Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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Castor and Pollux are actually so sad.
So in the riordanverse, Castor and Pollux are Dionysus’s twin sons.
In mythology, Castor and Pollux were the twin (half and full) brothers of Helen of Troy (and Clytemnestra). Zeus had turned into a swan and uhh… slept with their mother, Leda, the Queen of Sparta, who had also slept with her husband, Tyndareus, the King of Sparta, so the following quadruplets that were born had different fathers. Castor and Clytemnestra were the children of Leda and Tyndareus, and Helen and Pollux were children of Leda and Zeus. Castor and Pollux were identical twins despite having different fathers, and they were inseparable and became known as the Dioscuri.
Long story short, Castor ends up being killed and Pollux is so distraught that he asks Zeus to kill him so that he could be with his brother, or he asks Zeus to bring Castor back to life (the sources in my admittedly brief research varied between the two). In the end, Zeus agrees to split Pollux’s immortality between the two, allowing them to be together in the sky as the constellation Gemini for half of the year, and reside in the Underworld for the other half. They are the Gemini twins.
So, we already know that Rick Riordan likes to make parallels to different Greek Myths with his characters (ex: Clarisse and Silena paralleling Achilles and Patroclus), and this is another sad instance. He gave Dionysus, the son of Zeus, twin sons named Castor and Pollux, and then killed Castor in the Battle of the Labyrinth.
I just wish we got to see more of Pollux’s grief in the aftermath. We get a little bit, when right before they burn the shrouds Pollux goes up to say a few words but can't, but I kind of wish we got to see some of the heartbreaking devotion in Pollux that was in his mythological counterpart.
Anyway, Rick was really out there writing tragedy into even the background characters that had only been mentioned maybe two or three times before.
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sorry for the vent, but nothing annoys me more than people who don't read the comics because they claim they don't want to read inconsistent characterization. Just say you're too attached to the fandom versions of the characters! You don't want to find out what they are actually like!! Being inconsistent with what you like is not the same as being inconsistent!
Because, at the end of the day, these people don't know if the stories are inconsistent because they don't actually know the characters, they haven't read the context, and they don't know how the events in the story came to be. These characters have been around for decades. They've "done" almost everything under the sun. If someone's only heard a laundry list of things they've done (usually told by a pretty biased 3rd party, myself included) then of course the actions are going to sound inconsistent. The connecting tissue of how they got from point A to point B is the entire point of a story.
I think this urks me so much because it’s always couched in this haughty, "it's impossible to read all of the comics and they’re not good enough to try" language, which for one thing, is just such a dismissive attitude of something they claim to love. But the other thing is that, so often, these people love to talk or write about specific comic events. If all they're writing about is the batfam going for a day at Disneyland, then yeah, they don't need to read anything. But if they're specifically writing a fic to address, like...Tim and Jason's fight at Titans Tower, or Bruce's return from the timestream, especially in a “fix-it” framing, and they can't be bothered to read the *40 pages of pictures where that happens*....what is this manufactured outrage? Are they just trying to be angry about something that never happened? Are they so obsessed with the canon being wrong that they can't give the thing they're mad at a chance to be right?
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