MY DARLING, HAVE I TOLD YOU?
Things have felt different since Tobirama’s return. She has no idea how, or why—but it becomes increasingly clear, over several months, that the fault lies with a certain Uchiha.
Happy birthday, Tobirama!!
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i'm literally insane about the last agni kai and the lightning scene(s). i swear i've rewatched it 10+ times since my last rewatch of the show (which was my first watch in years) and like. azula sees katara come into view from behind. zuko doesn't. he follows azula's gaze and sees katara and is immediately horrified. he doesn't even think or hesitate because he doesn't have time and for once he doesn't have to look back at azula to figure out what she's doing because he knows what she's doing and he won't let it happen. time dwindling into slow motion as a haunting score plays? and zuko literally yelling out "no!" because that lightning absolutely cannot hit katara. as soon as he sees it there's no chance of that ever happening. and then katara watching in horror as the lightning flashes against features in what is probably one of the most hauntingly beautiful animated moments of the show? zuko hitting the ground still convulsing with lightning and katara crying out "zuko!" and immediately trying to run to him before azula attacks again? and the next scene we cut back to with them, zuko is groaning weakly and trying to lift himself up, and we see katara literally gasp in surprise as she realizes he's still alive (i'm sobbing because i do quite literally think she thought he was dead) and immediately tries to run to him again, nevermind that she knows azula is still there, and the hand katara uses for healing is already doused in water as she reaches for him. but then azula starts attacking again. and zuko, despite literally being in so much pain that he can't stand and can barely even move at all without whimpering, still tries to reach for the spot where he can see azula attacking katara. katara is forced to hide from azula's attacks. and as azula is mocking "zuzu, you don't look so good" down to zuko, the perspective shot is such that you can SEE that katara is also looking at where he lies prone in the distance, surrounded by flame (probably wondering how much time they have before it really is too late) before looking back up at azula and realizing she needs to defeat her as quickly and handily as possible so katara can get to zuko. obviously katara would have done this anyway (the whole reason they were THERE was to halt the continued cycle of the imperialist regime of the fire nation), but the scene is specifically framed as katara trying to figure out how to stop azula so the obstacle to her getting to zuko is no longer in the way. katara's defeat of azula was epic and deserves its own post. but then after making sure azula is securely chained, she runs to zuko, looks at him with such immense sadness and horror and fear as she hears him in so much pain, tenderly turns him over so she can get a good look at the wound. and she cups his head? briefly but so gently? so that he won't hit it as she turns him over? and when she tries to heal him you can tell she is so genuinely unsure if it will even work, and so relieved that she starts crying tears of joy when she sees it has (at least enough to keep him alive and somewhat lessen his pain.) they thank each other (and you can tell it's still really hard for zuko to talk and his eyes are barely open but he thanks her anyways i'm.) and she thanks him back and!!! when he starts to try to sit up she makes a little surprised face and then immediately helps him to do so (and puts a tender hand to his chest while she does!!!) and obviously that last shot of them standing together is also one of emotional support, but katara's hand on his back is also partly because i still think (and certainly katara still thinks) trying to walk/stand on his own would be a bad idea, so it's definitely not happening.
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don’t mind me I’m just busy having Feelings over the scene in the Moon Knight tv series where Marc meets the avatars/gods for the first time.
words can’t describe how distressed I got when Harrow showed up and started speaking, dripping poison into the words “he is unwell” with a tint of false concern, just the right amount condescension, and a spoonful of pity
thinking about how from that moment Marc (and the whole system) was disregarded as unreliable despite the fact that the situation had nothing to do with their DID. thinking about how the avatars and their gods stopped listening to him.
thinking about how the moment someone is neurodivergent, or disabled, or different in any way that isn’t palatable, that’s “scary”, they stop being worth listening to
not a person, just something to disregard, lock away, or pity.
And how Harrow got away with it, how he was able to frame himself as the caring “good guy” for revealing this incredibly personal piece of information to a group of people who had no business knowing it, effectively silencing someone who desperately needed to speak. For his own gain.
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Something something Amanda rigging Adam's game so he would die no matter what he did something something Adam is a metaphor for her doubt/ faltering resolve in John's mission something something kill your darlings.
