"internet historian's alt-right anyways" "great day to have never liked james somerton" "never even heard of illuminaughtii before this lol"
that's great buddy but don't go around thinking you're immune to this. if you're not looking for plagiarism, you likely won't notice it unless its egregiously obvious. hell, you've probably consumed plagiarized content without even realizing it. even hbomb pointed out that these people disguised what they presented pretty well as long as you didn't try and dig deeper. don't come away just thinking of this as a callout piece, take this as an important lesson about vetting your sources. if googling scripts in quotes was enough to expose the original, we should all start doing that shit!!
edit: it got a little too doomer-y a little too fast so one quick addition
this is hbomb's curated playlist of queer creators, many of whom were victims of plagiarism
this is producer kat on reddit calling for any more plagiarism discoveries and for queer content creators to be uplifted
please take some time to uplift these creators and recommend any you know! if you can help uncover more of the original creators whose work was lifted that would be great too :)
UPDATE- From Hbomb's twitter: "We're in the process of cataloguing everyone James Somerton plagiarised and finding their contact information. Which is quite a task, so to help us out: If you see this and happen to be one of the people Somerton stole from, please email us at
[email protected]"
edit 2:
31K notes
·
View notes
Often when trans women ask me when I'm performing next, and I tell them that it's a queer/trans event, they will tell me that they'd rather not go because they do not feel comfortable or safe in those spaces, that they have been dismissed or belittled at such events before. Even trans women who are dyke- or bisexual- identified often don't feel welcome or relevant in queer/trans spaces. And whenever a trans woman or ally points out aspects about the queer/ trans community that contribute to these feelings of irrelevancy and disrespect—such as the way our community coddles those who support trans-woman-exclusionist events or who make trans-misogynistic comments—we are described as being "divisive." This use of the word "divisive" is particularly telling, as it implies that "queer/trans" represents a uniform movement or community—a "oneness"—rather than an alliance where all voices are respected.
Julia Serano, Whipping Girl. Published 2007.
4K notes
·
View notes
what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?
Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:
“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”
Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.
That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.
Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,
“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”
In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,
“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”
I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.
I'll always have more to say but I'm cutting myself off here! Thanks for the ask
463 notes
·
View notes
IANTJE!!!!!!!!! GRGBWHBBBDGAHHAHH
552 notes
·
View notes
"For both bonobos and chimpanzees, the bodies of the dead evoke many emotions. Even if the process often begins with trauma and confusion, typically corpses shift to a liminal status; not alive, but equally not a lump of meat. They're more intensively manipulated than hunted animals, and carried for longer. In some – if not all – cases, the eaters must know what and who they're consuming. Cannibalism is very probably a powerful means by which individuals and groups process the impact not only of killings carried out on emotional impulses, but other deaths too. In other words, it's about grieving.
[...]
"Shift these scenarios to Neanderthals, and add into the mix their far greater cognitive sophistication, and lives that revolved around using lithics. Suddenly it's not difficult to envision how skills in carefully taking apart hunted carcasses might be transposed into a grieving process that involved butchery and cannibalism as acts of intimacy, not violation."
Rebecca Wragg Sykes, Kindred: Neanderthal Life, Love, Death and Art
143 notes
·
View notes
The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
57 notes
·
View notes
hello! i hope it's alright to ask you this but i was wondering if you have any recommendations for books to read or media in general about the history of judaism and jewish communities in egypt, particularly in ottoman and modern egypt?
have a nice day!
it's fine to ask me this! Unfortunately I have to preface this with a disclaimer that a lot of books on Egyptian Jewish history have a Zionist bias. There are antizionist Egyptian Jews, and at the very least ones who have enough national pride that AFAIK they do not publicly hold Zionist beliefs, like those who spoke in the documentary the Jews of Egypt (avaliable on YouTube for free with English subtitles). Others have an anti Egyptian bias- there is a geopolitical tension with Egypt from Antiquity that unfortunately some Jewish people have carried through history even when it was completely irrelevant, so in trying to research interactions between "ancient" Egyptian Jews and Native Egyptians (from the Ptolemaic era into the proto-Coptic and fully Coptic eras) I've unfortunately come across stuff that for me, as an Egyptian, reads like anti miscegenationist ideology, and it is difficult to tell whether this is a view of history being pushed on the past or not. The phrase "Erev Rav" (meaning mixed multitude), which in part refers to Egyptians who left Egypt with Moses and converted to Judaism, is even used as an insult by some.
