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#out of context heartstopper
fullsaw · 6 months
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Tori I regret to inform you that you happen to be me. Sorry
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chicgeekgirl89 · 6 months
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Out of Context Line
Thanks to @bonheur-cafe for the tag!
From my Heartstopper teachers fic:
“I’m not speculating about anything, I can see it with my own eyes. Nick Nelson is following that boy around like a lost puppy. I’ve gone from having a star rugby captain to having a bloody golden retriever.”
Tagging @lemonlyman-dotcom (if there is a break in the moving hell!), @liminalmemories21, @ladytessa74, @carlos-in-glasses. Sorry if you already posted and I missed it, it's been a busy night!
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ghostampede · 9 months
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just finished hesrtstopper s2 and god i have so many thoughts i may or may not vocalize later but i do want to say darcy’s arc hit HARD and it was the first time i had seen a character come even close to my personal experience being queer in that way and she came CLOSE. and having her be accepted and given love with open arms by someone who loves her and her amazing friends is just very sweet. i fucking sobbed. im out at school but can’t tell my parents, im usually masking in a fake personality so much that for a long time i didn’t think i had a real Self or that anyone could really care about me because of it. and while now its a lot better, seeing a character in the exact same place verbalize it so perfectly and be met with all that was fucking lovely and i just needed the world to know.
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reactorsoutofcontext · 6 months
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"We all want our personal Nick, but most people will never have their personal Nick. And that's why we have climate change."
-Davani Grant
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esperantoauthor · 2 years
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Heartstopper + Discord (1/?)
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lyralit · 2 years
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[gay panic]
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katnissgirlsmakedo · 9 months
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guy who took three days to watch four hours of content and then had literally nothing to say about it because she was so Doing Other Stuff.
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small-godds · 2 years
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I think the most interesting thing watching Heartstopper has done is given me space to both unabashedly express queer joy, and also space to mourn
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andrwgarfields · 2 years
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ok this is the last im going to say on this issue but i hope joe is taking care of himself and just continuing to focus on his A levels, he only has a few more days before he’s free…i also hope that this WOULD NOT deter him from speaking on such important issues 🌸
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purpleyearning · 10 months
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The way Netflix is giving me a birthday present <333
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picturebird · 1 month
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Some Asexual/Aromantic Reminders for Fandom
1. There is no justification for thinking “I like this character better when they’re not aro/ ace.”
Aces/aros aren’t better when they’re allos.
Gays aren’t better when they’re straight.
What that really says: “I don’t like asexuality. I don’t like aromantics.” No matter how you dress it up.
I feel like I shouldn’t have to explain why this is wrong. No character is better when you make them less special.
2. Saying “asexuals can have sex” is a huge oversimplification. When aces have sex it doesn’t make them allosexual, they don’t feel the same things. It doesn’t mean they even enjoy sex. It doesn’t mean they can have sex with a partner. It doesn’t mean they can do it more than once. And it doesn’t mean they have “fixed” themselves and can now love properly.
When bisexuals have sex with someone of the opposite gender it doesn’t make them straight. It doesn’t mean they “fixed” their homosexuality.
3. Erasure can happen in cannon and head cannon. You don’t have to be a professional to participate in it. When social media is flooded with images of an asexual character in sexual situations with no acknowledgement of asexuality, it’s impossible to see the asexuality through it. Maybe it’s not erased, it’s buried in an avalanche.
4. I can name five canonical Aro or Ace characters. The rest are allosexual. In every movie, book, tv show, and comic that’s ever been written. Throughout all of time.
Sherlock Holmes (original novels) who is constantly paired non platonically with Irene Adler or John Watson in his incarnations. No hate on those ships, just pointing out an example.
SpongeBob SquarePants who is asexual because real life sea sponges are asexual.
Rafael Santiago (Shadowhunter Chronicles) who was portrayed in the books as cold and indifferent to people’s feelings.
Isaac (Heartstopper) whose entire story is about being Asexual.
Alastor (Hazbin Hotel) who actually has a personality, a backstory, goals outside of being accepted as asexual, a dynamic story arc, and complex relationships with friends/enemies that are actually fun to watch. Honestly the best ace/aro rep I’ve ever seen: a guy with no interest in sex who actually has a sense of humor!
