terraform configuration file to fit your naming convention and Azure subscription

Create a snippet for a common task you’ve found yourself typing over and over

Commit the Terraform configuration file to a Git repo

This tutorial will not be meant to show how to use Terraform to deploy Azure VMs. We already have an article on Terraform and Azure VMs for that. This tutorial will focus on learning Visual Studio Code.

Does this sound like an interesting project? If so, read on to get started!

Prerequisites

To follow along with this Visual Studio Code Git tutorial, please be sure you have the following:

VS Code – All examples will be using VS Code 1.44 although earlier versions will likely work as well.

Terraform – All examples will be using Terraform for Windows v0.12.24.

Git for Windows installed – All examples will be using v2.26. If you’d like VS Code to be Git’s default editor, be sure to select it upon installation.

Clone the Git Repo

Since this tutorial is going to be focusing on working with code in a GitHub repo, your first task is cloning that GitHub repo to your local computer.

For this project, you’ll be working from a GitHub repo called VSCodeDemo. Since VS Code has native Git integration, you can clone a Git repo with no additional configuration. To do so:

Open the command palette with Ctrl-Shift-P, type git where you will notice various options, as shown below.

2. Choose Git: Clone which VS Code will then prompt you for the repo’s URL. Here, provide the URL https://github.com/NoBSDevOps/VSCodeDemo.gitand hit Enter.

3. Choose a folder to place the cloned project files. This project will place the repo folder in the root of C:. Once you select the repository location, VS Code will invoke git.exe in the background and clone the repo to your computer.

4. When it’s finished, VS Code will prompt if you would like to open the cloned repository immediately as shown below, click Open to do so.

You now have an open folder in VS Code for the Git repo. You now need to “save” this open folder and all settings you’ll be performing in a workspace.

Creating a Workspace

Now that you have a folder opened containing a Git repo, save a workspace by going up to the File menu and clicking on Save Workspace As….

Save the workspace as project in the project folder. VS Code will then create a file called project.code-workspace in the Git repo folder. This workspace now knows what folder you had opened. Now when the workspace is opened in the future, it will automatically open the C:VSCodeDemo folder.

Now, instead of a folder name, you will see the name of the workspace.

Setting up Extensions

Extensions are one of the most useful features of VS Code. Extensions allows you to bolt on functionality to help you manage many different projects. In this tutorial, you’re going to be working with Terraform.

Open up one of the Terraform configuration files in the workspace along the left sidebar. Notice how an editor tab opens up and shows the text but that’s about it. There’s no usual syntax highlighting or any other features. VS Code thinks this is a plain-text file and displays it accordingly. Let’s remedy that.

For VS Code to “understand” a Terraform configuration file, you need an extension. Extensions are a huge part of VS Code that opens up a world of new functionality. In this case, you need the Terraform extension to assist in building Terraform configuration files and deploying infrastructure with Terraform.

To install the Terraform extension, click on the extensions button on the Activity Bar and search for terraform. You’ll see multiple extensions show up but for this project, click on Install for the top result created by Mikael Olenfalk. VS Code will then install the extension.

Once installed, navigate back to the workspace and click on one of the TF files in the workspace. You’ll immediately see one of the most obvious differences when using an extension, syntax coloring.

Now you can see in the following screenshot that VS Code “knows” what a comment is (by making it green), what a string is (by making it red) and so on. It’s now much easier to read a Terraform configuration file.

There’s a lot more functionality included with Mikael’s Terrafom extension. Be sure to investigate all of the potential benefits you can get from this extension if using Terraform.

Code Editing

Chances are when you find a script or configuration file on the Internet, it’s not going to be exactly how you need it. You’re going to need to modify it in some way.

In this tutorial’s example, you’d like to change the main block label in the infrastructure-before.tf. Terraform configuration file to perhaps project. To do that, you’ll need to find and replace some text. In VS Code, there are multiple ways to do that.