Since I mentioned that documentary, I'll start by going over more modern sources. Mapping Jewish San Francisco has a playlist of videos of interviews with Egyptian Jews, including both Karaites and Rabbinic Jews iirc (I reblogged some of these awhile ago in my "actually Egyptian tag" tag). This book, the Dispersion of Egyptian Jewry, is avaliable for free online, it promises to be a more indepth look at Egyptian Jews in the lead up to modern explusion. I have only read a few sections of it, so I cannot give a full judgment on it. There's this video I watched about preserving Karaite historical sites in Egypt that I remember being interesting. "On the Mediterranian and the Nile edited by Harvey E. Goldman and Matthis Lehmann" is a collection of memiors iirc, as is "the Man in the Sharkskin Suit" (which I've started but not completed), both moreso from a Rabbinic perspective. Karaites also have a few websites discussing themselves in their terms, such as this one.
For the pre-modern but post-Islamic era, the Cairo Geniza is a great resource but in my opinion as a hobby researcher, hard to navigate. It is a large cache of documents from a Cairo synagogue mostly from around the Fatimid era. A significant portion of it is digitized and they occasionally crowd source translation help on their Twitter, and a lot of books and papers use it as a primary source. "The Jews in Medieval Egypt, edited by: Miriam Frenkel" is one in my to read pile. "Benjamin H. Hary - Multiglossia in Judeio-Arabic. With an Edition, Translation, and Grammatical Study of the Cairene Purim Scroll" is a paper I've read discussing the Jewish record of the events commemorated by the Cairo Purim, I got it off either Anna's Archive or libgen. "Mamluks of Jewish Origin in the Mamluk Sultanate by Koby Yosef" is a paper in my to read pile. "Jewish pietism of the Sufi type A particular trend of mysticisme in Medieval Egypt by Mireille Loubet" and "Paul B Fenton- Judaism and Sufism" both discuss the medieval Egyptian Jewish pietist movement.
For "ancient" Egyptian Jews, I find the first chapter of "The Story of the Jews: Finding the Words 1000 BC-1492 AD” by Simon Schama, which covers Elephantine, very interesting (it also flies in the face of claims that Jews did not marry Native Egyptians, though it is from centuries before the era researchers often cover). If you'd like to read don't click this link to a Google doc, that would be VERY naughty. There's very little on the Therapeutae, but for the paper theorizing they may have been influenced by Buddhism (possibly making them an example of Judeo-Buddhist syncretism) look here (their Wikipedia page also has some sources that could be interesting but are not specifically about them). "Taylor, Joan E. - Jewish women philosophers of first-century Alexandria: Philo’s Therapeutae reconsidered" is also a to read.
I haven't found much on the temple of Onias/Tell el Yahudia/Leontopolis in depth, but I have the paper "Meron M. Piotrkowski - Priests in Exile: The History of the Temple of Onias and Its Community in the Hellenistic Period" in my to be read pile (which I got off Anna's Archive). I also have some supplemental info from a lecture I attended that I'm willing to privately share.
I also have a document compiling links about the Exodus of Jews from Egypt in the modern era, but I'm cautious about sharing it now because I made it in high school and I've realized it needs better fact checking, because it had some misinfo in it from Zionist publications (specifically about the names of Nazis who fled to Egypt- that did happen, but a bunch of names I saw reported had no evidence of that being the case, and one name was the name of a murdered resistance fighter???)