When the ratio is a million: 5, it’s not ridiculous for aces and aros to ask people to ship someone else as allosexual. Literally anyone else. This can’t possibly be the only option.
5. Creators have a history of not defending asexual/aromantic characters. They don’t fight to make sure people respect their sexuality. It’s always better for business and social media trends to encourage shipping. Sex sells. Romance too. They may be the authority on a character, that doesn’t mean they’re an authority on aces/aros.
6. You can’t show a visual of someone being asexual or aromantic. Not in the same way you can show two girls kissing or men getting married. You can show platonic relationships, but that doesn’t prove the absence of attraction. All fan art with ace/aro people requires context. It’s not hard to scribble a note here or put in a tag or something. It’s also super sweet to see in a post.
7. Shipping and fandom should be about fun. Fun for everyone. Ship freely and kindly.
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thedecadenceofwar · 9 months
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Elle Argent as Jesus Christ: Heartstopper art analysis.
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Yesterday, I made this post where I wordlessly compared Elle's art piece for the Lambert School to the painting that draws her attention at the Louvre, Caravaggio's Supper at Emmaus, a depiction of Jesus breaking bread for his disciples after his crucifixion and subsequent rising.
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Elle's perspective on the painting / a full view of the painting (source)
The first thing I noticed that helped me draw the connection between these two paintings was their composition, the basic triangular lines that guide the eye in each painting; from Jesus and Elle in the center to the innkeeper and Tao at the top.
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Heartstopper also clearly wanted us to make some connection between Elle and this Caravaggio: they focus on her face before they show us the painting, so we wonder what exactly it is she's seeing, which increases its narrative importance. I assumed she recognized herself in a painting; she did, but not in the way I expected.
The National Gallery (see above source) has this to say about the Caravaggio:
On the third day after the Crucifixion two of Jesus’s disciples were walking to Emmaus when they met the resurrected Christ. They failed to recognise him, but that evening at supper he ‘... took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight’ (Luke 24: 30–31). Painted at the height of Caravaggio’s fame, this is among his most impressive domestic religious pictures. He brilliantly captures the dramatic climax of the story, the moment when the disciples suddenly see what has been in front of them all along. Their actions convey their astonishment: one is about to leap out of his chair while the other throws out his arms in a gesture of disbelief. The stark lighting underlines the dramatic intensity of the scene. Typically for Caravaggio, he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.
Jesus, in the story, opens the eyes of his disciples in more ways than one (I pulled my Bible out for this!). First, in the scene depicted in the painting, the disciples do not know that this man is Jesus until he blesses the bread and breaks it for them, revealing himself as Christ. Second is the context in which Jesus comes to share dinner with his disciples: they meet him on the road during the day before, and he interprets the Old Testament for them: (stay with me I promise we'll leave the Biblical stuff and get back to the gay stuff soon)
Luke 24:13-16 Now on that same day two of [the disciples] were going to a village called Emmaus, about seven miles from Jerusalem, and talking with each other about all these things that had happened. While they were talking and discussing, Jesus himself came near and went with them, but their eyes were kept from recognizing him. Luke 24:25-27 Then he said to them, "Oh, how foolish you are, and how slow of heart to believe all that the prophets have declared! Was it not necessary that the Messiah should suffer these things and then enter into his glory?" Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures.
If Safe Space is an exact analogue to Supper at Emmaus, then Elle takes the position of Jesus, and she draws from the story of Christ's crucifixion and rising a trans metaphor.
Death does not always mean death. For example, in the world of tarot, the card of Death does not signify literal Death, but a transformation: that the idea of death is a catalyst for change. If you're trans or non-binary, you understand the idea of the person you were being dead; that's why they call it a deadname. For me, the girl I was is dead. The person I am now, a living, breathing, non-binary person, is alive.
Jesus died and lived again; the boy Elle was died and the girl Elle is lived. Elle takes the spot of Jesus. Elle is risen.
There's another half to this metaphor: of the disciples that don't recognize Jesus. See where I'm going with this? At first, after Jesus had undergone his transformation, the disciples do not recognize him; literally "Their eyes were kept from recognizing him." The fault is not on them – it is another stronger force that maintains their blindness. But Jesus stays with them, despite the fact that they don't know who he is, and he talks to them about the scriptures.