One of the most common ways to find a string and replace it with another is the good ol’ find and replace functionality.

Hit Ctrl-F and you’ll see a dialog similar to the following screenshot. Here you can type in the string you’d like to find and if you click on the down arrow, it will expand and provide a spot to input a string to replace it with. In the screenshot below, you can see options like Aa and Ab| for case-sensitive searching and also regular expressions.

You can also perform a “find and replace” using Ctrl-D. Simply select the text you’d like to find and begin hitting Ctrl-D. You’ll find that VS Code will begin to highlight each instance of that string with a blinking cursor.

When you’ve selected all items, start typing and VS Code changes all instances at once just as if you had selected each one individually.

Saving Time with Snippets

Let’s say you’re really getting into Terraform and Azure and are tired of typing out the Terraform configuration file block to create a new Azure resource group in the following code snippet.

To save time creating these blocks, create a VS Code snippet.

Related:VS Code Snippets: Speed Up Coding with Shortcuts

To create a VS Code snippet:

Copy the azurerm_resource_group block from the Infrastructure-before.tf Terraform configuration file.

2. Open the command palette with Ctrl-Shift-P.

3. Type “snippets” to filter the list of options.

4. Select Preferences: Configure User Snippets. This brings up a list of all the snippet files typically separated by language.

5. Type “terraform” to filter by the Terraform snippets.

6. Select terraform (Terraform) to open the Terraform snippets file (terraform.json).

Visual Studio Connect To Git

With the Terraform snippets file open, remove all of the comments and copy/paste the following JSON element inside.

Note the use of t and the backslashes. You can’t directly place tab characters inside of a snippet. To represent a tab character, you must use t. Also, you must escape characters like double quotes, dollar signs, curly braces, and backslashes with a backslash.

8. Save the terraform.json file.

Git For Visual Studio Code

9. Go back to the Terraform configuration file and type “rg”. Notice now you see an option to expand a snippet.

10. Select the rg snippet as shown above. Notice that it now expands to the snippet you just created with three items highlighted.

VS Code highlighted each of the words to act as placeholders due to the variables defined in the terraform.json snippets file (${1:block label}).

At this point, you can hit Tab and simply type in the values you need without worrying about how to create the block itself.

For a full breakdown on snippet syntax, be sure to check out the Snippets in Visual Studio Code documentation.

Commit Code to Git

At this point, you’ve cloned a public GitHub repo that contains a couple of Terraform configuration files. You’ve edited some files and now you’re ready to get those changes back up to the GitHub repo.

To get changes back up to the GitHub repo, you must first use Visual Studio Code and Git to commit changes to your local cloned Git repo. When you cloned the GitHub repo earlier, you downloaded not only the configuration files but also a Git repo.

If you’ve been following along, you should now have the cloned Git repo open with a couple of pending changes, two to be exact. How do you know that? By noticing the number in the Activity Bar, as shown below.

When you have a Git repo opened in Visual Studio Code, you’ll get a glimpse on the number of files that you can stage and commit into a local Git repo in the Activity Bar.

Click on the Source Control item on the left and you’ll see two items; the infrastructure-before.tf Terraform configuration file and the workspace you saved earlier (project.code-workspace). The configuration file will have a red M to the right indicating it’s been modified. The workspace file will have a green U to the right of it because it’s untracked meaning it’s currently not under source control.

To ensure both of these files get back to the GitHub repo, first create a helpful commit message indicating why you’re committing these files. The message can be any descriptive summary. Once you’ve written a commit message, stage the changes. Staging changes in Visual Studio Code in Git adds the file contents to the staging area preparing for a commit to the repo.

While on the Source Control pane, click on the + icon beside each file to stage them as shown below.

Once staged, click on the check mark to commit all of the staged changed, as shown below.

You will probably receive an error message indicating you need to configure a user.name and user.email in Git.

No problem. You simply need to provide Git the information it needs. To do that, go into your VS Code integrated terminal and run the following two commands changing my email address and name for yours.