104 notes
·
View notes
マレレオ
union birthday
414 notes
·
View notes
In keeping with my recommendation of Cruel Beauty, an actual good YA book, instead of 🔥hotfire garbage🔥, aka Acotar, I thought I'd recommend another favourite of mine.
So, this time, I'm going to give an alternative recommendation to Fourth Wing by Rebecca Yarros. This post is definitely not inspired by the release of Iron Flame.
Instead please try:
Fireborne by Rosaria Munda❤️🔥
This recommendation is especially for anyone who fell for the advertising when FW first came out, and it was sold as a YA adjacent military dragon fantasy with a slow burn romance.
So if that sounds interesting to you and you want to read an actually well written story, go check out Fireborne.
Fireborne is a YA fantasy, the 1st book of the Aurelian Cycle (a completed trilogy).
It follows its two main characters in a military academy through their training to become dragon riders.
I personally have pitched this series to irl friends as a genderswapped Anastasia (animated movie) with dragons.
The story takes place right after a big revolution. The people overthrew the dragon riding aristocracy.
Our main characters meet up in an orphanage, where they grow up together and end up joining the military academy to become dragon riders.
A lot of the story revolves around the questions that come up when a newly formed government is put through crisis.
All seen through the eyes of the protagonists, who as teenagers are old enough to know what life was like before the revolution, but young enough to have grown up in the new system.
The story does a great job of dealing with the struggles that come with uprooting old deeply ingrained systems of oppression while trying to build a newer fairer system.
The dragons are an integral part of this theme. Unlike FW, in which magical abilities and creatures are added without regard for how they might impact the world or themes, in Fireborne, the dragons are the embodiment of political and military power.
When the aristocracy ruled their oppressive regime, they were the only ones allowed to own and ride dragons. After their fall, the new regime allowed regular people the opportunity to become riders.
However, the number of dragons is still limited, and the new regime, comprised of former revolutionary leaders, want to keep the new riders under their control.
So, in the end, they still come up with a system that allows for abuse and oppression because access to power remains restricted to a chosen few, the dragon riders and those who control them, the newly established government.
These themes make for really complicated and nuanced conflicts without easy solutions. The sequels make a great job with further expanding on these themes.
The military elements also all make sense in this series, and they employ logical means to train their most valuable military assets, their dragon riders unlike FW.
It also features one of my favourite slow burn romances (at least in YA), the relationship has actually depth and tension, while also providing believable reasons why the characters can't just get together.
I'm actually really salty that Fourth Wing took off practically overnight, while Fireborne has been out for ages and has consistently remained underhyped. But I guess it isn’t spicy... 😒
So, for anyone who picked FW up without realising that it is actually just a very trashy smutty romance mascarading as a high fantasy, I highly recommend reading Fireborne which comes with the added perk of not being written by a known zionist.
65 notes
·
View notes
more historical fiction needs to be set in ww1. bonus points if you fag it up
37 notes
·
View notes
I should probably reread the Tiffany Aching books now that I’m doing witchcraft.
29 notes
·
View notes
anyway, i’m leaving for my upstate eclipse trip on friday morning. gonna be about 8-10 hours in the car all by myself. i desperately need entertainment to occupy me during it. can i PLEASE get some music recommendations so i can check it out during the drive
20 notes
·
View notes
read the green bone saga this week and i’m just saying. if you want an in-depth political fantasy mafia thriller (yes all of those words apply) set in a post colonial nation that is navigating an unsure global political position and the potential exploitation of its culturally significant resource that simultaneously explores the bonds between family and how they can take different shapes in the wake of loss and love and life, with brilliantly developed, fleshed out characters and realistic pacing (both in world and in the actual delivery of the story). i HIGHLY recommend.
53 notes
·
View notes
i made what was a huge medical decision today that has been received very badly by my family and i feel absolutely nothing but pure freedom and joy about it. the thing i'm really fixated on rn is when should i post this fic i just finished
39 notes
·
View notes