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just passing by to tell yall i'm taking a cinema elective class and i'd love to dissect all of beyond evil's camera angles and shots. my brain flashed BE scenes the entire time my professor was explaining the powerpoint i'm not even joking
the way we were introduced to the characters? those very first scenes? i love how juwon's first and last shots are close ups in a full circle way, but they're entirely different from one another. when we meet him he looks like a git in a bright blue sports car, and when we say goodbye he's smiling softly, almost tearing up, showcasing his character development in his appearance with his hair and clothes
also i think the night they found bang juseon's body is an amazing way to introduce dongsik, with the camera chasing him all shaky in the middle of the night and all, cause that's how the last 20 years have been for him 😀👍
i am, still, going insane over this show
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Idk if this is interesting but since you brought up the French versions tu/vous situation: in German ganondorf straight up uses the royal "you" for rauru where you refer to a person with the plural pronoun and calls him your majesty and such, while rauru also uses the informal you (du) and his first name for him. Which kinda had me shocked, because in fantasy media kings usually refer to each other with the royal you! It definitely felt disrespectful. But also in the German version ganondorf says, roughly translated: "we ask to be allowed to return (to our place) under the umbrella of the kingdom hyrule, if you'd allow us this grace." So here it's implied the gerudo used to be a vessel state and freed themselves, and STILL he gives them "repeated invitations "??? It's soo off-putting
Hey, thanks for the ask and the absolutely wild input!!
So I did a post a billion years ago detailing my feelings about the french translation of the Show of Fealty scene, its tl;dr being: it's wild they decided to go for the the tu/vous distinction because it just adds 26 layers of subtext to the entire exchange --and I don't know how this works in german, but using "tu" on a fellow adult during a show of power definitively has racist history if the context does apply (and here it's pretty hard not to see colonialist accents to the whole situation).
But it's absolutely buckwild that they gave the gerudos this notion of previously being a vassal state? but like when???? when did it happen, was it all... extremely recent history? like did Zelda just dropped at the end of some sort of unification war, where Ganondorf became a hero of his people for..... very concerning reasons? Like did they need a hero *in that context*?
(cue I need a hero etc my brain will now be haunted for the next day or so)
Like... I don't know I'm sorry if I go a bit insane, but I feel like the implication is either that Hyrule was founded in 10-15 years, given Sonia still looks pretty damn young, mid-thirties at most; or that Rauru/Mineru were trying to handle everything for far longer, and Sonia was a late addition to the picture? And so, in that time, they managed to convince everyone to do a kingdom about it --and that would mean the gerudos had time to either join first/be conquered first, and then revolt, and then join again? Like was Ganondorf forced to submit a first time as a younger king, and then return later with a Molduga army, zero-ing in on the Secret Stones, and then going all Demon King???
Yeah, from what I've seen from literal translations, that seems to be a german exclusive (unless I'm mistaken? let me know!) But it's pretty wild how such small changes in translation literally change the game's fabric and the story it tells.
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hi pls talk more about mona im so curious and id like to see the take of another genuine morgana enjoyer
i really like mona. it's like. well. he's a little guy...!!!
he does the whole "non human party member discovers their place in the world/with their friends" thing that the series has done before (though he's not teddie and he's definitely not aigis!) but goes hard every time.
it's neat that in a game that's so much about outcasts we have morgana who is literally a cat (or appears as one at least) who most people can't understand who doesn't even know what his own deal is. i haven't gotten to that one part of the game yet in my replay where they discuss this so no screenshots but you know what i mean!! he's like i don't fit in with you guys... and they're like bud you definitely do! (i believe this is the post-madarame hot pot scene)
the pipeline of being like hmph well im just using you that's all -> i wanna stay! this is where i belong! is cute also. maybe the real best friend is the cat we carried in our bag everywhere we met along the way
(also i don't blame ppl for being annoyed with the "lady ann" thing (persona is really weird about women!!) but it's always read as like. a silly little-brother type crush. to me. and also a joke on the whole "she's cat themed" thing. it's kind of lame/silly but shrug. bro marinated in the collective unconscious for too long so now he thinks a proper gentleman thief means having a lady friend. lmao)
also guys... he's the embodiment of humanity's hope... i feel like we as a society always forget that part. like. wow... he rules in the yaldabaoth fight! he rules a lot! <- i have no structured thoughts on this point it's just very much a thing
also he's just really cute :)
um. mona gender screenshots to finish this off LOL
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