Now try to commit the files. You should now see that the files commit to the repo.

You can stage all changed files without manually clicking on the + beside each file by committing them all at once. VS Code will automatically stage all of the files for you.

If you were working on a team with a shared repo, the next step would be to push these changes back to the GitHub repo or opening a pull request.

Conclusion

VS Code is a feature-rich IDE. It can not only help you write and understand code better, it can also build and make changes to infrastructure, invoke utilities and more. VS Code provides you one place to manage all of your development efforts.

Although this tutorial only covered a portion of what VS Code can do, this IDE is capable of so much more. If you’d like to learn about what VS Code can do, check out What You Need to Know about Visual Studio Code: A Tutorial.

[briefsublimeenthusiast]

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3.94 MB 144 – Styx – Come Sail Away.mp3 8.36 MB 146 – Bruce Springsteen – Glory Days.mp3 5.91 MB 147 – Edgar Winter Group – Free Ride.mp3 4.30 MB 148 – George Harrison – When We Was Fab.mp3 5.40 MB 149 – Head East – Never Been Any Reason.mp3 7.14 MB 150 – Van Morrison – Domino.mp3 4.24 MB 151 – Crosby, Stills & Nash – Suite Judy Blue Eyes.mp3 10.28 MB 152 – Queen – Crazy Little Thing Called Love.mp3 3.73 MB 153 – Emerson, Lake and Palmer – From The Beginning.mp3 5.84 MB 154 – Spencer Davis Group – Gimme Some Lovin’.mp3 3.94 MB 155 – The Doors – Love Her Madly.mp3 4.51 MB 156 – The Rolling Stones – Under My Thumb.mp3 5.11 MB 157 – Led Zeppelin – Immigrant Song.mp3 3.32 MB 158 – Yardbirds – Heart Full Of Soul.mp3 3.43 MB 159 – Chicago – Saturday In The Park.mp3 5.38 MB 160 – Pink Floyd – Time.mp3 9.75 MB 161 – The Beatles – In My Life.mp3 3.37 MB 162 – Grand Funk Railroad – I’m Your Captain & Closer To Home.mp3 13.96 MB 163 – The Eagles – Take It Easy.mp3 4.85 MB 164 – Crosby, Stills & 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Patch 7.14 Highlights

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[thesinglesjukebox]

BIG SHAQ - MAN'S NOT HOT [7.14] This is still timely, right? Right?

Eleanor Graham: I wonder how all other musicians feel knowing they'll never write a lyric with the visceral impact of "your dad is forty four." [9]

Iain Mew: Grime's personality and energetic use of recognisable tropes make it easy to parody; its humour and self-awareness makes it harder to do it better than it already does itself. Big Shaq's gonzo onomatopoeia succeeds, taking something familiar and stretching it past breaking point and beyond. The rest of it can't do the same -- a silly hook aggressively denying the need to take a coat off is but a small step from "fam, don't @ me." It's part compliment to how right "Man's Not Hot" sounds that the bunch of fumbled jokes around that leave the impression less of a parody and more of someone not quite carrying through on the ideas for a straightforward great. [6]

Joshua Copperman: I kind of love the meme that this begat -- like the Crash Bandicoot meme I kept running into earlier this year, it's mostly harmless, goofy fun. Something's different about "Man's Not Hot," though. Taken on its own terms, it's a well-constructed piece of humor with its own internal logic and payoffs; the way that "when the ting went quack quack quack" teases the ad-lib barrage and the "quick maths" joke is expanded upon with "your daddy's forty-four" in the second verse makes repeated listens somehow rewarding. The actual recording sucks the life out of the performance -- Shaq is too aggressive for the humor to come across the same way, and it runs out of steam after the first two minutes. Still, the "take off your jacket/I said babe, man's not hot" line gets me every time, for how much it reminds me of the repetitions of "Black," and for how it suddenly gives the otherwise nonsense title context. [7]