We don't know much about Elle, pre-transition. But we know that Elle, Tao, and Charlie, at least, were friends before Elle's transition, and she had to come out to them at some point. So, in essence, she is Jesus on the road to Emmaus; unrecognized, a stranger, until she reveals herself for who she is.
She takes the moment Jesus tells his disciples who he is and shows what happens when Elle stays. We don't all have the luxury of being the Son of God, who can just pop away at a moment's notice after coming back from the dead (which is what he does, in the story: once the disciples have their eyes opened, he leaves). But this is Elle, out, resurrected, staying.
"So. There've been a lot of changes in my life over the last couple years. But with this piece I guess I wanted to capture a place that holds a lot of happy memories. Even in the darker times. Somewhere I always felt safe."
Safe Space comes after the moment of realization, after Elle comes out, after her friends' eyes are opened. But implied in its source and its inspiration is the moment of truth, the moment of coming out. There's been a lot of that, this season, coming out. There's people that want to and are scared, and people that refuse to and walk away. We never had to go on that journey with Elle. But she's telling us about it, now. She's telling us that it was glorious, that it was godly, that it was religious, that she died and was resurrected.
Before I leave, I want to touch on Tao's importance in this piece. The disciples in Supper are the two men that are seated; the man standing is the innkeeper, who is not quite a part of Jesus' world. Interesting, that Charlie and Isaac, the two people of Elle's group who are part of the queer community, take the place of the two disciples, and Tao, the token straight friend, is standing in the place of the innkeeper; not a follower of Jesus but a witness to the miracle of his resurrection anyway. They are all different people in this painting; different identities, different lives, different loves. But they were all there to witness Elle revealing herself in her resurrection. Tao, afraid of being left alone, is brought into this inner sanctum of Elle's world. Into her safe space.
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booksinmythorax · 9 months
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So you're an adult who wants to start reading for fun, but you don't know where to start
I'm a librarian, and I hear at least once a week from people who sheepishly tell me that they'd love to start reading for fun (for the first time or after a long break). Here's my best advice broken down into bullet points, but start here: there is no shame in being a beginner.
-Think about what you do enjoy and start from there. So you're not a book person. Do you like movies? Television? Podcasts? Music? Tabletop games? Video games? What other media do you like and what does it have in common? Make a little list and Venn diagram that shit.
Maybe you're into stories about fucked-up families (Sharp Objects, Succession) or found families (lots of realplay TTRPG podcasts, Leverage, Avatar: The Last Airbender) or fucked-up found families (various Batman media, Steven Universe, The Good Place). Maybe you mainly watch or listen to stuff for the romance (Taylor Swift music, The Best Man, Heartstopper) or the sci-fi horror (The Magnus Archives, M3gan, Nope) or the romantic sci-fi horror (Welcome to Night Vale). And hey, maybe you're not a fictional media person at all. What do you like? What do you want to know about? World history? True crime? Home improvement? Birdwatching? Gardening? Various animals and their behavior? Human psychology? Cooking? If it's a thing, there are books about it. Start there.
Think about why you started to dislike reading. Did an adult snatch a book you thought looked cool out of your hands and say "Don't read that, it's below your reading level/above your reading level/a comic, not a real book"? Did school give you an endless parade of miserable, bleak books and tell you they were universal stories about the human condition? Or did it maybe only give you stories with saccharine, unearned happy endings, or only show you stories about straight cis wealthy abled white kids, or keep you from reading entire books at all in favor of endlessly dissecting tiny passages out of context? (For some vindication, check out "How Teachers Make Children Hate Reading" by John Holt.) Did you have an older sibling or a friend who was better at reading? Did adults put you in competition with that other kid and make you feel like shit about it? Were you in a situation where you were good at reading in one language, or even more than one, but required to read in another that you were still learning? Did this make you feel like you were "behind schedule" or like you shouldn't read at all? Or was reading just harder for you than it seemed for other people? Did reading give you headaches? Did the letters or numbers seem to float around on the page? Was it hard for you to focus for long enough to get through a whole book? Did you need to learn to read differently than the kids around you could? Did adults punish you for this instead of helping you? (Look, I'm not a doctor, but if any of these apply to you, consider going to an optometrist, a psychologist, and/or a psychiatrist to talk about these things if they're persistent and interfere with your life.) Or maybe you're burned out on reading. Maybe you did an advanced degree in literature or writing or history or some other reading-heavy discipline and you're just tired. Maybe your professors or classmates got snobby about what constituted "literary" works and their good opinion didn't line up with what you actually enjoy. You get to be sad and angry about these things, if they happened to you. They're also clues to how to move forward if you'd like to read more, or enjoy reading more.
Give yourself permission to read whatever you want, in whatever way you want. Wanna start with young adult books? Middle grade books? Awesome. Many of them have stories that are sophisticated and complex. Starting with re-reading the first books you enjoyed reading could help jog your memory about why you initially found it fun. Hell, even picture books are a good start. Have you read a picture book lately? Those things are getting cooler every day. Comics and graphic novels? Those count as reading. Many of them are published for adults, though again, the ones published for a middle-grade or young adult audience are often complex and moving. If you're an anime fan, give manga a shot. The source material for many anime go deeper into the characters and stories, especially now that anime seasons are often truncated to 12 episodes for entire series. (The right-to-left thing is easier to get used to than you think, too.) Romance novels and mystery thrillers and science fiction and fantasy? Those count as reading. Many of the things you might have liked about the books you read as a child or a teenager are present in adult "genre" fiction, and many of the things you might despise about adult "literary" fiction (god, I hate that word, but that's another post) may be absent from those titles. E-books and audiobooks definitely count as reading, and they're often more accessible than paper books for some people. Anybody who tries to genre- or format-shame you is a dick and not worth talking to.
Go to your local library. All right, shameless self-promotion here, I'll admit it. But I promise you, if you walk into a library and say "I'm an adult, I stopped reading a while ago, and I'd like to start back up again but I need suggestions," you will make someone's day. I get asked for my opinion about books approximately once a month. I get asked how to use the printer approximately eighty-five times a day. I love helping with the printer and I'm saying that unironically, but my colleagues and I absolutely adore "readers' advisory" questions. If you come with the answers to the above questions about your preferred genres, formats, and reasons you'd like to read, it'll help the process, but most of us are trained to ask follow-up questions to get you the best possible book match. Do not apologize. You are not bothering us. It is literally part of our job. We want people to know that reading is fun, and you are a people.
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charmac · 9 months
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thoughts on the people harassing glenn and rob on twitter from the macden fandom? they gave us so much s16 and ppl throwing it in their faces by tagging them and asking if they hooked up irl
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Don’t care how famous they are, how old they are or how married they are, it’s literally never okay to directly tag and try and out someone. You said it, that’s harassment.
And what’s the end goal here? Like at best they don’t see it and you just look like an asshole, at worst they do see it and feel extremely fucking weird about it. At like, extreme worst, if either of them are queer, you drum up enough weirdos to back you (the Heartstopper kid situation) and you force one of them to out themselves.
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This pisses me off the most because, like, it’s all fun and games to call MCD their ‘failsonas’ or whatever, but Glenn especially hates people comparing him to Dennis. How is this any more ‘ok’ than commenting on instagram that he’s D.E.N.N.I.S. System-ed Jill? (Hint, it’s really not). In both cases, it’s people trying to apply the character to the actor to entertain themselves and justify their fantasies of Glenn’s real life. Dennis is not. Glenn.
Again, what’s the end goal here? Like what’s the ideal situation you get out of this if one of them sees this and, god forbid, responds? This is such an icky sticky thing to even want to touch on publicly.
So they give us gay content and in return they get Reddit complaining about it and Twitter demanding they ‘admit’ that they’re actually gay themselves. Huh. Wonder why we haven’t gotten anything explicitly gay on screen from Mac yet? Huh. What a mystery?