Kat Stevens: A song I can relate to! I have been that person in the club who refuses to take their coat off, mainly because the patriarchy demands women's jeans cannot have front pockets big enough to hold a phone, and leaving the phone poking out of your back pocket is just asking for it be nabbed by a passing ruffian. My jacket, however, has zip pockets where a phone can be safely secured, and as Big Shaq implies, if you've forgotten to put on your BO-basher that day, then any damp armpit patches are hidden from view by said jacket. Win-win. [8]

Maxwell Cavaseno: First off, "When the ting went quack, you man were ducking" is THE most British bar on Earth, and I love it almost as much as the more often (and deservedly) praised gun noise roll off. Secondly, the absurdity that Michael "Big Shaq" Dappah's infamous Charlie Sloth freestyle (itself a reaction to one of my favorite UK meme providers Roll Safe's freestyle) managed to transcend and become a global phenomenon, piercing the Anglophobia in the US rap community that even Giggs and Skepta getting Drakk cosigns couldn't blows my mind. Is this what it takes? Will Big Narstie or even the likes of Shadrack & the Mandem get an opportunity like this? And why in the world are "roadman" comedians ACCIDENTALLY making singles that show more personality and capability than grime MCs in 2017? [6]

Alfred Soto: Although I prefer the onomatopoetic bits, the existence of "Man's Not Hot" and that it's pretty good means we should keep a sharper eye on memes, God help us. [7]

Rebecca A. Gowns: People have short attention spans these days. A song, a movie, a meme -- they all have to grab you and convince you to stay in the first ten seconds, or you're going to change the channel. The first ten seconds of this song are ludicrous. Did Big Shaq make this song because he believes in that opening fanfare with all his heart? Or did he, on some level, know that it was silly, and that the silliness would lead people to looking up more about him and his music? I believe it. After that initial moment of "what am I listening to?" the rest of the song gallops out the gate. Before you know it, three minutes have passed, the song has faded away, and you've had a fun time, admit it. [7]

[Read and comment on The Singles Jukebox ]

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[grabthelantern]

Minor champion reworks, lethality item updates, and a certain scythe-wielding edgelord are all contained in patch 7.14. Check out the highlights here!

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TSM vs Team EnVyUs | Game 3 S7 NA LCS Summer 2017 Week 8 Day 3 | TSM vs NV G3 W8D3

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Segment by Regions North America Europe China Japan

Segment by Type Power Management System Vessel Management System Process Control Safety System

Segment by Application Commercial Defense

Complete report with Comprehensive table of contents@ https://www.wiseguyreports.com/reports/3724047-global-integrated-marine-automation-system-market-research-report-2019

Major Key Points in Table of Content

Executive Summary 1 Integrated Marine Automation System Market Overview 1.1 Product Overview and Scope of Integrated Marine Automation System 1.2 Integrated Marine Automation System Segment by Type 1.2.1 Global Integrated Marine Automation System Production Growth Rate Comparison by Type (2014-2025) 1.2.2 Power Management System 1.2.3 Vessel Management System 1.2.4 Process Control 1.2.5 Safety System 1.3 Integrated Marine Automation System Segment by Application 1.3.1 Integrated Marine Automation System Consumption Comparison by Application (2014-2025) 1.3.2 Commercial 1.3.3 Defense 1.3 Global Integrated Marine Automation System Market by Region 1.3.1 Global Integrated Marine Automation System Market Size Region 1.3.2 North America Status and Prospect (2014-2025) 1.3.3 Europe Status and Prospect (2014-2025) 1.3.4 China Status and Prospect (2014-2025) 1.3.5 Japan Status and Prospect (2014-2025) 1.3.6 Southeast Asia Status and Prospect (2014-2025) 1.3.7 India Status and Prospect (2014-2025) 1.4 Global Integrated Marine Automation System Market Size 1.4.1 Global Integrated Marine Automation System Revenue (2014-2025) 1.4.2 Global Integrated Marine Automation System Production (2014-2025)

7 Company Profiles and Key Figures in Integrated Marine Automation System Business 7.1 Northrop Grumman 7.1.1 Northrop Grumman Integrated Marine Automation System Production Sites and Area Served 7.1.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.1.3 Northrop Grumman Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.1.4 Main Business and Markets Served 7.2 ABB 7.2.1 ABB Integrated Marine Automation System Production Sites and Area Served 7.2.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.2.3 ABB Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.2.4 Main Business and Markets Served 7.3 Siemens 7.3.1 Siemens Integrated Marine Automation System Production Sites and Area Served 7.3.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.3.3 Siemens Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.3.4 Main Business and Markets Served 7.4 Kongsberg Gruppen 7.4.1 Kongsberg Gruppen Integrated Marine Automation System Production Sites and Area Served 7.4.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.4.3 Kongsberg Gruppen Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.4.4 Main Business and Markets Served 7.5 Thales Group 7.5.1 Thales Group Integrated Marine Automation System Production Sites and Area Served 7.5.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.5.3 Thales Group Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.5.4 Main Business and Markets Served 7.6 Transas 7.6.1 Transas Integrated Marine Automation System Production Sites and Area Served 7.6.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.6.3 Transas Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.6.4 Main Business and Markets Served 7.7 Consilium 7.7.1 Consilium Integrated Marine Automation System Production Sites and Area Served 7.7.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.7.3 Consilium Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.7.4 Main Business and Markets Served 7.8 Wartsila 7.8.1 Wartsila Integrated Marine Automation System Production Sites and Area Served 7.8.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.8.3 Wartsila Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.8.4 Main Business and Markets Served 7.9 Tokyo Keiki 7.9.1 Tokyo Keiki Integrated Marine Automation System Production Sites and Area Served 7.9.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.9.3 Tokyo Keiki Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.9.4 Main Business and Markets Served 7.10 Marine Technologies 7.10.1 Marine Technologies Integrated Marine Automation System Production Sites and Area Served 7.10.2 Integrated Marine Automation System Product Introduction, Application and Specification 7.10.3 Marine Technologies Integrated Marine Automation System Production, Revenue, Price and Gross Margin (2014-2019) 7.10.4 Main Business and Markets Served 7.11 Praxis Automation 7.12 Honeywell 7.13 API Marine 7.14 MTU Friedrichshafen

11 Global Integrated Marine Automation System Market Forecast 11.1 Global Integrated Marine Automation System Production, Revenue Forecast 11.1.1 Global Integrated Marine Automation System Production Growth Rate Forecast (2019-2025) 11.1.2 Global Integrated Marine Automation System Revenue and Growth Rate Forecast (2019-2025) 11.1.3 Global Integrated Marine Automation System Price and Trend Forecast (2019-2025) 11.2 Global Integrated Marine Automation System Production Forecast by Regions (2019-2025) 11.2.1 North America Integrated Marine Automation System Production, Revenue Forecast (2019-2025) 11.2.2 Europe Integrated Marine Automation System Production, Revenue Forecast (2019-2025) 11.2.3 China Integrated Marine Automation System Production, Revenue Forecast (2019-2025) 11.2.4 Japan Integrated Marine Automation System Production, Revenue Forecast (2019-2025) 11.3 Global Integrated Marine Automation System Consumption Forecast by Regions (2019-2025) 11.3.1 North America Integrated Marine Automation System Consumption Forecast (2019-2025) 11.3.2 Europe Integrated Marine Automation System Consumption Forecast (2019-2025) 11.3.3 China Integrated Marine Automation System Consumption Forecast (2019-2025) 11.3.4 Japan Integrated Marine Automation System Consumption Forecast (2019-2025) 11.4 Global Integrated Marine Automation System Production, Revenue and Price Forecast by Type (2019-2025) 11.5 Global Integrated Marine Automation System Consumption Forecast by Application (2019-2025)

Continued…………………….

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