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toneelspeelster · 8 months
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ethics of motherhood: the jane / charlie spring essay
ever since the release of the second season of heartstopper i've seen so many different opinions on jane spring as a parent; she's the absolute devil, overbearing, completely against understanding charlie and his relationship with nick etc. etc. but i would like to delve into why i think the way alice set up jane spring in s2 is a /great/ gateway into a deeper, nuanced storyline between jane and charlie because, quite honestly - it's clearly long overdue. once again, i'd like to use backstory from the comics to infer what might be happening to jane in the series and how, maybe a bit surprisingly to some - charlie is in some respects a lot more like her than you might think.
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please note: this is not an apology, or an excuse to jane's behaviour as a mother to charlie; i just want to give her actions a context and i think, show the room for growth which I think would be a beautiful, very nuanced, storyline between parent and child to take on in charlie's mental health story in s3/4.
(tw for parental abuse, discussion of eating disorder)
one thing that really informs jane spring as a character and as a mother in general is her own mother. we see in the comics that her mother is a. physically abusive and b. does not allow jane to have any criticism against her and uses that as a reason for the abuse.
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jane later tells charlie the following on her relationship with her mother, acknowledging the effect that her mother had on her - to an extent. she softens the things that happened to her.
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jane knows this of her being a mother: she's overbearing, her mother was too, and she was also hoping to be very different to what her mother was to her.
now what i think is a vital thing to consider is the following: jane grew up in a household where she was physically and emotionally unsafe. she was hit for expressing normal teenage behaviour. it should be okay to sometimes not agree with your parents and pushing back at them. they should provide you with a safe method of communication for doing so but they never taught jane that. as a result, i think it's a very human response of people to try and make sure they deal with things differently when they get older; but that also can result in overcompensating behaviour.
my feeling is that jane is overly focused, i think unconsciously, on keeping in particular charlie safe, and in that sometimes loses sight on making him feel actually (emotionally) safe. because safe means to jane: performing well in school, not doing anything that might be dangerous, but also: keep in line with expected social behaviour. what is the safest thing, jane thinks? that your behaviour is perfect. because if you don't give others any reason to think you're being out of order (in whatever way), you will not get abuse. safe is being perfect, doing everything perfectly. you can and should control your life in such a way that it will be possible for things to be perfect.
and guess who feels that way too?
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kids learn a lot more from their parents than they would think (or even like).
one of the most interesting changes from novel to tv series i think, is the change of having jane not being immediately supportive of nick from the get go; as it fits in quite well with jane's character trait of being focused on charlie's safety (and by extension julio's character, but he goes about this differently and quite honestly... can be quite of a wet wipe lol) and exercising control over his behaviour to make him safe in her own eyes. she wants him to be socially presentable ("please change out of your pyjamas to meet guests"), to focus on school work, and for him to listen to her when she says he needs to come home; in a sense i think she wants to be aware of where charlie is at a given time and not too stay out too late, because the night? that might be dangerous.
we have to remember that charlie was severely bullied only a year ago, and julio's constant reminders of charlie in s1 of please calling him when the situation gets out of hand with nick's circle of "friends", indicates to me that his parents were aware of the bullying, maybe being informed by ajayi bc i don't see charlie being able to tell that to his parents himself. so: nick's "sort" (tao mentions his circle as "exactly the sort of people who bullied [charlie]") are in jane's eyes boys to be weary of.
so when charlie tells his parents, jane doesn't totally trust it.
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this is worsened when it turns out nick is also going on the paris trip. for charlie, that's not the only reason to on the trip at all, but the way the conversation goes with julio's comment that's the reason why he wants to go, this is where nick gets associated in her mind with charlie as something that she needs to be aware of and perhaps even intervene. to make sure he's safe. she needs to control the situation if it goes wrong.
which she does. almost immediately. when charlie shows behaviour out of the ordinary for him and the only cause she sees is nick; he's the new factor in all of this.
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it's like she thinks if she doesn't completely nip this behaviour in the bud in a very hard way, all the bad things imaginable will come immediately. like charlie would flunk school within a few weeks. charlie, who's been a high achiever! julio's response is actually quite appropriate, i personally think: it's not a wonder that you're unfocused bc you have been spending time a lot (which we've seen! on screen!) but also i don't want ban you from seeing him completely, just set some boundaries.
interestingly enough, this is also due to charlie overly focusing his efforts on keeping nick essentially perfectly safe in his coming out as well; unfortunately, in that final scene shown above, he's just realised that he's got no control over nick's coming outs being perfect, as david has shown to be very biphobic and dismissive of nick in a way that neither nick or charlie had any say in or could even prevent from happening. jane has the option of trying to control things because she's his mother and has some authority over his life.
jane disappears in the show after this issue of charlie handing in his course work gets resolved for a while, so it does seem like she very much keeps to her word afterwards.
she comes back in time for some growth. tori rightly mentions that the family dinner is not something that their mum would totally enjoy bc tori has seen the criticism jane has regarding nick. but charlie does know nick, feels emotionally safe with him, especially after their convo in the louvre and nick being open about his dad, so charlie is right in saying nick, as a person not the idea that jane has of him by association, might convince her.
and he does.
nick can be trusted; nick has come out to his neglectful parent, chastised his older brother for being an asshole, mentions he feels happy with his life with charlie and living openly as his boyfriend and apologises to his mother for ruining the dinner (a sign of a well mannered boy!). and when sarah tells jane that this is something that she's never seen nick do and that must be of nick's deep care for charlie, jane thinks..
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and comes around (a bit).
unfortunately, her overt focus on charlie's grades slipping being due to nick's influence in his life completely makes her neglect the signs that charlie is not eating well (that's something that is building up so gradually that i don't think she sees it as an option). there are some great metas on here by @ finnicksannie regarding this being one of the biggest reasons why charlie's grades are actually slipping.
all in all, i just want to close by saying this is a deeply traumatised mother parenting a deeply traumatised son and they both need time and therapy for a better understanding of the communication between them.
and i think the end of season 2 sets up a nice storyline about that quite nicely. jane accepts nick in their circle, but her communication with charlie has not been resolved; it's just a little tick towards her needing to trust charlie more. he's got good instincts. she's starting to realise.
this is all not an excuse. it's a set up for a responsibility on jane's part to work to communicate with charlie better. but life is life. and we're humans. sometimes we need to learn to grow.
and in the mean time, in the small moments, maybe with what you would say is the bare minimum, with not agreeing with charlie's self deprecation, jane does show her love of her son.
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i don't think it's without reason that this was shown.
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i have not read the novel solitaire / nick & charlie / this winter. feel free to add in comments if there's something in there too! but i do feel the series might incorporate jane's storyline maybe a little bit differently than from in the books; but it sounds like her controlling behaviour is a throughline to it all.
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leave-a-whisper · 1 year
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I posted this on twitter but I want to expand on it here without character limits.
If you need context, see this tweet.
I don't talk much about heartstopper because I find the fandom disgusting (and tonight is a perfect example of that) but I do need to say something about this because I am honestly so horrified and angry right now. An eighteen-year-old kid was just forced to come out after being harassed online for months by people who felt entitled to his sexuality.
This is one of the many reasons I feel so disillusioned with the queer community. This is something that is mostly coming from queer people who believe that you have to be queer in order to play a queer character, 'act' queer in public, or even so much as question your identity. None of this is true. Kit's sexuality has nothing to do with his role as an actor, and neither does anyone else's. This is harassment of queer people and we need to start calling it what it is because this needs to fucking stop.
Don't just call it out when it comes from 'straight' people, because queer people are doing it too and it's sickening.
The worst part about all of this is that the misuse of the word queerbaiting, the constant pressure of closeted people to the point where they have to come out, this is all born out of this new wave of fake online 'activism' coming mostly from other queer people. It's not activism, it's harassment.
The reason this is so disheartening is because this is a form of emotional manipulation against queer people that is more harmful than most forms of homophobia I've come across in my life.
Kit will never get justice for this. Every queer person you guys have forcibly outed will never get justice. You guys love accountability unless it goes the other way and the only apologies these people will get are from those of us who have been speaking out about this since the beginning.
If you are one of those people who have used the term 'queerbaiting' to engage in this kind of harassment, you need to step back from your online bubble and think about what it is that you did. You stole an extremely important moment from someone, a moment he will never ever get back.
Only you should chose how and when you come out. No one else is entitled to that. You wouldn't want someone to take it from you, so don't take it from anyone else.
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